#Betty A. Bergland

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Drawing Exercise #1: Upside Down Drawing

For your first drawing exercises of the semester, I am inspired by the book “Drawing on the Right Side of the Brain” by Betty Edwards. This book is all about drawing, but largely inspired by neuroscience. (Cool, huh?)

The quote below is from The Fabric of Mind, by the eminent scientist and neurosurgeon, Richard Bergland. Viking Penguin, Inc., New York 1985:

"You have two brains: a left and a right. Modern brain scientists now know that your left brain is your verbal and rational brain; it thinks serially and reduces its thoughts to numbers, letters and words… Your right brain is your nonverbal and intuitive brain; it thinks in patterns, or pictures, composed of ‘whole things,’ and does not comprehend reductions, either numbers, letters, or words." 

Betty Edward’s book about drawing and her work teaching drawing is all about tricking our dominant left brain to allow the right brain to take over because it is not interested in doing the task. One of the famous strategies she came up with to accomplish this is the upside down drawing. 

From the book:

“When an image is upside down, the visual clues don’t match. The message is strange and the brain becomes confused. We see the shapes and the areas of light and shadow, but the image doesn’t call for the immediate naming that we are used to.”

The problem with our brain naming what it sees is that we start to draw  symbols instead of what we see in front of us. Drawing from observation is all about training our eyes to draw what we see, not what we think we should see.

For our first drawing exercise we are going to try this upside down drawing technique!

The image above is a drawing by Picasso of the Russian composer Igor Stravinsky. The image is upside down and our task is to copy what we see as closely as we can. It is important that you do not turn the image right side up. 

Step 1: Locate a piece of paper and a pencil. Any paper (printer paper is fine!) will do. This is a drawing exercise.

Step 2: Set aside a minimum of 1 hour to do this drawing. Find a place where you can be alone without being interrupted.

Step 3: Do the drawing in one sitting. Go slow and carefully, from line to line, space to space, working your way through the drawing fitting the parts together as you go. Do you best to avoid naming parts of the drawing (eyes, hands, chair), and instead focus on thinking of what you see in terms of shapes, curves, angles, lines. Some people find it helpful to cover sections of the Picasso drawing up as they go, so they can focus better on doing this. 

Scan, or take a picture of your upside down drawing and post it to your drawing blogs. Please also plan to bring this drawing with you to class on Wednesday.

Images above, from top:

Pablo Picasso “Portrait of Igor Stravinsky” (shown here upside down) 1920.

book cover of “Drawing on the Right Side of the Brain” by Betty Edwards

[catherindonald]

Some Things Get Better with Age

By Chrissy Moore

The early days of the National Herb Garden

As a young intern in the National Herb Garden in Washington, DC, I had no idea the impact that this garden–the largest designed herb garden in the United States–would have on my life. The garden captivated me then, and it still does today.

The Herb Society of America (HSA) member, Mrs. Betty Crisp Rea, championed the idea of bringing a garden dedicated specifically to herbs to a national audience. It was to be an outdoor classroom for all things herbal.

Dr. John Creech (National Arboretum Director), Betty Rea (HSA), Hon. Robert Bergland (USDA Secretary), Eleanor Gambee (HSA), Rubert Cutler

She, along with many other HSA members, worked tirelessly to bring the idea to fruition. Partnering with the United States Department of Agriculture and the U.S. National Arboretum meant that that idea–that dream–would come true.

The National Herb Garden (NHG) first opened to the public on June 12, 1980. Though barely a garden then (all of the herbaceous and woody plants were newly installed, of course), the bones of what would someday be a marvelous display of useful plants could clearly be seen in the thoughtful design of landscape architect Tom Wirth of Sasaki Associates of Watertown, Massachusetts.

Holly Shimizu, NHG’s first curator, and Tom Wirth, landscape architect

But, what are herbs, exactly, and why do we need a 2 1/2 – acre garden of them? In the National Herb Garden, an herb  is any plant that enhances people’s lives, including those used for medicine, dyes, flavoring of food, beverages, historical uses, etc. (1).  The HSA members’ goal in developing this garden was to interpret that intensely strong relationship between people and the plants they use and to be an educational resource for those longing to learn more about this amazing group of plants.

Quoting from the NHG’s opening-day program:

Migrating people, across time, have carefully carried along their herbal plants and seeds, which they valued for medicinal, savory, aromatic, or economic qualities.

The National Herb Garden in Fall

And we still value them today for these qualities: We may take horehound drops to soothe our coughs, polish our furniture with marjoram and lavender oils, sip mint juleps or rosehip tea, and season the simplest or most elegant dishes with basil or tarragon.

Thousands of herbs could be planted in the National Herb Garden. Those you see here have been selected to demonstrate the significance of plants in human life (2).

As stated above, the palette of plants available for display in the garden is astounding: plants from all over the world, from many different cultures, and from many different times. “Knowledge of herb uses is constantly increasing, and the plantings will be changed to reflect these uses. Gardens also change as plants flourish or perish, so the Herb Garden can never be static” (2).

The Rose Garden in the National Herb Garden

It is this idea that keeps the garden interesting and relevant, no matter the era or the time of year. It is why I have dedicated my career to supporting, promoting, and maintaining the National Herb Garden (with a lot of help from many others) for all the world to experience. It is my hope that the garden remains the national–no, the international–treasure that it is for decades to come. Join me in celebrating your National Herb Garden’s 40th Anniversary!

      1  The National Herb Garden—the largest designed herb garden in the United States—showcases plants that enhance people’s lives as flavorings, fragrances, medicines, coloring agents, and additives in industrial products. The garden exhibits these herbal plants from places and cultures around the world in theme gardens, single-genus collections, and seasonal displays for education, research, and aesthetic enjoyment.

2  Full text of “The National Herb Garden at the US National Arboretum”

Chrissy Moore is the curator of the National Herb Garden at the U.S. National Arboretum in Washington, DC. As steward of the NHG, Chrissy lectures, provides tours, and writes on various herbal topics, as well as shepherds the garden’s “Under the Arbor” educational outreach program. She is a member of the Potomac Unit of The Herb Society of America and is an International Society of Arboriculture certified arborist.

Some Things Get Better with Age published first on https://marcuskeever.blogspot.com/