#BUT he doesn't have to have actually done it. he just has to THINK he is guilty

[thrfted]

꩜ DATING MR. CRAWLING .ᐟ

SFW GN!Reader HCS after the blissful love life ending.

Italics is in the other world’s language! Sometimes more the implied message rather than a direct translation. I'll probably do Mr. Hood later too :3 !

Your bed is much more comfortable than anything in the other world, and it only makes it better that mr. Crawling gets to be in it with you. He grows accustomed to your nightly routine and is always excited to cuddle up. Big spoon, little spoon, facing each other—all of it makes him as happy as can be!

(^ As someone who still has a twin size, some of us have to invest in a much bigger one lol)

Generally so so affectionate and loves when you’re physically affectionate !! You can kiss his head and he’ll giggle, maybe point at his face and ask “Again!” You leave kisses all over his face, and his hands pull you in close when you finally kiss his lips.

One of Mr. Crawling's strongest traits is his patience—especially when it comes to you. The first day you come home without him trailing behind (much to his dismay, and honestly yours), he’s at the door to greet you, smiling and giggling as you wrap your arms around him. You find out he hadn’t done much but wait for you to come home. (With no complaints of boredom on his part, and all the worry on yours.)

He'll sit as you play with his hair, trying out new hairstyles or putting in clips. “Me cute? Pretty?” he asks. And if you let him do the same in return, he'll giggle and compliment you too.

I think he’d look through your closet and enjoy watching you try on clothes too. He compliments you and feels each of the fabrics, liking the ones that feel softest. He might try on some of the accessories if none of the actual clothes (sort of…) fit, and is really happy when you match!

Mr. Crawling is a fast learner. You worry he'll feel overwhelmed with all the new technology and words and whatever else, so you focus on making sure he’s comfortable. But he points at things and ask what they are, repeating after you. “You teach me language?” he asks and you laugh softly before nodding. “I teach you language.”

He will accidentally touch a hot stove top or pot if you don't remember to warn him beforehand. Then whenever you cook he gets worried you'll hurt yourself, watching to make sure you're alright (forgive him if he pulls your hand away and says “Danger! Don't touch!”)

Since he doesn't know his birthday, you make the day you returned special instead! He's happy to just stay in with you, eating a good meal and watching or learning something new.

Mr. Crawling also learns when yours is and does his best to make it a good day for you too. He tries singing happy birthday and makes food with what you have at home, mimicking the meals he's seen you prepare.

You teach him how to call your phone while you're away. It's supposed to “be for emergencies,” but you both know he's going to call just to hear your voice, and who are you to complain?

I think he gets sad sometimes when he sees or hears you talking to friends—the way you communicate and laugh so easily compared to conversations with him. The other world's language itself is limited, and he hasn't learned enough of your own. You spend some evenings reassuring him, reminding him learning is a process, and it doesn't change your feelings!!

He does his best to learn on his own. You buy (exercise) books and show him shows for younger kids and he spends a lot of time alone with them, both to surprise you, and also just because he loves talking with you and wants to talk more and more.

The first time he speaks your language is a special day. After many days of calling out that you’re back, he decides to say it himself. “You home!” You almost drop everything in your hands, and that’s when he continues, “Miss you.” It feels odd hearing it in his voice, but he’s grinning so wide, and you won’t find out for a while just how excited and nervous he was waiting for you to get home.

One of Mr. Crawling’s favourite things to say and hear is “I love you.” Every time you say it, he gets all giddy and tries to get closer to you (as if that’s possible while already cuddling in bed). He says it a lot while you’re doing chores or really nothing, just to remind you and see you smile. There’s no way in his mind for those 3 words to lose their meaning, or become any less special.

[dreamsteddie]

AITA Steddie Au Part Three

Part Two

Hello! Sorry for the delay! This week was very busy with student conferences and my own midterms so I haven't had a lot of time to work on this. This is more of an interlude building up to bigger things, but I hope you enjoy it!

Also! Get in the comments if you have any ideas of an actual name for this series so I can stop calling it AITA Steeddie Au. I can't think of anything good 😓

------

Eddie takes Steve on that second date.

And then a third and a fourth and eventually he stops counting because he's seeing Steve as often as he can between their jobs and other responsibilities. He feels high off it, giddy with possibility and hope for this new thing that he's never had before.

Eddie has done relationships before, a couple of times. A small handful of boys and girls he took out on dates and tried his best to woo all went up in flames one way or another, but none of those relationships left him feeling so gone so fast. He felt like he was always holding himself back from giving himself up completely, too afraid of falling without a safety net to reach for that deep devotion he's always craved.

Steve makes him feel like they're plunging into that unknown together.

Still, no matter how much he's been trying to avoid it, the looming specter of what the hell to do about his friends is looming over his head.

------

"Are you fucking serious right now dude?" Eddie asks, a complicated mix of righteous anger, humiliation for himself and Steve, and complete disbelief at Gareth's unwillingness to back down from this making it increasingly difficult to keep his cool.

"Look man, all I'm saying is that Steve is like, the complete antithesis of literally everything we stand for. He's a nepo baby business major who's never had an original thought in his life! I would know! I've read one of his papers." Gareth says, forced nonchalance coloring his tone and riling Eddie up even more.

He rears up, shoulders pushing back and hands grasping at the air like he could pull down his frustration from the either and condense it into a solid ball he could lob at Garteth's head to finally knock some goddamn sense into his brain.

"Hey, hey, hey. Okay, Eddie, I'm really sorry about this. It was a fucked up idea, I don't know what we were thinking." Jeff interveins before the frustrated banshy noises Eddie is letting out turn into another yelling match that won't get anyone anywhere.

"I think we just got too caught up wanting to help you get out of this rut and it all turned into something completely insane. You don't gotta forgive us Eddie, but if there's anything we can do to try and make up for it, we'll do it. Isn't that right Gareth?" Jeff pointedly asked with a look that says agree with me right now or else.

Gareth doesn't say anything.

The thing about all of this that Eddie just can't wrap his head around is the why. Why would his friends, his sheepies, do something so cruel? He knows none of them have ever looked kindly at people like Steve. Too many traumatizing high school humiliations behind them all to trust when someone who looks so much like all the guys who bullied them in high school tries to reach out, but Gareth and Jeff have never tried something like this. In fact, it's used to be Eddie doing most of the anti-jock revenge planning back in the day, even if nothing ever actually came from it.

He thought, incorrectly it seems, that they had grown out of the worst of it by now. It's been three years since Garteth graduated, and five since Eddie made his final attempt, and leaving their hometown behind did a lot to heal old hurts.

So why this? Why now?

"Is this seriously how it's going to be man? You won't tell me what the fuck any of this was really about and you're not even going to try and apologize? Seriously?" The righteous anger is starting to seep out of him, leaving behind a bone-deep exhaustion.

Gareth just continues to stare at him defiantly, not saying a word.

Eddie pinches his nose and takes a deep breath, "You know what? Fine. Whatever. If this is how it's going to be then I'm out. Jeff, I'll talk to you later, probably not for a little bit though. Gareth?" The other man lifts his head from where he'd been looking down at his shoes. There were tears in his eyes, just a little bit but enough for Eddie to clock it. Face red from some unnamed cocktail of emotions Eddie doesn't have the energy or desire to interrogate right now. "Call me when you're ready to grow the fuck up. I've got a second date to plan."

With that, Eddie turned on his heel and made for the open garage door.

"What about the band, man?!" Gareth called.

Eddie kept walking.

-------

That was over four weeks ago.

He hasn't spoken to Gareth for most of that time. The first couple of days he blew up his phone with angry to half-apologizing texts that Eddie promptly ignored. After the second day, he sent a single text back letting him know he didn't want to talk unless he had a real explanation and apology to give both him and Steve and that he was going to block his number for a little while. He could let Freak know if he was ever ready to talk like adults. Eddie trusted him to tell if Gareth was being genuine.

In other news.

Waking up to strong arms secured around his naked waist is fast becoming Eddie's favorite way to start the day. He and Steve slept together for the first time last week, and since then it's like neither of them can get enough of each other.

"Hey, baby." Steve rasps in his ear, tilting his head down to smear sleepy kisses onto his shoulder. The hand that was resting against his ribs meanders its way down to the trail of hair under his navel, scratching just a little and making Eddie feel like a contented mutt. He's not sure if he should feel horny or like he could sink into the mattress and sleep for another full 8 if Steve keeps holding him like his.

"Mornin' sweetheart." he says deciding that a couple more hours of sleep is definitely the way to go. Steve, it seems, has other idead.

"What you thinkin' about this early in the morning?" He asks, hand continuing to scratch lazily at Eddie's stomach like he's not completely destroying Eddie's will and ability to focus on anything but the warm body behind him.

But it's been a long time coming, and as much as he doesn't want to, Eddie needs to start thinking about what he wants to do about his friends? former friends? estranged family? band and Steve deserves to be a part of the conversation.

Eddie sits up, bringing Steve up with him to rest against the headboard. "I've been thinking about the band. Gareth and Jeff, that is." He pauses, waits for some kind of reaction that doesn't come. Steve looks concerned, but not in the way he thought he would.

"Ok." Steve responds, waiting for more.

"I guess I just don't know what to do." He looks out into the middle distance of Steve's bedroom. Takes in the display of swim, basketball, and baseball trophies displayed proudly on a shelf, catching the early morning light. "I'm still so fucking mad. It's honestly kind of irritating how mad it makes me to think of what they did. It was so fucking stupid."

Steve hums a little, letting Eddie get it out.

"But at the same time I can't help but fucking miss them. Miss the music and the campaigns and everything else." It's honestly been eating him alive, the mix of anger and longing he's been feeling for his friends. The constant longing to go back in time and stop them from concocting this shit show but also, like, stalk Gareth to his 8 AM Business class so he can run into Steve and they can fall in love at first sight or some shit.

Silence.

Steve shifts. Moves so he can look Eddie right in the face. He looks thoughtful in a way that Eddie had to get used to. Sometimes when Steve is thinking hard about something, he scrunches his face in such a way that it makes him look like he's judging you. He isn't, it's just an unfortunate fact of life that his baby has a resting Judgemental Face™.

Steve heaves out a big breath, bringing Eddie back down to earth. "I mean, I don't want to, like, cloud your judgement or whatever but maybe you should try and talk to them one more time. Jeff appologized right?"

And, ok that's definetly not what Eddie was expecting to hear. It must show on his face because Steve is suddenly looking away, embaraced.

"I just..." He trails off, taking his own turn staring out at the dull shine of his old acomplishments. Eddie watches as his face once again turns pensive as he stares harder at the remnents of his high school acheivements.

"I used to be a pretty shitty guy. Did the same kind of shit your buddies did a couple of times." This isn't necessarily news to Eddie. They've talked a little about who Steve was in high school and how much work he put into himself before he decided to go back to college. It's still a bit of a shock to hear, though.

"So I get how someone can make a mistake like that, y'know? So if you want to try and talk it out, I won't be offended. I know we're in this together, now." Peace said, Steve reaches for Eddie's hand and gives it a squeeze.

It hits Eddie again, just how good Steve Harrington is. It hasn't been long, not really, since they got together but they've fallen together so completley, so easily, that it's easy to forget that there's still so much they have to learn, so many layers for Eddie to peal back. Behind every judgemental remark and complaint about the frequent phone calls he gets from chuldren he used to babysit in his hometown is a man who cares deeply and is capable of great forgiveness, even if it hasn't been earned yet.

Eddie squeezes his hand back.

"Are you sure?" Eddie asks.

"Yeah, it's not we have to totally forgive them, right? But I think you need to get a real answer from both of them about why it happened. Maybe you can find a way past it, maybe they'll say something that puts the nail in the coffin." He responds.

Eddie takes a deep breath, and thinks.

Steve is right. Eddie isn't satisfied with any of the answers he got last time, and he knows that there has to be more to the story than "trying to get Eddie out of a rut" and he's not going to be able to put any of this to rest until he understands.

"Ok, yeah. I'll call them." Steve gives him an encouraging smile at that, rubbing the back of Eddie's hand where they haven't let go yet.

"Good, I'm glad. And I can come with you if you want. Hit em from both sides." he says. Eddie think's he'll take him up on that offer, but right now he had more imporant things to do. Namely, tackling his sweet boyfriend onto the mattress and having a mid morning tousle.

"We'll see. Right now I've got more imporant things to do." He says in his best aproximation of a sultry voice. He doesn't know how good it really is, but it seems to work based on the way Steve's eyes get hooded and he looks down at Eddie's mouth.

Gotcha.

Before Steve can lean down and kiss him, Eddie snaps his hands down to his boyfriend's sides in a well executed tickle atack. Steve immedietly jolts and starts howling with laughter, yelling between breaths that Eddie is "a fucking asshole" as he continues his relentless atacks.

Eventually, Steve manages to regain his bearings and go on the offence, turning them over and trapping his boyfriend's hands beneath his knees so he can atack Eddie's equally ticklish sides.

Once the late morning has passes into early noon and they've both settled back into Steve's signifigantly more rumpled be, Eddie takes one more moment to think about the furute to come before he shelves it. He knows that whatever conversation is to come, it won't be easy, and even if things go as smoothly as possible with Gareth and Jeff, things will never be the same between them all.

Looking down at Steve, who is sporting the most outrageous bedhead in human history, laughing at the stream of reals Robin sent him in the middle of the night, he thinks he'll be okay either way.

Tag List

@wheneverfeasible @the-dark-hearts @sofadofax @wrenisfangirling @whatfinestandsfor @lilpomelito @raisedbylibrarians @ollyxar @mugloversonly @xxbottlecapx @hezaaxdexangelous @kimsnooks @that-one-gay-crow @travelingtwentysomething @shoujo-wizard @stripey82 @live-laugh-love-dietrich @cr0w-culture @notaqueenakhaleesi @bookworm0690 @r0seprincess @estrellami-1 @little-annie @dreamercec @tinyplanet95 @rawrx3ky-txt @bexinator3000 @justalittledrainbamage @scarletyeager @themoonagainstmers @yesdangerpls @mydysfunctionallife @maverickricky @silentiumdelirium @i-amthepizzaman @samsoble @foolishness-and-confusion @dragonmama76 @gregre369 @thewickedkat @lexr86 @martinskis-lydias

[baphometsss]

The Inquisitor's need to hear from Rook about how Solas helped them rescue the Dalish Clan is really interesting if they're Dalish, and especially so if you play as romanced Lavellan.

By his own admission in Trespasser, Solas didn't see anyone around him as true people in the beginning of DAI. In fact, he kills Felassan for refusing to help him any longer and suggesting that the modern elves deserved a chance.

It's why the Inquisitor needs to hear it from Rook, that he actually did save their lives. 'He's always thinking about where it ends.' He wants to be remembered as more than what the Dalish currently remember him as. He wants his sacrifices to mean something to the modern elves, for them to recognise the evils of the Evanuris and see that they are not worth worshipping. It stung him badly to see that his legacy was just as the great adversary, because it suggests that the elves who remained after the fall of Elvhenan did not think much of him, even after all he did for them. That one codex from the Vir Dirthara in Trespasser shows that people knew what Fen'harel did and it was viewed almost like an act of terrorism.

The fact that the Inquisitor goes on to call out Solas's prideful nature reflects that. He can't bear to be seen as truly evil because then he's as bad as his enemies, then all he did was for nothing.

He calls the Dalish 'our people' to an elven Rook, and I don't think he's lying, there. He didn't really have any reason to save the Dalish Clan. He could've let them die. He even describes saving them as a privilege, almost like he's atoning for what he did to the elves by protecting their children. Of course, he knows a lot more people will die when the veil comes down, and it doesn't make it any easier , as he says in Trespasser.

It's interesting for the Inquisitor to bring this up though, because it shows that they've been wondering if their time together in the Inquisition had any effect on him at all, if their pursuit of him over the years has changed him in any way. They're looking for tangible signs that he doubts himself, and that he actually wants his mind to be changed.

A romanced Lavellan will say that he forbade them from following him because he didn't want them to see what he would become, but that they don't believe this is the true reason. They know him better than anyone, they got closer to the real him than most. They know he doesn't really want to do it. They know he can't accept the notion that all the terrible things he's done have been for nothing. They know he's acting from a place of grief and trauma. Saving the Dalish Clan was just the proof they had been looking for.

[xetlynn]

Arcane Imagines- Violet

Sweet and Sour

Requested by: @m0ranna "vi and a s/o who looks, seems and acts very soft but is actually a beast when fighting."

[arcane] [main page]

Summary: you and vi have been apart for some time, and when she sees you all the feelings come back.

“Hey, someone’s here for you.” Your only employee, Mexi says, you hum in response waving that you’re coming. You feel slightly grateful to stand up from your desk and be done with all the paperwork for just a moment. It’s been slow running Benzo’s old shop. Nobody has really come in, especially now with everything going on between Zaun and Piltover so money’s real tight.

 You walk out into the shop from behind the counter after your employee leads you there. You look up with crossed arms. “What can I do for you?” Asked with a fake interested tone.

“[Name]? You own the place now?” A familiar voice rings in your ears. Your eyes widened to look more clearly at your past friend/crush. “Violet?!” You jump over the counter, pulling her into a tight embrace. You hadn’t seen her since that horrible, idiotic heist that went so wrong. “Hey!” She holds you close to her, before pulling you back to get a better look at you. 

“You still have that sweet innocent look.” She whispers, pulling you into another hug. Taking in your scent as tears fills your eyes. “How did you get out?” You back away this time, holding onto her shoulders to make sure she doesn’t go away. “Uh, see that pilty officer out there.” She points to the dark haired lady standing outside the shop with her hands on her hips seemingly impatient. “Yeah?” 

“Her, I don’t know why but I’m not complaining.” Vi chuckles and you smile at her. “Want to invite her in?” It stuns her when you offer that, even Mexi was taken aback. She gets nervous, walking into the back so she doesn't have to speak to an officer. “Eh, she can experience the undercity a little more.” Vi waves it off, jumping onto the glass counter to sit down. 

“Looks the same in here.” She sadly sighs, browses the place. “Tried not to change it drastically. Benzo did a pretty good job.” You frown, thinking back to the man who was like a father to you. “Is Ekko…” 

“Nah, he’s doing his own thing now. Unfortunately it's the same with your sister.” You groan, reminding yourself of the blue-haired girl's antics with Silco. “Powder? What do you mean unfortunately?” Vi perks up. “She’s not really Powder anymore.” You start, hugging yourself as you think back to when Ekko begged you to fight with the fireflies. 

“Let’s talk about something else.” You pick up a random gadget, fidgeting with it in your left hand. “How’s the free life?” 

“I want to talk about Powder.” Vi gets off the counter, walking towards you. “Vi, no. You’ll find out on your own. I really don’t want to get into this.” You tell her simply, pleading silently with your facial expression. She wants to argue with you, beg for you to say more but she can’t. Not when your eyes are full of fear and sadness. You’ve always been so sweet-looking. So kind to people, giving them the benefit of the doubt. Which is rare in the undercity. It’s also stupid to most. 

“Okay, okay. I- I don’t know, I’ve only been free for a few hours. This was the first place I went to.” She averts eye contact now. “Hm, I’m the first person you wanted to see, huh?” You joke, there wasn’t really any other option sadly. “Of course.” Vi smirks, nudging your arm. 

“I’ve missed you.” You turn to her, pulling her into another hug. “I don’t want to let go of you. It’s like you’re going to disappear at any moment.” You whimper out, trying not to cry. Vi’s face softens, kissing the top of your head. “I promise I’m not leaving again.” Her hands go to your waist just letting you cling onto her. 

“I’ll kill you before you get the chance to leave me.” You say, causing her to scoff out a laugh. The door bells go off and you both let each other go to see that officer standing there. 

“Sorry to interrupt, Officer Caitlyn Kiramman.” She bows down to you before looking at Vi. “We should get going, I have important things to get to.” 

You raise a brow on why Vi needs to go with this lady so badly. Vi sighs. “Give me a moment.” She tells the officer whose face contorts into an annoyed expression. “I’ve given you quite a few moments to reunite with your girlfriend here.” Cait spits out, obviously very antsy to get where she needs to be. The both of you awkwardly glance at one another now with flushed faces.

“Uh, it’s alright. I’ll see you later Vi.” You chuckle, taking her hand in yours. “There’s a fight in that one arena we used to go to behind Vander and Benzo’s back. It’s huge and you should come. Just like old times.” You propose to her, your face full of hope that she agrees to come. 

“You can bring your bodyguard too.” You tease making her playfully roll her eyes. Cait tries to bite back a smile at the joke. “I’ll be there. I promise.” Vi squeezes your hand before letting go. “It’s at the usual time as well, I hope you remember.” You tell her as she leaves with the girl. “Oh I remember!” Vi calls back. 

When the door shuts behind them and the bells still ring in your ears you let out a breath you didn’t even know you were holding. Mexi comes out of hiding. “You two are dating?” She asks curiously. You choke on your spit. “Huh?” 

“Well the officer said you were her girlfriend and neither one of you denied it.” She shrugs her shoulders, taking out her box of things to put away. “Oh, I mean we had a small thing as children but I haven’t seen her in 7 years. I’m sure she doesn’t think about me that way.” You ramble, putting the gadget back that forgot you were holding. 

“I don’t know. The way she looked at you says otherwise.” Mexi winks, your face heats up. “Whatever.” You mutter, going back behind the counter and heading into the back to finish the paperwork you had. 

•••

Vi and Caitlyn rummage through the crowd of people, trying to find you. “I don’t know if we’re going to find her before the fight!” Cait shouts over the yelling and the music that blasted. “I’m gonna try!” Violet huffs, shoving past all the people, getting to the front where maybe she could spot you on the other side of the arena. Her eyes traveled through the sea of moving bodies. “C’mon.” She mutters to herself. She didn’t want you to think she didn’t come. She had only made it five minutes before the fight even started because of what Cait and her had to do. 

“Ladies and Gentlemen!!!” The announcer screams into the mic, only making everyone louder with their cheers. As he speaks, Vi only zones everything out, trying her hardest not to panic when attempting to find you. 

“Isn’t that her?” Cait points down into the arena with eyebrows scrunched together. Vi’s eyes shoot down to see you standing there against a large woman. “Shit, what’s she doing!?” Violet urgently asks, gripping onto Caitlyn. “I think she’s about to fight.” 

Vi gives her a dirty look, giving her attention back to the scene in front of her right as the announcer starts the fight. The woman attempts to attack you but you swerve out of the way. You look up to see Vi and Caitlyn. You blow them a kiss before turning to the woman and throwing a punch. 

The lady doesn’t dodge it in time, getting hit right in the eyebrow. She tries to throw hits at you but you maneuver around them, hitting her in the right places to cause her to stumble. Vi leans over the edge, now cheering for you. “Kick her ass!” She shouts. Even Caitlyn was amazed at your fighting skills. She wasn’t expecting that from someone so… cute and sweet looking. 

You swiped the lady's feet out from right under her. Going in for the punches. The larger lady attempts to push you away with no avail. 

But when she sees an opening after multiple hits to the face she shoves you off of her. Getting herself up. You roll away, jumping to your feet, you weren’t paying attention when she gets a hit to the middle of your face. Violet gasps, nails digging into Caitlyn’s arm. The dark blue haired girl doesn’t pay attention though. 

You spit out blood, wiping your mouth before going after the woman with more passion than before. Looking like a beast in the ring. You go right for her head, only taking a few hits for her to be back on the ground. 

Not even five minutes into the fight and you win. Leaving her knocked out. 

The announcer commentates as the crowd goes wild. Violet listens to all the people saying how little miss [Name] out there is undefeated. “Holy shit.” Cait whispers. You pump your fists into the air, jumping around for yourself. You have blood guzzling down your nose but you’re having a blast with the attention. You look up, locking eyes with Vi who has a look of bewilderment. You chuckle then motion with your head to the exit doors. She immediately understands what you’re saying. “Meet me at her shop, I’ll see you later.” Violet places a hand on Caitlyn’s shoulder before pushing through the crowd.

You and Vi used to sneak and see the fighters in the back frequently as children. Not to meet them or anything but just to say you were in the same room as them. Even then it was kept a secret between you both. 

She sneaks through the men guarding the doors and slips into the very first room she can. Hands snake around her from behind. “Hey!” You scare her, making her jump away from you. She turns with her fists up in defense. You roar into laughter, mimicking her stance. She pouts from being made fun off and smacks your arm. “Why didn’t you tell me you were fighting?! I didn’t even know you could do all that!” She exclaims as you grin. 

“I wanted it to be surprising! Wasn’t I so amazing out there?” You lift your arms, flexing your muscles. “Yeah but honestly I did not see that coming from someone so… adorable?” She tilts her head as she tries to find the right word to call you.

 “Awe I’m adorable?” You poke her side, heading over to the full body mirror in the room, taking the wraps off your hands. “I mean, you’ve always been pretty cute. Like y’know sweet looking. I’ve never seen you even hurt someone!” she maundered, speaking with her hands flailing trying to explain what she meant with bright red ears. 

“Desperate times call for desperate measures. I don’t exactly enjoy being some beast fighter but it pays the bills.” You lean against the little table beside the mirror. Staring off into space at Vi’s shoes. “The shop not doing good?” Vi asks. “It’s seen better days. I have enough for everything except paying Mexi but I’m not letting her go. She’s helped way too much for me to do that.” You sigh, thinking about the young worker who you practically took under your wing. 

“So you risk yourself so you don’t have to fire just one person.” She quizzes and you go to defend your actions but she just snickers. “Gosh you really are too sweet for your own good, [Name]. I love you so much.” She holds her stomach as she laughs. Amused by how kind you are. “You love me?” You attempt to tease her but her face drops, realising what she said. “I mean, yeah! I’ve been in love with you since we were kids.” She speaks so nonchalantly it catches you off guard. When she said she loved you, you thought of it as a family thing. Not romantic. You weren’t upset but your mind was spiraling now. 

“I’m sorry if it’s too much. I don’t even know if you have a partner already or something. I’ve been gone for so long I just. I’ve never stopped thinking about you even though we were only 15.” She over-explains, and you go up to her, putting a finger to her lips. “I love you too, Violet. I wasn’t kidding when I said I missed you.” You tell her earnestly, your hand going to her cheek. 

Her shoulders drop, relieved by your words. “Oh thank god, I thought I had just scared you or something. I feel so stupid.” You shush her with a small laugh. “I forgot how much you talk when you’re nervous.” You whisper as she plants her forehead on yours. “I only do it with you.” She shamefully admits. 

“Mm, really?” You ask before locking your lips on hers. She moans into the kiss, deepening it by bringing you closer to her. The kiss was rough, making up for lost time. Wandering hands over one another's bodies. 

When you pull apart you grin, throwing your arms over her shoulders. “We're dating.” You state, not asking but telling her. She shakes her head. “I didn’t know that.” 

“Well you do now.”

 You peck her lips. 

•••

Time passes and Vi comes into the shop whenever she can, you let Mexi watch over so the both of you can go out. Always in cute light colored clothes in such a dark place. 

People never understood how you were so bubbly, giving to others and dancing in the middle of Zaun. 

Violet loved it, watching as a street performer played and you danced to music. Children joining you. Even a few adults. It was these moments the undercity needed. A little distraction from the horrors about to come. 

You’d have these sweet moments everyday and then night comes and you’re in people's nightmares. Fighting to pay the bills you said. Fighting to win and prove you’re more than what others call a weak minded, overly nice girl. And Vi’s there to support her girl through it all. 

Loving every second. 

[memori662]

KIAN vs ALEXA (my two dear snipers...)

Spoiler: they end up as besties

And sorry if the P.O.V. is strange. Idk why sometimes they're written in first person and another times in third person.

Bang!

Alexa dogdes the bullet just by a hair.

Bang! Bang!

Now, what the fuck?

“Hey, to whoever is trying to kill me: I'm sure I have no debts. And if you're looking for any debts my parents might had...” She smoothly takes out her hand-gun. “I'll make sure you don't get your prize.”

Her eyes search for any strange movement. Any sound. Anything. And they land on a green fluffy ball (?) on one of the buildings.

The green fluffy ball (?) must've noticed her eyes on ‘itself’, as ‘it’ —in an abnormal velocity— changes placement.

“It's a solo sniper? Snipers don't usually attack alone. Or it's a very good sniper or there's more enemies.”

Shit. She has lost sight of ‘it’.

“Are you being a coward?” Maybe provokating whoever that might be lure ‘it’ out. “I mean, if you're a sniper that some dark organization hired to kill me, I'd feel honored to be such an important figure.” For fucks sake, I sounded just like Memori or Mimi...

It doesn't work. Bang!

Oh, they're good.

Alexa isn't one that works in dodging —unlike a particular blonde girl named Memori—, she's also a sniper. And she recognizes a good job done —thing that Memori definitely wouldn't...— Wait, don't think of her everytime??! Maybe those are things that happen when you're a competitive person and is paired with someone who enjoys remarking ‘how much better she is at everything’. But anyway, as I was saying— Bang!

“We're gonna be bad blood...” she mutters.

Her red eyes scan the place quickly, taking notes of anything she could use at her advantage and anywhere more enemies could been hiding. I should probably ask for help— Bang!

She would've been already dead if it wasn't for her quick thinking. She's been doing this practically since her birth.

I should confront them directly. Snipers usually don't have good hand-to-hand combat skills.

And with a quick and quiet running, she luckily makes it to the top of the —gladly not too tall— buildings without being shot.

She knows the green fluffy ball —that now takes the shape of a young adult probably with her same age, that wears a fancy mob-like suit that which would give off an intimidating aura if it wasn't for his puppy-like expression— allowed her to actually come closer, because he clearly isn't a normal human.

“Wow,” the puppy-looking boy speaks, “it's been a while since someone succesfully dodged my bullets.” His voice doesn't have any venom, just genuine interest. “You're good.” He smiles.

“I know I am good.” As she speaks she fires her gun. “No need to remember me.”

“If I shoot now, you cannot dodge.” The green-haired boy smiles slyly as he easily dodges the bullet. “Are you sure it's wise to keep attacking me?”

“Who said I couldn't dodge?”

“It's basic knowledge. You're so close to me that if I fire right now, you wouldn't have time to dodge.” he speaks lightly with a sing-song tone.

“Are you suggesting we chit-chat this over? Because I'm no diplomat.”

“Neither I am.” Even though his voice and overall appearance were so soft and puppy-like, the sniper in his hands right now says the contrary.

He probably isn't half bad in hand-to-hand neither. I need to be careful for any ambushes or hidden trap.

“Are you thinking about my skills right now, Alexia?”

“It's Alexa.” Oh no, this man is giving me déjà vu...

“I think Alexia sounds cuter, don't you think so?”

... Definitely déjà vu.

“Hehe, but I think Alexia suits you better, don't you think so, Ale~xia?”

Ugh, get out of my head, you fucking egocentric bitch—

“My name doesn't have anything to do with being ‘cute’. And how do you know my name?”

“Your name?” He widens his eyes —so fucking adorable—. “I thought you'd know me!”

Nope. This guy's on drugs.

“I'm Kian. K-I-A-N!” If he had a tail, it'd be swinging happily right now. “And you're Alexa. A-L-E-X-A.”

Why is he spelling the names again...?

“I asked you a question.”

“Memori is your Boss or something like that, right?”

Of course.

“You know her?”

The glimpse of sadness in his eyes disappears as quick as it appeared. “Yes.”

“What's she to you?”

“...” He seems to be struggling to find the correct words. “We- She was a close friend.”

... Is this some sort of pattern? Thinking of all the similarities...

Being unclear as fuck, acting as if everyone should know what you're talking about, being in your own world, switching personalities as a light switch, loud, child-like, asking how your name's spelled... There's definitely some patterns.

“Are you implying she hired you to kill me?”

“I'm not,” he whispers to himself. “It was just because.”

“Just because? Nobody hired you, no ‘a higher power demanded me to’? Nothing?”

He nods with apologetic eyes. “Memori seems to like you very much.”

Hell yeah she does and doesn't even try to hide it.

“You're asking why Alexa has to go with me?” She asks with a nonchalant expression. “Obviously because she's better than you all.” Her words are often impossible to understand if they're seriously or not. But it wasn't the first time that she admited a clear favoritism with Alexa.

“But Alexia, what do you man with a high—”

“Dude, did she reject you or what? You look so hopeless always talking 'bout her.”

“No?? I don't see it.”

“Ya sure?”

“Sure. She's like my sister.”

“... Really?”

“Really. She's like a black cat.”

What. Definitely no.

“Uh-huh,” I continue. “Why did you think it's a good idea to attack me?”

“Well, since Mori bullies you—”

“She doesn't.” Mori.

“—she must like you very much! And I wanted to see what it is that she likes about you so much!”

“You're nuts.”

“I'm not a nut- I'm not an aliment!”

“I know you're a real human.” He recoils just a bit when I call him a real human. “I meant you're crazy.”

“Ohh!” He has fangs. “That's what you meant!”

“Are you four or what?”

“I'm the same age as you!”

“Really? I don't think so. And how the fuck do you—”

“Ah, sorry for this,” he says as he lowers his sniper.

“No worries.” A total weirdo after another weirdo. “And where ya from? Your work, I mean. You look too fancy to be a normal sniper. Don't tell me you're a blue-blooded rich?”

“Ah, that is... Hm.”

“Very helpful,” irony fills my words. “So ya aren't a rich?”

“Ah, you could say... Kind of rich. My work pays me well.”

“Are riches becoming more and more common by the time?”

“People are getting better and better at finding suitable jobs!” He exclaims with optimism.

“I don't think Memori's your friend.”

“She's an angel! Who wouldn't be her friend?”

“An angel, you say?” She asks skeptically.

“She may be nicknamed sinner now, but I mean it as her personality—”

“She's nicknamed sinner now?! Since when?”

“Ah, between a circle of rumours,” he half-lies smoothly. “Nothing big, really. Some people simply resent her for her former job.”

“That chick was probably in some illegal trade. Tell me otherwise,” she rolls her eyes in exasperation.

“You don't know where she used to work?”

“At least me, no.” She looks at the sky. “She's a real mistery among us. Classic rich person behaviour. How delightful.”

“You don't have a very limited vocabulary!” He seems oddly excited about it. “I thought you wouldn't know words like ‘delightful’.”

“It's not a bad thing.”

“Why the hell wouldn't I.” No, this man right here? He's also a total fucker.

“Uh-huh.” Of course it is a compliment. Of course. Very obvious. Totally expected.

He suddenly grabs my hand and shakes it with both of his hands with a bright smile, but quickly stops after what seems like remembering etiquette. As if there is an etiquette for shaking hands. There isn't, right? ... Not that I would know, anyway.

A little late, no? “Alexa. Pleasure's mine. Is that what I'm supposed to reply?” I ask genuinelly this being the first decent handshake I've ever had.

“Excuse me,” he apologies with a smile as he lowers up his right-hand and looks at me expectanly.

??? What does he wants me to do?

“Uhm... What do I do?”

“Ah, nothing,” he dismisses.

Oh, a headshake.

I offer my left-hand to him. He stares at my hand, as if it was strange. Fuck, do headshakes have some etiquette I'm not aware of? “Am I doing something wrong?”

He focuses his attention back to my eyes as he accepts my headshake also with his left-hand. “It's not a big deal. Usually, handshakes are with the right-hands.”

So it does have an etiquette.

“Oh. I'm left-handed. I didn't know.”

“Don't worry your pretty little head about it.” He replies as he shakes his hand four times, completely different from how his behavior was a minute ago. “My name is Kian. A pleasure to meet you.”

“Mhm, maybe a little bit more formal, but yes,” he chuckles and nods. “You are cute. Like a mouse.”

Like a mouse. That's new.

“And you're like a dog.” It's an implied insult.

“Why, yes! I get told that often.”

“Figures.” I stare at this green-haired man with disbelief at his obliviousness.

“Welp, I need to go now.” He adds, “Boss expects me...”

Boss? So he does work for someone, huh?

“Bye-bye, Alexia! It was nice to meet you!” He waves his hands with excitement.

“... Nice to meet ya too, I guess.”

And with that, he jumps swiftly away.

Huh, what a strange man.

Randomly pick 2 OCs. Make them fight. How will it go?

[morallygreychaoticneutral]

"If a night of passion is on offer.." It's ok to take it.

I think some passion flower would do nicely for this pot of thought. Does Astarion really want a night of passion or is he people pleasing? Lets steep on it.

WARNING: Game spoilers and talk of S.A..

Hmmm...to be randy or not to be randy. That is the conundrum.

This is not fact, is just opinion based off my own and game experience. As always, how anybody cannons their relationships or behaviors is perfectly right! No blame, no shame, it's your game!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I have seen a lot of comments expressing anxiety about whether or not Tav should accept Astarion's proposal for sex in the grave yard.

"Given his past, I'm just not sure he really wants it."

"Is he just doing it because now that Caza..MF is dead he thinks I will leave now that the task is done?"

"Is he feeling insecure in his new freedom?"

"Is it too soon for him to be sexual after so much trauma for so long?"

"Does he mean what he is saying? Or is he being funny?"

I was one of those people. But now that iv had time to ponder it..

One thing to keep in mind is that most (I wont say all) S.A victims can, in time, start to enjoy sex again in safe, secure situations.

Treating them like they are fragile and tip toeing around them isn't fair. It doesn't help them build resilience or help them find a way back to a healthier relationship with sex.

If they are offering, trust them to make that choice.

Lets say you had a bad experience with swimming. You are scared of the water now, but you still love the ocean. You could forsake the water forever, and some do and that's a perfectly right choice, or you find small ways back to it.

Sit by the edge and watch the tide. Chase the tide out then let it chase you back in. Dip just your toes in the water. Then your hands, then your legs etc etc . Until one day you are back in the ocean.

It's the same with sexual interaction. Small steps to build your emotional strength back up.

That's not to say they wont still have pre or postcoital dysphoria from time to time, (fear of drowning) but it does get easier as time goes on. The more the experiences end in happy memories instead of tragic ones, the easier it gets.

So, does it show a lack of empathy to sleep with Astarion in the grave yard?

Nope. I think he actually does want to connect with you sexually.

Why?

Because of the dialogue you have regarding offering him the Astral-Touched tadpole. He says no. Then says...

"I had nothing for so long. Nothing. Not even my own body. I will NOT give it up, now it's mine again."

His face is one of complete conviction. He alone, controls what happens to his body. Who gets to use it, what happens to it, when it happens, where it happens and why it happens. Period.

This happens before you reach the city. Which means se has already regained the ability to say "no" long before graveyard.

Even if you chose to convince him to sleep with you after he asks you not to in his confession, he still asserts the boundary. It may be after the fact, and he leaves you, but it's still there.

So it wouldn't make much sense for him to suddenly back track and start offering sex as a means to manipulate Tav now.

Also, he is not using his "I'm lying out my fangs" face or his "I'm gong to literally seduce the pants off of you" face.

Mask of Lies Mask of Seduction

So, with those two things in mind, and I'm sure there are more, fast forward to that fateful night in the cemetery where he says he wants you to seduce him and...* insert suspenseful music*

BEHOLD!

When he says "If a night of passion is on offer, I could be persuaded" his face is almost exactly the same as when he says "I love you, I love this. And I want it all".

(and there was much rejoicing)

He is not pulling the faces that he uses when he lies or seduces. Which means the offer is sincere. You have, through repetition and consistency, proven to him that you care about him because of who he is to you. Not because of what he can do for you. Which was what he wanted. You are a safe space. "I feel safe with you. Seen." And for our affection starved elf, that's got to be a total turn on.

Also, with Cazador dead, he can let go of the subconscious fear of you being destroyed in some way if he sleeps with you.

He can make love to you with all the feelings he's ever had to repress involved. And for the first time in 200 years, not have the fear of it being ripped away any second, or being punished for it, by that monster or himself.

Here, on his new birthday, where his new life starts, he choses to experience you.

So put the doubt down and go get some grave dirt in places it shouldn't be.

And get some saucy elf in places you want him to be.

But, a graveyard? Really?

Why not? Where else would be more appropriate to have a "little death" with someone? *wink*

Or it could be that fact that your bedroom has more people in it than a clown car. Needs must..

Oh, but do keep a look out for Gracie, the grave yard guard. She has a low tolerance for mischief.

[spotaus]

Eyy, King Reaper and his beloved Mage Geno designs <3

[sugdenlovesdingle]

If you’re still taking prompts, Tommy spending time with Maddie?

Oh I like this!

----

"At least this time it was planned." Maddie offered

"Yeah... And the nurse did say everything is going according to plan earlier."

"But you still worry."

"Yeah." Tommy chuckled. "I convinced him to get it done now so he'd be back on his feet by the time the little one starts walking."

Maddie smiled and rubbed her pregnant belly.

"Yeah I think he is looking forward to meeting his family. He's about to walk right out of there in a minute. Jee wasn't this restless."

"I guess he takes after his father then. I've never known Howie to be calm and relaxed." Tommy commented "Well... off the clock at least." he added after a beat and they both laughed.

They sat in silence for a few minutes, drinking bad hospital coffee and Tommy's eyes fixed on the door.

"What about you two?" Maddie asked.

"Hmm?"

Tommy reluctantly tore his eyes away from the door and looked at her.

"One of these." she gestured at her belly.

"I don't think either of us is at risk of getting pregnant any time soon." Tommy deadpanned and laughed when Maddie slapped his bicep.

"You know what I mean. Am I going to be an aunt any time soon?"

Tommy sat up straighter and played with the lid of his coffee cup.

"We've talked about it. Marriage, kids... the whole nine yards... and we want the same things..."

"But..." Maddie prompted.

"But... not just yet." Tommy shook his head. "We've only been back together about six months. And the last time we rushed into things it didn't go so well. So one step at a time for now."

"Isn't he moving in with you when he's discharged?"

"Yeah but that's because he's going to need a lot of help. Especially the first few months. And those stairs in the loft are lethal."

"He managed before..."

"Maybe. But he doesn't have to anymore now. I have a bedroom and a bathroom on the ground floor at my place and the stairs aren't so damn steep, he can easily manage them with crutches if needed."

Suddenly the door opened and one of the doctors walked up to them.

"Evan Buckley's family?"

Tommy was on his feet in seconds.

"That's right. How is he?"

The doctor gave him a tired smile.

"The operation was a success. No complications. Straight out of the medical text books."

"So he's ok?"

"He has a long road to recovery ahead of him, but I don't see why he shouldn't make a full recovery in due time." The doctor told them. "He'll still be asleep for a while, but one of the nurses will come get you when they've gotten him settled back in, in his room and you can sit with him."

Tommy let out a sigh of relief while Maddie thanked the doctor before they left the two of them to it again.

"He's ok." Maddie said, slipping her arm through Tommy's. "He's ok."

About ten minutes later a nurse came to get them and took them to Buck's room. He was still fast asleep but apart from a pulse oximeter on his finger and a cast on his leg, he looked just like he would on a regular day at home.

Tommy sat down next to the bed and softly brushed the curls off his forehead, while Maddie sat down on the other side and held Buck's hand in hers.

"You know he always hated that?"

"Hated what?"

"His curls. People playing with them." Maddie explained. "I used to do it when he was little but when he got old enough to pick his own hairstyle, the curls were gone and everyone was forbidden to touch his hair. I think I still have some pictures of when he gave himself a haircut when he was about 12 or 13."

Tommy grinned.

"If you can still find them, I'd love to see them."

"I'll get Howie to look for them." Maddie promised. "But what I'm trying to say is... he's changed since he met you. For the better."

"I did tell him I liked the curls once... He hadn't had time to get a haircut in a while and his hair was getting longer and the curls just made him look... soft." Tommy smiled, running his hands through Buck's hair.

Maddie smiled.

"Not just the hairstyle. Or wearing clothes in his actual size instead of at least two sizes too small." She laughed. "But he's... more comfortable in his own skin. He's content. Happy in a way I've never seen him before. And that's down to you."

"I don't know about that..." Tommy ducked his head.

"I do." Maddie insisted. "You're good for him. You're good for each other."

Buck began to stir and groaned as he opened his eyes. He rolled his head to the side and smiled when he saw Tommy.

"Hey you." Tommy said and got up to press a kiss to the top of his head. "Welcome back. How are you feeling?"

"Hmokay... better when the room stops spinning... and there's only one of you. is my leg still there?" he reached out to touch his leg and then realised someone was holding his hand. He turned his head and saw his sister. "Maddie!" he said happily, like he hadn't seen her in years.

"Hi." she giggled and squeezed his hand. "They've got you on the good stuff, huh."

"They fixed my leg." he explained. "Tommy said I should do it now. For the baby." He frowned. "Not our baby." He turned his head back to the other side to look at Tommy. "You're not having a baby... right?"

Tommy bit his lip to stop himself from laughing.

"No, no I'm not. But your sister is."

Buck turned back to Maddie.

"You're having a baby?" he asked, and then noticed her pregnant belly. "You're having a baby! Wait... i-is that Tommy's baby?"

"What? No!" Maddie said and both her and Tommy burst out laughing. "I don't think I'm really his type."

"Yeah, sorry, I prefer the other Buckley." Tommy said laughingly.

Buck frowned.

"Who?"

"You." Tommy told him and softly kissed him. "I'm going to get a nurse. Let them know you're awake. I'll be right back." He got up and left the room with Buck looking at him with a dopey smile that wasn't just the anaesthetic.

"I love him." Buck declared, still looking at the door.

Maddie smiled and gave his hand another squeeze.

"I know. He loves you too."

"Yeah? Yeah!" Buck replied answering his own question. "I'm going to marry him. I have a ring." he said, just as Tommy came back in with a nurse.

"Hello mister Buckley, glad to see you awake." the nurse told him as she quickly checked him over. "The operation went well, and you should be able to go home in a few days."

Buck nodded and turned to Maddie.

"You need to call Eddie for me. He has the ring. I need it... for Tommy. I'm going to marry him."

"I'll call him." Maddie promised. sharing a look with Tommy over the bed.

"Good. I'm just... sleep..." Buck mumbled as he started to drift off again.

"He probably won't remember this conversation when he wakes up again." the nurse told them. "I'm guessing you're Eddie?" she asked Tommy who shook his head.

"I'm Tommy. And I guess I better start working on my surprised face."

---

send me a prompt and I'll write you a fic(let)!

[space-blue]

Fixing Vander and Silco's story (a bit)

Using canon events! Sadly we can't actually fix it, but I hope this makes it a little better. I make my own edit proposal at the end that changes the bar scene to include Felicia without issues.

They meet in the mines, and meet Felicia and her partner there too. They end up together somehow (I think we can put the brotherly allegations to rest now, eh?) and one of them (or both) inherit/buy a bar.

Although Vander is the barman, there is no indication Silco doesn't own or co-own the place. After all he comes to take it eventually as his own, and he's still not bartending. That's just not his gig.

It's implied that Vander and Silco made it, as in, got away from the mines, while Felicia clearly didn't, as she comes home to both her daughters with mining gear and gloves.

So despite Vander and Silco building the Lanes together, the mines aren't closed, and the work "isn't done".

Felicia says they've done it, and Vander is happy to celebrate their success. Meanwhile, Silco has his "NoZ" Nation of Zaun book in which he's scribbling, still planning.

Vander's first memory that Viktor sees even has Silco holding that book.

Later, in season 1 episode 3, we see that Vander tells Silco that he had Vander's respect, the Lanes' respect, but it "was never enough".

There's also this fakeout moment in the memory at the bar, where Vander says they're done, and Silco replies with "You're gravely mistaken". And I thought he was going to go all zealous and say "We'll only be done when we have the Nation of Zaun", but no, he claims he's Bozo 1.

And imo, he is probably right. He calls out Vander in act 1 saying "I trusted you and you betrayed me", and Vander does not contest this. It makes the most in character sense as well that Silco is the brains of the operation while Vander is the brawn.

And we can conclude that Silco's goals were always "bigger" and that the Lanes were indeed not enough.

Years pass, during which we can only assume Silco keeps building his Nation of Zaun and Vander happily bartends and manages the Lanes with Silco. Felicia keeps working the mines and raises Vi, then Powder.

Vi is at least 11, if not more, by the time she's on the bridge. This is just consistent with her model, but also to make her 18+ by the time of act 2.

It's a long ass time for Vander and Silco to be running a bar and the Lanes together. Even assuming Vi is more 8 or 9yo, Vander and Silco spend all that time being together.

Sadly, their models aren't aged very well.

We are also forced here to make some unfortunate assumptions.

It's not a problem, IMO, for Silco to know Felicia and be close to her. It's a problem for him to not be close to Vi and Powder too. Close enough to recognise them at least.

It's easy to say, "Well, Felicia went back to the mines and raised her kids and wasn't super involved with Vander and Silco, who lived much higher up in their bar." Adult friendships and all that.

IT MAKES SENSE, but then it makes zero sense that Vander would murder his life's partner, a man he's been with 10 years at MINIMUM (fuck knows how long they were together while in the mines), over the death of a friend in a revolt they allegedly BOTH participated in.

The memories also imply that Silco is responsible somehow, for throwing a molotov. And yet the molotov doesn't kill the enforcer.

But Vander is shown in the opening of Act 1 season 1 pummeling one to death himself, long after the rest of the revolt has died down. That enforcer wasn't getting back up lol

So whatever we pick, because the writers made Felicia and Silco close, they create a plot hole either way.

Either Vander is whacko and murders his husband over a dead friend at a revolt he set up (since he repeatedly apologises for what he did, and claims he "lost his head after she died" and had that guilt on his hands too)

Or Silco and Vi and Powder spend ALL of season 1 acting like they don't know each other at all. Then Silco takes in Powder and somehow never comments on the fact he was friends with her mom.

Everything being triggered by Felicia's death also means that Vander's emotional thematic moment dropping the gauntlets after seeing what his violence led to is then followed up by a horrible attempted murder on the love of his life, which is... you know. Bad writing.

So I propose that they indeed drift apart. Silco knows of Felicia's kids, and they hangout a bit, but they aren't that close. She's busy mining and being a mom, and Silco is busy making the safe Zaun he promised to deliver.

The creation of that Zaun leads them to act out revolts and uprisings. Vander is happy to follow. He's angry, like he tells Vi. And this manifests in violence. Silco points his violence. It's how they create the Lanes and the moniker of Hound of the Underground. A hound usually has a master, after all.

Vander is Silco's hound, and I think, in Vander's mind this absolves him of some of the consequences of his actions.

So when his friend dies on the Bridge, even if they haven't been that close in a while, well, it's easy to put the blame on Silco.

Since we're following the new canon timeline... we'll have to have him go back with the girls, ready to turn a new leaf.

I think the best way here is to have him either dropping them at an orphanage, or back at their home (trusting Vi to look after Powder for a while) or with friends.

That way, Vi and Powder aren't immediately in Silco's legs back at the drop.

Then Vander and Silco take part in the "clean up" at the bridge. They go get bodies, and since they have no real estate in the fissures, they commit them to the sea (we have canon monsters in there, so I'm sure it all gets gobbled up).

That way, we explain why Vander is weirdly shaved, and why Silco and him are at in the Pilt: they just commited the bodies of the fallen to the waters.

There may have been many others, but Silco and Vander stay there, in the shallows, as they talk.

Vander is done. He doesn't want more of this. He thinks Silco went too far with pushing this one to the bridge. Piltover got defensive and they lost too many people.

Silco doesn't get it. Where he goes, so does Vander, but Vander is his own man, he decided to come too, and he killed enforcers too. Felicia's death is tragic, but as he later will tell Renni about the death of her son: at least she died fighting for the cause, and not some petty infighting, or worse, an accident at the shitty mines.

Vander, the Hound, is not only mad with grief, he refuses to carry the blame of his own actions. It's a character flaw and that's fine! The angry man channels that anger with violence, the only way he knows how.

Silco is probably shocked, and may not say the right things to calm Vander down.

Silco is under the assumption that Vander BELIEVES IN HIS DREAM. That he's a true believer of the Nation of Zaun, like Sevika turns out to be. A true believer would understand sacrifice. A true believer would understand too, that stopping now, after Felicia's death, would make THAT VERY DEATH POINTLESS.

So maybe he screams at Vander! What do you MEAN abandoning the fight? What do you mean, being content with the Lanes? How dare you? You'd make her sacrifice meaningless! You'd make Felicia die a pointless death!

And Vander would bellow that it's over. No more death. No more bloodshed. He rescued her kids from that bridge, and they don't deserve to die too, they don't deserve to see more death.

And Silco screams back that it's their job to create Zaun so these children won't have to see more death. Vander is just delaying the struggle.

And then, perhaps, Silco may even mock him. Say that Vander can't change like that. That he's not that sort of person, to just hang up his gauntlets and go peaceful. That Felicia's blood is on his hands too, and that the only way out is through more blood, more sacrifice.

It would be a horrible point to make, if then Vander truly loses it. Silco runs, and Vander's hound comes out, just grabbing Silco and trying to drown him.

It would be poetic, because then Vander goes home in shame. Gets his arm patched up, hides the scar under a brace, collects the kids and tries to pretend like HE CAN BE THAT MAN. Even though he surrendered his gauntlets and metaphorical violence, and tries to lean into the bartender chill persona, there's what he did to Silco.

And later he'll tell Vander "I'll show you what you really are". Because Silco knows that Vander's promises of being a peaceful good dad are flimsy at best.

Anyway, Vander goes home, and eventually the impact of what he's done really hits him. He's single now, and with kids, and the Lanes to run, and nobody knows where Silco is.

Vander slowly realises Silco was right about one thing. Just because Vander followed, doesn't mean he wasn't behind that event on the bridge. Becoming the solo leader of the Lanes has to have hammered that home for him. Suddenly so much responsibility thrust on him.

So Felicia's death was on him too, and his actions against Silco are the proof that he is indeed the sort of man Silco said he was. At any rate, surrendering violence as his first reaction to any trigger will take a lot of work.

He goes to their old hideout and leaves a letter for Silco.

In the happy AU, Silco finds it, and returns to Vander BEFORE ever meeting Singed. There is no glowing eye, no shimmer, and no cannery.

In our AU, Silco never finds the letter. He finds Singed instead. Starts helping him develop shimmer.

I've been thinking that since the goal of shimmer is a form of "keeping alive" and also "bringing back to life", then it's possible that Silco's glowing eye is a byproduct of shimmer experimentation.

And that the only way to keep it alive and function is more shimmer injections. It would otherwise be grey and dead like in the Nice AU.

So Singed is also a factor here. He gives our Silco a real way to deal scary violence to Piltover. And this changes our Silco. He's more radicalised, and more opposed to Vander, having discovered that Vander works with Grayson to keep Zaun under Piltover's boot (basically making sure the boot stays, but doesn't press down too hard).

Vander is, as always, the enforcer of the status quo.

And though this works for them timeline wise, it sadly doesn't change the fact that Silco should know who Vander's kids are.

Vi and Jinx can be excused for not recognising him, what with him being one of their mom's adult friends, and scarred. But Silco doesn't have that luxury. His great friend Felicia had two very distinctive kids, ONE OF WHICH VANDER FUCKING NAMED! And her death triggered his husband so badly he tried to kill Silco over it. If anything, Silco would be hyper-aware of Felicia's kids.

And no amount of alternate fix-its changes that. It's permanent damage to season 1's Silco.

I feel like we can fix Vander's side of things by inventing an entire scene at the Pilt as I did above, but we can't fix 10 years of knowing your friend's kids and then a lifetime of acting like you don't know them.

I think it also cheapens the found family aspect of both Vander and Silco's adoption. You're left to wonder if they took in the girls only because they were friends with the mom.

Silco's adoption of Jinx and co-dependence with her was great because it spoke of the similar shape of their traumas, and how unexpected their bond seemed.

But now it's redolent of friendly obligation. And lies.

How would I fix it by keeping Felicia in the picture?

I would fully remove Felicia's one-on-one with the boys. That night at the bar? It's a party. Young Sevika is here too!

Felicia and many others are there, all congratulating Vander and Silco over the creation of the Lanes. Eventually Silco tires of the social niceties and goes to write in his notebook at the bar. Or maybe there's a montage of the night as the crowds thin.

In the end, Silco is writing, and Vander is still socialising. He talks to 3 people--Felicia, her husband, and a random person. They thank him for all his work. They've done it! And the conditions in the mines are so much better now thanks to XYZ!

Vander is beaming, he's just so pleased. It's clear for him this is the end goal. Felicia asks him, pointing to Silco, if he's okay.

Vander laughs, says Silco is fine, but he's already got his head back in the clouds. You see, Silco doesn't just want the Lanes, he dreams of a free Nation of Zaun.

The other 2 laugh, but Felicia sobers up. She rubs her belly, thoughtful. Then she says "Sounds like a dream worth fighting for."

I don't think she even needs to say anything about being pregnant, but she could go on with something like "I'm expecting. A girl, I think. I know. And I would love if she could grow in a safe city. I'm so scared she'll have to live the way I did, growing up.'

And Vander smiles sadly and tells her, 'We've gotten this far, and we're not going back. We'll make Zaun safe for your kiddo, I promise you that.'

And that's it.

Vander knows OF Felicia. She is a community member. He knows her enough, maybe from Lanes meetings, that eventually he can recognise her children. But they're not friends, and SILCO definitely isn't friends.

And the disagreement after the bridge is fully about where to go from then on, and Vander deciding he wants to run the Lanes and keep them safe, that what they have now is good enough, while Silco wants "more".

That disagreement can turn nasty, and the fact Vander tried to drown Silco becomes a statement about how violent and temperamental he is as "The Hound of the Underground". Something he'll regret soon enough and spend the next few years working hard to try and change.

What do you think?

[horse-girl-anthy]

The City and the Self: Or, the Uses of Lesbianism

someone in my server recently asked why Ikuhara seems so hung up on lesbians. I gave a short answer which in hindsight doesn't satisfy me. even this post won't touch on everything, there's plenty more that could be said, but here's a stab at a more complete answer, drawing from RGU specifically, though I think these points generalize to YKA as well.

a long time ago--around 2017, I believe--I posted in the RGU tag, asking about differences between how the western and Japanese fanbases see the show. the answer I got surprised me: I was told a popular fan theory held that Utena and Anthy were the same person. this is confirmed in the interview Ikuhara did with Mari Kotani:

Kotani: How did you think about relationships between two women, like the relationships between Utena and Anthy, Juri Arisugawa and Shiori Takatsuki, and so on? Sometimes it is thought of as one girl and her alter ego. Ikuhara: Yes, that's true of course.

at the time, this didn't make sense to me. now, though I don't take the "alter ego" concept literally, I certainly see where these theorists were coming from.

the very first impression the audience gets of the show, the opening seconds of the theme song, depict Utena and Anthy as mirror images of one another. I can't find the post now, but I once saw someone do a face swap of Utena and Anthy... and there was almost no difference in the final result aside from their eye color. yes, the show has somewhat same-y character designs (pointy chins, noses, etc.), and yes, Utena and Anthy are differentiated by coloring and height. however, there are differences in the facial features of the other characters, including other female characters like Juri and Nanami, meaning that you wouldn't get the same result from face swapping them that you do from face swapping Utena and Anthy.

visually, the show is trying to tell you something: Utena and Anthy are counterparts; not "the same person," in that there are clear contrasts between them, but perhaps different aspects of a single self. to put it another way, they cannot be separated from one another; what happens to one of them will affect the other, and how they relate to each other tells you a lot about how they relate to themselves.

RGU is not the first story to have this premise. I just watched Ingmar Bergman's Persona, which uses two women to tell the story of one woman, and that came out all the way back in 1966. I think that it's possible to do this kind of story with characters of different genders--however, it's most often done with homosexual/homosocial pairings because two people of the same gender are seen as better mirrors to one another.

when I initially gave my response as to why Ikuhara writes a lot of lesbians, I cited the influence of shoujo manga. however, I didn't detail how homosexuality was featured in those manga.

Ikuhara once said that the core theme of shoujo is "self-revelation." he wanted to capture that in RGU, and it seems to have come across. consider Takemiya Keiko's reading of RGU as "A story about independence, about finding oneself. It feels like a story about a girl defining 'what is myself?'"

this journey of self-discovery must involve encounter with the other. part of romance is other-longing, the desire to meet the unknown; love requires a separate entity which is not merely an extension of the self (this is why I don't believe that Utena and Anthy actually are "the same person"). through encountering the other, one can find one's own self, and further, through this encounter, the selves which meet can be transformed.

while plenty of 20th century shoujo did center heterosexual couples, I believe that homosexual and homosocial relations were so prevalent because they facilitated this romance more effectively. on a visual level, a homosexual pairing can create a clearer parallel, as discussed above. for a more thematic angle, RGU's lead writer Enokido has mused that homosexuality removes the issue of "genetic advantage" from the equation; since there is not a clear "survival and reproduction" benefit to homosexuality, it is easier to see it as "pure love." along the same lines, Ikuhara has said that "as soon as you see the destination point of producing children, sex becomes a social system." that's not to say that homosexual couples exist independently from social systems. the point is that writers who wish to pursue the idea of "self-discovery through the other" may wish to do so in the context where the norms of heterosexuality are not an issue, as they could muddy the water.

as an example, take Kaze to Ki no Uta, an influence on RGU. Gilbert and Serge, the lead couple, are very different people. often in conflict, their love ends tragically. that is precisely the power of the story: Serge, who is left alone after Gilbert's death, will live the rest of his life feeling incomplete, unwhole, because he has lost the "other self" by which he came to be defined. in Ikuhara's words, "It’s a story about that which forms the core of an artist - a starvation that can never be satiated."

when done properly, this kind of romance can be very moving, because it is not only a "love story" but also a story about the self and its relationship to the other. and even more potent are stories which are both about "finding one's other self" and about "the city":

Ikuhara: Out of your works, I particularly like the stories about cities... Stories of cities and “one’s other self” are enchanting aren’t they. There are a lot of shoujo mangaka who write about one’s other self, but there aren’t really any who write about cities. I think a story is weak if it only talks about relatives and neighbours and never about cities. In contrast, I think your stories which are simultaneously about cities really bring out their era. I think that allows you to mark out a line for the story of the other self. Takemiya: Personally, I feel at a basic level that stories without a sense of daily life aren’t very interesting. If one thinks of each person as a single cell, then the city becomes the “body”, and one cannot create a world without both. Based on where they live, some people become more modern or more provincial - the environment really plays a role. For me, it is a necessary component.

I agree with this exchange: the best stories about "one's other self" aren't solely about love between two people, but instead love between two people placed in a particular social context. it is that social context which gives the relationship flavor.

this brings us to the other reason that lesbianism (and homosexuality more broadly) is used in Ikuhara's works. not only does it allow him to tell stories about "one's other self," but also to tell stories about social systems. homosexuality is "deviant" within the social system that is set up to produce children in the nuclear family; thus, homosexual couples will face resistence and prejudice. as Ikuhara discussed in this interview, he is not necessarily trying to capture "the lesbian experience" in his works, but rather using lesbianism as an allegory for the sense of being a minority; a person outcast for standing out from the crowd. homosexuality thus allows for a marriage between the themes of "the self" and "the city" which are central to the telling of a great romance.

bringing it full circle, let's take a look at how this plays out in Utena and Anthy's dynamic, specifically the climax of the first arc. in the build up to it, Utena has been insisting that Anthy behave like a "normal girl," and believes she's succeeding in this venture. however, her illusions are crushed when Touga defeats her in the duel called Conviction. Anthy, now his bride, tells Utena that she likes being the Rose Bride and doesn't mind being alone.

Utena's reaction to this is interesting. suddenly, she is obsessed with being a "normal girl" herself, deftly signaling that all along, she was projecting her own conceptions onto Anthy. though she comes to realize this, Utena ultimately decides to duel again; in the episode 11 preview, she says, "Himemiya, wait! I have to try to get the real you and the real me back!" their selves are linked, tied; Utena cannot be herself without Anthy. what's more, the "false self" that Utena presents is linked to Anthy's "false self"--for, despite her words, it is quite difficult to believe that she "enjoys" being the Rose Bride, any more than Utena "enjoys" wearing girl's clothes. after Utena wins the duel called Self, she and Anthy meet again, paralleling the end of the first episode, but when Anthy tries to impart the rules of the rose crest, Utena tells her, "never mind all that, let's just go home." the two share a moment of authenticity, their "false selves" blown away like petals in the wind. they've drawn closer to each other and to who they truly are, while simultaneously gaining a level of independence from the system which seeks to define them by their gender. the rest of the show will play out in the same manner.

----

side note: I don't think that Ikuhara is more fixated on lesbianism than he is on male homosexuality; however, I'm not sure if he's focused on "mirroring" between homosexual males the same way he has between females, despite the fact that his cited inspiration for the way he wrote relationships between girls in RGU is yaoi.

[altcvnningham]

so i was reading this post and started yapping in the tags before deciding i actually just needed to make a separate post because i have brainworms. long unedited ramble sorry this doesn't make sense at all

adlerbell & co-dependency;

the sick irony lies in the fact that the co-dependency that exists within their relationship, most of the time, isn't even of their own volition, and yet they are the constant cause of their own entrapment. they NEED one another as much as they hate one another because they ARE each other. to their core.

bell is everything adler hates and opposes and wars against yet he NEEDS them to catch perseus no matter the cost; adler is bound to bell in a way where he is ironically beholden to them, his fate in their hands, even when he's technically the one in control, with the power and rank over them, the one holding the leash. yet without bell adler has little to nothing. powerless entirely. in that way, bell has power over him, that his whole world rests upon the pinprick that is their loyalty to him, which is a hairswidth away from being shattered the second they piece together who they are, what he's done to them.

and bell is obviously only who they are because of adler. warped god wrenching hands into their head and rearranging it all until they suit whatever he deems his perfect image when he needs it. friend, ally, team member. dog, prey, victim. whatever he needs them to be, they are.

and bell's entire personhood is adler. bell's entire world is adler. half himself, a mirror image, their head a scrambled soup of his memories and fears, of vietnam, of things that didn't happen to bell but did happen to adler, a point in time that existed but they were not a part of, not until adler dragged their body off that tarmac and forced them to be. without adler, bell is dead in trabzon, or nothing. and that kind of co-dependency is indescribable- to believe that this man is one who went through the horrors of war with you, your friend for over a decade, is one thing. but even when bell breaks free of their conditioning- to know that they are possibly only alive because he found them? to know that mk ultra, despite being the very thing that destroyed them, was the only thing that stood between them and an unmarked grave??

bell wants adler. but adler needs bell. and mf wants to stand at that fucking clifftop and claim that none of it was personal?? he created a home for bell within himself, how they trust him, rely on him, believe that he'll always pick them up- because even if not in vietnam, he did, once, in trabzon. and bell is a home to all the worst parts of himself, scraped out of him and put into the empty pit he carves out of them- his weaknesses, his fears, his trauma, his ruthlessness. (i could talk about how adler's hatred of bell might even be a reflection not only of them being the very culmination of everything he opposes, but that they're also an amalgam of every worst thing he hates about himself, but that's another post entirely.)

i just. it wasn't meant to be personal. bell was a tool for adler, and adler was just this figure meant to be imprinted on. all means to an end. but against their own volition, they rely on each other. they need each other. they are dead without each other. i think adler needs bell to make himself feel powerful. but god, if they aren't the very thing he has to tiptoe around and revere because without them he has nothing. no team, no perseus. and to bell, adler is not too far removed from a god, whether they know it or not. he made them. and i doubt the lamb wants to stray much too far from its shepherd. ugh. whatever.

don't even get me started on how their fates are inevitably intertwined. how even the narrative itself demands them be slave to each other's will. fuck everything

[thezombieprostitute]

The Arrangement - Part 12

Summary: Jake's done a lot of things to keep his sister, and then his niece, safe from his parent's influence and manipulation. If he wants to keep them safe, he has to marry you.

Warnings: Anxiety, Bad parents and siblings, Talking about abuse. Let me know if I missed any!

Part 11 - Part 13

Series Masterlist

It had been just over a week since your wedding. You and Jake have improved your communication. He's also managed to really set himself up in the home theater where he'd spent that first night. Apparently one thing your parents got right was the massive pair of recliners specifically for that room. Jake swears they're more comfortable than most of the beds he's slept on over the years. It makes you feel better about taking the master bedroom for yourself. Clay had visited again bringing a few duffel bags of Jake's things, including his computer. The massive screen for the theater worked really well for his setup.

While you were cooking, Clay had made sure to update Jake on the status of his family. Things were working pretty well, but there were going to be a lot of paper trails to hide so that they couldn't be followed. Or at least, not followed easily. Aisha and Cougar had both caught a couple of people following his family around that were confirmed to be employed by his parents. Hopefully now that Jake had his computer he could get some better intel on the parents' finances and connections.

But you weren't privy to that update. Jake and Clay agreed it was safer to keep you in the dark about the details. Though Jake didn't doubt your sincerity, there were still too many unknowns about you.

You really didn't mind that they got quiet whenever you were near. Your mind was already at maximum anxiety with Travis, your brother, still being in the Intensive Care Unit. Your parents had been acting unusually as the week progressed and Travis didn't get better. According to the police report he'd been seen drinking heavily with friends before trying to drive home. Usually one of his friends would be the designated driver and keep everyone's keys but, somehow, Travis had gotten his keys.

And now your parents seemed to be readjusting their life plans, and yours as well. The one time you were allowed to visit the hospital you'd overheard your parents murmuring about "he can't be seen like this," "he'll be seen as weak," and other similar thoughts. It made you worried you and Jake would be even more under their scrutiny, set to even higher standards. Your breath hitched as you realized they may demand a grandchild to help change the public perception of the family to one of hope or something like that.

You and Jake were getting ready for your first public event as a couple. You're helping Jake pick out the right suit while doing your best to answer his questions about what to expect, what is appropriate conversation, how much both of you needed to talk to others before you could leave. You know you're missing things. Jake does, too. But neither of you can think of the questions to ask so you establish a silent signal for help. Jake squeezes your hand three times and you either step in or whisper some advice in his ear. It's not a great system, but it's all you can do for now.

Jake hates how he looks in all of this but he knows it's not about him or his comfort. At least he doesn't have to wear the torture device you call a dress. The thing looks impossibly tight on you. He's worried about your ability to breathe. And the stiletto heels have you warning him you'll be on his arm all night to help you keep your balance. Jake actually takes comfort in that because he really doesn't want to be left alone at this event. Probably any event, but this first one especially.

As the car pulls up Jake takes a deep breath and you attempt the same.

"We can do this, right?" He says quietly.

"I believe we can," you nod. You gently squeeze his hand in reassurance like you did that first morning with the parents.

He nods, "let's do this."

As soon as he's able Jake is out of the car and opening your door for you. The last time he did so you were scared of each other. Now you make sure to give him a small smile of thanks as he takes your hand. The elevator ride to the party is as quiet as the one you took together your wedding night, but less oppressively so. It isn't until the elevator doors open that you both put on your fake smiles. Both of you taking small comfort in the fact that neither of you is suffering alone.

After the first couple hours Jake is ready to punch someone, anyone, just so he can be forced to leave since he's not allowed out yet. He's incredibly grateful you insisted on eating a little something beforehand. The food here is barely edible and dissolves faster than cotton candy. He hates the wine? Champagne? Whatever the hell it is, he hates the taste of it but, in following your lead, he knows he has to at least sip often enough to warrant a replacement glass every 30 minutes or so. Jake was grateful to have your weight on his arm to help keep him grounded.

Especially when Charles Blackwood, a "friend" of his from high school, showed up. Charles had been nothing but a leech throughout all of high school but Jake was desperate for some kind of friendship.

"Jacob! Where have you been?" Charles holds out his hand and Jake grips it firmly.

"I've been okay, Charles. You?"

"Holy crap, you're married now? Is that why you finally came out of hiding?"

"Sort of," he admits.

He goes to introduce you but Charles stops him. "I know this lovely lady quite well," he admits. You avert your eyes. "We were engaged for some time."

"You were?"

"Didn't she tell you?" Charles smirks. "Would've been married for two years now if her parents hadn't stepped in."

"For once I'm glad they did," you interject. "You're a conman who shouldn't be here."

Charles gives a small laugh, "well look who finally grew up. Too bad you didn't pick up on what was going on before I got you into bed." Your cheeks burn with embarrassment. "How are those dolphin projects going?"

"Sharks," Jake snipes. "Her focus was on sharks."

"Ooo, nerd standing up for nerd. How cute."

"You need to leave us alone," Jake fumes. "She is my wife and I won't let you insult her."

Charles scoffs, "since when can you fight?"

"Since boot camp."

That gives Charles pause. He searches Jake's face for tells that he's lying but finds none.

"Yeah, alright," Charles concedes. "Just don't ruin this party for me. Lots of other potential targets."

As soon as he was out of hearing range you let out a breath. "I'm so sorry," your voice quavers. "I should have...I should have told you."

"Told me what? That your ex-fiance is an asshole? That's not something you need to divulge."

"No...that...that I'm not..."

Jake leans in so that you're the only one who hears him. "You're more than just your virginity status. I'm sorry your first time was with him, he doesn't seem the type to make your pleasure a priority, but I'm not upset that you've had sex before."

You take as deep a breath as you can to steady yourself. "Thank you for that."

"So, can we leave the party yet?"

You check Jake's watch, trying not to be obvious about it. "We've got at least another half hour."

"When we do get out of here, would you be up for going out for some real food?"

You chuckle, "maybe delivery? Or take out? I'm not going to be able to eat much in this dress."

"Fair. And thank you for helping me get through all of this."

"Thank you for listening to my advice," you counter.

"Always," Jake affirms.

Part 11 - Part 13

Series Masterlist

Tagging: @alicedopey; @ashdoctor; @delicatebarness; @ellethespaceunicorn; @embarrasingmf;

@irishhappiness; @jaqui-has-a-conspiracy-theory; @icefrozendeadlyqueen; @lokislady82;

@ronearoundblindly; @thiquefunlover63

[eddiegettingshot]

The whole Eddie moving to Texas thing I feel like is how they continue the story of Eddie actively choosing joy for himself and also using it as a way for Eddie to finally stand up to his parents. Rn he sees the situation as this:

My son is in El Paso because of a mistake I made. I’m missing out on him growing up. Therefore, I will move to El Paso to be with my son. Even though my son hasn’t said anything about me wanting to move there or him staying there permanently, I will assume this is what he wants therefore it’s the best decision for both of us.

But once he realizes that if he actually wants to make a decision on what is “best for Christopher,” he needs to make a decision on where he himself is the happiest. Which is definitely away from his own parents. He needs to choose his own joy for once instead of someone else’s, because sacrificing himself for what he thinks what Chris wants won’t help either of them in the long run.

Once he does this, some of the situation will be still somewhat the same, but Eddie will also highlight how his parents role in this has led the situation to where it is now. He’ll finally stop punishing himself for making this mistake, and instead will start trying to fix it.

With this new perspective, Eddie will start viewing the situation like this:

My son went to El Paso because of a mistake I made, but he’s still in El Paso because my parents were too eager to scoop him up when they found out about the mistake I had made. (We saw him touch on this lightly already during conversation with the priest). I’m missing out on him growing up because the adults who are taking care of him currently aren’t telling me stuff about my son that I should know. Therefore, instead of moving to El Paso to be with my son, I will visit El Paso to be with my son. And since my son hasn’t said anything about wanting to stay in El Paso permanently, I will talk to him while I’m there visiting him about what he wants instead of just assuming what he wants. What is best for me is to be in LA where I have built a career, and with it a family. And what’s best for Christopher is for him to be with me, in a place where I’m the happiest. Therefore I will fight to get him back.

Ok I’m done rambling. Just wanted to say that I agree with you that I don’t think Eddie actually going to move to El Paso, because it would be reductive to his most recent storyline.

i agree that this is related to his choosing joy, but i kind of really disagree with this reading. you're framing it as a mistake in eddie's thought process but i fundamentally do not think that this is him making a poor decision because he's making assumptions about what chris wants. he's doing this based on quite literally what he is being shown and told. chris KNOWS that eddie wants him to come home. eddie's parents KNOW that eddie wants chris to come home. but there is literally no sign that chris seems interested in doing that at this point because eddie's parents are doing nothing to foster reconciliation AND eddie's parents have set up a situation wherein eddie asking that question looks like possibly threatening chris's happiness—which is fragile because of HIM. what eddie knows is that christopher left los angeles to get away from him. moving to el paso is going against what eddie believes christopher wants. like, yes, he's making a sacrifice, but it's not for chris's own good, it's for HIS own good.

the point is that eddie doesn't want to sit in los angeles 800 miles away from his son waiting and hoping that chris will change his mind or his parents will suddenly start telling him things. it makes him MORE miserable to be far away from chris. THAT is why he's considering moving to texas: because getting to watch chris grow up is a part of EDDIE'S joy. this IS the only choice he feels like he can make in order to fight for their relationship because he literally HAS been trying this whole time to do what he thinks is best for chris and punishing himself in the process—staying away and letting things happen—and all it's done is driven a wedge in between them. which is why he's not doing that anymore!

choosing to be where christopher is IS him choosing joy in whatever way he can, without feeling like he's putting chris at risk! because, yes, eddie needs to choose joy, but what's just as important to him is that chris is still allowed to make choices. this IS the beginning of him fighting for chris! but you're assuming that he has a full picture of what's happening, and that he's actually in a position where he and chris can have an honest conversation without risking someone getting hurt, and that's just not the case at all.

[askthefamous8]

Even if I haven't been very active lately, 9 years is still pretty significant- happy birthday to the blog!

So like Percy up there I'm gonna do so dome reflecting. This blog's where I've often done that for some reason, but here's the tl'dr for blog related stuff.

• I would like to keep drawing stuff but feeling generally unsure in myself, and I'm wondering if all the years of fandom harrassment have caught up with me • I have one big project in mind, I've been dipping my toe into what I'd need to do it. No spoilers but it was one of the first things I played around with this series, so do with that what you will • If I can keep myself drawing, I want to use more of the original source material since I'm struggling with original ideas. So stuff like redraws, hOpEfULlY even animatics, just like what originally got me so into trains yknow? Because that's fun and sparks joy. And that always goes down a treat with you guys so bonus • As always I appreciate you guys not coming after me for being so inconsistent

The rest of this is me doing what Percy's doing in the drawing and reflecting, as there is indeed much 2 think about. It's also a little sad and venty so, there's your warning there.

.

Ok so obviously a busy year, we moved into our new house that we actually own, I spent most of the year planning our wedding, and then got married. Big stuff. Also! I came off antidepressants in the summer. I've been on them for...basically as long as this blog, 6 months after I started it I think. Which also means I'd been on antidepressants my entire adult life. Feels like a big deal and I guess I'm still adjusting.

Another big thing, but sad, is that my dog died about two weeks ago. If you follow me on twitter you'll have seen her but she did make an appearance here a few Halloweens ago

I got her when she was 13 and had her 8 years after that. So that's been difficult. Unrelated to that (probably), but I just feel...really mediocre. And before you point out the obvious, this has been present even before I came off antidepressants. But yeah just... mediocrity. In myself as a person, how I look, what I draw, my whole life really (barring my marriage thankfully). What have I achieved? I'm 26, I'm not working, I don't feel well, my art isn't good (I don't think so anyway- like yeah it's technically fine I guess but it's not, and has never been, very stand-out or impressive). And lately art doesn't bring me the same joy it once did, and I'm wondering if all the years of harrassment from this fandom (mostly the twitter side, tumblr's been pretty good to me) has finally caught up with me and put me off the whole thing. Or worse, that I just don't have as much of an interest in it anymore. I don't think I'll ever be like "ok yep I'm officially done with this blog" because I'm so stubborn but idk. I want to make things and be creative, I want to make more train art, but it doesn't feel the same. I don't know what's wrong. What do you listen to? What you want vs what you feel? I still enjoy train stuff, I love going to Awdry Ex every year. It's been like this for awhile. It's not even like I have a strong feeling of what I'd rather be doing as far as careers go. And even if I did, oh yeah I'm sure my two degrees in animation will be very relevant in another field (sarcasm). I feel adrift. My sails are open but there is just no wind. Planning my wedding gave me something to do and work on and just, feel useful but now that that's over I feel lost again. Losing my dog, who had become the center of my life because of how vulnerable she had become, hasn't helped.

On the more creative side of things, I also don't really know what to do with this blog's story either. The show's ended as far as most people are concerned, and I kiiinda wrote myself into a corner because once Thomas turns 18 he's going to leave for university, and that sets off this whole arc with James but basically the problem is it involves characters leaving and for some reason that feels like a no-no here. Don't get me started on the timeline lol. But Thomas works on a railway on Sodor, that's how it has to be...right? I guess I'm sort of at a crossroads of, ok do I want this to be close to the source material, and thus easily digestible to newcombers? Or do I want to make it more and more my thing and distanced from the source material? I doubt there's many new people coming since the series ended. And even then, there's a lot more humanization artists around now than when I started, so it's not like I'm filling a niche anymore. Just to be clear it's fine and also good that there's more humanization artists, variety is good, I just don't feel as "needed" anymore (which is 100% in my head and not an actual role that belongs to me or something). I started this blog when I was 17, so my interests and what I relate to have changed obviously. The character designs certainly have. It's never followed a super rigid story plan, but the core of it has always been the central cast doing things on Sodor. I however have always had a scene/project/animatic/whatEver in mind for when this 'series' would '''officially''' ''''end''''. But then what comes after that? I've always tried to run this blog like they are Real People that You interact with. But in real life there is no ending to the story, there's always more stuff to come. You get married, and it's wonderful, and then life goes on. The credits never roll. So maybe that's what I'm having trouble coping with...the progression of time. Ah, my old nemesis. I've always had trouble with letting go of things. There's nothing to say that I couldn't still draw stuff after the series "ends". I guess any story after Thomas leaves could be like... a sequel series or a spin off or something. Spin-off of a spin-off. Famous 8 All Grown Up. Famous 8 Qurter Life Crisis. Who knows. I certainly don't.

I've also been really into an original project unrelated to this but those don't get as much attention and while I'd like to do something with it one day, I don't feel very confident in being able to make that happen right now. But you know... as far my as art not being super spectacular goes... I think my individual talent has always been is my ideas, like the writing side of things. And then brought to life with my art, which normally isn't anything to write home about but is good enough to convey the idea and be not-awful to look at, lifts both of them beyond what they were individually. Maybe that's what I should focus on. Maybe that's wishful thinking.

So....idk. Idk what I'm doing but I'm trying to be gentle on myself and just let myself continue to drift, to heal from this heavy loss, and then in the New Year I'll try and pick myself up. Then there will be no more big once-in-a-lifetime events coming up, no more just-moved-into-a-house-and-oh-no-there's-a-bunch-of-things-that-need-attention-NOW scenarios, and no more big holidays for awhile. I guess we'll see.

If you read all of this I am so sorry but also thank you for reading my ramblings. And thank you for being around, whether that's been for a few months or for several years, but especially if it's been several years

[tigersharktheautisticseawing]

okay, so add-on Autistic Ford theory, I've always had it brewing in me somewhere (not sure if it's canon, fanfic or mine) the Ford has the "either you're a genius or a freak who doesn't deserve to exist" and that Stanley has the parallel "If you don't do everything I tell you you don't deserve to exist and nobody wants you", but this just ADDS to that!!! Also with the autism I mentioned, I genuinely think he likes the idea of knowing how things work, of learning and stuff, but he doesn't want to discover. He wants to learn. He doesn't want to do research on Gravity Falls and it's weirdness, he wants a book called "1001 facts about Gravity Falls and it's weirdness", which he can read in like two weeks and then spout the information back at anyone who will and won't listen. He doesn't want to do the complicated scientific method proof and stuff, he wants to understand why stuff is like that, best if someone else already did the heavy lifting and he can just gleefully agree with them. Maybe he even completed like 1 or 2 PHD's, like a physics one or like biology or chemistry or something that needs you to understand to proceed (and also lets you fuck around with stuff), but the 12 PHD's thing is bullshit. Actually, I think he actually tried, burnt out, dropped like 9 subjects and then tried to make ends meet until he's done with this shit. (also if he's OOC I may be projecting onto him accidentally, if so please cornobble me immediately). And the idea that they're both exactly as smart as each other, but maybe Stanley got idk like adhd too or smth or a different special interest or sum shit and he was worse off academically (aka worse grades), but better at picking up shit on the fly (aka rebuilding the portal basicallyon his own for all we know, using only the aformentioned rambly diaries journals, meanwhile Ford got the other end of the stick

Idk man I was expecting to be angry and completely disagree with you, but came out enlightened. OP you're really forcing my third eye open with a crowbar and I'm here for it.

Also why in the everloving fuck did you have to call me out like that in the gifted kid w/ burnout section

I have a Gravity Falls Theory I've been meaning to write down for a WHILE so here goes:

Stanford Pines is no genius and I'm gonna pick apart every single one of "Ford's" scientific inventions/accomplishments to prove it.

Grab a beverage, this is gonna be a long one

[Gravity Falls spoilers, a little bit of The Book of Bill]

Contents:

Ford's "Grand Unified Theory of Weirdness"

Codes and Secrets

Inventions

Ford's Tragic Backstory

McGucket

Why Would He Do This??

After Weirdmageddon

TLDR

1. Ford's "Grand Unified Theory of Weirdness"

I can support most of my claims with the help of Journal 3. Unless Ford had actual, scientific research papers, this is the only research we have from him and it's... not scientific in the slightest. Ford treats his "research notes" like a personal diary. I get that they had to design the Journal to be entertaining to kids, but from a scientific lense (which is what he wants to be perceived through), most of Ford's discoveries are very surface level and sometimes (especially later on) border on paranoid conspiracy theorist rambling.

His Grand Unified Theory of Weirdness is the reason he came to Gravity Falls in the first place. His goal is clear:

but, on the very next page, the ramblings start.

It gets worse once he finds the invisible ink.

"The pyramids were built to appease Bill!" sure, buddy.

(And yes, Bill confirms most of these ramblings about his history in The Book of Bill, but a) he too could be lying about this and b) I don't think he had a nice chat with Ford about who he tricked and tormented to build his portal. It wouldn't really fit into the timeline.)

The one bit of "science" I found him doing was his experimentation with the Bottomless Pit. He threw objects in the hole and only saw some stuff coming back while other stuff went missing. Ford hypothesizes it might be a "Möbius Pit" and even spends enough time experimenting on it that he found out "nothing ever seems to get lost on Friday the Thirteenth". Credit where credit is due.

Anyway, he's documenting all kinds of fantastical creatures in the Journal - adding his whimsical commentary and making random assumptions about stuff without any scientific basis. As he admits himself later on, this is getting him nowhere to actually start his Grand Unified Theory of Weirdness, let alone finish it. It's been SIX YEARS.

BUDDY WHAT ARE YOU DOING.

It took a spark of "divine intervention" to even start doing any meaningful research and it was just Bill telling him "hey there's a weirdness dimension btw".

Ford even admits that he didn't come up with it himself. The next pages are the first actually scientific looking ones so far, but more on that in the Inventions section.

He doesn't really advance on his Weirdness Theory for a while (see McGucket chapter for more), but later in the Journal, Ford has a little adventure with Dipper, talking about "The True Theory of Weirdness". He drops a "weird" jelly bean on the floor and watches it roll uphill towards Gravity Falls. He then states that Gravity Falls is a "Weirdness Magnet" and every oddity is eventually drawn to this place. Which is not a theory scientifically speaking, more like an unproven hypothesis. He didn't develop a model to, let's say, predict which oddity will find its way to Gravity Falls next or when it will happen.

"I explained that I felt in my bones that my arrival at this town, and perhaps Dipper's, too, was not an accident. That we were part of some greater fate the town had in store for us." Very scientific.

2. Codes and Secrets

The Journal has several hidden messages from a good handful of characters, some more encoded than others.

We all know about the Map leading to the secrets of Nathaniel Northwest's fraud from the show. Ford found it somewhere in the library.

It just needed to be folded. Layton ass puzzle. A 12 year old figured it out. Ford couldn't do it. Even Mabel is poking fun of him.

Now on to the ciphers.

One of them is a letter from Blendin, encrypted with the Vigenère cipher. To this, Stanford "aced cryptology" Pines says the following:

He was given the key and still couldn't make sense of it. Of course a cool puzzle for people reading the Journal, but not really helping Ford with upholding his image of being an undeniable genius.

Ford himself mainly uses the Atbash and Caesar ciphers, both being a) literally thousands of years old, b) incredibly simple and c) not his own invention.

Bill uses two symbol substition ciphers.

Now I don't know about you, but if a divine being chose me as the genius of the century to inspire me and said being left tiny hidden messages in my diary, I would stop at nothing to try and decipher what they're trying to tell me. For some reason, Ford did not do this. The first message Bill leaves says "I'VE BEEN INSIDE YOUR MIND SIXER, I KNOW YOUR SECRETS". He could have seen all of this coming wayyy earlier (or just had yet another red flag to ignore).

Anyway, I accidentally solved the code before finishing the Journal just to discover that Bill is literally handing him the solution on a silver platter towards the end.

Girl, what do you mean "???" ??

Now, I know Ford at this point is incredibly sleep deprived, paranoid and traumatized. But come on. If I can solve it 6 coffees in while dissociating, our genius can find the solution to Bill's alphabet using the A1Z26 cipher that he put in the journal himself. Plus, as mentioned, he could have deciphered his alphabet way before The Betrayal when his mind was still sound.

So again, not a good look for Ford in the whole genius department.

3. Inventions

Now let's take a look a the inventions which are most commonly associated with Stanford:

The Portal

The Bunker

The Magnet Gun

The Quantum Destabilizer

The Perpetual Motion Machine

The Portal is not one of Ford's inventions, that much is pretty clear. He "comes up with the idea" after Bill told him about some kind of "weirdness dimension".

Now maybe Ford built the portal. Or McGucket built it (which I find more likely due to his tendency to build large scale metal structures) and Ford helped him. We can't really say for sure.

What we CAN say for sure is that McGucket left the day before the big test, which means the portal was basically finished at that point. So if there was still any work left to be done, it would have been minimal and "even Stanley" could figure it out without help, so Ford probably could have, too.

The Bunker. Designed and built by McGucket (and possibly the lumberjacks before zapping them with the Memory Gun), including the death trap of a security system.

Notice the wording. McGucket insisted he could do it on HIS own. But then went out of his way to ask the lumberjacks and not Ford to help excavate the whole thing.

Why? Why not include Ford? Maybe because McGucket could tell Ford was overworked. Maybe because he thought even with Ford's help, they wouldn't have been able to do it in a timely manner and he didn't want to memory zap more people than neccessary, I'm not sure.

Anyway, the Bunker consists of the Bunker itself, a Security Room, an Observation Room and a Storage Room. On top of that, a Temperature Control Apparatus, a Cooling System and a Cryogenic Tube.

Again with the phrasing. "HIS skill for construction". "telephone HE built". "my assistant really topped HIMSELF with the security precautions". "once F starts inventing, HE can't stop".

A man like Ford wouldn't pass up on an opportunity to tell the world about his own accomplishments, yet they are strangely missing in these pages. However, the sketches documenting McGucket's work have become more technical than they've ever been. They even have small annotations that seem as if Ford asked McGucket what he was currently building.

"F has explained" implies McGucket was once again doing this on his own. Why else would he need to explain anything to Ford if they were doing this together? Plus, again, surely Ford would have mentioned something, anything, if he had participated in any way.

The things he DID mention is that he found a mole man skeleton and "Shifty", the shapeshifting creature. And he saved McGucket once Shifty broke out of their cage (Remember this for later, it'll come in handy). And he conducts tests on Shifty (remember this as well).

On to the Magnet Gun.

Again, passive form. If Ford had modified the gun himself, he would have told us. Chances are it was once again McGucket. Or it was just taken from Crash Site Omega as Ford says in the show that he and McGucket came down there often to loot the UFO for tech.

Lastly: The Quantum Destabilizer.

He actually admits he worked on it. However, he spent 30 years between dimensions. In these 30 years he couldn't find anyone (including himself) to get the Destabilizer working. The Other McGucket, however, was able to do it in less than a week.

Ford claims he was missing a suitable power source which The Other McGucket found, but there's no way of knowing if there was more to those "minor adjustments" to Ford's blaster than Ford would like to admit.

The only invention left is the Perpetual Motion Machine which I will save for the "Tragic Backstory" section.

Honorable mentions:

The Hyperdrive needed to power the portal:

While between dimensions, he was given a Dimensional Translator. Also not his own invention.

"F's mechanical know-how" vs. "my keen intuition." implying Ford merely found the Hyperdrive, but McGucket extracted it safely.

So the Hyperdrive was looted from Crash Site Omega. Plus, McGucket was the one to realize it was even needed in the first place.

The metal plate in his head? Not his invention. Not even his idea. The Oracle did that for him.

The Book of Bill has another example that Ford can't invent for shit: He found the blueprint of Abigale Blackwing's Anti-Bill-Suit in the library (once again, not even his own invention) and drafted a more modern blueprint. And either he completely failed to build it or it didn't work because we never hear from it again. Instead, he installs a retina scanner to keep Bill out of the lab. Which he (probably) ALSO didn't build himself.

In summary:

Portal: blueprint by Bill, (probably) built by McGucket.

Bunker: designed and built by McGucket (probably with the help of the lumberjacks).

Magnet Gun: likely looted from Crash Site Omega.

Quantum Destabilizer: a mess before McGucket fixed it overnight

Perpetual Motion Machine: see below.

Dimensional Translator: Not Ford's invention.

Metal Plate: thought of and installed by The Oracle.

Anti-Bill-Suit: invented by Abigale Blackwing.

4. Ford's Tragic Backstory

In fact, he mostly doesn't even say that he did any of this. He openly admits whenever he took something or McGucket built stuff, and barely calls any of the inventions his own. We just assumed that he can (on account of him being a genius), so we assumed he did.

would only make sense if he ACTUALLY couldn't get the Perpetual Motion Machine to work. We already know Ford is an unreliable narrator and I'm probably not the first one to point out that it doesn't make sense that Stan supposedly cost Ford his entire scholarship by breaking his Perpetual Motion Machine (accident or not).

Think about it from a college's point of view: You hear about a young man who apparently built a machine that violates the laws of thermodynamics. You don't just pass up on something like that just because it didn't work the ONE TIME you came to visit. That would be an exceedingly stupid thing to do. I think they would have given him that scholarship if he even got close to achieving such a feat.

Does he even have 12 PHDs as he keeps claiming? In what? For what reason? Wouldn't he get a scholarship for his dream school at some point given his seemingly endless potential? It all seems like overcompensation to me. Reminds me of Tommy Tallarico and his ever-increasing number of Guinness World Records.

Now let's briefly assume Ford IS a genius whose invention got sabotaged. Ford could have easily fixed it and asked for a second appointment with the judges. This did not happen. And even if he didn't get into his dream school, he could have used this perpetual motion machine for the good of humanity. He didn't do that. If the Machine had ever worked, it would have made international news. It didn't. He would have been world famous. He isn't.

What does that tell us?

However, there is a reason Ford is like this. It is connected to his tragic backstory, but I will include this in the final chapter for narrative reasons.

Also note how even in A Better World, he did not go do his dream college. The science center was built around the Shack that he went to later in life:

And even there, he only manages to make a name of himself with McGucket's cooperation. We already established he couldn't build the portal on his own. My guess that McGucket once again did the heavy lifting and didn't mind Ford taking the credit (as you will see in the McGucket chapter).

5. McGucket

At this point we've already gone over how McGucket built (probably) most of the Portal, the Bunker and everything in it, and got the Quantum Stabilizer to work. We also know that in his free time, he loves to tinker. He canonically built a laptop (with extra keys for Fords fingers), a cellphone, the Memory Gun, several killer robots, the Shack-O-Tron and started an entire ass cult along the way.

And that's just what I picked up on from skimming the Journal.

I think Ford was McGucket's assistant. He didn't get ANYTHING done before he called McGucket over for help. In the bunker, all he did was find a skeleton and conduct "experiments" on Shifty (by showing them pictures of creatures and documenting what happens). He led McGucket to the UFO crash site, McGucket was the one to actually extract the Hyperdrive. All of the stuff Ford does sounds more like an assistant's job to me.

We only see McGucket make stuff on screen. All this time he's welding together contraptions, piloting giant killer robots, having a blast.

We never see Ford tinkering ONCE. Still, he constantly praises McGucket for his "brilliant mind", "mechanical knowledge" and "skill in construction".

I'm also pretty sure McGucket knows that Ford isn't the genius he claims to be. Upon seeing Bill's blueprints, he immediately gets suspicious:

Why would he say this to a fellow genius?

And he's the one who recognizes something is wrong with the portal earlier than anyone else.

The day before the test, he meets Ford at the diner to warn him cause he knows something is deeply wrong - and offers him a thesis paper.

Now here is where things get interesting.

Ford gets angry. But instead of saying something like "How dare you insult my scientific integrity / intelligence", he thinks McGucket wants the Grand Unified Theory of Weirdness to himself, which obviously couldn't be further from the truth. But Ford is too insecure about his intelligence and too curious about the portal to care.

This makes me wonder if McGucket had done this before. They went to college together. What if McGucket wrote Ford's final assignment as well? What if he'd seen him have a meltdown over the introduction and whipped up a fantastic final thesis in an afternoon?

We know McGucket cares deeply for Ford, and we can tell his intentions at the diner were sincere. He doesn't really want or need any credit - meanwhile Ford is starved for it. This is probably also why he's fine being "Ford's assistant" even though he's the one putting in most of the work.

6. Why Would He Do This??

Before we talk about Ford's plans after Weirdmageddon, I have to mention that there's a good reason Ford is pretending to be a genius. This is pretty speculative territory, but I think it makes sense given what we know about the Pines family.

When you're a twin, at least in the Stan Bro's case, you're constantly being compared to one another. Once it has been established that Ford is the "smarter" of the two (true or not), their father latches onto that and soon Ford's intelligence becomes his entire identity. I think just like Stan was looked down upon and neglected for being the "stupid" twin, Ford was burdened with expectations for being the "smart" twin. "You're gonna go far, kid. You're gonna make us so much money, you're gonna get us out of this dump." An INSANE thing to burden a child with.

This goes well for a while - Ford gets straight As and is the pride of the family. His ego inflates. But then something strange happens which I'm sure many "gifted kids" can relate to - he hits a wall. At some point he can no longer brute force things with his intelligence and he has trouble keeping up with his family's expectations. His massive ego gets damaged beyond repair.

Soon, he starts questioning everything. "If I'm not the smart guy, who am I? What's left?" He's been living like this his entire life. It's way too late to turn back so he moves forward. And if intelligence can't get him there, at least he can use the smarts he does have to make sure nobody else ever finds out. It's not unlikely for him to develop this attitude and it's the same kind of mindset he brings to taking the Hyperdrive from Crash Site Omega:

In a way, this makes him a con artist like Stanley. Which, after everything that's happened between the two, must feel like such an insult to Ford that he'd rather live in denial than face reality. The reality being that he is about as intelligent as Stanley, too. This doesn't mean that Stan is dumb (he managed to get the portal to work with barely any help, after all) - just that Ford is not as intelligent as he (and everyone else) thought / expected of him. AND that Stanley isn't as dumb as everyone always told him he was.

I think while yes, Stan broke the Machine, Ford couldn't fix it. Or it was never even a Perpetual Motion Machine to begin with. Yes, Ford couldn't go to his "dream college", but was that really his dream? Or his father's? Remember when McGucket offered him the Weirdness Thesis on a silver platter, saying with this he can finally "get his life back", and Ford still refused it? Maybe he didn't want his old life back. Because his old life SUCKED without Stanley in it.

7. After Weirdmageddon

Now that we established what Ford's dad wanted him to be, let's explore what Ford actually likes doing.

Obviously journaling and sketching what he sees, but what else?

Ford loves exploring. He goes on hikes, climbs mountains, visits caves, goes ham on Crash Site Omega. In the Bunker he looks around and discovers a mole man skeleton and Shifty while McGucket did the inventing/building.

He's also great at action hero stuff. He saves McGucket from the Gremloblin, and later from Shifty, he's jumping around the UFO with a magnet gun as if it's the only thing he's ever done, and saving Dipper from the security system, just to name a few.

He even says this in the episode: "I need to train an apprentice to help me fight monsters, solve mysteries, and protect this town." This doesn't really sound like science stuff to me.

So yeah I think Ford lied about being a genius to compensate for his (self perceived) lack of other qualities, he lied about his 12 PHDs, his scientific accomplishments, maybe even some inventions. He sucks at decoding things despite claiming to have "aced cryptology". Instead, he spends most of his time exploring, fighting monsters, stealing shit and getting in all kinds of dangerous situations. Truth is, he is much more similar to Stan than he'd like anyone to find out.

He also doesn't even WANT to do science. He likes the idea of science, like in Sci Fi movies, but not the actual labor that comes with it. Ford has been travelling between dimensions for 30 years. He probably is the only human to ever have done that in his dimension. Surely he spent these 30 years on research? Well...

There's only a single line mentioned in the Journal about doing anything scientific and he didn't even dedicate the entire sentence to it.

He "compared notes with scholars". That's it.

But surely he has so many papers and theories he can finally publish to fulfil his initial goal to "join the ranks of Newton, Tesla, & Einstein in the pantheon of science"?

Nope. He goes treasure hunting with Stanley. Ford seems to have forgotten all about his research. And I think that's not just because he wants to make up for lost time, but also because this is what he truly wanted to do in the first place, before he was forced into the "genius" mold.

To go adventuring, to be creative, to spend time with the family that matters.

8. TLDR

Ford didn't manage to write his Grand Unified Theory of Weirdness.

His Journal is entertaining, but ultimately full of unscientific ramblings.

He didn't build the portal, bunker, magnet gun, quantum destabilizer, or any other invention I could find.

All of his accomplishments can be traced back to either Bill, the town library, or McGucket.

He didn't write his own codes, he couldn't decipher any of the codes or secrets he found, including the ones he was given a solution to.

The Journal makes it look like Ford is McGucket's assistant and not the other way round.

McGucket is amazing and needs to be protected at all costs.

The tragicness of Ford's backstory makes no sense if he actually WAS a genius.

He needed to keep up the genius act because that's what his family expected of him and now he's con-artist level good at it.

He spent 30 years between dimensions committing crimes and preparing for revenge instead of doing science.

he seems to not even LIKE doing science. he prefers exploring, drawing, and getting into dangerous situations.

Once back in his home dimension, instead of doing anything science related, he goes adventuring with his brother.

Disclaimer: I have nothing against Ford, if anything this adds to his character cause I haven't seen anyone even so much as question his status as a genius yet. I just needed to get this out of my system cause this has been brewing in my brain since JULY.

This took me 10 hours to write. Thank you so much for making it this far, this post was brought to you by Autism™

[cheshiresense]

Oh my God, you mentioned wanting to write a thing about when Starrk finally let's his reiatsu out, and honestly, I've been thinking about that so much!!! Like here is Starrk, who has been keeping his reiatsu down to around average, who sleeps all the time, so doesn't stand out, who stands beside Ichigo, Ichigo who crazy stands out, also Starrk who joins the 4th, the 4th who everyone else considers to be weaklings!! You imagine the look on everyone's face the first time he let's lose!?! Maybe some bullying goes too far, and Starrk, who nobody thinks much of, just smacks them down hard!!! And everyone is like WTF lol 😆

sorry, I just love the idea of when people realize that Starrk is actually strong like Ichigo!! So 😁 funny!! Anyway, thanks for sharing your thoughts about this. I love reading them.

Lol yes it's one of those scenes that you see happen in so many different ways and all of them would be fun. I'm undecided on how I want to do it Officially so I'm putting it off (or maybe I'll just write several of them lmao).

I imagine it would have to be very serious bullying for Starrk to take that much action, cuz like he really isn't the sort to step in for every little thing. If it happens to someone he considers one of his, he might note it down and then quietly go and prevent it from happening again from behind the scenes, but in real time, he'd rather diffuse the situation or leave it to the "victim" to handle it and only step in if it looks like they really can't, and even stepping in would just be a sharp word or two to run the bully off. He's not a straightforward bleeding heart the way Ichigo is, cuz the hit-the-problem-so-it's-no-longer-a-problem method is def Ichigo's go-to strategy, he would absolutely smack the shit out of someone bullying Asuka or Rangiku in front of him and be done with it right then and there, prob flaring his reiatsu without even meaning to cuz his control's a lot better these days but it's also kind of 0 to 50, well-hidden or flashing neon sign, no in-between unless he really concentrates 😂 It's another reason Starrk would have little reason of his own to act, cuz like Ichigo would absolutely beat him to it.

For me, I could prob imagine him unleashing his reiatsu/revealing his strength if someone's about to die and the threat is big enough that he actually has to flex. He's just not someone who'd easily show what he can do, and hiding it from the likes of Aizen and the Quincy wouldn't even be his top reason. It's more like lingering PTSD--his strength doesn't bother him anymore now that he's had years of proven control under his belt, and he's even needed every last bit of his power over the past decade of war, but subconsciously, he's still not 100% comfortable with just letting anyone feel it, even tho he has enough control now that it wouldn't hurt them unless he wants it to because what if? So like, his first instinct will always be to keep it locked down, and for minor stuff (altho minor is relative for him I guess lolol), pulling out that much power is def a last resort.

Again, it contrasts what Ichigo would do. Ichigo's just used to overkill. Like even before he got his powers, he learned that an overwhelming show of strength would solve most of his gangster-related problems very easily, plus he lived in a household where Isshin only backed off from kicking him into a wall or something by kicking first or kicking back. And then after he got his powers, it's not even really his fault that he internalized a "might is right" kind of mindset /points at the entire fucking SS invasion arc and honestly every arc after that/. And also he spent his first years of Shinigami-ing running around with an unsealed Zanpakutou and zero reiatsu control, being in a constant state of Shikai is natural for him, and (moving into this AU's headcanon territory) it took him several months into the Quincy War before he finally learned to seal it away and actually have other ways of fighting that isn't just flinging Getsuga Tenshous around. He uses Bankai the way other people use hand-to-hand combat or Kidou spells, so even now, his first instinct is to just hit the problem hard enough so that it won't get back up to do more harm, and for him, that applies to everything from schoolyard bullying to fighting monster-gods. And on top of all that, his actions are largely driven by emotion. More than anything else, his first reflex is to protect, and that often leads to him throwing way more power at a threat than he actually needs to. He knows how to be more subtle these days, but it's not his preferred method and def not a reflex either the way it is with Starrk.

Of course, Starrk also understands "might is right" just by dint of being a Hollow, but he's basically spent a thousand years as someone too strong for anyone to fuck with just by existing, so he doesn't have the same kind of exposure to physical conflict that Ichigo grew up with that would make violence his first instinct.

Aanndd omg this ran away from me lmao sorry, you get a speedrun analysis on Starrk and Ichigo instead 😅

TLDR I'm still not sure of any exact scenarios that would force Starrk to show his hand, I don't want to wait until a Sternritter shows up or a final showdown vs. Aizen happens because that would take forever before we get there (I mean I could just jump right in there since this isn't a whole fic, but in-universe-timeline-wise, I'd prefer it happening earlier), but it's difficult for me to imagine that something in everyday life or even just a Hollow extermination mission would be enough to make him reveal even a bit of what he can really do.

Case in point, if you remember that mission in SP canon where Shunsui brings Ichigo and Rangiku along on a mission into the Rukongai to gain experience, and Ichigo sees a Hollow about to attack Shinji who hadn't spotted it yet, but he also didn't want to leave Rangiku unprotected, he went straight for unsealing his Zanpakutou and basically hand-delivering a shopping list of unusual or downright unique abilities to Aizen via Gin. In this AU, if Starrk goes along, he would never do such a thing, and in fact, he'd stop Ichigo and just fire a damn Byakurai or something across the clearing and kill it that way. Even if Ichigo doesn't have the finesse to pull off a low-numbered Kidou spell on the fly, he could've chosen a higher-numbered one and that would've still revealed far less to Aizen than unsealing his Zanpakutou would. But again, subtlety isn't his strong suit. He now at least has the presence of mind to think about the consequence of leaping into the fray without thought, it would leave Rangiku wide open, but his first instinct is still to use overwhelming strength to protect the people he cares about.

In contrast, Starrk may be a soft touch compared to basically every other Hollow and quite a few Shinigami, but he has the maturity and just the general personality to go for the strategic option. He has a far more tactical mind, implied even in canon to rival Shunsui in that department, so rushing in just isn't in his nature.

The only other way imo is if someone just... asks. Reikaku (reiatsu-sensing) is a thing Shinigami learn. In canon people can sense exactly who's coming just by their reiatsu (if they know them), not just if they're a Shinigami or a Hollow or even a Human, but it doesn't really expand on how. So I imagine you have to have a good feel for the person's reiatsu, it's the same as my age headcanon for reiatsu, not only can someone halfway decent at sensing reiatsu be able to get an idea of the other person's age, they would also be able to recognize and associate that reiatsu signature with that person since everybody's is different, but obviously they would have to be exposed to it a few times to learn it. Starrk's reiatsu is very unique so once or twice would be enough, and I can see a situation where the kids might ask to feel it for that reason, or a mission might require the team leader to ask, etc. etc. So yeah, that's all I got.