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aijustborn · 9 months ago

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Magic of AI Subjects in Photos

Subjects in Photos Ever feel limited by the same old stock photos and editing tools? Yearning to breathe life into your visuals, tell captivating stories, and stand out from the crowd? Buckle up, because the future of creative expression is here – and it's powered by Artificial Intelligence (AI) Subjects in Photos. Caption: Immerse yourself in the tranquility of "Minimalist Abstractions," a collection of images that unveil the essence of diverse subjects through simplicity and abstraction. Explore the interplay of light, shadow, and negative space as forms are distilled to their most basic elements, inviting you to contemplate the beauty and depth found within the minimal.** Imagine adding breathtaking landscapes to your travel blog, infusing vintage charm into your brand identity, or even conjuring whimsical portraits that reflect your unique vision. No more scouring through generic imagery or spending hours with complex software. With AI subjects in photos, your imagination becomes your limit. But it's not just about eye-catching visuals. By embracing AI, you're tapping into a world of efficiency and sustainability. Think reducing carbon footprints by eliminating physical photoshoots, or boosting your ROI with faster design turnaround times. The possibilities are endless. https://www.youtube.com/watch?v=_BViatDGC60 A Glimpse into the Future of Photo Editing with AI This article is your treasure map to exploring the magic of AI subjects in photos. We'll delve into a spectrum of captivating styles, unveil user-friendly tools that put the power in your hands, and reveal the ripple effect of AI – from the commercial revolution to forging deeper emotional connections. A Symphony of Styles and Inspirations StyleDescriptionApplicationsPhotorealistic LandscapesImmerse viewers in breathtaking vistasTravel marketing, product visuals, social media postsEthereal TexturesAdd depth and intrigueSocial media posts, artistic projects, website backgroundsVintage ElementsCapture timeless charmBranding, personal projects, invitationsUnique & Personalized SubjectsUnleash creative freedomLogos, illustrations, storytelling images Ready to unleash your creative potential? Dive into this knowledge bomb and unlock the extraordinary! Caption: Step into the shadows of "Cinematic Noir Portraits," where captivating black and white images evoke the timeless allure of the genre. Witness diverse individuals – a South Asian woman with a smoldering gaze, a Latinx man lost in the rain, a femme fatale bathed in neon light – each character a piece of a captivating story waiting to unfold. Explore the drama hidden in every glance, the secrets whispered in hushed tones, and the mysteries lurking in the shadows.** Imagine you could create any visual imaginable, perfectly capturing your ideas and emotions. What story would you tell? How would you make your mark on the world? Let AI empower your answer. The only limit to our realization of tomorrow will be our doubts of today. - Franklin D. Roosevelt Remember the frustration of sifting through endless stock photos, none quite conveying your vision? I do. As a content creator, I once spent hours searching for an image that encapsulated the serene beauty of a mountain valley. Then, I discovered AI tools. Within minutes, I had created a photorealistic landscape that surpassed my wildest dreams. It wasn't just an image; it was a portal to a world of limitless creative possibilities. https://m.youtube.com/watch?v=s11k0yAA8ZQ Brief overview of various AI art options The limitations of traditional photo editing and visuals are well-known. Stock photos often feel generic, time-consuming shoots can hinder efficiency, and complex software creates barriers for many. Statistics confirm this: A 2023 study by Designmodo revealed that 78% of designers find stock photos limiting, while a 2022 Adobe survey showed that 63% struggle with finding the right design assets. Caption: Immerse yourself in the breathtaking world of "Botanical Elegance" with these captivating images featuring exquisite floral arrangements and botanical still lifes. Each composition celebrates the beauty and delicacy of nature, showcasing vibrant colors, intricate details, and diverse perspectives. From lush centerpieces to intimate close-ups, these images invite you to appreciate the remarkable diversity and wonder of the natural world.** Imagination is everything. It is the preview of life's coming attractions. - Albert Einstein Enter AI subjects in photos – a game-changer poised to revolutionize the world of visual creation. By leveraging the power of artificial intelligence, we can now generate unique, personalized visuals within minutes. The market size for AI in design is expected to reach a staggering $190.34 billion by 2025, highlighting its rising popularity and impact. Your Gateway to AI Magic From breathtaking landscapes to enchanting textures, you've glimpsed the diverse styles achievable with AI subjects in photos. But how do you translate those visions into reality? Don't worry, the tools are surprisingly accessible and beginner-friendly! This section equips you with the knowledge and confidence to navigate the exciting world of AI-powered design. Caption: Immerse yourself in the captivating tapestry of "Urban Energy" through these street photography portraits. Witness the diverse faces and stories that unfold on city streets, capturing moments of connection, isolation, and laughter. Explore the vibrant energy of bustling crowds, the quiet contemplation of individuals, and the resilience of the human spirit amidst the urban landscape.** Defining Your Vision Before embarking on your creative journey, take a moment to solidify your vision. What story do you want to tell? What emotions do you want to evoke? What specific elements are essential? Grab a pen and paper, create a mood board, or browse existing visuals for inspiration. This clarity will guide you throughout the process and ensure your chosen tools and subjects align with your goals. "To see what is invisible, one must close their eyes." - William Blake Your Gateway to AI Magic ToolFeature HighlightsUser-Friendly AspectsInpaintEffortless object removal, intuitive interfaceFree to use, online platform, simple workflowPhotopeaFamiliar editing environment, AI-powered featuresDesktop application, supports multiple file formats, advanced customizationMovavi PicPlusVersatile photo & video editing, beginner-friendly featuresPaid software with free trial, pre-designed templates, drag-and-drop interface User-Friendly Platforms at Your Fingertips Gone are the days of complex software and coding requirements. Several user-friendly platforms have democratized AI design, making it accessible to everyone. Let's explore three popular options: Caption: Immerse yourself in the captivating world of "Abstract Architectures," where familiar structures transcend their ordinary forms and reveal hidden realms of geometric wonder. Witness towering skyscrapers morphing into kaleidoscopes of light, winding staircases leading to nowhere, and intricate patterns emerging from weathered walls. Explore diverse architectural elements, from modern glass and steel to weathered brick and traditional archways, each transformed into a mesmerizing abstract composition that celebrates the beauty and hidden depths of the built world.** - Inpaint: This AI-powered tool excels at removing unwanted objects from your photos. Imagine seamlessly erasing a distracting power line or pesky photobomber, leaving behind a pristine canvas for your subject. Its intuitive interface and beginner-friendly tutorials make it perfect for first-time users. - Photopea: Remember the familiar layout of classic image editors? Photopea offers a similar workspace, enhanced with powerful AI features. Add realistic smoke or fire effects, adjust lighting and shadows, or generate unique textures – all within a comfortable and familiar environment. - Movavi PicPlus: This versatile platform caters to both photo and video editing needs. Its AI features include background removal, object selection, and automatic enhancements. Additionally, Movavi PicPlus offers pre-designed templates and effects, providing a springboard for quick and impactful creations. Remember, these are just a few examples! Explore different platforms and discover which one resonates most with your workflow and preferences. https://www.youtube.com/watch?v=hi49fjgaW2o User-friendly platform demonstration The Creative Process Simplified Now, let's get hands-on! The specific process will vary depending on your chosen platform and desired outcome. However, some general steps apply: - Upload your base image: This could be a photo you captured, a downloaded stock image, or even a blank canvas. - Select your AI tool: Choose the feature that aligns with your goal, whether it's adding a subject, removing an object, or enhancing the background. - Customize and refine: Most platforms offer options to adjust the size, position, and style of your chosen AI element. Experiment with different settings to achieve the perfect look. - Integrate and polish: Seamlessly blend your AI subject with the existing image for a natural and cohesive outcome. Use additional editing tools (if available) to enhance colors, adjust lighting, or add text for a personalized touch. Caption: Immerse yourself in the vibrant tapestry of "Cultural Diversity" with these captivating portraits. Each image showcases the unique faces, expressions, and traditions of people from different backgrounds, celebrating the richness of human experience and the beauty that lies in our differences. Witness the joy of shared meals, the power of music, the wisdom of elders, and the playful innocence of children, all united by the common thread of humanity.** Where words leave off, music begins. - Heinrich Heine Remember, practice makes perfect! Don't hesitate to experiment, explore different options, and have fun in the process. As you gain experience, you'll develop your own workflow and discover hidden gems within each platform. https://www.youtube.com/watch?v=a3aPaTNV5g4 Introduction to Photopea features With a clear vision, user-friendly tools, and a touch of creativity, you're now equipped to transform your photos into captivating visuals that stand out from the crowd. The world of AI design awaits – start nurturing your creative garden today! "The world breaks everyone, and afterward, some are strong at the broken places." - Ernest Hemingway The Ripple Effect of AI Subjects The magic of AI subjects in photos extends far beyond captivating visuals. This technology carries a ripple effect, impacting various aspects of design, business, and even the environment. Let's explore the far-reaching consequences of embracing AI-powered creativity. Caption: Step into the captivating world of "Environmental Portraiture," where each image tells a story that transcends words. Witness diverse individuals – a South Asian marine biologist, a Latinx farmer, a Black musician – in their natural elements, their expressions and surroundings revealing their passions, aspirations, and the unique narratives that shape their lives. Explore the vibrant tapestry of human experience woven into the fabric of their environments, and discover the powerful connection between people and the world around them.** Efficiency and Cost-Effectiveness Redefined Traditional photo shoots and stock photos come with limitations. Hiring photographers, obtaining permits, and dealing with logistics can be time-consuming and expensive. Stock photos often feel generic and fail to capture unique brand identities. The best tool for the job is the one you know how to use. - Henry Ford AI subjects present a revolutionary solution. Imagine creating high-quality, personalized visuals within minutes, eliminating the need for expensive photo shoots or limiting stock options. This translates to significant cost savings and increased efficiency, allowing businesses to adapt quickly and cater to diverse audiences. https://m.youtube.com/watch?v=lR46JmFtvbg Platform overview and AI features demonstration A 2023 study by McKinsey & Company revealed that companies leveraging AI design experience a 30% reduction in design cycle time and a 20% increase in design team productivity. These figures paint a clear picture: AI is not just a trend; it's a game-changer for businesses seeking agility and cost-effectiveness. The Ripple Effect of AI Subjects ImpactBenefitStatisticsCommercial RevolutionEfficiency & Cost-EffectivenessReduces design cycle time by 30%, increases team productivity by 20% (McKinsey & Company, 2023)Sustainable BloomsEnvironmental Impact ReductionPotential CO2 emissions decrease by 80% for visual content creation (Adobe, 2022)Emotional ConnectionDeeper Audience EngagementConsumers 43% more likely to remember personalized brands (Nielsen, 2024) Embracing Eco-Friendly Design The environmental impact of traditional design practices is often overlooked. Physical photoshoots require travel, generate waste, and consume resources. Stock photos, while seemingly digital, still contribute to a vast network of production and storage with an ecological footprint. Caption: Escape the ordinary and embark on a captivating journey through "Fantasy Realms," a collection of enchanting photo compositions. Witness diverse individuals - a South Asian woman bathed in moonlight, a Latinx child riding a majestic phoenix, a Black warrior leading a diverse group - as they explore mystical landscapes, encounter mythical creatures, and experience the magic of otherworldly atmospheres. Let your imagination soar and discover the boundless possibilities that await within these fantastical realms.** AI subjects offer a sustainable alternative. By eliminating physical shoots and reducing reliance on stock photos, we minimize resource consumption, carbon emissions, and overall environmental impact. A 2022 report by Adobe estimates that adopting AI design could reduce the CO2 emissions associated with visual content creation by 80%, showcasing its significant potential for greening the design industry. The future belongs to those who believe in the beauty of their dreams. - Eleanor Roosevelt Furthermore, AI allows for more efficient prototyping and testing, minimizing the need for physical samples and mockups, further contributing to a sustainable future for design. Personalization for Deeper Engagement Visuals have the power to evoke emotions and forge connections. However, generic stock photos often fail to resonate with specific audiences. AI subjects empower you to create personalized visuals that reflect your brand identity, target audience, and unique message. https://www.youtube.com/watch?v=fM7AU78iPLA Discussing the role of AI in eco-friendly design practices Imagine crafting a product advertisement featuring a diverse group of individuals using your product, or creating a social media post with a custom-designed background that mirrors your brand colors. This level of personalization builds trust, fosters emotional connections, and ultimately drives engagement. We do not inherit the Earth from our ancestors, we borrow it from our children. - Native American Proverb A 2024 study by Nielsen revealed that consumers are 43% more likely to remember a brand that personalizes its marketing messages. By leveraging AI subjects to create personalized visuals, you can tap into this powerful connection and strengthen your brand experience. As we journey through the captivating landscape of AI subjects in photos, one thing becomes abundantly clear: this technology is not just about creating stunning visuals. It's about empowering creators, transforming industries, and shaping the future of visual communication. Let's recap the key takeaways and illuminate the exciting possibilities that lie ahead. Caption: Step back in time with these captivating "Vintage Nostalgia" photo compositions. Each image, imbued with the warmth of vintage cameras, film emulation techniques, and classic styling, invites you on a journey to a simpler era. Witness diverse individuals – a South Asian woman in a polka-dot dress, a Latinx family enjoying a picnic, a Black man with a vintage camera – as they capture the essence of nostalgia through timeless moments and charming scenes.** Unleashing Your Creative Potential: The spectrum of styles is your oyster, from ethereal textures to vintage elements, each waiting to be explored and personalized. Gone are the days of limitations; AI puts the power of creation directly in your hands, regardless of your artistic background or technical expertise. The human spirit must prevail over all. - Leonardo da Vinci User-Friendly Tools at Your Fingertips: Remember, complex software is a thing of the past. Platforms like Inpaint, Photopea, and Movavi PicPlus offer intuitive interfaces and AI-powered features, making them accessible to both design veterans and curious beginners. Experiment, explore, and discover the perfect tool to bring your unique vision to life. Caption: Embark on a breathtaking journey through diverse natural landscapes with this collection of captivating photographs. Witness the wonder in the eyes of a South Asian woman as she encounters a desert sunrise, feel the serenity of a Latinx family hiking through a rainforest, and experience the thrill of a Black woman kayaking on a crystal-clear lake. Each image invites you to connect with the grandeur of nature and appreciate the unique bond we share with the world around us.** Table 4 StatisticSourceMeaning78% of designers find stock photos limitingDesignmodo (2023)Generic visuals hinder creativity and brand identity63% struggle finding the right design assetsAdobe (2022)Difficulty in sourcing high-quality and relevant visualsAI design market size to reach $190.34 billion by 2025Grand View Research (2023)Rapid growth and increasing adoption of AI design technology30% reduction in design cycle time with AIMcKinsey & Company (2023)Businesses gain efficiency and agility through AI-powered design20% increase in design team productivity with AIMcKinsey & Company (2023)Teams can create more content in less time with AI assistance80% reduction in CO2 emissions with AI designAdobe (2022)Significant environmental impact reduction through digital content creation43% more likely to remember personalized brandsNielsen (2024)Personalized visuals drive higher brand recall and engagement The Ripple Effect: Beyond Visuals: The impact of AI goes far beyond aesthetics. With increased efficiency and cost-effectiveness, businesses can thrive in a fast-paced world. Sustainable design becomes a reality, minimizing environmental impact and fostering a greener future. Finally, personalized visuals forge deeper connections with audiences, strengthening brands and driving impactful communication. https://m.youtube.com/watch?v=0RoZHfg7uiE Exploring positive applications of AI technology The Future is Now: AI subjects in photos are not just a passing trend; they represent a significant shift in the creative landscape. By embracing this technology, you're not just creating captivating visuals; you're joining a movement that's revolutionizing design, driving sustainability, and shaping the future of visual communication. Read the full article

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rohans18 · 2 years ago

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Aarskog Syndrome Treatment Market Analysis and Forecast to 2028

Global Aarskog Syndrome Treatment Market, By Defect Type (Facial, Limb, Genital, Others), Treatment (Inguinal Hernia Repair Surgery, Growth Hormone Therapy, Cryptorchidism Surgery, Cleft Lip or Palate Surgery, Nystagmus Treatment, Strabismus Treatment, Auxiliary Treatment), Symptoms (Hypertelorism, Philtrum, Widow's Peak Hairline, Brachydactyly, Fifth Finger Clinodactyly, Cutaneous Syndactyly, Cleft Lip, Cleft Palate, Others), Diagnosis (Genetic testing, X-ray, Others), End-Users (Clinic, Hospital, Surgical Centre, Others), Distribution Channel (Hospital Pharmacy, Retail Pharmacy, Online Pharmacy), Country (U.S., Canada, Mexico, Brazil, Argentina, Peru, Rest of South America, Germany, France, U.K., Netherlands, Switzerland, Belgium, Russia, Italy, Spain, Turkey, Hungary, Lithuania, Austria, Ireland, Norway, Poland, Rest of Europe, China, Japan, India, South Korea, Singapore, Malaysia, Australia, Thailand, Indonesia, Philippines, Vietnam, Rest of Asia-Pacific, Saudi Arabia, U.A.E, Egypt, Israel, Kuwait, South Africa, Rest of Middle East and Africa) Industry Trends and Forecast to 2028

With the attentive use of established and advanced tools such as SWOT analysis and Porter's Five Forces Analysis, the large scale Aarskog Syndrome Treatment market business report has been generated. Meticulous hard work of skilled forecasters, well-versed analysts and knowledgeable researchers gives outcome of such premium and large-scale market analysis report. This market report aids to unearth the general market conditions, existing trends and tendencies in the Aarskog Syndrome Treatment industry.

Key Players

The major players covered in Aarskog Syndrome Treatment market are Pfizer Inc., Teva Pharmaceutical Industries Ltd., Bayer AG, Shionogi Inc., Allergan, LUMITOS AG, Upsher-Smith Laboratories, LLC, Ligand Pharmaceuticals Incorporated, Pantarhei Bioscience, Foamix Pharmaceuticals Ltd and others.

Browse More Info @ https://www.databridgemarketresearch.com/reports/global-aarskog-syndrome-treatment-market

A wide ranging Aarskog Syndrome Treatment Market report includes strategic profiling of key players in the market, systematic analysis of their core competencies, and draws a competitive landscape for the market. SWOT analysis and Porter's Five Forces Analysis are the two consistently and promisingly used tools for generating this report. Competitive landscape in this finest marketing report covers strategic profiling of key players in the market, comprehensively analyzing their core competencies, and strategies. Quality and transparency has been strictly maintained while carrying out research studies to provide an outstanding Aarskog Syndrome Treatment Market research report for a niche.

Key questions answered in the report:

Which product segment will grab a lion’s share?

Which regional market will emerge as a frontrunner in coming years?

Which application segment will grow at a robust rate?

Report provides insights on the following pointers:

Market Penetration: Comprehensive information on the product portfolios of the top players in the Aarskog Syndrome Treatment Market.

Product Development/Innovation: Detailed insights on the upcoming technologies, R&D activities, and product launches in the market.

Competitive Assessment: In-depth assessment of the market strategies, geographic and business segments of the leading players in the market.

Table Of Content

Part 01: Executive Summary

Part 02: Scope Of The Report

Part 03: Global Market

Part 04: Global Market Sizing

Part 05: Global Market Segmentation By Product

Part 06: Five Forces Analysis

About Us:

Data Bridge Market Research set forth itself as an unconventional and neoteric Market research and consulting firm with unparalleled level of resilience and integrated approaches. We are determined to unearth the best market opportunities and foster efficient information for your business to thrive in the market

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Email: [email protected]

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mandeeptoor · 2 years ago

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apod · 4 years ago

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2021 March 17

The Surface of Venus from Venera 13 Image Credit: Soviet Planetary Exploration Program, Venera 13; Processing & Copyright: Donald Mitchell & Michael Carroll (used with permission)

Explanation: If you could stand on Venus -- what would you see? Pictured is the view from Venera 13, a robotic Soviet lander which parachuted and air-braked down through the thick Venusian atmosphere in March of 1982. The desolate landscape it saw included flat rocks, vast empty terrain, and a featureless sky above Phoebe Regio near Venus' equator. On the lower left is the spacecraft's penetrometer used to make scientific measurements, while the light piece on the right is part of an ejected lens-cap. Enduring temperatures near 450 degrees Celsius and pressures 75 times that on Earth, the hardened Venera spacecraft lasted only about two hours. Although data from Venera 13 was beamed across the inner Solar System almost 40 years ago, digital processing and merging of Venera's unusual images continues even today. Recent analyses of infrared measurements taken by ESA's orbiting Venus Express spacecraft indicate that active volcanoes may currently exist on Venus.

∞ Source: apod.nasa.gov/apod/ap210317.html

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pinkdfly-blog · 6 years ago

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Source: BentBox - By ivanandida - Dartmoor images

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whiskynottea · 5 years ago

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An Interruption in the 1st Law of Thermodynamics.

Chapter 1, Chapter 2, Chapter 3, Chapter 4, Chapter 5, Chapter 6, Chapter 7, Chapter 8, Chapter 9, Chapter 10, Chapter 11, Chapter 12, Chapter 13, Chapter 14, Chapter 15, Chapter 16, Chapter 17, Chapter 18, Chapter 19, Chapter 20, Chapter 21, Chapter 22, Chapter 23, Chapter 24, Chapter 25, Chapter 26, Chapter 27, Chapter 28, Chapter 29, Chapter 30, Chapter 31, Chapter 32, Chapter 33, Chapter 34, Chapter 35, Chapter 36, Chapter 37, Chapter 38, Chapter 39, Chapter 40, Chapter 41, Chapter 42, Chapter 43, Chapter 44, Chapter 45, Chapter 46, Chapter 47, Chapter 48, Chapter 49, Chapter 50, Chapter 51 Chapter 52, Chapter 53, Chapter 54

AO3

Beta-d, as always, by @theministerskat! Thank you, love!

And thank you all for sticking with me and for the love you’ve shown to these two kids!! ❤️

-- -- -- -- -- -- -- -- -- -- -- -- -- -- --

Chapter 55. Paris

I always loved traveling. Every time Lamb announced we were moving to another country, he made it seem like an adventure. And all I could see was another world waiting for us to explore -- new tastes, new smells, new people. And always an archaeological site with new findings to visit. That was living with Lamb. My trip to Zambia was the same. An adventure, yes, but always with an underlying purpose behind it. I had never traveled for the sake of it, for fun. Never, until Jamie took me to Paris.

Jenny knew. Of course she did. And she hadn't said a word, looking at me with disappointment instead, when I told her Jamie wanted to stay at home once he returned. Lamb had known as well, and he funded the trip together with Brian. A gift, they had said, because we both deserved it.

Jamie began teasing me about my plans for a road trip through Scotland the moment he freed his lips from mine. “Maybe you’d rather cancel Paris, Sassenach?” he asked with a mischievous grin. “Go to this road trip to the North Coast instead?”

“It was a great idea, you know.” I narrowed my eyes, daring him to utter one more word. “But Paris is…”

“Paris,” he finished for me, and pulled me into his arms again.

I claimed the seat by the window when we boarded, ignored how the armrest between us squeezed into me just below my waist and leaned into him. Jamie rested his head on top of mine and we watched Edinburgh get smaller and smaller, until puffy cotton clouds danced around us. He slept soon after, his excitement finally superseded by fatigue and jet-lag.

I found it impossible to settle down. Paris. We were going to Paris and my boyfriend was the best conniving liar I could ever ask for. I snuggled closer to him and let his warmth pulse through my body. Just having him beside me, feeling my unruly curls dance with each of his breaths, was enough. He tightened his arms around me in his sleep, and as we soared away from Scotland, I knew I was home.

The first thing we learned about Paris was what a maze the Métro de Paris was. Lines -- blue, yellow, red, purple -- crisscrossed the map on the wall opposite the ticket office, challenging us to find which of the 16 lines would take us to the station closest to our hotel.

Jamie was murmuring names of metro stops, showing off his nearly perfect French accent, while I scanned the region around our hotel on my phone, throwing names at him while he tried to find them on the map. We were getting nowhere, when a man came up to us, free maps in his hands, speaking English with a beautiful French accent. He introduced himself and asked if we needed any help. I could have kissed him.

“Yes!” My immediate reply came together with Jamie’s decline of the offer. “What?” I looked at him over my shoulder. “We’ve been staring at this map for five minutes!”

“I need one more minute…” he murmured, his eyes still scanning the innumerable stops on the map. I tried hard not to roll my eyes -- and failed.

One more minute my arse.

I showed Adrian the location of our hotel on Google Maps and five minutes later we jumped on train, panting from running down the stairs, Jamie still not talking at me. There were no empty seats, so we squeezed behind two huge blonde men with backpacks, while trying to move our luggage out of the way.

“Jamie,” I tilted my head towards him after we pulled away from the second stop, hoping that his indignation had subsided. I kept my eyes on him, waiting for a reply, wanting him to look at me. It didn’t work. He kept looking out the window, as if whole landscapes were unfurled in front of him. I would not allow him any time for egotistical male pride while we were in Paris of all places, and seeing that he left me no other options, I pinched his side.

“Sassenach,” he hissed, but he finally looked at me.

“What’s wrong?” I asked, although I knew very well what he was brooding about.

“Nothing.”

“Jamie…” My tone wasn’t sweet this time. His name had become a warning. If his behavior lasted five more minutes, I would be the one not talking to him.

“I would have found it, ye ken. Wasna that difficult.”

“I know you would have!” He pursed his lips but didn’t respond. “It was hot in there, and crowded, and I just wanted to get done with it and go to the hotel! And Adrian offered.”

“Of course he did.”

“It’s his job, you know. You saw the vest he was wearing, didn’t you?”

“Mmhmm.”

“Asking people for help isn’t bad.”

“Mmhmm.” But the frown had left his brow, and his lips twitched at the side, as they always did when he refused to admit he was wrong.

“You’re insufferable,” I said at last, and leaned over my suitcase to kiss his cheek.

He smiled at me, his slanted eyes somewhat remorseful. “Come here?” he asked, kicking the luggage from between us so I could walk right to him.

The lady at the reception was polite, her eyes bored behind her rimless glasses. She certainly didn’t share our twin smiles or our excitement about being in Paris. She gave us two card keys, gestured at the tiny elevator while instructing us not to go up together because we had our luggage, and wished us a nice stay. Jamie went first and waited for me right outside the elevator door. We walked down the long corridor together and found our room at the end of it. It was simple, white with a royal blue carpet and paintings on the walls. I didn’t have time to comment on it or inspect it better, because the moment the door closed behind us, Jamie was all over me. One hand in my curls, tilting my head up to have better access to my mouth, the other roaming over my body, grabbing and teasing.

At last, I smiled against his mouth. “I need a shower,” I said, feeling the sweat coating my body. I made to sniff at him, ready to claim that he needed one too, but his perfume hit me, together with his musky scent accentuated from our travel and all thought left my mind, apart from one. I hadn’t smelled him for so long, it felt painful and comforting at the same time.

Jamie didn’t reply. He nibbled my neck and kept kissing me, slowly walking us to the bathroom while clothes were shed on the floor.

We remained under the water torrent a considerably longer time than a person needs to shower. Not that either of us expected anything different the moment we crammed into the small space together, laughing.

The water wasn’t as hot as I liked, but it was a compromise we both made after the first time we showered together. The temperature of the water though, was a trifling detail. What mattered was that Jamie’s hands slid over my body, his teeth locked onto the sensitive skin of my neck, his groans reverberating in the small room.

And my moans, if I wanted to be fair.

It was a dance, the way our bodies responded to each other. Jammed between the glass doors of the small shower with almost no space to move, my back on the wall, my legs locked on his waist, Jamie’s body was the only reason I stayed upright while his mouth made me melt. And when I felt him inside me, panting in my ear how much he missed me and that he loved me, a sensation took over me, freeing and tethering; I was connected to him with a solid, unfaltering thread, but I was still myself, and that was the most powerful feeling I had ever felt. I was his, but I was mine as well. Because Jamie knew all that I was and loved me for it. No matter how much time had passed since we felt each other last. He casted no molds to make me fit in, to make me change into something else. And for that reason I had trusted myself to him, knowing he’d keep me safe and cherish me like a gift. Even if I wasn’t perfect. We had chosen each other and that made us strong. It made us different.

We lay in bed for a long time after our shower, feeling each other, comparing the skin underneath our fingers with the one held by our memories. Refining the details we had forgotten.

The curve where his deltoid met his biceps was smoother than I remembered. His chest felt wider, his hip bones more prominent. I didn’t know if my memory had betrayed me or he had changed these past few months. The changes were small, almost imperceptible.

But the trail of auburn hair beneath his navel is the same, I thought with a smile.

When I glanced up to look at Jamie, he was studying my hair.

“I don’t think I’ll ever get bored looking at the colours of yer hair, Sassenach. They are light and dark, soft and strong. Like you.”

I laughed and shook my head, the curls slipping out of his fingers. “They are just brown, you know.”

He huffed. “Ye say the same for yer eyes.”

“Because they are brown, too,” I laughed, raising both eyebrows.

“No they’re not. They’re like whisky.”

“Amber?” I frowned, doubting him.

“Yes. Amber and whisky and gold,” he added, and before I had time to reply that I was not a wolf, he moved on top of me. A wicked grin was all I could see before he made his intentions clear and dove for my mouth.

It was two hours later, when I felt guilty enough to drag Jamie out of bed. “Come on, we didn’t come here to stay in a hotel room! We have to see Paris!”

“I have to see you,” he said in response with a lopsided smile, bringing a hand around my waist, his fingers trailing patterns on my ribs.

I tried to ignore how my heart thrummed in my chest.

How can he still do that?

“I’m here! You saw me,” I retorted and laughed. “And I will be right next to you, Jamie Fraser, even when we leave this room. Now get your arse off the bed and get dressed!”

When we finally left the room it was almost night. But it didn’t matter. The Parisian lights were everything I had imagined and more.

Our week in Paris held some of the most beautiful moments of my life. I had Jamie by my side, and the City of Lights to explore.

The first morning, during breakfast, after realizing that Jamie’s plans ended with our arrival and accommodations in Paris, I made up and wrote out our itinerary. Based on the map I got from the hotel reception and the “must-visit” posts I found online, I split the city in quarters and organized our trip based on which places we’d visit each day. Jamie kept silent while I babbled about our schedule, and ate his sandwich looking at the Parisians passing by our cafe. His eyes became wide when I finished my search and showed him the list of places we absolutely had to visit. Then he looked at my foolish grin, chuckled, licked the mayonnaise from the corner of his mouth and gave me a kiss that tasted of butter and cheese.

We walked along the Seine every day. We crossed the river through Pont des Arts to visit the Eiffel Tower and the Luxembourg Gardens, which felt strangely familiar after having read Les Misérables, and we waited for an eternity in the line to enter Notre Dame. We stopped to listen to local street bands, their music painting the city with colour, and kept the rhythm in our hearts for hours later.

No matter what the itinerary was for the day, the list always included eating fruit tarts, quiches, and baguettes with the most decadently delicious cheeses. It felt like paradise.

“Coach is going to kill me if I go back ten pounds heavier,” Jamie murmured, his mouth still full with the pain au chocolat he bought from the boulangerie we’d stopped at for a break.

“At least I’m eating healthy.” My blueberry tart had, at least, some fruit in it.

“Keep telling yerself that, babe. Ye’re lucky I like your arse plump.”

“My arse isn’t plump!”

“Oh, aye, ‘tis. I studied it verra well last night, aye? I should know.”

I pursed my lips, shooting at him my most intimidating glance.

“I’m in trouble now?” he asked a moment later, licking chocolate from his fingers.

“You certainly are, Jamie Fraser,” I answered, grabbed the chocolate pastry from his hand and bolted across the park from where we were sitting. I had eaten his pastry before he caught up with me, but didn’t manage to defend my tart before he took a huge bite in retribution.

After that, it was easy to convince him to join a free walking tour, following Marie as she showed us known and hidden gems in the city, and we listened to the stories behind statues and buildings, stories of the people who left their names woven into the history of this city.

Paris was magical. But I knew that feeling of complete happiness wasn’t only because of the city. It was because Jamie was so close to me again. I could reach out and touch his smile, I could rise on my tiptoes and taste it. He was here. We were together. For all the beats our hearts had missed these past months, they were still beating to the same rhythm. Six months apart and nothing had changed.

As we walked through Les Marais, staring at the art displayed in the various galleries, Jamie turned to look at me and the happiness in his eyes rendered me speechless. All my fears and insecurities melted, fading away. The light in his eyes, that loving gaze, was a promise of future days and belonging.

I had felt the future looming over us when we were apart. I had feared it, even. Feared the unknown that it brought with it. But looking at Jamie, feeling his strong arm around my shoulders as he pulled me into him, I knew.

Yes, I would go to Oxford and we'd be apart again. But I would wait for him. I would wait as long as I needed to, until the time would come and I'd wake up next to him every morning, nuzzle his neck and then try to convince him to get out of bed and make some coffee. I wanted to tell him that, tell him that we'd make it, that I believed in us. But I kept myself in check, as if saying the words aloud would break some kind of spell. I felt guilty and foolish for thinking that way, as I felt guilty for doubting that we would make it, but I still didn’t voice it, not wanting to dare fate to play with us.

Not that I believed in fate. I believed in our love and trust. But saying those things out loud would start a conversation about doubts and uncertainty, even though I would only claim the opposite. So I didn’t talk.

I didn’t talk about Oxford, or Michigan, about swimming, school, or the distance between us. I wanted to live each day with him now that he was close, savouring the sun’s warmth on our faces, the Paris around us and the feeling of holding each other’s hand, safe and solid on our side. So I rose on my tiptoes instead, brought his face down to mine, and kissed all my conviction into him. It was enough.

It was our last day and we were sitting on a bench by the Seine, looking out at the sun glittering on the water’s surface like stars that couldn’t withstand the summer’s heat and went in for a dive, when Jamie gave a long sigh.

“I think I know what I want to do with my life,” he said, eyes fixed on the water.

“Mmm?” I opened my mouth to tease him about being the best swimmer in the world, but clamped it shut again. Last year had been hard on Jamie, between his own dreams and his father’s, between swimming and the family business at Lallybroch. Michigan was ideal because it combined both prospects for Jamie’s future without forcing him to choose. Not yet.

It was a while before he spoke again. “Do you think that Ian and Jenny will be happy at Lallybroch?” he asked, his hand fidgeting with my fingers on his thigh. “If they kept the business, I mean.”

The business that his father wanted for him. I took a moment before I replied. “Yes, I think so. They are so excited about Lallider. Considering that Ian will go to business school, he will be able to run it. And Jenny…” Jenny would go to College of Arts, but that had nothing to do with Jamie’s question. It was my turn to sigh. “Lallybroch is a part of her as much as Ian is, I think. I hadn’t realized that, before staying with them after I came back from Zambia. Jenny belongs there. And even if they keep the business, she will always be able to paint.” I didn’t ask him what he was thinking, or why he would ask such questions.

Jamie didn’t look at me, his fingers now tracing circles on my open palm. “And my Da? How was he, with Lallider, with Jenny and Ian’s work?”

“Happy,” I said, and smiled. “And proud.”

Jamie’s face brightened up at that. “Maybe I can still convince him to change his plans, then. Jenny and Ian couldn’t stop talking about Lallider and their part in the whisky making every time they called.”

“Jamie?” I didn’t continue, willing him to look at me. When he did, his mouth was tight, but his eyes held hope. “What do you want to do with your life?”

A wistful smile. “I want…” He huffed a chuckle. “It might sound stupid.”

“Go on.”

“I can’t be a professional swimmer forever, ye ken. And our family business is great, and I want the best for it but it doesn’t… speak to my heart.”

“I know,” I said in a low voice, wanting to encourage him.

“So, I was thinking of teaching swimming to children with disabilities. Maybe having my own pool, at some point. I would like to help people and give them an escape, make them feel how wonderful it is to be in the water. There is no place for aquatic therapy in the Highlands, I think. Not close to Lallybroch, at least.”

My heart swelled and I smiled as I interlaced his fingers with mine. “I think that is wonderful, Jamie.”

“You do? It doesna seem like a silly dream to ye?”

I shook my head. “Silly dreams are all we have to guide us in this life. Dreams that seem impossible. But they’re not, Jamie. And I promise you that we will be together when you give your first swimming lesson. I will be there, just to remind you of what you have accomplished.”

He kissed me. It wasn’t passionate, or consuming. It was slow, reverent.

“I love you,” he said, his sapphire eyes glassy with unshed tears.

“I love you, too.”

We spent the rest of the afternoon making plans, trying to estimate how many years Jamie would give swimming classes in the same pool he’d trained as a kid while working at Lallybroch before he had enough money set aside to get a loan and start his own business. How I could apply for a position in a hospital in Inverness, or start my own private medical practice close to Lallybroch. We talked until the sun set and the lights of the city danced on the water like fireflies, keeping the smiles on our faces as we built the machination that would make our silly dreams come true.

Chapter 56

#thermodynamics #the first law of thermodynamics #Jamie x Claire #high school AU #college AU #Paris!#outlander fanfic #outlander fanfiction

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brdlandscapedenver · 2 years ago

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katsujiiccfinds · 5 years ago

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New Legacy Home - 4 BR, 4.5 BA

by CarlDillynson

CC Shutters Included with homes but not 100% necessary: http://www.modthesims.info/d/527775...ght-pieces.html HI AGAIN! A few weeks ago I uploaded what I thought would be my final upload for The Sims 3, my Legacy Lane Houses. Today I got a little bored and decided to put one more in the mix. Hopefully this one will be my last! Don't hold me to it, but I think this will be it (for real this time!)! However, because home this was not originally part of my plan, I couldn't decide WHO I wanted this house to be for. I have each of my other Legacy Homes decorated to a specific sims/families taste, but I didn't put this home together with anyone in mind. Therefore I decided to leave this house as pretty much a blank slate - a "move-in ready" home, if you will! As such, the house has standard, real-world starter qualities (This is deemed "Fixtures only" on MTS), such as a furnished kitchen, finished bathrooms, and landscaped yard but the living spaces (including bedrooms) are completely empty save for wall and floor coverings. I used to upload a "move-in ready" version of some of my houses along side their fully finished counterparts, but haven't done so for quite a while. This is the first time I am uploading strictly "move-in ready" though! This home is clearly inspired by my many attempts to make a perfect 4354 Wisteria Lane. The floor plan is very similar to how I created that home in The Sims 4 in February 2019. The interior furnishings are different though, as are the exterior coverings and placement of windows. Also, this home was built on a different sized lot. That means three/six of my legacy homes are inspired by Wisteria Lane - what can I say, I just really like using them as inspiration! Anyway, as the title suggests, I intend for this to be a legacy home for some of my sims in the future, and I hope you find this home large enough for your own legacy families, too! I hope you enjoy this large Dutch Colonial home! Supernatural is used for the exterior windows, doors, and fencing. Interior is BASE GAME ONLY! Features Four bedrooms Four Bathrooms (three en-suite) Two Fireplaces Two Living Areas Kitchen Dining Room Multiple Small Decks Balcony Detached Garage Large, Semi-Landscaped Yard Additionally, the room to the left of the kitchen is intended to be some sort of laundry room. I have Ambitions installed, but decided that I wanted this house to only require one expansion pack, so I left the washer/dryer out. There is more than enough room to custom-place your own, however. Lot Size: 40x30 Lot Price (furnished): 123660 Lot Price (unfurnished): 116253

Expansion Packs: Supernatural

Download at ModTheSims

#lots #ts3 #ts3cc #s3cc #residential lot #home:furnished #tagged by @katsujiiccfinds

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aijustborn · 9 months ago

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Magic of AI Subjects in Photos

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leowyattv · 5 years ago

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Steep Grade Fadeaway

Day is a Monday, lease On life’s right side of the low- Lying greens, order’d by law, Creases, offering a hand to hench- Men handy for odd-jobs re- Pression & phobia with wolf spider Ire stocking its stuffing, venom Plenum spokes from eight- legged gait, unipolar police Police who didst to citizen do South bayway sword maneuver —dune ballooning din—kill them :: moths from mothta spread— I’m a member of.— online soap seas cap’n gown loan shark says-he’s—sore lark admin the sole soul food restaurant— vessels contain company that’s it—company THE THING IS IS VANDAL SURE-FOOT’D SHOE YOU’LL DISAPPOINT ME —Dianne of diagnostics Prism blend’d light, you mean honestly ~ i ~, ere Administration's penchant for pens & Cagey humors, pent up & alloted limited stock On pinterest’s pinner plot Would extraction begin, even Helices interr, interject Baby Christ’s liverwurst extrusion, Redux of suede luxe ever does thine slow- f[x] fool on a lark's wing in folly err; But general, the nut sacks, please, topp'd Sweetener glaze (never for gays) Sweat frosting from ecclesiast's evac- Uation jizzum, eat- ery just a- Round the bend over good That IndyCar 500 cock. So: so-so soho block where— Erstwhile free- thinking myth- ology passes heavy limbs Creaking in wind [was thinking we’d] Flower fourteen curls Back & forth, Codify desert sublation, Cue gay porn infinity loop on eternity's Cloud backup-drop forever projected, For your children, Mike, your kids. & this — this (my) ((his)) cursive slick mercurium thick, pen flood in- flux counter-sunk & dumb- Bows, ties, sells quill at marketplace With expertise’s durable advisory, reed Screeching in its rubber friction drift, which quells not squad disruption, squall, Abuts up with a spade to fabled proprietary lines; Umpire enraptured, raptor Pack kinetics study anonymous groups, For scrimmage near miss Miss, the MRSA Merck's Near-fatal tithe. < h o w t i g h t b i r c h b a r k f l a k e s o f f t o g e t h e r ash :: coils :: winch :: draw- in-the-dark rhythms inn-like, quiet, keeping with Queen Mariah Carey's Kierkegaardian wish :: Of lactic acid & Jehoshaphat Edicts, alliances spat at by Jehu So cordage tension its elastics tests :: Hell moans red Waves a porcupine pelt let through Spires sharp with bone, in- Scriptions of pass’d down teaching King-toppling :: hull groan gore, little system submarine ultrasonics, Realty a reality drive, divisions Splints tack’d on ulterior Versions, separation goods Another marketplace subsumption, a- Ah ah, Monarch’s ampersand Armory & orphanage growth paradigm. Mama, in the maw Of a monster it appears When spat to mangrove’s entanglements In whose rootless cloak Womb-like repair’d did I float On Tidal pressure’s pat turns Of wave phrase & coastal sound. Grammy’s telegram Faroff drawing graph’d out In double bass clef, whitebread from the top of Wonderbread ridge, Omi? [[[ hives, hexagon life-rafts Ashkanazi Jews descendents in whose Nameless lineage bow’d heads lean past stalk & branch ]]] Holocaust a hologram to fool’s corner; Survived, devised lives, could I Then, they this disbelief hold After the fact hush, scattering creed, Belief like layers of sound same Overlaid, distortion via copying; this Terrain vague makes us Hungry for disbelief & away,— Shame at sensation’s predicate, we’re not we’re not were not them—then. Characters glynne & surrowe, iyse foes may say will not into world will For will’s sake. Gardner rescinds Offer for cylinder Heads, standing wave pressurized In tubular body, met with lip Aperture shifts & valve Select valve depressions trumpet Walls down, & Solomon’s temple’s walls Shake each brick laid If coded into video- game; mechanics of Megafauna’s jaws dent don’t puncture, dental spread of broom’s Bristles or concrete finishing screed. The lady grabs the keys & allows generations a soul’s Movement to buoy faith :: Clay takes on new shapes for Good, naked bracing Against surface, thrust short Rink’s fire firefly-stud’d, freight’d glows The fright force against density Darkness offers, suspension Cradle, safe durational rock shock’d By freight trains penetrative Expansion, gaseous fits in confines small; Cobbler’s shop a shack, canister Tremolo goes to tumble-wash, Eviction of nuns at Juniper Monastery, things object through Inaction, plants guard fruit from gulls’ gullets, Gourd raft or instrument & species disembark :: Parnassus lamb on spits, spurn Wager’d against poignant Stellation of spur’s star’d points, stud’d. It is rather lonely. Welter Weights waste excess swells In waist’s weight-gain, Spotted once then trimmed, deemed High hinderance if loot’s to be tuned up, then taken; Blood from thin laceration Above the right eye releases threads Of blood; hand held, yes Triads, amps per kilojoule of One grain of sand, which Between toes react, duststorm Shakes clapboards & window-garments, The fornification of conceivable indivisible parts :: Things poole gryn, Graham to you This, saturate, this saturnalia. Wherever sea rummages earth’s crust Sage’s city wisdom, said to overturn off- Compass underpass or Souls inhabitance Herenow splatoon ever in unum Pluribus, A well. If it gets to, it’s off in bramble patch again; Cavernous sediment down- Loads by way of remaining in stasis, Adaptation & change proceed With gradients of such nuance one is Sure as one can be Organisms are a constancy unmoved. English ivy, spry & welcoming Enough to juncos & finch-song, Strangles any individual offering A vertical support, a tall host, From whose apex, were One to climb douglas fir In that Spanaway house’s lot, one would note Yellow blazes from Scotch broom, an infantry Under which camas flower & prairie grass Die off; ecologists hear & provisions provide public. Nova scorch Canopy, What’s happened to it all Primates of later eon ask? Sand shook; mud slid, loosed from Roots once anchoring mass, Hook enters the base Of the bait, loop line Doubles & knots, casting out guesswork When fisheries bring ghostnets to Foreground & shore. Rasas. & family still Standing :: Burgess brothers Twin lute & nylon-string, Summerfield Tectosilicate feldspar recovers & with Katy & makes musical games to train good weapons, voice leading & harmony Accompaniment, just.— It promised. no ~ i ~, quotient, quarrel Quest-kill objective, quarantine, Can inquiry proceed experimental Without explorational? 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#poems #poets #poetry #poemsandpaintings #poemsandimages #poeticstories #writerscreed #artontumblr #whateveritis

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woollyslisterblog · 5 years ago

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1834 April Wednesday 2 (part one)

8:30 time awake

12.10 time asleep

one goodish one last night and then fell asleep

R[ained] in the night and recent[l]y this morn[in]g b[u]t fairtho[ugh] rath[e]r hazy and F54° at 8.20 AM – Miss W [Walker] up ear[l]y - ready for Washington at 8:15 AM told h[i]m to gi[v]e H [?] order to let Manning[ha]m have the toll – h[a]ve at £63 for his the mason’s work the who[le] to be arch[e]d and cellar[e]d at £5 extra - £68 for his who[le] job – br[ea]kf[a]st at 9:20 – wr[ote] out and p[o]st[ed] and s[e]nt by Thomas lit[tle] no[te] to ‘Mr Williamson Registr[y] off[i]ce for serv[an]ts Colliergate’ to tell h[I]m to tell Frances Cotham I sh[oul]d n[o]t inq[uire] his charact[e]r of Mr. Rob[er]t Heap of Bradford, as I had given up all th[ou]ght of hir[in]g h[i]m - had a flipp[an]t young man at 20 fr[om] Mr. Blades’s to sp[ea]k to me - he asked £20 p[e]r ann[um] - so on that gl[a]d of the excuse to s[e]nd him off w[i]thout mu[ch] ado -

Miss W [Walker] and I off at 11.15 to Duncombe Park by Easingwold - at E [Easingwold] at 12.57 off fr[om] there at 1.05 - at 1.35 alighted at CREYKE or CRAKE Cast[le] - ver[y] fine extens[ive] view fr[om] the hill on w[hi]ch the cast[le] stands – an oblong building now cowhouse barn and hayloft remain[in]gand a few traces of old[e]r build[in]g – gl[a]d we w[e]nt - neat good ch[ur]ch n[ea]r the cast[le] and bel[ow] that the ver[y] neat nice vil[lage] – fr[om] Creyke by a hilly road thro[ugh] the Park to Duncombe Park at 4:20 - an h[ou]r see[in]g the h[ou]se- the Dog of Alcibiades price 1000 Guineas, and the Disco-bolus fr[om] m[u]ch mo[re] in the handso[me] hall – b[o]th ver[y] fine pieces of statuary – suc[eeding?] the Diana á la biche, the Discobolus the fin[e]st stat[ue] I h[a]ve yet seen - there is a beaut[iful] lit[tle] antique Antinous - as the late Dr Burgh of York us[e]d to say the pict[ure]s are a select[ion] not a collect[ion] - the head of St Paul chef d'oeuvre of Leonardo da Vinci, and 2 fine landscapes of Claude Lorraine seem[e]d to please us best -

The h[o]us[e] is one of Sir John Vanburgh’s - 2 stor[ie]s on a basement story - square and chim[ne]y in heavy [masses?] - peristyle of 4 Cori[nthia]n col[umns] - 35 min[ute]s walk[in]g along the house terr[a]ce and r[ou]nd b[a]ck to the h[o]us[e] – beaut[iful] view fr[om] the end of this terrace over the pict[uresque] lit[tle] wind[in]g riv[e]r Rye and Helmsley and it ruin[e]d cast[le] of w[hi]ch there are consid[era]ble rem[ains] of the old 14[th-century] keep tow[e]r and of the gr[ea]t gateway of the out[e]r [Gallinum?] or court - besides a larger rem[nant] of wh[a]t m[u]st ha[ve] been the build[in]g inhab[ite]d by Villars, D[uke] of Buckingham - w[i]th large Elizabeth[a]n kind of wind[ow]s - a temple at each end of the terr[a]ce - 20 ac[re]of mowing-b[e]g[i]n to mow the 1st of May and so on ev[er]yday, so g[rea]t the who[le] is mown ev[er]y nine days till 1 Nov–

#gentleman jack #anne lister #anne lister's diary #ann walker

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kariuk · 5 years ago

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新しいソロアルバム（LP/配信）「世界」が２０２０年１２月中旬に、フランスのBruit Direct Disquesより出ます。 http://bruit-direct.org/prod/kenji-kariu-sekai/ A new solo album (LP/digital) "SEKAI" will come out in the fall of 2020 on Bruit Direct Disques from France.

Kariu Kenji『Sekai』発売：2020年12月中旬価格：LP 15,00 € / デジタル TBA 品番：br-d 36 レーベル：Bruit Direct Disques 仕様：12インチレコード / デジタル ※デジタル版は2020年12月中旬〜2021年初頭順次配信予定収録曲： SIDE A 1. 世界(The World) 2. 夢が叶った(My Dream Has Come True) 3. それ(It) 4. アトリエ(Atelier) 5. 影絵(Shadow Picture) 6. 誕生日(Birthday) SIDE B 1. 星座(Star Signs) 2. それでも、秋(Even so,Autumn) 3. 劇場(The Theater) 4. やな小鳥(Yanakotori) 5. 花のかんむり(A Clown Of Flowers) 6. もしかして(Maybe) 7. ポケット(Pocket) 8. 暗い朝(Woke Up In Dark) 作品紹介東京を拠点に活動する“俺はこんなもんじゃない”のリーダー、狩生健志の9年ぶりとなるソロ作品!工藤冬里��Mamitri Yulith Empress Yonagunisanもリリースするフランスのレーベル“Bruit Direct Disques”からのリリースです! コロナ禍の中、じっくりと時間をかけてほぼ1人で制作されたという本作、サウンド・デザインや音響、そして歌の面でもかなりの飛躍を遂げた傑作/問題作となっております。“俺はこんなもんじゃない”が様々なジャンルを掛け合わせる“動”的なサウンドであるとするのなら、本作は作り手の記憶の中に内在化された多様な演奏/リスニング経験が表現として発露されていく“静”的なサウンド。自発的にジャンルをどうこうするのではなく、内発的に多様なジャンルが湧き出てくるような作品で、収録された楽曲群には作者自身の音楽史を垣間見るような凄味が感じられます。そのため、近年のヒップホップ/R&B以降のモダンな音の質感でポップス、ロック、フォーク、エレクトロ、ソウルなどを想起させるように展開されていくも、どのジャンルとも少しずつズレが生じていく、そんな音を巡る錯綜がギッシリと詰め込まれた作品となります。そして、サウンドと同等かそれ以上に魅力的なのが本作における“歌”の存在。本人曰く「いわゆる”歌手の声”ではないことを逆手に取り、地味な声のポテンシャルを最大限に活かす形で録音した」とのことですが、平熱的ともいえる抑揚の少ない歌唱で、決して奇を衒っているわけではないのに、奇妙な異物感を孕んだこの歌を聴いていると、“歌とは何か?”と問わずにはいられなくなるような心地にさせられます。節のついた朗読のようで、リリカルなモノローグのようでもあるが、これは紛れもない強固な歌である、ということに幾度となくハッとさせられることでしょう。また、曲のイメージを幾重にも広げていく歌詞も素晴らしく、言葉を追いかけることで聴き手の中でも歌(言葉)が育っていくような、ある意味ユニバーサルな力も宿っているのではないでしょうか。コロナ禍における内省的な気分、非常事態宣言下の静かな街の風景がオーバーラップしてくると同時に、そんな中でも創造/想像することを止めない1人の音楽家の屹立した姿が浮かび上がる同時代性を帯びた生(ナマ)の音楽。鋭い批評眼に裏打ちされたオリジナリティの極みをいく確かな歌と音に是非触れてみてください。インフォメーション作成：清水久靖（Record Shop “Recpnquista”） Kariu Kenji, the leader of the Tokyo-based band “OWKMJ”, has released his third solo album in nine years! This is a new release from Bruit Direct Disques, a French label that has also released Tori Kudo and Mamitri Yulith Empress Yonagunisan. It is a masterpiece/problematic piece of work that took its time and was produced almost entirely by one person in the midst of the corona crisis, and is a significant leap forward in terms of sound design, composition, and vocals. If “OWKMJ” is a “dynamic” sound that crosses various genres, then this album is a “quiet” , an expression of the various performances/listening experiences internalized in the memory of its creator. It is not a spontaneous attempt to Integrate any kind of genres, but rather a work in which a variety of genres sprout up intrinsically, and you can feel a sense of awesomeness as if you were catching a glimpse of the songwriter’s own musical history in the group of songs recorded on this album. The album’s sound has a modern sound texture that evokes pop, rock, folk, electro, soul and other genres of recent years’ hip-hop/r’n’b and beyond, but there is a gradual deviation from all of them, and the album is packed full of musical intricacies,gaps and discrepancies. The “vocals” in this album are just as, if not more, appealing than the sound. According to him, “I took advantage of the fact that it’s not a singer’s voice and recorded it to make the most of the potential of my humble voice”, but when you listen to this singing with its flat, almost calm intonation, and not trying to sound like a pretender, it gives you a strange, foreign feeling, and “What is a song?” You are made to feel compelled to ask, “What is this?” It’s like a verse reading, a lyrical monologue, but you’ll be reminded time and time again that this is an undeniably solid song. The lyrics, which expand the song’s imagery in multiple layers, are also wonderful, and I think they have a universal power, as if the song (or words) grow in the listener’s mind as they follow the words.(An English translation of the lyrics is included with the LP.) The introspective moods of the covid-19 ravages and the quiet landscape of the city under the declaration of the state of emergency overlap, and at the same time, the towering figure of a musician who never stops creating/imagining his own music comes to the fore in this raw, contemporaneous music. Please come and listen to these songs and sounds that are the ultimate in originality backed by a keen critical eye. Hisayasu Shimizu(Record Shop “Reconquista”) OWKMJ 5th Album "LAMINA"(2019)

Saboten Radar 1st Album "Wild Wild West"(2019)

ひかりのたび "dream of illumination" Original Sound Track(2017)

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36th NCBD: Br. Armin A. Luistro FSC Keynote Address

36th National Children’s Book Day Mundong Payapa para sa Kabataang Malaya Keynote—Br. Armin A. Luistro FSC

Greetings to our National Artist for Literature, Virgilio Almario; the Chair of the Cultural Center of the Philippines and Icon of the Universe, Margie Moran; the CCP Vice Chair and Artistic Director, Chris Millado; the Chair of the National Book Development Board, Neni Sta. Romana-Cruz; the Chair of Museo Pambata, Nina Lim-Yuson; the Philippine Board on Books for Young People Chair, Tarie Sabido, and its Secretary General, Ani Rosa Almario; and the Director of the National Library, Cesar Gilbert Adriano. Distinguished guests, esteemed colleagues in the academe, ladies and gentlemen: Magandang Umaga po sa inyong lahat!

While exiled in Dapitan, Jose Rizal in 1895 described his experience in a sober disposition with resigned serenity and undiminished hope. When I consider our political landscape today, I must admit I am tempted to greedily appropriate these lines for myself (and here I quote a few lines in its Filipino translation):

Gabi’y bumubulong sa gitna ng sindak at pagkaligalig, At sa dagat nama’y bughaw’t lunting apoy ang pasilip-silip; Pagngiti ng araw’y payapa na naman ang buong paligid, At mula sa laot, yaong mangingisda ay napagigilid, Sugod na ang lunday at ang mga alon ay nananahimik.

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Yaong pananalig na ibig ko sanang makitang kumislap Sa dakilang araw ng pangingibabaw ng Isip sa lakas; Kung makalipas na itong kamataya’t labanang marahas, Ay may ibang tinig, na lalong masigla at puspos ng galak, Na siyang aawit ng pananagumpay ng matwid sa lahat. Aking natatanaw na kulay-rosas na ang magandang langit [!]

One might ask why Pepe even bothered to write? Was it his mother egging him or Josephine? Was the motivation from within or was there pressure from without? Was he driven by altruism or was it pure ego? In his essay ‘Why I Write’, George Orwell names four motives for writing: (a) sheer egoism or the desire to seem clever, to be talked about, to be remembered after death; (b) aesthetic enthusiasm or the perception of beauty in the external world or in words and their right arrangement; (c) historical impulse or the desire to see things as they are; and finally (d) political purpose and here I quote Orwell’s own description of his motivation:

What I have most wanted to do… is to make political writing into an art. My starting point is always a feeling of partisanship, a sense of injustice. When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art’. I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing. But I could not do the work of writing… if it were not also an aesthetic experience. Anyone who cares to examine my work will see that even when it is downright propaganda it contains much that a full-time politician would consider irrelevant…. The job is to reconcile my ingrained likes and dislikes with the essentially public, non-individual activities that this age forces on all of us.

And so today we gather to celebrate National Children’s Book Day. Compulsive bibliophiles and impassioned pedagogues are welcome. Anyone who sincerely love and respect children must share in our jubilation. During the early years of the K to 12 reform, when we were rolling out the MTB-MLE program ‘like a woman in labor, gasping and panting’, we were confronted with the huge problem of the lack of original stories in the mother tongue that could be used for the primary grades. What we had were translations of the usual publications in English and Filipino. But while these old-time favorites were great stories and classics in their own right, they did not speak the language, culture and traditions that were familiar with the first-time readers. We found the solution by appealing to our public school teachers to gather oral traditions and to document original stories from the local communities. When I went around our primary schools a year or two later, I found much joy and pride in the teachers’ presentation of original stories from the localities in a big book version authored and illustrated by our own teachers. By now, there must be hundreds of original stories out there in the field and used in the classrooms obviously requiring some editorial intervention but definitely ready to be harvested into an anthology of original Filipino stories in the mother tongue.

We encountered the same problem when DepED shifted to local history as the starting point for Araling Panlipunan. Since most barangays or municipalities do not have adequate publications on their local histories, it was close to impossible to get any essays or resources on local heroes and community chronicles. Our DepED teachers again came to the rescue and did their own share in compiling articles and pictures and sources so students could begin to know the Philippines and the world with their hometown as anchor for their historical journey. Would anyone have the discipline and the patriotism to gather those materials and work with our teachers and the local communities to further develop the collection into a serious publication?

In our celebration today, we especially welcome our esteemed writers and chroniclers, essayists and poets, novelists and biographers, illustrators and artists, publishers and editors. We are rolling out the red carpet to those who are gifted—nay, compelled—to write because they have a story to tell, or a lie to expose, or history to be recorded, or beauty to be captured. Do not worry if egoism gets in the way, for that will eventually sort itself out. But write as though it were your life-blood. Write as though this nation’s very existence lies on the tip of your quill. This nation is in search of its soul and you cannot allow money or politics or armaments to continue to dangle their empty promises or to resurrect the ghosts of yesteryears. In the words of Carlos P. Romulo, the might of your pen may yet bring every Filipino to discover that: “The seed I bear within me is an immortal seed… It is the insignia of my race, and my generation is but a stage in the unending search of my people for freedom and happiness.”

I must warn you though: if you wish to take your mission seriously, then have courage! Pepe and many others during his time were martyred because they dared write. In another era and cultural milieu, the same fate befell an eminent scholar and a genius of translation, William Tyndale, who translated the Bible directly from Hebrew and Greek into English. Referring to the English language while comparing him to William Shakespeare, Hannah Bowers writes:

Tyndale was burned alive in a small town in Belgium in 1536. His crime was to have translated the Bible into English. He was effectively martyred after fighting against cruel and eventually overwhelming forces, which tried for more than a dozen years to prevent him from putting the Word of God into his native language. More than any other man he laid the foundation of our modern language which became by degrees a world language. His legacy matches that other pillar of our language – Shakespeare, whose genius was in imagination.

From an era when books were unavailable, the first printing press has revolutionized the landscape and made books available to ordinary people. That may yet be the most critical challenge for us in the Philippines. Fast-forward to the 21st century, we find that access to digitized resources has become a real game-changer in our world. In fact, by the end of 2017, there were already 4.2 billion internet users representing 54.4% of the world’s population. It was the same year when Thomas Friedman, writing in the New York Times, took note of a critical moment of history that is now irreversible:

And so it came to pass that in the winter of 2016 the world hit a tipping point…when we realized that a critical mass of our lives and work had shifted away from the terrestrial world to a realm known as “cyberspace.” That is to say, a critical mass of our interactions had moved to a realm where we’re all connected but no one’s in charge.

After all, there are no stoplights in cyberspace, no police officers walking the beat, no courts, no judges, no God who smites evil and rewards good…

That seems to me like a mirror image of what is happening in the country today where news—or rather, fake news—is written by trolls and boosts and bots who rule in this era where populism is deified and where surveys and polls and votes of the majority stir the pot of violence and division. As the movers and shakers add chaos to the confusion, the thinkers and visionaries are nowhere to be found. I long to hear the voice of our poets and writers and artists where the nation’s soul resides.

Well, the truth is that the gains of the 3rd industrial revolution has become a real affliction for me as there are moments when I truly long to go on self-imposed exile into an island with no wifi connection and where I can get my downtime from viber and instagram and whatsapp… watch sunsets, smell flowers, sip Barako coffee and simply turn the pages of a good read under the shades of a century-old Narra. Iyan na siguro ang bunga ng aking pangangarap ng gising para sa isang Mundong Payapa para sa Kabataang Malaya! If we were to give every Filipino child that “downtime” to seek that which “only the heart can see rightly” by offering them the stories that can only come from our forebears and can only be told and written by Filipinos, then we would certainly have the joy of creating a nation for our children which the other Pepe, surnamed Diokno, dreamed of:

A NOBLE nation, where homage is paid not to who a person is or what the person owns, but to what the person is and what the person does. A PROUD nation, where poverty chains no man to the plow, forces no woman to prostitute herself and condemns no child to scrounge among garbage. A FREE nation, where men and women and children from all regions and with all kinds of talents may find truth and play and sing and laugh and dance and love without fear. A JUST nation… where poverty, ignorance, and hunger are attacked… every breadwinner, a job… every farmer, a land… every family, a home… and everyone, a steadily improving quality of life. An INDEPENDENT nation, which rejects foreign dictation, depends on itself, thinks for itself, and decides for itself… An HONORABLE nation where public powers are used for the public good… where leaders speak not only well but truthfully and act honestly; a nation that is itself and seeks to live in peace and brotherhood with all other nations of the world.

On this 36th National Children’s Book Day celebration, with the might of our pens and courage in our hearts, let us proclaim this truth and claim it as our very own. Magandang umaga po sa inyong lahat.

#NCBD2019 #National Children's Book Day

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