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littjara-mirrorlake · 2 months

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The Color of Hope: Ambition, Necromancy, and Black Mana

Black is one of the most misunderstood colors in Magic: the Gathering, not least because it appears on the surface to be so straightforward. Look at the most iconic black cards of Magic and you'll see deals with demons, necromancy, mass destruction and cruelty and suffering–the trappings of classic fantasy evil. Even the color's symbol itself is a skull, a universal signifier of death and danger.

And in early Magic that seemed to be all it was. White was the color of Fantasy Good, black was the color of Fantasy Evil, and the rest of the colors were... fire magic? Elves? Whatever odd but intriguing skeleton affairs are implied by Time Walk?

Gradually, though, Magic deepened as both a game and a storytelling medium. The color pie grew into itself as a system of complementary philosophies, archetypes whose associated aesthetics were only part of the full picture. Their arrangement around the wheel, below, is highly deliberate; neighboring colors are said to be allies with a high degree of philosophical and mechanical overlap, while colors on opposite sides of the pie are known as enemies, more likely to disagree on fundamental levels.

Black stopped merely representing capital E Evil and became the color of striving for power; unlike its peers, black felt that nothing, least of all morality, could prevent it from seizing what it wanted. Mark Rosewater's 2015 article about black emphasized the color's focus on the self:

"Black's philosophy is very simple: There's no one better suited to look after your own interests than you... Many costs require the sacrifice of others for your own advancement. Because it puts itself first, black is always willing to make this trade. The weak must fall for the strong to thrive." -Mark Rosewater

At its worst, black is an exploitative, amoral color that prioritizes itself at the expense of all others, allowing the "weak" to fall and scorning the very idea of compassion. Rosewater writes that black is "always willing" to trade others for itself. And these can certainly be parts of black's philosophy, when taken to its worst possible extremes, but they're far from the entire story.

Over time, Magic's outlook on black gained nuance. Magic story introduced protagonists like the necromancer Liliana Vess, whose craving for immortality, seemingly exploitative nature, and demonic deals called back to the oldest portrayals of black–and yet she was not one-dimensionally evil. She underwent character development over the years, learning the value of reclaiming herself and standing beside others, and at no point did she become any less mono-black for it. Remember her; we will come back to Liliana and her story later.

In addition to the usual death and decay, black cards began to feature a theme of relentless devotion. On the plane of Eldraine where each color represents a virtue, black's is persistence, explicitly as important as any other color. On the plane of Ikoria, the love between bonder and beast pulls Winota back from the brink of death. Wherever this Oathsworn Vampire printing is set, its flavor text is quintessentially black. It's the same self-driven attitude as before, but cast in a different light: black is nothing if not persistent when it's got its heart set on something (or someone) it cares about. Nothing, least of all the grave, will keep it down. After all, black will always come back for its own.

These newer cards uncovered the true face of black as a color capable of both great love and harm (sometimes even the latter for the sake of the former), and suggested a tantalizing new thread: perhaps putting yourself and yours first isn't all that bad, necessarily. Black is a deeply protective color; it says you don't just have to accept what you're handed, it's okay even to be furious about it (hello, ally color red), but let that galvanize you to do something about it.

Vraska, a gorgon who faces extreme discrimination on her home plane of Ravnica, triumphs by reclaiming herself, gorgon powers and all–and even more radically, loving herself. She displays traits often considered the purview of white and green, such as a love of home and a drive to elevate the oppressed, but they are all filtered through the lens of her black alignment. Vraska staunchly refuses to deny herself or her people, the Golgari Swarm, of their value. Nor does she allow law or propriety to prevent her from championing them by any means necessary–even if that means cold-blooded murder, or aligning herself with a villain like the Planeswalker Nicol Bolas.

"[Vraska] thought of Mazirek, of the kraul, of the rest of the Ochran assassins and the malignant Jarad who reigned with casual ruin over the most downtrodden of the downtrodden. She remembered her years of isolation, and the heinous cruelty of the Azorius, and how no group deserved to suffer as much as those who would subjugate her own. Eliminating that hell was all she ever wanted." -The Talented Captain Vraska, Alison Luhrs

Like Vraska, black loves fierce and hard, willing to break any taboo for the sake of those it cares about. And it whispers, the entire way through, you are enough. You deserve better. No matter what others may say or do, you are enough.

"If I am to be met with disrespect, then I must first love myself with a fierceness no fool can take away." -Vraska in Pride of the Kraul, Alison Luhrs

Even black's "ruthlessness" isn't as fundamentally cruel as it appears, centering a passion for problem-solving (shared by its other ally blue) instead of a blunt disregard for others.

"People don’t understand the word ruthless. They think it means 'mean.' It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution. Not caring about anything else but the perfection of it." -K. A. Applegate

All of this comes together to make a black a color not of evil but of strength, integrity, and persistence. And that's all well and good, but I'm going to take it even further and put forward a new proposition: that black is the color of hope.

Of the nine mono-black Magic cards with "hope" in their names, all but Liliana portray black as an instrument of hope's destruction. This is, once again, black's flaw taken to its extreme–crushing others to achieve its own ends–but neglects black's own relationship with hope.

Black, more than any other color, requires hope to stay alive.

For black to persist, it must believe in a light at the end of the tunnel, a future in which its goals are realized. As long as it does, it will endure any hardship, walk through fire, and turn reality itself upside down on its way there. Primal, desperate ambition is the engine of hope that burns at the heart of black, keeping it always one step ahead of stagnation. Bitter and stubborn, black believes tomorrow will come because there is no other choice. After all, for black to relinquish hope is to let itself wither, regress, and die–an unacceptable outcome.

Thus, it is monumentally difficult to strip black of hope. That only makes it all the more crushing when it happens, when black contends with the idea that there is nothing it can do.

Black's deepest, darkest fear is helplessness.

Like any mono-black character, Liliana Vess is driven at her core by a seething, desperate hope. When Liliana first unlocks her necromantic power, it is out of a sheer refusal to allow her ill brother Josu to die, even when the esis root that would cure him is destroyed by enemy witches in an undead-raising ritual. She defies her previous training as a healer, which taught her only to take the safe path, in favor of a higher-risk and higher-reward approach: stealing life from the witches themselves to restore power to the esis root she needs. It is her knowledge that her brother needs her, and her sheer stubborn will to succeed, which allows her to defeat the witches against steep odds.

"Six foes, and Liliana stood alone. But Josu's life depended on her, and the power blossoming within her was more than enough." -Liliana's Origin: The Fourth Pact, James Wyatt

Tragically, however, Liliana's attempted cure goes horrifically wrong, transforming Josu into an undead being plagued by eternal suffering. In his pain, Josu attacks Liliana. For a while Liliana holds out hope, finding the power to fight back while she determinedly searches for a spell to reverse the harm she's done. It is when she realizes this isn't possible that her strength falters.

"All this time, she had believed… that she could turn the power of death to the service of life and health. That a healer should use every tool at her disposal. But Josu was the result, a horrible fusion of life and death, and all her spells meant to manipulate the life force of the living could do nothing to harm the dead." -The Fourth Pact

Liliana learns that even her own dark magic, fueled by determination, cannot solve the problem she's created. She discovers the hard limit of her willpower, and the despair of this discovery is what causes her Planeswalker spark to ignite.

At this time Planeswalkers are as gods, immortal and near-omnipotent. Liliana spends decades enjoying this affirmation of her capability before the Mending strips her and all her peers of their power, reducing them once again to mortal mages.

"Then the Multiverse reshaped itself, robbing her—and every other Planeswalker—of the godlike power they once had wielded. Some called it the Mending, as if something broken had been repaired, but to Liliana, it seemed the opposite. It broke her beyond any hope of repair." -The Fourth Pact

Once again, it is Liliana's fear of helplessness and her refusal to accept it that drives her to push beyond the bounds of propriety–this time, to make a pact with Nicol Bolas and four demons to maintain her immortality. It is not enough for her merely to delay death; she requires the security of knowing she is fully beyond its reach, that she will never be helpless before it again as she was with Josu.

"Holding death at arm's length for whatever years are left to me? No, that's not enough. I want to be free of its shadow." -Liliana in The Fourth Pact

Black isn't like its enemy colors white and green, which are superficially associated far more often with hope. Unlike white, it doesn't believe that conviction, justice, and community will bring about rightness. Unlike green, it doesn't trust in the wisdom of the world or the natural order. Black believes that nothing will change unless you make it change; ultimately, black's self is the only one it can trust to bring about the world it needs. In addition, black lacks its enemies' idealism. Instead, it strives to be a pragmatic realist, making a final assessment of defeat all the more definite and crushing.

While white and green are more amenable to finding hope and holding it aloft as a banner, black claws hope desperately to its chest with shredded, bloody fingernails. Every ounce of hope black has, it tore by itself from the clutches of an uncaring world.

Ironically for such a self-driven color, black's fierce hope is the greatest asset it can provide to others–on its own terms, of course. It was Liliana who turned the tide of battle against the Eldrazi titan Emrakul, defiant in the face of cosmic despair. And when Nicol Bolas made his bid to return to godhood, using Liliana's necromancy to command his undead hordes, Liliana finally turned against him. In reclaiming her power, so too did she use it to free her fellow Planeswalkers from Bolas' assault. Her fear of helplessness no longer shackled her to him; agency and autonomy were hers at last.

The triumph of black, its moment of ultimate victory, is the hard-won fulfillment of its hope.

"Do not go gentle into that good night. Rage, rage against the dying of the light." -Dylan Thomas

An aetherborn, railing against the shortness of their natural lifespan, constructs a new body for themself with their own bare hands. An artificer's grief over her lost companion causes her to push invention to its limits. A young girl who loves her brother calls on the darkest of powers to save him. As it turns out, necromancy–that original thematic keystone of black–is only one of black's many, many refusals to let go of love and hope once it has them, even in the face of the ultimate end.

Time and time again, black–in love with life, ablaze with hope–looks the Grim Reaper in the eye and tells it: "Not today."

#mtg #magic the gathering #color pie #black mana #liliana vess #vorthos #literary analysis #war of the spark #magic origins #planeswalker #nicol bolas #vraska #necromancy

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fatehbaz · 9 months

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In fact, far more Asian workers moved to the Americas in the 19th century to make sugar than to build the transcontinental railroad [...]. [T]housands of Chinese migrants were recruited to work [...] on Louisiana’s sugar plantations after the Civil War. [...] Recruited and reviled as "coolies," their presence in sugar production helped justify racial exclusion after the abolition of slavery.

In places where sugar cane is grown, such as Mauritius, Fiji, Hawaii, Guyana, Trinidad and Suriname, there is usually a sizable population of Asians who can trace their ancestry to India, China, Japan, Korea, the Philippines, Indonesia and elsewhere. They are descendants of sugar plantation workers, whose migration and labor embodied the limitations and contradictions of chattel slavery’s slow death in the 19th century. [...]

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Mass consumption of sugar in industrializing Europe and North America rested on mass production of sugar by enslaved Africans in the colonies. The whip, the market, and the law institutionalized slavery across the Americas, including in the U.S. When the Haitian Revolution erupted in 1791 and Napoleon Bonaparte’s mission to reclaim Saint-Domingue, France’s most prized colony, failed, slaveholding regimes around the world grew alarmed. In response to a series of slave rebellions in its own sugar colonies, especially in Jamaica, the British Empire formally abolished slavery in the 1830s. British emancipation included a payment of £20 million to slave owners, an immense sum of money that British taxpayers made loan payments on until 2015.

Importing indentured labor from Asia emerged as a potential way to maintain the British Empire’s sugar plantation system.

In 1838 John Gladstone, father of future prime minister William E. Gladstone, arranged for the shipment of 396 South Asian workers, bound to five years of indentured labor, to his sugar estates in British Guiana. The experiment with “Gladstone coolies,” as those workers came to be known, inaugurated [...] “a new system of [...] [indentured servitude],” which would endure for nearly a century. [...]

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Bonaparte [...] agreed to sell France's claims [...] to the U.S. [...] in 1803, in [...] the Louisiana Purchase. Plantation owners who escaped Saint-Domingue [Haiti] with their enslaved workers helped establish a booming sugar industry in southern Louisiana. On huge plantations surrounding New Orleans, home of the largest slave market in the antebellum South, sugar production took off in the first half of the 19th century. By 1853, Louisiana was producing nearly 25% of all exportable sugar in the world. [...] On the eve of the Civil War, Louisiana’s sugar industry was valued at US$200 million. More than half of that figure represented the valuation of the ownership of human beings – Black people who did the backbreaking labor [...]. By the war’s end, approximately $193 million of the sugar industry’s prewar value had vanished.

Desperate to regain power and authority after the war, Louisiana’s wealthiest planters studied and learned from their Caribbean counterparts. They, too, looked to Asian workers for their salvation, fantasizing that so-called “coolies” [...].

Thousands of Chinese workers landed in Louisiana between 1866 and 1870, recruited from the Caribbean, China and California. Bound to multiyear contracts, they symbolized Louisiana planters’ racial hope [...].

To great fanfare, Louisiana’s wealthiest planters spent thousands of dollars to recruit gangs of Chinese workers. When 140 Chinese laborers arrived on Millaudon plantation near New Orleans on July 4, 1870, at a cost of about $10,000 in recruitment fees, the New Orleans Times reported that they were “young, athletic, intelligent, sober and cleanly” and superior to “the vast majority of our African population.” [...] But [...] [w]hen they heard that other workers earned more, they demanded the same. When planters refused, they ran away. The Chinese recruits, the Planters’ Banner observed in 1871, were “fond of changing about, run away worse than [Black people], and … leave as soon as anybody offers them higher wages.”

When Congress debated excluding the Chinese from the United States in 1882, Rep. Horace F. Page of California argued that the United States could not allow the entry of “millions of cooly slaves and serfs.” That racial reasoning would justify a long series of anti-Asian laws and policies on immigration and naturalization for nearly a century.

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All text above by: Moon-Ho Jung. "Making sugar, making 'coolies': Chinese laborers toiled alongside Black workers on 19th-century Louisiana plantations". The Conversation. 13 January 2022. [All bold emphasis and some paragraph breaks/contractions added by me.]

#abolition #tidalectics #caribbean #ecology #multispecies #imperial #colonial #plantation #landscape #indigenous #intimacies of four continents #geographic imaginaries

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liver-f4ilure · 2 months

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The Charleston Church Shooting: Dylann Roof

*NOTE! This is a repost! And it will look familiar CAUSE IVE POSTED IT ON ANOTHER ACCOUNT!! Is it the best? No.*

—

Early life/ Prior convictions

Dylann was born April 3rd 1994 to mother Amelia and father Franklin with 2 sisters Amber and Morgan. During early childhood his parents would divorce and his father would later remarry. His stepmother accused his father of abuse. He would beg his step mother to let him live with her but she wasn’t able to. Dylann would be described to have obsessive compulsive tendencies with germs. In middle school he would stop caring about school and started smoking weed and drinking vodka. In nine years he would have attended seven schools. In 2010 he would drop out of Highschool and continue playing video games and smoking weed and drinking.

(The Roofs home)

In 2015 he was caught with an invalid prescription for suboxone at a mall to which he was banned from for a year. Later that year he was caught loitering in the mall to which they searched his car finding a forearm grip for a AR-15 semiautomatic rifle and six unloaded magazines capable of holding 40 rounds each but was let off it was legal in the state. Roofs Suboxone charge was mishandled and a system error took it as a misdemeanour instead of a felony. Which would have possibly prohibited him from purchasing the firearm.

(The flag of Rhodesia)

Later Dylann would look into the Trayvon Martin case and from an unknown article concluded Zimmerman was in the right. He then fell down a rabbit hole of black on white crime and misinformation. He then found 4chan and would find even more misinformation and hard right ideologies Dylann states he hasn’t been the same since that day. Which leads to his manifesto titled ‘The last Rhodesian’ Rhodesia being the African state founded in 1965 ran by primary Europeans and a white supremacy ideology before being abolished in 1979. The term now sticks with white supremac!sts like Dylann had became, as he also used the flag on his jacket. In preparation before the attack he looked up black churches and found the Emanuel Methodist Episcopal Church and would scout the area and ask around about mass times.

The shooting

(The Emanuel Methodist Episcopal Church)

June 15th 2015 somewhere around 8:00pm Dylann entered the church, once he did he was greeted by Rev.Pinckney and given a bible to study with. Roof was sat next to Pinckney as the study continued. As the study closed and the ending pray started Roof stood up and pulled out his Glock 41 .45 calibre handgun and began shooting. Killing Pinckney first. Then 26 year old Tywanza Sanders stood up to plead with Dylann before he said ‘I have to do it. You rape our women and you’re taking over our country and you have to go’ he then shot and k!lled Sharonda Singleton, Dr. Daniel L. Simmons, Ethel Lee Lance, Cynthia Hurd, Myra Tompson and Tywanza Sanders. Dylann would reload 5 times that day. Polly Shepherd was spared when he asked her if he shot her yet to which she replied no he then told her ‘good cause we need someone to survive because I’m gonna shoot myself and you’ll be the only survivor. He then turned the gun on himself realizing he was out of ammo. He then left the church to the surprise there wasn’t anyone outside. The next day the police confirmed the gunman was 21 year old Dylann Roof with witnesses reporting they saw him drive towards Shelby, a town close to Charleston. At 10:44am Roof was arrested at a traffic stop in Shelby where it was then confirmed he worked alone.

(The victims)

The Trial

Five days after the shooting the grand jury announced that Roof was being indicted for 33 federal charges.

12 counts hate crime against black people

12 counts obstructing the exercise of religion

9 counts murder using a firearm.

On June 6th Roof reportedly did not want to be trialed by jury and instead let the judge decide if he was guilty and if the death penalty was reasonable. August 23rd Roofs lawyers called the motion of death penalty unconstitutional and asked to reject the motion. On September 1st an on camera hearing was held in case of outbursts. December 7th 2016 the trial started. During a survivor statement Roofs mom collapsed as she had a heart attack. After 3 days of the trial FBI played a video on which he admitted to laughing and drinking while describing to friends how he’d shoot the church. To which his friend didn’t report to police and said he was drunk and took his keys and Glock that was on him. After 2 hours the jury found him guilty on all 33 charges. Roof wanting to plead guilty but told not to by lawyers.

(Roof at his video hearing)

January 10th 2017 Roof was sentenced to the death penalty,death by lethal injection.

#tc community #tcc columbine #tccblr #true cringe community #tcc tumblr #dylannstormroof #info post #informative #information #eric columbine #dylan columbine #eric and dylan

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punkeropercyjackson · 2 months

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Resources for non-malicious Batfanon blogs that're genuinely confused on what to watch/read/play

Bruce:The Batman 2022

Dick:Teen Titans 1966,New Teen Titans,The Titans and Outsiders 2003

Tim:Lonely Place of Dying,Robin 1993,Young Justice 1998 and Red Robin

Cass:No Man's Land,Batgirl 2000 and Shadow of The Batgirl

Damian:Son of Batman 2015,Streets of Gotham,Supersons,Gotham Academy(only gueststars but features his 1st civillian friend),Robin 2021 and Batman and Robin 2023

And i made my own complete manual for Jason which includes reading lists for Duke and Stephanie by other users

Here is pre-Morrison Talia,aka the only Talia as Morrison is a raging islamophobe

And Selina by @pyrocortex who's as dedicated to her as i am Jason(platonically that is)

When i say 'non-malicious',i mean Batfam fans who've been lied to about canon to rope them into perpetuating the mass and inherent bigotry in Batfanon and placated into fence sitters by old whites that don't understand Batman lore any better than your average fake geek guy.Bruce has 6 canon kids and isn't a serial adopter but an adopter of abused or orphaned kids only,Dick has Eldest Daughter Syndrome but actually(as stated by me and a friend)and includes tgirl swag,Tim isn't a white male power fantasy and that includes not one for white racist gays either,Cass was invented specifically to DEFY easian woman stereotypes,Damian is only a monster if you hate brown people,Jason is quite literally the other way around of everything Batfanon says of him,Stephanie is audhd bpd-coded and should be black based on personality alone,Duke is a 2000s cartoon protagonist that only gets ignored because he's black and Talia and Selina are way more than your 'haha Bruce is gay' joke,trust

Oh also,'Batman and Robin are slang for gay' isn't a thing actual comics writers did.It was purely spectulation specifically on ADULT Batman fans' part and Devin Grayson who is frequently cited on why Batcest is canon and therefore good has apologized for her Nightwing runs and said it was a bad coping mechanism on her part.Worth noting the Batrobin rumors were created at a time when they had to take out Batcat from the Adam West Batman show due to recasting Selina as Eartha Kitt and the segregation laws that were a thing back then.So take that as you will in how it reflects the mentality at the time,including regarding children's rights as child abuse was even more extreme due to it being 'normal' and 'justifiable' due to 'history'.Holy decontextualization,Batfans!!!

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org4n-failur3 · 5 months

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The Dylann Roof case- In Depth

I DO NOT SUPPORT. THIS IS INFORMATIONAL!

Pls reblog incase I get trmed!

Dylann was born April 3rd 1994 to mother Amelia and father Franklin with 2 sisters Amber and Morgan. During early childhood his parents would divorce and his father would later remarry. His stepmother accused his father of abüse. He would beg his step mother to let him live with her but she wasn’t able to. Dylann would be described to have obsessive compulsive tendencies with germs. In middle school he would stop caring about school and started smoking weed and drinking vodka. In nine years he would have attended seven schools. In 2010 he would drop out of Highschool and continue playing video games and smoking weed and drinking.

Later Dylann would look into the Trayvon Martin case and from an unknown article concluded Zimmerman was in the right. He then fell down a rabbit hole of black on white crime and misinformation. He then found 4chan and would find even more misinformation and hard right ideologies Dylann states he hasn’t been the same since that day. Which leads to his manifesto titled ‘The last Rhodesian’ Rhodesia being the African state founded in 1965 ran by primary Europeans and a white supr3macy ideology before being abolished in 1979. The term now sticks with white supremac!sts like Dylann had became, as he also used the flag on his jacket. In preparation before the attack he looked up black churches and found the Emanuel Methodist Episcopal Church and would scout the area and ask around about mass times.

June 15th 2015 somewhere around 8:00pm Dylann entered the church, once he did he was greeted by Rev.Pinckney and given a bible to study with. Roof was sat next to Pinckney as the study continued. As the study closed and the ending pray started Roof stood up and pulled out his Gl0ck 41 .45 calibre handgûn and began sh00ting. Killing Pinckney first. Then 26 year old Tywanza Sanders stood up to plead with Dylann before he said ‘I have to do it. You r4p3 our women and you’re taking over our country and you have to go’ he then wh0re and k!lled Sharonda Singleton, Dr. Daniel L. Simmons, Ethel Lee Lance, Cynthia Hurd, Myra Tompson and Tywanza Sanders. Dylann would reload 5 times that day. Polly Shepherd was spared when he asked her if he shot her yet to which she replied no he then told her ‘good cause we need someone to survive because I’m gonna sh00t myself and you’ll be the only survivor. He then turned the gûn on himself realizing he was out of ammo. He then left the church to the surprise there wasn’t anyone outside. The next day the police confirmed the gûnman was 21 year old Dylann Roof with witnesses reporting they saw him drive towards Shelby, a town close to Charleston. At 10:44am Roof was arrested at a traffic stop in Shelby where it was then confirmed he worked alone.

Five days after the sh00ting the grand jury announced that Roof was being indicted for 33 federal charges.

12 counts hate crime against black people

12 counts obstructing the exercise of religion

9 counts mûrd3r using a firearm.

On June 6th Roof reportedly did not want to be trialed by jury and instead let the judge decide if he was guilty and if the d3ath penalty was reasonable. August 23rd Roofs lawyers called the motion of d3ath penalty unconstitutional and asked to reject the motion. On September 1st an on camera hearing was held in case of outbursts. December 7th 2016 the trial started. During a survivor statement Roofs mom collapsed as she had a heart attack. After 3 days of the trial FBI played a video on which he admitted to laughing and drinking while describing to friends how he’d sh00t the church. To which his friend didn’t report to police and said he was drunk and took his keys and gl0ck that was on him. After 2 hours the jury found him guilty on all 33 charges. Roof wanting to plead guilty but told not to by lawyers.

January 10th 2027 Roof was sentenced to d3ath penalty, and d3ath by lethal injection.

NOTE: if I get anything wrong please tell me! This was from an old project I had.

-Vivi

#info post #information #dylannstormroof #dsr #tccblr #tc community #tcc columbine #vivi stfu

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belle-keys · 1 month

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A strong suggestion of plagiarism: Detailing the similarities between Anne Bishop’s The Black Jewels trilogy and Sarah J. Maas’s ACOTAR series

Anne Bishop released her The Black Jewels trilogy between 1998 and 2003. It is a dark fantasy book trilogy, part of a larger fantasy saga within the world of The Black Jewels. Sarah J. Maas released the first book in her A Court of Thorns and Roses fantasy romance series, which goes by the same name, in 2015. This popular series of Maas is still ongoing.

For the last decade, many individuals have noticed glaring similarities between Maas’ fantasy series and Bishop’s earlier books. From character names to world-building elements and plotlines, several readers have concluded it is highly possible that Sarah J. Maas has plagiarized major aspects of Bishop’s work in the ACOTAR series. For purely legal reasons, I am hesitant to say outright that Mass indeed plagiarized The Black Jewels in ACOTAR. However, I do believe that there is very strong evidence indicating that Maas may have done so. Please note all my screenshots here are all from The Black Jewels and I can provide more if necessary.

This post presents my observations of the similarities between Maas’ book series compared to Bishop’s trilogy. Indeed, there are several elements that are near-indentical in Maas’ series compared to Bishop’s. Whatever is in brackets is my shabby-MLA-esque way of referencing in which specific book you can find the content I'm talking about. I am aware others have made similar posts on Tumblr and Reddit, and I salute them! Here, I am merely outlining what I have noticed myself, and I imagine there will be significant overlap between his post and others online.

The Eyrians and the Illyrians

The Eyrians are a winged warrior race in TBJ, described as having tanned skin, black hair, gold eyes and "batlike wings". They are one of the long lived races and live thousands of years, based upon a lofty mountain range in their realm. They are a warrior race with a long history of physical fighting, often reputed to be "backward" by aristocrats in their realm (DOTB, HTTS). Their "dark, membranous" wings are the prized physical feature among their race and they have a tradition of turning to militarism and barbarism during skirmishes (DOTB). Cutting off or clipping an Eyrian's wings is the greatest torture and the worst dishonour for a warrior (HTTS). The Illyrians in ACOTAR are a virtually identical winged mountain warrior race with a similar culture and physical features including "black, membranous" wings and tanned skin (ACOTAR). The Eyrians, like the Illyrians, yearn for freedom of their expansive mountains and the war camps within them.

Eyrian males are raised to be warriors in hunting camps in the mountains, while females are forbidden from touching weapons and are confined to domestic pursuits. Eyrian women are often mistreated and are usually expected to be docile and subservient to their militaristic males (QOTD). This is the same gender construct present among the Illyrians in ACOTAR.

The Eyrians in TBJ carry prejudices against half-Eyrians, similar to the Illyrians' prejudices against "half-breeds" like Rhysand in the ACOTAR series (ACOMAF). The word “half-breed” is actually used to describe an important half-Eyrian in TBJ, Lucivar Yaslana.

The Eyrians have a practice known as the "Blood Run" which is a rite of passage taken by skilled Eyrian warriors in their mountains, rather similar to both "Nephelle's Run" and the "Blood Rite" which we learn about in ACOWAR and ACOSF respectively.

Powerful Illyrians, like Cassian and Azriel, use siphons—colourful, jeweled gauntlets that channel and hone their magical power. This is eerily similar to the way aristocrats in TBJ use jewels to channel and concentrate their power. The Illyrians also wear fighting leathers while the Eyrians wear black skintight leathers to go to battle.

Lucivar Yaslana and Cassian

Lucivar Yaslana is an Eyrian male who commands a large portion of the Eyrian troops. He is described as a "bastard", both as an insult and a jest in TBJ, because his father and his mother were unmarried and he did not grow up knowing his father who’s the High Lord. The same situation is pertinent to Cassian in ACOMAF whose "bastard reputation" precedes him.

In QOTD, Lucivar begins training Eyrian females to defend themselves and fight military-style, which is a radical move in the realm and receives a lot of push-back from fellow Eyrian males. Lucivar wants to make sure the Eyrian women tap into their strength, at least a little, to prevent them from being helpless when under attack or in battle. There's a few heartwarming training montages in QOTD where he whips them into shape. Cassian leads a similar initiative in ACOSF where he trains Illyrian women so they learn to defend themselves and some even become respected warriors.

Lucivar has gold eyes, big wings, big muscles, shoulder-length dark hair, and light brown skin. Cassian also has gold eyes, big wings, big muscles, shoulder-length dark hair, and light brown skin. Lucivar ultimately reports to the authority of his queen and serves her faithfully just as Cassian reports to authority of his High Lord and Lady and serves them faithfully.

Daemon SaDiablo and Rhysand

Daemon SaDiablo of TBJ was forced to serve as a sex slave in the court of an evil priestess, Dorothea of Hayll, and he has experienced a lot of trauma and pain for hundreds of years due to being forced to serve in the bedchamber of this abusive enslaver. Rhysand similarly serves as a sex slave to Amaratha for 50 years when she builds her court Under the Mountain. In TBJ, the evil queen who conquers the realm through cruelty and corruption, Dorothea, enslaves multiple males to serve her in bed and she even banishes Lucivar to land's brutal "salt mines" when he becomes disobedient. Daemon is known as "Hayll's whore" by the public in DOTB just as Rhysand is known as "Amarantha's whore" by the public in ACOTAR.

Daemon has jet-black hair, golden skin, and a frighteningly beautiful face. Daemon is also known as a natural Black Widow, one of the one only male Black Widows ever in their world. As such, Daemon is one of the most powerful males in all the realm. Rhysand, similarly, has dark hair, a stunningly beautiful face, and has unique powers making him the most powerful High Lord. Daemon, like Rhysand, becomes the highest ranking male in his "Dark Court" and he is also the main love interest (QOTD).

Daemon has a habit of putting his hands in his pocket when he's nervous and/or trying to intimidate people. Rhysand has the same habit. Daemon is feared for his sadism and power in TBJ but is, deep down, a good person and a devoted lover, similar to Rhysand’s persona being much crueler and sadistic than his real personality (ACOMAF).

Daemon originally starts seeing the protagonist of the series, Jaenelle, in his dreams and he recognizes while enslaved that she is the realm's salvation (DOTB, QOTD). Rhysand also begins seeing glimpses of Feyre in his dreams while enslaved Under the Mountain and he knew she was Prythian’s hope (ACOMAF).

Wingspans

We know that in the ACOTAR world, the wingspan of an Illyrian male is supposedly proportional to their, yunno, male parts. This is also the case in The Black Jewels where, in the second book, we learn a male's wingspan also corresponds to the size of his… down there.

Scents and gender

In TBJ, magical figures have the abilities to identify or smell another person based on his or her "psychic scent", which is their unique scent. The psychic scent also allows them to sense the magical abilities, emotions and traumatic experiences of other persons. Romantic couples also have a keen awareness of their partner's scent. This is the likewise the case in the ACOTAR world where mates and fae can identify and read each other based on specific scents including their arousal.

In TBJ, you can put up a "psychic shield" to stop someone from peering into your thoughts and reading you through your psychic scent. It's the same in the ACOTAR world, a concept introduced in ACOMAF, where you can put up a mental shield or barrier to stop someone like the daemati from breaking into your mind.

The males in TBJ can become quite territorial and possessive over their women and mates, almost animalistic based on their emotions. They purr and snarl and growl quite often, and Sarah J. Maas uses identical descriptive language regarding the bat boys.

Dragons and Amren

There's an older female character called Draca in TBJ who is a dragon in human form, trapped in a human body. Draca, who serves in the main character's Dark Court, has to decipher old texts in the TBJ because she is the only one who understands the ancient languages they contain. Draca is referred to as the "ancient one." This is exactly like Amren being known as the little "ancient one", a powerful angel in human form who is the only one that can decipher the Book of Breathings in ACOMAF.

There is a "creature" deep beneath the Keep and library of the High Lord of Hell in TBJ who, in HTTS, turns out to be a mighty dragon whose name is Lorn. Likewise, beneath the library in Velaris lurks Bryaxis who is a dangerous dragon-esque creature (ACOWAR).

Other worldbuilding plotpoints

There are “High Lords” of various realms in The Black Jewels and High Lord is not a traditional feudal title throughout history or mythology. One major character in TBJ is the High Lord of Hell, Saetan SaDiablo. His court, and that of his adopted daughter, is known as the Dark Court or the "Court of Darkness". Rhysand is the most powerful High Lord who presides over the Night Court which is also, in many ways, Prythian's own Court of Darkness.

The Dark Court in TBJ has a "first circle" that is comprised of the queen's most trusted courtiers. Rhysand's Court of Dreams in ACOMAF also has an "inner circle".

Jaenelle is known as "Dreams Made Flesh" because of her immense power and ability to deliver her lands from evil. Jaenelle was a saviour-figure who was dreamt up by the "dreamers" in her realm who were suffering and oppressed for many years, ruled over by cruel queens (QOTD). Likewise, the Court of Dreams and Feyre's defeat of Amarantha were, more or less, the product of dreamers who wished upon the stars (ACOMAF). Just like how Feyre possesses the power of all seven High Lords, Jaenelle is the magical figure to possess the power of all the various colored jewels in TBJ.

There is a character named Prythian in The Black Jewels who is a powerful priestess, and the main land that the ACOTAR series is set in is called Prythian. There's also an assassin-prostitute character in TBJ named Surreal, and the Suriel is character in the ACOTAR series.

The sigil/seal of Janelle's Dark Court in TBJ, we learn in the second book, is an image of a mountain with a unicorn’s horn above it. The main sigil of the Night Court in ACOTAR is a mountain below three stars. The vastness and freedom of mountains are a motif in both TBJ and ACOMAF.

Conclusion: There are others online who have pointed out the similarities between The Black Jewels and the Throne of Glass series, but it’s been many years since I read Throne of Glass and I’m rusty so I won’t touch it. Did Sarah J. Maas rip off Anne Bishop’s work? I think it could be proven in a court of law, but I’m quite hesitant to say outright that she’s guilty of plagiarism. Is Sarah J. Maas guilty of serious unoriginality? Yes, definitely. A preliminary search online will tell you that Sarah J. Maas has openly praised Bishop’s writing and she has even said that Lucivar is her favourite fantasy man of all time. Bishop's books were released when Maas was a teenager. Make of this what you will.

I’ve used a variety of tags on this post because, honestly, I’m not sure whether it falls into the “anti” category of posts or not. I think this post neutral in tone and exists just to catalogue the similarities between both series. I hence believe both fans and antis might appreciate it... for different reasons.

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kuwdora · 3 months

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Saturday Morning Vid Recs - Space and Robots

@tafkarfanfic asked me for vid recs that are similar to the following vids:

Data’s Dream by GayleF (Gayle) and TasheryS which premiered at Escapade in 1994 - made on a VCR!! - and was remastered by morgandawn in 2004. Definitely check out the Fanlore page about Data’s Dream. Star Trek + multi-source.

Starships by bironic. Multi-source. The history of Starships on Fanlore.

These two vids are iconic. Please check them out and learn about their history from the Fanlore page, it's a great look at some vidding history and culture. Amazing vids, do love. As for some recs. I love this kind of prompt. More vids like [this vid] is so much fun. I dug deep into my vid rec archives and brain and bookmarks. I’ve also crowdsourced some recs from the vidding discord. Thank you to @rukbat3, @sandalwoodbox, @fairestcat, @monkeyswithjetpacks, @grammarwoman for the reccing help! And everyone else I might have forgotten.

From Land to Sky - and kicking ass while you're there!

Landsailor by @singlecrow/raven. Multi-source. Swades (We, The People); Master and Commander; 3 Idiots; The Dish; The West Wing; Parks and Recreation; Flight of the Phoenix; NASA archive footage; Apollo 13. ❤️ We're gonna need a bigger boat. Come O’ Eclipse by melodytree. Tenchi: The Samurai Astronomer. Calendar-making! Math puzzles! Astronomy! Politics! Eclipses! Oh my! Galaxyrise by starlady. Multi-source. Apollo 13 (1995), Interstellar (2014), Gravity (2013), Europa Report (2013), Contact (1997), The Martian (2015). This vid is full of so much wonder! The sky calls to us/If we do not destroy ourselves/We will one day venture to the stars. Going through space with the world by bironic. Space Exploration RPF. ❤️❤️❤️ From "day in the life of an astronaut" videos to international stardom; or, Chris Hadfield and his adorable mustache. Monsters of the Cosmos by CherryIce. Thor/MCU. Jane Foster/Science.Cherry’s editing is goddamn incredible. In the last century, black holes have gone from being mathematical curiosities to real objects in the cosmos. This is a vid about Jane Foster and her one true love, Science. Also, Thor is there. Toxic by JinkyO. The Planets (TV - 2019). Humanity/The Solar System. This vid is so fucking brilliant and makes me cackle in love and awe so much. It's dangerous, I'm loving it. Sci-Fi Friday in a Blender by Luminosity. Multi-source. Farscape, Battlestar Galactica and Doctor Who. So much happening in this vid. This is among one of the earliest vids I remember watching and became obsessed with back in the day. Supernova Girl by @usuallyhats. Multifandom. Doctor Who, Star Wars, Babylon 5, Steven Universe, Andromeda, Farscape, Battlestar Galactica, Firefly, Mass Effect, Stargate. So many wonderful brilliant amazing EXCELLENT supernova women and girls. Zoom, zoom, zoom. Space Girl by @aurumcalendula. Multi-source scifi. Inspired by Charmax’s Space Girl vid and Bironic’s The Greatest. This vid has a great selection of newer tv shows and films and it’s fun to play spot that character. But also this vid will grab you by the heart, too. Utterly brilliant, perfection. A must watch!! 'I've been as far in hyperspace as anybody can.' One Girl Revolution by bessyboo. Star Wars, original and prequel. Padme and Leia!! Seeing these two focused on in one Star Wars vid is an adventurous kickass ride. I'll be everything that I want to be. Space Girl by charmax. Multi-source scifi. One of the most beautiful epic space vids out there! I know I’ve recced this before and I’ll rec it again and again and again. My momma told me I should never watch Sci-fi but I did, I did, I did.

Robots! More than wires.

If a Machine by caramarie, Multi-source. Robot narrative focusing on machine origin, intelligence, and interaction with humanity. And Human fallibility. An incredibly rewarding watch and rewatch. This is the story of cables and copper wirings. Electric Avenue by @monkeyswithjetpacks. Multi-source robots! Nate’s multi-vids are always so fun, especially when it’s showcasing classic cinema and all these excellent serials. Electric Avenue has source from 1919 to 2015. His editing is always on fucking point. Don’t miss this vid. We’re gonna rock down to electric avenue. Everybody by @kuwdora. Star Trek, the Borg. This vid was actually inspired by the Backstreet Boys original music video. I still have the vivid memory of watching or rewatching the original music video in @ars-amatoria ’s kitchen. And then at some point realizing it is perfect for the Borg. Am I original, am I the only one? Fembots by Grammarwoman. Multi-source. Sexy sharp editing and fun use of all the sources. The intersection of women and technology: a spectrum of clones, AIs, gynoids, cyborgs, and other artificial creations. On by @rhoboat77. Star Trek: Picard. A Soji fanvid. Rho has the sharpest editing skills this side of the Internet and this Soji vid is so fucking badass and worth 100 rewatches. Can’t hold me down cuz you know I’m a fighter. Que Sera Sera by @ohvienna. Star Trek Voyager and Picard. Seven of Nine.Nobody vids their Seven of Nine love like @ohvienna. You gotta watch this if you love Seven. Whatever will be, will be…"

Journey through Space.

To Touch the Face of God by destina. Multi-source. The Right Stuff (1983, )The Dream Is Alive, From the Earth to the Moon (TV).This is one of the most beautiful moving vids you will EVER, and I mean EVER see. From Chuck Yeager, to the Mercury 7, and on to Apollo and the Space Shuttle Program (STS) - a very human history of the triumphs, joys, and tragedies of the USA's journey into space. Doctor Who on Holiday by sisabet. Farscape, Battlestar Galactica and Doctor Who. A mashup vid of Luminosity’s Sci-Fi Friday in a Blender. This vid inspired me so much. And I have 10 very intense ideas about how I would do my own remix of this vid if I were to make it right now. Fly Me To the Moon by thirdblindmouse. Multi-source. This vid has everything! Alien sex! Xenophilia! Zero-gravity sex! Mpreg!!! Because everyone knows this song is about space sex. Game Night in Space by garrideb. Multi-source. This vid!!!!! IS! SO! MUCH! FUN!! Game on! How are you going to spend those long nights on your starship? Play games, of course! Space poker, space chess, space Monopoly… this is a fanvid celebrating game night in space, set to Don't Stop Me Now by Queen. Starships (Monochromatic Remix) by @monkeyswithjetpacks. Multi-source. See the Fanlore page on the history of Starships (Monochromatic Remix). ALSO check out jetpack-monkey’s extensive notes and side-by-side comparison vid of the original vid and his vid!! He matched Starships shot-for-shot! Most brilliant work ever. The vid notes aren’t on the ao3 page so I HIGHLY recommend checking out the notes on his dreamwidth page! This vid is 10 million kinds of brilliant and technical prowess and perfection.

Vidshow Rec

Alien Invasion! - 30 vids curated and organized into a show by @tafadhali for VidUKon 2024. Featuring films and tv shows: Nope, Attack the Block, Pacific Rim, Venom, Doctor Who, Stargate Atlantis, Star Trek, Prey, Smallville, Rowswell, Supergirl, Arrival, Starship Troopers and more.

Follow these tags to keep up with vid recs this summer:

#saturday morning vid recs

#kuwdora recs

A helpful guide I wrote:

How to Leave Feedback on Fanvids

#saturday morning vid recs #kuwdora recs #vid recs for takfarfanfic #kuwdora vid recs #vid rec #vidding #fanvid #fanvideo #fanvids #fan video #fan videos #fan edit #video edit

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blouisparadise · 4 months

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Here are some amazing bottom Louis fics that were posted or completed during the month of May. We really hope you enjoy this list. Happy reading!

1) My Heart's In Overdrive, And You're Behind The Steering Wheel | Explicit | 1,649 words

Being late to class means Harry and Louis have to pose together for figure drawings. That being said, the hate each other, but maybe they don't?

2) It's A Question Of Lust, It's A Question Of Trust | Explicit | 2,258 words

Louis is shaken up after being assaulted at the barricade in Panama City and feels guilty, he can't get it out of his head. Harry knows what he needs to escape the worry. Harry steps over, speaking quietly into his ear. "Good boy, doing as I asked." He looks beautiful, his skin golden, dark nipples puckered, his cock starting to get hard. His breath already ragged. "Not that you always do, eh?" "Sir?" His blue eyes stare at Harry, nervous, uncertain. "Letting those tarts fondle and grope you after each show. When you know you belong to me."

3) If Walls Could Talk | Explicit | 2,394 words

Louis is waiting backstage for Harry after his second show in Coventry. It's their last night together before Louis leaves for his own tour. Harry's mission for the evening is to worship Louis' body and make him see himself through Harry's eyes.

4) In An Octopus's Garden With You | General Audiances | 4,682 words

Autistic alpha Harry, a teacher, spends an overwhelming day on a field trip to the aquarium. Luckily, his omega, Louis, knows just what he needs.

5) I Didn't Have To Search Cuz I Still Know Your Number| Explicit | 5,161 words

As Louis approaches the front of the old flat he sees a light on upstairs in what used to be their master bedroom. A memory flicks through Louis’ mind of Louis spread open on the duvet with Harry between his legs nipping and sucking on his hole while Louis whimpered and writhed, clutching the sheets and moaning out Harry’s name. Louis looks down to see his dick at half mass and sighs. Louis flicks the butt of the cigarette to the ground and pulls his phone back out of his pocket. He exits the Uber app and pulls up his contacts, scrolling down to the H’s until he lands upon Harry’s name in his phone. He pulls up their messages and sees the last time they talked was right after the break up all those years ago. Louis begins to type out a message to Harry, hoping he hasn't changed his number. Louis: U up? (sent at 1:14am)

6) You Have Me | Not Rated | 5,529 words

Louis is escaping his mundane reality, avoiding his fiancée, and going to an anonymous hook up party in the woods. When the mysterious stranger who has been eyeing him all night asks him to come back to his tent, Louis is game for anything. He doesn’t know that he’s going to get an offer he can’t refuse.

7) All My Life | Not Rated | 5,553 words

The four times Harry tries to propose and the one time he gets it right (or does he?)

8) Limping In The Limelight | Explicit | 5,832 words

Harry breaks his accessory navicular during a concert in Birmingham in 2015.

9) I Like to Watch | Explicit | 9,287 words

If there’s one thing Harry loves, it’s watching his husband Louis get fucked by other men. After picking up a lad called Zayn who is baffled by this concept, the three men are in for a wild night.

10) House Husband | Mature | 11,853 words

Louis and Harry are happily married with two beautiful kids. Harry is a lawyer who provides for his family and Louis is his sassy house husband. This is a week in their life.

11) For A Sushi Restaurant | Explicit | 13,345 words

And yet, in the depth of the sea, where water started to go from that sky blue to the dark petrol blue, almost black, of the unknown, creatures moved, ready to attack at a moment’s notice, sleek tails and pale, blueish skin helping them with mimesis. Or, cecaelia Harry and human Louis.

12) Peaches And Soft Myth | Explicit | 36,192 words

“Greta kissed me,” he said at last. It wasn’t the main issue, but it was a start. Louis’ smile was radiant. Eyes sparkling with genuine happiness. Harry’s stomach felt a little funny, wishing he could feel as happy as the cheerleader. "Oh, my god? We did it! I’m a genius ! Was it long? Slow and sensual, full of lust and passion, tongues intertwined—" he gasped. “Did she tremble in your arms?” He hugged himself. “That’s not—” “No one believes me when I say I am a good matchmaker. They are always like, ‘Oh Louis, you have the worst eye for couples and men. You always miss the real connections.’ Who missed now? Not me. Nuh-hu, I saw the potential. Your grumpy attitude did not deter me. I'm probably the greatest matchmaker on campus. Don’t you think?” Louis’ smile faltered. “Wait… why do you look as if you were about to throw up?” “She told me her roommate leaves for a few days after spring break. She invited me to her dorm room.” “Okay?” Louis said slowly. “Am I missing something? Is it about clothes? Because I can totally find something—” Harry scrubbed a hand over his face. “It’s not about that.” “Then what?” “I…” Harry closed his eyes and took a deep breath. “I’m a virgin.”

13) The Maddest Obsession | Explicit | 100,974 words

One fears the dark. One rules it. Harry Styles, the dangerous mob enforcer, finds himself entangled with Louis, the strong-willed mafia-princess. As they navigate the treacherous underworld of New York, their forbidden love sparks a deadly game of loyalty, betrayal, and passion. Will their devotion to each other overcome the chaos surrounding them, or will their love be their downfall?

14) At Our Seams | Explicit | 185,290 words

Newly mated and happily engaged Harry Styles and Louis Tomlinson, are moving into a new phase of their lives. Together, their world felt complete. However, the world beyond their bubble has been strung into chaos. Political strife is raiding the streets and oppressive policies are being enacted everyday. Louis is desperate for something to change, to finally set the record straight for omegas and non-soulmate children everywhere. Harry is determined to keep his mate safe, even if it goes against Louis’ wishes. Unfortunately, he can’t control everything, and things quickly fall out of his hands. Who’s this new alpha who’s entered the beloved couple’s life, giving Louis another purpose Harry hadn’t been expecting? What happens when the soulmates don’t exactly see eye to eye? Will the protective alpha get his wishes, or will he concede to his cherished but oh, so stubborn omega? How strong are the seams that bind? Only time will tell.

Check out our other fic rec lists by category here and by title here.

You can find other monthly roundup fic rec lists here.

#bottom louis #top harry #larry #larry fics recs #monthly fic recs #blp

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shockyeahmiguelohara · 10 months

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The post(s) I've seen on my dashboard discussing the explicit and weasel-y language used to describe Miguel O'Hara in the script for Across the Spiderverse, doesn't surprise me.

Doesn't surprise, but otherwise confirms what I was feeling about how they approached the character wasn't at all inaccurate.

And to top it all off, their language towards Gwen Stacy's father, or and cops in general (including Jeff Morales), is couched in the most blatant "good cops, bad apples" sentiment.

And, when you think about the fact that Miguel O'Hara's character was established and lives in a future where all of Nueva York is a Judge Dredd-type police state, and he is routinely attacked by said police? A script calling him an "animal" but asking the audience to capitulate sympathy for Officer Stacy, is some ole bullshit.

These fools really decided that, out of all the Spider-Man affiliated characters to use in their movie about Miles Morales, they were gonna pick the Spider-Man character whose entire narrative was antithetical to their storytelling.

And then on top of that, create a "utopian" Nueva York specifically to cast criticism on Miguel as a character, who is a cop-esque character hunting down a Black teenager.

I've seen the argument that if he'd been characterized as he was in the comics (leaning more towards whiteness than anything), the writer's sympathies might've been for him. I honestly don't think that'd be the case.

In a lot of ways, Miguel's character is defined by the fact that he is Mexican first before he's white. It's like how Miles was advertised as "Half-Black, Half Puerto-Rican" and that colored everything about Miles as a character was approached pre-Into the Spiderverse. Specifically what parts of his character weren't addressed.

I think you can make the argument of how Miguel was initially promoted to the masses in the 90s ("he's not the nice Spider-Man") carried with its some uncomfy ideas about Mexicans and aggression. (And now carries the consequence of allowing certain writers to mishandle him.)

His whiteness is his access to capital (his job, etc), his general outlook, most of which forms so much of his story. Oppositely, his status as "half Mexican" is typically only used or mentioned in passing. A way to highlight the poverty of his dysfunctional family.

(It doesn't have the presence of say, Miles' connection to his culture through his parents and his neighborhood in the Insomniac game and PS5 sequel.)

And then there's his choice of costume (an outfit he modified from a Dia de los Muertos shindig) and sarcastic references to his status as a biracial child.

His being a biracial Mexican man, and the dystopian future he lived in has always been a big component in framing him as the "take no prisoners" Spider-Man legacy character. But, for all the problems that come with how PAD approached in his titles, there was always context for Miguel's actions and his environment.

And I feel like Across the Spiderverse stripped Miguel of that nuance.

It's also why we ended up with Bendis', "Who cares if I'm Black? I'm also half-Puerto Rican!" speech from Miles in the comics back in 2015/2016.

#shockyeahmiguelohara #miguel o'hara #spider man 2099 #across the spiderverse #fandom: meta #with: miles morales

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havithreatendub4 · 7 days

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#2015 #TIFF #press conference #cast #premiere #Black Mass #Director #Scott Cooper #September 14, 2015

#2015 #cast #press conference #black mass #director #scott cooper #tiff #Toronto International Film Festival #September 2015

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amberheardarchive · 5 months

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AMBER HEARD at the virgin atlantic gala screening of black mass during the bfi london film festival at odeon leicester square on october 11, 2015 in london, england.

#amber heard #bfi london film festival #2010s #2015 #appearances and events #gifs

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angelic-ambedo · 2 months

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The Weirdest Fucking Movies I've Ever seen Pt. 1

Okay so I sort of champion myself as a lover of weird movies. And it's funny because regardless of how many I've seen, every time I watch a weird movie I genuinely feel as if it is the weirdest movie I've ever seen in my life.

So, I decided to make a list which compiles all of said weird movies and then a description of why I find each so uniquely weird. If you find any of these descriptions or titles intriguing, I recommend you seek these movies out, because a weird movie = a good life ya know so yeah

If you have more weird movies please please recommend them im hungry for new crazy cinema bebesssss

Eraserhead (1977) - genuinely makes no sense.

Coherence (2013) - trippy scientifically interesting thriller

Some Velvet Morning (2013) - abusive cat n mouse relationship

Eternal Sunshine of the Spotless Mind (2004) - emotional violence

Greener Grass (2019) - let's shame suburbia!

Trash Humpers (2009) - people fucking the trash...?

Julien Donkey-Boy (1999) - mental illness be so sad and trippy

Gummo (1997) - literal photo album of a dysfunctional town

Slaughtered Vomit Dolls (2006) - bulimia PSA in disguise

Black Bear (2020) - art seeps into the "real" world

Begotten (1990) - god kills himself

Trouble Every Day (2001) - eating people presented as...a turn on?

Baise-Moi (2000) - punk feminist murderous women are sick and society sux

Palindromes (2004) - one character is played by a ton of different actors of different ages, races, and sexes

964 Pinocchio (1991) - so much vomit, even more cyberpunk lobotomy sex machine madness

Meet the Feebles (1989) - the muppets give each other STDs and commit mass murder

In the Realm of the Senses (1976) - a torrid, pornographic affair used to escape the horrors of a war-torn world

Enter the Void (2009) - going to the past, present, and future, POV shots that include blinking, going inside the body, taboo themes with a psychedelic style

Love (2015) - horny pseudo-porno about a misogynistic asshole who somehow pulls hot, sexually adventurous women

Climax (2018) - LSD fueled nightmare

Pink Flamingos (1972) - a competition to be the "filthiest person alive" (spoiler alert: the cool drag queen wins)

Vivarium (2019) - Suburbia is still creepy, guys

Be My Cat: A Film for Anne (2015) - can we please stop having erotomania like celebrities aren't into u babe :(

No No Nooky TV (1987) - Computers being cool and saying "boobs" and "clit"

The Piano Teacher (2001) - unsafe nonconsensual bdsm and sexual repression is...no. please no.

The Night Porter (1974) - stockholm syndrome and wild bdsm stuff with postwar themes

Belle de Jour (1967) - more bdsm themes

Titane (2021) - woman fucks a car and gets pregnant

Daisies (1966) - two girls cut up pickles and destroy the patriarchy

Creep 1 and 2 (2014, 2017) - murder has never been this funny

Garbanzo Gas (2007) - a human cow gets an all-expenses paid trip to a motel before it hits the slaughterhouse

Melancholie der Engel (2009) - ew.

In Our Garden (2002) - old men dicks + weirdest dialogue I've ever heard in my life

The Rehearsal (TV series) (2022) - this is the ultimate weirdest thing ever and I don't know how else to categorize it.

#weird movies #disturbing movies #obscure movies #movie #cult movies #vintage movies #film #classic film #cinema #surreal #surrealism #art house #experimental #harmony korine #gaspar noe #extreme #riot grrrl #punk rock

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