#Alvine Lucier
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"Extended Voices"
(LP. Odyssey. 1967) [US]
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#compilation#1967#usa#contemporary#avant garde#voice#experimental#pauline oliveros#alvin lucier#john cage#robert ashley#Toshi Ichiyanagi#morton feldman#gordon mumma#david tudor#records#Youtube
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Alvin Lucier
Not only composers, though—-many listeners seem to need this, too. “At last, something objective, they’re really trying—-god it sounds like they might be killing themselves, practically—-maybe this isn’t a waste of time, after all”
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You ever go back and listen to your own music? I've listened to this piece of mine about four times in the last week. I completely (digitally) ripped off Alvin Lucier's "I Am Sitting In A Room" to get the effect I wanted, as the mantra "Om Namah Shivaya" is repeated. Each repetition finds more reverberation applied to the previous mantra, until it loses all form, and then slowly reemerges. A devotional piece, to be sure.
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Alvin Lucier - Works for the Ever Present Orchestra Vol. II
Black Truffle
2023
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alvin lucier -- arrigoni bridge
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Alvin Lucier
Sound on Paper
from the lp Sferics
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No YOU'RE sitting in a room I'M getting up and stretching my legs cause they lost circulation again
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[yt]
just found the perfect tempo for pacing in my cage
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"Musicworks #41 : Phenomenascapes"
(cassette. Musicworks. 1988)
youtube
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THE RAND HOUSEHOLD HAS ALWAYS BEEN HAUNTED.
house at dusk by georges seurat, left behind by arieeart, i am sitting in a room by alvin lucier, the will by india lawton, scars by india lawton, unknown, splitting by gordon matta-clark, little words by the happy fits, carmen maria machado, chetungwan, witchitalk by pigeon pit, witchitalk genius annotations by pigeon pit, joan tierney, blood in the bayou, 3:56am millwood ave by alex prager
#frog weaves#web weaving#jrwi web weaving#jrwi#blood in the bayou#bitb#timothy rand#rachel rand#ive been chipping away at this thing. for fucking MOOONTHS.#but shes finally done. and im happy with her i think :]
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the deepest of cuts
Ernest Sits In A Room Different Than The One You Are In Right Now
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Chance Encounters #013
https://www.mixcloud.com/thomasmartinnutt/
Makoto Moroi, Dialect, Keith Fullerton Whitman, Denis Dufour, Daniel Bachman, Zhu Wenbo, Lionel Marchetti & Vanessa Rossetto, Alvin Lucier, Pyur, Christian Marclay & Otomo Yoshihide, Sole, Kiyoshi Mizutani & Daniel Menche, Lia Kohl, Yu Yiyi, Max Eilbacher, Matt Shoemaker, Audio Venture Corp., Digital Visitor, Little Creature Courses Thorough Content In Ribald Constance, Mabe Fratti, Klara Lewis & Yuki Tsujii, Bérangère Maximin, Keiji Haino & Loren Mazzacane Connors, Sons of Negus, Jonathan Skinner
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Also, what you have described with putting music in the saxophone – the great work of John Cage. I’ve noticed that no one talks about John Cage anymore. But in fact, the great work of John Cage, the great work of Alvin Lucier, the great work of Pauline Oliveros, part of our responsibilities, in my opinion, is to help the younger people learn about who’s doing what, and what in particular has come from what. As far as I’m concerned the great work of Johann Sebastian Bach is still relevant, and still revolutionary. When I go back, I’m trying to study the early Egyptian musics. Great masters like Oum Kalthoum. We should never forget, or at least I should never forget, that music is as much a mystical discipline as a sonic discipline, or iconic discipline. And so this is why I feel like everything is possible as we continue to move forward.
Anthony Braxton, interview from The Quietus
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Alvin Lucier
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