#Ben's love interests

[ben-10-setting-omnicrom]

Tbh I am very tired of constantly debating on whether or not who should Ben end up with and No matter what I do, I can't seem to stand by the one I genuinely picked. This is no longer the tumblr era of 2011, this is 2024, I should be able to stand on it without care but I care way too much about people's opinion.

I mean you shouldn't really care? It's a fictional character. You could just as justifiably pair Ben up with a literal sack of shit as you could an irl celebrity and have both work perfectly fine while being perfectly believable.

All you'd need to make a relationship work in anything is realistic actions/consequences and mutual respect. It's why basically all of Ben's love interests aren't a good match for him or anyone else given how they've acted lol

Characters and the situations they find themselves in aren't real.

So if the mood strikes you by all means torture your blorbo or anything else. We all exist for a finite amount of time, have fun because you could die literally any second.

[freetobeafcknriot]

FIVE & BEN ft. checking up on your little brother.

[dremiruu]

okay i wasnt THAT much of a benrius shipper before,, hell not even that big of one on the first watch (even tho i did realise they act like a married couple) but i took the time to rewatch the first two eps and MAN WGAT R THEY DOING?? they repeatedly got very close to each other, ben is sending darius the longest loving looks ever when hes not looking- at one point during the first dino chase in dariuses cabin their faces were just inches apart and i just. cmon. what the hell.

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[epicfirestormer]

What I love about Hellboy and Abe Sapien's dynamic in the comics is that, if you came into this blind, you'd expect Abe to be the voice of reason or the straight man to Hellboy's impulsive and hotheaded personality. But no, Abe is more often than not the crazy one. Hellboy would deal with fighting evil monsters and bad guys by just sighing and getting it over with, while Abe is going rabid over tearing the creature apart when he does get into a fight. Hellboy acts like it's a 9-to-5 job and will reasonably talk things out with a guy that had nearly killed him before, Abe acts like a madman in a slaughter house and his first instinct is to shoot first kill second and ask third. They're both insane, but on completely different levels.

[the-woman-upstairs]

Ship so good the official Twitter account for the movie is in support of it:

[mamawasatesttube]

when people act like the only problems kon ever has are a) tim dating bernard and b) lex luthor

[silverthelovebug]

Brooklyn and Ben definitely convinced Yaz to start smoking with them. Brooklyn pulls Yaz aside and is like “Bro. I think you would benefit from a bit of weed”. and Yaz is mad sus. she couldn't smoke in hs bc of track and just never got into it. but Brooklyn has her hit a joint and Yaz is like “Wow… I love… not being anxious for like five seconds ….”

(Sammy does the minimum dosage on edibles)

[jimmymcgill]

Parks and Recreation 5.15 "Correspondents' Lunch"

[afrogwhocantdraw]

Sbg coraline au

That's it. That's the post

[deadlydelicious]

Who the fuck were Lila's family? Her backstory in season 2 was that her parents are brits, but in this timeline she just has like 3 or 4 random american aunties and uncles and it's never explained? We're just expected to accept that she has this gaggle of family who are ready to babysit her plot device children.

And why are her and Allison the only one's who get other family members? it doesn't make sense and it feels like we were so cheated out of seeing the Hargreeves sruggle to fit in with whatever nuclear family dynamic this new timeline dumped them in

[ben-10-setting-omnicrom]

I'm currently coming up ideas for a potential romance for Ben and I only have 2. One is a crossover ship that I am not going to say in case a tumblr user will flame me and two is a reworked Eunice(No connection to Ben or Gwen ala shared dna and might be a frankenstein type creation of a mad scientist using the blueprints of the unitrix to create the perfect alien cross breed.) Tbh, I'm kinda stuck.

She's already a perfectly viable love interest. Gwen's DNA being randomized means she's literally no more actually related to Ben than any random person on the street. Max literally points out there's only a difference of like .1% of DNA species wide for humanity and that's true irl too.

[a-a-a-anon]

appreciation post for Lise Mayer!! she co-wrote The Young Ones (and The Bachelor Boys book, additional material like when they did Comic Relief, etc), which is well known. but she also wrote for other things in the alternative comedy scene like Rik Mayall and Ben Elton's comedy tour (source: BBC Breakfast Time interview)! and, something I didn't know until recently: she co-wrote/wrote for Kevin Turvey! she's not credited in his television appearances, but see below for sources.

i really loved the podcast episode she did with Alexei Sayle about TYO, you gain a lot of insight into her perspective! she also mentions misogynistic treatment like being asked to go make tea when they were doing script readings, not getting invited to a big BBC party because it was presumed she'd be Rik's plus-one, and getting groped at the BBC bar. it pissed me off on her behalf and partly prompted this post.

some specific accolades/accreditation/fun facts:

Rik crediting her with writing/conceiving the Kevin Turvey non-joke "All right, biting political satire: What do Lech Walesea and Menachem Begin have in common? They’ve both got foreign names! What do you mean it’s not funny?" (x)

Alexei Sayle in Thatcher Stole My Trousers crediting Lise with co-writing Turvey: "Lise was, like Linda for mine, a vital part of Rik’s career, co-writing both The Young Ones and Rik’s character Kevin Turvey..."

a 1987 source for Lise co-writing Turvey: "The assumption that women do not write comedy scripts was one with which Lise Mayer, co-writer of The Young Ones television series, has also had to contend. She started writing for Rik Mayall’s Kevin Turvey in the television series A Kick Up the Eighties..." (x)

Rowland Rivron (comedian who toured with The Comic Strip gang and lived with Rik and Lise) in What the f*** did I do last night?: "[Lise] also had the unenviable job of standing at the side of the stage when Rik was performing, and jotting down anything he said that was unscripted. If it got a laugh, it would be woven into the next night’s routine."

the only time i've ever seen a Rik Mayall/Ade Edmondson/Lise Mayer writing credit: for a poem called Distance which was collected in this anthology! Rik and Ade seem to have acted it out (or at least a version of it) in this 20th Century Coyote performance

Rik on Lise writing TYO: "‘She discovers different things: the comedy of embarrassment and awkwardness – she draws out the cheating and stealing that goes on in the house.’" (x) (Lise also says her "favorite comedy was always the comedy of embarrassment" in the Alexei Sayle podcast)

Rik: "... Lise Mayer wrote this great scene where I find a tampon in a handbag and it's my birthday party and I think it's a present because my character is Rick, who is such a git, he didn't know." (x)

Helen Lederer in Not That I'm Bitter, writing about being on The Young Ones: "[Lise] was known to be the brains behind it all, particularly the more surreal elements…"

she and Rik chose the bands (x)

Lise: “We’d have a table read at which point we’d discover that the script ran over an hour long, and then I’d have a sleepless night editing it.” Alexei: “You did that?” Lise: “Usually me, yeah…” (she later explains they'd present the script Monday and rehearsals were Tuesday, Wednesday-so she literally had one night to edit!) (x)

facts from the blu-ray commentary tracks:

Rick's yellow dungarees in Interesting were based off a picture of Lise in a similar pair

Lise wrote an essay about the tampon joke in Interesting so that the BBC didn't cut the scene (though they still edited it)

Paul Jackson (producer) credits Lise with arguing "you are seriously telling me that we cannot refer on television to something that happens to 50% of the population for about 30 years of their life? and we're not allowed to even refer to it" to make an executive back off about the tampon joke in a meeting

Lise came up with Neil's flowerpot covering in Nasty

Vyvyan/Vivian's name comes from Lise having lived in Vyvyan Terrace, Bristol

Lise thought of the cast switching costumes in Bambi (one of my favorite moments!!) (/end of commentary track facts)

this is guesswork, but i've seen Ben Elton and Rik Mayall's handwriting and i'm pretty sure the editing/handwriting on the bottom left on this script must be Lise's, which gives insight into what/how she wrote: (x)

i feel like it's easy for people to overlook or minimize Lise's impact, something that happens to female creators far too often. i hate when women's identities are framed around their association to a man-girlfriend to Rik in this case-which was the norm whenever i saw Lise discussed in articles/books/online discussions about TYO. it's important to know she was a writer and co-creator with her own identity and (underappreciated) contributions. The Young Ones (and Kevin Turvey, and things we don't even know she goes uncredited for) would not have been the same—or wouldn't have even existed—without her!

[deathsbestgirl]

okay so i see a lot of people talking about “i wish i had two lives: one for god, and one for you” / “i wish i had two lives: both for you” and like god, yes, so sickeningly romantic in the best way. but i just want to talk about the implications. like it really does make me a little insane.

first, david's putting her on the same level as god?! the priority, devotion, belief, love. kristen is saying 'yes, i understand,' she wants both too. she loves their work, she's happy to follow him around investigating miracles & possessions & demons. even as a non-believer, a lapsed catholic. it's one of those 'it doesn't matter if i believe in god, i believe in you' things (VERY mulder/scully coded and it's eating me alive)

like THATS CRAZY!

and because i haven't been seeing anything about it: ben piping in and kristen saying another for ben too just MELTS me. i know david & kristen's relationship is more to the fore, but like. BEN. the things he does for kristen without question, without judgment. if there's anything, it's only concern & care for her, and kristen loves ben so much. i can't actually picture david & kristen without ben there, and i don't think they really can either. they've really created a family together.

[lostburkes]

Lost is being put on Netflix in the US soon and everyone on twitter is talking about a renaissance. How we feeling about this besties??

[strawberryben]

Hiiiii, I just want to share a creepypasta headcanon of mine.

I like to imagine that Ben's only communication with girls is with the girls in dating-sims because he lacks the social skills to talk to girls in real life (he's twelve, after all). And every time a girl wants to talk to him, he's super awkward and just starts saying whatever's on his mind (it doesn't end so well). And he likes to try to improve his social skills by playing these dating sims, but it doesn't really work.

So yeah, that's it from me. I wish you a nice day or a nice night or something like that:)

(i Had much fun making this^_^)