#Bambu Funk

[putarmusik]

PUTAR MUSIK - ALBUM KENANGAN THE ROLLIES

The Rollies adalah sebuah grup musik jazz rock, pop, soul funk asal Indonesia yang dibentuk di Bandung pada tahun 1965 dan sempat populer pada era 60-an sampai dengan akhir 90-an.

Para personelnya antara lain terdiri dari Bangun Sugito (vokal), Delly Joko Arifin (keyboards/vokal), dan Teungku Zulian Iskandar (saxophone), Benny Likumahuwa (trombon), dan Bonny Nurdaya (gitar), Oetje F Tekol (bass), Jimmie Manopo (drum), Didit Maruto (Trumpet) dan juga pendiri dan mantan personelnya almarhum Deddy Stanzah dan Iwan Krisnawan.

Terima Kasih bagi yang telah memberikan donasi untuk channel Putar Musik melalui link ini https://sociabuzz.com/andipratamastudio/donate  

Daftar Lagu:

(00:00:00) 1.   Andai (00:03:05) 2.   Bergembira (00:05:48) 3.   Bimbi (00:08:28) 4.   Burung Kecil (00:12:38) 5.   Dansa Yuk Dansa (00:16:02) 6.   Day Dream (00:20:26) 7.   Escape From Love (00:22:28) 8.   Five Mile Love (00:25:32) 9.   Gone Are The Song Of Yesterday (00:29:52) 10.   Hanya Bila Haus (00:33:46) 11.   Hari Hari (00:37:55) 12.   Hati Suciku (00:41:12) 13.   Hidupku (00:43:30) 14.   I Feel Good (00:46:30) 15.   I Had To Leave You (00:49:47) 16.   Indonesia (00:53:33) 17.   It's A Man's Man's World (00:57:24) 18.   Jangan Terulang Lagi (00:59:43) 19.   Kau Yang Kusayang (01:03:07) 20.   Keadilan (01:06:19) 21.   Kemarau (01:09:17) 22.   Kerinduan (01:12:44) 23.   Kisahkan Lagi (01:16:52) 24.   Lagu Rindu (01:19:43) 25.   Lembah Biru (01:23:55) 26.   Let's Start Again (01:27:15) 27.   Malam Minggu (01:29:13) 28.   My Iggy (01:32:29) 29.   Padang Tandus (01:36:01) 30.   Rembulan (01:40:04) 31.   Salam Terakhir (01:42:41) 32.   Setangkai Bunga (01:45:46) 33.   Sinar Yang Hilang (01:48:38) 34.   The Love Of A Woman (01:52:11) 35.   Tiada Kusangka (01:55:45) 36.   Titian Bambu

#therollies #rollies #gitorollies #lagujadul #lagukenangan #lagunostalgia #lagunostalgiapopuler #lagunostalgiaterbaik #lagunostalgiaindonesia #andipratamastudio #putarmusik  #putarmusiklirik #putarmusiklyrik #lagunostalgiahq #lagukenanganhq #lagujadulhq #albumkenanganterbaik #thegreatestofalltime #lagulawas #tembangkenangan #fullalbum #laguindonesia #laguindonesiahits  #laguterbaru #laguspotify #lagutiktok #lagutiktokviral #lagutiktokhits #laguviral #laguterpopuler #andai #bergembira #bimbi #burungkecil #dansayukdansa #daydream #escapefromlove #fivemilelove #gonearethesongofyesterday #hanyabilahaus #harihari #hatisuciku #hidupku #ifeelgood #ihadtoleaveyou #indonesia #it'saman'sman'sworld #janganterulanglagi #kauyangkusayang #keadilan #kemarau #kerinduan #kisahkanlagi #lagurindu #lembahbiru #let'sstartagain #malamminggu #myiggy #padangtandus #rembulan #salamterakhir #setangkaibunga #sinaryanghilang #theloveofawoman #tiadakusangka #titianbambu

[jzontheazarian]

James Bambu’s New Single is a “Collect Call” You Don’t Want to Miss

If you're looking for some smooth and soulful tunes to spice up your playlist, look no further than James Bambu, the R&B singer who blends different influences and styles to create his own musical identity. From his colorful performance on COLORS to his latest single "Collect Call", he has been making waves in the indie scene with his honest and expressive songs. We caught up with him to talk about his musical journey, his influences, his creative process, and his thoughts on being a queer artist of color in the industry.

Q: We first discovered you on COLORS. What inspired your energy for that performance?

A: During that era of making music, my main goal was simply to display ‘love’ in a musical format, and for me “Succulent” was a representation of Black Love in all forms. COLORS was such a fantastic platform to present songs at the time, so I was excited to bring that energy to the main stage.

Q: How would you describe your musical style and influences?

A: I consider myself to be musically fluid in that I’m an R&B singer, but my music reflects the many subgenres, and history, of R&B as a traditional genre. So, one day you may hear a 70’s inspired Funk-R&B track, and another day you may hear a more Alternative, House inspired R&B track.

Q: What is the story behind the song “Collect Call” and how did you achieve that heavy sound?

A: To put it simple, I consider “Collect Call” to be the aftermath of what being Fed Up looks like for me. I’ve let my heart out, I’ve cried, and now I wanna smash windows and curse out the person that pissed me off. I want to be free in how I present myself in the moment, and you might see a side of me that you’re not used to. To embody this in  the sound, I wanted to channel more Trap and Pop R&B sounds that I might find in my hometown Atlanta, versus my usual soulful pocket. All in all this production choice fit the mood and idea of the song a lot better.

Q: Being from Atlanta, then living in both California and New York, which HUB has been most impactful on your creative process and produced the best music you've made thus far?

A: I would definitely say that LA is more productive when it comes to needing to decompress and get in the mindset of putting my story down on wax. During my time in LA, it sort of reminded me of Atlanta in that there’s nature everywhere, and less clutter, so I was able to step back and assess all of the things I had gone through both in life and in music. Who am I? What do I want out of making music? Questions like this consistently crossed my mind and translated into songs in different ways. New York on the other hand has always been more productive for me visually, and as the person who works on my own visuals I really enjoy collaborating here with photographers and videographers during the process of releasing the music.

Q: How has your experience of being a queer artist of color shaped your journey in music and what are your thoughts on it when it pertains to today's music industry standards?

A: Being a queer artist of color has certainly been a journey in itself because although I've always been open about queerness in my personal life, I used to think that in order to have a  career in R&B, it was something I shouldn't express online. I’m someone who seeks community in my creative life, so the internal conflict came in when I realized there was no way that I could find or build community in spaces I’m comfortable in without fully being honest with myself and how I express the different parts of me out in the world. I think that the industry, and individual people in the industry, could do a much better job at recognizing that in order for artists to deliver great music and be outstanding entities,  they have to be given the space to live life and become comfortable with publicly expressing themselves and how they move through the stages of their own personal development, in whatever way they see fit.

Q: What are some of the challenges and opportunities you face as an independent artist in the industry?

A: One conversation I often have with my artist friends is how ‘imposter syndrome’ can be the barrier between the artist seeing things from the outside looking in, and how this can hinder them from truly recognizing how to present themselves to the world. I had to fight past this, but I think that recognizing what my strengths are, and using these strengths have allowed me to find people that appreciate what I do, and how I do it. In the same sense I’ve connected with so many creative people who share similar visions as me, and this has opened up opportunities for collaboration and growth. Being independent also means that I have full control over my creative direction, and I can experiment with different sounds and styles without any pressure or expectations from anyone else.

Q: What are your plans for the future and what can we expect from you next?

A: Right now I’m working on my next project, which is a continuation of the themes and sounds that I explored in my previous EPs. I want to dive deeper into the stories of love, loss, and self-discovery that I’ve experienced in the past few years, and share them with my listeners in a way that resonates with them. I’m also looking forward to performing live again, and connecting with my fans and peers in person. I think there’s a lot of exciting things happening in the R&B scene right now, and I’m grateful to be a part of it.

Stream “Collect Call” and follow James Bambu on his appropriate social sites @jamesbambu.

[icg-leng]

Leng sonics

[berlysbandcamp]

In 2019, Jerome Derradji signed NYC’s dance music legend Richie Weeks to Past Due Records. Richie’s work as a singer, songwriter, musician, and producer was foundational to New York’s disco, boogie funk, house scenes and beyond. From the late 1970s through the 1990s, he racked up releases on a multitude of labels in the USA and abroad while leading such incredible groups as Weeks & Co. and The Jammers on Salsoul Records, Prelude Records and also recording as Bambu, Major Weeks, and Jiraffe.

Unbeknownst to Jerome, throughout the years, Richie Weeks had accumulated a literal treasure trove of unreleased recordings on hundreds of reel to reels and cassettes. So for the last 3 years, Jerome has painstakingly professionally transferred, digitized and archived Richie’s lost productions. The result is around 300 unreleased tracks (with some being also different versions of his classic songs) all ranging between 1978-85! There is no denying that this may be the find of the century for all the original Disco, Soul and Funk lovers worldwide. An entire new page of New York City’s Disco and Dance Music history is going to be written thanks to Richie’s absolutely mind-blowing work. Because of the sheer amount and quality of the unreleased music here, we’ve decided to space its release on at least 10 compilations that will take us from Richie’s early career in 1978 to his peak popularity in 1985/86, almost year by year. So here we start with Vol.1: “The Love Magician Archives - Disco - New York City 1978-79.”. In 1978, Richie got introduced by some fellow musician to the mighty Patrick Adams of Patrick Adams Productions, Inc. Almost immediately, Patrick gave Richie studio time and started - with Richie - to executively produce his songs. The result is presented here with the first 10 songs from the archive. Prestigious guests like Leroy Burgess or Patrick Adams (on bass and drums) are plentiful and flow throughout expertly written disco tunes that are crafted and mixed by Richie Weeks himself. During these sessions, Patrick Adams compared Weeks’ attention to detail to that of Quincy Jones. For a good reason, Richie’s talent is that of a real musical genius and it shines through all these songs. Trust Richie, this is what Disco is supposed to sound like: soulful, timeless, melodic and gritty.

[belldzarev-blog]

hosted bar at a club

The diversity of ethnicities and cultures in Leicester makes it one of the most varied and vibrant cities in the country. The substantial Asian community has brought with it many interesting events which the city enjoys supporting. Complementing the traditional Christian festivities Leicester now also celebrates festivities such as Holi, Diwali, Eid-ul-Fitr and of course the Chinese New Year.

Bars and Pubs:

Partly due to it having two large universities close by the city centre, Leicester city's bars and clubs are numerous and give a thriving and pulsating feeling to it. Bar and club names can change quite frequently, but this helps to keep the sense of vibrancy in the city in that there is always something new on offer. The Firebug is probably as complete a pub experience as you can get anywhere. The NME student guide for 2005 described it as "A real find for blinding food, beer, tough pub quizzes and lots of live music." Here there is food to complement the 157 drinks lines they sell, regular live music, access to 'WiFi' throughout the premises and Pub Quizzes. Firebug is on Millstone Lane between the Council Offices and the old Town Hall. The Bambu, on the Welford Road below the Council Offices, 호빠 describes itself as a relaxing café lounge bar blending mystery and sophistication without pretence. The Aqualounge on Wellington Street, more or less opposite the Council Offices is a bar, club and restaurant on 3 floors in one building, with Wednesday, Friday and Saturday nights being the club nights. Moving away from the area around the Council offices, in Braunstone Gate, there's the Loaf which styles itself as a pub to 'loaf around in', slow-down, have a drink and let the world go by. If you want a traditional city centre pub, then head for the Globe on Silver Street. Built in 1720 it serves fine draught ales, decent food and has a warm and charming atmosphere.

Restaurants:

There is in Leicester what is known as the 'Golden Mile' of Asian food, to which people are drawn from miles around for a truly authentic Asian eating experience. The Golden Mile is centred along the Belgrave Road, leading north out of the city from the Haymarket bus station. Some people would say the nearer to the bus station a place is, the better the restaurant will be. Friends is an award winning Tandoori restaurant with main courses ranging from only £5 to £12. Nearby is Sanjay's Curry Pot which specialises in the Indian/Portuguese cuisine of the Goa region in India. It is one of the oldest established Asian restaurants in Leicester; prices for a main course are typically between £5 and £13. Moving away from the Belgrave Road and into the city centre, there is the Opera House, which is by the Cathedral in Guildhall Lane. This is well known for its imaginative menus and the sumptuous building in which it is housed. Alongside the market in Hotel Street is The Case, another stylish and contemporary restaurant, which also has a champagne bar in which you can order snacks and light meals. Although technically a bar and restaurant, Mobius, on Braunstone Gate, serves an excellent mix of Mediterranean and Thai cuisine. It's a relaxing place to eat and produces authentic flavours for the regional food it produces by using only the best produce.

Entertainment:

The De Montfort Hall is probably the best known venue Leicester has, almost a 'trade-mark' venue for the city. Built in 1913 and recently refurbished, it can accommodate an audience of 1500 seated or up to 2200 standing. As well as the indoor hall there is an outdoor amphitheater that can house up to 5000. It has played host to classical, jazz, blues, folk, rock and pop music as well as being a venue for touring musical shows. In recent years it has also been increasingly used for conferences and exhibitions.

The Haymarket theater in Leicester was one of the well known repertory theaters in the country. Closed at present, a new theater is currently being built on Halford Street which is due to open in spring 2007. However, complications in the building programme look as if that opening date will now be postponed.

The Phoenix Arts Centre on Newarke Street is a small community venue providing a wide variety of entertainments. It is mainly used for showing films and hosting touring comedy and musical acts. However, it can also be used for theatrical plays and musical productions. There is, of course, a café/bar, which also hosts musical performances.

For live music, apart from at the De Montfort Hall, The Charlotte on Oxford Street is probably the biggest and best known. A fledgling Oasis played here many years ago! This is the venue in Leicester where you'll first see the up and coming 'Indie' bands.

There are currently some 13 nightclubs to choose from in Leicester. Worth mentioning here is the Po Na Na, which apart from its interesting name, is well known for being the place to go for Funk and House music. Two floors with two separate sound systems make this a savvy and party spirited place to be. Po Na Na is in Carey Close near the Jewry Wall.

[acommondog]

E ai pai, beleza?

Desculpe não ter te avisado sobre o sítio,não queria mas acabei esquecendo.

O aniversário foi muito massa, na savassi e era um baile funk hahahah, to ligado o quanto cê detesta mas foi algo realmente incrível. Acabei ficando em casa naquela terça mesmo, consegui dar uma geralzinha aqui e troquei o sofá como cê disse (o de bambu ta lá na toca)...

Ontem eu guiei minha primeira via na escalada, foi uma experiência única pai. Uma escalada de 15 metros sendo os 6 primeiros de free solo (praticamente sem segurança - é uma modalidade que acho ter a ver comigo) o sol era da manhã então tava um clima muito agradável, não demoramos e fui pro trabalho.

Sempre que chego no fim de uma via e aprecio aquela vista toda sinto que você da ali do lado, enxergando aquela paisagem toda.... Cê ia gostar de escalar viu, ahnnnn?

Hoje na sexta o trabalho foi bem produtivo, a sessão tava bem engajada e todo mundo se ajudando. Não que não seja comum, mas esses dias tavam difíceis.

Com essa energia toda consegui investir no meu pertímetro, subir as bikes e deixar tudo arrumado pro fim de semana que vai ser daqueles!

Toda saudade deve ser expressada em alguma forma.

[totalincrivel8-blog]

Nova Página

Scott Feiner é divulgado como um embaixador do pandeiro, apresentando o instrumento para pessoas no mundo inteiro. Pois trata-se de um dos instrumentos de percussão mas difíceis, tanto que possui até curso essencial na Escola Raphael Rabello, do Associação do Pranto. São 20 aulas com 2 horas de curso em vídeo com nosso mestre, que tem mais de 15 anos de experiência no ensino musical. Este é o melhor curso para quem deseja debutar estudar da forma correta. Tome cuidado também ao pegar ou guardar o instrumento durante uma peça musical. No próximo dia 16, uma oficina que ensina a tocar pandeiro vai ser realizada em Londrina. Radicado a partir de 2001 no Rio de Janeiro, o ex-guitarrista trocou de instrumento, deliberado a introduzir o pandeiro nos ritmos e improvisos do jazz.

2º – Pandeiro 10″ LUEN

Acessórios do pandeiro – Chave para afinação, espátula de bambu para retirada do excesso de cera e impurezas, pinça para facilitar na retirada das travas, caixa contendo cera e travas, chave para retirada do pino das platinelas e chaves do estojo. Abafador do pandeiro – Placa plana fina de latão, colocada entre as platinelas. Além de pagode e samba, este deve ser ouvido em músicas de estilos variados como o pranto, o funk, o coco, o baião e o maracatu, entre muitos outros. Só que nas mãos de um bom músico, o pandeiro se torna um instrumento capaz de atuar nos mais variados ritmos. No adjacência desse aro, são instalados círculos de metal, conhecidos como platinelas. Então, nesse guia, vamos mostrar a relevância da qualidade da pele e também das platinelas ou soalhas. Dependendo do ritmo que você quiser tocar, número reduzido de modelos de pandeiro são mais recomendados que outros. Assim como Paulinho da Aba, tinha relação visceral com a local de ensino de samba Vila Isabel. Já Trambique faleceu ano pretérito e era considerado um ícone da percussão. Ney Silva é carioca, mas reside há anos em São Paulo, onde cobija um modesto, mas ótimo bar de samba, o Na Aba, na avenida Faria Lima – quando inaugurou o espaço recentemente mais de uma década Ney Silva chegou a fazer um chá bar para arrecadar itens para furar o espaço. Paulinho da Aba é autor do clássico "Na aba" (por conta do sucesso da música o título da letra foi incorporado ao seu nome) ao lado de Ney Silva e Trambique – a música foi gravada por Almalha da Silva – que também gravou dos três sambistas "Lei do cômoro" – e Martinho da Vila. É em Fornos, aldeia do concelho de Freixo de Gládio à Cinturão, que um grupo de mulheres se reúne semanalmente para tocar e trovar ao som do pandeiro, um instrumento de percussão conformado de pele de cordeiro com guarnição de madeira. Pandeiro  é o nome oferecido a pequeno número de  instrumentos musicais  de  percussão  que consistem numa pele esticada numa armação (aro) estreita, que não chega a constituir uma  caixa de sonância . O pandeiro é um instrumento bem antigo e que têm grande influência na música e nas festividades ao redor do mundo. O samba é um gênero músico, de onde deriva um classe de dança, de Raízes africanas surgido no Brasil e tido como o ritmo nacional por superioridade. O curso é um passo a passo das novas técnicas, desde a maneira de agarrar o pandeiro para fazer os movimentos básicos, até a construção dos ritmos no instrumento, reconhecendo qualquer som característico. Deleitar-se-ia dominar além disso em relação a essa matéria tente este web-site, clique

[ultraisabarrosmartins1978]

Parque Burle Marx recebe festival com tributo a Aretha Franklin

Com atrações performáticas e musicais para adultos e crianças, diversos restaurantes e food trucks, feira de economia criativa com produtos artesanais de pequenos produtores, o Parque Burle Marx se torna o expoente da cultura de piqueniques festivos da gringa aqui no Brasil.

Neste fim de semana, nos dias 27 e 28 de julho, o parque recebe um mega festival com aproximadamente 30 horas de atrações culturais gratuitas e para toda a família!

O grande destaque fica para o tributo à Aretha Franklin no show inédito de Alma Thomas e Ed Motta. Também despontam na programação o show da banda Beatles para Crianças e da Black Mantra com participação de Gerson King Combo.

Programação no Burle Marx

41ª FESTA DAS CEREJEIRAS FLOREIA O PARQUE DO CARMO

Sábado, 27 de julho

O sábado começa com aulas de yoga para adultos, com Carolina Luvisotto, e também o yoga brincante para as crianças.

Ao longo dos dois dias acontecem as seguintes performances: espetáculo “Vertebral” de dança vertical do Grupo Ares, Malabares com Firula, Bambolear de Bárbara Francesquine, e Live Painting com os artistas Caio Bless, Sapiens Questione, Joks Johnes, Teia Urbana, Rafael Shine e Bônus. A discotecagem fica por conta do DJ Mr Rabbit.

No palco principal, o primeiro dia recebe a banda Black Mantra com um convidado ilustre: Gerson King Combo para um showzaço!

Também se apresentam no palco o Trio Sinhá Flor, referência de grupo de forró formado exclusivamente por mulheres, a New Orleans Jass Band, e a banda Beatles para Crianças, criada pelos educadores Fábio Freire e Gabriel Manetti.

No palco Vá de Jazz, marcam presença: Roda de Tambores do Zé Benedito Tambores, o funk e blues de Théo com a Sétima, e os artistas e performances de rua Sax in The Beats, conhecidos por levar entretenimento para o corrido cotidiano de São Paulo.

Ainda no sábado, o público infantil pode desfrutar do palco Kids com os contadores de histórias do “PING PONG”, da Cia Cabelo de Maria, que também leva a apresentação musical “São João do Carneirinho” e a performance do lúdico universo de VJ Suave com a oficina de Tagtool.

SP ZEN: SAIBA ONDE PRATICAR YOGA E MEDITAÇÃO SEM GASTAR MUITO

Domingo, 28 de julho

Já no domingo, o palco principal conta com a inédita parceria de Alma Thomas e Ed Motta em um tributo à Aretha Franklin, o grande destaque do festival no Parque Burle Marx!

No mesmo palco se apresentam Toninho Ferragutti com a performance “O Sorriso de Manu”, enquanto Pepe Cisneros & Teresa Morales convidam Daniel Barauna para uma homenagem ao grupo cubano Buena Vista Social Club.

Mantendo a tradição de contemplar projetos sócio-educativos, o festival em parceria com a Secretaria de Cultura e Economia Criativa do Estado de São Paulo, recebe o Septeto da EMESP, formado por destacados alunos da Escola de Música do Estado de São Paulo, que apresenta clássicos do Jazz e da música instrumental brasileira.

No palco Vá de Jazz o saxofonista Marcelo Coelho & McLav-In convida a cantora Vanessa Moreno e a apresentação de Esdras Nogueira em Transe, que convida André Gonzales e Beto Mejia. Para os pequenos, no último dia o palco Kids traz também o “Avoou: Eu tava lá…” com Cristiane Velasco e Carol Bahiense, e a Orquestra Modesta “Canções para Pequenos Ouvidos”.

O que comer?

A curadoria gastronômica do festival é assinada pela Rizz Gastronomia e restaurantes como Pobre Juan, The Ribs, Rota do Acarajé, Jacarandá, Frank&Charles, Coco Bambu, Aragon oferecem o melhor de seus cardápios no evento.

CASA MATHILDE: A TRADIÇÃO E O SABOR DOS DOCES PORTUGUESES EM SP

Os food trucks e bikes Pastelândia, Porções – Urban, Tapioca – Toet, Auguri, Sucos & Açaí – YVA, Vulcano, Merenda de Rua (ação da patrocinadora Queijo President), Batutas, OOP, La Cusine, Negroni, Tropicana, Magrela, Churreria Little Factory, entre outros também confirmam presença nos dois dias de festival.

Entre as novidades do evento, está uma feira com aproximadamente 40 pequenos produtores artesanais. Com curadoria da Vitrine 360, marcas de moda, design, objetos sustentáveis e acessórios ocupam o espaço.

Horários

Com proposta contemplativa e que casa com o conceito de evento ao ar livre, o parque Burle Marx recebe o projeto pelo segundo ano consecutivo e oferece estrutura completa ao público com acessibilidade, área para crianças, iluminação, estacionamento e segurança.

Com entrada gratuita, as atividades acontecem das 10h às 21h, no sábado e no domingo, dias 27 e 28 de julho. Confira abaixo os horários dos shows e da programação completa:

Sábado, 27 de julho

10h Yoga (adultos) com Carolina Luvisotto | Palco Getnet 10h Yoga Brincante para crianças | Área Kids

Performances ao longo do dia

Malabares com Firula Bambolear de Bárbara Francesquine DJ Mr Rabbit | Discotecagem ao longo do dia Live Painting com Caio Bless, Sapiens Questione, Joks Johnes, Teia Urbana, Rafael Shine e Bônus

Palco Kids

10h45 | “PING PONG” Cia Cabelo de Maria 12h | Roda de Tambores do Zé Benedito Tambores 14h45 | “São João do Carneirinho” Cia Cabelo de Maria 15h30 | VJ suave: Oficina Tagtool

Palco GetNet

10h Yoga (adultos) com Carolina Luvisotto 11h45 | Trio Sinhá Flor 13h15 | New Orleans Jass Band 16h15 | Beatles para Crianças 18h30 | Grupo Ares | Performance 19h30 | VJ Suave: Suaveciclo Performance 19h30 | Black Mantra convida Gerson King Combo

Palco Vá de Jazz

11h | Roda de Tambores do Zé Benedito Tambores 14h45 | Théo com Sétima 17h30 | Sax in the Beats

Domingo, 28 de julho

10h Yoga (adultos) com Carolina Luvisotto | Palco Getnet

Performances ao longo do dia

Malabares com Firula Bambolear de Bárbara Francesquine DJ Mr Rabbit | Discotecagem ao longo do dia Live Painting com Caio Bless, Sapiens Questione, Joks Johnes, Teia Urbana, Rafael Shine e Bônus

Palco Kids

11h | Tarde de Firulas | Intervencao artística 12h40 | Avoou: Eu tava lá… Com Cristiane Velasco e Carol Bahiense 15h às 16h | Orquestra Modesta “Canções para Pequenos Ouvidos” 16h | VJ Suave | Oficina Tagtool

Palco GetNet

11h30 | Septeto EMESP | Música 13h45| Toninho Ferragutti: O sorriso da Manu | Música e Dança 16h15 | Homenagem a Buena Vista Social Club por Pepe Cisneros & Teresa Morales convidam Daniel Barauna | Música 18h30 | Grupo Ares | Performance 19h30 | VJ Suave: Suaveciclo Performance 19:30 | Alma Thomas canta Aretha Franklin | Part especial de Ed Motta

Palco Vá de Jazz

11h | Roda de Tambores do Zé Benedito Tambores 15h| Marcelo Coelho & McLav-In convida Vanessa Moreno 17h45 | Esdras Nogueira em Transe convida André Gonzales e Beto Mejia

Curte parques e piqueniques? Se liga nessa dica!

Tem coisa melhor do que curtir um passeio ao ar livre com muita diversão, sabor e natureza ao redor? Para facilitar a vida dos que desejam momentos relaxantes em SP, a Catraca Livre listou 15  cantinhos cheios de natureza e frescor, todos com entrada gratuita!

Parque Burle Marx recebe festival com tributo a Aretha Franklinpublicado primeiro em como se vestir bem

[richmegavideo]

Dart Adams presents The Top 50 Hip Hop Albums, EP’s & Mixtapes Of 2009 (The Final Top 200)

This is a list of what I consider to be the Top 200 Hip Hop LP’s, EP’s & mixtapes from this year so far. Please keep in mind that in order for me to even narrow this list to 200 I had to exclude all instrumental albums with the exception of Exile’s “Radio” (as it could’ve easily been Album Of The Year) otherwise it would’ve just been ridiculous and impossible to narrow to just 200 Hip Hop albums. This is the final time I do this, after three years I’m sure you all get the point I’m trying to make by now.

Also keep in mind that I’ve heard slightly less than 700 different projects this calendar year (my gmail account was bananas). I’m sure that my Bloggerhouse brethren Eric & Travis have quite a few projects in mind that I missed. That should give you all an idea as to just how deep 2009 was with quality material that you probably never even heard of.

In the comments section feel free to gripe, bitch and/or moan about Jay-Z, Rick Ross, Wale, Fabolous, Busta Rhymes or “insert wack rapper’s name here” lackluster ass album not being in my top 200. Also feel free to add albums, EP’s & mixtapes I missed (like Pill’s). I head mad albums that are still in my rotation that missed this cut (Moka Only made so many albums I stopped him at one so “Summer Notations”, “Carrots & Eggs” & Ron Contour’s”Hot Dog” aren’t on this list).

I’m sure listened to WAY more Hip Hop than you this year (and I probably suffered irreparable damage because of it). All you gotta do to check every Friday of 2009 (both the reviews & Late Passes (For Doz Dat Slept) sections) on this blog for proof. Enjoy (or don’t) my final Poisonous Paragraphs list:

5 O’ Clock Shadowboxers- The Slow Twilight Aarophat & Illastrate-Black Noise Apathy-Wanna Snuggle? Big Tone-The Art Of Ink Blame One-Days Chasing Days

Braille & Symbolyc One-Cloudnineteen

Brother Ali-Us/The Truth Is Here EP

Che Grand-Everything’s Good Ugly Chief-Collabo Collection

D.Black-Ali’yah Danny!-Where Is Danny?

Diamond District-In The Ruff

Diz Gibran-Soon You’ll Understand DJ Spinna-Sonic Smash DOOM-Born Like This

Drake-So Far Gone Elzhi-The Leftovers: The Unmixedtape

Exile-Radio Fashawn-Boy Meets World

Finale-A Pipe Dream And A Promise Freddie Gibbs-Midwestgangstaboxframecadillacmuzik Illogic & Ill Poetic-Diabolical Fun J Dilla- Jay Stay Paid

JR & Ph7 present The Standard Keelay And Zaire-Ridin’ High Kev Brown presents Random Joints MAGr-No News Is Good News Marco Polo & Torae-Double Barrel

Moka Only-Lowdown Suite 2: The Box

M.O.P.-Foundation Mos Def-The Ecstatic Obie Trice & MoSS-Special Reserve Oddisee-Mental Liberation Pac Div-Church League Champs Paten Locke-Super Ramen Rocketship Raekwon-Only Built 4 Cuban Linx 2

Rapper Big Pooh-The Delightful Bars (North American Pie & Candy Apple Version) Reks-More Grey Hairs

Royce Da 5’9″-Street Hop

Sene & Blu Are…A Day Late & A Dollar Short Slum Village-Villa Manifesto EP Skyzoo-The Salvation Slaughterhouse-S/T Strong Arm Steady & Madlib-In Search Of Stoney Jackson Tanya Morgan-Brooklynati

Thaione Davis-Still Hear

TiRon & DJ LowKey-Ketchup Tiye Phoenix-Half Woman Half Amazin’ yU-Before Taxes

Next 150 (Honorable Mentions):

45-The Revenge Of Soul 50 Cent-Before I Self Destruct 6 Fingers-Who Has Lots Of Fingers? Abstract Rude-Rejuvenation Ace & Edo (Masta Ace & Ed O.G)-Arts & Entertainment/Extra Entertainment A Disturbing New Trend-Year Of The Carnivore Alchemist-Chemical Warfare Ancient Tongue-Time Tells Tales ARES-A Red Eye Smokin’ Atmosphere-Leak At Will AZ-Legendary Big Quarters-From The Home Of Brown Babies With White Mothers Blackroc-S/T Black Sunn-Godsound Blaq Poet- The Blaqprint Blue Scholars-OOF! EP Blu-HerFavoriteColo(u)r Boycott Blues-Irony BP & Odds-The Medium Brokn. English-The Drawing Board Brown Bag All Stars-The Brown Tape Buff1-It’s A 1derful Life BK-One with Benzilla-Radio Do Canibal

Camp Lo-Stone And Rob: Caught On Tape/Another Heist

Cesar Comanche-Die In Your Lap Classified-Self Explanatory The Clipse-Til The Casket Drops

Common Market-The Winter’s End EP Cook Classics-The New Classics The Cool Kids & Don Cannon-Gone Fishing Cormega-Born & Raised Cradle Orchestra-Velvet Ballads Crooked I-Mr. Pig Face Weapon Waist Crown Nation-Slut Bag Edition

CunninLynguists-Strange Journey Volume Two

Currensy-This Is Not A Mixtape/The Jet Files Deep Rooted-D.E.E.P.R.O.O.T.E.D. De La Soul-Are You In?+ Nike Original Run Def Jux All Stars-Def Jux Presents 4 Del Tha Funke Homosapien & Tame One-Parallel Uni-Verse Dillon & Paten Locke-Studies In Hunger DJ JS-1-Ground Original 2: No Sell Out DJ MK presents Skandal-Hunger Pains DJ Quik & Kurupt-BlaQkout Donny Goines-The Breakfast Club DOOM presents Unexpected Guests Dumhi-Indian Summer EP Dylan Thomas & Haz Solo-All Jokes Aside Dynas-The Apartment E-Flash (NBS)-Know The Ledge Earatik Statik-The Good, The Bad & The Ugly Earth Crew-Grassroots: From The Ground Up Educated Consumers-Hello Big Mama Elucid-The Sub Bass Diet Emilio Rojas-Recession Proof/The Natural Eminem-Relapse Eternia-Get Caught Up Fabio Musta-Passport Fatgums x Bambu-A Peaceful Riot Felt (Slug & Murs)-Felt 3: A Tribute To Rosie Perez Film Skool Rejekts-Midnight Movies Fresh Daily-The Gorgeous Killer In: Crimes Of Passion Georgia Anne Muldrow presents Ms. One & The Gang Ghostface Killah-Ghostdini: The Wizard Of Poetry In Emerald City Grand Puba-RetroActive The Grouch & Eligh-Say G&E! Horseshoe G.A.N.G.-Gangsta MC Ilyas-I-El: The Prelude J. Cole-The Warm Up J. Nolan-Resilience J. Period & Q-Tip-The Abstract Best J-Scrilla-Culture Of Honor JC Poppe-Sleep Therapy Jazz Liberatorz-Fruit Of The Past/Clin D’ Oeil Jern Eye-Vision J.J. Brown-Connect The Dots

Joe Budden-Padded Room/Escape Route K-Os-Yes! Kam Moye-Splitting Image Kenn Starr-It’s Still Real Kid Cudi-Man On The Moon: The End Of The Day

Kid Hum & Rock The Dub-Offshore Drilling Kidz In The Hall-The Professional Leisure Tour Krumbsnatcha-Hidden Scriptures KRS One & Buckshot-Survival Skills La Coka Nostra-A Brand You Can Trust L.E.G.A.C.Y-Suicide Music LMNO & Yann Kesz-Devilish Dandruff With Holy Shampoo Marv Won-The Way Of The Won MarQ Spekt X Lex Boogie-Guilty Party Method Man & Redman-Blackout! 2 Mr. J. Medeiros & Boonie Mayfield-The Art Of Broken Glass EP/Friends Enemies Apples Apples Mr. SOS-How I Learned To Stop Worrying And Love The Bomb Myka 9-1969 Naledge-Chicago Picasso Nametag-Classic Cadence Vol. 2 Nico The Beast-Dinner Is Served Mixtape Notes To Self-A Shot In The Dark OC & AG-Oasis Outasight-Further People Under The Stairs-Carried Away Poorly Drawn People-Motion, Not Emotion Psuedo Slang-We’ll Keep Looking

Print-Comic Books: Unlimited Quelle-Blue Mondays Qwel & Maker-So Be It Rashid Hadee & Pugz Atomz-Stormy Raydar Eliis & Quite Nyce-Champs Vs. The League

Red Giants-Chain Reaction EP Reservoir Dogs-Reservoir Dogs Mixtape Rhymefest & Scram Jones-The Manual Ro Spit-The Oh Shit! Project Rob Viktum f/Donwill & Friends-A’ight New Drink Roc C & IMAKEMADBEATS-The Transcontinental

Saigon & Statik Selektah-All In A Day’s Work

Sandpeople-Long Story Short EP Sareem Poems-Black And Read All Over Sean Price-Kimbo Price Sene-Maltas & Music Sha Stimuli-My Soul To Keep Slakah The Beatchild-Soul Movement Vol. 1 Sleep-Hesitation Wounds Sojourn-Sojournalism Souls Of Mischief-Montezuma’s Revenge St. Mic-Honest Music Statik Selektah-The Pre-Game EP Stoupe The Enemy Of Mankind-Decalouge Strange Fruit Project-Making Art Sound Kool Substantial/Burns- Sacrifice Superstar Quamallah-The Invisible Man Tame One & Parallel Thought-Acid Tab Vocab Termanology-Heaven Was A Mile Away/Hood Politics VI: Time Machine Tha Connection-Love Royale Toki Wright-A Different Mirror U-N-I & Ro Blvd-A Love Supreme Wale-Back To The Feature William Cooper-Beware Of The Pale Horse Wu Tang Clan-Wu Tang Chamber Music X.O.-Monumental/Realmatic yU presents The Charlie Ross Project

One

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[tinymixtapes]

Column: Favorite Rap Mixtapes of October 2018

With a cascade of releases spewing from the likes of DatPiff, LiveMixtapes, Bandcamp, and SoundCloud, it can be difficult to keep up with the overbearing yet increasingly vital mixtape game. In this column, we aim to immerse ourselves in this hyper-prolific world and share our favorite releases each month. The focus will primarily be on rap mixtapes — loosely defined here as free (or sometimes free-to-stream) digital releases — but we’ll keep things loose enough to branch out if/when we feel it necessary. (Check out last month’s installment here.) Here at Tiny Mix Tapes, mixtapes are like Halloween handouts, which is to say we recommend continual and regular consumption of sweets, sours, and suckers balanced by physical activities including but not limited to picking and carving, taking long walks, and watching so many scary movies it becomes physically tasking. To wit, my list for the month so far includes: The Omen (1976), Damien: Omen II (1978), Omen III: The Final Conflict (1981), Season of the Witch (1972), The Man in the Orange Jacket (2014), Daughter of Horror (1955), Daybreakers (2009), Nightmare City (1980), Fear X (2003), The Town that Dreaded Sundown (1976), Shock (1946), Shock (1977), The Stuff (1985), Santa Sangre (1989), Neon Demon (2016), The Lost Boys (1987), and The Skeleton Key (2005). Therein, as below, audiences can discover numerous tricks and treats. It is, of course, our privilege to help pass along both as they’re equally essential, like ODB would say, “for the children.” And speaking of the little ones, let us not gloss over this month without acknowledging that it somehow brought out releases by no less than seven (!) established “Lil” rappers: B, Baby, Gnar, Jay So Icy, Mosey, Tracy and Xelly. “The horror!” –Samuel Diamond --- Illingsworth - You’re No Fun [DOWNLOAD/STREAM] Swerve past the skeptics and you’ll find that there still are scythe-tongued rappers and producers beholden to the unseen funk. Although rapper-producers are not rare, there are few today who manage such a fluid blend of sway and spitfire as my latest chiropractor, the Detroit-bred Illingsworth. While known mostly for his beats, the plunderer can kick some nerdy flex raps too; he was nonchalantly sipping on lemonade in a pirate’s fit, while you were busy teething on cockroaches. On his latest opal with Mello Music Group, You’re No Fun, Illingsworth’s pearly bounce is as live as ever. The lasting sapphire in the mix might just be “Wind (No Clues),” a “Love’s Gonna Get’cha”-esque ode to a young have-not, searching for a path where shards of systemic violence won’t sink into the soles. In the grubby fists of a lesser MC, the concept might ring out as corny. But in the studious grasp of Illingsworth, it feels as if the ghosts of SV sprinkled steez over construction gravel to help the whole damn thing glisten. –Cirrus Slump --- Kodie Shane - Stay Tuned … [STREAM] Some two years after stealing the show on the Sailing Team’s “All In,” Kodie Shane’s just about ready for her close-up. Young Heartthrob, her full-length debut, drops early November, meaning that Stay Tuned … is the last in a long line of EPs by which she has built a fanbase and a reputation, (mostly) escaping Lil Yachty’s shadow and establishing herself as an artist who deserves a spotlight of her own. Packed front-to-back with brand-name features, Stay Tuned … scans as a set of songs too pedestrian for the album but too expensive to discard entirely, less interesting for Rich the Kid’s continued interrogation of the phrase “dat way!” than for the promising glimpse it provides into Shane’s musical development since last year’s Back From the Future. I can’t imagine listening to this once Young Heartthrob is out, but I won’t be listening to anything else until then. –Corrigan B. --- MihTy - MihTy [STREAM] Here you have it folks: the long-rumored, widely-anticipated eponymous collab between the foremost crooners in hip-hop. That’s right — Jeremih and Ty Dolla $ign have teamed up in true Rhythm-and-Blues Brothers fashion to give us MihTy, which apparently might have been completed as far back as 2017?? The original release was supposed to come August 2018, but, as happens so often these days, the drop date was pushed back to October. So, here we are! Dolla and ‘Mih apparently churned out some 60 songs in the studio, then picked out these 11 from said batch, which explains why this project doesn’t hit me as incredibly cohesive or focused on a particular idea, aside from, of course, romance, sex, and various forms of decadence. But if you know these two at all, that shouldn’t surprise you, and perhaps all that intimacy is exactly why you (and I) listen. It’s a solid and varied tape, with a good list of producers (exec. produced by Hitmaka, with appearances by Go Grizzly, Keyz, et al.) and suave harmonies. In a most satisfying way, it’s the tape I’d expect from the two — a wonderfully romantic, melodic, and smooth-hip-hop-R&B ditty to cuddle up with as the weather gets colder. –Alex Brown --- Bambu - Exrcising A Demon | Article 1 | A Few Left [DOWNLOAD/STREAM] Filipino-American California MC Bambu has been kicking bloody street soliloquies as far back as the early 2000s and even released a critically acclaimed full-length collaboration with L.A. rap royalty’s DJ Muggs in 2010. However, if there’s ever been a moment better suited for this particular audio document, it must have occurred in some alternate timeline, because Exrcising A Demon | Article 1 | A Few Left arrives at a juncture that demands more than ever for stories of American immigrants and their children and the struggles they share to be told plainly, without glorification, political comment, or other modes of curated re-contextualization. The truth, like humanity, is brutal, war-torn even, but above all else, necessary. And if this release is truly the first in a five-part series, as the Bandcamp page describes, then Bambu and OJ The Producer have set the bar incredibly high for themselves out the gate. Clearly, though, this is a matter of both exercising and exorcising, show-and-prove a given. –Samuel Diamond --- Shy Glizzy - Fully Loaded [STREAM] For a couple years now, the Washington Wizards have stood pat in free agency, keeping their roster’s core intact in order to develop their existing players rather than compromising their identity in pursuit of new ones. Their horrific start to the current season aside, it’s worked pretty well; the John Wall era has been one of consistent success, salad days not only for Wall, but also for a host of young stars under his tutelage: Bradley Beal, Otto Porter, and most recently Kelly Oubre. Yet in their consistency, the Wizards have raised questions about untapped potential, about complacency in the face of the consistently “pretty good,” and about who is really to blame for a series of failed attempts to integrate new play styles and personalities. Luckily, rap isn’t basketball. Probably. –Corrigan B. --- Lil B - Options [STREAM] –Lovebug --- Gangsta Boo & BeatKing - Underground Cassette Tape Music Vol. 2 [STREAM] Being a consumer of contemporary “rap” music in 2018 without recognizing Gangsta Boo is a privilege. As a member of Three 6 Mafia, she helped collapse geographical and aesthetic distinctions between Southern rap, experimental horrorcore, and radio music without burying Memphis signifiers in common ground. Her new mixtape with Houston-hailing BeatKing is a conservation of both artists’ distinct regional styles, revealing by way of phonogeographical survey just how deep trap’s roots go. Fortunately, Underground Cassette Tape Music Vol. 2 is also a banger in its own right, reminding Migos fans why this historical primrose path was worth nourishing and following. Plus, remember Paul Wall, Danny Brown, and RiFF RAFF? They’re all on this, too. It’s a scary good time, so fly that you won’t even remember they’ve been doing this since before I could talk. If there ever were a laurel-draped whip, this whole crew has scrapped it for a brand new ride. And it bumps as hard as everything before it. –Jazz Scott --- D Savage - D Phoenix [STREAM] I’m not entirely sure where D Savage came from, but “a neural network trained on 10,000 Soundcloud rappers” isn’t out of the question. Yet amidst opaque mythology — “3900,” “2700,” and a dozen variations of “Phoenix” reappear endlessly across songs and IG captions — and thoroughly ambiguous authorship, there’s an undeniable grasp of melody that refuses to be ignored. As often as not, it’s a mere moment; “What You Want” justifies its existence on the strength of half a hook alone. And that’s more than enough: with tracks rarely exceeding two minutes, D Savage’s best work is so immediate that it can’t even begin to wear out its welcome before its time to rewind. There’s little here that warrants repeated listens, but what sticks will be looping in my mind for months on end. –Corrigan B. http://j.mp/2RmZRpo

[chrislebrane]

Like...yea, man...it's the #soulstriprecordchallenge , brought to you by @kitten_e_face and @uncle_seabass ! Day 20:  Comedy Album Cheech and Chong - Big Bambu [Ode Records, 1972] Fifteen is a really good age to get into Cheech and Chong. At that point, channels like Starz was showing movies like "Cheech and Chong's Next Movie" and "Cheech and Chong's Things Are Tough All Over" incessantly, and I watched every time.  Their brand of stoner humor was my kind of crazy and the now-vintage look of it all (1980 looked familiarly strange in 1995) was my aesthetic for laughs and a good time. When the albums came into play for myself, it was a hilarious bit after another, exposing some of the future characters in their movies and so on.  While my all-time favorite album of theirs is "Wedding Album", we give up the funk to BIG BAMBU! From "Sister Mary Elephant" on down to "Let's Make a Dope Deal", it is a hilarious trip through the counterculture with the two best friends you didn't know you had...but you're glad they're there. And it came with a large rolling paper.  That's just crafty and unique album packaging right there! #albumchallenge #vinylchallenge #februarychallenge #cheechandchong #bigbambu #comedyrecord #dopeness #chrislebrane

[piscitellientretenimentos-blog]

Matheus VK faz show no Galpão Gamboa, no dia 12 de agosto, acompanhado de Bem Gil, Davi Moraes e da festa carioca Rebola

http://www.piscitellientretenimentos.com/matheus-vk-faz-show-no-galpao-gamboa-no-dia-12-de-agosto-acompanhado-de-bem-gil-davi-moraes-e-da-festa-carioca-rebola/

Matheus VK faz show no Galpão Gamboa, no dia 12 de agosto, acompanhado de Bem Gil, Davi Moraes e da festa carioca Rebola

Matheus VK recebe os guitarristas Bem Gil e Davi Moraes para show eletro acústico, seguido de edição da festa carioca Rebola,  no dia 12 de agosto, sábado,  no Galpão Gamboa. Enquanto Davi Moraes irá cantar sua composição “Na massa”, em um arranjo com beats eletrônicos e guitarras, Bem Gil interpretará “Está na cara, está na cura”, de seu pai, Gilberto Gil. Juntos, eles levam ao palco, ainda, duas músicas do disco “Muitos Carnavais” de Caetano Veloso: “Chuva, suor e cerveja” e a faixa que dá título ao álbum. “Nos três adoramos esse disco”, comenta Matheus VK.

Matheus VK também vai apresentar as músicas do EP “Purpurina”, com destaque para “Movimento Rebolático”, que ganhou clipe recentemente. “Além dessas, vamos fazer um arranjo com três guitarras pra minha música “Desbunde”, que também faz parte do EP”, explica Matheus VK.

O EP “Purpurina”, com sete músicas, foi lançado no começo do ano, com uma sonoridade contemporânea e eletrônica que flerta com a pista de dança, sem abandonar a pluralidade de estilos que sempre marcou o trabalho de Matheus VK. O EP traz as canções inéditas “Retocada”, que é um bolero com um eu-lírico trans, “Desbunde”, um frevo eletrônico, “Purpurina”, uma homenagem ao disco “Realce”, de Gilberto Gil, e “Amor de Carnaval” um funk carioca estilo anos 90. Juntam-se a essas novas canções a Trilogia do Triângulo do Quadril, lançada no final do ano passado, que fala mais sobre a consciência corporal neste processo de carnavalização, com as músicas “La Malemolência”, “Pélvis” e “Movimento rebolático”.

Festa Rebola

Rebola é um coletivo de arte, uma festa, um movimento, que fala da ancestralidade brasileira assim como da sua contemporaneidade. Sons produzidos pelas periferias do mundo se conectam pela batida do tambor ancestral e apontam para o futuro. O coletivo é formado pelos artistas João Penoni, Bruno Balthazar, Helô Duran e outros colaboradores convidados a cada edição. Em outubro de 2014, a primeira de muitas esculturas de luz, desenhos originais de bambu, LEDs e outros objetos luminosos, foi criada pelos artistas do coletivo. Símbolo do nosso encontro, que aconteceu também no Festival Panorama de Dança ainda em 2014, em edições na quadra da Escola de Samba Vizinha Faladeira, no tradicional Clube dos Democráticos, com a participação do primeiro bloco afro do Rio de Janeiro – Agbara Dudu e novos produtores da música eletrônica brasileira como Felipe Sá e Carrot Green.

Em maio de 2015 ,o coletivo foi selecionado para fazer o encerramento da Exposição Encruzilhada no Parque Lage com curadoria de Bernardo Mosqueira. Entre muitas outras edições, em fevereiro de 2017, foi selecionado como uns dos trabalhos da exposição Abre-alas, da galeria A Gentil Carioca. A Rebola e suas esculturas de luz falam de raízes, de ancestralidade e futuro, iluminam sem preconceito e reconhecem a cada um de nós, incorporadores da festa. Propõem a construção de uma grande mitologia urbana, onde cada personagem se revoluciona na dança. Sob sua “Forma de Luz” o lema, as “bundas não vão parar”, nasce, porque a revolução se faz a partir do corpo. Já dizia Emma Goldman (1869 — 1940) “se não puder dançar, não é minha revolução”.

Mais sobre Matheus VK

Psicólogo por mais de 7 anos, Matheus VK largou o consultório para comandar a libertação dos quadris em seus animados e purpurinados shows. Matheus é ícone de um novo hétero, doce, sensível, que usa maquiagem e convida o público a rebolar como uma espécie de pequena revolução pélvica. “De certa forma, tenho levado as teorias do consultório de psicologia para o meu trabalho musical, desconstruindo a ideia do homem macho e propondo o contato com o corpo. Estimular o público a mexer a pélvis, dançando, nos shows, é tão terapêutico, para o artista, quanto às sessões do tempos de consultório”, analisa.

Matheus VK faz música há mais de uma década e já lançou três álbuns de carreira: “Vagalume”(2014), “MVK” (2010) e “Outros Tempos” (2008), e também o DVD “Durantes” (2012). Além de ser vocalista do bloco carioca Fogo & Paixão, especializado em versões carnavalescas de clássicos do brega popular, é compositor do bloco “Bangalafumenga”. Juntos, os dois blocos levam mais de 130 mil pessoas às ruas do Rio de Janeiro.

SERVIÇO:

Matheus VK, Bem Gil, Davi Moraes e Rebola

12/09, às 22h

Galpão Gamboa

http://galpaogamboa.com.br

Rua da Gamboa, 279 – Gamboa

Tel.: (21) 2516-5929

Preços

Lote 1 – 30,00 (100 ingressos)

Lote 2 – 40 (200 ingressos)

Lote 3 – 50,00 – no dia

https://www.sympla.com.br/matheus-vk-part-bem-gil-e-davi-moraes–festa-rebola__171730

Para saber mais sobre Matheus VK

EP Purpurina:

https://open.spotify.com/album/7Ktz0FsmRfCSeT5Cutf4BP

Mídias sociais:

http://www.matheusvk.com.br/

http://soundcloud.com/mvksom

http://www.youtube.com/MVKsom

http://www.facebook.com/matheusVKoficial

http://twitter.com/matheusVK

[inkwellyork-blog]

INKWELL RSD 2017 RELEASES LIST - We open at 9am tomorrow, there will be a queue, but we can’t really advise on what time you would need to be here to be near the front of it. Sales are on a strict first come-first served basis, and customers can only take one copy of any given title. Good luck tomorrow, see you in the morning :)

ALFONSO NOEL LOVO:  TERREMOTO RICHTER 6:25 - MANAGUA ('73 Latin-Prog-Funk)

Andre 3000:  Altogether Now

Atjazz:  That Something Else!

ATOMIC BOMB BAND:   PLAYS THE MUSIC OF WILLIAM ONYEABOR

Ben Folds & W.A.S.O: Live In Perth

Beverly Martyn:   Picking Up The Sunshne

Black Angels:   Death Song

BP FALLON & DAVID HOLMES:   HENRY MCCULLOUGH 

Brian Auger:  With The Soul Sisters EP

Brian Jonestown Massacre: POL POT'S PLEASURE PENTHOUSE

Charles Earland:  Coming To You Live

Creation Rebel: Starship Africa

Curanderos (Bardo Pond): Curanderos

Czarface:  First Weapon Drawn (A Narrated Adventure)

Danny Brown:    Ain't It Funny

David Bowie:      Whatever Is In That Anonymous Looking Bowie Box

David Bowie:      Cracked Actor

David Bowie:      No Plan

Dennis Wilson:  Bambu (Caribou Sessions)

Diana Ross:   Diana

Don Blackman:  Don Blackman

Elastica:  Elastica

Elbow:  August & September

Evie Sands:  Shine for Me

Flower Travellin' Band:  Anyway (Legendary Japanese Heavy Psych)

Frank n Dank & Jay Dee:  The Jay Dee Tapes

Goat:  Goatfuzz/Goatfizz

Greg Graffin: Cold As The Clay

Hawkwind: Kerb Crawler / Hunky Dorky

Jarvis Cocker & Chilly Gonzales: Room 29

Jody Reynolds:    Devil Girls With Raven Hair (1958-1966)

Joe Higgs:  Invitation To Jamaica

JOE MEEK:  I HEAR A NEW WORLD

Joey Negro:  Circles / Everybody Dance

Johnny Cash:   The Johnny Cash Childrens Album

Laura Marling:   Live From York Minster

MADRIGAL:  MADRIGAL

Malvina Reynolds:   Little Boxes and Magic Pennies: An Anthology Of Children's Songs (1960-1977)

Manic Street Preachers: Your Love Alone Is Not Enough

MARCOS VALLE: VONTADE DE REVER VOCE (First ever vinyl reissue)

Matata:  Air Fiesta (Afro funk-rock banger)

Morton Records Inc: Red Greg Edits

Ned Doheny: Labor Of Love (Kenny Dickinson Remix - first ever remix of any track by yacht rock legend)

Nico & The Faction:   Fata Morgana

NICOLA CRUZ:   PUENTE ROTO (QUANTIC REMIX)

Otis Clay / Lowrell:   The Only Way Is Up / Mellow Yellow Right On

PAT THOMAS:   MARIJATA (stunning Afro-psych-soul)

Pink Floyd:   Interstellar Overdrive

PINK FLOYD:   LONDON 1966-1967 (RSD PIC DISC

Placebo, David Bowie:  Without You I'm Nothing

Primal Scream:  Mixamatosis

Robert Johnson: The Centennial Collection

Ryo Kawasaki:   Selected Works Part 2 1976 - 1980

SIA:  Sessions

Slick Rick:   The Great Adventures Of… (Childrens book + CD + 7")

Spacemen 3:      For All The Fucked Up Children

Spacemen 3:      Recurring

Spacemen 3:      Playing With Fire

SUN RA:             DISCIPLINE 27-11

Susan Phillips:    Soft Sexy Soul

Suzanne E Ciani - Fish Music

The Beatles:  Strawberry Fields Forever / Penny Lane

THE COMET IS COMING:    Death To The Planet

The Congos:    Heart Of The Congos (Original Mix)

The Coral:   Holy Mountain Picnic Massacre Blues EP (inc dope Votel re-mix)

The Doors:   Live At the Matrix '67

The Felice Brothers:    Tonight at the Arizona

The Flaming Lips:    The Flaming Lips Onboard the International Space Station Concert for Peace

The Headhunters:    God Make Me Funky / If You've Got It You'll Get It

The Meters - Complete Josie, Reprise and Warners 3LP

THE MOONS: FLY / INVISIBLE FRIENDS

The Smiths:  The Boy With The Thorn In His Side

The The : We Can't Stop What's Coming

The Who:   Ready Steady Who Three EP

TIME ZONE FT AFRIKA BAMBAATA:   WORLD DESTRUCTION ( RSD 12" )

VANISHING TWIN:   DREAM BY NUMBERS EP

Valerie & Her Week Of Wonders:   Hudba Lubos Fiser (Finders Keepers 7")

Various Artists:  SOUTHWEST SIDE STORY (TEXAS CRUDE VINYL)’

VA / Soul Jazz Records Present: NIGERIA SOUL POWER 70 BOX SET: Afro-Funk Afro-Disco Afro-Rock

VA / Soul Jazz Records Present: SOUL 70  7" Box Set

VA / Soul Jazz Records Present: STUDIO ONE Hi-Fi Special 7” Box Set

Various Artists - Ethiopiques 6x7″ box set

Various Artists:  Function Underground - The Black & Brown American Rock Sound 1969-1974

Various Artists:  TEST CARD GROOVES

Various Artists:  Insane Times - 21 British Psychedelic Artyfacts From Parlophone

Various Artists:  Girls In The Garage Vol. 9

Various Artists:  Girls In The Garage Vol. 10

Various Artists:  THE MAGIC CUBE (insane 60s psych comp on liliac 10" with pop-up sugar-cube)

Various Artists:  BOLLYWOOD: PSYCHEDELIC YEARS

Various Artists:  Scared To Get Happy

Various Artists:  DJ Pierre Presents Acid 88

Various Artists:  SALSOUL REEDITS SERIES ONE: DIMITRI FROM PARIS

Various Artists:  SALSOUL REEDITS SERIES TWO: DANNY KRIVIT (SALSOUL)

Various Artists:  Tighten Up Vol2 Picture Disc

Various Artists:  Come To The Sunshine: Soft Pop from the Nuggets: Come To The Sunshine

Various Artists:  Max's Kansas City – 1976 & Beyond

OST:   Don't Look Now

OST - DOCTOR WHO:   DOCTOR WHO & THE PESCATONS

OST - Gene Page:    Blacula

OST - Kalyanji Anandji:   Don

OST – Metavari:   Metropolis (An Original Re-Score By Metavari)

OST - ENNIO MORRICONE:   BLUBEARD / BARBABLU

OST - Tristram Carey:   Quatermass & The Pit - Electronic Cues 10"

OST - Tristram Carey:    Quatermass & The Pit - Score

OST - Various Artists:    Ciao! Manhatten Original Motion Picture Soundtrack

[jazzworldquest-blog]

USA/JAPAN: Soil & "Pimp" Sessions continues their Death Jazz attack via "Black Track"

Contact: Rick Scott 310.306.0375

greatscottproductions@earthlink.net

Soil & “Pimp” Sessions continues their Death Jazz attack via “Black Track”

The meteoric Japanese band will release their tenth album in the U.S. on April 14.

NEW YORK CITY (28 March 2017): Jazz won’t know what hit it. The artistic purveyors of a super intense, high-voltage brand of aggressive alternative jazz the band dubbed “Death Jazz,” Soil & “Pimp” Sessions returns to the U.S. marketplace on April 14 with the release of their tenth album, “Black Track,” which will be issued on the Red River Entertainment imprint with distribution via BFD/Sony RED. The six-piece Japanese outfit rips, roars and rages through twelve piping-hot new tunes they penned for the occasion that they produced featuring a unique mélange of screaming and careening jazz rhythms, club-banging hip-hop beats, retro neo soul grooves and rampaging punk rock & roll jams.

The block party begins with “Introduction” during which the band’s rapid-fire horns warm up a vintage jazz-funk groove while Soil & “Pimp” Sessions’ agitator and spirit Shacho sets the stage for what’s to come. Shortly after Midorin’s drums kick in on “By Your Side,” guest rapper Bambu spits smitten rhymes about a club-crawling, nocturnal adventure with a woman, a joint seduced by a smooth and sultry chorus sung by Nia Andrews, another guest artist. The scalding “BLACK MILK” takes the record on a distinctive hard bop swing as pianist Josei occupies center stage amidst the furious-paced jazz number that affords ample room for the entire band to show off their astute chops – from Motoharu’s soprano sax and Tabu Zombie’s trumpet to Akita Goldman’s upright bass. Japanese vocalist Nagaoka Ryosuke guests on “Connected,” a playful, horn-powered amalgam of pop, jazz and rock sprightliness. Soil & “Pimp” Sessions dims the lights to reimagine Herbie Hancock’s classic “Cantaloupe Island,” which they slow down and venture into the dark-hued abyss of an atmospheric jazz exploration. The festivities crank back up fiesta style on the showstopper “Papaya Pai Pai,” part Cab Calloway big band bash, part Latin samba and part cartoonish anime. Precision horns chisel the crazy-legged “88 9th Avenue” that takes sinewy twists and unexpected turns through melodic lanes. Vocalist Xavier Boyer of French indie pop band Tahiti 80 adds international flavor by guesting on the acid jazz-electronic voyage “In2 My Soul.” “One For Carmen” adds a touch of class to the collection, bobbing and weaving along a sweet and tender melody that hovers gracefully atop Midorin’s feverish pounding. “SOILOGIC” is trademark Soil & “Pimp” Sessions, a raucous ride that slashes and burns at a merciless, take-no-prisoners straight-ahead jazz tempo. Although a sassy soprano sax plays the role of protagonist on “Simoom,” it is a hyperkinetic, horn-ignited jazz-funk dancefloor filler. The contemplative “Mellow Black” is backdropped by probing piano, cascading drums and elastic basslines that plumb murky depths. “SEKAI” closes the date with a full-throttle, whirlwind, smash-and-grab chase that recalls mod punk rock.

Emerging from the Tokyo club scene, Soil & “Pimp” Sessions made their recording debut in 2006 with “Pimp Master.” Renowned British DJ Gilles Peterson is credited with turning UK hipsters onto the band through his BBC Radio 1 program, leading to the collection of a BBC Worldwide Award (John Peel Play More Jazz Award) and a television appearance on BBC’s trendsetting “Later…with Jools Holland.” Popularity in the United Kingdom and Europe soared after a round of buzz-building performances at high-profile festivals including the Glastonbury Festival, Montreux Jazz Festival, North Sea Jazz Festival, Roskilde Festival and many others around the world. Soil & “Pimp” Sessions’ first American release came with 2008’s “Planet Pimp.” For additional information, please visit http://bit.ly/2nc5Mip.

“Black Track” contains the following songs:

“Introduction”

“By Your Side” featuring Bambu & Nia Andrews

“BLACK MILK”

“Connected” featuring Nagaoka Ryosuke

“Cantaloupe Island”

“Papaya Pai Pai”

“88 9th Avenue”

“In2 My Soul” featuring Xavier Boyer

“One For Carmen”

“SOILOGIC”

“Simoom”

“Mellow Black”

“SEKAI”

via Blogger http://ift.tt/2oFNkjz

[dramimimir]

27-31/3

Não me lembro o que fiz até quinta. Não deve ter acontecido nada de importante. Nada cronologicamente correto. Tive minhas duas últimas aulas de natação nessa semana. Corri durante a semana (terça-quinta). Tá sendo bom, comecei a fazer a abdominal e afins. Na segunda o wyllyam apareceu aqui. Não creio que tenha feito nada de útil na segunda, me lembro que fui pra natação meio contrariado. Queria, na verdade, meu dinheiro de volta logo e cancelar essa coisa aí. Me divirto muito mais correndo, consigo me exercitar melhor.

Me lembrei o que fiz na segunda, o wyllyam tava aqui, pediu o gás e tal. Dormi tarde no domingo. Tive a bendita da conversa com o superplayer lá na frente do total.

Na terça, eu tinha marcado com a mariane de ver fragmentado. Não me lembro de ter feito nada muito útil até correr de tarde. Logo depois que cheguei, tinha que me arrumar pra sair com a mariane mas ela tava se enrolando dizendo que choveria e tal. No fim, não choveu, esperei ela chegar em casa de dar sinal de vida mas não conseguiu ou esqueceu. No final, dormi e acordei na hora do jogo do brasil. Tá sendo um prazer imenso ver jogos de futebol. Sobretudo do brasil que tá gastando a bola. O neymar jogou muito. Uma loucura. Na mesma noite, acho que comecei a ler Camus, baixei pro celular mas sempre durmo depois de ler uma página.

Quarta pela manhã, o wyllyam me acordou. Fizemos comida e jogamos videogame. A minha mãe pediu que eu acompanhasse ela no médico logo depois do almoço. O braço dela tava com supertendinite, fui no TJ com ela e vim pra casa. Chegando em casa o wyllyam ainda tava aqui e meu pai também. Depois que o wyllyam foi embora, meu pai começou a resmungar sobre a márcia e afins. Dei todo suporte necessário. Logo depois, fui pra natação. Foi minha última aula. Aproveitei ao máximo a última ida na piscina. Talvez vá sentir saudades, não sei ao certo. Algo me diz que o hábito de nadar vai me fazer falta apesar de não declaradamente não gostar de nadar. Da natação, assisti o jogo do inter e dormi na sequência (ou joguei videogame).

A primeira coisa que fiz na quinta-feira foi tentar arranjar comida. Meu pai cancelou o almoço que tinha marcado comigo na hora. Tava todo errado, dormi tarde demais e acordei lá pelas três. Tinha o bendito encontro com a Vic Freitas (e já estava esperando o bolo mas aconteceu). Fomos no agridoce. O encontro começou com o freio de mão puxado. Não tinha lugar pra sentar quando chegamos, também não sabia direito como era ter um encontro direito com as pessoas mais. Pra melhorar, encontrei até a Márcia no café. Começamos a falar da nossa juventude, músicas, direito e afins. Na média foi um encontro bom. Ela conheceu a gatinha e tudo. Mas não me deu mais nenhuma bola depois disso também. Não sei se ela fez só por obrigação de ter marcado há alguns meses já e tal. Na sequência decidi que tinha que correr, mas não antes de passar no Leonardo. Comecei a falar com ele sobre músicas e afins. Dancei um pouco e fui correr de verdade. Corri meio torto em cima do meu quadril. Cheguei em casa dolorido. Porém, tava me sentindo muito bonito pra ficar em casa, decidi ir pro margot porque a soveral tava lá com a galera. Fui. Encontrei o Alê também e a luiza. Coincidentemente, encontrei a Za, que cagou pra mim apesar de ter respondido que quer ir no margs comigo. Vai entender. Não consegui aproveitar a festa direito, tava muito cansado e não conseguia ficar de pé. Tinha aquela putaria de área vip ainda. Um saco. Conheci uma das amigas do alê, a jéssica. Ela me disse que se interessava por meninos que são héteros mas parecem gays e me usou como exemplo. Fiquei encucado, não sabia se ela queria me pegar ou o que. Só sei que fiquei PQP por que isso ocorre com tanta frequência. Não tenho muito o que fazer pra parecer mais hétero do que sou, enfim.

Infelizmente no outro dia pela manhã, tinha que acordar cedo pra trabalhar pra minha mãe e entregar os benditos documentos da klymus. Deu errado e fiquei livre no Centro. Fui procurar um bendito óculos de sol. Não consegui. Andei no camelódromo, na hipo (e queria ir no terraço mas não rolou). Decidi que depois de ser confundido com gay, queria cortar o cabelo. Já tinha cortado a barba no dia anterior pra sair bonito com a  vic. A brielle me ajudou, na vdd não ajudou nada mas me acompanhou. O corte saiu bem, aliás, poderia ter ocorrido algo pior. A cabeleireira chamada Terezinha é de esquerda e foi ótimo conversar com ela. Chegando em casa, lavo a louça e tomo banho pra longa noite que me esperava pela frente. Primeiro, erro o lugar do turucuta. Vou pro zumbi, encontro o kaynã e uma manifestação. Preciso ir a pé pro mercado, que correria. Lá encontro o Alê, depois a Camila e a Gabrielle. Foi massa, as músicas tavam ótimas. A maria chegou com uma amiga maravilinda. Fiquei na minha, só dei aquela olhadaTM. Encontrei a luiza e fui com ela e os migos pro bambus. A gente fez uma brincadeira de ir em duplas até o bambus. Quando gritasse troca, a gente tinha que trocar. Numa dessas, a gente tá com a alexia d. e eu não reconheço ela, fiquei abraçado nela andando um tempo, foi engraçado. Comemos melzinho e tudo mais. Mas como tinha aniversário, assim que cheguei no bambus, tive que ir pro babilônia. Que rolezão. Foi engraçado ir até o bambus, de verdade. Ao chegar no karaoke, cumprimento todos, tinha três aniversários simultâneos no lugar. Adorei ver todo mundo junto, nem tinha bebido muito (só tomei melzinho). É ótimo encontrar todo mundo assim, apesar de não gostar muito de algumas pessoas, vou sentir falta desse clima. Não sei porque não consigo me encaixar num grupo específico. Tem seus lados ruins e seus lados ótimos. O lado ruim tem me incomodado ultimamente, ainda mais quando quero ir em lugares de manhã ou lugares legais. Sei lá. Me sinto sem companhia quase sempre. Vida que segue. Depois de cantar FATALMENTE e JÁ CAIU com o thaleco; conversar com o henrique; confraternizar com o kanter, ju e cia; esperar o milagre chegar; vou-me embora. Tinha uma festa maravilhosa no terraço aqui perto de casa. Fui direto pra casa do leonardo pra tentar animar ele a fazer alguma coisa. A gente bebeu gim tônica e chegando lá bebemos caipirinha de cachaça. Mais ele do que eu, na verdade. O lugar era incrível. Tirei todos desse rolê, foi sensacional. Lá estavam meus colegas, que vieram depois, o motta e a camila, o yuri e caroline (que pensei que me odiasse). O leonardo confraternizou bem com o yuri, fiquei feliz por isso. Ele queria dar uns bjos na caroline. Fiquei rindo muito. Tive vontade de me atirar da sacada. Salvei o milagre de cair do 21 andar. Fiquei forte com a Camila. O motta amassou minha perna. Amei o rolê de verdade. Fazia tempo que não saía e encontrava pessoas massas assim num pico legal desses.

Só consegui acordar no sábado pra fazer a prova da Falconi. Acredito que tenha ido bem. Nessa semana recebi o não da BCG também. Infelizmente. Após cozinhar e tomar banho, parti pro aniversário do Henrique. Encontrei só a Ana Moscowitz de início, ficamos conversando sobre aleatoriedades. Os colegas do henrique eram todos mt tops, inclusive as amigas do henrique são umas fofurinhas. Me interessei pela mesma que a Nica, que chegou depois. Com ela vieram o juliano e o renan. Tava tudo rolando muito bem. Até o carlos foi pro rolê. Enviamos uma foto pra bianchini. Eu e a túlia dançamos funk, foi maravilhoso. Dei cenoura com humus pra ana. Ensaiei um OLAR pra amiga do henrique mas sou uma desgraça mesmo e não rolou nada. A noite nem tinha começado.Chegando na casa de teatro, encontro a lully, xanda e camila. Todas foram muito queridas comigo e tal. Nem tentei fazer nada com a xanda, ainda tava meio constrangido da última vez que peguei ela em função da marie. Que loucura. A Gabriela chegou e não teve a educação pra me cumprimentar. Tava esperando ir embora de uma vez mas ela voltou mais tarde. Voltei pro fim da fila. Tava me mijando. Dei uma volta pra dar um oi. era a M A I O R concentração de pessoas que já beijei/tentei beijar/poderia rolar algo que era possível. Nesse meio tempo, encontro a froner e digo OPA OI QUERIDA. Depois de dar oi pra isadora, julia ach, blablablabla. Começo a dançar com meus amigos, foi tri até o momento que tava tocando umas músicas ruins. Decido que preciso chamar a froner quando toca the weeknd. Finalmente dou um beijo nela. Graças a deus ela beija bem, imagina que desgraça se não fosse. E ela é divertida também. Achei bem massa. Dali pra frente, fico quase em todos mesmos lugares que ela. Não dei bola de dançar bem pegado com ela apesar de ter pessoas com interesse em aberto no mesmo ambiente. Azar. Dancei com o victor, kanter, nica, ju, debora, debs, bordini, ale, fernanda, lully (emigas), isa, duds e afins. Foi legal pra caralho. Gosto de ver essas pessoas mesmo que só nas noites porque é o momento que dá pra ficar bem com eles. Depois de dançar funk na pista brasil e afins. Termina a pista lenin com the weeknd+mari. Foi sensacional. A gabriela mongolona tentou fazer ciumes mas não conseguiu, só podia achar que eu não conhecia o diego. UEAHUH aiai. A xanda tava nervosa pq o cara que ela fica talvez fosse praquela parada. A isa tava com o namorado que mora junto. A vida é uma loucura. Me peguei forte com a froner mais pro fim da festa. Num certo momento, tirei fotos com o bordini e a jéssica, amiga do alê, comentou de novo aquele dado. Tava achando que ela queria me dar uns beijos, na real, mas tava meio ocupado... vamos dizer assim. Deixo a froner aqui em casa e ela pega um uber, meus pés tavam me matando. Durmo igual a um anjo.Até a minha mãe me acordar pro almoço. Almoçamos eu, minha mãe e minhas tias. Foi um almoço bom no Garcias até. Tive que repousar pela tarde e acordei só de noite. Queria ir no show da Nivea que teve mas não tinha stamina nenhuma pra ficar de pé. Acordo e vejo os snapgrams. Fico triste das pessoas não me convidarem pros passeios matutinos. Mas também não conseguiria ir, enfim. Agora tô organizando o calendário da semana. Meus tios tão dormindo aqui, então tô dividindo o quarto com a minha mãe. Espero que essa plenitude continue na vida.

[applebambu]

A tweet

El roguelike más funk llega a Nintendo Switch con ToeJam & Earl http://bit.ly/2mBiZU1

— Apple Bambu (@AppleBambu) March 12, 2017