#African Best Player

[cruyffista]

Favorite non-European (and non-South American) old/retired football player?

For women's:

I love a lot of the former USWNT players like Mia Hamm, Abby Wambach, Brandi Chastain, Michelle Akers and Brianna Scurry.

Also, Homare Sawa and Aya Miyama who played for the Japanese NT, Sun Wen who played for the Chinese NT.

Mercy Akide and Perpetua Nkwocha who played for the Nigerian NT. Genoveva Añonman who played for Equatorial Guinea.

For men's:

For Australian NT (didn't include any female Australian NT players because our best players are currently playing): Tim Cahill, Mark Viduka, Mark Schwarzer and Mark Bosnich (who had a crazy life).

Special mention to the 1974 Australian squad who somehow managed to qualify for the world cup despite mostly being part time salesmen who played for amateur clubs.

Park Ji-Sung for South Korean NT, Hidetoshi Nakata who played for the Japanese NT (Perugia 1998/1999 kit will always be iconic).

George Weah for Liberian NT, Didier Drogba for Ivory Coast NT.

[gurutrends]

Samuel Eto'o, Mohamed Salah and the 25 best African players of the 21st century so far - ranked

African football has reached another level since the turn of the millennium. You can find players from the continent scattered all over the world’s best and most competitive teams. The stars of Africa have also given the game some of its defining, iconic moments. Roger Milla and George Weah kick-started the revolution in the 1990s, and their legacies are in good hands even today. But who are the…

[larryhappiday]

Victor J. Osimhen, Legendary Record Breaker on the Threshold of Being A Legend, Wins CAF Best Player for 2023

[nostalgicamerica]

Here are a few of the assinine projects on which USAID spent US tax dollars:

— $7.9 million to teach Sri Lankan journalists how to avoid “binary-gendered language”

— $20 million for a new Sesame Street show in Iraq

— $4.5+ million to “combat disinformation” in Kazakhstan

— $1.5 million for “art for inclusion of people with disabilities”

— $2 million for sex changes and “LGBT activism” in Guatemala

— $6 million to “transform digital spaces to reflect feminist democratic principles”

— $2.1 million to help the BBC “value the diversity of Libyan society”

— $10 million worth of USAID-funded meals, which went to an al Qaeda-linked terrorist group

— $25 million for Deloitte to promote “green transportation” in the country of Georgia

— $6 million for tourism in Egypt

— $2.5 million to promote “inclusion” in Vietnam

— $16.8 million for a SEPARATE “inclusion” group in Vietnam

— ~$5 million to EcoHealth Alliance, one of the key NGOs funding bat virus research at the Wuhan lab

— $20 million for a group related to a key player in the Russiagate impeachment hoax

— $1.1 million to an Armenian “LGBT group”

— $1.2 million to help the African Methodist Episcopal Church Service and Development Agency in Washington, D.C., build “a state-of-the-art 440 seat auditorium”

— $1.3 million to Arab and Jewish photographers

— $1.5 million to promote “LGBT advocacy” in Jamaica

— $1.5 million to “rebuild” the Cuban media ecosystem

— $2 million to promote “LGBT equality through entrepreneurship” in Latin America

— $500K to solve sectarian violence in Israel (just ten days before the Hamas October 7 attack)

— $2.3 million for “artisanal and small scale gold mining” in the Amazon

— $3.9 million for “LGBT causes” in the western Balkans

— $5.5 million for LGBT activism in Uganda

— $6 million for advancing LGBT issues in “priority countries around the world”

— $6.3 million for men who have sex with men in South Africa

— $8.3 million for “USAID Education: Equity and Inclusion”

— USAID’s “climate strategy” outlined a $150 billion “whole-of-agency” approach to building an “equitable world with net-zero greenhouse gas emissions.”

For decades, USAID bureaucrats believed they were accountable to no one — but that era is over.

————————

Sunlight is the best disinfectant.

[allieebobo]

College Tennis: Origin Story

Demo | Characters | Dev log | Ko-fi

Sports x Slice-of-life x Romance x Coming-of-age x Found-family x College

Step onto the court and into the whirlwind life of a freshman at Cargill University, where tennis isn't just a game—it's everything.

Forge lasting friendships, pursue budding romances, face fierce rivals, and experience the emotional highs and lows of pursuing greatness on and off the court.

College Tennis: Origin Story plunges you into the heart of a high-stakes journey to reclaim the NCAA Div I championship title—compete in fast-paced singles and doubles matches alongside your teammates, all while navigating the pressures of college life.

Will you make a name for yourself as one of the most promising college tennis players in history? Or will the pressure prove too much for you to handle?

Full character customisation

Customise your gender, height, build, personality, physical appearance, languages spoken, tennis style, dominant hand, and more!

Strike a balance between: tennis, keeping up a rich social life, and maintaining your grades

Nail-biting tennis matches

Every match is different! Play matches throughout the fall and spring seasons, leading up to the NCAO championships—that is, if you make the Cargill team.

Intricate tennis game mechanics: Factors such as your condition/energy, preparation for the match, opponent's play style, doubles partner chemistry, as well as your choices at key junctures of the match etc. will affect the outcome of the match!

Craft your own distinctive playing style and make a name for yourself on the tennis court

Hone your strength, agility, finesse, serve-and-volley skill, and endurance over the course of the game!

Romance four possible characters

Rayyan Afiq, the gruff, hot-headed no. 1 seed

Guillaume/Geneviève Lavigne, the sardonic international student on your floor

Tobin Harris, the warm, unflappable team captain

Sam O'Connelly, your nerdy and spirited high-school best friend

And forge lifelong friendships with many more...

Rayyan Afiq The rival

Gender: Follows the gender of your team Age: 20 Nationality/Ethnicity: Egyptian-American

Student information: Junior, Anthropology major Player information: Vice-captain, No. 1 position, Aggressive Baseliner

Appearance: 5′6 (f) or 5′10 (m). Lean, athletic build. Dark, wavy curls, and thick sweeping eyebrows over piercing dark-olive eyes. Tawny, honey-brown skin.

Description: Surly, intense, and proud. Ambitious and driven to excellence in everything they do. Willing to give up almost anything for their tennis career. Has a soft-spot for cats. Loves organising things, has a plan for everything, and dislikes surprises.

Tobin Harris The captain

Gender: Follows the gender of your team Age: 20 Nationality/Ethnicity: African-American

Student information: Junior, History major Player information: Captain, No. 2 position, All-court player

Appearance: 5′9 (f) or 6′1 (m). Tall, solid build. Short black hair, warm, brown eyes and a calm, assured demeanour. Dark bronze skin. A smile that lights up the room.

Description: Kind, laid-back, selfless, and sociable. Goes out of their way to make everyone feel welcome, but has a tendency to stuff down their own emotions in the process. Surprisingly private and cautious when it comes to their own desires/wishes. Gentle to a fault, steadfast and unflappable. If not playing tennis, probably can be found cooking, hanging out with friends, or going to the library.

Geneviève/Guillaume Lavigne The exchange student

Gender: Gender selectable (f/m) Age: 20 Nationality/Ethnicity: Half French (father's side), half French-Canadian (mother's side)

Student information: Third year exchange student, Political science bachelor’s degree. Hall-mate.

Appearance: 5′6 (f) or 5′11 (m). Toned, supple build. Dark, tousled hair with fair skin. Smoky grey eyes, with a smattering of freckles. Permanent half-smile.

Description: Rarely excited or enthusiastic, always armed with a dry remark. Slightly cynical, but softer than they look. Very intelligent, though they don't often let on what they're actually thinking or feeling. Rich (and intensely private) inner world.

Sam O'Connelly The childhood best friend

Gender: Gender selectable (f/m) Age: 18, Freshman Nationality/ethnicity: American

Student information: Freshman, Undecided major. Player information: No. 6 position for the UCLA Bruins

Appearance: 5′4 (f) or 5′8 (m). Trim build, with a small frame. Curly russet hair that often sticks out in all directions. Mischievous light blue eyes and an infectious smile.

Description: Excitable, with a chaotic positivity that radiates from them like sunshine. Fun-loving and scattered, and nerdy. Competent tennis player, but too often distracted by other hobbies and interests. Somehow manages to survive on a diet of Cheetos and Ben & Jerry's ice cream.

More character descriptions here, face-claims here.

[uzumaki-rebellion]

"Pot Liquor" Afropunk!Erik Killmonger

Pairing: Erik Killmonger x Black Plus-Sized OC

Warning(s): 18+, Smut, Angst, Romance, Drug Use, Bisexual Characters, Threesomes, Foursomes, Queer Characters, Cursing.

Summary:

Three women. One man.

Erik “Killmonger” Stevens is the guitar player for a female dominated Black alternative rock band fronted by the powerful larger-than-life lead singer, Oya Mason. About to perform in front of their largest audience ever on one of the most influential stages in the music world, Erik and Oya have to face band in-fighting, jealousy, drugs, sex, and the love of rock-and-roll.

Can they keep it together before their big night?

Word count: 14, 890

A..N.: Bringing this back for @blvcksundays !

"I said if I'm in luck I just might get picked up I said I'm fishin' trick and you can call it what you want then I said I'm wigglin' my fanny I want you dancing I'm a doin' it doin' it This is my night out

So all you lady haters don't be cruel to me Don't you crush my velvet don't you ruffle my feathers neither I said I'm crazy I'm Wild I said I'm nasty Say you will for a little while Say you will Say you will"

Betty Davis –"If I'm In Luck I Might Get Picked Up"

Begin at the beginning...

Eighteen-year-old Oya Mason stood in the middle of the stage of the National Poetry Slam Finals in Oakland, California ready to recite a three-minute free verse that took her two weeks to dream of and three days to write. It wasn't her best poem, but it was the most potent that she had ever written and would be reciting for the first time in public. She hated America and everything it stood for and the words swimming in her brain and marinating in cerebral spinal fluid were ready to erupt on stage.

Thick black leggings covered her dimply thick thighs that rubbed tightly together and the black Buckethead baseball t-shirt she had on accentuated her heavy breasts and generous stomach. Her toes were jammed into brand new black chucks and her nose septum piercing was a shiny silver like the frosted silver tips of her frohawk locs. She was a big beautiful Black woman with an even bigger first name to live up to. Her parents plucked the name from a book they had in their home. "Oya: In Praise of An African Goddess."

"We knew that if we had a little girl, we were going to name you that," her father, Teigen Mason, had told her.

Her Mama, Gia, squeezed out a big fat dark brown loud crying baby that grew up into a big beautiful teenager that could no longer be simply called full-figured or extra thick. No, those words were too small for her. She was a Goddess and a Goddess took up all the space she wanted. On that stage, Oya, the Goddess of the Hurricane winds, the warrior, and the protector of the dead looked out upon an eager audience of poetry spectators waiting for her to do linguistic tricks and over-enunciated theatrical emoting with her culled words.

Well...that didn't happen.

Oya Mason stood there with her Goddess frame and shrieked out every single word she had written in the depths of her gray matter and birthed her first metal song live onstage. The poem-turned-rage-clarion call was titled "To Sleep With Anger", an ode to the movie that was filmed in her grandparent's house in South Los Angeles way before she was born. She found the old Danny Glover movie online and watched it over and over until she fell asleep and dreamed of the actors walking in her family's kitchen, living room, bedrooms, and backyard, and the words to the poem came to her in the underworld of slumber and there was a burning there. A heated twisting of past and present that had her worried about her future as a big boisterous girl with a runaway mouth making it in society where Black women were expected to be quiet mules for the world.

Not her.

Oya dreamed about that old house for two weeks waking up enraged every morning and thought about what the movie meant and pondered why she was already hating a world that she was barely stepping into. It had to be ancestral rage. A fiery anger handed down like generational trauma and the unyielding hair texture on her head.

A three-day heat of writing on yellow legal pads and listening to Bad Brains and Mother's Finest while trippin' on shrooms in her bedroom while her parents were away, produced a piece of work that she could get down with.

Other poems in her extensive repertoire allowed her to advance in poetry slam rounds in local competitions and by the time she was on the National level, she was tired of the scene. The performative aspect of it seemed disingenuous. Many of the older poets she watched seemed to be interested in shocking people instead of sharing real evocative language that opened the heart and mind.

That was probably why Oya screamed her words and left the stage switching her meaty hips and not caring about her scores or if she won.

She did win that year.

The individual poet category. At her young age.

The previous winner, another full-figured Black woman with thick braids, full lips, and a body of work so blistering that she was named the Poet Laureate of her city approached her backstage.

"You don't belong here," the woman said.

Oya blinked. The fuck?

A sly smile creased the woman's glossy lips as she pointed at Oya with a commanding right index finger.

"You belong out there doing what you just did. This is too small for you," the former champion said.

Oya Mason bid adieu to poetry slams.

She returned to Los Angeles from Oakland and started a part-time job at Amoeba Records on Hollywood Boulevard. While selling records and sorting vinyl and CD bins, she met her best friend, Deidre who rocked short hair and a smooth undercut, Oya fell in love with Deidre's whole vibe instantly and they fell into creating their first band together.

To Sleep With Anger.

Oya named them that. Deidre played electric guitar just like Oya did and after work and university classes at USC, they shredded in Deidre's parent's garage in a sizeable house at the bottom of Baldwin Hills. The Black Beverly Hills. The house sat on forty-eighth and Crenshaw, so the upwardly mobile Black folks couldn't get too far away from the bustle of working class and working-poor negroes down the street. Oya's parents couldn't handle two loud Black metal chicks screaming about capitalism, death, and societal destruction right next door to the neighborhood church at their small home near Leimert Park. Deidre's house was ground zero for their start as a unit.

School. Work. Shredding.

That was life for three years until Oya had written a ton of songs that were good enough to put together a fuller and more serious band. They had both become better axe players. She and Deidre posted up an ad for a drummer and bass player at the Amoeba Community board and online, and that was how they met Shameika, a mean pocket queen originally from Long Beach who went to UCLA.

Deidre and Oya had to set aside their USC rivalry because Shameika was nasty on the skins. Their bass player, Jody, was discovered by accident when she came into Amoeba asking for Me'Shell N'degeocello vinyl. Anyone into Me'Shell had to be hip, and Oya asked the lithe light-brown beauty if she were a musician. The stars lined up. She was their missing link.

They were complete and of one accord by the time they began playing publicly at gigs around L.A. and making road trips to San Diego and also local music festivals. Shameika handled their webpage, Deidre handled booking, and Oya fell in love with Jody. Then broke up with her. Then got back together. Then broke up in one final blow-out that thankfully didn't tank the band. It did become a little awkward when Jody and Shameika became a couple, but Oya grew past it. They were picking up traction as a band. Getting better paid gigs. She was writing better songs. Blending genres. Learning to control her vocals better with a private coach. It took them awhile to be taken seriously as a band. People expected them to be an R & B singing quartet and did double takes when they walked into venues with their gear. They were tested a lot by the mainly white male audiences. Lots of booing at shows and sometimes beer bottles were thrown at them onstage. Oya was often brutally called names because of her size. She didn't know how many times she had climbed onstage to bring the noise with her girls, and there was laughter tossed her way.

"Look at this big bitch!" was a common jab along with a few expletives.

But the music shut them up. They could play fucking circles around many of the bands, even the headliners.

"It's here!" Deidre shrieked as they opened boxes for new stock.

Oya stared at the twelve-inch vinyl of a song she was hearing about on every streaming platform and alternative music chatroom. She knew the group.

Slippage.

An alternative band that she used to fuck with heavily until they started going a little too commercial and polished for her tastes. Oya did feel excitement about new music from them. She hoped they were returning to their roots of hard driving sounds and not the softened new-branding that recent major-label signed groups were morphing toward. Deidre was practically salivating, her copper brown skin glowing and matching the copper brown of her short fade.

"This dude right here...I swear, I would buss it wide open if he walked in here right now. You think the scars are real? I heard they weren't," Deidre said.

Oya picked up the album and stared at the four guys on the cover. One Mexican with long glossy raven hair. Two white guys with stringy pony tails and tats on their faces and arms. And the Black guy.

Erik Killmonger.

Gold grills. Perfect locs. Scars.

His upper body was covered in small shiny lumps of skin.

"That looks real," Oya said.

"That's hardcore. I get the tats and piercings...I mean I have that shit, but...cutting your skin like that. All over. You think he has scars on his dick?"

Oya burst out laughing.

"Only you would ask that!"

"That would be kinda sexy," Deidra whispered admiring the man's shirtless body as he held his guitar.

Deidra stroked the cover.

"He's so rude for biting his lips like that. Letting us see all that gold in his mouth," she quipped.

They stocked the store with all the new vinyl before heading to the registers to help customers purchase music. When they had a break, the assistant manager let them listen to the new Slippage single. Deidre loved it, but Oya turned her nose up at it. Killmonger sounded dope as always, but the song itself was weak. Defanged.

"We should make something like this," Deidre said bobbing her head and air playing guitar with her nimble fingers pretending to be Killmonger.

"I think the fuck not."

"This is good!"

"No it's not. It's just loud and...vanilla."

"You're buggin'. This is the best thing they've put out."

Oya stood behind the counter and watched Deidra, the assistant manager, and several customers nod their heads and give kudos to Slippage.

"Tasteless," Oya muttered as she grabbed a stack of country CDs from a young woman and began ringing up her purchases.

The music blared from their store speakers and Oya couldn't help but think about Killmonger's grill and the scars that went up and down his muscled arms, wide chest, and down his chiseled stomach...

Begin at the beginning one 'mo' 'gin...

They knew they had something special when Amoeba allowed them to play in their in-store mini-concerts when another group failed to show up because of a delayed flight from Phoenix. The four of them wore tattered jean skirts with leggings and old vintage bullet bras they found at a thrift store in Venice Beach. Oya had to add a bra extender for hers. Thick extra-large safety pins prevented the weak hooks from bending across her back and gave the right touch to the stylized look. She kept a t-shirt handy in case a titty or two broke free and slapped a customer unexpectedly, which would've been the most punk thing ever, but luckily that old 1950's find held on as she sweated her way through raw, screeching vocals that caught her boss by surprise. Hamp was forced into a bind with a store full of patrons waiting to see Desert Troll City, so he gave in when Oya said they had equipment in their cars ready to plug in and rock out. Instead of ambient new vanguard trip music, the customers were treated to ear-splitting altie sounds that tip-toed between experimental and...what? Oya and her bandmates hadn't quite found a true name for their sound, but the crowd there loved it. The music attracted spectators from off the street and it became their first viral performance online.

Hamp started acting like their musical godfather, allowing them to sell their CDs at the counter on consignment as part of their local indie musician sales program. It was a boost to their confidence watching people buy their homemade EP. Gigs followed. The new visibility started their small music festival appearances. Their biggest live performance before their second full album came out was the Joshua Tree Music Festival. The drive to the desert had been joyous. They performed before the closing night's headliner and killed it. They were so good that the headliners gave them a shoutout during their set making Oya feel like a Queen.

And like any great rock-and-roll story, it was where the first rift in the band appeared. All because Deidre felt the need to insert an unnecessary guitar adlib that threw Oya off their closing number. The audience, blitzed out on 'shrooms, weed, liquor, pills, and whatever choice narcotics they brought for fun, became mesmerized by Deidre doing Jimi Hendrix tricks on her axe. Oya could concede that Sis was in her bag at that moment, but they had always stayed in tune with one another by using eye contact and onstage whispers to let each other know if they were going to go off. Sometimes it was just a well-placed guttural sound from Oya's throat to clue the others in, or Deidre would swing her guitar a certain way with a slight chord change. J Tree organizers had the performers on a strict time allotment, and Oya knew they had to finish with a new song in just the right intro...but Deidre fucked it up by trying to upstage Oya with the ole razzle dazzle. The normal thunder growl that would erupt from Oya's diaphragm kicking in "Acid Babe Blues" was usurped by some random guitar wah wah licks from Deidre's foot pedal muting her guitar.

Oya felt the "Acid Babe Blues" lyrics dry up in her throat as her eyes cut to Deidre's. Sister girl was oozing with charismatic energy and the people ate it up. Rightfully so. Oya stood down for twenty seconds before she turned to Jody on bass with aPlease gather this bitch uplook.

Jody slapped her bass and snapped Deidre from her moment. Time ran short, so Oya had to improvise and just gave an improper snippet of the new song before their time ran out. That meant Deidre had to sing the bridge to start the song, and Oya had to fake her way into the second verse. The fierce tone she gave thrilled the music lovers, but Oya was full of piss and vinegar. "Acid Babe Blues" was their lead single from the new joint, and the audience didn't even hear the true beginning.

As the crowd switched their positions to watch the main stage for the closing act, Oya and the others packed up their gear. Her hackles were up.

"What the fuck were you doing?!" Oya snapped.

"Vibin'," Deidre said.

"You stole valuable time for 'Acid'."

"They heard you scream when you first started twenty-five minutes ago. It still sounded great without a closing field holler—"

"That's not the point, Deidre," Shameika interjected as she shoved her drumsticks into a case, "it threw us all off."

"Ohmigod, we murdered this gig. It's good to shake it up sometimes.Ididn't hear a mess up—"

"It would've been nice to know what you were going to do. I'm the lead singer. I wrote that song. We all agreed that 'Acid Babe Blues' was to bring it all home and we practiced the hell out of it and you fucked it up!" Oya said,

"They loved us. That's all that matters."

Deidre did her usual lip pout when she was done discussing anything.

"I know you're feeling yourself right now, but this is becoming a habit with you," Oya barked helping Shameika break down the rest of her drum kit.

"So I can't get no shine too?"

"We all get shine—"

"Only when you let us. Don't forget, I write a lot of the songs too. I'm on the cover of the EP too. So is Jody and Shameika—"

"Are you failing to understand what the problem is? Am I trippin'? I'm not talking about getting shine, I'm talking about you disrupting and switching up how we do things mid-performance without a cue or an okay from the rest of us."

Deidre pressed her lips tight. An irritated exhale followed with a roll of her eyes.

"I'm sorry. I was carried away by the energy of the crowd. I wanted to jam for a minute..."

Deidre clutched her guitar pedal to her chest.

"I wanted to be that bitch...okay? I mean, look at us. We look amazing in these little black latex dresses! We're serving hot and sexy and being all sweaty and nasty up here. Tell me you didn't feel that rush?"

"We felt it, but...teamwork," Shameika said with her soft-spoken voice.

"I'm tired," Jody said holding her bass case.

They were assisted by some J Tree staff as they loaded up their gear into Deidre's S.U.V, and Oya's Jeep Cherokee.

"Are we staying to watch the closer or what?" Shameika asked.

Jody stayed in Deidre's S.U.V. to sleep, and the rest of them sauntered back in their laced-up pit-stomping boots to watch Boredroom, a band on the brink, sing out To Sleep With Anger's praises. Deidre turned her head and smirked at Oya as the lead singer of Boredroom pointed to all their latex-wearing greatness and shouted them out on the mic.

"See?" Deidre said, "We are the shit."

"It's about the music, Deidre, not just showing off," Oya grumbled.

Oya new instinctively that Deidre wanted to be the main shit. She wrenched her eyes away from her friend and tried to engage with the rest of the festival, but there was a sour taste in her mouth. That taste would grow and root deep. Then it would spread, choking them all.

Begin at his beginning...

Oya knew how to hustle a job.

When Amoeba became less flexible for gigs, she took a job at KCRW assisting the COO. On Saturday nights she worked the cashier booth for a trashy West Hollywood dance club to supplement her income.

Those were rough days for To Sleep With Anger ever since Deidre left for a high-profile band's line-up switch the year before. It was right after a showcase with an East Coast label. They were all broke, still hungry to make their own music, and lucked out when an A & R rep from Sony Music Group caught their live show at the Austin Music Festival.

Hair cut into a short bob that she slicked up to look like a match flame, dramatic make-up, and low-cut tight dresses with oversized coats that doubled as capes became a signature look for Oya. Her shoe game grew sick, with custom thigh-high boots, and walking canes to match her seductive stroll onstage. Their band logo was a black flame with red highlights. Her signature do always matched the logo onstage, and it became an instant hook with their audience. Sophisticated Punk. Seductive Alternative. Oya leaned into the sensual side and the other women found their looks too. Deidre became pure femme fatale, Jody, the edgy stud, and Shameika was their darling Goth ingénue.

Oya's lush body became the center of think pieces in the music scene and she welcomed the coverage and even took the hits with some women musicians who questioned the overt sexuality of the band. Were they sex kittens, or hard rockers? Cock teases for a gimmicky come up? A flash in the pan for some future music history footnote? She ignored them and the other women did too. Her favorite moments were to stroll onstage after Jody plucked the bass like a beast sporting her flamboyant capes and big hats and do a twirl wielding her cane before dropping the cape to the floor revealing couture that accentuated breasts, flared hips, thick thighs, and a rump to die for. The more popular they became the more she found herself amazed at how people projected onto her. She rarely showed any explicit skin other than the tops of her breasts with dep cleavage, but the audacity of her being her bold self with tight clothing was a problem for so many people. But a revelation to others.

Especially men.

Often teased for not having a body that conformed to whatever was in fashion at the moment, that quickly changed when she sang. Her voice shifted the critiques. People had to listen to the music because it was fucking divine. Oya's talent made people notice she had a face. A gorgeous one. And that face was attached to a stunning big body. Online chatter brought out the lovers of her plus-size physique, especially when she catwalked up and down a stage and pointed her cane at the audience, then stuck it in front of her as she wiggled down and back up from the floor with it. There was a shift in the air. The thirst for her was just as great as her other bandmates.

They were on the cusp of reaching greatness and Oya was going damn near bankrupt funding her on stage style to create her visual greatness. They all were.

The Sony Rep schmoozed them and set up the showcase for the "Yes Men". Oya could taste victory, money, fame, freedom...

The showcase was a disaster.

Not because Oya didn't incinerate the Sony office with her talent or the girls didn't bring it with their playing. The Yes Men wanted Deidre to front the band and insisted on smoothing out their rough sound. Less edge. More mainstream puff rock. Less 90s Trent Reznor-esque proto Black Girl Rock/Metal and more old school Gwen Stefani cutesy kitsch.

Oya put her foot down. Get set aside because they found Deidre the more marketable? She didn't have the voice. She didn't have the vocal chops to strike people down from the stage like Oya did every time they performed. To Sleep With Anger laid out the roots of Betty Davis, Bad Brains, A Band Called Death, tastefully gave homage to Tina Bell, Mother's Finest, plus a smidgeon of early Prince with the heavy guitar opening of "Bambi" that Oya played herself, and all they could mention was Nine Inch Nails and No Doubt?

They weren't signed.

Deidre left them.

Six months later Deidre was on tour and became a media sensation by joining Ark Ten. They were top tier. Grammy winners. Global fanbase. English darlings credited with reviving the UK rock scene. Deidre joined them right when they went in to record a second studio album. An all-male band that fired their lead guitarist, Ark Ten recruited Deidre to become the new focal point of hyped publicity for the group's sophomore outing. She looked like a High Rock Glam Priestess on their magazine photo spreads. Their album went triple platinum within months as Oya took credit cards and damp dollar bills at a cashier's booth while listening to her ex-bandmate's overdone guitar flourishes in songs at her crappy club job.

Shameika and Jody moved in with her in an upstairs apartment near Slauson. They turned the small dining room into a second bedroom and pooled their resources to perform where they could. Oya wrote new songs and just as Deidre predicted, Shameika and Jody followed her lead without pushback.

After a long day in Santa Monica, Oya walked into their kitchen and made an announcement.

"We're going to audition a new guitar player. We need a fourth member. I'm better at singing and not playing at the same time."

Jody fried up some sliced potatoes and onions at the stove. Shameika washed dishes.

"Another woman?" Shameika asked.

"Black?" Jody added.

"Let's just put the call out and see who shows up. I have a hook up for a try-out space next week. There's a music studio moving to another location in Santa Monica. KCRW used it for live shows and one of my co-workers has access to it for a Saturday before they leave. We can sneak in and use it for four hours. Six to ten at night."

"But you're great on guitar," Shameika lamented.

"I can't do all my theatrics if I'm playing the whole time too. It's too difficult. Plus, it's part of our brand. Jody?"

Jody set down the spatula in her hand and turned down the fire under the food.

"I want another Black woman," Jody said.

"But if we can't find one?"

"Hold another audition?" Shameika suggested.

"In time for Afropunk?"

"We can do a stripped-down show. Jeans, tees, and chucks."

Oya put hands on her hips and closed her eyes.

"No, we go full out. We need this moment more than ever. We have to look ready-made."

Shameika stopped stacking plates in the drainer.

"You don't think we'll ever make it big, huh?" "It's not just making it big...it's our music... we could change the game. I'm tired of us struggling and trying to be creative. I'm tired of us eating potatoes and spaghetti all the time."

"We'll make it," Shameika said.

"I'm tired,"

Oya let her arms drop to her sides. Jody pulled her in for a hug and Oya buried her face in the woman's neck and wept.

"I'm tired of seeing her out there...winning," Oya huffed.

"We'll do the audition. We'll make it work," Jody said.

Her fingers trailed up Oya's face and wiped away her smeared eye make-up. Shameika joined them and threw her arms around Oya's waist.

"Look at me blubbering like some loser. We're not losers."

"No, we're not," Jody said.

Her lips touched Oya's cheek and the loving pats from Shameika made her feel tons better. She broke away from the two of them.

"Just a tiny woe-is-me moment and now we'll get this new axe. Right?"

Jody and Shameika nodded sharing gentle smiles with her.

"We're too talented," Oya said taking up the spatula and turning over the potatoes for Jody.

She kept that mantra up as they sat inside the borrowed music studio a week later watching woman after woman jam with them. Oya watched Jody's weary face as she cradled her bass and studied a new guitar player plug in and prepare to audition. Shameika twirled one of her drumsticks in her left hand and gave Oya an encouraging wink, but the sentiment didn't help. After two hours, they hadn't found one musician who felt right. Benji, Oya's co-worker, sat next to her on plush red couch. There was a small line of women taking up the sidewalk outside waiting to come in and it gave Oya a headache.

"Give me a minute," Oya said, "I have to pee."

In the restroom, she splashed water on her face to hide the tears that threatened to drop.

"Please..." she whispered as she rinsed her hands and dried them.

Oya stared at her face in the mirror.

"Go back out there with your game face. Our new guitarist is coming. She is going to walk in and wow everybody. The band will be whole once more. We'll go to Atlanta and the record deal will come. We'll bring the heat. We'll bring the bodacious Blackness. Deidre won't be the only success story."

Oya walked back into the studio and nearly shit in her cargo pants.

Benji stood chopping it up with Erik Killmonger.

Killmonger wore dark shades, but Oya recognized the braided locs, the scars on his skin shown by his sleeveless white t-shirt, and the gold slugs in his mouth. He was bigger in person than what she imagined. Her eyes glanced over to Jody and Shameika and they were equally starstruck along with the white woman with tattered dreads waiting to audition.

"Oya, this is my old buddy, Killmonger. Killmonger, Oya. Lead singer—"

Oya did a one-eighty and hot-footed back to the restroom. She pressed her back against the door. Her breath sped up and she couldn't stop hyperventilating. Leaning forward to lower her head to her knees, she squinted her eyes and blew out long streams of air.

"Fuck."

Clenching her fists, Oya patted her hands up her thighs until she stood upright.

"Fuck."

She went back out to the studio area and threw her shoulders back.

"I thought I left the water running in the sink," she lied.

Killmonger sat on the couch next to Benji. Oya avoided contact to help keep her voice steady and non-chalant.

"Oh. Well, I'm sure you know who Killmonger plays for—"

"Played for," Killmonger corrected.

Oya felt a tickle in her stomach. His scratchy voice had a rasp to it like he'd been smoking before he came in. He probably toked a good expensive strain that rich people smoked. They always had memes of him up every Four Twenty with kush sitting on his guitar. The shades were off and his bright brown eyes planted themselves on her face.

Played for?

"You're not with Slippage anymore?" the white woman asked.

Nosey.

Killmonger's eyes cut to her and the woman shrank into her guitar.

"How 'bout you play and mind ya business," he said.

Oya took her seat and stared at Jody. She mouthed the words "Play" to her homie, and Jody slid her index and middle finger down the neck of the bass to begin "Palo Alto", a song they liked using to test the guitarists. It had several difficult chord progressions and they wouldn't have to waste time seeing if a person could really play or not. The woman, Heather, got halfway through the song before they knew she wouldn't cut it. Deidre and Oya could slide through the song like butter. Even Jody could fake her way through it when she played around with Oya's guitar.

They allowed Heather to play another tune and jam for a minute before Oya took to the mic and sang a bit with the entire ensemble. They sent her away after asking a few personal questions about her background. When she left, Oya ran her hand over her hair. Jody adjusted the volume knob on her bass and Shameika tapped her sticks lightly on her ride cymbal. No words were needed to veto Heather. A statuesque Black woman came in next with a bright smile and high energy, and they all perked up, but she wasn't able to improvise all that well as they jammed together. Another no. They had an hour left and only two candidates had viable potential from the fifteen women they saw from the first three rounds. Oya was happy she pre-screened so many musicians online ahead of time. They were efficient and knew what they were looking for. The only problem was, no one fit.

They had a fifteen-minute break slotted before the last three candidates scheduled would come in. Benji gave Oya a supportive grin.

"Don't throw in the towel yet, Oya," he said shaking his ginger curls.

Killmonger stood up and walked over to their set up. He moved like king. She tamped down on the squeal in her throat fighting to come out.

"I can't believe Killmonger is in the same room with us!" Shameika blurted.

Thank God. Someone finally said it out loud. Jody and Oya laughed with relief.

"He ain't nobody," Benji said punching Killmonger in the arm.

"How do you know each other?" Oya asked keeping her eyes off of Killmonger.

"Before he was a big head star, Killmonger used to nag me to play his shit on KCRW years ago. We used to sweep up this place together as interns."

Killmonger glanced around.

"The place is a little different from when I worked here. Didn't last long though."

"Slippage?" Oya asked.

Dark orbs captured her gaze.

"Yeah."

"But you said something about not being with them earlier."

Benji stepped in.

"News is just now getting out," Benji said hitching his shoulders.

"Can I?" Killmonger asked pointing to Oya's guitar.

She stepped away from it and he lifted it off of the stand near her and draped the strap around his body hooking it to the instrument after adjusting the leather. It only took him two seconds to launch into "Acid Babe Blues" and Shameika brought in the drums automatically. Jody slapped her bass and they played for two minutes before Oya felt brave enough to jump in and sing.

Killmonger knew their song. By heart.

He stood in the middle of the recording studio slaying Oya's electric guitar and ripped into a blistering riff that made her jump and lose her shit in front of her desperate band.

"Give it to me from the top!" he yelled.

His fingers thrummed out the beginning again, and Oya gave a Black rebel yell,

"Show me someone not full of herself, and I'll show you a hungry person!"*

They tore through the song with Killmonger's lips peeled back to show glints of gold as he howled encouragement with whoops and loud shouts to them.

"C'mon Jody, dig into that bottom!" he called out.

Jody let her thumb do the most as Oya felt the vibration of Shameika sitting in her pocket on the drums from behind as she followed Jody's dip into a groove that Killmonger supported with tasteful licks from his fingers. They jammed for twenty minutes until Oya noticed their next band candidate standing wide-eyed and mouth agape staring at Killmonger.

"Sorry," Killmonger said unhooking himself from Oya's guitar.

They finished seeing the last three women and sat down on the floor together in a circle to discuss what they liked and didn't like. There were three women they agreed to call back for another try out just to be sure.

"We have to lock one in fast. Get them set with our music and stage cues," Oya said picking at her nails.

"When's your next performance?" Killmonger asked.

The three women glanced over at him on the couch. Benji had his arms folded watching them too.

"End of the month. Atlanta," Oya said.

"Afropunk?" he asked.

"Yeah."

"Let me play for you."

Oya thought her lungs would implode in her chest right behind her heart.

"I'm not doing anything. I quit Slippage. I like your sound. Benji says you want more festival exposure. If I play with you, you'll get that."

"That would be a boss move...but..." Oya's brain grew dizzy.

"But what?"

"People would want you. Not us," Jody said.

"Then hire me. Let me join the band."

Benji chuckled but then he shut up when he realized Killmonger wasn't joking.

"Why?" Oya asked.

"I like your sound. Your style. I quit Slippage because it's tired. I outgrew it. Y'all got something fresh...different. Sticks to my ribs."

"People would just think it's your band," Oya said.

"How's that?"

"Your famous. You'd overshadow us."

"Did I overshadow Slippage?"

"You were Slippage," Jody mumbled under her breath.

Oya reached over and tugged on one of Jody's long straight backs. Jody slapped Oya's hand away from her hair. Killmonger chuckled.

"You have a strong personality," Oya said.

"Benji told me to come here to give you some tips. The best thing for you is to let me become part of To Sleep With Anger. You don't even have to pay me cuz you know I'm set. I just want to play pure music that's slowly becoming its own thing. I miss that."

"Will you dump us when you get bored?" Shameika asked.

Shameika tilted her head and the purple tips of her hair on the left side of her head touched her stomach. The right side was shaved with one long tuft left on the temple that was beaded with cowrie shells. When Killmonger's eyes landed on her, Shameika's top teeth tugged on her bottom lip making her lip ring more visible.

"Who would get bored with you, Princess?" he said.

Oya caught the territorial glare from Jody, but Killmonger's smoldering drag across Jody's lean athletic form made her flustered and forget the man was flirting with her woman. He flirted with Jody openly too. Dropping his body on the floor next to them all, he held out his hands.

"Let me come to Atlanta and play. Just as a featured guest. We can talk about permanent stuff after."

"You do sound good with us," Shameika said.

Killmonger pointed to her.

"See? Taste."

Oya's heart pounded in her chest from being next to him. She could smell his light cologne and the hair oil he used for his air. The scent of roses and pumpkin spice lingered near him. Moisture left her mouth and everything tasted like cotton. A miracle walked into their audition and served himself up for their use. Oya glanced over at Jody and Shameika. They were just as gone as she was by what was being offered. She swallowed dust and thought of Deidre. Ark Ten was a smart move for her career, but what she would never have was the baddest guitarist around who left an exceptionally better band, and wanted to play for them. But knowing Deidre, she would be flattered to be replaced by someone like Killmonger. Oya ground her molars and pushed her fingers into her thighs. Her cargo pants pocket vibrated. The cell alarm went off. Their time in the studio was up. It was now or never.

"What do you think?" she asked the others.

Shameika held a thumb up and they all saw her sultry eyes turn gooey staring at Killmonger.

"He makes us hustle and I like that," Jody said. Her forehead creased.

Oya gave her a curious look when she took forever giving her answer.

"Me and Shameika are together," Jody finally said.

"That's not a yes or a no," Killmonger said.

"I see how you are and I want you to know the dynamics," Jody said pursing her lips.

"That's your lady, aight beautiful, cool...so am I in?"

Shameika lowered her eyes and Oya felt second-hand embarrassment watching the jockeying for the drummer's attention.

"What's your vote Oya?" Jody asked.

Those magnetic eyes of Killmonger's became daggers on her skin and Oya couldn't shake the arousal affecting her decision-making. He pushed them into excellence with just one jam session. Imagine what they could glean from him with full rehearsals?

She raised a thumb, and Shameika squealed. He wrenched his eyes away from Oya.

"Jody?" he asked. His voice was a raspy assertion. Answer him.

Oya saw the attraction Jody had for the man too. They all were drenched in it. Carnal danger oozed from his pores.

"Okay...yes," she said.

Killmonger clapped his hands and jumped up from their circle on the floor.

"We rehearse at our place in the mornings when our neighbors are at work," Oya said shifting her body to stand up. Her foot fell asleep and she shook out her leg to get the circulation moving.

He took out his phone and they all exchanged numbers.

"I'll bring my stuff at nine if that's cool," he said.

"Yeah," Oya said.

She was almost his height. There was a gleam in his eye as he flashed them all big white perfect teeth and four gold slugs. Two at the top and two at the bottom. His scars were real and if she didn't know him a little better from hanging with him that night, the man could come off menacing. He took up so much space.

Oya threw back her shoulders again.

So did she.

Begin at their beginning...

Afropunk brought two things to fruition.

To Sleep With Anger became that bitch and Deidre felt the heat.

They didn't announce that Killmonger was with them. Flying into Atlanta with hours of tight rehearsals behind them brought them to a different level of being. He was a task master, but he made sure they were in control. Over four weeks Oya saw how he could influence them without it being obvious manipulation. Helping them improve their songwriting, playing, and bolstering their confidence to challenge themselves was something she came to love about him. Oya fell for him quietly and in secret, and unlike his first time meeting them, all flirtations vanished. He was about the music twenty-four seven. She wrote several songs with him at his home studio in Silverlake, and he even helped Shameika compose her first solo creation. It was a cold ass song and Oya wanted them to open with it. Shameika burst into tears when Oya said that and Killmonger gave their sweet Goth girl a hug and encouraged her to write more and take chances with her lyrics.

They left the stage itself in shambles after their quick set. It was like they took a grenade, pulled the pin, tossed it, and made sure the destruction was complete before their exit. No one wanted to follow them after that performance. The shock of Killmonger leaving Slippage hadn't fully been processed before the world saw him on a smaller stage obliterating all competition around them in Atlanta.

Shameika beat out a master class of percussion before Jody sank her teeth into the bass ushering in the deadly claws of Killmonger's fingers making his guitar roar as Oya stalked out from behind him. The moment the audience saw him, shocked gasps rippled out and then she pounced on them all, lacing her voice around Shameika's lyrics throughout the soundscape they weaved for the audience. Her signature flame upswept do became the rage after their first performance as a re-grouped band. The biggest surprise was that Killmonger didn't steal their thunder. He harnessed it and threw it out for the world to accept as a class act worthy of recognition. They trended on social media. Deidre and Ark Ten had been number one for two hours because of their new Coachella line-up announcement. To Sleep With Anger knocked them out of the top ten trending topics soon after. Pictures of their Afropunk performance were shared all over. Oya couldn't help but float and feel hopeful.

The man made her feel reckless and powerful onstage. Their styles meshed and the thrill of prancing around and growling at him with throaty moans while he jerked that guitar around her shirtless like he was working his manhood made her invincible. He underplayed his position as mega star to allow them all the shine. He got off on it. Flirted heavily with all of them while he worked the stage. Oya threw him solos but he would bring in Jody, opening her up to the point where she was dancing around the stage which was something she rarely did that fiercely.

The fans loved Shameika's song and they played it again at the end for their encore. Their short set grew longer because of Killmonger and he pushed it. Shameika broke one of her sticks by the end and it was the omen of more good things to come.

Standing there with applause washing over them, Oya looked over at Killmonger. His eyes were slightly hooded. He was faded in a good way and she was too. They shared a joint before hitting the stage and she watched him make smoke offerings to someone named Bast. Oya gave a final bow and Killmonger leaned over covering her mouth with his lips. The crowd roared and she reached over with fresh acrylic black nails to scratch the scars on his nude shoulder. He bowed down to her like she was a queen and the audience lost it again.

"Let 'em see you, O," he crooned in her ear.

Oya swung her wide hips to the left and right of the stage with her black wolf's head cane in her hand. Her black laced combat boots matched the black mesh drawstring skirt and tank she wore with a short-waisted red bolero jacket. Their black flame logo was emblazoned on the back in satin emboidery. She sauntered over to Jody and Shameika who were shy about prancing around, but they basked in the sea of applause. Oya pulled them next to her so they could get their due.

Taking the mic from her hand, Killmonger stepped to the center edge of the stage.

"You're looking at three of the baddest musicians to come out of L.A. It's a privilege to play for them. Don't fuck around and miss out on this moment. Follow them. Support them. Snatch their EP at the merch table before it become a collector's item and you can't afford it. Take plenty of pictures so you can say you were there before they blow up. Give more love to Oya, Jody, and Shameika...To Sleep With Anger!"

Offstage they were mobbed by people trying to talk to them and get pictures. Killmonger was adamant that he took no solo pictures with fans. It was the group or nothing. That didn't stop people sneaking shots of him sipping on juice or talking to people. Security had to help them when the reality of his status went into warp drive. They had to have more security with them for the rest of the event.

Gracious, accommodating, protective, and a total fanboy, Killmonger acted as their professional handler. His personal bodyguard, Tyson, was a bruising giant that suffered no fools when it came to his boss. If Killmonger felt a fan was being rude to them, he sent Tyson after them. By the end of the festival night, Oya was exhausted by the lack of respect fans had for the personal space of huge stars. Oya wanted the same accolades, but the rudeness was astounding. So used to being ignored, or looked over, she adjusted to it quickly until a male onlooker reached out and squeezed her ass cheek near a speaker as she watched a headliner from Canada. She shoved the man and his weed-laced eyes narrowed. His lips became a snarl when he realized she wasn't interested in his tasteless unwanted sexual advances.

"You should feel lucky, bitch!" he spat.

A fist sliced across her peripheral and the next thing she knew, the man's face was punched in one direction while two of his teeth flew in the opposite. A crowd of male fans snatched him up and carried him off while Killmonger stalked after them cursing him out. Tyson pulled Killmonger back but he jerked away from his grasp. A random girl with long pink braids picked up the teeth with a napkin and ran after the owner of them.

"Shit!" Oya finally exclaimed. Killmonger only needed a bodyguard to protect fans from his fists.

Jody and Shameika were stunned and the crowd stood back from them when Killmonger returned.

"You alright, O?"

"Yeah."

He shook his head as Tyson made a wide berth for them to continue their evening.

"I've had my ass slapped, my dick grabbed, kisses placed on me without my consent..."

Killmonger's eyes looked them over before giving them a dimpled grin.

"See what you have to look forward to?" he told them with flashing gold teeth and drying blood on his fist.

On the way to Coachella and uneasy alliances...

Oya carried bags of Chinese food and soda to the apartment. She had to carry four bags carefully by herself because no one answered their cell to come help her. Climbing up the stairs and fumbling with keys, she entered the apartment hearing music, and smelling frankincense incense, weed, and burning vanilla-scented candles. The room divider from the living room to the dining room was up and Oya saw shapes moving behind the shadows of flickering light. Jody and Shameika were at it on their bed. They probably thought Oya was going to take a long time picking up food, however, she called ahead for once.

She ducked into the other doorway that led to the kitchen and placed the bags on the counter. Clearly there was no rush to eat. Oya needed time to shower. Turning her head, the flimsy curtain they used to separate the kitchen from the dining room was parted and Oya could see Shameika on her back with Killmonger on top of her.

The hell?

She froze.

This was the fucked up shit that killed bands throughout history. Illicit sexual liasons...

Wayment.

Jody's fingers slid down from behind Killmonger's back and pinched his nipples. He turned his head to the side and they shared tongue kisses. Oya watched the man pull out his dick from Shameika, and dear God, he threw Jody down onto her hands and knees and plunged his sheathed thickness into her from behind. She watched him turn Jody into a quivering mess on her bed while he pulled on her hair. Shameika bent down and licked her tongue from the middle of his chest up to the side of his neck.

"Bounce on it," he whispered to Jody and she threw her ass back on him while Killlmonger

slipped fingers inside of Shameika's pussy. Oya could hear the squelching wetness and the woman's whimpers twisted around Killmonger's groans.

"Oooh, fuck!" he roared as Jody gave it her all.

Jody pulled off of his length and flipped over allowing Shameika to fall against her with her legs up in the air. Killmonger sank into her as Jody played with her peach-sized breasts and anchored her girlfriend's body for him. Their eyes stayed on that man's dick as it plowed deep and hard.

"Fuck me...Killmonger...!" Shameika was losing it.

"Shit," he yelped biting his lip as he hunched over her.

He was deep in her guts now and the thrashing she did under him made Killmonger double down on the snaking of his hips. Her arms flew back and Jody cradled them, sucking on Shameika's fingers before Killmonger pulled out again. Both women scrambled to get at his mouth for kisses and he held them both close to him as he fondled both their asses with greedy hands.

Oya slipped out of the kitchen and heard more movement. She wondered what position they were in now before jealousy seeped into her heart. She closed her bedroom door and sat on her cold bed in the dark. It was sad to think of how long it had been since she had sex with anyone. She didn't count the clumsy attempts of a man trying to fingerfuck her the previous year at a party, or even the coat check girl at her job. They were unconsummated misadventures.

She had no clue the three of them were fuck bodies. Killmonger kept sexual energy on stage and in their real life he was a gentleman guitarist coaxing the best out of them for work only. It was obvious Shameika had a big crush on him, but they all just settled into a mentor Rock-God relationship with him. He was playful during downtime, bossy during rehearsals, and flirty for shows.

"Cum in my mouth!" he shouted

His voice roared through the door and Oya pulled a pillow over her face and screamed. They were getting all that sculpted body. All that dick. All that mouth. Kicking her feet, Oya threw her pillow across the bed. Fuck 'em.

She turned on the lights and prepared to take a shower, not even bothering to keep quiet. They kept being loud even as she went into the bathroom and took a long shower.

Twenty minutes later she could hear their bed still rocking and rolling. Bitches!

Hunger trumped all and she made a ton of noise going back into the kitchen to fix a plate for herself. Dumping fried shrimp rice and walnut chicken on a paper plate, she yanked open the fridge to get a can of Pepsi.

Jody tumbled into the kitchen and washed her hands at the sink. She was fully dressed in a t-shirt and shorts and Oya could tell she was pretending that nothing had went on in the next room. She also wouldn't look Oya in the eye. Whatever.

Oya padded into the living room with her plate and drink and found Killmonger on their couch watching TV.

"Sup?" he said ogling her plate.

The shower went on again and Oya assumed it was Shameika in the bathroom. Jody walked out of the kitchen with two plates. She handed one to Killmonger who took it with gratitude as he tucked in with a fork.

"I would've gotten some egg rolls had I known you were coming over," Oya said with a little bite in voice.

"No worries. I just popped over."

"Yeah. I heard."

Jody's eyes almost fell out of her head. Pressure began to build behind her neck and Oya tried to eat her food next to Killmonger on the couch, but she barely tasted it. When Shameika came into the room with a small plate, Oya couldn't hold back.

"Is this going to be a regular thing?"

"What?" Killmonger said.

"Nigga, don't play dumb. You're fucking two of my bandmates. I'm really not trying to have no bullshit when it blows up in your faces."

Shameika's lip trembled. Jody studied the paint on the wall.

"It's none of your business what we do," he said poking out his full lips.

Oya knocked his food out of his hand.

"Oya...fuck..." he grumbled picking up the mess all over the floor.

Shameika jumped up to clean it and Oya shoved her back.

"Let him pick it up since he's trying to create a mess."

Oya's jaws clenched and she stood up to tower over him while he cleaned. He jumped up to face her.

"If you want some dick too, just say so. We don't need all the dramatics to get my attention."

"You think I wanna fuck you?"

"Every time you see me you want to."

"You said you wanted to see us win. This threesome will interfere with the work."

"Yeah...you wanna fuck."

"Killmonger, stop," Shameika said.

"Kill-monger, stahpppp," Oya said mimicking Shameika's mousy voice.

"Don't do that," Jody said stepping to Oya.

"Whatchu do? Let her fuck him so you wouldn't lose her?"

"Fuck you, Oya!" Jody shouted pushing her in the chest.

Oya pushed back and Killmonger stood between them.

"You are such a weak little pussy!" Oya shouted as the rage surged through her body.

Shameika ran to her bedroom and Jody followed after her.

"Weak bitches," Oya shouted to them.

A shock of pain blasted up her arm as Killmonger grabbed it and pulled her toward her bedroom. He opened the door and shoved her inside flicking on the lights and slamming the door behind him.

"What the fuck is your problem?"

"Why are you fucking them?"

"Why is it your business?"

"The band is my business. You fucking up my business."

"What I do with them is between me and them—" "How long has it been going on?"

Killmonger rolled his eyes and she couldn't help but stare at his teeth and the locs flopping in his eyes. His blood was up and the look on his face was mean and it turned her on. She wanted to punch him and kiss him, but if she did that, it would only prove that she did want to fuck him and was angry that her friends got to him first. Wasn't she good enough? He was always gassing her up as the Queen Bee but he settled for drones...

Oya closed her eyes.

That was cruel. Jody and Shameika were her girls. Her sisters. She was acting like Deidre. Thinking she was better than all the rest. Fuck. Maybe Deidre was.

Oya flopped down on her bed.

"I'm sorry," she said.

His eyes were still tight, but he uncrossed his arms.

"What's going on?"

"I don't like being left out."

"Left out of what?"

"Inner circles. I thought we were a team...I feel left out."

"Because of sex?"

"No...yeah...I dunno. I'm stressed...Coachella is coming..."

Killmonger sat next to her and threaded his fingers in hers.

"Coachella is big for you guys, but it's just a music festival. Like all the others you've played before."

"Easy for you to say. We only got there because of you."

"So."

"People are saying that's the only reason we were invited to play."

"So."

Oya shook her head and he squeezed her hand.

"If you're scared because Ark Ten is playing just say that."

"I'm not scared of Ark Ten."

"Deidre then."

"She's a star."

"You're a star. You, Shameika and Jody."

"This has to be the best performance of our life, and I want to show her up. I want her to regret leaving us—"

"She's living rent free in your head and not even thinking about you. We had three dudes jump ship on Slippage before we even signed with Warner. Shit, I wasn't even in the original line-up. People leave when opportunities open up for them. Deidre is where she's supposed to be. I'm where I'm supposed to be. So are you. This is your come up, O. Enjoy it. Stop worrying about Deidre and stop worrying about my dick."

She punched his arm and he kissed her cheek.

"You stink," she said wiping his kiss off of her skin.

"I smell like good pussy."

"Please don't play with them."

"We're having fun."

"You're having fun. They are in a serious relationship."

"I hear you, okay?"

Killmonger released her hand and left the room to shower and clean up. Oya meandered into the kitchen then knocked on the wall near the curtain divider.

"What?" Jody called out.

"It's me. I want to apologize. Can I come in?"

There was no answer.

"Jody? Shameika?"

Jody pulled the curtain aside. Her face was contorted with anger. Oya saw Shameika on the bed bundled up under the sheet, her eyes wet and puffy from crying.

"I'm sorry. It wasn't my place to talk to you both like that. I don't want this thing you have with him to blow up in our faces. Shameika, sorry for teasing you...I was...jealous."

Shameika cut her eyes and Jody crawled onto the bed and put her arms around her. They both ignored her.

"Sorry," she said again and left them alone.

Oya went to her room and broke out her weed pipe and smoked alone on her bed. With her bedroom door open she saw Killmonger walk out wrapped in a towel brushing his teeth.

"I stole a toothbrush from the pack under the sink," he said.

Oya shrugged and he ducked back into the bathroom to rinse his mouth. He returned fully dressed and barefoot. He grabbed the pipe and lighter from her and took a few puffs and cooled out on her bed.

"They are pissed at me," she grumbled.

"You were foul."

"I know. I apologized."

They smoked and the high was easy. Languid. She fell back on her back and stared at the ceiling. Killmonger curled around her and threw an arm across her stomach.

"I wrote a new song," she said.

"Lemme hear it."

She giggled.

"I'm high and my lips are rubbery right now."

Killmonger licked her face and it felt like warm velour caressing her skin.

"Sing it to me."

He nuzzled his face in her neck and kissed her there.

"You ain't slick," she said moving her neck from him.

"What?"

"Tryna get in my panties too right now because I'm floatin'."

"I would never do that. My dick is tired anyway. They had my shit spittin',"

"Oh God, TMI."

"I couldn't get it up if I wanted too. Give me the song."

"Hmmm..."

"It sucks."

"Shut up!"

She slapped his cheek and he cradled her hand and kissed her palm. She raised his hand to her lips and kissed his fingers.

"Sing," he said.

Oya closed her eyes and thought of the yellow legal pad she wrote the newest song on. The words floated above the paper as the melody danced around her ears.

"There is no place for a soft Black woman... there is no smile green enough or summertime words warm enough to allow my growth...and in my head...I see my history standing like a shy child...and I chant lullabies...as I ride my past on horseback...tasting the thirst of yesterday tribes..."*

The words flowed from her lips and Killmonger caressed her hip as he listened to her. He gave her suggestions for word changes when she was finished, and they moved from the bedroom to the living room to work out the song with her electric guitar. He played her instrument while she sang to him. Shameika and Jody emerged from their bedroom to listen and after a few more word changes they joined in on bass and drums that sat ready in the room all the time. They jammed, worked out a decent intro with the drums and Killmonger shoehorned a bass-heavy bridge that added a full body sound to the lyrics. Oya felt the sexual tension between the four of them. It was thick and undeniable. They were all drenched in sweat by the time they had a complete arrangement that worked well.

"We should close with this," Killmonger suggested.

Oya glanced over at Jody and Shameika.

"What do you think?" she asked them.

Jody shrugged and Shameika stared at Killmonger.

"You like it Shameika. I can hear it in your drums," Killmonger said.

Shameika's foot tapped on the floor. Killmonger stood Oya's guitar on a stand and he walked over to Shameika and pulled her up to her feet. He blocked their view of her as he talked softly with her. Oya left the room to grab a bottled water and when she returned, Killmonger had his lips on Shameika and she had her arms around his neck. Jody stood with her arms resting on her bass watching them.

"You good," Killmonger asked.

Shameika nodded her head and Killmonger went to Jody and gave her a hug.

"Team, right?" he asked Jody.

Jody twisted her lips and Killmonger grabbed her chin and tilted it up toward him.

"Jody?"

"Yeah. We're a team."

Killmonger pressed his mouth on Jody and she gave in. His hand squeezed her left butt cheek and she swatted his chest with a laugh in her throat. Fiery eyes raked over Oya's form as Killmonger strode over to her.

"I'm not leaving you out," he said.

His mouth devoured hers overwhelming her with the pressure of his large tongue sweeping around her teeth and making her own tongue submit to his will. A trembling in her thighs commenced, and she grew bolder as she pressed her body into his. Whatever he said about his dick not being able to rise to the occasion again was a blatant lie because the hardness she felt pressing against her mound had her panties damp. His arm slipped around her waist and he walked her backward a few inches before he let go of her lips. He reached for his shirt and took it off allowing the hard slick scars all over his chest excite her even more.

No words were spoken as he forced her back into her bedroom and undressed her. He groaned when her breasts were freed from her bra, and she moaned as his thick fingers pulled off her underwear revealing a glistening prize for his mouth. He ate her out on the edge of her bed, pushing her thighs back so that he could smear her juices all over his face. He licked her folds until she was clawing her bed. Sucking on her clit made her cry out and she knew Jody and Shameika heard her.

Killmonger stood up before she could release again and she watched him fetch a condom from his wallet and roll it down his turgid erection.

"You gon' play nice?"

"Huh?"

Breath was cut from her throat as he sank into her. He threaded his fingers in her hair and locked her body down good and tight. Hard thrusts made her pussy clench around his pipe. He brought his face close to hers and the gold in his teeth looked sharp and threatening.

"I'm giving you this dick, but you better place nice with the other girls from now on!" he growled in her ear.

Oya lifted up so she could see his dick beating up her walls. The aggression of his fucking made it hard to breathe. His hips swiveled and hit another part of her pussy that she wasn't expecting and she clawed his back. The scars on his body rubbed extra sensations into her needy skin and she whimpered into his shoulder to keep her bandmates from hearing, but the dick was so good that she was panting his name every time he sank back into her.

"Be a good girl, alright? Don't be jealous..."

"Killmonger!"

He palmed as much of her breasts as he could and forced her back to arch just to catch all the length he was throwing into her fast. She took the pounding gratefully.

"I'll be good! I'll be good...ooh shit! I'll be good...fuck!"

She went cockeyed trying to match his pace and gave up when he was balls deep and making her toes bunch up. His teeth tugged on her nipples and she took that moment to breathe deep and catch her bearings.

"Turn around!"

Killmonger stepped back from her and his heavy dick bobbed with her shiny slickness all over the condom. She dropped her legs down to the floor and shifted her body so that she faced the bed. Before she had a chance to position herself, he had his hand on the back of her neck pushing her down. Her ass jiggled as he thrust into her again, and she gripped the blanket on her bed to brace herself. Oya's ass clapped loud and she was unable to make a sound from her mouth. The shouting she had done made her voice hoarse, and she snapped her eyes shut and sucked on the blanket.

"Hold these ass cheeks open!"

Reaching behind her, she stroked her backside with her long nails and pulled her fleshy cheeks apart.

"Look at that pussy!" he choked out.

His groans rained down on her and once he started grunting and slapping her ass, she knew she would fall apart all over his dick soon.

"...being my good girl...pussy stretched all around me...fuck...Oya..."

She couldn't take it anymore. He was rooted in her way down deep until he bottomed out and gripped her hips.

"Right there! Right there!" he groaned.

"Fuckkk..."

Her orgasm exploded when he slipped demanding fingers across her clit and stroked her to completion. Bucking his hips, Killmonger's body went rigid and he cursed a stream of expletives until he collapsed over her.

Panting together, she felt kisses planted down her spine from his lush lips. He pulled out of her and bent down to kiss her pussy, licking the essence that flowed out of her. When she sat up, he left the room to go into the bathroom. Killmonger returned with a smile on his face.

"Let's record your song tomorrow at my place around nine—"

"I can't, I have to work at eight."

"Jody...Shameika..."

He padded out of her bedroom nude and went to the living room. Oya grabbed her t-shirt and pulled it on. She rummaged for a pair of sweatpants and sought out Killmonger. He stood in Jody and Shameika's bedroom talking quietly. She watched his shadow on the living room divider and felt a bit miffed that he didn't bother to dress before going to them. Her scent was all over him. The divider shook and she watched Killmonger pull it aside. Jody and Shameika stared at her. The smirk on Jody's face made Oya feel uncomfortable. Nothing like fucking a dude her ex had just rode hours before. Messy.

"We'll record before you go to work then. We need to lay it down fast. Skip rehearsal in the morning and just record. Cool?"

She nodded. The others seemed pleased with the idea.

"It's a great song, Oya," Shameika said.

Her eyes were still shiny and the lilt in her voice was relaxed. That man was working them all over. It worried her. Worried her for the next two weeks that they recorded tracks at his house and took promotional pictures for Coachella with a photographer he hired. The PR machine for Coachella was going into overdrive. Killmonger made them cancel all appearances until the festival. He paid them all out of his own pocket to make up for gigs they passed up.

"It's to build anticipation," he assured them.

Their streaming numbers jumped, especially when they posted the new pictures of Killmonger with them on their official website. He was part of the group now. The man drove them to play until their fingers swelled up and bled and their voices felt like they chewed chalk all day. Their bodies ached from working so hard. Killmonger's work ethic was stringent but worth all the effort. Oya's stamina improved. Musically and sexually.

They all shared him.

He was more discreet with their liaisons. The new polyamory created a push and pull that made their music racy. Electric.

The only foursome they indulged in was a weekend before Coachella. They tripped on 'shrooms with Killmonger in his house after swimming in his pool, and danced in their swim suits his den listening to all the new music they had created together.

"If you bring this fire to Coachella, it's a done deal," he said lying on his floor gazing up at his skylight that covered half of the ceiling.

"Done deal?" Oya said watching her fingers grow watery-looking as she allowed her body to trip with the high she felt.

"Yeah, Warner will sign us," he said like it was no big deal.

She screamed with Jody and Shameika as they peppered kisses all over his face. He stayed on his back as they sat around him like a harem.

"All this work you put in, it's all simmering on the stove. I gave y'all some extra seasoning and now we're all cooked down to the pot liquor now," he said.

His eyes were seductive, and his mouth was lax showing them his bottom slugs. Shameika stroked his cheek and he smiled. Oya bent down and kissed him and he accepted her ripe lips with a moan and wandering fingers. Stripping for him, they all took turns riding his face and going through condoms as they rode his dick too. Reconnecting with Jody intimately was a sweet reminder of how they used to be years before. Shameika and Jody sucked on his balls as she ran her tongue around the bulbous tip of his glans and she felt extra special when he came in her mouth. Jody and Shameika cleaned him with lusty licks and were rewarded with slow drips of extra semen that spilled all over their lips. They slept together in a warm heap of arms and legs on the floor and she woke up with his Killmonger's tongue sucking on her tits. She climbed on top of him and bounced on his dick with her heavy breasts teasing his face, letting him cum hot and raw inside of her. Jody and Shameika watched her make Killmonger holler her name like he had the holy ghost and they giggled when his eyes rolled back from his orgasm.

All was well.

Until it wasn't.

Carrying coffee containers from Starbuck's, Oya and Jody returned to a final mixing session in the home studio catching Killmonger fucking the shit out of Shameika on the sound board. Jody dropped the coffee she had for herself and Shameika and cursed a blue streak. Killmonger yanked off the condom and fastened his pants looking confused by the reaction. Oya was just as confused when Jody snapped and she pulled her back before it turned physical.

"Why you trippin'?" Killmonger yelled.

Tears welled in Jody's eyes.

"You promised!" Jody screamed.

Oya glanced between them. Shameika hung her head in shame.

Shit.

It became clear to Oya.

"I thought we were all good," Killmonger said still searching for understanding.

"This is why..." Oya mumbled.

"It just happened!" Shameika shrieked.

Jody stomped out of the studio and left the house.

"Jody!"

Oya grabbed Shameika's arm to stop her.

"Give her a minute, Shameika. Just go to the bathroom for now and –"

"What is going on?!" Killmonger said still out of the loop.

Shameika cradled her waist. Killmonger stepped to her and stroked her arm.

"Shameika?"

"We had a rule. I wasn't supposed to be with you by myself."

"Well damn, why didn't you tell me that?"

"Cuz I wanted to be alone with you like Oya is!"

"Shameika, bathroom, now!" Oya pushed.

Shameika left them alone.

"I told you," Oya hissed.

"I didn't know about their rule. I would've respected it."

"That was their fault for not cluing you in from the beginning."

"Shit. Jody won't quit will she?"

Oya pounded her fists on top of her head. The doorbell rang. Killmonger glanced at his security video screens near the sound board.

"It's Doug and Anderson from my management. I invited them to hear the final mix. Fuck."

Oya left Killmonger and hustled Shameika out of the bathroom.

"Get it together. Deal with your problem at home, you hear me?" Oya clucked like a mother hen.

Jody wandered back in with her lips set in a scowl and she sat away from Shameika as they heard the playback in the studio. Doug and Anderson loved it. It was a full album worthy of representation. Doug, balding, in his late forties, and deadly serious with his facial expressions kept squinting his eyes as he listened.

"What do we call this? Seriously? What is this sound?"

"Pot Liquor," Oya said.

Killmonger chuckled.

"What?" Doug asked.

"Inside thing," Killmonger said winking at Oya.

They played the album back again and the three men chatted with big plans for the band. But Oya could only watch the tension escalating with Jody and Shameika.

It was hell in a hand basket and Killmonger kicked it on its way by seducing them all into thinking they could handle open sex, drugs, and rock and roll.

Fuck.

The end of the beginning making way for new beginnings...

Oya stood behind the stage of the Mojave Stage tent with a nervous heart hammering in her chest.

The press, Killmonger's fans, and online pundits billed it the battle of the bands when Slippage was to perform after them, and Ark Ten before them. It bummed Oya when she watched smaller more talented bands get pushed aside for big name acts that didn't need the exposure that Coachella gave. A-Listers ruined the vibe for her. Everywhere she looked people were there to be seen. It had ceased to be about the music for many there. Influencers had some pull, and she was able to speak with a few before she dressed for their set. Shiny black dress. Blood red overcoat. Hair slicked down, titties propped up, she twisted all the silver rings that covered every finger on her hands. Two chunky silver chokers rested around her neck. They all agreed to dress their personality, and for Killmonger, that meant topless, black basketball shorts and black trainers.

Jody and Shameika were barely on speaking terms. Oya stayed at Killmonger's place because hanging around the apartment was brutal. Icy stares. Early morning cuss outs. Crying. She stayed out of the way as much as possible, but left after two days. All her time spent before Coachella was used to play her guitar, get her voice pampered and ready, and pray that the audience was receptive. They were part of the two Saturday weekend line-ups, and she prayed Jody and Shameika could keep it together for the following Saturday.

It felt like she and Killmonger had a lot to prove. Oya facing Deidre with Ark Ten, and Killmonger peeping Slippage without him.

"Is it mean to want the other band to suck?" Oya whispered to him.

"Nah. Slippage is a different animal without me now. They have new music. It's a new era for them."

"You miss them?"

"No."

"If people don't like this, you don't have to stay with us. We can say you were just—"

"Shut up," he said slapping her butt.

The thumping of music from a small monitor screen drew her eyes toward it where she watched Deidre shred. They hadn't spoken since she left them high and dry. Deidre had on a revealing black dress that showed a lot of breasts without nipples, and a thigh high split that Oya hoped had a g-string at the top. Killmonger bobbed his head as he listened to Deidre do a solo. She was a star. It showed.

Oya inhaled deep.

"You got this," Killmonger whispered in her ear. He kissed her and she felt her nerves move to her neck.

So many people. So many high expectations.

Oya shook her hands and glanced over at Jody who paced with her earbuds on listening to meditative sounds. Shameika stood still tapping her drumsticks against the top of her thigh, her eyes glassy and focused on some netherworld.

Tyson stood nearby keeping his eyes on the crowd and people backstage.

Martina, the stage manager walked over turning down her headset.

"Ready?" she said.

Oya nodded and the band circled up. She stood between Jody and Shameika.

"Go out there and be yourselves," Killmonger said.

The glint from his slugs made her tamper down her nerves.

"You don't look nervous at all," Jody said.

"I still get butterflies. I want to do my best for all of you."

They bowed their heads and Oya did a simple prayer and they all squeezed hands.

"Do it Shameika," Oya said.

Shameika shook her hair, tugged on her tiny black halter and shorts and pranced out to her drums. Colorful lights made her look glamourous and there was a smattering of applause as their logo lit up above her head. One twirl and she slammed on the skins and got right into her lane as their pocket queen. Oya saw a sly smile spread across Jody's face and she stomped out to where her bass waited for her and hooked in. When the lights struck her face, her head whipped toward Oya.

"What?" Oya mouthed.

Jody put stank on the bass as her thumb slapped hard. Killmonger hooked into his guitar backstage and when he heard his cue, he began to play and a roar shook the open tent. Strolling out like he had always been with them made Oya grip the mic in her hand tight. She was bigger than life. Bigger than the stage. Bigger than the biggest galaxy in the universe. Switching on the mic she called out,

"Buckle up Coachella, you ain't ready for this shit. I promise you. Hold onto to your edges..."

She stepped out and her eyes bugged. Holy fuck. The Mojave Stage tent they were under was packed. More than packed, the crowd extended far out of the tent and many people had to watch them on monitors outside.

Killmonger sidled up to her to help her regain her focus as she felt disoriented for a second. She looked down at his fingers working his chords and he bit his bottom lip giving her a flash of his face when he orgasmed and her clit thumped thinking about the way he handled her body. Oya shook her hips and he moved against her body.

"This bad boy right here is ready...are you ready Coachella?"

The roar of the crowd rattled the stage and instead of feeling like an indie band, they performed like they were on the main stage as the sun disappeared. Killmonger took over and scorched the guitar intro that Deidre ruined so long ago at Joshua Tree. When his eyes sought hers out and he suggestively wiggled his tongue at her the way he liked to work her clit, she growled deep in her throat then let pure rage flow out as she threw back her head.

"Show me someone not full of herself, and I'll show you a hungry person! Ahhhh, yeahhhhh!"

Everything poured out of her and Killmonger drove the rhythm hard, pushing her to dig deep and leave it all on the stage. Sweat made his scars shine like perfect little jewels just for her fingers to touch, which she did like always making people scream with delight.

She dropped to her knees and he placed his guitar close to her face to simulate fellatio. She spun herself toward Jody who did the same as she screeched out

"Give it to me!"

The first song raised the crowd into a tizzy, and it was easy to slip into the next song. She adjusted to the more than expected size of the audience under the tent and outside of it. Fifteen minutes in she took off her coat and slipped on her own guitar and joined Killmonger for a battle and by the time she caught her second wind mid show, her eyes caught a familiar face in the wings.

Deidre.

There was a smile on her face.

Feeling a way, Oya strummed her guitar and stepped to her mic stand.

"I want to introduce you all to the newest member of To Sleep With Anger...you may recognize him from some other band...who did you use to be with?" she asked Killmonger.

The crowd laughed.

"Everyone put your hands together once more for Erik Killmonger on lead guitar!"

Killmonger showed off a bit, and they went off script and jammed.

It felt like magic. Oya's heart swelled and she felt generous when Jody finally noticed Deidre on the side.

"Would you all mind if I bring out an unexpected guest?"

The audience clapped.

"All the way from the Outdoor Theater across the way, Deidre Peterson of Ark Ten!"

Deidre held her hands up, but Oya put a hand on her hip.

"Don't make me come over there and drag you out!"

Deidre walked out humbly, her face showing doubt about what was happening. Her eyes lit up when she saw Killmonger looking at her, giving her dimples and a wink.

"Use my guitar, Deidre," Oya whispered in her ear when she leaned in for a polite hug.

She glanced around at Jody and Shameika before she took in the crowd.

"Go ahead," Jody shouted.

Deidre picked up the guitar and Killmonger gave her space as she strummed it then broke into the very first song she and Oya ever wrote as teenagers.

"Bitch!" Oya teased before Jody stepped to her mic.

"I won't let you suffer all the way through it. We were just learning!" Deidre joked.

Oya faced the audience.

"We wanted to be heavy metal queens because metal, like all good American music started with Black people... you know it's true!" she catcalled the audience.

Deidre played one of their last songs they performed together and Jody joined her with Shameika rounding out the sound. Killmonger followed the rhythm adding his gentle flourishes.

"Can we give 'em a tiny taste?" Oya asked.

Jody held it down as Deidre shared the mic with Oya and they harmonized two verses before Deidre stopped playing. There was too much emotion on her face and she unhooked herself from the guitar and placed it back on the stand behind them. She blew kisses to the audience and hugged Oya before leaving the stage in a near run. Killmonger brought the music back up and forced Oya to let go of the past and look toward the future. There was pain still there, but they were both where they were supposed to be. They couldn't hate on the universe for being correct in the outcome.

They jumped back into kicking ass and taking names with Oya showing off her octave range and playing off of her bandmates. Killmonger tried to spit bars to one song and she covered his mouth with her hands making the audience cackle as she took over and showed him how it was done. Their songs ran the gamut of sexual politics, race, class, love, and the rage of Black women who were overlooked and forgotten. She sweated out her hair and rivulets of her exertion ran down her neck and breasts. Wrapping up with a strong closing, they all knew that the world was their oyster now. They carried sharp knives on the stage to cut the oysters open from now on. She waved for Shameika to come away from the drums and the four of them stood side by side. Jody threw an arm around Shameika and Killmonger held Oya's hand as they took in the applause and whistles, and shouts for more.

Deidre was absent from backstage but it was just as well. It was To Sleep With Anger's moment. Not hers.

Bigger acts sought them out to chat and they took some time to watch Slippage perform. They weren't as good anymore without Killmonger. She saw the smirk on his arrogant face when their reception without him was less than stellar.

Killmonger had hired a crew to break down and pack up their instruments and they were driven home in a large black S.U.V. to Killmonger's house at the end of their Coachella stay that first weekend. Jody and Shameika went off to one of his guest rooms to work out some things leaving Oya alone with Killmonger. They had talked all night after their performance. There was hope.

"Think they'll make up all the way now?" Killmonger asked.

They sat inside his jacuzzi easing their weary bodies. It was early in the morning.

"They're in love. But we'll see what happens before next weekend."

Oya sat up on the edge when the water got too hot for her.

"What about you?" he asked.

"What about me?" she said flicking hair from her eyes.

Killmonger swam up to her and pressed his body in between her thighs and gripped her backside.

"You were letting the world know some things with how you were acting on stage with me."

"Know what?"

"We're feeling each other. More than just an occasional hook-up."

"We do have mad chemistry."

His eyes became dreamy looking up at her.

"You are amazing, Oya. Tonight...shit all three of you were just fucking raw. Coachella hasn't seen that in a long time. Fuck, music hasn't seen that in a long time. Period."

She stroked the top of his head fingering his locs and he closed his eyes and rested his head against her stomach. Rubbing gentle circles along his back, she touched his scars that had become so precious to her. He had become precious to her.

"Killmonger?"

He raised his head up and she lowered hers and kissed him. Their lips fought for leverage together and when their tongues sought heat and wet mouths, he stepped out of the water and held her hand. Her eyes felt heavy. Sleepy. She was still high from being onstage the night before.

"Where are we going?" she said.

"To make some music together."

"Oh, yeah?"

"All day, And the next day, and the next..."

He pulled her along and they took off their wet swimsuits and shared a shower together before he took her to bed. The man played hymns on her breasts with his calloused guitar fingers and hummed a sultry blues on her slick folds. Musical notes danced across her clit with the tip of his tongue and when he sucked sweet orgasms from her one after the other, she finally understood what Betty Davis meant by the lyrics in "Anti-Love Song" about a nigga making a woman "scrawl", because she was screaming and trying to crawl up the walls once he penetrated her, parting her folds like soft fleshy curtains. His short teasing thrusts had her begging him to fill her up with his entire length, stretch her wide open, and take her to the place where love rested easy.

They held hands as he went deeper and deeper and Killmonger made her lose all hope of ever letting him go.

The world made her a little less angry with him in it, and she was so grateful.

A.N. Song lyrics were from poems.

Nikki Giovanni poem ""Poem for a Lady Whose Voice I Like"

Sonya Sanchez poem "Present"

A.N.: This was originally published June 6, 2021. Brought it back for fun! I thought I would expand it as an indie book, but I'll wait on that!

[mathmodder]

Get Wild Mod by MathModder (In Progress)

What you need to know:

This mod introduces wild animals into your game map that spawn naturally in beetle spawners. It includes birds, small mammals, amphibians, more insects and reptiles in nature zones. Birds can fly and land in random locations and ground animals can be seen walking around the map.

You can choose ONE from various versions that best suit your world. Select the version that spawns specific animals suitable for your World's location.

Here's a list of potential versions that will be included in the mod:

All Wildlife (City World)*

All Wildlife (Medieval / Country town)**

American Wildlife (City World)*

American Wildlife (Medieval / Country town)**

European Wildlife (City World)*

European Wildlife (Medieval / Country town)**

African Wildlife (City World)*

African Wildlife (Medieval / Country town)**

Eastern Wildlife (City World)*

Eastern Wildlife (Medieval / Country town)**

*Versions for cities will have additional specific effects that help create a more beautiful environment for your city, such as planes in the sky, fireworks, sunshine rays during the day, and sky lanterns for the All Wildlife and Eastern Wildlife version. **Versions for Medieval/Country towns will feature additional specific effects to enhance the beauty of your world, including hot air balloons in the sky, sunshine rays during the day, and more.

These additional effects mentioned above will appear rarely and randomly in your world.

Can I place individual animals in specific locations, such as on rocks or tables?

In a future update after launch, this function will be added, for now they will only spawn where there is a beetle spawner. Ground animals on the ground and birds in the air.

Is the mod heavy to run?

Within the game I am optimizing it so that a small number of animals spawn at the same time and only spawn at a maximum distance of 500 meters from the player's camera.

How many files will there be?

Because there are many animals and specific animations for each one, the files will be heavy, will be a maximum of 2 to 3 files. In tests in my game with 150 other mods from other creators, I didn't see any loss of performance due to the optimization I'm doing within the game.

It is worth mentioning that some files will need to be placed in the Overrides folder and others in the Packages folder, they will all be specified at launch.

Is this mod compatible with other effect mods?

Yes, it will be compatible.

Bugs:

Depending on the location, there may be some bugs such as birds landing in the air or animals walking a little above the ground, this is due to calculation problems on certain game surfaces and physics, whether hills or mountains, but over time I will update and see What can I do to reduce this. In this case I depend on the engine the game has and whether it is possible to correct certain errors.

Release date:

Between January and February 2024 (It is in the testing phase)

Here is the list of animals that will be included in the mod:

American Eagle Bird

Anteater

Artic Tern

Aphids

Bat

Beaver

Bees

Black Bird

Black Egret

Black Fox

Black Goose

Black Rat

Blue Bird

Blue Frog

Blue Green Parrot Bird

Blue Jay

Blue Lizard

Blue Parakeet

Blue Macaw

Booby Bird

Brown Bird

Brown Bunny

Brown Egret

Brown Hen

Brown Monkey

Brown Owl Bird

Brown Pelican Bird

Brown Squirrel

Bullfinch Bird

Bullfrog

Butterflies (many colors)

Buzzard Bird

Canary

Capercaillie Female Bird

Capercaillie Male Bird

Canadian Goose

Cardinal

Carcara Bird

Charadriidae

Chimp

Chimpmunk

Chukar partridge

Condor Bird

Cormorant

Coyote

Crow

Cicada

Cockroach

Dart Frog

Dove Bird

Dragonfly

Egret

European Goldfinch

Falcon

Female Peacock Bird

Flamingo Bird

Fox

Fireflies

Golden Monkey

Golden Pheasant

Goldfinch

Gray Frog

Gray Lizard

Gray Parrot Bird

Gray Partridge

Green Bird

Green Frog

Green Lizard

Green Parakeet

Green Parrot Bird

Harlequin Duck

Hawk

Heron Bird

Hoopoe Bird

Horn Owl Bird

Humming Bird

Humming Bird Loop

Jack Rabbit

Kinkajou

Komodo Dragon

Ladybug

Lilac-breasted Roller

Little Red Parrot

Little Yellow Bird

Little Yellow Parrot

Magpie

Mallard Bird

Marmot

Marten

Male Peacock Bird

Mole

Multicolor Bird

Nude Rat

Orange Bird

Orange Fox

Orange Frog

Owl

Pangolin

Pheasant

Pink Cockatoo

Piper Bird

Possum

Pigeon

Quero-Quero Bird

Raccoon

Raven

Red-Eyed

Red Fox

Red Frog

Red Head White Cardeal

Red Lizard

Red Panda

Red Macaw

Red-crowned Crane

Rooster

Scissor White Bird

Sea Parrot Bird

Seagull

Silver Pigeon

Skunk

Snake

Sparrow

Spiny Lizard

Stork

Striped Lizard

Swallow Bird

Toco Toucan

Tortoise

Vulture Bird

White Bunny

White Cockatoo Bird

White Diving Bird

White Fox

White Goose

White Hen

White Monkey

White Owl

White Pelican Bird

White Piper Bird

White Rat

White Squirrel

White Swan

Wild Rabbit

Woodpecker

Yellow Lizard

Yellow Parakeet

Yellow Pelican Bird

Yellow Toucan

Want to support? Be a Patreon and get Early Access! Math Modder | The Sims 3 Mods and MO-MO-MORE! | Patreon

If you have any questions, leave them in the comments and I will add them to this post!

[crepesuzette2023]

That Klaus Voormann Interview where he says he might have been a better bass player for the Beatles than Paul

I got curious about this after reading this post about Klaus and Paul by @thewalrusespublicist. I saw that there was some interest in the interview in the comments, but that people hadn't been able to find it.

Original article (German) here (Süddeutsche Zeitung, 2010)

Quick & dirty translation into English by: moi

• Humor translates poorly, especially without audio. I tried my best, but can’t guarantee I captured the tone perfectly.

• Apologies for the n-slur in the quote from Klaus’s grandmother. I left it in because it illustrates Klaus’s background and the spirit of the times.

• Speaking of: context is important, so I decided to translate the whole thing.

• Klaus is 5 years older than Paul — I must have known this, but didn’t realize how it must have impacted their relationship in Hamburg before now.

• I wasn’t able to find other English translations, which is why I did this one, but if you know of any, or have done one: let me know and I will add a link. And sorry, I didn’t mean to ignore anyone’s work.

------

Klaus Voormann: I should explain something right away: I have a real problem with dyslexia.

SZaW: Reading the menu?

Voormann: I have to read it out loud. I have to hear it to understand it. If I say "Knoblauchspeck mit Hausbrot" out loud, it’s there right away, and I won’t forget it.

SZaW: Is it an artists’ affliction?

Voormann: I don’t know. But it caused many hang-ups and problems I’m still carrying around with me.

SZaW: Were the 1950’s that bad?

Voormann: It was bad for me in the sense that none of my teachers realized I was dyslexic. The teacher said, “read from the book,” and I wanted to disappear from the earth. Chemistry didn’t interest me, historical dates didn’t mean anything to me, but the teachers wanted to beat it into you.

SZaW: But then you quit school to go to Hamburg, where, in the autumn of 1960, you discovered an obscure band from Liverpool called “The Beatles.” You can’t have been twenty yet [he was 22], I believe George Harrison was only 17. Stupid question: What were they like?

Voormann: Loud. I heard this noise from a basement at the Reeperbahn, and followed it. It grabbed me right away, because this was music I could hear and see right there in Hamburg: not a disc, no radio, but real people playing! I was amazed by the momentum they unleashed with only three instruments.  

SZaW: And you just went to them?

Voormann: During the break, I went to them and introduced myself. They looked incredibly strange: Studded jackets, hair in a DA, the boots [with the fur, just kidding]. Back then, I worked as a graphic designer for Hörzu und Kristall, but I wanted to design record sleeves. John Lennon pointed me to Stuart Sutcliffe and said, “talk to him, he’s our artist.”

SZaW: You wouldn’t expect studded jacket music to appeal to a coddled boy from the Berlin upper class.

Voormann: According to my mother, it was boogie-woogie, “negro music,” from the jungle. But to me, the Beatles were a revelation, as if I’d suddenly learned to roller skate or race on a motorbike. Up to that point, there’s been jazz on the one side, classical music on the other. Suddenly, something fresh entered the scene. You could tell they didn’t speak for the elite, but for the simple people: the toilet cleaner getting off in the back [???], the pimp who thinks it’s hot, or a famous photographer who’s obsessed with it.

SZaW: Your family back home must have been pleased. Rumor has it your grandfather owned a whole district back in Berlin.  

Voormann: My grandfather basically owned all of Heiligensee. He had shares in oil companies and South African diamond mines. Unfortunately, I didn’t meet him. He died before the inflation of 1923.

SZaW: Lucky for him.

Voormann: That depends.

SZaW: So, all that money became worthless inflation-billions?

Voormann: As children, we were playing roulette with the bills.

SZaW: A pastime fitting your class.

Voormann: My grandmother used to go to Monte Carlo to gamble.

SZaW: With real money?

Voormann: Back then it was real. I would have loved to know my grandfather; he was a great guy. There are stories about him throwing gold coins in the air because he enjoyed the girls screaming and jumping, trying to catch them. He liked to go out, and he had other women. When he came home, he brought back a silver plate of oysters for my grandmother, his “little dove.” My grandmother got angry and kicked the plate out of his hand, and he said, “my little dove, I didn’t know oysters could fly.” Then they made up.

SZaW: It must have been a better world. Obviously, you diligently followed your piano lessons as a child.

Voormann: I played Chopin, performed in concerts, and I might have become a good pianist. But at the time, it felt too risky. My parents didn’t want it, and ultimately, I didn’t, either. And so, it was decided I should become a graphics designer.  

SZaW: Coming from this world, entering the sweaty cellars of Hamburg must have felt like a descent into hell.

Voormann: Of course. It wasn't a protest, per se, but I went away, went to art school in Hamburg, and broke free from my family bonds. This music thing wouldn’t leave me alone, this love came from the gut. The Beatles added the heart.

SZaW: The Hamburg Beatles were a five-piece band, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and the drummer, Pete Best. Times must have been rough. Albert Goldmann writes in his biography that John killed a sailor on the Reeperbahn. And Stu Sutcliffe’s sister keeps saying Lennon killed her brother.

Voormann: Of course there were fights where Stuart got beaten up, not by John, but by blokes whose girlfriends liked Stuart.

SZaW: And Lennon was supposed to be a closet case, who had an affair with Stuart . . .

Voormann: Complete nonsense. The two of them knew each other since they went to school together in Liverpool, after all. I liked Stuart, too, and we, as guys, would hug each other from time to time. He was a charismatic artist, that was all. In my whole life, I never met anyone who saw and perceived as much as this little boy—no matter if it was a bird or the sound of a train.

SZaW: And why was this good-looking boy so ashamed on stage he stood with his back to the audience?

Voormann: He wasn’t ashamed of his looks; he was ashamed he didn’t know what he was doing on guitar. Not that rock’n’roll has a lot to do with actual music. "Tutti Frutti," for instance, has three repeating chords, and all the bass needs to play is the root note. Great musicianship isn’t part of it. For Stuart, it was difficult, because not only was he not a musician, he didn’t want to be one. Still, his love of rock’n’roll was enormous, and his charisma was on par with Elvis Presley. [KLAUS!!!!]

SZaW: Stuart was posing, whereas George Harrison practiced until his fingers bled.

Voormann: George had a very ambitious way to make licks his own. He couldn’t improvise chords on the spot like Eric Clapton; he had to craft them and put them together. If anyone fit the type of lead guitarist, it was Paul McCartney.

SZaW: Before he became the bassist, Paul played second guitar back in Hamburg.

Voormann: Most of the time. Later, in the "Top Ten" or in the "Star Club,” he also played the piano, simple stuff.

SZaW: Because rock'n'roll isn’t real music.

Voormann: Well, it isn’t.

SZaW: And yet, you wanted to play rock’n’roll at all costs?

Voormann: At some point, I bought Stuart Sutcliffe’s bass for 200 DM, because he wanted to paint. Later, I actually turned out to be a good bass player.

SZaW: because you spent a lot of time watching from the audience?

Voormann: I had the tools from my classical training, but I had no idea how to play on a stage. I played the songs I heard on the Reeperbahn at home, by myself.  

SZaW: Stu Sutcliffe couldn’t, and didn’t want to play. Did you want to take his place?

Voormann: Maybe. During their final show together, I went to John and said, “Well, John, would it be possible for me to play bass?” And he said, “Sorry, Klaus, Paul already bought a bass. He’s going to be our new bassist.”

SZaW: Close, but no cigar.

Voormann: Hm.

SZaW: You came close, but when world fame started, you weren’t on board. Is that a good way of putting it?

Voormann: Hm, yes it is.

SZaW: Do you regret it?

Voormann: It would be interesting to know what would have happened. They wouldn’t have been with four, but with five. Would it have worked? Would I have fit in? The Stones were a five-piece.  

SZaW: A six-piece, originally. They fired piano player Ian Stewart, because he wasn’t pretty enough.

Voormann: They certainly couldn't have accused me of that.

SZaW: Ex-Beatle Pete Best sometimes goes on revival tours, and still feels cheated.

Voormann: And if he lives to be a hundred years old: Pete Best is not a good drummer. He simply didn’t have the charisma for a band this powerful. Maybe I lacked that charisma, too, but it was Ringo who got things swinging.

SZaW: Like Pete Best, you narrowly missed your chance.

Voormann: If you look at the musical roots of the Beatles, I would have fit better, in some ways, than Paul.

SZaW: Ja?

Voormann: Many people will take this the wrong way if I'm saying it here, but I approach bass playing completely differently. I would have stood for something primitive, earthy. If I’d been in the band, I would have used my influence to push for more rhythm and blues.

SZaW: For the Hamburg cellar dwellers.

Voormann: I know that John could have been closer to these roots, that later came through in a few numbers. But from the moment they became Lennon-McCartney, that disappeared completely—"Please Please Me", "She Loves You", "Help" and everything. They took off towards a completely new style of music, and I probably would have been an obstacle.

SZaW: Unlike Paul McCartney, who seduces the camera with his puppy eyes in Let It Be.

Voormann: The charlatan.

SZaW: But important, because of the girls.

Voormann: Without Paul, Beatlemania wouldn’t have happened. Paul is an entertainer; he can handle an audience. Different from John, who wasn’t a front man.

SZaW: He could be very forward on the Hamburg stage, when he greeted the audience with "Sieg Heil!"

Voormann: He was joking.

SZaW: Nazi jokes.

Voormann: All of that was unprofessional stuff. Professionalism came from Paul.

SZaW: Is it true John and Paul brought the mop top haircut back from Paris?

Voormann: They were there, but still: Stuart had the hairstyle first.

SZaW: Who cut his hair?

Voormann: Astrid Kirchherr. But I don’t want to revisit that story, it’s so embarrassing.

SZaW: Why not? Hamburg’s only contribution to the world’s cultural heritage.

Voormann: I was the first to have his hair cut in this style by Astrid, and then the others wanted it, too.

SZaW: Where is Stu Sutcliffe’s bass guitar now?

Voormann: I needed money at some point, and had it auctioned off at Sotheby’s for thirty- or forty-thousand Mark. Stu’s sister bitched and complained, theft, etc., and that’s why I only got a couple of thousand Mark. I wish I could undo the sale. I would like to have the bass.

[yourfavoritewag]

lana and lando

pairing: lana (oc) x lando norris genre: rookie-to-superstar • teammates with tension • soft crush energy • real-world stardom colliding with the grid • south african vibe: she’s grace, he’s flustered, and the internet is feral

girl in the pic is geenah, cape town model!

“lana hoets: f1’s unexpected south african sweetheart.” that’s the headline trending on twitter the week before the start of the season.

people still can’t believe it. last year, she was in her first year at UCT, showing up to biochemistry lectures in a hoodie and a claw clip, barely making it to her 8 a.m. tutorials. now she’s one of mclaren’s two main drivers, the first south african woman to ever race in formula one, and the paddock’s most unlikely overnight sensation.

her fame came from a video her friend posted of lana go karting and breaking the fastest record by 80 seconds. her friends posted it and overnight she got 50 million views, and mclaren f1 team had commented that she was incredible behind the wheel. when she checked her dms the next day, zak brown had dmed saying he wanted to meet with her in london next week - trip fully paid for.

she flew out with her mom, the two of them walked into mclarens headquarters and sat down with zak.

they put her in the sim and she was breaking records.

oscar was out for the upcoming season due to an injury so they desperately needed a substitute. lana was exactly who zak wanted on the team. fast, good image, confident, grounded, and composed.

they decided for lando to meet lana as zak wanted lana for the season. she immediately voiced that she was a uni student and still wanted to study as uct is hard to get into. zak helped her out and she became a part time student and only needed to go to campus physically a few times a year, the rest was online.

when lando first laid eyes on lana he was in a trance. lando has never believed in love at first sight, but with lana it was different. they just got each other. they hung out a lot before the season started to, get to know each other better.

after three weeks of seeing each other everyday, it was safe to say that lando was in love.

lando’s seated next to her during press, legs bouncing. he’s been very obvious, in a way that’s subtle to no one.

she's wearing soft orange shades to match the team and a slick bun, laughing at something carlos says on the other side of the stage. lando keeps sneaking glances. fans have noticed.

“he looks at her like she’s pole position,” one tweet reads.

the fans immediatley noticed their chemistry. they went crazy with the edits on social media. the lingering glances from lando and the blushing from lana, they loved it.

“so, lando, the fans want to know… you and lana have a great dynamic. anything you want to share?”

“she’s just— i mean, yeah. she’s amazing. we’re teammates, obviously, but… she’s got the kind of energy that lights the place up, you know? she's beautiful, inside and out” lando says smirking and trying to keep it together.

"so we are not denying a crush then?"

lando starts squealing, "i'm not commenting."

in the hospitality building, lando walks in on lana volgging. she has her phone propped up against her bottle. he stood behind her and booed her mid sentence.

"yasis lando! you scared me." she said clutching her chest.

"thats kind of the point of booing someone." he says sitting down besides her.

"as i was saying before i was so rudely interupted," lana says looking into her camera while lando stares at her eyes. "i'm so nervous to meet siya kolisi and tyla."

"whos siya?" lando says making lana gasp from shock.

she starts explaining how siya kolisi is the best south african rugby player of her time. lando doesn't know much about rugby except that it's south africa's best sport, and that lana is a huge fan of the bokke.

"siya is iconic. i cannot wait to meet him. he liked my podium post from last week and i started screaming when he commented." lana says excitedly.

"when tyla comes you need to do the water challenge." lando says looking from the corner of his eye to see her reaction.

"i'm only doing it if you join me." she says teasingly. he starts doing the dance making lana scream and move the phone to get a better view him.

the two laugh loudly. lando sets the phone down and the two start dancing to the one direction song playing in the background. a few of the crew members start filming and eventually join in.

this is what lana loves about mclaren. family. everyone is so supportive and want the best for her and lando. she has made so many friends on the team and loves the energy on and off track.

"so zak, was it a good desicion bringing lana into the formula 1 world? you have the car of the year but lana is yet to win a race." an interviewer asks zak during media day.

"it really was the best desicion to have lana as our driver this year. we love her energy and contributions to the team. she has been scoring points and finished on the podium on her first race. she is so hard working and dedicated. she makes us happy, especially lando. having her here was a risk, but a risk i am glad we took." zak says to the reporter.

"so lana, how did your friends react when you became an f1 driver? i know you were studying at the university of cape town, is it weird being away from your friends?"

"yoh my friends lost their minds. i went from studying in the library to seat fittings. the best part was how supportive my friends are. i really do miss them, but they will be joining me in the garage in miami.

"did people approach you on campus?"

"a bit. people started recognizing me on the shuttle or at parties. i’d walk past someone and see them squinting like, ‘is that...?’ and then they wouldn’t say anything. but later i’d get dms like ‘were you on jammie stairs today or am i hallucinating? it was so sweet. it still is."

"you two sit down, we need to film the video now." lana's press officer says to her and lando. the two sit infront of the camera next to each other.

the video opens with lana sitting cross-legged on an orange couch in her orange team shirt, hair pulled back into a high bun, sunglasses perched on her head.

lando’s already giggling. they haven’t even started.

"alright,” the producer says off-camera, “you’ll be blindfolded, and the other person hands you an object. you have 30 seconds to guess what it is.”

“this is going to end in chaos,” lana says.

lando points at her. “you are chaos.”

lana puts a hand to her chest. “and yet, you choose to sit next to me every single time, when you could take the other couch”

“for the drama,” lando grins. “obviously.”

"obviously." lana says smiling and rolling her eyes.

it's around one, and lana begins blindfolded.

lando hands her a rubber duck.

“okay, it’s small. squishy. is it a stress ball?”

“kind of,” lando says. “but it has a… head?”

lana snorts. “a tiny helmet?”

lando’s already wheezing.

“lando, is this a mini-me?!”

“no, but now i want one.”

"someone get the man a mini-me please." lana says laughing, while lando smiles at her lovingly.

round two, and now lando is blindfolded. lana decided to mess with his head a bit by choosing to give him her beaded south african bracelet she used to always wear.

lana hands him her bracelet with their hands touching briefly.

he touches it carefully. “wait, is this jewellery?”

“maybe.”

“is this yours?”

“maybe.”

he lifts the blindfold halfway. “is this your bracelet from cape town?”

lana’s face goes soft. “you remember that?”

“you wore it at your seat fitting.”

off-camera, someone says, “oh my god.”

"you remembered that?" lana asks looking intensely into lando's eyes smiling.

he puts it back on her wrist with her watch that matches landos. "of course i remembered. it was the first time we met." he says caressing her thumb and then pulling away slowly.

lana breaks into a smile. "no peeking next round, mr norris." she says pushing his head away with her hand.

it's the third round and they’re supposed to work together to figure out an object by touch only. lando sits closer, now their knees are touching.

"what is this?"

"my hand lando."

the two touch the unknown object and often interlink their fingers accidentally, leaving lana a blushing mess and lando giggling.

it ends in both of them screaming because it’s a fake spider and lana throws the thing across the room while lando falls off the couch laughing.

“WHO DID THAT?” lana yells, yanking her blindfold off. “i’m suing.”

lando’s still on the floor with tears streaming down his face.

“i’ve never seen her move that fast,” he gasps. “we need that reaction time in sector one.”

"shut the hell up lando."

the two end up play fighting and running around the couches. lando trying to catch lana who squeals everytime he comes close.

lana jumps on the orange couch with lando on top of her tickling her sides. the crew members are all laughing at the pair. the social media girls are posting on social media while the camera crew are getting all the action.

zak hears the commotion from his office and he walks straight into the studio, arms crossed.

“alright,” he says, completely deadpan, “who let the children into content day?”

lana and lando freeze.

“we’re working!” lana insists, still holding the fake spider by one leg while lando scramble off of her.

lando salutes from the floor where he fell to. “content king and queen.”

zak raises an eyebrow. “i can hear you two from the simulator bay. we’re moving you apart.”

“but we’re winning,” lando says.

“winning what?”

“the constructors championship?” lana says making lando nod his head holding in a giggle.

zak sighs and turns to the camera crew. “cut the cameras. and get them separate snack tables.”

he walks away from the two and lando immediately starts laughing and tickling lana. she squeals and kicks him away.

📱 @mclaren

🎥 New video: Teammate Challenge – Blindfold Chaos with Lana & Lando 🔥 watch the full video now on our YouTube. they’re loud. they’re giggly. they got kicked out by Zak. you’re welcome.

🧡 top comments:

@charles_leclerc “so this is why the media pen was peaceful for once.”

@danielricciardo “who let the rom-com happen on mclaren content day. i’m just trying to eat.”

@georgerussell63 “i was told this was a team-building exercise. i watched a man fall in love in 7 minutes.”

@lewishamilton “someone protect her. the girl’s out there carrying race pace and lando’s emotions.”

@carlossainz55 “this is the most chemistry i’ve seen since my chemistry class. and i failed that.”

@oscarpiastri (injury emoji) “replaced by lana hoets and now she’s doing teammate challenges with lando that end in cuddles… entering my villain arc.”

@estebanocon “she gave him a bracelet and he remembered. boys, take notes.”

🧡 fan comments:

@lanandoeditz lana: blindfolded, laughing, heart open lando: giggling, caressing her hand, remembering her bracelet from 3 months ago me: WE ARE WITNESSING SOMETHING HISTORIC.

@styleoflanahoets i swear they are the human version of “Style” by Taylor Swift. lana, cool head, warm heart, sunglasses on, and a man wrapped around her finger.

@f1softies lando looking at her like she’s the finish line and he’s the one chasing the podium.

@gridgirlz zak: we’re separating them also zak: cuts to lana on lando’s lap while he tickles her and she’s screaming us: do it again.

🧡 tweets:

@fiaunhinged lando: “you wore this bracelet at your seat fitting” lana: soft gasp me: STOP THIS IS TOO INTIMATE FOR THE INTERNET

@wheelloveclub i don’t even ship real people but they are TESTING ME

@f1girlies you’re telling me they went from meeting at a simulator to this in three months?? okay fine, i believe in love again

[kevrocksicehouse]

Sinners.

D) Ryan Coogler (2025).

In a sawmill on the outskirts of Clarksdale, Mississippi that Elijah “Smoke” Moore and his brother Elias “Stack”, (both played in a double star turn by Michael B. Jordan) prodigal sons and veterans of World War and Chicago crime who have mysteriously obtained enough of a bankroll to purchase the land (from a known Klansman) and turn it into a juke joint featuring their cousin, the teenage preacher’s son and blues genius Sammie (Miles Caton radiating both adolescent cockiness and bluesman gravitas in a strong film debut), are parlaying for entry with a group of white folk musicians led by Remmick (Jack O’Connell exuding untrustworthy menace) who they will soon know as a vampire. He promises to leave if they can give him Sammie, whose music led him to the joint and then in a combination of plaintiveness and cynical hucksterism that recalls the slaver of Randy Newman’s “Sail Away” he makes his pitch “We believe in music and equality. Can’t we just for one night be family? I am your way out. This world already left you for dead. Won’t let you build. Won’t let you fellowship. We will do just that. Together. Forever.”  It’s a satanic version of the promise America has made to black people since emancipation, a promise they have learned not to trust even as they determine to hold the country responsible for it, a promise that is at the center of Coogler’s wildly ambitious, blues-drenched horror film. Sinners has enough ideas for at least three movies. Ideas that don’t so much bump into each other but intertwine like snakes in a basket. The first hour, about Smoke and Stack preparing for the juke’s opening night (and introducing a cast, from Delroy Lindo’s alcoholic piano player, Hailee Stansfield a passing-for-white former flame of Stack, and Wummi Mosaku as Annie, Smoke’s Hoodoo practicing ex-wife, who are given a depth unusual for second bill horror characters) is saved from narrative sluggishness by the whip-smart pace Coogler establishes and by the charisma of Jordan as two men trying to live as free men – as Americans – for at least one night. It dovetails into Sammie’s portrait of an artist-as-young shaman where in a jaw-dropping sequence, he plays Blues licks described by Annie as “so true it can conjure spirits from the past and future and pierce the veil between life and death,” conjuring rock guitarists, African tribal drummers, Rappers and DJ (we don’t see them appear, they’re just suddenly THERE) out of his own mesmerizing singing and metaphorically burning down the house.

That it also summons the vampires who Coogler presents as both the embodiment of the Faustian powers that “the Devil’s music” is said to call up and the white culture both eager to take it’s power for itself and spread it through the land which gives the bloody climax a heft and weight that kicks the movie past bloodsucker cliché’s into the dark heart of a country that still deciding whether it’s cursed or not. It’s Coogler’s best film.

[kaijuno]

In light of Fall Out Boy’s GARBAGE cover of the song. Let’s learn about the original. Notice how they’re actually in chronological order instead of just random references 😒😒😒😒

1949

Harry Truman was inaugurated as U.S. president after being elected in 1948 to his own term; previously he was sworn in following the death of Franklin D. Roosevelt. He authorized the use of atomic bombs on Hiroshima and Nagasaki in Japan during World War II, on August 6 and August 9, 1945, respectively.

Doris Day enters the public spotlight with the films My Dream Is Yours and It’s a Great Feeling as well as popular songs like “It’s Magic”; divorces her second husband.

Red China: The Communist Party of China wins the Chinese Civil War, establishing the People’s Republic of China.

Johnnie Ray signs his first recording contract with Okeh Records, although he would not become popular for another two years.

South Pacific, the prize-winning musical, opens on Broadway on April 7.

Walter Winchell is an aggressive radio and newspaper journalist credited with inventing the gossip column.

Joe DiMaggio and the New York Yankees go to the World Series five times in the 1940s, winning four of them.

1950

Joe McCarthy, the US Senator, gains national attention and begins his anti-communist crusade with his Lincoln Day speech.

Richard Nixon is first elected to the United States Senate.

Studebaker, a popular car company, begins its financial downfall.

Television is becoming widespread throughout Europe and North America.

North Korea and South Korea declare war after Northern forces stream south on June 25.

Marilyn Monroe soars in popularity with five new movies, including The Asphalt Jungle and All About Eve, and attempts suicide after the death of friend Johnny Hyde who asked to marry her several times, but she refused respectfully. Monroe would later (1954) be married for a brief time to Joe DiMaggio (mentioned in the previous verse).

1951

The Rosenbergs, Ethel and Julius, were convicted on March 29 for espionage.

H-Bomb is in the middle of its development as a nuclear weapon, announced in early 1950 and first tested in late 1952.

Sugar Ray Robinson, a champion welterweight boxer.

Panmunjom, the border village in Korea, is the location of truce talks between the parties of the Korean War.

Marlon Brando is nominated for the Academy Award for Best Actor for his role in A Streetcar Named Desire.

The King and I, musical, opens on Broadway on March 29.

The Catcher in the Rye, a controversial novel by J. D. Salinger, is published.

1952

Dwight D. Eisenhower is first elected as U.S. president, winning by a landslide margin of 442 to 89 electoral votes.

The vaccine for polio is privately tested by Jonas Salk.

England’s got a new queen: Queen Elizabeth II succeeds to the throne upon the death of her father, George VI, and is crowned the next year.

Rocky Marciano defeats Jersey Joe Walcott, becoming the world Heavyweight champion.

Liberace has a popular 1950s television show for his musical entertainment.

Santayana goodbye: George Santayana, philosopher, essayist, poet, and novelist, dies on September 26.

1953

Joseph Stalin dies on March 5, yielding his position as leader of the Soviet Union.

Georgy Maksimilianovich Malenkov succeeds Stalin for six months following his death. Malenkov had presided over Stalin’s purges of party “enemies”, but would be spared a similar fate by Nikita Khrushchev mentioned later in verse.

Gamal Abdel Nasser acts as the true power behind the new Egyptian nation as Muhammad Naguib’s minister of the interior.

Sergei Prokofiev, the composer, dies on March 5, the same day as Stalin.

Winthrop Rockefeller and his wife Barbara are involved in a highly publicized divorce, culminating in 1954 with a record-breaking $5.5 million settlement.

Roy Campanella, an African-American baseball catcher for the Brooklyn Dodgers, receives the National League’s Most Valuable Player award for the second time.

Communist bloc is a group of communist nations dominated by the Soviet Union at this time. Probably a reference to the Uprising of 1953 in East Germany.

1954

Roy Cohn resigns as Joseph McCarthy’s chief counsel and enters private practice with the fall of McCarthy. He also worked to prosecute the Rosenbergs, mentioned earlier.

Juan Perón spends his last full year as President of Argentina before a September 1955 coup.

Arturo Toscanini is at the height of his fame as a conductor, performing regularly with the NBC Symphony Orchestra on national radio.

Dacron is an early artificial fiber made from the same plastic as polyester.

Dien Bien Phu falls. A village in North Vietnam falls to Viet Minh forces under Vo Nguyen Giap, leading to the creation of North Vietnam and South Vietnam as separate states.

“Rock Around the Clock” is a hit single released by Bill Haley & His Comets in May, spurring worldwide interest in rock and roll music.

1955

Albert Einstein dies on April 18 at the age of 76.

James Dean achieves success with East of Eden and Rebel Without a Cause, gets nominated for an Academy Award for Best Actor, and dies in a car accident on September 30 at the age of 24.

Brooklyn’s got a winning team: The Brooklyn Dodgers win the World Series for the only time before their move to Los Angeles.

Davy Crockett is a Disney television miniseries about the legendary frontiersman of the same name. The show was a huge hit with young boys and inspired a short-lived “coonskin cap” craze.

Peter Pan is broadcast on TV live and in color from the 1954 version of the stage musical starring Mary Martin on March 7. Disney released an animated version the previous year.

Elvis Presley signs with RCA Records on November 21, beginning his pop career.

Disneyland opens on July 17, 1955 as Walt Disney’s first theme park.

1956

Brigitte Bardot appears in her first mainstream film And God Created Woman and establishes an international reputation as a French “sex kitten”.

Budapest is the capital city of Hungary and site of the 1956 Hungarian Revolution.

Alabama is the site of the Montgomery Bus Boycott which ultimately led to the removal of the last race laws in the USA. Rosa Parks and Martin Luther King, Jr figure prominently.

Nikita Khrushchev makes his famous Secret Speech denouncing Stalin’s “cult of personality” on February 25.

Princess Grace Kelly releases her last film, High Society, and marries Prince Rainier III of Monaco.

Peyton Place, the best-selling novel by Grace Metalious, is published. Though mild compared to today’s prime time, it shocked the reserved values of the 1950s.

Trouble in the Suez: The Suez Crisis boils as Egypt nationalizes the Suez Canal on October 29.

1957

Little Rock, Arkansas is the site of an anti-integration standoff, as Governor Orval Faubus stops the Little Rock Nine from attending Little Rock Central High School and President Dwight D. Eisenhower deploys the 101st Airborne Division to counteract him.

Boris Pasternak, the Russian author, publishes his famous novel Doctor Zhivago.

Mickey Mantle is in the middle of his career as a famous New York Yankees outfielder and American League All-Star for the sixth year in a row.

Jack Kerouac publishes his first novel in seven years, On the Road.

Sputnik becomes the first artificial satellite, launched by the Soviet Union on October 4, marking the start of the space race.

Chou En-Lai, Premier of the People’s Republic of China, survives an assassination attempt on the charter airliner Kashmir Princess.

Bridge on the River Kwai is released as a film adaptation of the 1954 novel and receives seven Academy Awards, including Best Picture.

1958

Lebanon is engulfed in a political and religious crisis that eventually involves U.S. intervention.

Charles de Gaulle is elected first president of the French Fifth Republic following the Algerian Crisis.

California baseball begins as the Brooklyn Dodgers and New York Giants move to California and become the Los Angeles Dodgers and San Francisco Giants. They are the first major league teams west of Kansas City.

Charles Starkweather Homicide captures the attention of Americans, in which he kills eleven people between January 25 and 29 before being caught in a massive manhunt in Douglas, Wyoming.

Children of Thalidomide: Mothers taking the drug Thalidomide had children born with congenital birth defects caused by the sleeping aid and antiemetic, which was also used at times to treat morning sickness.

1959

Buddy Holly dies in a plane crash on February 3 with Ritchie Valens and The Big Bopper, in a day that had a devastating impact on the country and youth culture. Joel prefaces the lyric with a Holly signature vocal hiccup: “Uh-huh, uh-huh.”

Ben-Hur, a film based around the New Testament starring Charlton Heston, wins eleven Academy Awards, including Best Picture.

Space Monkey: Able and Miss Baker return to Earth from space aboard the flight Jupiter AM-18.

The Mafia are the center of attention for the FBI and public attention builds to this organized crime society with a historically Sicilian-American origin.

Hula hoops reach 100 million in sales as the latest toy fad.

Fidel Castro comes to power after a revolution in Cuba and visits the United States later that year on an unofficial twelve-day tour.

Edsel is a no-go: Production of this car marque ends after only three years due to poor sales.

1960

U-2: An American U-2 spy plane piloted by Francis Gary Powers was shot down over the Soviet Union, causing the U-2 Crisis of 1960.

Syngman Rhee was rescued by the CIA after being forced to resign as leader of South Korea for allegedly fixing an election and embezzling more than US $20 million.

Payola, illegal payments for radio broadcasting of songs, was publicized due to Dick Clark’s testimony before Congress and Alan Freed’s public disgrace.

John F. Kennedy beats Richard Nixon in the November 8 general election.

Chubby Checker popularizes the dance The Twist with his cover of the song of the same name.

Psycho: An Alfred Hitchcock thriller, based on a pulp novel by Robert Bloch and adapted by Joseph Stefano, which becomes a landmark in graphic violence and cinema sensationalism. The screeching violins heard briefly in the background of the song are a trademark of the film’s soundtrack.

Belgians in the Congo: The Republic of the Congo (Leopoldville) was declared independent of Belgium on June 30, with Joseph Kasavubu as President and Patrice Lumumba as Prime Minister.

1961

Ernest Hemingway commits suicide on July 2 after a long battle with depression.

Adolf Eichmann, a “most wanted” Nazi war criminal, is traced to Argentina and captured by Mossad agents. He is covertly taken to Israel where he is put on trial for crimes against humanityin Germany during World War II, convicted, and hanged.

Stranger in a Strange Land, written by Robert A. Heinlein, is a breakthrough best-seller with themes of sexual freedom and liberation.

Bob Dylan is signed to Columbia Records after a New York Times review by critic Robert Shelton.

Berlin is separated into West Berlin and East Berlin, and from the rest of East Germany, when the Berlin Wall is erected on August 13 to prevent citizens escaping to the West.

The Bay of Pigs Invasion fails, an attempt by United States-trained Cuban exiles to invade Cuba and overthrow Fidel Castro.

1962

Lawrence of Arabia: The Academy Award-winning film based on the life of T. E. Lawrence starring Peter O’Toole premieres in America on December 16.

British Beatlemania: The Beatles, a British rock group, gain Ringo Starr as drummer and Brian Epstein as manager, and join the EMI’s Parlophone label. They soon become the world’s most famous rock band, with the word “Beatlemania” adopted by the press for their fans’ unprecedented enthusiasm. It also began the British Invasion in the United States.

Ole’ Miss: James Meredith integrates the University of Mississippi

John Glenn: Flew the first American manned orbital mission termed “Friendship 7” on February 20.

Liston beats Patterson: Sonny Liston and Floyd Patterson fight for the world heavyweight championship on September 25, ending in a first-round knockout. This match marked the first time Patterson had ever been knocked out and one of only eight losses in his 20-year professional career.

1963

Pope Paul VI: Cardinal Giovanni Montini is elected to the papacy and takes the papal name of Paul VI.

Malcolm X makes his infamous statement “The chickens have come home to roost” about the Kennedy assassination, thus causing the Nation of Islam to censor him.

British politician sex: The British Secretary of State for War, John Profumo, has a relationship with a showgirl, and then lies when questioned about it before the House of Commons. When the truth came out, it led to his own resignation and undermined the credibility of the Prime Minister.

JFK blown away: President John F. Kennedy is assassinated on November 22 while riding in an open convertible through Dallas.

1965

Birth control: In the early 1960s, oral contraceptives, popularly known as “the pill”, first go on the market and are extremely popular. Griswold v. Connecticut in 1965 challenged a Connecticut law prohibiting contraceptives. In 1968, Pope Paul VI released a papal encyclical entitled Humanae Vitae which declared artificial birth control a sin.

Ho Chi Minh: A Vietnamese communist, who served as President of Vietnam from 1954–1969. March 2 Operation Rolling Thunder begins bombing of the Ho Chi Minh Trail supply line from North Vietnam to the Vietcong rebels in the south. On March 8, the first U.S. combat troops, 3,500 marines, land in South Vietnam.

1968

Richard Nixon back again: Former Vice President Nixon is elected President in 1968.

1969

Moonshot: Apollo 11, the first manned lunar landing, successfully lands on the moon.

Woodstock: Famous rock and roll festival of 1969 that came to be the epitome of the counterculture movement.

1974–75

Watergate: Political scandal that began when the Democratic National Committee’s headquarters at the Watergate office complex in Washington, DC was broken into. After the break-in, word began to spread that President Richard Nixon (a Republican) may have known about the break-in, and tried to cover it up. The scandal would ultimately result in the resignation of President Nixon, and to date, this remains the only time that anyone has ever resigned the United States Presidency.

Punk rock: The Ramones form, with the Sex Pistols following in 1975, bringing in the punk era.

1976–77

(An item from 1977 comes before three items from 1976 to make the song scan.)

Menachem Begin becomes Prime Minister of Israel in 1977 and negotiates the Camp David Accords with Egypt’s president in 1978.

Ronald Reagan was elected President of the United States in 1980, but he first attempted to run for the position in 1976.

Palestine: a United Nations resolution that calls for an independent Palestinian state and to end the Israeli occupation.

Terror on the airline: Numerous aircraft hijackings take place, specifically, the Palestinian hijack of Air France Flight 139 and the subsequent Operation Entebbe in Uganda.

1979

Ayatollah’s in Iran: During the Iranian Revolution of 1979, the West-backed and secular Shah is overthrown as the Ayatollah Ruhollah Khomeini gains power after years in exile and forces Islamic law.

Russians in Afghanistan: Following their move into Afghanistan, Soviet forces fight a ten-year war, from 1979 to 1989.

1983

Wheel of Fortune: A hit television game show which has been TV’s highest-rated syndicated program since 1983.

Sally Ride: In 1983 she becomes the first American woman in space. Ride’s quip from space “Better than an E-ticket”, harkens back to the opening of Disneyland mentioned earlier, with the E-ticket purchase needed for the best rides.

Heavy metal suicide: In the 1980s Ozzy Osbourne and the bands Judas Priest and Metallica were brought to court by parents who accused the musicians of hiding subliminal pro-suicide messages in their music.

Foreign debts: Persistent U.S. trade deficits

Homeless vets: Veterans of the Vietnam War, including many disabled ex-military, are reported to be left homeless and impoverished.

AIDS: A collection of symptoms and infections in humans resulting from the specific damage to the immune system caused by infection with the human immunodeficiency virus (HIV). It is first detected and recognized in the 1980s, and was on its way to becoming a pandemic.

Crack cocaine use surged in the mid-to-late 1980s.

1984

Bernie Goetz: On December 22, Goetz shot four young men who he said were threatening him on a New York City subway. Goetz was charged with attempted murder but was acquitted of the charges, though convicted of carrying an unlicensed gun.

1988

Hypodermics on the shore: Medical waste was found washed up on beaches in New Jersey after being illegally dumped at sea. Before this event, waste dumped in the oceans was an “out of sight, out of mind” affair. This has been cited as one of the crucial turning points in popular opinion on environmentalism.

1989

China’s under martial law: On May 20, China declares martial law, enabling them to use force of arms against protesting students to end the Tiananmen Square protests.

Rock-and-roller cola wars: Soft drink giants Coke and Pepsi each run marketing campaigns using rock & roll and popular music stars to reach the teenage and young adult demographic.

Short summaries of all 119 references mentioned in the song, you’re welcome.

[allieebobo]

Merry Crisis—Cast of characters

Romance-focused x Slice-of-life x Queer x Non-Euro-centric x Character-based

Demo | Features | Dev log | Back to Main Post | COG forum | Dedicated tumblr | Ko-fi

Credit: The wonderful amazing INSANELY talented @dumplingcatho made these STUNNING character portraits!! I am still reeling from how dang good she is. I swear she probably made a deal with the devil for this talent but I shall not question it.

Nat [M/F]

The soulmate/ex/best friend.

Your ex. Your parents never approved of them, but you suppose it doesn’t matter anymore. Despite the breakup, you’re still friends, and worse still - you still live with them in a tiny shoebox apartment. New York rent, man—it's hard to say no even though you know you should be moving on, and moving out.

Height: 6′2 (M) | 5′11 (F)

Nationality & race: African-American

Occupation: Post-doc fellow, working towards becoming a tenure-track professor.

Description:

Warm, twinkling eyes, and big, infectious laugh. Can swing from nerdy charm to extreme goofyness at the drop of a pin.

Loving, thoughtful, and kind to a fault. Relaxed, gentle demeanour

The kind of friend—and partner—you can trust with your life.

An incurable optimist.

Loves people, art/movies (especially talking about them with friends), food/cooking, their two dogs. 

Nat's dogs

Kiho [M]

Breed: Cairn Terrier

Age: 8

Description: Proud, small, intelligent, standoffish, with a stern grandpa energy. Apparently, a reader/player told me long ago that Kiho means "big boss" in Finnish colloquial slang and that was so perfect that it stuck. If Kiho were human he'd wear an old patagonia vest and spend his weekends fishing (not very adeptly).

Liz [F]

Breed: Border collie

Age: 3 (adopted when MC and Nat were already together.)

Description: Not exactly literal golden retriever energy but... close enough. A ray of sunshine, playful, easygoing, happy-go-lucky and a voracious eater (she eats everything), loves playing in puddles and has a special love for chewed up tennis balls.

Qiu [M/F]

The estranged first love / soulmates.

Your first-love (or platonic soulmate), from junior college. You’d not kept in touch, and now, they’re ridiculously successful. But, according to your intel, still…single.

Height: 5′8 (M) | 5′4 (F)

Nationality & race: Chinese Singaporean

Occupation: Public prosecutor

Description:

Extremely intelligent, with a sharp, cutting wit.

Ambitious, determined, and a bit cynical / jaded.

Dark, piercing gaze, with a completely unreadable expression.

Formal, a little bit stiff, and always impeccably dressed.

Aloof, almost intimidating presence despite their relatively average height/slim build.

Loves a job well done, being useful, stimulating conversation, and solving problems. Peace and quiet.

Shay [M/F]

The charismatic stranger.

Your neighbour (Auntie Pearl)'s new tenant. Sexy, confident, and unabashedly unconventional. Your mother definitely does not approve, but you might not be able to resist their roguish charms.

Height: 5′10 (M) | 5′6 (F)

Nationality & race: Chinese (Peranakan) Singaporean

Occupation: Lead singer & guitarist in a rock band

Description:

Thick, sweeping eyebrows, expressive eyes that twinkle at the edges, and a permanent roguish half-grin.

Tan, athletic, with an undeniable swagger to their walk. Has a penchant for sleeveless muscle tees. Good with their hands (and... possibly other parts of their body).

Adventurous, resilient, unflinchingly honest, and uncompromisingly true to themselves / the people they love.

Loves the outdoors (and constant motion), music (especially rock, reggae and soul), dancing, soccer, nature/plants (including gardening).

Other asks

[telecommunikate]

On the topic of similarities between rugby and motogp, who on the grid do you think would be the best at and/or most enjoy getting lifted up to catch the ball??

i will admit, the image of marc or jorge or enea being lifted and absolutely yeeted into the air sent me in orbit

like, can you image a prop, who are notoriously built like brick shithouses, just chucking marc into the air? getting all up in his business and sending him skyward? hilarious.

as for who i think would enjoy it the most, well. marc canonically enjoyed being manhandled. the evidence abounds. However, there is some debate over whether this continues to this day post-body horror experience. also the fact that it was being manhandled by older men and he's now only got johann.....

the other obvious answer, to me at least, jorge. why? the boys a bottommmmmmmmmm. i just think he would enjoy having one beefy man clutching his thighs and the other cupping his ass. insert compilation of him jumping into aleix's arms here. i mean, these are the visual aids given by world rugby themselves:

i rest my case

(when i say they are getting up in each other's business, i'm not joking)

now this reasoning falls apart if you look at who the best at being lifted/contesting in the lineout etc because, well, marc and jorge are vertically challenged. and you tend to go for taller players because you do in fact want them to get high enough up there to contest the ball (see above).....

which then switches us to the resident tall boys. now, i have next to no knowledge of the athletic prowess of any of the riders, so i cannot give any well reasoned response here. but luca gets a shout out because he's the only rider even approaching the height you'd expect. still a solid 15-20cm off a lock though. also i think he'd be pretty decent if for no other reason than because i just have an image of luca as fairly competent across the board.

i also think fermin would be good. why? vibes. i'm not sure about alex because he does seem a bit too Limbs for it. fabio and diggia also get shout outs because i think they'd both be solid. also, this is all based entirely on height reasons, absolutely no consideration for who i think would actually have good in the air skill whoops

now, bez i think would be okay, maybe a little stressed and shy about it, but ultimately would enjoy the manhandling and being Tall™. i don't know why he gets his own special section but he does.

as to the rest, i don't have any particular feelings at this time (or witty asides). except for ai ogura who, except for the clear height disadvantage, i just think would be capable as hell. also, japan is known for it's fast pace and highly technical style of play which i think kind of echoes what ai has brought so far this season.

final note, did i want to say brad binder solely because he's south african? yes. honorary mentions also to our frenchmen (surely they at least know of rugby) and jack miller (who by rights should also get a mention because of the kiwi genes). also my understanding is that rugby is still fairly niche in italy but growing? so the italians don't get national stereotyping honours

if anyone would like to weight in, please do! if you've made it this far down the post.....

edit: forgot fermin is also 181cm so luca is not the only one lol

[idkhow-ks]

Guys I'm so sick of these bad decisions that are clearly driven solely by TKO accountants.

"What's best for business" has gone from meaning 'we are the insiders making decisions based on what we think wrestling fans want even though we are severely out-dated' to meaning 'who cares about wrestling, where can we stick this new sponsorship logo? We're making so much money!'

This got long so if you want more detail and how this is R-Truth related read under the cut.

And they're so bad at hiding it!!

The constant cuts to Netflix celebs in the audience of RAW, the video game sponsored entrance of the War Raiders at WrestleMania, fucking Saudi Arabia (those crown jewel championships make me physically ill).

Remember when WWE tried to fight Jimmy Johns over Lesnar's shorts because they didn't want outside companies featured on their shows?

What a crazy thing to think about now.

I'm writing this thinking about R-Truth's release actually.

It feels so out of nowhere and I can't help but think it's solely because they think Truth isn't worth the money.

In pro team sports there's this idea of "intangibles" when teams sign certain athletes. Normally this comes up with veterans who are older and not producing as much as they once did but teams still want these players because of their "intangibles". Things like: locker room presence, leadership, mentoring, playmaking, game IQ. What happens on the ice or court or field is only part of the equation.

Truth has been in this business longer than Tiffany Stratton has been alive. He's worked with just about everyone and has managed to stay in working shape into his 50s.

He is universally loved backstage, something that is so clear from the outpouring of surprise that's happening right now, and seems willing to help others and work with younger wrestlers.

So why release him?

Why not sign him to a non-exclusive deal? Or to an NXT deal? or a part-timer deal? or make him a coach?

He is the first and ONLY African-American NWA Heavyweight Champion. He is a black man who has had success and longevity in a business that does not have a good record with diversity and representation.

He is the definition of locker room presence.

The current NXT roster is full of great performers but one thing they struggle with is mic skills. Wouldn't Truth be a great guy to bring in to help them out? Let them work with a true pro and industry icon who can still fucking go in the ring?

This is me being generous to WWE. I think Truth belongs on the main roster and they really botched his program with Cena because they wanted to bring in Logan Paul (massive eye roll).

But the point stands that this decision feels heartless in a way that reeks of profit driven directives from the capitalist overlords.

Stop shoving Logan Paul down our throats when what we want is R-Truth!

They are alienating wrestling fans in their pursuit of more viewers. they want quantity not quality and that has become increasingly clear in recent months.

TL;DR

Capitalism ruins everything, especially art and creativity. And R-Truth is better than Logan Paul.

[rainbow-rebellion]

Had an idea for a bechloe AU based on the movie Blended. If you’ve seen the movie, Chloe would play Drew Barrymore’s role - the divorced mom balancing her career, raising two energetic sons, and sharing custody with her loser ex-husband. Beca would play Adam Sandler’s role - the widowed parent struggling to raise three girls, including a teenager trying to figure out who she wants to be. Canon would dictate that she was previously married to Jesse, but I like the idea of her being more the “dad/husband” in the relationship and being with someone who was more feminine and nurturing than her - so I might sacrifice Emily for the sake of the story (sorry, but sometimes we have to do sad things). It also works because a major plot point is Beca learning to move on and love again while still honoring her late wife’s legacy (a callback to Emily’s nickname in the films).

Chloe’s best friend and business partner is of course Aubrey, who is secretly dating Stacie - who also happens to be Beca’s boss at Conrad’s Sporting Goods. Beca is still musically talented - her and Emily met through music - but she hasn’t been able to bring herself to make a mix since her wife died. (She’s also a former softball player, so managing a Sporting Goods store made sense.) So when they are forced together on the African vacation, Beca never expects to hear Chloe sing, or that it would make her feel things she never thought she’d feel again.

Of course other PP characters would be sprinkled throughout, I’m thinking Fat Amy as Beca’s coworker, maybe Cynthia Rose and her wife as the overly affectionate couple that ends up sitting at the table with Beca and Chloe’s families at the resort.

Has a Blended AU been done yet? And would anyone actually be interested in reading it? (If I ever eventually do write it)

[mimi-0007]

Jack Trice: Jack Trice Stadium

African American players were often forced to endure unusually rough play. One of the best known examples of this, Jack Trice, was the first African American to play football at Iowa State University (then Iowa State College). Trice joined the team in 1923. Iowa State’s first three opponents that year refused to play the game if Trice was on the field and so he sat out these games. Trice’s first game was against the University of Minnesota and he died as a result of injuries sustained in that game. The stadium at Iowa State was named in Trice’s honor in 1997, 74 years after his death.

Trice was born in Hiram, Ohio in 1902, the son of a former slave and Buffalo Soldier, Green Trice. As a child, Trice was active in sports and demonstrated outstanding athletic skills. In 1918, Trice’s mother sent him to Cleveland, Ohio to live with an uncle. Trice attended East Technical High School where he played football. In 1922, Trice followed five of his teammates, as well as his former high school coach, Sam Willaman, to Iowa State College in Ames, Iowa.

While attending Iowa State, Trice participated in track and football (primarily as a tackle). He majored in animal husbandry, with the desire to go to the South after graduation, and use his knowledge to help African-American farmers. His dream job was to eventually teach Southern black farmers about modern farming. In the summer after his freshman year at the age of 20, Trice married Cora Mae Starland, who was only 15. They both found jobs in order to support themselves through school. Trice also was a member of Alpha Phi Alpha fraternity, and initiated through the Alpha Nu chapter (Drake & Iowa State University).

On October 5, 1923, the night before his second college football game, Trice wrote the following in a letter on stationery at a racially segregated hotel in Minneapolis/St. Paul (the letter was later found in Trice's suit just before his funeral): Trice died due to injuries suffered during a college football game against the University of Minnesota on October 6, 1923.

(Letter)

"My thoughts just before the first real college game of my life: The honor of my race, family & self is at stake. Everyone is expecting me to do big things. I will. My whole body and soul are to be thrown recklessly about the field tomorrow. Every time the ball is snapped, I will be trying to do more than my part. On all defensive plays I must break through the opponents' line and stop the play in their territory. Beware of mass interference. Fight low, with your eyes open and toward the play. Watch out for crossbucks and reverse end runs. Be on your toes every minute if you expect to make good. Jack "

Jack Trice in Iowa State uniform in 1923 ~Courtesy of Special Collections at Iowa State University