#As well Cynthia she's so pretty the three of them won my heart

[plagg-wants-cheese]

I cannot believe I am the only one who fell HARD for Tony and Mike in dazed and confused they're lovely you're all insane

[365days365movies]

February 1, 2021: Dirty Dancing (1987)

There are two people to credit for the beginning of this month. The first is my girlfriend, who asked that I represent her with this GIF.

Thank you, dear. Anyway, this is one of her favorite romance films, and she’s also not a big romance movie person. She was shocked that I hadn’t seen it, and that’s because of the second person to credit here: my Mom.

That is my Mom in the late ‘80s with her Pomeranian, Pugsley. Yup. This is just the GODDAMN SURFACE of my Mom, who’s quirky as shit. Love her for it, though. But, OK, why is my Mom involved here? Because this is also one of her favorite films. My Dad’s, too, but I’ll talk more about him in April.

However, if you read the Romance February introduction from yesterday, you might be wondering something. If my Mom’s taste in romance movies was so prevalent in my early life, how in the hell have I never seen this movie, one of her favorites? Especially considering the fact that, TMI here, but I WAS BORN TO THE FILM’S SOUNDTRACK. YES. REALLY. HOW HAVE I ESCAPED THIS MOVIE?

Yup. No clue. Shall we remedy that? SPOILERS AHEAD!!!

Recap

It’s 1963 in the Catskills, where Frances “Baby” Houseman (Jennifer Grey), a politically conscious young woman on her way into the Peace Corps, is going on vacation with her parents, Jake and Majorie Houseman (Jerry Orbach and Kelly Bishop), and her sister, Lisa (Jane Brucker). The owner, Max Kellerman (Jack Weston), who’s a friend of the Housemans, welcomes them to the resort.

Later that night, Max is briefing the young male waiters and entertainment, all of whom are hired from Ivy League universities. Well...except for the intriguing young dance instructor in the sunglasses. THAT...would be Johnny Castle (Patrick Swayze).

I wanna just say before I forget, I miss Patrick Swayze. He’s awesome, and he left far too soon.

The next night, during dinner, Max introduces Baby to his grandson, Neil (Lonny Price), who’s just graduated from Cornell’s Hotel Management school. A school which, for the record, is the best hotel school in the USA, and second or third in the world. Also, hotelies (that’s what we called them) are CRAZY. They’re an interesting...bunch...

I, uh... I went to CornellMOVING ON

As Neil awkwardly hits on Baby, everybody encourages them having a relationship, despite her CLEARLY not wanting any of this. She instead watches Johnny skillfully mambo with another girl on center floor. After being roped into a magic act by Neil, and given a chicken by Stan (Wayne Knight, which I’m a fan of), she leaves, annoyed and irritated.

On her way back, she sees Johnny’s cousin, Billy (Neal Jones) struggling with a few GIGANTIC watermelons. She offers to help him, and he brings her to a secret house party, where some dancing’s happening. Some...dirty dancing.

Interesting side note here: racial integration! In 1963, remember, so that’s interesting. I mean, if anybody’s a fan of that, it’s gonna be me. At the party, Johnny arrives with Penny Johnson (Cynthia Rhodes), his dance partner from the mambo floor. Johnny sees her there, and questions her presence, to which she makes an adorably awkward comment. And then...they do a dance of their own.

The next day, Lisa makes a love connection with one of the waiters, and asks Baby to cover for her. Baby also speaks to Penny, who doesn’t come from the best background. That night, Penny’s missing, and Neil gives Cornell students just the WORST goddamn name as he very awkwardly hits on Baby. He takes her to the kitchen, and that’s where Baby sees Penny.

Yeah, Penny’s not OK. Baby goes to Billy and Johnny, who go to get her. Turns out Penny’s pregnant, but Johnny’s not the father. They’re obviously quite close, although they aren’t romantically tangled. Baby, coming from a place of much higher privilege, doesn’t quite understand how difficult this is. Penny berates her for this, and it’s revealed that the father is Robbie Gould (Max Cantor), one of the waiters, who’s also the guy that’s been hanging around Lisa.

Baby confronts him the following day, where he states that “Some people count, some people don’t.” He also offers her a copy of The Fountainhead, a well-known book for complete and utter douchenozzles. She warns him to stay away from her sister, then goes to ask her father for money for the abortion. Which, by the way, was very illegal in 1963. She gets the money from her dad, who gives it without asking many questions.

However, there’s an issue; Johnny and Penny have to dance on the only night she can get the abortion. And there’s nobody to replace her...except maybe Baby? Johnny’s entirely against it, they end up convincing him, for Penny’s sake. And now, we get a hallmark of ‘80s cinema: the training montage.

This is a pretty good time to note three things. One, Jennifer Grey is the daughter of Joel Grey, one of the GREATEST actor/dancers ever to grace Hollywood and Broadway. Dude was one of the main characters in Cabaret, for which he won an Oscar, and originated the role of the Wizard of Oz in Wicked. So, yeah, she’s got dancing blood. Secondly, Patrick Swayze and Jennifer Grey apparently HATED each other. Yeah, kind of a bummer. But their chemistry was SO GODDAMN POWERFUL, that they were able to push through their feelings and do this as well as they are. And third...THIS SOUNDTRACK BOPS. 

I get it. I GET IT.

Something else I get, too. The chemistry between Grey and Swayze really does sizzle, GODDAMN. Over the course of the montage, they clearly get closer emotionally...and physically. And yeah, it’s definitely there. Although, given the fact that they’re from different class backgrounds, it’s probably gonna be one of those stories. Well, OK. Let’s do it.

After a little too much time practicing, the two take a break. And yet, while on a nature excursion, they continue their training in different environments. Most iconically, they practice lifts in the lake.

Yeah...yeah, I get it.

The day approaches, and Baby and Penny have a bit of a heart-to-heart. Penny asks Lisa to cover for her (and I’m betting that she won’t, LIKE AN ASSHOLE), and she heads to the dance gig. It mostly goes OK, but the lift is aborted at the last second. However, the performance is still received well. They leave JUST before an elderly couple from the resort sees them. 

Johnny gives her a pep-talk, telling her that she did well, and the music on the car radio hints at their growing mutual attraction. But once they get there, tragedy’s struck. Turns out that the abortion doctor was a dangerous quack, and Penny’s now dangerous injured, in pain and possibly dying. Panicking, Baby does THE RIGHT THING, I can’t stress that enough, THE RIGHT GODDAMN THING, and gets her doctor father.

Understandably upset (and yeah, it is understandable, all things considered), Dr. Houseman forbids Baby from seeing Johnny or any of the others ever again. This situation...sucks. Damn. And Baby agrees, as she sneaks off to see Johnny anyway. She apologizes to Johnny for how her father treated her, but Johnny blames his own social status for it, rather than her father.

Their conversation becomes very real, and eventually turns into Baby declaring her love for Johnny. As a song comes on the radio, she asks him to dance with her. Giving in to his own feelings, he agrees. And together they engage in some...Dirty Dancing.

As the two dirty dance horizontally, the night turns to day. That morning, things are definitely awkward between Baby and her father, who almost takes his family away that night. But, his wife and Lisa convince him to stay. He even comes back to visit Penny, checking in to make sure she’s alright, which Baby finds out once she does the same.

Things are also a little awkward between Baby and Johnny, interestingly. Wonder how last night ended. Well, Penny figures it out, and warns Johnny about the risks off getting involved with the upper class. Which, remember, is how she ended up this way. The two have a tense-but-intimate exchange. Which just preludes this IMMEDIATELY happening.

Yeah, that’s not a surprise. Well, more heart-to-heart proceeds, and they continue to learn about each other’s lives. That night, Lisa tells Baby that she wants to go all the way with Robbie. Despite Baby’s warnings, Lisa simply tells her off, and is generally, I’ll be honest, a bitch. The next morning, though, Baby and Johnny have another dance session. And it’s THAT session. You know the one.

Neil interrupts, and proceeds to give a bad name to Cornellians everywhere (I’m not like that putz, I SWEAR), and pisses off Johnny in the process. She asks why he didn’t stand up for himself, and then immediately hides Johnny from her father, who’s walking with Robbie and Lisa. Rightfully calling her a hypocrite, he storms off.

And then they immediately resolve it. Which, GODDAMN, do I appreciate. Robbie strolls by, makes a typical crass comment about Baby, and then Johnny BEATS THE EVER-LOVING SHIT OUT OF HIM

OH FUCK YES. And if that wasn’t enough catharsis, Lisa catches Robbie with one of the high society wives from earlier, as they sleep together in a cabin. OH. YES. THAT’S SOME GOOOOOOOOOOOOD SHIT.

Baby and Johnny, in the actual good and fully-developed relationship of this movie, spend the night together. And are seen the next morning by the high society wife, who had the hots for Johnny.

The wife, Vivian (Miranda Garrison), implicates Johnny in stealing a wallet. Johnny’s about to be fired, and then BABY ADMITS THAT THEY WERE TOGETHER IN FRONT OF HER FATHER HOLY FUCK

She did it. She actually did it. Goddamn. And then, AND THEN, she TELLS HER FATHER OFF AND CALLS HER OUT FOR HIS ELITISM HOLY FUCKING SHIT I AM IN LOVE WITH THIS MOVIE. And then, Jerry Orbach fuckin’ starts tearing up, and I AM SHOOK MOTHERFUCKER

And yet, even though the wallets were actually stolen by an elderly couple that Baby actually implicated, Johnny gets fired anyway. GODDAMN. After Baby completely loses heart, Johnny confronts her father, and learns that he believes that he was the one who got Penny pregnant. Johnny semi-tells him off, then walks away.

At his car, Johnny and Baby say goodbye with a kiss, and Johnny heads off forever. I mean, probably not, there’s a good 16 minutes left, and we haven’t gotten to the most iconic scene of the film yet. But anyway, Baby mourns her lost relationship, and her sister actually bonds with her over this whole thing. Hot damn.

I want to punch Neil in the goddamn face. Mostly just because he’s on screen, but also because he LITERALLY ruins the goddamn anthem of Cornell University, by setting the anthem for the resort against its melody. Goddamn you, Neil. GODDAMN YOU. Also, fuck Robbie, because he LITERALLY OUTS HIMSELF to Dr. Houseman as Penny’s former deadbeat partner. As the anthem continues (to my rage), who shows up but Johnny, who comes to stick up for Baby and all she’s done.

He brings her up on stage, and interrupts the anthem (THANK YOU CHRIST) to perform the last dance of the season, as he always does. Despite Dr. Houseman’s would-be objections (prevented by his wife, who has moved up on my list of favorite characters), the two are left alone on stage. And that...is when the song plays. YOU KNOW THE GODDAMN SONG

Y’know, it’s funny, because this song is definitely an ‘80s song, making this whole sequence pretty goddamn anachronistic, but WHO CARES!? It’s one of the most iconic sequences in film history, especially of the era, and I love the hell out of it. The crowd cheers, the rest of the kids join in, the lift happens, father and daughter make up, everybody dances, I dance with my girlfriend, I LOVE IT! They kiss, they dance and the film fades to black.

Dirty Dancing! See you in the Review! Oh, I’m changing the name of that section, by the way. Alongside a few more things. You’ll see.

[lets-talk-appella]

They’re Us

Ch 5/5

Summary: When the enemy looks like your friends, how do you know who to trust? For PP Horror Week 2019 - Doppelgangers.

Word Count: 3.5k

Rating: M for horror themes and some violence, not smut.

Shoutout to @acabellas for the idea for this ending!! And for listening to my screaming into the void. :)

AO3 and FFN

Stacie turns away, striding with purpose toward the front door. Beca knows she’s going to the garage, where the gas is stored with the lawnmower.

From beside her, Chloe makes a soft sound of distress. Beca looks over and is startled by how pale Chloe looks. Her eyes slide out of focus and she sways on her feet.

“Woah, hey—” Beca says, reaching out to steady her. “Chlo, deep breaths, okay, you need to—”

“Bec, what—” Chloe gasps, her eyes wide as they dart around the room. “The house, we can’t just…” she trails off, pressing her hand to her mouth.

“I know,” Beca breathes, heart twisting at the thought of losing their home. “I know. But if we do it, this ends. We’ll be safe.”

Chloe shakes her head, hand still at her mouth and eyes welling with tears.

“Chloe, we have to, okay? It’s—it’s just a house. We’ll be safe, and that’s what matters, right?”

Chloe gulps, and for a moment, Beca isn’t sure she’d even heard her.

“Chl—”

“Okay,” Chloe manages shakily, blinking hard. “Okay. We—we have to tell the others.”

“Okay,” Beca breathes back, looking around them. She can still hear Lilly fighting the three clones upstairs, and she’s not sure where anyone else is. “Let’s… kitchen?” she asks, gesturing that way.

Chloe nods and they move, having to pick their way over the sitting room floor littered with shredded chunks of couch, smashed picture frames, and strewn ornaments. Out of the corner of her eye, Beca sees Chloe bend down and pick up one of the photos from its broken frame. Chloe folds the photo, carefully sliding it into her pocket.

Beca glances away, and her stomach pangs; she catches sight of a body lying half-obscured behind the ruined couch, wearing Amy’s clothes.

“No,” she whispers numbly, moving toward the immobile form, looking for a bracelet on her wrist.

Before she can get close enough, though, she hears a, “Psst!” and looks over her shoulder automatically. Amy stands in the doorway of the kitchen, her arm lifted to show the blue yarn adorning her wrist.

“You’re okay,” Beca sighs in relief.

Amy nods sagely. “Takes more than that to take down my sexy fat ass.”

Beca glances over her shoulder at the body of Amy’s clone on the floor and winces.  “What did you do to her?”

“Bashed her with a picture frame,” Amy replies as Chloe joins them. “She wasn’t going to get up after that.”

“Amy,” Chloe says quickly. “We need to find the others and tell them—Stacie is—”

“Going for the gas, yeah,” Amy grimaces. “Cynthia Rose told us. We’re in here. Um, it’s not pretty,” she adds, stepping aside and giving them room to enter the kitchen.

Beca swallows hard and locks eyes with Chloe for a second, not sure what to expect. She crosses the threshold, entering the kitchen a little cautiously.

The first thing she registers is Emily, wearing her bracelet, and being violently sick into the trash can. Ashley and Jessica sit with her, Ashley holding her hair and Jessica rubbing her back soothingly. Cynthia Rose is there, too, with a cut on her forearm that Flo works to bandage.

“You’re all okay,” Chloe breathes, her eyes scanning the room.

“Relatively,” Cynthia Rose grunts.

“Emily?” Beca asks her quietly.

Still, Emily hears her and looks up, wiping her mouth weakly on a kitchen rag. “I had to… I didn’t want to, but she was attacking me and—” she cuts off, going pale, and ducks back down to the trash can to be sick again.

Flo cringes, her face wrinkling in sympathy. “She had to kill Stacie,” she whispers.

“What?” Chloe gasps.

“Stacie’s clone,” Amy clarifies. “In here. Stacie’s clone was attacking her, and—well, Legacy didn’t have a choice.”

“I tried to help,” Cynthia Rose mutters. “That’s how I got this,” she adds, gesturing to the cut on her arm. “Stacie’s clone had a knife, but we got it away from her. Emily went for the kitchen knives while the clone went after me and… well. Emily won.”

Chloe makes a small, scared noise. “Wh—where’s the body?” she asks after a moment, her voice hushed. “The clone?”

Jessica’s lip curled. “We threw it in the pantry. Didn’t want to look at it.”

“Yeah, Emily’s a little… well, what do you expect?” Flo asks almost defensively.

Beca stares at Emily’s still-heaving back. She’s just a kid, really. It isn’t fair.

She walks over to Emily, waits for a pause in the heaving, and kneels beside her. “Emily,” she says gently, getting her attention.

Emily glances at her, a light sheen of sweat covering her face.

“Hey, dude,” Beca begins. “I’m really, really sorry. I’m so sorry you had to do that. But, listen... if you hadn’t—hadn’t stopped Stacie’s clone, Cynthia Rose might be dead. You might be, too.”

Emily’s eyes shine and her chin quivers, but she nods once.

“So, um,” Beca continues quietly, “I can’t even imagine what… look, you did what you had to do, okay? The real Stacie is okay. She’s in the garage, right now, figuring out how to save us. You did the right thing,” Beca emphasizes. She has no idea if she’s doing this right at all—this is really much more Chloe’s domain—but she needs Emily to understand.

A small, pained smile flickers on Emily’s lips. “Thanks, Beca,” she says softly, her voice hoarse. Her eyes flick to Beca’s wrist and she frowns. “Amy said you lost your bracelet?”

“Yeah, both Chloe and I did,” Beca says. “We can just make new ones.”

“Maybe not with yarn,” Jessica suggests.

“Oh, here,” Flo says impatiently, moving toward her and Chloe with the first aid kit. She quickly wraps Chloe’s arm in clean white bandages, cutting the end and taping it securely. She does the same to Beca; it feels much more secure than the bracelet. Giving an experimental tug on the bandage, Beca can tell it won’t come off easily.

“Thanks, Flo,” Chloe says, watching Beca.

“Yeah, thanks,” Beca echoes.

Flo rolls her eyes, looking pleased with herself. “Should have thought of that sooner.”

“So, okay,” Chloe says, looking around. “You guys already know the plan. We just have to corner the clones all in one spot. Um, where are—”

“Flo’s and Lilly’s are trapped in the basement, so we should bring the rest there. Don’t know where they are, though,” Cynthia Rose answers.

“Ours and Aubrey is upstairs, so maybe the rest—”

Chloe is cut off by a sudden loud shouting upstairs that startles Beca; she’d half-forgotten Lilly had been up there fighting. The shouts are immediately followed by a huge tumbling sound that seems to echo in the kitchen, a series of deep thuds that somehow draw closer before stopping. Then, silence.

Ashley frowns. “What—”

“The stairs!” Chloe gasps, grabbing Beca’s arm. “Someone fell down the stairs.”

“Shit, Lilly,” Beca swears, and without another thought, she and Chloe are moving again.

They rush out of the kitchen, chased by the sound of scraping of chairs and footsteps as the rest of the Bellas follow. Once again, they cross the ruined sitting room and reach the foot of the stairs where—

Chloe cries out and Beca stops abruptly, rooted to the floor by what she sees.

“Oh my God,” Chloe murmurs beside her, hands again covering her mouth. “Oh my God. Her neck. Bec, look at her neck.”

Beca can’t stop looking. Nausea rolls her stomach and she has to take a deep breath, steadying herself.

Her own clone lies at the foot of the stairs, clearly dead, her neck twisted at an unnatural angle. Broken. The clone’s eyes are open, staring blankly at all of their feet.

Beca forces her eyes away from her own face on the floor, looking up the stairs to where Lilly stands staring down at them and the body. Aubrey’s and Chloe’s clones are somewhere up there, too, possibly having retreated after Lilly shoved Beca’s clone down the stairs.

A choked sob from next to her grabs Beca’s attention; she looks over, startled to see Chloe staring down at the body of her clone, tears running down her face.

“Shit, Chlo…” Beca breathes. “Hey, it’s… she’s not—”

Amy clears her throat loudly, giving Beca a pointed look.

“Uh, come here,” Beca urges somewhat awkwardly, gently guiding Chloe by the elbow back into the sitting room. Behind her, she can hear the other Bellas whispering and shuffling, maybe moving the clone’s body, but she tunes them out.

Chloe’s shaking and pale. The faraway look in her eyes scares Beca almost more than anything else she’s experienced with the clones.

“Hey, it’s okay,” she says to Chloe softly. “She’s not me. I’m okay.”

Chloe nods jerkily but doesn’t say anything.

An insane idea hits Beca. She knows she’ll probably be slapped or maybe screamed at. But it’s the only thing she can think of to reassure Chloe that it’s her.

She steps forward, her hands on Chloe’s waist, and kisses her.

For a heartbeat, nothing happens.

Then Chloe inhales sharply against the press of Beca’s lips, pulling back an inch.

Beca’s heart stutters and for a moment, she’s terrified she’d made the wrong move. Before she can apologize, though, or maybe flee the country, Chloe leans in again to close the gap she’d created between their lips.

Kissing Chloe is even better than she’d imagined. It’s all soft lips and gentle pressure, Chloe’s hands in her hair and nose bumping her cheek. It’s a soft sigh and the click of something in her chest that reminds her of empty pools and soft smiles, whisking her away from the present until all she can think is Chloe and the word finally.

Kissing Chloe is everything.

“Guys! Incoming!”

Cynthia Rose’s shout of warning makes Beca jerk back, startled. She’d managed to forget that they were essentially in the middle of a war zone, and, based on the surprise on Chloe’s face, so had she.

“Basement, now!” Stacie, reappeared from the garage, shouts over a thunderous noise that Beca realizes is coming from the stairs.

Understanding hits her like a freight train; she grabs Chloe’s hand and together they move, hurrying past the foot of the stairs and following the other Bellas to the basement. Beca makes the mistake of looking over her shoulder as they go; the remaining clones, led by Chloe’s and Aubrey’s, pound down the stairs from the second floor in chase.

The Bellas lead the way, Amy wrenching open the door to the basement. Lilly’s and Flo’s clones wait for them at the top of the steps but are bowled over backward as the Bellas all charge into the dank depths of the house. Beca and Chloe follow closely, the clones on their heels as they hurry down the basement steps, trying to lure the clones after them to get them all in one place.

It works almost too well.

As soon as Beca and Chloe hit the basement floor, the clones are upon them. She only has enough time to see Cynthia Rose’s clone attack Lilly, Lilly’s clone make a beeline for Emily, and Aubrey’s lunge at Chloe before she’s once again tackled, her assailant going for her legs.

She lands on the floor hard enough for the wind to be knocked out of her; Chloe’s clone smiles wickedly from on top of her. She’s missing a contact lens, one eye blue and the other amber, and her face is covered in scratches, souvenirs from her fight with Lilly. She looks deranged and doesn’t even pause to brag as she raises a hammer above Beca’s face.

Instinctively, Beca bucks her hips up and rolls, managing to throw the clone off balance. Beca flails, sending a fist straight to the clone’s stomach. The hammer falls to the left of Beca’s face, landing on the floor with a deafening clatter, and Beca writhes. She manages to dislodge Chloe’s clone completely and scrambles back rapidly, struggling to get to her feet.

Chloe’s clone follows, crawling after her on her hands and knees unnaturally. She’s faster than Beca is and is almost on top of her again before Beca remembers her legs. She kicks out hard, catching Chloe’s clone in the face with her boot. The clone cries out and jerks back, clutching her now-bleeding mouth.

Beca takes the opportunity to push herself up, rising to her feet, and her gaze falls on the dropped hammer. The clone’s eyes flick toward it as well.

Then they lock eyes, and everything seems to pause.

The clone moves first, throwing herself toward the hammer.

“No!” Beca shouts, lunging at the hammer. She knocks Chloe’s clone’s arm out of the way, her fingers wrapping around the hammer’s grip even as the clone’s fingernails scrabble at the back of her hand uselessly. Beca swings the hammer upward reflexively, striking the clone in the shoulder with the tool and making her fall back.

Panting, her heart racing in her chest, Beca forces herself back to her feet. She looks down at the injured clone, wincing and bloody on the floor, and knows what she has to do. Steeling herself, Beca raises the hammer, takes a step forward, and—

“Bec, don’t!” Chloe’s clone cries, raising her hands in pathetic self-defense. “Please!”

In that instant, it’s Chloe on the floor in front of her, defenseless.

Beca hesitates.

Chloe’s clone moves faster than Beca would have thought possible. She kicks out at Beca, catching her hard in the left knee. Beca’s leg goes out and she crumples but manages to hold onto the hammer. It doesn’t matter; the clone pulls a shard of glass—taken from Chloe’s broken window—from her boot and raises it.

“Bye, Bec,” Chloe’s clone smiles at her sweetly, her expression turning wicked.

There’s nothing Beca can do.

“Hey!” a voice shouts, and the real Chloe is suddenly there, the basement fire extinguisher in hand.

The clone only has time to glance at her in surprise before Chloe swings the red canister, hitting the clone directly in the head with a sickening thud. The clone drops, but Chloe isn’t done. She hits her again, and again, and again, until Beca has to reach out to stop her.

“Chloe! Chloe, stop, she’s—just stop!” she says, grabbing one of Chloe’s arms.

Chloe turns to her, fire in her eyes. For a second, Beca is terrified. Chloe isn’t violent. Not like this.

The fire slowly fades as Chloe comes back to herself, melting into something like exhaustion. She looks at the bloodied fire extinguisher in her hands in revulsion, immediately throwing it down to the floor.

“Chloe?” Beca repeats softly. “It’s—you got her. It’s done.”

She doesn’t need to look at the body of the clone on the floor behind Chloe to know it.

Chloe nods, her throat bobbing. “You’re okay?” she asks, her eyes flicking between both of Beca’s.

“Yeah,” Beca says, ignoring the screaming of her muscles. “Thanks for that.”

Chloe exhales shakily. “I don’t know if—I hit Aubrey’s clone, too, but I don’t know if she’s just knocked out.”

“That’s okay,” Beca replies quickly, looking around at the fight surrounding them and catching sight of Aubrey’s clone lying motionless on the floor. “We should—”

A loud series of pops, echoing around the walls of the basement like gunfire, interrupts her. Beca jumps, looking for the source automatically to see firecrackers exploding on the basement floor, sending shrapnel spraying into the air. Someone must have lit up what’s left of their Independence Day stock.

“GO!!” Stacie bellows above the chaos, and Beca understands. It’s their distraction.

The Bellas all fly for the stairs leading out of the basement; Ashley, Jessica, and Emily take the lead, followed closely by Flo, Lilly, Stacie, and Cynthia Rose. Amy looks back to make sure Beca and Chloe are following before running up the stairs, too.

The remaining clones—Lilly’s, Flo’s, Emily’s, and Cynthia Rose’s—chase after Beca and Chloe, but are too slow. Beca shoves Chloe ahead of her, rushing them both up the rickety wooden steps at top speed. She feels the clones behind her, hears their steps, but ahead she sees the landing, sees the others running out the front door and to safety.

A hand grabs at her ankle; Beca trips and almost falls. She shouts, and Chloe and Amy are with her instantly. They both grab Beca’s arms and tug; Beca glances over her shoulder to see Aubrey’s clone, a welt on her forehead from where Chloe had hit her. Chloe and Amy give Herculean effort, pulling her forward. Beca’s shoe comes off in Aubrey’s hand as she’s hauled to safety, pulled through the doorway to the basement and deposited on the floor.

Amy releases her and slams the basement door closed behind them, throwing her weight against it and locking it. A huge scraping noise fills the room and Beca looks over her shoulder to see Stacie, Cynthia Rose, and Emily shoving at the refrigerator, forcing it across the floor and to the basement door. Chloe moves quickly to help, and together, they get it in position. Amy moves and the heavy refrigerator takes her place, barricading the door and trapping the remaining clones in the basement.

The sour pang of gasoline fills Beca’s nose; Ashley and Jessica are already dousing the walls and floors with it, throwing the liquid over the stairs and over the bodies of the Beca’s and Amy’s clones.

“Beca,” Chloe says loudly, her face close to Beca’s. “We need to get out, now.”

“I…” Talking about burning the house had been much easier than seeing it in action. It’s happening too quickly.

“I know,” Chloe breathes, her eyes sparkling with tears. “But we have to go.”

Beca looks around one more time but is unable to see anything but the damage inflicted to the house in the fight. “Okay,” she says, taking Chloe’s hand.

Together, they rush out, joining the other Bellas waiting outside. Ashley and Jessica follow a moment later, pouring the gas behind them in a trail that stops several yards away from where the Bellas gather. They hurry to join the group, and Beca does a quick headcount; all of the Bellas are there, and all are wearing their bracelets, or, in hers and Chloe’s case, bandages.

“Lilly?” Stacie asks, and without ceremony, Lilly moves toward the trail of gas and ignites it with a lighter she seems to pull from thin air.

The flames move quickly, blooming to existence with a whoosh, fed by the trail of gas. The fire speeds toward the house, disappearing into the open front door. Within seconds, the interior of the house glows orange, heat and light spilling out. The glass in the windows shatters, and the Bellas move farther back as black smoke starts billowing out of the house.

They watch in silence as the flames spread, taking over the ground floor. Beca knows that before long, the other floors will be engulfed, taking their every possession, and putting an end to the clones. She imagines briefly that she can hear the screaming from the basement, but shuts down that thought almost as quickly as it forms.

Nothing feels real in that moment. It’s like she’s floating far above the scene, watching an unfamiliar group of girls burn an unknown house.

Beca drags a ragged breath through her lips, feeling but not registering the heat of the flames against her face.

Then Chloe’s hand finds hers, grounding her, bringing her back to her own body with a thud. Beca holds tight, not wanting to float away again. Chloe shifts beside her, and Beca looks over to see her pulling out the picture she’d saved from the wreckage. Chloe unfolds it and stares down at it.

It’s a group photo of the Bellas immediately after winning Nationals at the end of freshman year. Even as Beca stares at the photo, a droplet of water splashes on one corner as Chloe silently cries, tears running down her face.

A lump forms in Beca’s throat and her eyes sting; she has to look back at the fire.

Sirens already sound in the distance, but Beca knows it’ll be too late to save anything by the time the firetrucks arrive. Ashley and Jessica had done a good job with the gasoline.

She squeezes Chloe’s hand, just once.

Chloe exhales shakily, tracing her thumb over the back of Beca’s hand. “It’s okay,” she murmurs. “It’s over.”

[hopeishappinessff]

Chapter 28

I awoke to a soft and warm sensation inching slowly up the side of my thigh. I was drunk with sleep and could barely comprehend what was going on. This thing, this hand, continued to creep further up the length of my leg and I squeezed my eyes shut with hopes that the feeling would go away. Eventually, I felt a body straddle me and I held my breath as whoever the person was leaned forward and aligned their face with mine then placed their lips just centimeters from my ear “Merry Christmas Hope. Wake up and let’s go see what Santa left under the tree.”

The voice was deep and sounded disturbingly familiar and I could no longer resist the urge to snatch my eyes open. I stared into a pair of striking emerald orbs and jerked my body up to get Destani off of me. She fell backwards on my bed and laughed hysterically along with Tameka who emerged from her hiding spot at the foot of the bed. I tried to maintain a straight and irritated expression, but failed miserably and couldn't help but laugh “Dez, why would you do that?” “Oh my… girl! That was too funny… I had to do it. Me and Meka was up planning that shit last night and I just had to do it.” She huffed. “And you can’t lie,” Tameka chimed in from the edge of the bed through her hearty laughter, “She sounded exactly like Chris, I mean exactly. She was up all night tryna imitate that nigga and she finally got it. That was good boo!” She slapped her hand together with Destani’s and they both continued to cackle.

I shook my head and climbed out of bed, reaching down to grab my pajama pants from the floor. “Damn girl, that ass lookin right though!” I swung around, caught off guard once again by the sound of that voice, but frowned and squinted at Destani as she doubled over with laughter against Tameka who laughed right along with her. Once I finally managed to calm the two down, we were finally on our way out of my room and down the stairs to the den.

Much to my surprise, Ms. Joyce, Tootie, Desean, Ms. Cynthia, and Imani were all in the den each with bright and shining faces. They were all sitting and conversing, waiting for the three of us to come downstairs so that we could open gifts. My eyes roamed throughout the den and I promptly spotted Chris perched comfortably on the arm of the loveseat with Desean planted on his knee and Imani cuddled up next to him on the couch. He seemed to be deeply engaged in conversation with them and I couldn’t help but smile at the sight. The kids were both absolutely thrilled about the plethora of gifts Santa had left for them under the tree. Chris seemed more than excited to partake in their banter and he bounced lightly in his seat as he spoke, with Desean giggling at his every move.

As if on cue, Chris raised his glossy eyed gaze from his discussion with the kids and instantly locked eyes with me. He stared with a curious smirk before turning his attention back to the kids as they both tapped at his shoulders, searching desperately for his attention. “Alright ya’ll… are we ready to start opening these gifts?” My aunt asked as she stood from her spot on the long couch. Forgetting all about their conversation, Desean jumped down from Chris’s lap, Imani leapt from the couch and they both bolted toward the gifts, only to be halted abruptly by Chris’s hands latched onto the backs of their pj’s.

“How about you two calm down before you either hurt yourselves or tip the tree over.” He said with a tone full of mirth. “Boy you know you used to do the same thing when you were little, up until about last year. You probably about ready to take off for them gifts too… you just don’t want everybody in here to see you acting like a little boy.” Ms. Joyce said, resulting in a son with blushing cheeks and a room full of laughter. Chris continued to pull the kids back until they were sitting on the couch and he walked over to retrieve a gift for each of them..

--

Later in the afternoon, everyone was dressed and ready for the day as more people began to arrive at the house. My aunt, Ms. Joyce, and Ms. Cynthia had all ventured off to the kitchen to prepare the feast, leaving Destani, Tameka, Chris and I in the den to entertain the kids and our guests. I found myself deeply absorbed and focused in a race against Desean with a race car set that his uncle had gotten for him. He happened to share a passion with Chris that I would never really understand… they were both infatuated with cars. And of course Chris thought the most sensible gift to get for his nephew was the Carrera Evolution Porsche GT3 Challenge set that I’d helped him pick out months ago.

With it costing well over two hundred dollars, I was skeptical about playing with it at first, but because Desean had inherited the persistent and convincing habits of his uncle, I couldn’t help but give in to his charm. The two of us had even drawn spectators with the commotion of the race. “Yes! I beat you again Sy! You owe me five dollars.” Desean shouted, bouncing up and down on his knees and throwing his little arms around in the air after his riotous defeat. Playfully rolling my eyes, I crossed my arms over my chest and smirked “Whatever De… you cheated anyway. I saw you move your car up right before we started.” “Nuh-unh… don’t be a sore loser. Just give me the money and I won't rub it in your face that I won two times.” He exclaimed with two fingers held high in the air. “Fine,” I sighed exasperatedly, “Just remind me to pay you later because I don’t have five dollars right now.” “Okay… I won’t let you forget.” He said somberly, causing us to all laugh.

“Man chill, you know you cheating!” Within seconds we’d all turned our attention to the entertainment center, where Dontay and Chris sat nearby on the floor engaged in a pretty serious game of Madden on Chris’s new Play Station. I laughed at the sight of Dontay pointing frantically at the television screen and yelling in Chris’s face, as Chris sat there smirking innocently as if he hadn’t done a thing wrong. “Nobody is cheating Don,” He stated calmly as he turned to face Dontay,” You… just… suck.” Dontay tossed his controller down on the floor and crossed his arms over his chest with a deep scowl “And you owe me ten.” Chris added, still staring at him with a victorious smirk.

“No I don’t B… for what man?” Dontay whined. “Dude, you know we made a bet right before we started this game. Don’t sit here and play like you forgot… just run me my money and we won’t have no problems.” He placed a hand against Dontay’s shoulder and shook it before pushing himself up from the floor and walking over to the race track. “Uncle C, look,” Desean hopped up from the floor and rushed toward Chris, jetting a finger out behind him to show off the evidence that he’d won his race against me, “I won and Diyah owes me five whole dollars!”

With a glance in my direction, Chris swiped his tongue out over his bottom lip and smirked “I told you. If you just listen to your uncle man… you’ll always win.” “You really told him to sit here and beat this girl out of five dollars like that?” Destani asked as she stared at Chris with her mouth agape. “No, I taught him how to be a winner. He won… so now he gets his money.” He smiled impishly and reached out to slap hands with Desean before turning and walking out of the den.

--

The sound of the doorbell nearly went unheard over the commotion from the dining room table as we all enjoyed the lovely Christmas feast. Excusing myself from the table, I quickly made my way to the front door because I had a small inkling of who it was… I didn’t bother to bite back my grin the moment I opened it to find Trey standing handsomely on the porch totting a box and gift bag. “Hi,” I squealed, throwing myself halfway out the door to grip him into a hug, “I didn’t think you were coming.” “Why wouldn’t I baby girl?” He whispered as he plunged his face into the side of the bushel of curls atop my head. “I don’t know. I just didn’t think you would.” I blushed. “Well no need to worry… I’m here now.” He pulled away to peer down at me and quickly leaned forward to deliver a quick, sweet peck to my lips.

“Do you want these now or later?” He asked, trailing along behind me into the house. Once I locked the door, I turned to see that he stood only a few feet behind me holding up the box and the bag. “Oh, um… later. I still have to get your gift… it’s up in my room.” I said before directing him into the den and showing him where he could place the gifts. Once he placed them in their rightful place, I showed him to the kitchen and didn’t slow down for a moment from my eagerness to consider just who was sitting at the kitchen table...

With Trey standing proudly at my side, we marched into the kitchen and he instantly caught the attention of my aunt who rushed forward from the table to greet him. “How you doing sweetheart? Have you eaten anything today, are you hungry? We got plenty of food here, go ahead and help yourself to whatever you want.” She placed a hand against his shoulder and tenderly pushed him forward toward the food, barely giving him time to reciprocate her greeting. There was an unmistakable burning glare coming from the other side of the room and I instinctively raised my gaze in that direction, immediately regretting it the moment my eyes landed on those piercing golden orbs.

Chris had just rotated his blank stare from Trey to me, all the while remaining cold in his posture. I could sense the resentment in his glare and if looks could kill, Trey and I would have been out the moment we crossed into the kitchen. Unable to bear the heat of his stare, I turned my attention to my aunt as she giggled with Trey and happily situated a plate for him. Through my peripheral I could see Chris rising abruptly from his seat. My hands became clammy and my heart started to race as he sauntered toward me. Guilt suddenly set in as he silently walked past me, so close that his shoulder brushed against my own.

“Hey, where do you want me to sit?” Trey asked, breaking me from my shameful daze. “Oh, um… you can sit in here.” He trailed along behind me as I made my way to the table, nearly sitting him in a secluded corner. The following minutes felt like hours and I could feel sporadic glances from Destani across the table. I was entirely too afraid to look at her… I knew she was confused by Trey’s presence in the house and I couldn’t bear to see even a slither of disappointment on her face. I soon turned my attention to the entrance of the kitchen when I heard the sound of approaching footsteps. Chris rounded the corner fully dressed in a black skully, his jacket, and his boots with his keys dangling from his right hand.

Not bothering to turn his attention to Trey or I, he bee lined straight for his mom and cleared his throat “Aye ma, I’m about to head out.” “Why you leaving so soon baby?” She asked, rising from her seat. “I have to go take care of some things… I may come back later or something.” “Well alright baby. You sure you don’t wanna stay a little longer?” She urged, concern masking her tone. “Nah, I have to go.” The fact that he was so persistent prompted Ms. Joyce to zip her lips and give up her argument. She took a hold of his arm and together they headed out of the kitchen and to the front door.

Feeling the strongest urge to take a moment to myself, I excused myself from the table and quickly made my way upstairs to my room to retrieve Trey’s gift. I stepped into the room and flipped the light switch on, making my way to my closet to grab the gift. On my way out, a light blue object in the center of my bed caught my attention and I stopped in my tracks to further investigate. Easing down onto the edge of the bed, I squinted at the scripture on the side of the bag and gasped as I made out the words Tiffany & Co... Completely confused by the sudden presence of the bag, I reached for the tag dangling from the side...

To: Hope From: Charlie

[pessimisticpleasure]

Drag Race: ‘She Done Already Done Brought It On’ Review

I was going to review every episode of Drag Race Season 9 and then decided that last week was pointless because no-one got eliminated. On the one hand, I appreciate having a week more to get to know the queens before anyone goes home, on the other the decision that would have been made last week was pretty much just carried over. I wasn’t gagged by Gaga either like gurl you were meant to be judging not boasting about how many designers have made dresses for you, smh.

Can we all just take a moment before I go any further to ask what in the ever loving hell was that appearance by Lisa Kudrow? I thought she was going to be a judge or at the very least a mentor, not just casually come by for thirty seconds, drop some catch phrases and go. Like what was the point? Am I missing something there?

For me this challenge wasn’t particularly inspiring; I’m English and cheerleading isn’t really a thing here so it was a bit lost on me whether they were good or not. It did seem like the kind of challenge which could be edited to make anyone seem top or bottom, I really thought Alexis was going to be bottom instead of Charlie because I thought she did a good job and had one of my favourite runways.

The runway theme of White Party was good and inspired some amazing looks from the queens mostly because it was so simple - apart from Kimora who was serving some kind of season three-esque eight looks in one outfit and none of them on theme. I’m big on themes so I can’t cope when someone doesn’t stick to one -especially one so easy! I couldn’t pick a favourite runway between Charlie and Valentina who are both quickly becoming my favourites of the season. I hope Charlie does better than the 7th or 8th place I’m sadly expecting her to come in but she’s not being set up as much more than a middle of the pack queen. I really hopes she makes Snatch Game because her impressions on YouTube are to die for, especially Lana Del Ray.

I also wasn’t that impressed with Cynthia/ Cucu returning who speaks almost entirely in hashtags I’m not going to use and whose Cucu shtick continues to annoy me rather than entertain. I know she left early last season but she won Miss Congeniality and I feel like that kind of completed her story. She didn’t seem like the unfinished business kind of queen that it makes sense to have return (like Shangela). This was a good group without her and I kind of hope she goes out early so she doesn’t take the spot of a more deserving queen.

Valentina was a great winner for the week, her outfit was good and the fact she actually drew my attention through the challenge while everyone else went a bit over my head was definitely a good sign. I love when the girl who gets picked last shows everyone else up - not to mention she’s only been doing drag for ten months! Her style is so refined, she puts some queens to shame for their lack of polish. I hope she doesn’t fall victim to the curse of the Latina queens and get sent home for a poor snatch game. I haven’t decided who I’m rooting for to win quite yet, I think I need another week, but she’s a very strong contender.

It felt like they tried to edit the lip-sync to look exciting this week even though it wasn’t - I’m pretty sure if that had happened on a week that wasn’t the first elimination they both would have been gone. I was rooting for Kimora at the beginning of the season because I liked her look a lot but she’s fallen rapidly in my estimation and I actually think she was slightly worse at the lip-sync and definitely had the worst runway so she probably should have gone. It’s sad that Jaymes was set up as the first gone, she seemed like a really good person and she obviosuly genuinely cared about her craft and seeing her improve and grow in confidence week by week would have been interesting whereas Kimora seems to care about her ass and not much else and is likely going to go within the next couple of weeks anyway because the judges don’t seem to be on her wavelength at all. I know she does care about drag but she has the attitude I hate of ‘too good to listen to the judges’ which is going to get her kicked off. I hope Jaymes does really well in her post-drag race career, even my icy heart got all emotional with her being unsure of herself on Untucked. Maybe she’ll get to come back next season when she’s worked on live audience performing and her confidence? I’d really like to see her succeed.

[ss-staubrey]

Auction

Omega Beta Zeta’s charity auction was one of the biggest annual fundraisers by a Barden student group. Stacie had heard about the auction from the older girls, but she hadn’t expect the turnout to be this large. Fidgeting nervously, she peeked from behind the curtain as the bids for the girl before her went up to a hundred dollars. She hoped she could bring in just as much, not that she doubted her appeal, but being a freshman meant she went after all of the older girls were bid on, emptying people’s pockets before they could even see her.

Stacie wasn’t thrilled when she found out about the fact that they were auctioning themselves, but the girls were quick to assure her that it wasn’t as bad as it sounded. Only Barden students could bid on her, and they couldn’t ask her to do anything illegal, ask her to wear anything specific, or touch her. Most of the bidders were boys from Barden’s fraternities and they knew that, if either of them got out of line they would be severely punished, not to mention risk losing their charter. So guys mostly asked for the girls to do their chores or help them study for a class.

The auctioneer, their chapter president, closed the bidding for the girl at one hundred and eighty dollars, leading her off the stage and starting Stacie’s introduction. After letting out a nervous breath, Stacie smiled broadly and stepped onto the stage, waving at the audience which she, thankfully, couldn’t see well because of the spotlights on her.

She relaxed a little when the bidding started way over the twenty dollars the auctioneer suggested, quickly escalating and reaching three hundred dollars when two particularly stubborn frat boys started trying to outbid each other, and ending when one of them shouted his final five hundred dollar bid. Stacie chuckled when the guy whooped loudly, pumping his fists as his frat brothers lifted him up. Blowing a kiss at him, Stacie walked off the stage where a group of her sorority sisters surrounded her immediately to congratulate her.

The excitement over the successful auction passed quickly, and Stacie started dreading the day the guy, Howie apparently, was set to pick her up. Stacie fretted over what to wear, not wanting to wear something too revealing so he didn’t get the wrong idea, but looking good enough so that he wouldn’t feel like he overpaid. She finally decided on yoga pants and a t-shirt, in case whatever he asked her to do required something more comfortable than jeans, but didn’t show off her assets too much.

When the day finally came Stacie was ready to bolt. She was thinking of excuses she could use to get out of it, but her hope that frat boys weren’t punctual were dashed when the doorbell rang right on time and one of the other girls called her to the door. She threw on a hoodie as an afterthought, feeling more comfortable with the extra layer even though it wasn’t particularly cold out.

Stacie jogged down the stairs, taking a breath before opening the door and freezing when she found a girl on the other side. “Hi.” The girl at the door was a really hot blonde, gorgeous eyes, and looked a little bit confused. “I’m Stacie and… you’re not that frat guy.”

“No, I won a bet and I got whatever he got at this auction.” The girl frowned and handed her the ticket they gave all the auction winners. “What did he buy exactly?”

“Me!” Stacie grinned broadly, feeling like she’d won the lottery. Not only did she not have to hang out with a sleazy frat guy, but she got to hang out with a really hot girl who clearly had no idea what she was getting into. She took off her hoodie since she didn’t need it anymore, throwing it over her shoulder and stepping outside, closing the door and leading the girl down the porch steps. “For whatever you want. As long as it’s legal.”

“What?”

The girl stopped, forcing Stacie to turn. She quirked an eyebrow and shrugged. “I guess if you can assure me we won’t get caught…” She suspected she’d be willing to do a lot for this girl if she asked.

“No, that’s-” She shook her head and Stacie found her incredibly adorable in her confusion. “What do you mean he bought you?”

“He didn’t buy me.” Stacie knew how that sounded and rolled her eyes at the whole situation. “It’s more like a rental. We usually just help them with their homework or chores.”

The girl arched an eyebrow. “So you do this a lot?”

“You’d be surprised how much frat boys are willing to pay to have a cute girl wash their car. And all the money goes to charity.” Stacie shrugged, lifting herself onto her toes and smiled. “So, I’m all yours.”

“Starting now?” Stacie nodded. “Okay… I’m Aubrey.” Aubrey shook her hand and gave her a small smile, Stacie’s heart fluttering happily. She was suddenly really glad she’d participated in the auction. “Let’s go.”

Aubrey turned and Stacie walked after her, skipping for a few steps to catch up. “Where are we going?”

“Rehearsal, then home.”

“Rehearsal?”

Aubrey looked at her over her shoulder and nodded. “I the captain of the Bellas.”

Stacie had heard about the Bellas from the other girls, but she didn’t know much about them. “Oh right, that singing group.”

Aubrey scrunched up her nose and Stacie could tell she was stopping herself from saying something. Instead, Aubrey kept walking to the other side of campus.

“How much cardio do you do?”

“Cardio?” Maybe she wasn’t so excited about this anymore.

“I assume you exercise. I mean, with your… You look…” Aubrey blushed and walked a little bit faster, making Stacie smirk, at least now she knew she’d had an effect on her too which meant she wasn’t totally straight. “I just thought you could help with cardio while I go over the routine with Chloe.”

“Sure.” Stacie jogged for a few seconds to catch up, not really happy with whatever helping with cardio meant, but more importantly... “Who’s Chloe?”

“My co-captain.” Aubrey stopped when they got a door to a building Stacie had never been in, her hand stopping short of the doorknob before turning back to face her. “The girls can be a bit much sometimes, just don’t let them know you’re nervous.”

If Aubrey thought that made her less nervous, she was wrong but, before she could ask anything, Aubrey opened the door and led her into a large space where a group of girls were already waiting.

“Everyone, this is Stacie. She’s gonna be helping us today.”

Stacie waved awkwardly at the girls looking at her scrutinizingly.

A loud girl with an accent was the first one to talk. “Are you dating her?”

“No!”

“Why not?” Fat Amy asked.

Cynthia Rose nodded. “She’s hot.”

Aubrey sighed. “We’re not dating, we just met.”

Stacie smirked, satisfied by the fact that Aubrey dating a girl wasn’t a wild idea to her friends, and that her reason for not dating her was that they just met, meaning she had a chance.

The girls looked at each other confused. “Did you buy her?”

“No!”

“Sort of.” Stacie answered at the same time, endlessly amused by this conversation and Aubrey’s blatant uncomfortableness.

Aubrey rolled her eyes. “I won her on a bet.”

“Is that legal?” Beca shook her head confused.

Aubrey pinched the bridge of her nose and Stacie chuckled, stepping forward, figuring she could earn some brownie points if she explained. “I auctioned myself for charity, the guy who bid for me lost a bet to Aubrey so now I’m here.”

“Nice, is she for everyone?”

“She’s not.” Aubrey stepped between Stacie and the rest of the girls and Stacie felt strangely pleased by Aubrey’s possessiveness. “She’s just gonna help with rehearsal and with some stuff at the house. Now, we’ve wasted enough time so if that’s all…” She turned to Stacie and talked under her breath. “Just go up and down around the bleachers for a while. Don’t let them slack off.” She turned back to face the Bellas and clapped. “Alright, follow Stacie around the bleachers while Chloe and I go over the routine for regionals.”

Stacie couldn’t stop thinking about Aubrey all week. Yes, she might have suffered a bit running up and down those bleachers, and weeding her back yard hadn’t been the most entertaining thing she could’ve come up with, but Aubrey being there the whole time made it bearable. Aside from being super hot, Aubrey was smart and funny and Stacie really wanted to see her again, but she didn’t know how Aubrey would feel about that.

Stacie wasn’t one to be insecure, usually, but she needed more time with Aubrey before she made her move; and since Aubrey hadn’t known what the original terms of the auction were, she decided to pretend like she was still supposed to help her with things, hoping she wouldn’t get too suspicious.

Aubrey had mentioned she liked the coffee shop by the Bella house so Stacie stopped by before going over. The guy at the register knew who Aubrey was right away, giving her usual to Stacie who then made her way to the house, smiling broadly when Aubrey opened the door. “Reporting for duty?”

Aubrey looked surprised to find her there, but she grabbed the coffee Stacie held out and led her outside.

Aubrey hummed, looking at the front of the house for a while and finally pointed at the front. “I guess the windows need washing, I’ll go get a bucket and sponges.”

Stacie watched her walk away with a smile, happy at how easy Aubrey had accepted her presence there and hoping it meant that Aubrey would be open to going out with her, she just needed to find the right time to ask her, or find more reasons to spend time with her.

“Your shutters could use a new coat of paint.” Stacie commented as she wiped down the pane next to Aubrey’s.

Aubrey glanced at the shutters and nodded. “I guess.” She grabbed her sponge and dunked it in the bucket. “I don’t think we have paint.”

“I’m pretty sure there are places where they sell it.”

“Smartass.”

Aubrey lifted her sponge and waved it at Stacie making her gasp when the cold water hit her.

“You do not want to do that,” Stacie said threateningly.

“I’m so scared.” Aubrey waved her sponge again, squeezing it to get more water out.

Stacie narrowed her eyes, throwing her sponge at Aubrey’s chest, landing with a wet splat before falling to the ground.

Aubrey’s mouth opened in shock, frozen for a few seconds before she grabbed the bucket and lifted it, trying to pour the water on Stacie. Stacie grabbed her arms, keeping her from tipping it over, the water sloshing back and forth and getting them both wet, until Aubrey managed to turn it over, but Stacie was keeping her close and a lot of it landed on her too.

Aubrey let go of the bucket and jumped back, shaking off some of the water while Stacie laughed, pushing her now soaking wet hair away from her face. She looked up at Aubrey, panting. She could feel her shirt sticking to her chest and stomach and noticed Aubrey looking at it.

Aubrey took a step closer. “We should change.”

Stacie felt a shiver run down her spine at the look in Aubrey’s eyes and ran the tips of her fingers down Aubrey’s forearm, tugging her closer by the wrist and nodding.

“Bree, we need to leave for rehearsal now.” Chloe yelled from the front of the house

Aubrey jumped back and looked over Stacie’s shoulder. “I’ll be right there.”

Stacie didn’t really get how she got herself in this situation. Yes, Aubrey was amazing and hot, but Stacie had never gone to these lengths to get someone to go out with her. She usually didn’t have to do anything, she just showed up and people lined up. And now here she was, on her third weekend of doing chores at the Bella house, on top of a ladder cleaning the gutters with only an almost kiss to show for it.

The weather had helped today, allowing her to wear her shortest pair of shorts she could find in her closet and a shirt so tight it wouldn’t stick to her more if it was wet. Aubrey had been practically drooling ever since she’d shown up. She just wished there was less actual work involved and more spending time with Aubrey.

There was a particularly annoying cluster of leaves stuck on one side. Stacie tried freeing it but it wasn’t coming out. She pulled harder, cursing when it stubbornly refused to move.

She heard Aubrey chuckle “Wanna take a break?”

Stacie turned to look at her, wiping her brow with the back of her forearm and leaning with her other arm on the gutter. “I wanted to finish this early so we had time to go buy the paint for the shutters?”

“You want to do that today?”

Stacie shrugged. “We can go tomorrow if you don’t have plans.”

Aubrey tilted her head. “You don’t have plans?”

“I told you, I’m all yours.” She smiled warmly, squinting down at Aubrey and wrinkling her nose.

“Well, do you want some water? It’s pretty hot out here, you look…” She stopped, biting her lip and looking down at her feet blushing.

Stacie smiled, deciding to get off the ladder and turning to look at Aubrey with a seductive smile. “I look hot?”

Aubrey shook her head noncommittally. “You look like you could use some cold water.”

Stacie leaned down, resting her hands on the armrests of Aubrey’s lawnchair. “I am feeling a bit heated.” She licked her lips and leaned closer. “Aubrey, did you know that the deal from the auction was just for one weekend?”

Aubrey frowned confused. “Then why did you come back twice?”

“I really like cleaning gutters.” Stacie deadpanned, chuckling when Aubrey’s frown deepened. “And I wanted an excuse to hang out with you.”

Aubrey grinned, lifting her hand to trace the edge of the collar of Stacie’s t-shirt. “You could ask me out.”

“I could.” Stacie nodded, her skin tingling from Aubrey’s touch. “But then your shutters will never get painted.”

“You could still do it.”

Stacie leaned closer, her nose bumping against Aubrey’s. “I wouldn’t do it for free.”

Aubrey tilted up her chin, her lips almost brushing Stacie’s. “I’m sure we can work something out.”

Leaning down, Stacie pressed her lips against Aubrey’s softly. Aubrey straightened up, covering one of Stacie’s hands on the chair and cupping Stacie’s cheek with her free hand, sighing against Stacie’s lips and deepening the kiss.

Stacie pulled back smiling. “I might need a little more convincing.”

[jessicakehoe]

TIFF 2019: Let the Oscar Buzz Begin

Last year’s Best Picture Oscar winner was a divisive one. Green Book was largely panned by critics and plagued with problems ranging from a racist screenwriter to the fact that the family of its subject wasn’t consulted in the making of the film. But its running in the Oscar race was all but secured when it won the coveted Grolsch People’s Choice Award at TIFF. Historically, the award has been a pretty good indicator of which film will go on to nab the biggest award of the year (past Grolsch winners include 12 Years a Slave, The King’s Speech and Slumdog Millionaire, which won big at the Oscars just a few months later.)

This year’s winner, Jojo Rabbit, has been similarly divisive but if history’s taught us anything, it’s not to write off a Grolsch winner. As the final film festival on the circuit before awards season kicks off–following Telluride, Venice and Cannes—TIFF is where awards chatter gets cemented and speculation heats up. Read on for a roundup of the films whose buzz we expect to carry them right through to February, when awards season comes to a close with the Oscars.

Jojo Rabbit It’s not often that a Hitler film is described as “whimsical” but the word comes up time and again in reviews of the satirical film, which may have divided critics but earned a standing ovation from audiences. “Everyone in Toronto can agree that, on paper, Jojo Rabbit shouldn’t work. What they have trouble agreeing on is everything else,” notes a Vulture review. The film, about a Nazi-loving young boy whose worldview is shaken when he begins to fall for a Jewish girl his mother is hiding in their attic, currently has a Metacritic score of 52% but as IndieWire reminds us, plenty of films have seen awards season love despite middling reviews from critics, most recently Bohemian Rhapsody and Green Book. I expect to see a nom for the film in the Best Picture category and Kiwi director Taika Waititi might just score one too.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Marriage Story This Netflix film about a couple navigating divorce was the runner-up for the Grolsch award and my personal favourite from the festival this year. There’s no obvious villain, no picking of sides, no one injured party—the grievances are messy, complicated and equally valid on both sides. As the couple whose marriage is ending, Adam Driver and Scarlett Johansson both deliver tour de force performances, and Laura Dern swoops in with a memorable turn as Johansson’s shrewd lawyer. Expect nods for all of them, as well as for the film’s director and writer Noah Baumbach.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Parasite All anyone could talk about at Cannes in May was acclaimed Korean director Bong Joon-Ho’s film Parasite, which went on to win the festival’s highest honour, the Palme d’Or. It received similar critical acclaim at TIFF and came in third for the People’s Choice Award. The film follows a family of con artists who overtake an affluent household, and weaves together themes of class and capitalism into a captivating thriller. If it gets the recognition it seems poised to receive, it’ll make history as the first Oscar-nominated film from South Korea.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Joker Joker’s already been making headlines for its “dangerous” and “scary” messaging and critics have been divided on its actual merits, but they do all seem to agree that an Oscar nom is on the cards for Joaquin Phoenix. The film also won the Golden Lion at Venice, so it might have some Best Picture chances as well.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Hustlers The wild card entry here is definitely Jennifer Lopez, whose excellent performance as a stripper turned con artist in this film based on a true story got rave reviews at TIFF. Whether the film will sit well with Oscar voters, who tend to be a conservative, older bunch, is yet to be seen, but the buzz attached to her name is undeniable. Writer-director Lorene Scafaria also deserves recognition for distilling a complicated, layered story into a tight, well-crafted narrative with both heart and hustle.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Harriet In the first and only biopic ever made on American abolitionist Harriet Tubman, Tony Award-winning actress Cynthia Erivo (whom audiences may remember from her supporting role in Widows last year) delivers a powerful performance as the titular character who risks her life to get slaves to freedom on the Underground Railroad. Both she and Janelle Monae, who plays a free Black woman providing shelter and support to slaves fleeing the south, could be in the running for nominations in the Lead and Supporting categories respectively.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

A Beautiful Day in the Neighbourhood There’s not much Mr Rogers in this Mr Rogers film, which mostly belongs to Matthew Rhys, who plays the Esquire journalist whose article the film is based on. A Supporting Actor nod for Tom Hanks—who is truly the Mr Rogers of our time—is a sure bet, and Matthew Rhys might sneak in with a nod too. Marielle Heller (who was overlooked last year for her excellent Can You Ever Forgive Me?) might well score a nomination for her deft, measured direction as well.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Ford v Ferrari Two of the best actors of our time, Matt Damon and Christian Bale, co-star in this film about an automotive designer (Damon) and racecar driver (Bale) who try to build a Ford Mustang ahead of the 1966 Le Mans race in France. According to Macleans, “it has all the hallmarks of an Oscar Best Picture nominee—a story powered by high-octane chase scenes, a culture war pitting white-bread America against snotty Europeans, and a pair of blue-chip stars.”

Judy For her portrayal of Hollywood icon Judy Garland in the final months of her life, Renee Zellweger got a three-minute standing ovation and a whole lot of Oscar buzz at the festival. Variety writer Jenelle Riley tweeted, “In 15 years at #TIFF I have never seen a standing ovation like the one for Renee Zellweger at JUDY.” Entertainment Weekly‘s Joey Nolfi also commented on the audience reaction, writing, “Renee Zellweger is crying. I’m crying. Everyone is fucking crying and Judy is a soaring, emotional wallop of a comeback for its star.” So it’s safe to say that come February, the actress will be sitting at the Dolby Theatre with a fourth Oscar nomination to her name.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Just Mercy As a prisoner on Death Row for a murder he didn’t commit, Jamie Foxx is both cynical and hopeful, and his moving performance may earn him his second Oscar (he won in 2005 for Ray). Brie Larson could earn a Supporting nod too, and Michael B Jordan—as the activist and lawyer who makes it his mission to work with disenfranchised communities in the prison system—might finally score his first Oscar nom.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

The Two Popes The Hollywood Reporter has deemed it “a triumph of writing as well as unostentatious filmmaking.” Starring Anthony Hopkins and Jonathan Pryce, the Netflix film imagines a series of meetings between Pope Francis and Pope Benedict at the height of a scandal in the Catholic church. Critics seem to have loved its witty, humorous energy and the bromance at its centre, so nominations for the two veteran actors are likely on the table.

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

The post TIFF 2019: Let the Oscar Buzz Begin appeared first on FASHION Magazine.

TIFF 2019: Let the Oscar Buzz Begin published first on https://borboletabags.tumblr.com/

[londontheatre]

Edinburgh Playhouse is a former cinema in Edinburgh, Scotland which now hosts touring musicals and music concerts. Its capacity is 3,059, making it one of the UK’s largest theatres in terms of audience capacity.

The Edinburgh Playhouse has a number of quality theatre productions showing throughout the year. Find out what’s on right now and book your tickets here from ATG official bookings!

Tue 28 – NOV 2017 Sat 2 DEC 2017 Beautiful – The Carole King Musical Long before she was Carole King, the chart-topping music legend, she was an ordinary girl with an extraordinary talent.

Beautiful – The Carole King Musical tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history.

Along the way, she wrote the soundtrack to a generation, with countless classics such as (You Make Me Feel) Like a Natural Woman, Take Good Care of my Baby, You’ve Got a Friend, So Far Away, It Might As Well Rain Until September, Up on the Roof, Locomotion, You’ve Lost That Loving Feeling, On Broadway and We Gotta Get Out Of This Place.

Tue 12 – DEC 2017 Sun 7 JAN 2018 Shrek the Musical Following a record-breaking UK and Ireland Tour, the smash hit blockbuster is back – and larger than life! Based on the story and characters from the Oscar®-winning DreamWorks Animation film, this hilarious and spectacular production turns the world of fairytales upside down in an all-singing, all-dancing, must-see musical comedy.

Join Shrek, (Steffan Harri) and his loyal steed Donkey as they set off on a quest to rescue the beautiful Princess Fiona (Laura Main) from her tower, guarded by a fire breathing love-sick dragon. Add the vertically challenged Lord Farquaad, a gang of fairytale misfits, and a biscuit with attitude, and you’ve got an irresistible mix of adventure, laughter and romance, guaranteed to delight audiences of all ages!

[The producers cannot guarantee the appearance of any particular artists subject to holiday, illness or events beyond the producers’ control]

Fri 12 JAN 2018 A Country Night in Nashville A Country Night In Nashville recreates the scene of a buzzing Honky Tonk in downtown Nashville, perfectly capturing the energy and atmosphere of an evening in the home of Country Music.

Prepare to be transported on a musical journey through the history of Country, featuring songs from its biggest stars both past and present. Hits from Johnny Cash to Alan Jackson, Dolly to the Dixie Chicks, Willie Nelson to Kacey Musgraves, are showcased by the amazing vocals of Dominic Halpin, Shelly Quarmby and their fabulous backing band, the Hurricanes.

With songs including Ring Of Fire, Crazy, Sweet Home Alabama, Don’t Rock The Jukebox, Need you Now, 9-5, Don’t Worry Baby to name just a few, this incredible celebration of Country music is a night not to be missed.

Sat 13 JAN 2018 Showaddywaddy The Greatest Rock & Roll Band In The World’ is a bold statement but Showaddywaddy has lived up to that title as they recently celebrated their 40th anniversary.

Formed in the 1970s in Leicester from several local bands, they have sold more than 20 million records and have toured the world.

Their live show is dynamic and uplifting featuring all of their biggest hits, many of which reached number one in the pop charts of Europe. Under The Moon of Love, Three Steps to Heaven, Hey Rock & Roll, When, Blue Moon, Pretty Little Angel Eyes and many, many more. So come and join the Dancing Party… You’ve Got What It Takes!

Mon 15 – Sat 20 JAN 2018 Flashdance Flashdance – The Musical is the inspiring and unforgettable story of Alex a determined welder who dreams of becoming a professional dancer. When a romance complicates her ambitions, she harnesses it to drive her dream of attending Shipley Dance Academy.

Prepare to be blown away by an astonishing musical spectacle with phenomenal choreography to this iconic score including the smash hits Maniac, Gloria, I Love Rock & Roll and of course the sensational title track Flashdance… What a Feeling. Sparks will fly and you’ll dance like you’ve never danced before! Age guidance: 11+

Mon 29 JAN 2018 The Simon and Garfunkel Story Direct from it’s success in London’s Lyric Theatre, Shaftesbury Avenue, a SOLD OUT Worldwide tour and standing ovations at every performance, The Simon & Garfunkel Story is back! Using huge projection photos and original film footage, this 50th Anniversary Celebration also features a full live band performing all the hits including ‘Mrs Robinson’, ‘Cecilia’, ‘Bridge Over Troubled Water’, ‘Homeward Bound’ and many more. Get your tickets fast as this is an evening not to be missed!

Wed 31 JAN 2018 Someone Like You – The Adele Songbook Touring UK theatres for the very first time, Someone Like You (The Adele Songbook) is an immaculate celebration of one of our generation’s finest singer-songwriters.

Hand-picked by Adele herself on Graham Norton’s BBC ADELE Special, the outstanding Katie Markham has the show-stopping voice and captivating charisma to deliver all your favourite Adele hits in an enthralling concert performance.

The show faithfully recreates the magic of the three record-breaking albums 19, 21 and 25 – including Chasing Pavements, Make You Feel My Love, Set Fire To The Rain, Someone Like You, Hello, Rolling In The Deep and the multi-million seller Skyfall. Someone Like You will take you on a soul-stirring journey from break up to make up!

Thu 1 FEB 2018 Whitney – Queen of the Night A stunning celebration of the music and life of one of the greatest singers of our time. This award winning production features a sensational line-up of musicians and artistes, and together with a powerhouse and breath-taking performance in the spirit of Whitney, deliver a show that exceeds expectation on every level.

Taking us on a magical rollercoaster ride through three decades of classic hit’s that include, I Wanna Dance With Somebody, One Moment In Time, I’m Every Woman, My Love is Your Love, So Emotional Baby, Run to You, Saving All My Love, I will Always Love You, and many more, this show beautifully remembers the most highly awarded female artiste in the world ever!

Whitney’s one true legacy was her music which touched most of us at some time in our lives. Share her life and get ready for the greatest love of all in Queen of the Night!

Fri 2 FEB 2018 One Night of Queen n 2000, Gary Mullen won ITV’s “Stars In Their Eyes” Live Grand Final, with the largest number of votes ever received in the shows history. The record of 864,838 votes was more than twice that of the runner-up. Gary began touring on his own and in 2002 formed a band The Works, to pay tribute to rock legends Queen. Since May 2002, Gary Mullen and the Works have performed throughout the UK, USA, Europe, South Africa and New Zealand to sell-out audiences. The outfit have also twice rocked the prestigious BBC Proms in the Park, in front of a very enthusiastic crowd of 40,000. One Night of Queen is a spectacular live concert, recreating the look, sound, pomp and showmanship of arguably the greatest rock band of all time. This show will ROCK you!

One Night of Queen have been touring for 13 years.

Sat 3 FEB 2018 Fastlove – A Tribute to George Michael Get ready for an unforgettable evening with a global superstar, as he puts the Boom Boom into your heart in the all new production for 2017 – Fastlove: A Tribute to George Michael.

The show is packed with crowd pleasing anthems. From Wham! classics of the ‘new pop’ revival to the chart topping success of the eighties album Faith. All the awesome tunes of the nineties & noughties including the irresistible Flawless.

This is a spellbinding experience you don’t want to miss. You’ll be getting up (to get down) to all your favourite songs: Careless Whisper, Freedom, Faith, Father Figure, One More Try, Outside, Jesus To A Child, I Want Your Sex, Kissing A Fool, and many more.

Relive the passion, the flare, and the unique sensitivity of George Michael in this incredible concert sensation. As the great man said: you gotta have faith… So book your tickets now!

Sun 4 FEB 2018 Soul Unlimited: Heatwave, Odyssey, Jaki Graham & Gwen Dickey

Tue 6 – Sat 10 FEB 2018 Tanguera Tanguera is the story of Giselle, a young woman who arrives on the sultry streets of Buenos Aires and meets Lorenzo the dockworker. He falls in love with her at first sight but, like so many immigrants at that time, Giselle struggles to make a life for herself in this new world and she falls into the hands of the local crook Gaudencio. Her only chance of survival is to dance in his nightclub and we watch as she is transformed into a tanguera tango dancer; someone who seduces men with her dance and sells her body.

Experience the passion, drama and breath-taking dancing in this adrenaline fuelled journey through the sizzling world of the tango. Written and produced by Diego Romay, who was inspired by Matthew Bourne’s Car Man, this award-winning show includes choreography by Argentine dance superstar Mora Godoy and a cast of over 30 talented dancers.

Be prepared join with them on the hot streets of Buenos Aires at the turn of the 20th Century, for an evening of fast and fiery Argentine Tango full of jealousy, love and passion. Can Lorenzo save Giselle or will she be forever Gaudencio’s tanguera?

Please note the show has adult themes and has a minimum age recommendation of 12+.

Mon 12 – Sat 17 FEB 2018 This Is Elvis It’s 1968 – the major musical event of the year is the first live TV special for Elvis Presley in what will come to be known as ‘The ’68 Comeback Special’. Drawing phenomenal ratings, this event re-establishes Elvis as the major entertainment star of the decade, and twelve months later Elvis stars at the International Hotel in Vegas, performing live for the first time in seven years, and securing his place in history as the King of Rock ‘n’ Roll! This production celebrates 50 years since the TV phenomenon and is testament that his songs live on and the King still rules!

This Is Elvis recreates all the drama leading up to the comeback as well as staging the monumental concert. It then proceeds with The King to his Vegas debut. Featuring Elvis’s greatest hits including… Trouble, Heartbreak Hotel, Blue Suede Shoes, Hound Dog, Love Me Tender, All Shook Up, Jailhouse Rock, One Night, It’s Now or Never, Are you Lonesome Tonight?, Can’t Help Falling in Love, In The Ghetto, Suspicious Minds, American Trilogy, Just Can’t Help Believing and many more…

Sun 18 FEB 2018 Icons of the 80s – Go West, Nik Kershaw & Cutting Crew Legendary stars join forces in one concert

Entertainers is proud to bring together your favourite eighties artists all on one stage! The latest line-up includes Go West, Nik Kershaw and Cutting Crew together in one unique concert.

The eighties are back and these legendary stars have joined forces for a truly incredible, once in a lifetime, concert experience. They’re the biggest names in the business and to see them perform together will be an unforgettable event.

With millions of albums sales and hits like We Close Our Eyes, Call Me, King Of Wishful Thinking, Wouldn’t It Be Good, The Riddle, I Won’t Let The Sun Go Down On Me, I’ve Been In Love Before and the classic (I Just) Died In Your Arms, this authentic 80s triple header is not to be missed.

Go West It has been over 30 years since Go West had their first hit single We Close Our Eyes. Other hits followed including Call Me, Goodbye Girl and Don’t Look Down, Faithful and the smash hit theme song in the film Pretty Woman King of Wishful Thinking.

Nik Kershaw Nik Kershaw first achieved chart success in 1984 with Wouldn’t It Be Good?, followed by other classics such as Won’t Let the Sun Go Down on Me and The Riddle. A prolific writer for other artists, Nik also penned the number one single The One and Only for Chesney Hawkes.

Cutting Crew Originally formed in the mid-80s, this Grammy nominated, Anglo-Canadian rock band will always be remembered for their classic song (I Just) Died In Your Arms, which helped define the musical sounds of the club scene during the 80s and is still played widely today. Over twenty years later, with millions of album sales, original singer/songwriter Nick Van Eede has signed new recording publishing deals and is back on the road promoting his awesome new material.

Tue 20 – Sat 24 FEB 2018 The Sound of Music One of the greatest musicals of all time returns to the stage in this magnificent five star production to enchant the young and the young at heart.

This wonderfully lavish staging tells the true story of the world-famous singing family, from their romantic beginnings and search for happiness, to their thrilling escape to freedom at the start of WWII.

The unforgettable score features some of the most memorable songs ever performed on stage, including Edelweiss, My Favorite Things, Do-Re-Mi, Climb Ev’ry Mountain, So Long Farewell, and of course, The Sound of Music.

Sun 25 FEB 2018 ABBA Mania It is just over 40 years since ABBA won Eurovision and now it’s your chance to thank ABBA for the music!

ABBA Mania is now accepted as the world’s number one touring ABBA tribute production.

Featuring a special concert presentation, which celebrates the music of ABBA in a respectful and enjoyable way, reviving special memories of when ABBA ruled the airwaves.

ABBA Mania brings ABBA fans old and new a night not to be missed. If you’re looking for an excuse to party, reminisce or simply be entertained by the best music ever, then ABBA Mania is for you!

So dig out those platforms, dust down those flares, join in and enjoy all of your favourites including: Mamma Mia, Voulez Vous, Dancing Queen, Winner Takes It All, Super Trouper and many more.

Tue 27 FEB- Sat 3 MAR The Rat Pack – Live From Las Vegas The Pack is back and this time, they are bringing Ella Fitzgerald!

The Rat Pack Live from Las Vegas sends you back in time to the glamorous, golden era of 1950s Las Vegas, when Frank Sinatra, Sammy Davis Junior and Dean Martin joined forces and become the hottest ticket in town at the famous Sands Hotel.

Join us in reimagining a night at the Sands with Frank, Sammy and Dean plus very special guest Ella Fitzgerald, the sensational Burelli Sisters and a stunning big band.

Hit follows hit including pack favourites The Lady is a Tramp, Mr Bojangles, That’s Amore, I’ve Got You Under My Skin, What Kind of Fool Am I, Volare, My Way, Everybody Loves Somebody, Night and Day, S’Wonderful, Mack The Knife and many more.

If you wish you’d swung with the hardest partying pack in town, now’s your chance!

Mon 5 – Sat 10 MAR 2018 Blood Brothers Written by Willy Russell, the legendary Blood Brothers tells the captivating and moving tale of twins who, separated at birth, grow up on opposite sides of the tracks, only to meet again with fateful consequences.

Few musicals have received quite such acclaim as the multi-award winning Blood Brothers. Bill Kenwright’s production surpassed 10,000 performances in London’s West End, one of only three musicals ever to achieve that milestone. It has been affectionately christened the ‘Standing Ovation Musical’, as inevitably it “brings the audience cheering to its feet and roaring its approval” (The Daily Mail).

Lyn Paul returns to the iconic role she has played many times in the West End, in fact she was the show’s final Mrs Johnstone when it closed at The Phoenix Theatre in 2012. Lyn also starred in Bill Kenwright’s tour of Cabaret with Will Young in 2013 and rose to fame as a member of the pop group New Seekers whose numerous number one hits include ‘I’d Like to Teach the World to Sing’ which sold over 20 million copies.

The superb score includes Bright New Day, Marilyn Monroe and the emotionally charged hit Tell Me It’s Not True.

Mon 12 – Sat 17 MAR 2018 Hairspray The smash hit musical comedy Hairspray is coming to venues across the UK with a production guaranteed to have you dancing the night away!

It’s Baltimore, 1962 where Tracy Turnblad, a big girl with big hair and an even bigger heart, is on a mission to follow her dreams and dance her way onto national TV. Tracy’s audition makes her a local star and soon she is using her new-found fame to fight for equality, bagging local heartthrob Link Larkin along the way!

Featuring the hit songs Welcome To The 60s, You Can’t Stop The Beat, The Nicest Kids in Town and many more.

Don’t miss this irresistible feel-good show that will have you smiling for days – let your hair down and book now!

Tue 20 MAR 2018 Russian State Ballet of Siberia’s Romeo and Juliet Shakespeare’s tale of primal passion and timeless tragedy is brought to life by Prokofiev’s soaring score, set in bustling Renaissance Verona and with an emotionally charged choreography that befits the world’s greatest love story. From the grandeur of the masked ball to the intimacy of the lovers’ balcony, this star-crossed story of duels, bitter family feuds and love that cannot be, is unmissable.

Wed 21 MAR 2018 Russian State Ballet of Siberia’s Cinderella The world’s favourite rags to riches fairy-tale where dreams can come true is a magical mix of Prokofiev’s energetic score, lively choreography and colourful costumes. Whilst her mad/bad stepmother and her ill-mannered daughters prepare for the Royal Ball, graceful Cinderella can only dream of dancing with the dashing Prince. Later that evening, her rags become a glittering gown and she is swept magically to the Ball. From that very moment the Prince is smitten, midnight strikes and one lost crystal slipper later, he must now embark on a journey to find his lost love….

Formed in 1981, the Russian State Ballet of Siberia has quickly established itself as one of Russia’s leading ballet companies and has built an international reputation for delivering performances of outstanding quality and unusual depth. The soloists and corps de ballet are superb, and never fail to delight audiences with their breathtaking physical ability and dazzling costumes.

Sergei Bobrov Artistic Director Anatoly Tchepurnoi Music Director and Chief Conductor

Thu 22 MAR 2018 Russian State Ballet of Siberia’s Snow Maiden Protected from the outside world by Father Frost, the exquisite Snow Maiden plays innocently amongst the dancing snowflakes in the enchanted Land of Frost. Based on a traditional folk-tale, set in the snow covered landscape of rural Russia, this seasonal sparkler follows the Snow Maiden as she dances into the human world. Captivated by the colourful village and the people who live there, she ventures too far and is swept up by feelings of love, temptation and betrayal. When finally she surrenders herself completely and warms to love, her heart melts in a tragic embrace.

Formed in 1981, the Russian State Ballet of Siberia has quickly established itself as one of Russia’s leading ballet companies and has built an international reputation for delivering performances of outstanding quality and unusual depth. The soloists and corps de ballet are superb, and never fail to delight audiences with their breathtaking physical ability and dazzling costumes.

Sergei Bobrov Artistic Director Anatoly Tchepurnoi Music Director and Chief Conductor

Fri 23 – Sat 24 MAR 2018 Russian State Ballet of Siberia’s Swan Lake The greatest romantic ballet of all time is brought to life by Tchaikovsky’s haunting and unforgettable score. From the impressive splendour of the Palace ballroom to the moon-lit lake where swans glide in perfect formation, this compelling tale of tragic romance has it all. From Odile, the temptress in black tulle as she seduces the Prince by spinning with captivating precision to the spellbound purity of the swan queen, Odette as she flutters with emotional intensity, the dual role of Odette/Odile is one of ballet’s most unmissable technical challenges.

Sun 25 MAR 2018 Girls Night Oot! Join the girls on a hen night that you won’t forget with a smash hit retro soundtrack… Songs from 60’s,70’s, 80’s, 90’s and Now!

To prepare for a marriage all a girl needs are her friends and a guid old hen night! Banterous, Balshy and Bootyliciously good fun, songs include Hot Stuff, Girls Just Wanna Have Fun, I’m Every Woman and many more!

Starring Donna Hazelton (Chicago), Natalie Tulloch (The Steamie), Lauren Ellis-Steele (Wicked) and Alison Rona Cleland (Legally Blonde).

Thu 29 MAR 2018 Ellen Kent’s La Traviata Opera & Ballet International proudly presents an Ellen Kent production with international soloists, highly-praised chorus and full orchestra Verdi La Traviata Starring Maria Tonina and Alyona Kistenyova The love story that gripped Paris

Fri 30 – Sat 31 MAR 2018 Ellen Kent: Madama Butterfly One of the world’s most popular operas, Puccini’s Madama Butterfly tells the heart-breaking story of the beautiful young Japanese girl who falls in love with an American naval lieutenant – with dramatic results. Highlights include the melodic Humming Chorus, the moving aria One Fine Day and the unforgettable Love Duet.

Tue 3 – Sat 7 APR 2018 Crazy For You High energy, high kicking and gloriously glamorous, the acclaimed Watermill Theatre production of Crazy for You is the ultimate feel-good musical. Strictly Come Dancing winner Tom Chambers and West End & TV star Claire Sweeney appear in this multi-award winning, romantic comedy, with Charlotte Wakefield as ‘Polly’ (Sound of Music, Chitty Chitty Bang Bang), it features a fabulous score from the Gershwin brothers’ songbook.

Tue 10 APR 2018 Russell Brand – Re:Birth Following a series of sold-out preview shows, Russell Brand is coming to a venue near you as part of his new stand-up tour of the UK and Ireland.

Wed 11 APR 2018 Motown’s Greatest Hits: How Sweet It Is The ultimate celebration of the sweet sound of MOTOWN is back!

This stunning 100% live show combine’s first class music together with slick choreography, and an amazing band. Truly outstanding, the best MOTOWN experience you will ever have!…

Thu 12 APR 2018 Roy Orbison – In Dreams – The Hologram UK Tour Roy Orbison wrote and performed a catalogue of hit songs including Oh Pretty Woman, Only The Lonely, I Drove All Night, Dream Baby, Crying, You Got It, Blue Bayou, Running Scared, In Dreams, It’s Over and many more….

Fri 13 APR 2018 The Chicago Blues Brothers Back with a brand new production for 2017 with an all new elaborate stage set the Chicago Blues Brothers are taking you back to 1980 to finish the concert at the Palace ballroom hotel. This show is a powerhouse two-hour song-fest with over 40 hits performed live on stage in the concert that never finished.

Infectious, dazzling, riotous, exuberant and spirited, the legacy of Jake and Elwood has been jump-started for a new generation with an energy that’s impossible to resist. The Chicago Blues Brothers are on a mission once again – in a high-octane, on-stage party you can’t afford to miss….

Sat 14 APR 2018 That’ll Be the Day The UK’s premier Rock & Roll production That’ll Be The Day returns with another brand new show!

Highly acclaimed for its stunning LIVE entertainment value, That’ll Be The Day is an outstanding celebration for all true fans of the golden era of popular music.

This latest production features a fantastic new-line-up of smash hits spanning the 50s, 60s, 70s & 80s, plus more side-splitting comic sketches, all performed live on-stage!

Mon 16 – Tue 17 APR 2018 Gary Barlow Gary Barlow will embark on a solo tour of the UK kicking off in April 2018, playing 33 dates in 24 intimate venues. The tour will see Gary play intimate venues across the UK and Ireland including some never visited before. The last time Gary played a string of venues this size, demand was so high he could have sold certain venues out six times over!

Wed 18 APR 2018 My Dad Wrote A Porno Live Hear the hilarious My Dad Wrote A Porno live as the team behind the smash hit podcast take their sell-out show ON TOUR….

Thu 19 – Sun 22 APR 2018 Fat Friends – The Musical Starring Scotland’s favourite musical star Elaine C Smith, the hit TV show Fat Friends from award-winning national treasure Kay Mellor (creator of Band of Gold, The Syndicate and In The Club) is bursting onto the stage in a brand new musical, with original music by Nick Lloyd Webber.

An All-Star cast joins Elaine, including West End favourite and winner of the BBC’s I’d Do Anything, Jodie Prenger, star of Emmerdale and Wicked Natalie Anderson and Coronation Street legend Kevin Kennedy. Fat Friends The Musical is a feel-good night out for every body and is set to be a HUGE hit!

Thu 26 APR 2018 Sheridan Smith Cuffe & Taylor By Arrangement Of Coda Presents…Sheridan In Concert. BAFTA and Olivier Award winning performer Sheridan Smith embarks on her debut UK tour, following the release of her brand new self-titled album, Sheridan. Previously starring in Funny Girl and Legally Blonde, Sheridan is no stranger to the Stage. Touring some of the UK’s most prestigious theatres through April 2018; the tour will be coming to us on 26 April 2018.

Fri 27 – Sat 28 APR 2018 Faulty Towers Dining Experience This globe-trotting show featuring Basil, Sybil and Manuel continues its London West End residency throughout 2014, as it continues also to tour the UK. This is the same show that swings a sold-out sign at shows from Canada to Sydney Opera House….

Thu 3 MAY 2018 Jason Manford – Muddle Class He’s back! It’s been a busy few years for Jason Manford since his last smash-hit stand up show but fans of his Absolute Radio show will know this nationally acclaimed comedian hasn’t changed a bit. Muddle Class promises to feature a wealth of new material about Jason growing up ‘working class’ then finding, over the years, that part of him has become ‘middle class’ – causing much confusion! Delivered with Jason’s amiable charm and captivating wit, this is a show not to be missed….

Fri 4 MAY 2018 The Carpenters Story This highly acclaimed concert-style production continues to captivate audiences across the UK with its spectacular re-creation of the classic songbook that made The Carpenters a legend in the world of popular music….

Sat 5 MAY 2018 The Illegal Eagles The World’s Official No.1 Eagles tribute returns in 2018 for another outstanding show promising more of their trademark musical prowess, acute attention to detail, and incredible showmanship.

This phenomenal group of musicians have been touring for over two decades and remain true Eagles fanatics! Their longevity and continued international acclaim are due in no small part to their extraordinary mastery of the Eagles’ distinctive sound….

Tue 8 MAY 2018 – 9 JUN 2018 Wicked (UK Tour) Winner of over 100 international awards, Wicked has been casting its magical spell across the world for over a decade and continues to break records at London’s Apollo Victoria Theatre, where it is already the 15th longest running show in West End theatre history.

An ingenious and witty re-imagining of the stories and characters created by L. Frank Baum in ‘The Wonderful Wizard of Oz’, Wicked tells the incredible untold story of an unlikely but profound friendship between two young women who first meet as sorcery students. Their extraordinary adventures in Oz will ultimately see them fulfil their destinies as Glinda The Good and the Wicked Witch of the West.

This multi record-breaking production, acclaimed as ‘the ultimate Broadway experience for theatre audiences all over the UK’ (Northern Echo), flies back for a return engagement complete with all the spectacle and magic that make this spellbinding show an unforgettable experience
for audiences of all ages.

Cast includes Amy Ross (Elphaba), Helen Woolf (Glinda), Aaron Sidwell (Fiyero), Steven Pinder (The Wizard and Doctor Dillamond), Kim Ismay (Madame Morrible), Emily Shaw (Nessarose) and Iddon Jones (Boq).

Tue 12 – Sat 16 JUN 2018 Titanic The Musical n the final hours of 14th April 1912 the RMS Titanic, on her maiden voyage from Southampton to New York, collided with an iceberg and ‘the unsinkable ship’ slowly sank. It was one of the most tragic disasters of the 20th Century. 1517 men, women and children lost their lives.

Based on real people aboard the most legendary ship in the world, Titanic The Musical is a stunning and stirring production focusing on the hopes, dreams and aspirations of her passengers who each boarded with stories and personal ambitions of their own. All innocently unaware of the fate awaiting them, the Third Class immigrants dream of a better life in America, the Second Class imagine they too can join the lifestyles of the rich and famous, whilst the millionaire Barons of the First Class anticipate legacies lasting forever.

With music and lyrics by Maury Yeston and a book by Peter Stone (Woman of the Year and 1776), the pair have collectively won an Academy Award, an Emmy Award, an Olivier Award and three Tony Awards. The original Broadway production of Titanic The Musical won five Tony Awards including Best Musical, Best Score and Best Book. This brilliant new production direct from London won sweeping critical acclaim across the board.

Tue 19 – Sat 23 JUN 2018 Summer Holiday In 1963 Cliff Richard and the Shadows took off on a joyous jaunt across Europe in a Routemaster bus in the film Summer Holiday.

Now this iconic film is a feel-good stage musical with Don and his fellow London Transport bus mechanics journeying through Paris, the Alps, Italy and then Greece, along the way picking up a girl group in a clapped-out Morris Minor and a young American pop star on the run from her domineering mother!

This hit-filled musical includes classics such as In the Country, Summer Holiday, Travellin’ Light, Bachelor Boy, Move It, Living Doll, The Young Ones and On the Beach.

Star casting to be announced soon!

Fri 29 JUN 2018 The Waterboys

Mon 2 – Sat 7 JUL 2018 An Officer and a Gentleman The Musical The world premiere of a brand new musical that will simply sweep you off your feet! An Officer and a Gentleman is based on the Oscar-winning film starring Richard Gere. Its feel-good soundtrack includes the hit song from the movie Up Where We Belong along with many 80s classic anthems including Girls Just Want to Have Fun, Material Girl, Don’t Cry Out Loud and Alone.

Zack Mayo is in training to become a US Navy Pilot. When he rolls into boot camp with a bit too much of a swagger, drill Sergeant Foley doesn’t make life easy for him. When he falls for local girl Paula Pokrifki and tragedy befalls his friend and fellow candidate, Zack realises the importance of love and friendship and finds the courage to be himself and win the heart of the woman he loves. It’s only then he can truly become an Officer and a Gentleman.

With direction by Nikolai Foster (Artistic Director Curve, Annie, Calamity Jane), choreography by Kate Prince (Into The Hoods, ZooNation) and musical supervision by Tony Award-winning Sarah Travis (Sweeney Todd, Sister Act), this inspiring, breathtakingly romantic musical celebrates triumph over adversity and features one of the most iconic romantic scenes ever portrayed on screen. Let Love Lift You Up where you belong!

Tue 10 – Sat 14 JUL 2018 THE BAND: Take That’s New Musical Written by award winning writer Tim Firth, The Band is a beautiful story for anyone who grew up with a boyband and how those songs became the soundtrack to their lives.

For five 16 year old girls in 1992, the band is everything. 25 years on, we are reunited with this group of friends as they try once more to fulfil their dream of meeting their heroes.

Featuring the music of Take That, Britain’s most successful boyband of all time, whose songs include Never Forget, Back For Good, A Million Love Songs, Greatest Day, The Flood, Relight My Fire, Shine & Rule the World and starring the winners from the BBC’s Let it Shine, Five to Five.

The Band is now the fastest selling musical theatre tour of all time. Don’t miss your chance to see this breathtaking brand new production first before it hits London’s West End.

Sun 9 SEP 2018 Dave Gorman – With Great PowerPoint Comes Great ResponsibilityPoint Dave Gorman, the man behind Dave TV’s hit show Modern Life Is Goodish as well as Are You Dave Gorman? and Googlewhack Adventure, is back on the road with a brand new live show, With Great PowerPoint Comes Great ResponsibilityPoint.

As the title suggests, he’s bringing his laptop and projector screen with him so expect the ‘King of Powerpoint comedy’ (Guardian) to have more detailed analysis of those parts of life you’ve never stopped to think about before. Hey, not all heroes wear capes. With support from Nick Doody.

Wed 26 – Sun 30 SEP 2018 Kevin Bridges – The Brand New Tour Scotland’s biggest comedy export, Kevin Bridges, is back with his hotly anticipated 2018 tour: Brand New.

Bridges broke box office records when his 2015 tour A Whole Different Story went on sale at the end of 2014, winning awards from Ticketmaster and Ents24 for the Fastest Selling Ticket of the year. The tour saw him sell over 500,000 tickets across 145 dates, including an incredible 16 nights at The Hydro in Glasgow. The Hydro was the perfect place for him to record his most recent DVD, which went onto sell over 300,000 copies; his biggest selling DVD. Now Kevin embarks on his biggest tour to date. Don’t miss his brand new tour.

Tue 2 – Sat 6 OCT 2018 Madagascar – A Musical Adventure Join Alex the Lion, Marty the Zebra, Melman the Giraffe, Gloria the hip hip Hippo and, of course, those hilarious, plotting penguins as they bound onto your stage in the musical adventure of a lifetime. Based on the smash DreamWorks animated motion picture, Madagascar – A Musical Adventure follows all of your favorite crack-a-lackin’ friends as they escape from their home in New York’s Central Park Zoo and find themselves on an unexpected journey to the madcap world of King Julien’s Madagascar….

Mon 10 DEC 2018 – Sat 5 JAN 2019 Kinky Boots Winner of every major Best Musical award, including the 2016 Olivier Award for Best New Musical, ‘London’s hottest musical’ (Smooth Radio) Kinky Boots is touring the UK in 2018!

With songs by Grammy and Tony winning pop icon Cyndi Lauper, direction and choreography by Jerry Mitchell (Legally Blonde, Hairspray) and book by Broadway legend Harvey Fierstein (La Cage Aux Folles), this ‘dazzling, fabulously sassy and uplifting’ (Time Out) musical celebrates a joyous story of Brit grit to high-heeled hit, as it takes you from the factory floor of Northampton to the glamorous catwalks of Milan!

Don’t miss the ‘freshest, most fabulous, feel-good musical of the decade’ (The Hollywood News) as it embarks on its first ever UK tour! It’s the ultimate fun night out for you and your loved ones, so book now and experience the energy, joy and laughter of this dazzling show.

http://ift.tt/2k6b9Tz London Theatre 1