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#Album ain't even out and I'm here making a meme
apocalypta-secundus · 2 years
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Disturbed - Divisive Roleplay Meme
Divisive
You won't listen to me.
You won't speak to me.
Stop judging me.
You're just another monster.
You just can't seem to fill that whole in your heart.
Hatred will never go away.
Don't listen to me.
Don't speak to me.
What are you fulfilling?
Hey You
Have you had enough of it?
Are you angered enough?
Are you losing your mind?
Inner peace isn't easy to find.
Are you strong enough to stop jumping in?
Hey you, walking away, you've got the wrong kind of mindset and it's helping no one.
That shit keeps rotting your mind.
Can you feel the effect of it?
Have you woken up?
Do you still deny?
Are you gonna comply?
This world is so full of it, madness is easy to find.
Is it bad enough?
You know you can't let go.
Unstoppable
You're never gonna stop me.
I'm the nightmare you've been dreaming of.
Let me show you what I'm made of.
This is just the beginning.
Let me tell you something, there's no where left for you to hide.
You won't see me coming.
I can end your life with not a sound.
Hear me now.
I've fulfilled my vow.
There's no escape.
I am unstoppable.
This judgment can't be undone.
Vengeance is coming.
Believe it now, you won't survive.
Don't bother running.
It's over this time.
You're going to pay now for all that you've taken.
Bad Man
Is it ever enough?
Will you ever find a new obsession?
You can never return.
You're never gonna find redemption now.
Oh, innocents always have to die by your hand.
No, I will never understand.
They're all victims.
Need to settle a score.
There's no way that you can be forgiven now.
Love to Hate
I hear voices screaming for the ones they want to die.
I feel my heart rate speeding in anticipation
I think all of us have taken things a bit too far.
Everybody just loves to hate
You'll finally know you're right
When there's no one left to fight.
Why do we love to hate?
I can see a battle raging that we're never gonna win
I keep hope alive, but tell me, where do we begin?
Feeding the Fire
I keep looking for this one thing.
Looking for something.
Looking for anything.
I'm not taking it anymore.
I'll be breaking down the door.
I've been waiting for this one, yearning for someone.
I stand ready to give you what you need.
We all need a release.
We're all dying to live again.
Don't Tell Me
We know we should turn and walk away.
We can't help but cause more pain.
Here we are once again.
Am I supposed to let you go?
I can't live my life without you.
I can't believe how much this hurts.
How can I let you go?
Take Back Your Life
Don't sit there and watch it fall apart.
There's no one coming to save you.
You've gotta make your stand now.
Time to let go of what used to be now.
Do not let this moment pass you by.
Show the world what you were meant to be now.
Let them hear your voice like never before.
You know it's time, my friend, to start living again.
Part of Me
I never wanted to be like this.
I never wanted to feel anything.
I never asked for anyone to penetrate my heart.
You were the one that made me like this.
I feel defeated.
I've been torn apart.
You were a part of me, you've taken everything
I see the future.
I never wanted to feel hopeless.
I'm terrified of everything.
I walk around feeling lifeless.
I fantasize destroying everything.
Won't Back Down
I didn't want to march into the fray.
I know I'll never make the same mistake again
I won't back down.
I won't back down from this fight
I won't be denied.
I'm somebody who cannot pretend.
I refuse to drown in my shame.
I will never fail to stand my ground again.
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myfanwymusings · 1 year
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TAYLOR SWIFT - MIDNIGHTS (COMPLETE COLLECTION)
These lyrics come from Taylor Swift’s 2022 album, Midnights. It is her tenth studio album, and the fifth that she has owned fully. Lyrics may be modified to better fit roleplay situation, please feel free to adjust to your needs. Additionally, two solo tracks that were released in this era. This meme includes all standard tracks, Three A.M. tracks, The Late Night Edition vault track, the Til' Dawn Remixes, and any lyric changes in remixes. "Snow on the Beach (Feat. More Lana Del Rey)" was excluded due to no new lyrics.
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LAVENDER HAZE
Meet me at midnight
You don't ever say too much
You don't really read into my melancholia
I find it dizzying
They're bringing up my history
All that shit is new to me
I feel that lavender haze creeping up on me
I'm damned if i do give a damn what people say
No deal
I just wanna stay in that lavender haze
All they keep asking me is if I'm gonna be your bride
The only kind of girl they see is a "one night" or a bride
You weren't even listening
Talk your talk
I just want this love spiral
Get it off my chest
Get it off my desk
MAROON
We lost track of time again
You were my closest friend
How'd we end up on the floor anyway?
Your roommates cheap-ass screw-top rose, that's how.
I see you every day now
I chose you
You were the one i was dancing with in New York
It was maroon
How the hell did we lose sight of us again?
How the hell did we lose sight?
Ain't that the way shit always ends?
I feel you no matter what
I lost you
I wake with your memory
I wake with your memory over me
That's a real fucking legacy
ANTI-HERO
I have this thing where i get older but just never wiser
Midnights have become my afternoons
My depression works the graveyard shift
I should not be left to my own devices
I wake up screaming from dreaming
wake up screaming from dreaming one day, I'll watch as your leaving
I wake up screaming from dreaming one day. I'll watch as you're leaving cause you got tired of my scheming
You got tired of my scheming
It's me, hi
I'm the problem, it's me
It must be exhausting, always rooting for the anti-hero
Sometimes, I feel like everybody is a sexy baby
Did you hear my covert narcissism might disguise as altruism?
Did you hear my covert narcissism might disguise as altruism, like some kind of congressman?
Life would lose all it's meaning for the last time
I have this dream my daughter-in-law kills me for the money she thinks I've left them in the will
She's laughing up at us from hell
SNOW ON THE BEACH (FEAT. LANA DEL REY)
One night, a few moons ago, I saw flecks of what could've been lights but it might just have been you passing by unbeknownst to me
Life is emotionally abusive
Time can't stop me quite like you did
My flight was awful
Thanks for asking
My flight was awful, thanks for asking
I'm unglued, thanks to you
It's like snow on the beach - weird, but fucking beautiful
You wanting me tonight feels impossible
It's coming down
It's all around
This scene feels like what I once saw on a screen
I searched "aurora borealis green"
I've never seen someone lit from within
Your smile feels like I've won a contest
To hide that would be so dishonest
It's fine to fake it til you make it
I can't speak, afraid to jinx it
I don't dare to even wish it
Can this be the real thing, can it?
YOU'RE ON YOUR OWN, KID
Summer went away, still, the yearning stays
It's okay, we're the best of friends
I hear it in your voice, you're smoking with your boys
I didn't choose this town, I dream of getting out
There's just one who could make me stay here for all my days
I waited ages to see you there
I search the party of better bodies, just to learn that you never cared
You're on your own, kid
You always have been
You're on your own, kid. You always have been
I see the great escape
I picked the petals, he loves me not
I'll run away
I called a taxi to take me there
I search the party of better bodies, just to learn that my dreams aren't rare
I gave my blood, sweat, and tears for this
I hosted parties and starved my body like I'd be saved by a perfect kiss
The jokes weren't funny,
I took the money
My friends from home don't know what to say
I saw something they can't take away
Everything you lose is a step you take
So, make the friendship bracelets, take the moment and taste it
You've got no reason to be afraid
You're on your own, kid. Yeah, you can face this
MIDNIGHT RAIN
He wanted it comfortable, I wanted that pain
He wanted a bride, I was making my own name
He stayed the same
All of me changed like midnight rain
My town was a wasteland, full of cages and full of fences but for some it was paradise
For some, it was paradise
My boy was a montage in slow-motion, of love potions and jumping off things into the ocean
I broke his heart cause he was nice
He was sunshine, I was midnight rain
He was sunshine
I was midnight rain
He wanted comfortable
I wanted that pain
He wanted a bride
I was making my own name, chasing the fame
It was the life I gave away
I guess sometimes we all get just what we wanted
He never thinks of me, except for when I'm on TV
He never thinks of me
I guess sometimes we all get some kind of haunted
I never think of him
I never think of him except on Midnights like this
QUESTION ...?
I remember
We had one thing going on and I swear that it was something
I don't remember who I was before you painted all my nights a colour I have searched for since
It's one thing after another
I have to say, by the way, that I just may like some explanations
Can I ask you a question?
Did you ever have someone kiss you in a crowded room?
Then what did you do?
Did you leave her house in the middle of the night?
Did you wish you'd put up more of a fight?
When she said it was too much, did you wish you could still touch her?
It's just a question?
Did you realize out of time?
You're not sure and I don't know
I just may like to have a conversation
Does it feel like everything is just like second best after that meteor strike?
What's that, that I heard? That your still with her?
That's nice, I'm sure that's what suitable and right
BEJEWELED
Baby love, I think I've been a little too kind
I think I've been a little too kind
I didn't notice you walking all over my peace of mind in the shoes I gave you as a present
Putting someone first only works when you're in their top five
By the way, I'm going out tonight
You best believe I'm still bejeweled
When I walk in the room, I can still make the whole place shimmer
Do you have a man?
I don't remember
Familiarity breeds contempt
Don't put mе in the basement, whеn I want the penthouse of your heart
I polish up real nice
Baby boy, I think I've been too good of a girl
I did all the extra credit, then got graded on a curve
I think it's time to teach some lessons
I made you my world, but have you heard that I can reclaim the land
I miss you but I miss sparkling
I miss you
I miss sparkling
Sadness became my whole sky
Some guy said my aura's moonstone, just 'cause he was high
You can try to change my mind but you might have to wait in line
What's a girl gonna do?
A diamond's gotta shine
VIGILANTE SHIT
Draw the cat eye sharp enough to kill a man
You did some bad things, but I'm the worst of them
Sometimes I wonder which one will be your last lie
They say that looks can kill and I might try
I don't dress for women
I don't dress for men
Lately, I've been dressing for revenge
I don't start shit but I can tell you how it ends
Don't get sad, get even
On the weekends, I don't dress for friends
She needed cold, hard proof, so I gave her some
She had the envelope, where you think she got it from?
Now she gets the house, gets the kids, gets the pride
Picture me thick as thieves with your ex-wife
She looks so pretty driving in your Benz
Lately, she's been dressing for revenge
She don't start shit, but she can tell you how it ends
So on the weekends, she don't dress for friends
Ladies always rise above
Ladies know that people want someone sweet and kind and fun
The lady simply had enough
While he was doing lines, and crossing all of mine, someone told his white collar crimes to the FBI
Someone told his white collar crimes to the FBI
I don't dress for villains or for innocents
I'm on my vigilante shit again
LABYRINTH
It only hurts this much right now
Breathe in, breathe through, breathe deep, breathe out
I'll be getting over you my whole life
You know how scared I am of elevators, never trust it if it rises fast
It can't last
Uh-oh, I'm falling in love
Oh no, I'm falling in love again
Oh, I'm falling in love
I thought the plane was going down, how'd you turn it right around?
It only feels this raw right now
I'm lost in the labyrinth of my mind
You would break your back to make me break a smile
You know how much I hate that everybody just expects me to bounce back.
Just like that
KARMA
You're talking shit for the hell of it
Addicted to betrayal, but you're relevant
You're terrified to look down cause if you dare, you'll see the glare of everyone you burned just to get there
It's coming back around
I keep my side of the street clean, you wouldn't know what I mean
Karma is my boyfriend
Karma is a god
Karma is the breeze in my hair on the weekend
Karma's a relaxing thought, aren't you envious that for you it's not?
Karma is a cat purring in my lap, cause it loves me
Me and karma vibe like that
My pennies made your crown
Don't you know that cash ain't the only price?
It's coming back around
Ask me what I've learned from all those years
Ask me what I've earned from all those tears
Ask me why so many fade but I'm still here
Karma is the thunder rattling the ground
Karma's on your scent like a bounty hunter
Karma's gonna track you down, step by step from town to town
Karma is queen
Karma takes all my friends to the summit
Karma is the guy on the screen coming straight home to me
SWEET NOTHING
I spy with my little tired eye, as tiny as a firefly, a pebble that we picked up last July down deep inside your pocket
We almost forgot it
Do they ever miss Wicklow sometimes?
They say the end is coming
Everyone's up to something
I come home running to your sweet nothings
All that you've ever wanted from me was sweet nothing
On the way home, I wrote a poem
What a mind!
This happens all the time
Industry disruptors and soul deconstructors and smooth talking hucksters are glad handing each other
All the voices all implore that I should be doing more
I'm just too soft for all of it
MASTERMIND
Once upon a time, the planets and the fates and all the stars aligned so that you and I would end up in the same room at the same time
The touch of your hand lit the fuse for a chain reaction of counter moves to assess the equation of you
Checkmate, I couldn't lose
What if I told you none of it was accidental?
The first time that you saw me, I knew that nothing was gonna stop me
I laid the groundwork
Just like clockwork, the domino's cascaded in a line
What if I told you I'm a mastermind?
Now you're mine
It was all by design
I'm a mastermind
All the wisest women had to do it this way
All the wisest women had to do it this way cause we were born to be the pawn in every lovers game
We were born to be the pawn in every lovers game
If you fail to plan then you plan to fail
I'm the wind in our free-flowing sails and the liquor in our cocktails
No one wanted to play with me as a little kid, so I've been scheming like a criminal ever since to make them love me and make it seem effortless
No one wanted to play with me as a little kid
I've been scheming like a criminal ever since
This is the first time that I feel the need to confess
I swear that I'm only cryptic and Machiavellian cause I care
I told you none of it was accidental
The first time that you saw me I knew i wanted your body
You knew the entire time!?
You knew that I'm a mastermind
I'm a mastermind and now you're mine
THE GREAT WAR
My knuckles were bruised like violets from sucker punching walls,
I cursed you as I sleep-talked
I was spineless in my tomb of silence
I tore the banners down, and took the battle underground
Maybe it was the egos swinging
Maybe it was her
The flashes of the battle come back to me in a blur
All that bloodshed in crimson clover
The sweet dream was over
My hand was the one you reached for all throughout the Great War
We'll always remember
I vow not to cry anymore if we survived the Great War
You drew up some good faith treaties
I drew curtains closed and drank my poison all alone
You said I have to trust more freely
Diesel is desire, you were playing with fire
Maybe it's the past that's talking, screaming from the crypt, telling me to punish you for things you never did
I justified it
The bombs were closer
My hand was the one you reached for
All throughout the Great War
I'll always remember the burning embers
I vowed not to fight anymore if we survived the Great War
It turned into something bigger
Somewhere in the haze, got a sense I'd been betrayed
But you looked up at me with honor and truth
I called off the troops
That was the night I nearly lost you
I really thought I'd lost you
We can plant a memory garden
Say a solemn prayer
I'll place a poppy in my hair
There's no morning glory, it was war, it wasn't fair
We will never go back
BIGGER THAN THE WHOLE SKY
No words appear before me in the aftermath
Every single thing I touch becomes sick with sadness
It's all over now, all out to sea
Goodbye, goodbye, goodbye
You were bigger than the whole sky
You were more than just a short time
I've got a lot to pine about
I've got a lot to live without
I'm never gonna meet what could've been, would've been, what should've been you
Did some force take you because I didn't pray?
Every single thing to come has turned into ashes
It's all over, it's not meant to be
I'll say words I don't believe
PARIS
Your ex-friend's sister met someone at a club and he kissed her. Turns out, it was that guy you hooked up with ages ago. Some wannabe Z-lister. And all the outfits were terrible. 2003 unbearable. Did you see the photos?
Your ex-friend's sister, met someone at a club and he kissed her.
It was that guy you hooked up with ages ago
All the outfits were terrible
Did you see the photos?
No, I didn't, but thanks, though
I'm so in love that I might stop breathing
No, I didn't see the news
We were somewhere else
I was taken by the view
We were in Paris
The privacy sign's on the door
Romance is not dead if you keep it just yours
Sit quiet by my side in the shade.
I wanna brainwash you into loving me forever
I wanna transport you to somewhere the culture's clever
I want to confess my truth in swooping, sloping, cursive letters
HIGH INFIDELITY
You said I was freeloading
I didn't know you were keeping count
Put on your records and regret me
I bent the truth too far tonight and I was dancing around it
Put on your headphones and burn my city
Your picket fence is sharp as knives
Do you really wanna know where I was April 29th?
Do I really have to chart the constellations in his eyes?
Storm coming, good husband
I dragged my feet right down the aisle
I'd pay if you'd just know me
It seemed like the right thing at the time
You know there's many different ways that you can kill the one you love, the slowest way is never loving them enough
You know there's many different ways that you can kill the one you love
Do I really have to tell you how he brought me back to life?
It's never enough
GLITCH
We were supposed to be just friends
You don't live in my part of town, but maybe I'll see you out some weekend depending on what kind of mood and situationship I'm in and what's in my system
You don't live in my part of town
Maybe I'll see you out some weekend depending on what kind of mood and situationship
What's in my system?
I think there's been a glitch.
I'm not even sorry
It must be counterfeit
I was supposed to sweat you out
In search of glorious happenings of happenstance on someone else's playground
It's been two-thousand one-hundred ninety days of our love blackout
Our love is blacking out
The system's breaking down
I'll go back to wanting dudes who give nothing
I thought we had no chance
That's romance.
Let's dance
WOULD'VE COULD'VE SHOULD'VE
If you would've blinked, then I would've looked away at the first glance
If you tasted poison, you could've spit me out at the first chance
And if I was some paint, did it splatter on a promising grown man?
If I was a child, did it matter, if you got to wash your hands?
All I used to do was pray: would've, could've, should've
If you'd never looked my way, I would've stayed on my knees
I damn sure never would've danced with the devil a5 nineteen
The God's honest truth is that the pain was heaven
Now that I'm grown, I'm scared of ghosts
Memories feel like weapons
Now that I know, I wish you'd left me wondering
If you never touched me, I would've gone along with the righteous
If I never blushed, then they could've never whispered about this
If you never saved me from boredom I could've gone on as I was
Lord, you made me feel important until you tried to erase us
You're a crisis of my faith
If I'd only played it safe
I would've stayed on my knees and I damn sure never would've danced with the devil at nineteen
God rest my soul
I miss who I used to be
The tomb won't close
I regret you all the time
I can't let this go
I fight with you in my sleep
The wound won't close
I keep on waiting for a sign
I regret you all the time
If clarity's in death, then why won't this die?
Living for the thrill of hitting you where it hurts
Give me back my girlhood, it was mine first
DEAR READER
If it feels like a trap, you're already in one
Get out your map. Pick somewhere and just run
Burn all the files
Desert all your past lives. If you don't recognize yourself that means you did it right
Never take advice from someone who's falling apart
You should find another
Bend when you can, snap when you have to
You don't have to answer just cause they asked you
The greatest of luxuries is your secrets
When you aim at the devil make sure you don't miss
I wander through these nights
I prefer hiding in plain sight
These are desperate prayers of a cursed man, spilling out to you for free
Darling, darling, please
You wouldn't take my word for it if you knew who was talking
I'm walking to a house, not a home, all alone 'cause nobody's there
I pace in my pen and my friends found friends who care
No one sees when you lose when you're playing solitaire
You should find another guiding light, but I shine so bright
HITS DIFFERENT
I washed my hands of us at the club
You made a mess of me
I pictured you with other girls in love, then threw up on the street
They say that if it's right, you know
Each bar plays our song and nothing has ever felt so wrong
Oh my, love is a lie
It hits different
It hits different this time
Moving on was always easy for me to do
It hits different 'cause it's you
I used to switch out these Kens and just ghost
Just rip the Band-Aid off and skip town like an asshole outlaw
Freedom felt like summer then on the coast but now the sun burns my heart and the sand hurts my feelings
I never don't cry at the bar
My sadness is contagious
I slurred your name 'til someone puts me in a car
I stopped receiving invitations
I found the artifacts
I cried over a hat
Curse the space that I needed
I'll trace the evidence to make it make some sense
Why's the wound is still bleeding?
You were the one that I loved
You don't need another metaphor, it's simple enough
This is why they shouldn't kill off the main guy
In the good in the world, you once believed in me
I felt you and I held you for a while
I could still melt your world
I heard your key turn in the door down the hallway
Is that your key in the door?
Is it okay?
Is it you?
Have they come to take me away?
KARMA (FEAT. ICE SPICE)
Karma is that girl
Karma is your chеck about to bounce
Karma is a fire in your house
She's about to pop up unannounced
She is never leaving you alone
Now your switching up your behavior
It's okay, baby, you ain't gotta worry
Karma never gets lazy
Keep your head up
I won't let up
Karma is a beauty winning that pageant
YOU'RE LOSING ME
I don't understand
I know you don't
We thought a cure would come through in time, now, I fear it won't
I remember looking at this room, and loving it cause of the light
I just sit in the dark and wonder if it's time
Do I throw out everything we built or keep it?
I'm getting tired even for a phoenix that's always rising from the ashes and mending all my gashes
You might just have dealt the final blow
Stop, you're losing me
I can't find a pulse
My heart won't start anymore for you
You're losing me
Every morning, I glared at you with storms in my eyes
How can you say that you love someone you can't tell is dying?
I sent you signals
My face was gray, but you wouldn't admit that we were sick
The air is thick with loss and indecision
I know my pain is such an imposition
You know what they all say
You don't know what you got until it's gone
How long could we be a sad song?
We were too far gone to bring back to life
I gave you all my best me's and my endless empathy
All I did was bleed as I tried to be the bravest soldier fighting in only your army
Don't you ignore me
I'm the best thing at this party
I wouldn't marry me either
I'm a pathological people pleaser who only wanted you to see her
I'm fading
Do something, babe, say something
Lose something, babe, risk something
"Choose something, babe,
I got nothing to believe, unless you're choosing me
My heart won't start anymore
ANTI-HERO (FEAT. BLEACHERS)
Sometimes, I feel like everybody is an art bro lately
I just judge them on the hill
Maybe I'm the problem, it's me
____, you'll be fine
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shinygoku · 20 days
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Magical Mystery Tour (1967)
Rare American Beatle Album W ! The original English release was only the newest songs that was used in their TV Special, and while they were good, it was shockingly short, so this version was beefed up by kidnapping Penny Lane and Strawberry Fields Forever, as well and sticking a couple other singles and the song written for a special BBC Show to promote unity – All You Need Is Love. The way I phrased it makes it seem a bit haphazard, but are the results surprisingly harmonious, if less themed that Sgt Pepper?
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Frankly, this is my least favourite cover so far. Both the UK version, which is just the inner picture, and this border'd and song listing US take, it's so busy yet visually uninteresting. They're in their hideous animal masks (you guys are wealthy enough to have bespoke fursuits made!!) and the stars spelling out BEATLES [where's the The?] just look offputting, and I like the US Border clouds more as a design cue to follow but it doesn't gel with anything else, including the inconsistently formatted names of the tracks. But let's not judge the book by it's cover...
SIDE ONE
Magical Mystery Tour: Roll Uuuuuup! For those who ain't sure, a Mystery Tour is something that was once quite common on British Holidays, or Staycations. When in your place away from home, one of the forms of "entertainment" would be crowding onto a bus to be driven to an unknown destination, a place of local interest or tourist hotspot. It sounds rubbish to me, but in the pre-internet days they had some popularity. Anyway, the song itself does not sound rubbish at all, though it's basic structure with minimal variation isn't particularly enchanting, or magical, either. The spoken words adds a little bit of interest, like of the ticket seller trying to snag attention and customers. A middle-of-the-road song for the big yellow bus!
The Fool On The Hill: The first time I heard this, when the Recorder piped in I was like "oh nooooo" but such is Paul's Power that not only does it work, but this song is one'a my favourites! Kind of a spiritual sequel to Nowhere Man, but this time instead of an obliviously lost individual aimlessly wandering, the "Fool" is actually very wise and it's everyone else shunning him from their own small mindedness. Even with this melancholy text, the music is jaunty and melodic and one I go back to often~ (and check out the '23 mix to hear how many different instruments are used in it!!)
Flying: One of the most odd-one-out of their whole discography! No lyrics, only instruments! And credited to the whole group, at that?! It makes very groovy background music, though as I'm not watching the visuals that were in the TV Special, I have to imagine the colours swirling myself lol - It seems to take a moody turn towards the end which makes me like it less, but it does flow better into the next song that way...
Blue Jay Way: What sounds lovely based on the title is actually named after some treacherous roads! Where people are lost at night and George is waiting for them to arrive and constantly reasserting "Please don't be long" This one makes me feel anxious :( I wanted to put the "Mom pick me up I'm scared" meme here but it messed up the formatting. Obviously to be dread-inducing is the intent, but it means I also avoid it like the plague. Well done? It's great at making something sound unpleasant, so objectively it's a success but for me I have to reject it. And even if ya like it, it doesn't half keep not ending! It goes on and on and on and on and on and on and on and on and on and on and on and on and on........... and on and on!
Your Mother Should Know: Ooooh I love this one!! Another very repetitive song, but upkey and good at coaxing me into movement! It sounds much more sincere and sweet than many, encouraging the audience to connect with the older generation as they may be privy to knowledge ya wouldn't have had otherwise. Also kinda funny for the "Your Momma So Old" style, but again, a genuine Nice Song without hidden cynicism for once XD;;
I Am The Walrus: Possibly John's most iconic song if not for the competition... If Lucy in the Sky was evocative of Lewis Carroll, this one is full blast, and only in part to the Walrus being from the Walrus and the Carpenter story within a story from Through The Looking Glass. The nonsense words strung together form something akin to being spoken to in a language you barely understand, and yet the flow of the music keeps the interest and oddly catchy nature running. Woven throughout all that is some dope instrumentals, like the Strings and Drums, and the odd turn it takes towards the end as a radio broadcast appears (again, the '23 picks this out nice and clearly~). It's another song I prefer to listen to in the daytime as the repetition at the end, orchestra fade in and radio static is a bit spooky XD;; – Apparently the BBC banned this song for a while from the line about knickers lmao. And this song inspired Dr Eggman in the Sonic the Hedgehog series!! Goo Goo G'joob!
SIDE TWO
Hello Goodbye: Paul is back with another upbeat seemingly simple ditty that I'm quite partial to! Of note is the drums and guitar flourishes and the counter vocals and the clever use of Aloha in the coda, but other than this being fun I don't have a lot to talk about. A good candyfloss type song, not much substance but a nice treat~ Oh, and watch the video! It's heavily Paul Energy but that makes is a funny lark with the boys wearing their fetching Sgt Peppers gear and even a nostalgic if odd Collarless Suits moment XD
Strawberry Fields Forever: One of John's very strongest songs, based on his childhood days messing around in the grounds of a children's home in Liverpool (seemingly these were unattended or he never got kicked out for trespassing lol). This song notably uses a Mellotron, an organ like contraption that inconsistently plays sound samples, as well as making interesting use of more conventional instruments, like the hard percussion found throughout and the odd little twangs of something at various points. This also famously is made up of two different takes played at different speeds, overlapping, which all enhances the eerie, dreamlike feel.
It's not entirely coherent, but this song feels like it has something to say about nostalgia and being able to connect with others. It also has a lovely music video of the lads larking about in a field (no strawberries, though!) and painting a piano that seems to be connected to a tree as another curious instrument. But there's a dark side to this hazy song that kicks in towards the end and with the coda; the drums get heavier, brass sounds like sirens, and John's distorted CRANBERRY SAUCE leave this with a slightly unsettling, but extremely memorable vibe. Peak John, everyone~
Penny Lane: One of Paul's very strongest songs, made in response to Strawberry Fields and thus also incorporating a big dose of Childhood in Liverpool nostalgia. This one stays brighter throughout, and seemingly much simpler, though a closer listen will shed more light on surreal moments and even innuendo. The chord progression is pleasing and little extra sound effects and the piccolo trumpet add further interest to the expected high quality.
This one also has a slightly off ending, this time the sounds trailing off with the cymbal seemingly left to resonate. The music video is another feature of interest, cutting between the real locale and the Boys riding on horseback to reach a fancy tea party, which is later upturned. The two songs feel like two sides of a coin and I'm so fond of both, oddities and all!
Baby You're A Rich Man: Apparently the manager of the band, Brian Epstein, really didn't like this one and thought it was directed at him? And I know that John in particular was mean sometimes, though all I have is hearsay, and no way of knowing if that was his intent or an unfortunate miscommunication. This is made a hotter topic by the allegations that the last spoken title in this is using an altered line to be more insulting ...I don't know if I hear it or the power of suggestion is in play, so I'm not writing it out. But if true then yeah, it's very tacky and uncool. Other than all that, I'm not that wowed by this one. It's whatever, falls way short of the other nonsense lines like Walrus and their musical instrument skill is always a high standard. I only slightly prefer to listen to it than Blue Jay Way as it doesn't fill me with dread, just Nothing.
All You Need Is Love: I find it a little odd how it starts of with the French national anthem, but for a very basic song on the surface I really dig it. They're right! Love for fellow man, for interests, for the world we live in, and more! That's what it's all about, baybee! Not just one kind but all sorts of Love!! The messages of encouragement for being oneself and trying things out, and the extremely raw, passionate reprise of She Loves You (YEAAHHH YEAH YEAH) helps carry this simple ditty into one I always look forward to – and its use in Yellow Submarine has even more gravitas! Believe Me!!
CONCLUSION
Best 3: The Fool On The Hill, Strawberry Fields Forever, Penny Lane
Blurst 3: Flying, Blue Jay Way, Baby You're A Rich Man
Overall Quality?: We have a slightly awkward moment here, as the two easily best numbers weren't meant to go with the songs under the Magical Mystery Tour banner, and rather outshine them. Such things do occur when going against the authors' intent, which technically this album is...! But, like the yt upload of TFOTH with Paul prancing around on French hills, it was rather too short for the liking of consumers... XD;; (For what it's worth, my Best 3 picks from the UK ver of MMT would be TFOTH, IAMTW and YMSK)
So yeah, SFF and PL really are stolen valour that should have gone into Sgt Pepper.... though that may've made an album too packed for its own good! But ouughhh, the themes really do tie into that album more, while the MMT originals having a more ....mysterious and magical, I s'pose, energy to 'em was the point. And then there's the other singles stapled on, some I really like and then BYARM which I think sucks. Still though, the album is very much more Hits than Misses, and I only have Flying on the Blurst list as it lacking vocals means it's hard for it to compete with the clever and/or fun of the songs that do have more words. To sum it all up I'd say it's Eclectic.
🪲🪲🪲🪲
So, back to the Band's intended canon next and it's ...The Beatles. Much better known as The White Album, but given how very long it is, for my own sanity I may hafta keep each mini-review for the songs short, or else it wouldn't be done in time! ^^;;;
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jdiep95 · 5 years
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Mariah Carey: Top 10 Most Iconic Songs
To celebrate the holiday season, which has really become the season of Mariah Carey this year, and “#All I Want For Christmas Is You” finally becoming a #1 single, I am sharing with you my “Top” lists of MC songs every Monday and Tuesday up until the 25th. For example, we’re going to start things off with the Top 10 Most Iconic Mariah Carey songs; on Tuesday, we’ll look at remixes. All songs mentioned these lists can be found on streaming services (e.g. Spotify and Apple Music). That means deep, deep cuts like “Slipping Away” off the B-side of the “Always Be My Baby” single, and “Help Me Make It (Through the Night)”, Mariah’s cover of a country song, which aren’t available, aren’t included. Unfortunately, that also means the entire Glitter soundtrack will not be mentioned as it is not yet available for streaming. #JusticeForGlitter #Loverboy2020 Let's make Loverboy MC's 20th #1 in 2020!!
To explore the most iconic MC songs, we have to look at streaming numbers (based on Spotify data, accurate as of Dec. 2019), MV views (based on YouTube data, accurate as of Dec. 2019), appearances on concert set lists, but also it’s prevalence outside of the Mariah fan base. “Butterfly” is an iconic ballad within the fan base, but pales compared to another empowering song like “Hero”, which non-MC fans most likely know even if they hate Mariah.
Is the list TL;DR? No worries. I compiled each list into a respective playlist, starting from No. 10 and ending at No. 1, so you get to listen to the Most Iconic MC songs while on the go.
https://open.spotify.com/user/jdiep95/playlist/1T0OU0p1cjR82LV1XX7f7j?si=AT9_aL0kSgmxySvIasZjsw
10. “My All” Butterfly
No. of streams: 37 182 150
MV views: 142M
“My All” makes its way into almost all of MC’s concert set lists since its release in 1997, appearing most recently in Mariah’s Caution World Tour. In this way, it gathers a lot more exposure than some of her other #1’s, such as “Dreamlover” or “Honey”. Despite its relatively low number of streams compared to other songs on this list, the number of views for the main music video is actually placed sixth on this list, and for good reason. The MV for “My All” is arguably the most artistic of MC’s catalogue, if not at least the steamiest. The video is in black-and-white, and features Mariah Carey floating on water with cutscenes of some hot model. The song appeals to a more specific audience, mainly adults, but the incorporation of Latin guitars will evoke a certain headiness seen only in a handful of Mariah songs.
9. “Vision of Love” Mariah Carey
No. of streams: 25 938 743
MV views: 25M + 2.6M*
*Includes a live version from the Daydream World Tour released on Mariah Carey’s official Vevo channel
This may be confusing; overall, “Vision of Love” received the least views and least streams of any of the songs listed here. Why is it not last on the list? Unlike “My All”, this song is one for the entire family. Don’t believe me? Many popular artists of the 2000s cited this song as their inspiration, including the great Beyoncé. Besides the complex runs, which becomes more complex in the live version, “Vision of Love” is a peer into Mariah’s vocal range, from her lows (E♭3) to a signature whistle note (C7), and a blend of genres, including pop, R&B and gospel. Even if it spawned a generation of over-singing vocalists, this was MC’s debut, a tour de force that inspired a new generation of singers. And thanks to its prevalence in Mariah’s concert set lists, it could very well even be inspiring this new generation.
8. “Fantasy” Daydream
No. of streams: 85 048 626 + 24 904 151*
MV views: 58M + 11M*
*Includes the “Bad Boy Fantasy Remix” featuring O.D.B.
“Fantasy” is a bop, and arguably the song that pushed Mariah to super stardom. Despite being nominated in six categories and controversially winning nothing on the night of the 38th Grammy Awards, Daydream cemented MC’s status in the music industry. “Fantasy” was the album’s leading track, and it became the first ever single by a female artist to debut #1 on the Billboard Hot 100 chart. It stayed there eight consecutive weeks. If the pop version isn’t iconic enough, with the music video featuring Mariah riding on a roller coaster, the remix with O.D.B. is arguably just as famous, if not more so. The “Bad Boy Fantasy Remix” introduced the featured rapper formula into mainstream music, a formula that’s practically standard in the industry nowadays.
7. “Always Be My Baby” Daydream
No. of streams: 148 422 869
MV views: 162M
Yet, the numbers for "Fantasy" cannot compete with this song. A reason for this is perhaps a lack of airplay; “Fantasy” is danceable but there’s no hook.“Always Be My Baby” was the third single off the Daydream album. After breaking records with “Fantasy”, by debuting at #1, and “One Sweet Day”, for logging 16 weeks at #1, “Always Be My Baby” debuted at #2 and logged only 2 weeks at #1; however, the stats show how age has affected the song’s popularity with the MV views for “Always Be My Baby” doubling those of “Fantasy”. “Fantasy” takes more of a backseat in Mariah’s concert set lists. “One Sweet Day” almost faded into obscurity before it made a resurgence this decade when songs like “Despacito” and “Old Town Road” rivalled its chart records; it’s also made a reappearance on set lists. All of this is to illustrate that “Always Be My Baby” has always been a staple, a favourite amongst fans and the general listeners. The song has many great Mariah moments, but what really latches on and sets the ground for “Always Be My Baby” to play on is the opening “Doo doo doo”. This song does what “Fantasy” didn’t do, and that’s creating a feeling. The song and the music video is a perfect pairing. You listen to the song, and you are reminded of sitting by a firepit, reminiscing about a significant first love that’s no longer, the exact imagery that’s been replicated by the MV; this is probably why it has so many views.
6. “Touch My Body” E=MC²
No. of streams: 64 797 196
MV views: 185M
“Touch My Body” is Mariah’s second-most recent #1 single of her 19 chart-toppers, and the leading single to the 2008 album E=MC². Although its release was in the middle of February, the song really transports you to an eternal summer. The song received its fair share of critiques, including more than a couple that said “Touch My Body” lacks Mariah’s 5-octave range; nonetheless, if MC’s previous album, The Emancipation of Mimi, was MC’s comeback, this single solidified her status as 'the diva' with a new decade of listeners. It’ll be wrong to think, however, that Mariah wasn’t in on all the fun as well, and this is why the MV has its views. The music video is a fantasy sequence of Mariah flirting with Jack McBrayer in a mansion. After her comeback, this was Mariah’s way of going back to doing something that defied the critic’s expectations. With The Emancipation of Mimi, she proved that she still got it — the range, the ability to write hits, the star power; "Touch My Body” brings back the Mariah we have come to love in the past decade — the extravagance, the luxury, the seeming aloofness. For a moment, “Touch My Body” captures MC having fun, and the simple structure of this song reflects that.
5. “Obsessed” Memoirs of an Imperfect Angel
No. of streams: 82 625 131
MV views: 127M + 15M*
*Includes the remix featuring Gucci Mane
“Obsessed” gained new life this year, ten years after its initial release in 2009, with the #Obsessed challenge on TikTok. Teens were creating choreography for this song, and simultaneously propelling Mariah to becoming Queen of Memes, one of MC’s many titles. The opening to “Obsessed” breathes new life into a line borrowed from one of Mariah’s favourite movies, Mean Girls, “Why are you so obsessed with me?” This line, along with “I don’t know her”, has its place in meme culture. Besides its relevance to a new generation, its iconicity can also be contributed to the fact that it's a high profile diss track that attacks Eminem’s harassment, but it’s pop, not rap. Its conception introduced a new generation of pop artists to using their tracks as a way to call-out others. “Obsessed” resurfaces perennially when Eminem decides that his almost-two-decade old alleged fling with MC somehow deserves another mention. Maybe she’s the best thing to have happened to Eminem? Lyrically, “Obsessed” is one of Mariah’s sharpest, with her directly calling out Eminem’s desire to make something out of nothing; see: “you hatin' hard/Ain’t goin' feed you, I'm a let you starve/Graspin’ for air, and I'm ventilation/You out of breath, hope you ain't waitin’.”
4. “We Belong Together” The Emancipation of Mimi
No. of streams: 210 251 706
MV views: 399M
“We Belong Together” is Mariah’s comeback track. Regardless of whether she knew this song would make it big when she was writing it, this song would live on in the history books as the song that told skeptics that Mariah ain’t going anywhere. “We Belong Together” is very stripped down — it’s Mariah singing on top of a piano and a beat, then Mariah singing on top of herself in the chorus. For a song about unrequited love, which Mariah usually packages as being more upbeat than it should be (see: “Always Be My Baby” or “All I Want For Christmas Is You”), “We Belong Together” is incredibly visceral. It’s a sad song and it shows, and somehow Mariah communicates the frustration and swirling of emotions so well that you might even tear up by the end when she holds that fifteen-second note. The other unique thing about this song is that she sings the lyrics as if it’s a rap, very reminiscent of her earlier hip-hop inspired tracks like “Breakdown” ft. Bone Thugs-n-Harmony, an overlooked fan favourite. Try singing it without ever practising, and you’ll find that MC placed words in a very specific rhythm. This song also introduced the ‘Mariah-ballad structure’, a formula that she continues to follow for many of her ballads: It consists of an absent bridge with a belted last chorus that takes its place. And as for the MV, Mariah elopes with a lover in a car while wearing the same Vera Wang wedding dress she wore at her real-life marriage is as iconic as it gets.
3. “Emotions” Emotions
No. of streams: 41 251 987
MV views: 32M + 2.7M* + 9.9M**
*Includes the Club Remix
**Includes the MTV Unplugged live version, and the 1993 Here is Mariah Carey live version
There’s a reason “We Belong Together” didn’t crack the Top 3: It’s strictly a song about unrequited love. Mariah, alone, has quite a few of those in her catalogue. And there’s only oh-so-many occasions in which to bring back this song unless it’s already part of your daily repertoire. If Minnie Riperton’s “Lovin’ You” takes first place for the most iconic use of whistle notes in a pop song, “Emotions” no doubt takes second; however “Emotions” has to take first for inspiring every pop singer and their grandmas to use whistle notes, from Christina Aguilera and Leona Lewis to Ariana Grande and Tori Kelly. Yes, “Emotions” is a love song, similar to “We Belong Together”, but it’s also a learning tool for many aspiring pop and R&B singers — this song is a resource. It’s like learning music theory and referring back to Mozart and Beethoven. “Emotions” contains those whistle notes, all the up to an E7, but it also contains low notes (several C3s), high belts (F5s and G5s), head notes (the “You” in G5), repetitive phrasing from C5 - E5, a couple of sustained E5 belts, and melismas. In the live versions, you really get to observe MC’s stamina as we goes through the song with ease. And if you compile all of the live versions of “Emotions”, Mariah demonstrates five full octaves from B2 to B7. Simply put, “Emotions” is an encyclopedia of vocal virtuosity for rising and seasoned singers.
2. “Hero” Music Box
No. of streams: 99 556 980
MV views: 236M + 5.7M*
*Includes a live version from the Daydream World Tour
There’s a thing about “Emotions”, and it’s best if I told you through an anecdote: I played this song in a classroom once, and one of the 5-year olds asked why she [Mariah] was screaming in the song. Blasphemous, I know. Arguably though, the whistle notes are more well-known than the actual song itself. But “Hero” is one of those instances where you know the song, even though you don’t think you do. Just listen to those opening piano notes; flashes of the entire song will surely follow. Not surprisingly, this is the first ever MC song I’ve ever heard; I heard it when I was seven because we had to perform an ASL version of it, but I didn’t know it was Mariah at the time. I didn’t know until possibly a decade later when I thought back on the signs, and the lyrics “And a hero comes along” popped into mind. Obviously, this list is tinged by my own biases; however, “Hero”, this song about loving yourself, and finding that hero within yourself, is special, not only to the fan base, but to anyone who needs a pick-me-up, even if they’re not Mariah fans. It’s radio-friendly; it’s singing competition-friendly (it only goes up to an E5, a mid-belt for Mariah; for reference Idina Menzel goes up to E♭5 in “Let It Go” and “Into the Unknown”); it’s graduation-friendly; and it’s concert-friendly, considering Mariah almost always ends her concert with “Hero”. It’s a sappy song, one that Mariah initially didn’t like, but she explains that she sings it every time because you never know who might need it.
1. “All I Want For Christmas Is You” Merry Christmas
No. of streams: 595 428 506
MV views: 602M + 11M*
*Includes the alternative Black & White version, and Unreleased Video Footage version
Perhaps you can avoid unrequited love, high notes, and graduations, but in North America, can you really avoid winter? With winter comes holiday season comes Mariah Carey, Queen of Christmas comes “All I Want For Christmas Is You”. Released in 1994, this song has finally reached #1 on the Billboards Hot 100 after 25 years. MC released a handful of versions, including a re-recorded, Disney-sounding version in 2010, and another with Justin Bieber in 2011, but let’s make it clear that the version that makes a resurgence every year, and that we all hear on the radio, is none other than the original 1994 recording. The original recording which was never released as a single was not allowed to chart in ‘94, but ever since Billboard updated its rules to allow songs to re-chart in the Top 50 in 2012, “All I Want For Christmas Is You” has made a reappearance every year. It broke into the Top 10 for the first time in 2017, then the Top 5 in 2018. It’s hard to best something when it’s already so close to perfection, if not perfect. “All I Want For Christmas Is You” is such a definitive holiday-pop standard that it’s been broken down into a two-part formula. The formula finds it’s way into many of the new released Christmas songs hoping to make it big, which in some ways are their downfall because it sounds disingenuous, particularly in a season where sentimentality drives sincerity, or at least the façade of it. This two-part formula that it has inspired includes: (A) Wrapping up a unrequited love song to sound like an upbeat Christmas song; and (B) The “Wall of Sound” sound originally created by Phil Spector, which includes a underlying chorus line, a strong accompaniment, and the use of symphonic instruments. You’ll find at least one, if not both, pieces of the formula, whether it’s intentional or not, in recent holiday songs such as “Mistletoe”, “Underneath the Tree”, “One More Sleep”, “Santa Tell Me”, and even “Christmas Tree Farm”. Walter Afanasieff, the co-writer of this song, said, “Back then, you didn’t have a lot of artists with Christmas albums,” and with that he meant in the ‘80s and ‘90s, rising stars didn’t record an entire studio album's worth of Christmas songs. Whitney didn’t have one yet, Madonna didn’t have one (and still continues not to have one), Michael stopped doing them when he recorded under Epic Records in 1979; and y’alls are probably thinking of Wham!’s “Last Christmas”, but that was a single. Despite Mariah initially not wanting to do a Christmas album, and as pessimistic as this may sound, Merry Christmas has re-introduced the lucrative Christmas song business to pop singers.
We may remember this decade’s Mariah — a diva with shaky performances, but this two-dimensional image erases the gut-wrenching, tear-jerking efforts she put into the two previous decades. MC was a trailblazer, and continues to be one as you will see in the upcoming lists. To say that Mariah leans only on past achievements, and relies too heavily on titles like “Queen of Christmas” or “Queen of Memes” diminishes the fact that the upkeep of the legacy she’s built for herself requires time and hard work.
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