#Anthony Alfaro

[anthonyamadeo]

Andres Alfaro by Anthony Amadeo

[pop-sesivo]

Cultura pop mexicana.

Algunos de nuestros héroes Mexicanos!!

[ulkaralakbarova]

Seen-it-all New York detective Frank Keller is unsettled – he has done twenty years on the force and could retire, and he hasn’t come to terms with his wife leaving him for a colleague. Joining up with an officer from another part of town to investigate a series of murders linked by the lonely hearts columns he finds he is getting seriously and possibly dangerously involved with Helen, one of the main suspects. Credits: TheMovieDb. Film Cast: Frank Keller: Al Pacino Helen Cruger: Ellen Barkin Sherman: John Goodman Terry: Michael Rooker Frank Keller Sr.: William Hickey Gruber: Richard Jenkins Serafino: Paul Calderon Struk: Gene Canfield Dargan: Larry Joshua Lieutenant: John Spencer Gina Gallagher / Lonelyheart: Christine Estabrook Miss Allen: Barbara Baxley Older Woman: Patricia Barry Murdered Man: Mark Phelan Raymond Brown: Michael O’Neill Doorman: Michael Fischetti Omar Maldonado: Luis Antonio Ramos Efram Maldonado: Rafael Báez Black Guy: Samuel L. Jackson Ernest Lee: Damien Leake Tommy: John Thaddeus Willie: Joshua Nelson Supermarket Manager: Christofer de Oni Supermarket Cashier: Dwayne McClary Helen’s Mother: Jacqueline Brookes Toastmaster: Thom Curley Cable Supervisor: Fred Sanders Clipboard Guy #2: Larry Mullane Clipboard Guy #3: Anthony Catanese Bartender: Thomas Wagner Doorman: Manny Alfaro James Mackey: Brian Paul Tense Woman: Deborah Taylor Sasha: Ferne Downey Raymond Brown’s Wife: Nancy Beatty Clipboard Guy #1: Tony De Santis Yuppie Detective #1: Jackie Laidlaw Yuppie Detective #2: Paul Hubbard Surveillance Team Member: James Kidnie Sherman’s Wife: Bridget O’Sullivan Criminal Type: Franz Fridal Hallway Cop: James O’Regan Hallway Cop: Wayne Best Young Cop: John Bourgeois Young Cop: Hugh Thompson Bride: Miranda de Pencier Groom: Ty Templeton Denice Gruber (scenes deleted): Lorraine Bracco Film Crew: Editor: David Bretherton Director: Harold Becker Director of Photography: Ronnie Taylor Unit Production Manager: Louis A. Stroller Producer: Martin Bregman Costume Design: Betsy Cox Script Supervisor: Blanche McDermaid First Assistant Camera: Yves Drapeau Second Assistant Director: Rocco Gismondi First Assistant Director: Michael E. Steele Second Assistant Director: David Sardi First Assistant Director: Thomas J. Mack Camera Operator: Andy Chmura Casting: Mary Colquhoun Production Design: John Jay Moore Second Assistant Director: Madeleine Henrié Additional Photography: Adam Holender Associate Producer: Michael Bregman Makeup Artist: Irving Buchman Hairstylist: Bryan Charbonneau Hairstylist: Bob Grimaldi Makeup Artist: Irene Kent Key Makeup Artist: Leslie A. Sebert Stunts: Dick Ziker Writer: Richard Price Stunts: Glenn R. Wilder Stunts: Buddy Joe Hooker Production Assistant: Liam Kiernan Stunts: Kenny Bates Stunts: Steve Boyum Stunts: Rick Parker Stunts: Shane Cardwell Production Manager: Barbara Kelly First Assistant Camera: Michael Hall First Assistant Camera: Horace Jordan Location Manager: Debra Beers Production Accountant: Dorothy Precious Production Coordinator: Toni Blay Sound Mixer: Keith A. Wester Boom Operator: Steve Switzer Gaffer: Rae Thurston Best Boy Grip: Howie Balbraith Grip: Randy Tambling Dolly Grip: Robert DaPrato First Assistant Art Direction: Lucinda Zak Set Decoration: Gordon Sim Set Dresser: Raman Majlath Property Master: Vic Rigler Wardrobe Master: Gail Filman Second Assistant Camera: Rick Perotto Assistant Location Manager: Anne Richardson Assistant Accountant: Karen Demontbrun Assistant Set Decoration: Richard Ferbrache Assistant Property Master: Jeff Poulis Wardrobe Assistant: Debi Weldon Production Secretary: Regina Robb Carpenter: Boyd Allen Scenic Artist: Reet Puhm Transportation Coordinator: Neil Montgomerie Unit Publicist: Joan Eisenberg Still Photographer: Rob McEwan Casting: Stuart Aikins Extras Casting: Scott Mansfield Additional Editing: John Wright Assistant Editor: Francine Fleishman Assistant Editor: Irvin Paik Assistant Editor: Charlene Olson Assistant Editor: Haydn Streeter Supervising Sound Editor: Norval D. Crutcher Supervising Sound Editor: Randle ...

[robfinancialtip]

Jason Nieblas's journey is a compelling story of resilience, passion, and determination. Growing up in a challenging environment, he resisted the allure of gangs and found solace and purpose in martial arts, particularly Jiu-Jitsu. Royce Gracie's UFC fight sparked his interest at a young age, leading him and his brother to focus on self-defense, believing that a strong body breeds a strong mind.

Jason Velo was born Jason Anthony Nieblas in Santa Ana, California, to Lilly (Morales) and Danny Nieblas. His foray into acting was influenced by the dynamics of his personal life, including working two jobs and enjoying movie quotes with a friend. This led him to acting classes in Orange County, a decision that eventually converged with his passion for martial arts.

Jason's participation in a high-profile project such as "Father Stu." Working on huge movies with well-known performers such as Mark Wahlberg and Mel Gibson gave him crucial film industry skills and chances.

Attending Cypress College with Mr. Alex Alfaro, Jason faced a pivotal decision: pursue acting or fight for 15 years for success. Opting for acting, he married his two passions and joined a theater company in Los Angeles, where he gained valuable experience in the industry.

Jason's career took a turn when he entered the world of set dressing after 15 years at Home Depot. His talent and dedication earned him a role in HBO's documentary "McMillions," leading him to work alongside notable actors. Jason's experience highlighted the importance of showing up, being prepared, and seizing opportunities, even when lacking specific skills.

His journey extended to independent filmmaking, working on projects like "Replica" with Danny Trejo. Jason emphasizes the significance of supporting others' work, being treated with respect in the independent world, and valuing the contributions of every team member.

Building a community of filmmakers and fostering positive morale on set became a cornerstone of Jason's philosophy. Despite the challenges of rejection and the demands of the industry, he remains dedicated to creating stories that resonate with audiences, leveraging the opportunities provided by technology and streaming platforms.

Jason echoes the sentiments of established filmmakers like Tarantino and Scorsese, emphasizing the power of independent artists to tell unique stories. The goal is not necessarily big-scale success but rather inspiring and moving even a single person.

In wrapping up, he encourages listeners to find inspiration, try new things, and remain persistent in their pursuits. The path to success may be challenging, but by staying true to one's passion and embracing opportunities, it's possible to achieve meaningful and fulfilling results.

[soylazaro]

Bureau of Travel & Tourism "Let Travel Do What Travel Does" from ELLIOTT POWER on Vimeo.

Director: Elliott Power Cinematographer: Diego Garcia Managing Partner: Kelly Bayett Executive Producer: Daniel Wolfe Production Company: Love Song 1st Assistant Director: Adrian Gallardo 2nd Unit Directors: Louis McCourt, Axel Losmose Producer: Christopher Cho Editor: Dom Leung @Marsheen Edit Producer: Harriet Cawley Edit Assistant: Matthew Blacklock Colourist: Simon Bourne Colour Producer: Chris Anthony Titles: Fraser Muggeridge Studio Local Production: The Lift Partner: José Barrera Producer: Magali Sagarra Production Manager: Cristina Barres Executive Creative Director: Dan Williams at The Mill Flame Artist: Carl Norton at The Mill Vfx Producer: Clare Melia, Matt Squires Production Design: Christian Stone Sfx: Barking Owl Stylist: Paola Alfaro Stylist Assistant: Void Make Up: Chela Ola Locations: Andreas Macias Actor: Sam Skolnik

Client: Bureau of Travel & Tourism Creative Directors: Marcus Johnston, Julie Matheny Creative Producer: Leigha Monier-Williams Producer: Adam Marzec Art Director: Esai Ramirez Copywriter: Mitchell Quesada

[inspirationinbadthings]

StockX "Own It" from ELLIOTT POWER on Vimeo.

Director: Elliott Power Cinematographer: Diego Garcia Managing Partner: Kelly Bayett Executive Producer: Daniel Wolfe Executive Producer: Deannie O’Neil Head of Production: Paige Kauffman Production Company: Love Song 1st Assistant Director: Khucame Morales 2nd Unit Directors: Louis McCourt Producer: Natalia Casanova Editor: Dom Leung Edit Producer: Harriet Cawley Edit Assistant: Matthew Blacklock Colourist: Simon Bourne Colour Producer: Chris Anthony Local Production: The Lift Partner: José Barrera Executive Creative Director: Dan Williams at The Mill Flame Artist: Carl Norton at The Mill Vfx Producer: Clare Melia, Matt Squires Score: Miink Music Supervision: Sunny Kapoor Curation Sfx: Barking Owl Gus koven VO: Ja’Lisa Arnold Stylist: Paola Alfaro & Void Make Up: Valeria Salas Production Design: Christian Stone

Client: Stock X Agency: Mojo Supermarket

[foraggio]

Bureau of Travel & Tourism "Let Travel Do What Travel Does" from ELLIOTT POWER on Vimeo.

Director: Elliott Power Cinematographer: Diego Garcia Managing Partner: Kelly Bayett Executive Producer: Daniel Wolfe Production Company: Love Song 1st Assistant Director: Adrian Gallardo 2nd Unit Directors: Louis McCourt, Axel Losmose Producer: Christopher Cho Editor: Dom Leung @Marsheen Edit Producer: Harriet Cawley Edit Assistant: Matthew Blacklock Colourist: Simon Bourne Colour Producer: Chris Anthony Titles: Fraser Muggeridge Studio Local Production: The Lift Partner: José Barrera Producer: Magali Sagarra Production Manager: Cristina Barres Executive Creative Director: Dan Williams at The Mill Flame Artist: Carl Norton at The Mill Vfx Producer: Clare Melia, Matt Squires Production Design: Christian Stone Sfx: Barking Owl Stylist: Paola Alfaro Stylist Assistant: Void Make Up: Chela Ola Locations: Andreas Macias Actor: Sam Skolnik

Client: Bureau of Travel & Tourism Creative Directors: Marcus Johnston, Julie Matheny Creative Producer: Leigha Monier-Williams Producer: Adam Marzec Art Director: Esai Ramirez Copywriter: Mitchell Quesada

[petermellalieu]

StockX "Own It" from ELLIOTT POWER on Vimeo.

Director: Elliott Power Cinematographer: Diego Garcia Managing Partner: Kelly Bayett Executive Producer: Daniel Wolfe Executive Producer: Deannie O’Neil Head of Production: Paige Kauffman Production Company: Love Song 1st Assistant Director: Khucame Morales 2nd Unit Directors: Louis McCourt Producer: Natalia Casanova Editor: Dom Leung Edit Producer: Harriet Cawley Edit Assistant: Matthew Blacklock Colourist: Simon Bourne Colour Producer: Chris Anthony Local Production: The Lift Partner: José Barrera Executive Creative Director: Dan Williams at The Mill Flame Artist: Carl Norton at The Mill Vfx Producer: Clare Melia, Matt Squires Score: Miink Music Supervision: Sunny Kapoor Curation Sfx: Barking Owl Gus koven VO: Ja’Lisa Arnold Stylist: Paola Alfaro & Void Make Up: Valeria Salas Production Design: Christian Stone

Client: Stock X Agency: Mojo Supermarket

[almeriamovies]

“Lawrence of Arabia” by David Lean (1962) Peter O’Toole and Anthony Quinn in Rambla de Alfaro.

[lucreciaart]

Angels and demons AU

[anthonyamadeo]

Andres Alfaro by Anthony Amadeo

[shaydayjaysketchbook]

Fun little doodle of Anthony and Ace

[jjtheresidentbaby]

♡ Character List ♡

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♡ request rules here ♡

— Yellowjackets —

Natalie Scatorccio (nat)

Vanessa Palmer (van)

Taissa Turner (tai)

Travis Martinez

Jackie Taylor

Shauna Shipman

Misty Quigley

Lottie Mathews

Laura-Lee

— 911 abc —

May Grant

Eddie Diaz

Athena Grant

Bobby Nash

Evan ‘Buck’ Buckley

Maddie Buckley

Howie ‘Chimney’ Han

Henrietta ‘Hen’ Wilson

Karen Wilson

— Heartstopper —

Nicholas Nelson

Charlie Spring

Tori Spring

Imogen Heaney

Elle Argent

Tao Xu

Tara Jones

Darcy Olsson

Isaac Henderson

— The Umbrella Academy —

Lila Pitts

Five Hargreeves

Diego Hargreeves

Viktor Hargreeves

Klaus Hargreeves

Allison Hargreeves

Luther Hargreeves

Ben Hargreeves (umbrella & sparrow)

Sloane Hargreeves

Marcus Hargreeves

Fei Hargreeves

Jayme Hargreeves

— Outer Banks —

John B Routledge

Jj Maybank

Sarah Cameron

Kiara ‘Kie’ Carrera

Pope Hayward

Cleo Anderson

Rafe Cameron

Topper Thornton

Barry

— School Bus Graveyard —

Ashlyn Banner

Aiden Clark

Ben Clark

Taylor Hernandez

Tyler Hernandez

Logan Fields

— The Resident —

Conrad Hawkins

Mina Okafor

Nicolette Nevin

Devon Pravesh

Irving Feldman

Aj Austin

— FNAF Movie —

Mike Schmidt

Abby Schmidt

Vanessa Shelly

Ness (the waiter)

— Heartbreak High —

Amerie Wadia

Harper McLean

Malakai Mitchell

Quinni Gallagher-Jones

Spencer ‘Spider’ White

Anthony ‘Ant’ Vaughn

Dustin ‘Dusty’ Reid

Darren Rivers

Ca$h Piggott

Missy Beckett

Sasha So

Zoe Clark

— Teen Wolf —

Scott McCall

Allison Argent

Lydia Martin

Stiles Stilinski

Derek Hale

Malia Hale

Theo Raeken

Liam Dunbar

Mason Hewitt

Corey Bryant

Brett Talbot

Lori Talbot

Kira Yukimura

Hayden Romero

Isaac Lahey

Jackson Whittemore

Ethan & Aiden

Braeden

Peter Hale

Chris Argent

Melissa McCall

Noah/Sheriff Stilinski

Jordan Parrish

— Euphoria —

Rue Bennett

Jules Vaughn

Lexi Howard

Maddy Perez

Cassie Howard

Elliot

Ethan

— Criminal Minds —

Aaron Hotchner

Jennifer Jareau

Tara Lewis

Luke Alvez

Emily Prentiss

Spencer Reid

David Rossi

Derek Morgan

Penelope Garcia

Matt Simmons

Kristy Simmons

Will LaMontagne, Jr.

Alex Blake

Sean Hotchner

— Marvel —

Tom Holland Peter Parker

MJ (from Tom!peter movies)

Ned (from Tom!Peter movies)

Aunt May (from Tom!Peter movies)

Andrew Garfield Peter Parker

Gwen Stacy (from Andrew!peter movies)

Miles Morales

Natasha Romanov (black widow)

Tony Stark (iron man)

Bruce Banner (the hulk)

Sam Wilson (the falcon)

Steve Rogers (captain america)

Bucky Barnes (the winter solider)

Clint Barton (hawkeye)

Kate Bishop

— Stranger Things —

Steve Harrington

Nancy Wheeler

Mike Wheeler

Will Byers

Johnathan Byers

Joyce Byers

Argyle

Max Mayfield

Lucas Sinclair

Erica Sinclair

Dustin Henderson

Eleven/Jane Hopper

Jim Hopper

Eddie Munson

Robin Buckley

— Supernatural —

Sam Winchester

Dean Winchester

John Winchester

Castiel

Crowley

Gabriel

Meg Masters

Bobby Singer

Charlie Bradbury

Jody Mills

Ellen Harvelle

Jo Harvelle

Jessica Moore

Ash

— S.W.A.T —

Dan “Hondo” Harrelson

Jim Street

Victor Tan

Zoe Powell

Alexis Cabrera

Miguel Alfaro

Chris Alonso

Dominique Luca

David “Deacon” Kay

Nora Fowler

Jessica Cortez

Nichelle Carmichael

Dan “Hondo” Harrelson Senior

[forarborsforsatellites]

"Dirty Secrets" by Tony & The Kiki  ~Credits~ Artist: Tony & The Kiki Director, Writer, & Stop Motion Animator: Zee Chang DOP: Grayson Kohs Producers: Zubin Anklesaria & Julia Elaine Mills Field Producer: Jasmine Dreame Wagner AC: Patrick Scanlon Gaffer: Forest Erwin Choreographer/Location Manager: Alessandra Valea Carranante Costume Designers: Max Vernon & David Quinn Additional Costumes: Anthony Alfaro, Alessandra Valea Carranante Art Dept: Anthony Alfaro, Max Vernon, Zee Chang, & Alessandra Valea Carranante Art PA: Michael Allen Gallo HMU: Edward Zola Powell & Max Vernon & Anthony Alfaro Colorist: Molly Kate Nolan Post Producer: Ryan Turner Editor: Brendan Barone Production Company: Echobend Pictures

[mrinalkantimajumder]

MORRIS LOUIS BERNSTEIN 

On this day of 28th November, Morris Louis Bernstein (November 28, 1912 – September 7, 1962) was born in Baltimore, Maryland, USA.

Professionally known as Morris Louis, he became one of the earliest exponents of Color Field painting and formed an art movement known as the Washington Color School.

He studied at the Maryland Institute of Fine and Applied Arts) on a scholarship, but left shortly before completing the program. He lived in New York City and worked in the easel division of the Works Progress Administration Federal Art Project. During this period, he knew Arshile Gorky, David Alfaro Siqueiros, and Jack Tworkov. He also dropped his last name.

He pioneered the use of Magna paint - a newly developed oil-based acrylic paint made for him, by New York paintmakers Leonard Bocour and Sam Golden. During the 1950s artists including Kenneth Noland, Gene Davis, Tom Downing, Howard Mehring, Anne Truitt, and Hilda Thorpe developed Color Field painting also known as the Washington Color School. The style eliminated gestural, compositional drawing in favor of large areas of raw canvas, solid planes of thinned and fluid paint, utilizing an expressive and psychological use of flat, and intense color and allover, repetitive composition.

He was impressed with Helen Frankenthaler's paintings, especially Mountains and Sea, on which he experimented on the style and notable of them Veil Paintings.

Exhibition of Louis' works were held at the Solomon R. Guggenheim Museum in 1963, the Museum of Fine Arts, Boston, in 1967 and the National Gallery of Art, Washington, D.C., in 1976, the Museum of Modern Art (MoMA), New York in 1976, the Museum of Contemporary Art, San Diego in 2007-2008. 

A striped canvas by Louis, Number 36 (1962), from the collection of Lord Anthony and Lady Evelyn Jacobs sold for £1.5 million at Christie's London.

[surrealistnyc]

A Spark in Search of a Powderkeg

Rebellion is its own justification, completely independent of the chance it has to modify the state of affairs that gives rise to it. It’s a spark in the wind, but a spark in search of a powder keg.

André Breton

If only one thing has brought me joy in the last few weeks, it began when the matriarchs at Unist’ot’en burned the Canadian flag and declared reconciliation is dead. Like wildfire, it swept through the hearts of youth across the territories. Reconciliation was a distraction, a way for them to dangle a carrot in front of us and trick us into behaving. Do we not have a right to the land stolen from our ancestors? It’s time to shut everything the fuck down!

Tawinikay (aka Southern Wind Woman)

The toxic cargo carried in Canadian pipelines, whether it be tar sands oil or fracked liquid natural gas (LNG), is, according to all serious climate scientists, a major, perhaps even decisive contribution to global warming, i.e. ecological catastrophe.   Meant to fuel industrial expansion, the pipelines have themselves become fuel for revolt. Designed to move these dirty fossil fuels from one location to another, they are a crucial element in normalizing the dubious paradise of unlimited growth in awe of which all obedient consumer/citizens are supposed to genuflect. In what the colonial mapmakers have called British Columbia (BC), resource extraction has always been the name of the game. However, the emergence in February of this year of a widespread oppositional network ranging from “land back” Indigenous warriors to elder traditionalists and from Extinction Rebellion activists to anarchist insurrectionaries was heartening. Railways, highways and ferries were blockaded, provincial legislatures, government administrative offices, banks and corporate headquarters were occupied. The catalyst for this rebellion was a widespread Indigenous uprising that refused the illusory promises of reconciliation. Together, these rebel forces disrupted business as usual in solidarity with the Unist’ot’en Big Frog clan of the Wet’suwet’en tribal house.

       ​As objective chance would have it, the primary Indigenous land defense camp is situated not far from the same Hazelton, B.C. area to which surrealist Kurt Seligmann and his wife Arlette had journeyed in 1938. During that time, they visited Gitxsan and Wet’suwet’en villages, marveled at the imaginative power of the totem poles and ceremonial objects, made field notes, shot 16mm film, collected stories and recorded mythic histories. Now, in 2020, growing numbers of these same Indigenous peoples have been threatening to bring the Canadian economy to a grinding halt. Unwilling to be bought off by corporate petrodollars or mollified by a legal system that has never done anything but pacify, brutalize, or betray them in the process of stealing their land, Indigenous peoples passionately fought back against the forces of colonial law and order in a radical whirlwind of willful disobedience and social disruption. One action built upon another in creating a rolling momentum that seemed unstoppable. When one railroad blockade would be busted by the Royal Canadian Mounted Police (RCMP), another would spring up in its place elsewhere extending the frontlines of the battle all across the continent. Then the debilitating Covid-19 virus arrived to compound the damage that had previously been done to the capitalist economy by the incendiary virus of revolt. The resistance of these Indigenous communities against the pipelines concerns all of us, worldwide, since they are on the front lines of the struggle to prevent cataclysmic climate change.

       ​In the future, a key question will be whether Canadian authorities can successfully put the genie of Indigenous rebellion back in the colonial bottle of “reconciliation”. As surrealists, we hope they will not, and we stand in solidarity with the unreconciled insurgent spirit of defiant Indigenous resistance. A new reality is to be invented and lived instead of the one that today as yesterday imposes its environmental miserabilism and its colonialist and racist hierarchies.  As surrealists, we honor our historical affinity with the Kwakwaka’wakw Peace Dance headdress that for so long had occupied a place of reverence in André Breton’s study during his lifetime before being ceremoniously returned in 2003 to Alert Bay on Cormorant Island by his daughter, Aube Elléouet, in keeping with her father’s wishes. With this former correspondence in mind, we presently assert that our ongoing desire to manifest the emancipation of the human community as distinctively undertaken in the surrealist domain of intervention is in perfect harmony with the fight of the Indigenous communities of the Americas against globalized Western Civilisation and its ecocidal folly.

                                                                                                               Surrealists in the United States: Gale Ahrens, Will Alexander, Andy Alper, Byron Baker, J.K. Bogartte, Eric Bragg, Thom Burns, Max Cafard, Casi Cline, Steven Cline, Jennifer Cohen, Laura Corsiglia, David Coulter, Jean-Jacques Dauben, Rikki Ducornet, Terri Engels, Barrett John Erickson, Alice Farley, Natalia Fernandez, Brandon Freels, Beth Garon, Paul Garon, Robert Green, Maurice Greenia, Brigitte Nicole Grice, Janice Hathaway, Dale Houstman, Karl Howeth, Joseph Jablonski, Timothy Robert Johnson, Robin D.G. Kelly, Paul McRandle, Irene Plazewska, Theresa Plese, Michael Stone-Richards, David Roediger, Penelope Rosemont, LaDonna Smith, Tamara Smith, Steve Smith, Abigail Susik, Sasha Vlad, Richard Waara, Joel Williams, Craig S. Wilson

Surrealists in the UK: Jay Blackwood, Paul Cowdell, Jill Fenton, Rachel Fijalkowski, Krzysztof Fijalkowski, Merl Fluin, Kathy Fox, Lorna Kirin, Rob Marsden, Douglas Park, Michel Remy, Wedgwood Steventon, Frank Wright, the Leeds Surrealist Group (Gareth Brown, Stephen J. Clark, Kenneth Cox, Luke Dominey, Amalia Higham, Bill Howe, Sarah Metcalf, Peter Overton, Jonathan Tarry, Martin Trippett), the London Surrealist Group (Stuart Inman, Philip Kane, Timothy B. Layden, Jane Sparkes, Darren Thomas) and the surrealists of Wales (Jean Bonnin, Neil Combs, David Greenslade, Jeremy Over, John Richardson, John Welson)

Surrealists in Paris: Ody Saban and The Surrealist Group of Paris (Elise Aru, Michèle Bachelet, Anny Bonnin, Massimo Borghese, Claude-Lucien Cauët, Taisiia Cherkasova, Sylwia Chrostowska, Hervé Delabarre, Alfredo Fernandes, Joël Gayraud, Régis Gayraud, Guy Girard, Michael Löwy, Pierre-André Sauvageot, Bertrand Schmitt, Sylvain Tanquerel, Virginia Tentindo, Michel Zimbacca)

Surrealists in Canada: Montréal (Jacques Desbiens, Peter Dube, Sabatini Lasiesta, Bernar Sancha), Toronto (Beatriz Hausner, Sherri Higgins), Québec City (David Nadeau), Victoria (Erik Volet), the Ottawa Surrealist Group (Jason Abdelhadi, Lake, Patrick Provonost) and the Inner Island Surrealist Group (as.matta, Jesse Gentes, Sheila Nopper, Ron Sakolsky)

The Surrealist Group of Madrid: Eugenio Castro, Andrés Devesa, Jesús Garcia Rodriguez, Vicente Gutiérrez Escudero, Lurdes Martinez, Noé Ortega, Antonio Ramirez, Jose Manuel Rojo, María Santana, Angel Zapata

Surrealists in Sweden: Johannes Bergmark, Erik Bohman, Kalle Eklund, Mattias Forshage, Riyota Kasamatsu, Michael Lundberg, Emma Lundenmark, Maja Lundgren, Kristoffer Noheden, Sebastian Osorio

Surrealists in Holland: Jan Bervoets, Elizé Bleys, Josse De Haan, Rik Lina, Hans Plomp, Pieter Schermer, Wijnand Steemers, Laurens Vancrevel, Her de Vries, Bastiaan Van der Velden

Surrealists in Brazil: Alex Januario, Mário Aldo Barnabé, Diego Cardoso, Elvio Fernandes, Beau Gomez, Rodrigo Qohen, Sergio Lima, Natan Schäfer, Renato Souza

Surrealists in Chile: Jaime Alfaro, Magdalena Benavente, Jorge Herrera F., Miguel Ángel Huerta, Ximena Olguín, Enrique de Santiago, Andrés Soto, Claudia Vila

 The Middle East and North Africa Surrealist Group: Algeria (Onfwan Foud), Egypt (Yasser Abdelkawy, Mohsen El-Belasy, Ghadah Kamal), Iraq (Miechel Al Raie), Syria (Tahani Jalloul), and Palestine (Fakhry Ratrout)

Surrealists in Prague: Frantisek Dryje, Joe Grim Feinberg, Katerina Pinosova, Martin Stejskal, Jan Svankmajer

The Athens Surrealist Group (Elias Melios, Sotiris Liontos, Nikos Stabakis, Theoni Tambaki, Thomas Typaldos, Marianna Xanthopoulou)

Surrealists in Costa Rica: Gaetano Andreoni, Amirah Gazel, Miguel Lohlé, Denis Magarman, Alfonso Peña

Surrealists in Buenos Aires: Silvia Guiard, Luís Conde, Alejandro Michel

Surrealists in Australia: Anthony Redmond, Michael Vandelaar, Tim White

Surrealists in Portugal: Miguel de Carvalho, Luiz Morgadinho

Surrealists in Bucharest (Dan Stanciu), Mexico (Susana Wald), and the Canary Islands (Jose Miguel Perez Corales)

 Postscript: During the process of gathering signatures for the above declaration, we were inspired to see its uncompromising stance against white supremacy and police repression reflected in the brightly sparkling flames of the Minneapolis uprising that lit a powder keg of pent-up rage and incited an earth-shaking eruption of spontaneous rebellion in the streets of America. It was only fitting that in solidarity with the uprising about police brutality kicked off by George Floyd’s execution/lynching at the hands of the police, anti-racism protestors in the United States would take direct action by beheading or bringing down statues of Christopher Columbus, genocidal symbol of the colonial expropriation of Native American lands. (Guy Girard, Michael Löwy, Penelope Rosemont, and Ron Sakolsky, June 18, 2020).