#Because with rise the queer part is kind of an given except that one c*nfederate and others homophobic Christian who tried to invade the fa

[bicryptide]

Pov : you are a TMNT fan

[not-a-christmas-tree]

i watched the dallas theater company les mis and here are my observations part TWO

i recently watched a modern adaptation of les mis from 2014! i took hella notes bc les mis being set in modern day has a LOT MORE than you would think! i just posted my act one notes, so here are the ones from act two. enjoy! :D

ACT TWO

(Building The Barricade)

oh javert,,,you and your red beret-scarf combo

everyone shakes hands the same way?? they all like. half bro hug. young people ig 🤷‍♀️ 

oh on my own is gonna hurt me huh

éponine has her hands up when she goes to take the letter to cosette that’s an interesting take

jvj looks so done lmao “really bruh just give me the letter i’ll give it to cosette it’s FINE”

omg first time i’ve ever seen éponine not take the money after the letter!! that actually makes so much sense bc she doesn’t take marius’ money when he asks her to find cosette’s house either. that,,,yes that’s good

the modern era begs the question... why didn’t marius just ask for cosette’s number?? i’d assume it’s just a thing that jvj doesn’t allow her to have a phone bc The Cops, but. maybe marius and cosette are the straight version of cottagecore lesbians they just write letters for ~The Aesthetic~

(On My Own)

i was right on my own was gonna hurt me

first time i’ve ever seen an éponine disguise where she actually passes as a boy lmao 

FINALLY A VERSION OF OMO WHERE ITS NOT JUST FORLORN SELF-CARESSING THANK YOU

surprisingly i have less notes here that’s fun i thought i’d have more

(Javert at the Barricades)

WOAHHHHH THEY DID NOT SKIMP ON BARRICADE SET PIECES THAT SHIT IS COOOOOL

oh the barricade scenes are already hitting too hard 

cops are in riot gear cops. are in. riot gear.

oh the javert spy thing that also hits funny because obviously

gavroche is armed with a bat i love you son

FULL VERSION OF LITTLE PEOPLE AT THE BARRICADE AYEEEEE

(A Little Fall Of Rain)

wait hold on why is marius not,,,singing to éponine on “why have you come back here?” he’s like. scolding someone,,, huh??

oh enj goes to help marius with ép!! and he calls over who i assume would be joly i STAN

MARIUS CRIES AFTER ÉP DIES KILL MEEEE

(The First Attack)

i like how jvj does the second confrontation here. he looks less angry and more like,,,compassionate and that MAKES SENSE bc yk. he’s telling javert he’s wrong but he’s not doing it out of spite he’s doing it bc this guy NEEDS to know what he does as a cop and realize that being a cop isn’t just enforcing rules, and it never was just that. 

i do love the exasperated “gO” from jvj that’s kinda great ngl

(Drink With Me)

i’m very sad that there won’t be any exr from these boys

v e r y sad here

i do see grantaire looking PRETTY sad though

bold of y’all to assume that the modern day amis would all be straight

okay i can tell that grantaire really is going hard on the Existential Singing like,,,sure he’s just standing there but like. damn bro

SO THERE A R E LADIES ON THE BARRICADE WHY TF ARENT THEY FIGHTING

BETTER SEE SOME CHANGE THERE

i just realized that the cockades are buttons that is the BEST

(Bring Him Home)

jvj actually looks kinda happy in BHH and tbh i kinda like it?? it’s only on the “he’s like the son i might have known” line but i like it

oh those vowels oh boy they TALL

(The Final Battle)

enjolras is for some reason, still angry...why...why bro....

the staging for gavroche’s death is INTERESTING bc he’s reaching up at the sniper on the tower. hm. i dont hate it

OH SOMEONE ON THE BARRICADE IS RECORDING I THINK!!! GOOD ADDITION!!

i can’t imagine how many blood packs they went through 

oh enjolras’s death okay so. he’s in a like. No Man’s Land almost, and the riot cops come in after him. it’s an interesting take because it almost mirrors the scene in the book, except obvs grantaire isn’t here. they also have an added scene after he dies where cops are checking out and using radios that is. that is EERIE.

jvj walks over to enjolras’s body 🥺

HE ALSO FUCKIN S C R E A M S WHEN HE SEES MARIUS ON THE GROUND GODDAMN MAN O U C H

thenardier steals combeferre’s glasses wow thanks for that added pain

thenardier and jvj have a mini fight oh that’s kinda cool hm

(Javert’s Soliliquy)

javert opens his soliloquy with some SPICY SADNESS OH B O Y he sounds broken already!! start strong!!

emotions go broken - anger - confusion? - mAJOR confusion - hopelessness 

javert can FLY! no legit he’s on ropes

(Turning)

turning is. turning is almost a funeral. 

OH THEYRE N U N S !

nuns are visiting the barricade 🥺 

OH DAMN “what’s the use of praying if there’s nobody who hears?” THAT CERTAINLY HAS WEIGHT NOW THAT THEY ARE N U N S

it has just occurred to me that people have been dead on the floor for like. a solid five minutes 

(Empty Chairs At Empty Tables)

“now my friends. are dead. and gone” he pauses like he’s realizing it just then oh OUCHIE

wait is marius,,,at the barricades? is he legit singing to his friends dead bodies? oh shit oh NO

OH N O OH NONONO THIS IS WORSE

THE BARRICADE BOYS RISE UP FROM THE FLOOR OH N O OUCH OUCH

they group up and salute him and wALK OFF NO OWWWW

*cosette and marius kiss* jvj: *COUGH COUGH*

marius and valjean’s lil conversation is interesting in the way valjean seems to ask marius “who am i?” rather than ask himself. he phrases it in a way that makes me think he’s like. quizzing marius lmao 

(The Wedding)

omg i think baby cosette and éponine are flower girls 🥺🥺

“go away thenardier” *madame mouths ‘dammit!’*

thenardier your boat shoes hurt me

madame: “get up! get up!” thenardier: “stop—STOP IT!” 

TWO GUYS ARE DANCING TOGETHER AND WAVE AT THENARDIER ON “this ones a queer, but what can you do”

yeah i think i found my new favorite thenardiers thank you dallas theater company

fantine sits on the bench when cosette comes by, cosette sits on bench next to her, and fantine tries to touch her but can’t 🥺

jvj just gave a hand-over-heart head nod to cosette but fantine gave it back i,,,ouch

ENJOLRAS AND GAVROCHE ARE WITH FANTINE AND ÉPONINE FOR JVJ’S DEATH

the chain gang is in the epilogue i repeat the cHAIN GANG IS IN THE EPILOGUE

the orchestra rests on the last “say do you hear the distant drums” and that was the coolest thing i’ve ever heard

that final harmony is MONEYYYY and i want to cry

OVERALL NOTES:

this javert has the most interesting interpretation because up until his FINAL SCENE he is the stone cold police officer, and he plays it SO WELL. like i have never been truly angry at a javert up until this guy, and whether that was because it was modern and resonates A LOT in 2020 or he just looks like a cop i want to punch, I DON’T KNOW but he plays it SO WELL and i love it so much!!

these thenardiers are the fucking BEST NGL they are the perfect mix of funny and cruel. madame t is also funny as HELL and i wish i had her talent lmao

i said it before but the police costumes in this show are. woosh. kudos to the costumer i took one look at those guys and was like “haha, no!.” vaguely related to that, i think this was the first time i nearly cried at Look Down like. the first song at the show, simply because of the convict getting the SHIT beat out of him on the floor. that hurt me and i hate that it is completely accurate to what happens in prisons today.

lovely ladies was,,,a LOT and tbh, i feel like it didn’t need to be. obviously it does show how horrible it is for sex workers, but that is why the music is there. the music and lyrics is there to tell what you don’t show visually. (though i do love the male prostitute lmao he took no shit)

i also said this before but the fact that there wasn’t bigger of a relationship between enjolras and grantaire kind of annoys me simply because they are revolutionaries in the present day. you can’t tell me that ALL OF THEM WERE STRAIGHT. with how many people i know now that identify under the queer and trans umbrella, and also how queer they are (to me) in the brick, the absence of any exr in a modern interpretation hurts a little.

in conclusion, this show was fucking FANTASTIC and even though i’m six years late, it still resonates hard given the time we live in today. i think i nearly screamed when i saw the cops in riot gear on the barricade because that is LITERALLY HAPPENING RIGHT NOW. this just reminds me how timeless the story of les mis is because you had to change LITERALLY NOTHING from the story to make it make sense in the modern age, and that is really the lesson you should learn from les mis; these things happen everywhere, and they need to be fixed. 

thank you for listening to my rambling, i am sure i forgot something because there was just so damn much but i hope you enjoyed otherwise! not-a christmas-tree out! :)

[aion-rsa]

CBR’s Top 100 Comics of 2016: #50 – #26

Each year, CBR takes a thoughtful look at the comic book industry’s abundance of offerings and poll the passionate, thoughtful and always-opinionated CBR staff for their rankings of the top comics of the year. Every publisher putting out new comics material in English, regardless of genre or format, is fair game; each individual list is then factored in (all thanks to the power of mathematics and the magic of spreadsheets) to determine the overall Top 100 that will be unveiled on CBR over the course of this week.

2016 was another big year for the Top 100, once again with more than 40 contributors to the list and more than 200 comics nominated. That’s resulted in a typically diverse and sometimes unpredictable field: world-famous superheroes alongside creator-owned works; major publishers sharing space with indie favorites. Of course, even with 100 spots, no list can be an exhaustive collection of every noteworthy piece of work in a year, but the end result of the CBR Top 100 is a wide selection of eclectic comics and graphic novels worthy of attention. (Note: Given the close ties between the two series, votes for “Captain America: Steve Rogers” and “Captain America: Sam Wilson” were combined for one entry.)

RELATED: CBR’s Top 100 Comics of 2016: #75 – #51

On Monday, we started unveiling the list with entries No. 100 to 76, things kept going on Tuesday with 75 -> 51“>No. 75 to 51. The countdown continues today as we crack into the second half with No. 50 to 26 — here’s the remaining schedule, mark your calendars accordingly (all times Eastern): Thursday, 1/5, 9 a.m.: Top 25-11; Thursday, 1/5, 3 p.m.: Top 10; Friday, 1/6, 9 a.m.: Master list.

Start perusing the list below, and if you feel so moved, take to Twitter and (politely) discuss your thoughts using the hashtag #CBRTop100. While you’re here, feel free revisit our Top 100 lists from previous years:

CBR’s Top 100 Comics of 2015

CBR’s Top 100 Comics of 2014

CBR’s Top 100 Comics of 2013

CBR’s Top 100 Comics of 2012

CBR’s Top 100 Comics of 2011

CBR’s Top 100 Comics of 2010

CBR’s Top 100 Comics of 2009

CBR’s Top 100 Comics of 2008

CBR’s Top 100 Comics of 2016: 100 -> 76 | 75 -> 51 | 50 -> 26 | 25 -> 11 | 10 -> 1

50. Darth Vader

Written by Kieron Gillen

Art by Salvador Larroca

Publisher: Marvel Comics

This was a perfect run of 25 issues without a single dud. Villain books can be hard, and we’ve all seen what happens when you look too deeply into the psyche of Darth Vader, but this book not only delivered a satisfactory answer to questions the movies left unanswered, it introduced us to the most fun supporting cast in all of Star Wars.

— CBR Contributing Writer Jacob Hill

49. I Hate Fairyland

Written & Illustrated by Skottie Young

Publisher: Image Comics

Known for his cutesy “Little Marvel” style, Young has taken his talents and applied them to a black comedy of his own making with outstanding results. He’s taken fairytales and turned them into Looney Tunes, except Elmer Fudd’s shotgun does real damage. It’s bloody fun!

— CBR Contributing Writer George A. Tramountanas

48. Paracuellos

Written & Illustrated by Carlos Giménez

Publisher: IDW Publishing/EuroComics

Gimenez tells the stories of his time in the “Social Aid Homes” for war orphans after Franco won the Spanish Civil War. Every page is designed to break your heart. Masterful cartooning, a little childhood whimsy and a whole lot of human tragedy make for an unforgettable reading experience.

— CBR Staff Writer Michael C Lorah

47. Star Trek / Star Trek: Boldly Go

Written by Mike Johnson

Art by Tony Shasteen

Publisher: IDW Publishing

Both the “Star Trek” series that wrapped in 2016 and the “Star Trek: Boldly Go” title which picks up after the events of the “Star Trek Beyond” movie have been fun reads. The highlight of the year was the final two-part story in the “Star Trek” series which involved both versions of the Enterprise crews. The story compared and contrasted original prime universe versions of the characters and the movie-reboot versions with equal love for both sets of characters. If you are a Star Trek fan, you should check out what IDW has been doing with the franchise. They’ve done a great job with the license for the past decade or so with no signs of slowing down.

— CBR Staff Writer John Mayo

46. Doctor Strange

Written by Jason Aaron

Art by Chris Bachalo, Kevin Nowlan, Leonardo Romero, Jorge Fornés

Publisher: Marvel Comics

“The Last Days of Magic” story arc in Jason Aaron and Chris Bachalo’s “Doctor Strange” has been nothing short of exceptional. Stephen Strange, as the Sorcerer Supreme, fighting for the very lifeblood of magic, is actually interesting again under the leadership of Aaron, with the Empirikul and the magical reverse-Superman known as the Imperator standing collectively as one of the most frightening, compelling and literally all-consuming villains at Marvel. Bachalo’s art has arguably been the best Marvel has benefited from all year and marks a serious and well-received return to form; Bachalo was born to draw Doctor Strange, with his inimitably gnarly, almost baroque style, and his and Aaron’s work here has organically revitalized the Doctor Strange name in an important year for the franchise.

— CBR List Editor Steven E. Paugh

45. Southern Cross

Written by Becky Cloonan

Art by Andy Belanger

Publisher: Image Comics

While the first arc of Becky Cloonan, Andy Belanger and Lee Loughridge’s sci-fi series was a horror book, with ghosts both literal and metaphorical haunting the passengers of the titular space-faring freighter, the second genre-shifted to claustrophobic action thriller. The rising pressure among the oil riggers on Titan was palpable through Cloonan’s terse dialogue and Belanger’s heavily-inked art, equal parts Hugo Pratt and Leiji Matsumoto.

— CBR Contributing Writer Tom Baker

44. Wonder Woman: Earth One

Written by Grant Morrison

Art by Yanick Paquette

Publisher: DC Comics

Grant Morrison and Yannick Paquette deliver a feminist/queer superhero origin story that doesn’t rely on punch-ups for the drama. Paquette and colorist Nathan Fairbairn gorgeously render Morrison’s vision of Paradise Island as a techno-utopia. Diana’s first encounter with the outside world is heart-wrenching.

— CBR Contributing Writer Christos Tsirbas

43. Action Comics

Written by Dan Jurgens

Art by Patrick Zircher, Tyler Kirkham, Stephen Segovia

Publisher: DC Comics

On paper, the premise for the “Rebirth”-era Superman seems like a Clone Saga-esque continuity scramble. Thanks to an “Action Comics” creative team led by Jurgens, it was a thrilling adventure that clearly established Superman’s place in the Rebirth DC Universe. Capped by a multi-issue knock-down, drag-out fight between Superman and Doomsday, “Action Comics” lived up to its title in a major way this year.

— CBR Contributing Writer Tim Webber

42. Wonder Woman

Written by Greg Rucka

Art by Liam Sharp, Nicola Scott, Bilquis Evely, Renato Guedes

Publisher: DC Comics

It has been really interesting to see the two storylines, set in two different points in Diana’s life, unfolding together. It’s really showcased what we love about Diana — not just her physical strength, but also her heart and her optimism.

— CBR Contributing Writer Sarah Cooke

41. Captain America: Steve Rogers / Captain America: Sam Wilson

Written by Nick Spencer

Art by Paul Renaud, Joe Bennett, Daniel Acuña, Angel Unzueta (Sam Wilson); Jesus Saiz, Javier Pina, Miguel Angel Sepulveda (Steve Rogers)

Publisher: Marvel Comics

2016 was a great year to be a Captain America fan. It was the character’s 75th anniversary, there was a fantastic third entry in Marvel Studios’ “Captain America” film series and the stories in both Cap comics were fantastic. In “Sam Wilson,” writer Nick Spencer and his artistic collaborators are doing a fantastic, but contemporary homage to the great Mark Gruenwald, exploring what Captain America means to people and the difficulty of carrying that mantle. Over in “Steve Rogers,” Spencer and artist Jesus Saiz have been doing a fascinating character study of Steve Rogers and his role in the Marvel Universe with the twist, which I went from hating to loving, of reality being reshaped so Steve was a secret agent of Hydra.

— CBR Staff Writer Dave Richards

40. Black Hammer

Written by Jeff Lemire

Art by Dean Ormston

Publisher: Dark Horse Comics

Jeff Lemire never fails to smash expectations, and his latest ongoing series from Dark Horse Comics may be his best yet. The Canadian cartoonist waited for Dean Ormston to recover from a stroke last year because “Black Hammer” wouldn’t be what is supposed to be without the British artist and man, was he right. This psychological superhero thriller was worth the wait.

— CBR Staff Writer Jeffrey Renaud

39. 4 Kids Walk Into a Bank

Written by Matthew Rosenberg

Art by Tyler Boss

Publisher: Black Mask Studios

It’s hard to tell whether Rosenberg and Boss’ story is the kind of tale that we remember our own childhood adventures feeling like, or the kind that today’s kids imagine their hijinks could be. Either way, this mash-up of hardboiled crime tropes and neighborhood gang types is the perfect feel good comic for this moment in time. Better yet, Rosenberg’s sharp, snarky dialogue blends perfectly with Boss’ art, which is equal parts cartoon realism and Shiga-esque storytelling insanity.

— CBR Staff Writer Kiel Phegley

38. Howard the Duck

Written by Chip Zdarsky

Art by Joe Quinones, Veronica Fish, Kevin Maguire

Publisher: Marvel Comics

Everyone who works on “Howard The Duck” must at some point contend with the legacy of Howard’s creator Steve Gerber, and the latest creative team of Chip Zdarsky and Joe Quinones was no exception. Howard isn’t just a wisecracking waterfowl stalking sarcastically through the Marvel Universe, he’s a mouthpiece for skewering culture in general, and comics in particular. In 2016 Howard went from space to the Savage Land and teamed up with Squirrel Girl and Lea Thompson, but the final issues of his current series found him in full-on metatextual mode, as Zdarsky and Quinones confronted the challenge of writing a corporately-owned character. Throughout it all, “Howard the Duck” was sharp, involving, sometimes devastating and always very, very funny. Like the original, it was gone too soon.

— CBR Staff Writer Tom Bondurant

37. Superman

Written by Peter Tomasi

Art by Pat Gleason, Jorge Jimenez, Doug Mahnke

Publisher: DC Comics

As a non-Superman fan, this has been the title I’ve found myself moving to the top of my stack every two weeks. The pairing of Gleason and Tomasi is the epitome of perfect superhero storytelling, even for those new to the genre.

— CBR Contributing Writer Leia Calderon

36. DC Comics: Bombshells

Written by Marguerite Bennett

Art by Mirka Andolfo, Laura Braga, Marguerite Sauvage, Sandy Jarrell, Pasquale Qualano, Maria Laura Sanapo

Publisher: DC Comics

This is the warmest, queerest comic out there. You’ll smile your way through every issue.

— CBR Staff Writer Marykate Jasper

35. Power Man and Iron Fist

Written by David F. Walker

Art by Sanford Greene, Flaviano Armentaro

Publisher: Marvel Comics

David Walker is only comics writer who made almost as much of an “overnight success” impact after years of work as Tom King. While there is a case to be made for the harsh realities of “Nighthawk” or the literary qualities of the amazing “Shaft: Imitation of Life,” the book that best encapsulated everything Walker can do (not to sleep on Sanford Greene’s contributions) is “Power Man and Iron Fist,” a fascinating take on the buddy book concept that has raucous humor, gripping action and nuanced characterization. With some of the most balanced plots on the shelves, every month this book is a shining beacon for the benefits of diversity in the marketplace with a voice and stories that could not be told by anyone else.

— CBR Staff Writer Hannibal Tabu

34. Ms. Marvel

Written by G. Willow Wilson

Art by Takeshi Miyazawa, Nico Leon, Adrian Alphona, Mirka Andolfo

Publisher: Marvel Comics

“Ms. Marvel” should be applauded for not letting the weight of “Civil War II” drag it down. The series effortlessly threaded the event into its storytelling and established Kamala Khan as the future of Marvel Comics.

— CBR Contributing Writer Tim Adams

33. The Walking Dead

Written by Robert Kirkman

Art by Charlie Adlard

Publisher: Image Comics/Skybound

Over 150 issues on from the zombie apocalypse, this comic continues to prove that it still has the power to shock and surprise its readers, not just in terms of storyline, but also in terms of structure, as Robert Kirkman and newly named Comics Laureate Charlie Adlard experiment with page layout to cram even more simultaneous action onto the page during the “Whisperer War” storyline.

— CBR Contributing Writer Rob Cave

32. Patsy Walker, A.K.A. Hellcat!

Written by Kate Leth

Art by Brittney L. Williams, Natasha Allegri

Publisher: Marvel Comics

Like “Unbeatable Squirrel Girl,” “Patsy Walker aka Hellcat” takes an underused character and just makes everything ridiculous fun. As imagined by Leth and Williams, Patsy Walker is trying to reclaim her life after returning from the dead and then being laid off by She-Hulk. She strikes on the brilliant idea of setting up a temp agency for folks with powers who don’t want to use them for good or evil. There is action, adventure, and danger, but the overwhelming feeling of the series is joy.

— CBR Staff Writer Shaun Manning

31. Black Dog: The Dreams of Paul Nash

Written & Illustrated by Dave McKean

Publisher: Dark Horse Comics

Dave McKean’s new book is about the life and work of the artist Paul Nash, examining his life and work and his experiences during the First World War through a series of dreams. The oversized volume is a joy to behold, and the insight into Nash and his thinking is amazing. At this stage of his career, McKean is no longer a major figure in comics, the artist/writer/designer/filmmaker/composer is one of the great artistic figures of his generation.

— CBR Staff Writer Alex Dueben

30. Southern Bastards

Written by Jason Aaron

Art by Jason Latour

Publisher: Image Comics

Jason Aaron and Jason Latour paint an unforgettable story of Southern crime, using blood and grease on their small-town canvas. This series sticks in your head like barbecue sauce sticks to your fingers.

— CBR Contributing Writer Jason Strykowski

29. Sunstone

Written & Illustrated by Stjepan Sejic

Publisher: Image Comics/Top Cow

This erotic comic is not only great for being deliciously filthy, but also because it’s full of complex but lovable and relatable characters who are well-written. Which explains why I was crushed when I thought the couple at the center of this story might break up.

— CBR Staff Writer Paul Semel

28. Sheriff of Babylon

Written by Tom King

Art by Mitch Gerads

Publisher: DC/Vertigo

“Sheriff of Babylon” had such a strong debut in 2015 that it was hard to shake even from its first issue. That continued into 2016, with King and Gerads taking a modern event, given just enough time since its occurrence so that one can effectively create fiction set inside of it, and turned out a winner as they follow three different individuals in 2004 Baghdad with their lives about to intersect. This is a deliberately uncomfortable story to read, even as each new chapter demanding you return for the next issue, because it’s just that good. With talk of a second miniseries, here’s hoping for another trip to Iraq soon.

— CBR Staff Writer Greg McElhatton

27. Future Quest

Written by Jeff Parker

Art by Evan Shaner, Craig Rousseau, Steve Rude, Ron Randall, Aaron Lopresti, Ariel Olivetti, Jonathan Case, Steve Lieber

Publisher: DC Comics

This nostalgia-fueled love letter to classic Hanna-Barbera heroes manages to do the impossible by making readers take these heroes from yesteryear seriously. This is in largely due to the artists on the series, which retains the feeling of the old cartoons while breathing new life into them.

— CBR Contributing Writer Sean Fischer

26. Black Widow

Written by Mark Waid & Chris Samnee

Art by Chris Samnee

Publisher: Marvel Comics

Lightning strikes twice sometimes, especially when Chris Samnee and Mark Waid are involved. Along with colorist Matt Wilson and letterer Joe Caramagna, the entire “Daredevil” team switched up lead characters and created a modern masterpiece in the spy comics genre. Taking on a larger writing role with this this series, Samnee’s power as a storyteller — in every sense of the word — is on full display.

— CBR Editor Brett White

Check back on Thursday for more of the CBR Top 100!

The post CBR’s Top 100 Comics of 2016: #50 – #26 appeared first on CBR.com.

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