#ARRI Master Primes
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media-square · 9 months ago
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Elevate Your Filmmaking with Top-Quality Camera and Lens Rentals in Doha
Discover unparalleled filmmaking experiences in Doha with our premium camera and lens rentals. Elevate your vision with Alexa 35, ARRi, Cooke, and Master Primes rentals. Unleash your creativity with top-quality equipment tailored to your needs. Capture every detail with precision and finesse. Check out the complete blog!
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pannyhire · 3 months ago
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Elevate Your Cinematic Vision with ARRI Signature Prime and ARRI Master Anamorphic Prime Rental in Los Angeles
Introduction:
In cinematography, equipment is pivotal in bringing creative visions to life. Professionals turn to renowned brands like ARRI when achieve unparalleled image quality and cinematic excellence. The ARRI Signature Prime and ARRI Master Anamorphic Prime lenses have become synonymous with top-tier cinematography, offering filmmakers the tools they need to capture breathtaking visuals. For those seeking these cutting-edge lenses for their projects, ARRI Signature Prime rental and ARRI Master Anamorphic Prime rental in Los Angeles provide a flexible and cost-effective solution.
  ARRI Signature Prime Rental:
The ARRI Signature Prime lenses are revered for their exceptional optical performance, delivering stunning clarity, rich colors, and a distinctive look that sets them apart. These lenses are designed to cover large-format sensors, ensuring compatibility with the latest digital cinema cameras. Whether you are working on a feature film, commercial, or documentary, the ARRI Signature Prime lenses elevate your visual storytelling to new heights.
  For filmmakers looking to explore the capabilities of ARRI Signature Prime lenses without the commitment of a purchase, ARRI Signature Prime rental services in Los Angeles offer a practical solution. This allows cinematographers to access these high-end lenses for specific projects, providing the flexibility to choose the right equipment for the job.
  ARRI Master Anamorphic Prime Rental in Los Angeles:
Anamorphic lenses have long been favored for producing a unique cinematic aesthetic characterized by striking flares and a distinctive widescreen format. The ARRI Master Anamorphic Prime lenses take this legacy further, providing unparalleled image quality and precise optical performance. These lenses are famous for filmmakers aiming to achieve a timeless and cinematic look that enhances the storytelling experience.
  In the vibrant landscape of Los Angeles, where creativity thrives, the option of ARRI Master Anamorphic Prime rental Los Angeles is a game-changer for filmmakers. It allows them to access these top-of-the-line lenses for their projects without the upfront investment, making high-quality cinematic tools more accessible to a broader range of creatives.
  Choosing the Right Rental Service:
When considering ARRI Signature Prime rental or ARRI Master Anamorphic Prime rental in Los Angeles, choosing a reliable and reputable rental service is crucial. PannyHire is a leading provider of professional cinematography equipment, offering a wide range of ARRI lenses for rent. With a commitment to quality and customer satisfaction, PannyHire ensures filmmakers can access the best equipment to bring their visions to life.
  Conclusion:
In cinematography's dynamic world, access to top-tier equipment is essential for realizing creative visions. The availability of ARRI Signature Prime and ARRI Master Anamorphic Prime rental services in Los Angeles opens up new possibilities for filmmakers, allowing them to leverage cutting-edge technology without the burden of ownership. For those seeking a trusted rental service in Los Angeles, pannyhire.com stands out as a reliable partner, offering a diverse range of ARRI lenses to elevate cinematic storytelling. Explore the world of ARRI lenses through rentals and bring your visual narratives to life with unparalleled quality and style.
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ao-fc · 6 months ago
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The excellent camerawork in Poor Things (2023)
Antique Petzval glass.
4mm s16 lens modified for 35mm.
10mm Arri Ultra Prime
Arri / Zeiss 16.5 - 110 Master Prime.
🎥fuckinggoodmoviesT
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scoutthefilm · 2 years ago
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Here’s a breakdown of the tech on the film.  One thing to keep an eye on (and forgive me because i don’t have the best understanding of what makes clear contrast/dynamic range in terms of what’s camera, what’s LUT, what’s lens) but i do love the idea that often our charcter’s faces are underexposed in contrast to the environment, but we can still totally read their face etc. I think that’s gonna be important in the snow.  Also lol i had no idea they shot this on S4s, i promise hahaha. favorite lens so far coincidentally lol 
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vm4vm0 · 2 years ago
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vimeo
COCA-COLA from Nicholas Bluff on Vimeo.
Directed by: Guimo Satori Prod: Rebolucion Coca-cola ad for the Latin American market. Shot on Arri Alexa mini with Arri Master Primes
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cold-earth-connection · 3 years ago
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Introd, Aosta, Italy.
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nateandsean · 7 years ago
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Shooting the Scuderia Ferrari Formula 1 pit practice in Monza Italy, right outside Milan. Great times, insane content to shoot, beautiful culture to experience. 
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gregorybennett · 4 years ago
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Had a fantastic experience creating some spooky vibes for ‘It’s Me, Billy’ film in Almonte, ON with a great cast and crew. Shot on Arri Alexa Mini with Arri Master Prime and Angénieux lenses. #angénieux #arri #cinematography 
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cameracrew-blog1 · 2 years ago
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Commercial-2019040102-Directory-of-Photography-Cosmetic-Commericals-Arri-Alexa-Mini-Arri-Master-Prime-Hong-Kong-Ampoule from Camera Crew Hong Kong on Vimeo.
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rizkallah · 2 years ago
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vimeo
Khetet Mazinger Trailer from Ramy Rizkallah on Vimeo.
Trailer of my latest feature film Khetet Mazinger. Starring Yasmine Raiis, Hamdy ElMarghany, Bayoumi Fouad and Mahmoud Hafez. DOP Mohamed Azmy Editor Ramez Atef Set Design Ramsis Selim Stylist Ola Ashraf Executive Producer Eslam Nageh Produced by Raymond Ramsis and Ahmed Khaled Shot on ARRI Using Zeiss Master Primes.
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pannyhire · 3 months ago
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Arri Master Anamorphic Prime Rental Los Angeles | Pannyhire.com
Get the best cinematic look for your next shoot with Pannyhire.com rental of Arri Master Prime Anamorphic lenses. Located in Los Angeles, we provide the highest quality anamorphic lens rentals with fast delivery and competitive rates.
ARRI Master Anamorphic Prime rental Los Angeles
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nilmatosphotos · 2 years ago
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vimeo
MK - BACK & FORTH from Finn Keenan on Vimeo.
A story about love, loss, pain and sandwiches.
Cheers to Directors Notes for doing an article about the shooting process. directorsnotes.com/2018/11/12/finn-keenan-back-forth/
Directed & Edited by Finn Keenan Producer Kate Brady Producer John McKeown Exec- Producer Natalie Arnett Production Company - Riff Raff VFX - MPC Post Producer - Grace Thorpe VFX MPC London D.O.P Eoin McLoughlin Focus Puller Greg McGuinness 2nd AC Padraig Conaty Gaffer Kevin Fox Gaffer Asst Noel Greene 1st Ad Jeff Doyle Asst Editor Shaun Ryan Choreographer Darcy Wallace Make Up Sophie Knox Art Director Noelle Slacke Production Asst Daniel Seymour Production Asst Aimee O Reilly Colorist- Phil Hambi COMMISSIONER Dan Millar
Sound Jack Hallet @ The Factory
Lighting - Teach Solais Camera - Vast Valley
Cast
Jerry -Michael Downing Shirley - Michelle Beamish Doctor - Shane Lynch Son - Jude Lynch
Special thanks to.
All the amazing extras from Extras Ireland. Darren Lynch. Ben Kavanagh. Zoe boss. Catherine Kavanagh, Joey Kavanagh and Liam Karma. Motherland. Richard Jones, Brian Kavanagh and all the staff at All Hallows College Corks Cafe, Ashbourne & Restaurant Restaurant 104, Drumcondra
Shot on Red Epic with Zeiss Arri Master Primes.
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vivacala · 2 years ago
Video
vimeo
MK - BACK & FORTH from Finn Keenan on Vimeo.
A story about love, loss, pain and sandwiches.
Cheers to Directors Notes for doing an article about the shooting process. directorsnotes.com/2018/11/12/finn-keenan-back-forth/
Directed & Edited by Finn Keenan Producer Kate Brady Producer John McKeown Exec- Producer Natalie Arnett Production Company - Riff Raff VFX - MPC Post Producer - Grace Thorpe VFX MPC London D.O.P Eoin McLoughlin Focus Puller Greg McGuinness 2nd AC Padraig Conaty Gaffer Kevin Fox Gaffer Asst Noel Greene 1st Ad Jeff Doyle Asst Editor Shaun Ryan Choreographer Darcy Wallace Make Up Sophie Knox Art Director Noelle Slacke Production Asst Daniel Seymour Production Asst Aimee O Reilly Colorist- Phil Hambi COMMISSIONER Dan Millar
Sound Jack Hallet @ The Factory
Lighting - Teach Solais Camera - Vast Valley
Cast
Jerry -Michael Downing Shirley - Michelle Beamish Doctor - Shane Lynch Son - Jude Lynch
Special thanks to.
All the amazing extras from Extras Ireland. Darren Lynch. Ben Kavanagh. Zoe boss. Catherine Kavanagh, Joey Kavanagh and Liam Karma. Motherland. Richard Jones, Brian Kavanagh and all the staff at All Hallows College Corks Cafe, Ashbourne & Restaurant Restaurant 104, Drumcondra
Shot on Red Epic with Zeiss Arri Master Primes.
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rzproduction · 2 years ago
Video
vimeo
MK - BACK & FORTH from Finn Keenan on Vimeo.
A story about love, loss, pain and sandwiches.
Cheers to Directors Notes for doing an article about the shooting process. directorsnotes.com/2018/11/12/finn-keenan-back-forth/
Directed & Edited by Finn Keenan Producer Kate Brady Producer John McKeown Exec- Producer Natalie Arnett Production Company - Riff Raff VFX - MPC Post Producer - Grace Thorpe VFX MPC London D.O.P Eoin McLoughlin Focus Puller Greg McGuinness 2nd AC Padraig Conaty Gaffer Kevin Fox Gaffer Asst Noel Greene 1st Ad Jeff Doyle Asst Editor Shaun Ryan Choreographer Darcy Wallace Make Up Sophie Knox Art Director Noelle Slacke Production Asst Daniel Seymour Production Asst Aimee O Reilly Colorist- Phil Hambi COMMISSIONER Dan Millar
Sound Jack Hallet @ The Factory
Lighting - Teach Solais Camera - Vast Valley
Cast
Jerry -Michael Downing Shirley - Michelle Beamish Doctor - Shane Lynch Son - Jude Lynch
Special thanks to.
All the amazing extras from Extras Ireland. Darren Lynch. Ben Kavanagh. Zoe boss. Catherine Kavanagh, Joey Kavanagh and Liam Karma. Motherland. Richard Jones, Brian Kavanagh and all the staff at All Hallows College Corks Cafe, Ashbourne & Restaurant Restaurant 104, Drumcondra
Shot on Red Epic with Zeiss Arri Master Primes.
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vm4vm0 · 3 years ago
Video
vimeo
Moncler + Millie Bobby Brown from Oliver Millar on Vimeo.
Director: Rubberband Producer: Josh Sondock DOP: Oliver Millar
Arricam LT, Arri 435 Xtreme + Master Primes
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casputin · 6 years ago
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20. Sirius Black
Harry went down to breakfast to find the three Dursleys already sitting around the kitchen table. They were watching a brand-new television, a welcome-home-for-the-summer present for Dudley, who had been complaining loudly about the long walk between the fridge and the television in the living room. Dudley had spent most of his summer in the kitchen, his piggy little eyes fixed on the screen and his five chins wobbling as he ate continually.
Harry sat between Dudley and Uncle Vernon, a large, beefy man with very little neck and a lot of moustache. Far from wishing Harry a happy birthday, none of the Dursleys have any sign that they had noticed Harry enter the room, but Harry was far too use to this to care. He helped himself to a piece of toast and then looked up at the newsreader on the television and almost fell off his chair.
The report was about an escaped convict. And through the gaunt face and matted, elbow-length tangle of hair, there Harry felt sure he recognised the man.
'... the public is warned that Black is armed and extremely dangerous. A special hotline has been set up, and any sighting of Black should be reported immediately.'
That confirmed it then, this man was the brother of Professor Black, the Potions Master at Hogwarts. For just over a year now Harry had known that Professor Black had a brother, one who had been friends with his own father no less. And then, at the start of this year, when he and his friends were doing research into who the Heir of Slytherin might be Harry discovered that he had been sent to Azkaban for the murder of 12 Muggles.
'No need to tell us he's no good,' snorted Uncle Vernon, starting over the top of his newspaper at the prisoner. 'Look at the state of him, the filthy layabout! Look at his hair!'
He shot a nasty look at Harry, whose untidy hair had always been a source of great annoyance to Uncle Vernon. Harry daren't tell him that Black was a wizard, he didn't feel that would go down too well.
The newsreader had reappeared.
'The Ministry of Agriculture and Fisheries will announce today -'
'Hang on!' barked Uncle Vernon, starting furiously at the newsreader. 'You didn't tell us where that maniac's escaped from! What use is that? Lunatic could be coming up the street right now!'
Aunt Petunia, who was bony and horse-faced, who's around and peered intently out of the kitchen window. Harry knew Aunt Petunia would love to be the one to call the hotline number. She was the nosiest woman in the world and spent most of her life spying on her boring, law-abiding neighbours.
'When will they learn,' said Uncle Vernon, pounding the table with his large purple fist, 'that hanging's the only way to deal with these people?'
'Very true,' said Aunt Petunia, who was still squinting into next door's runner beans.
Uncle Vernon drained his teacup, glanced at his watch and added, 'I'd better be off in a minute, Petunia, Marge's train gets in at ten.'
Harry's mind was taken from one unpleasant thought to another.
...
Stan had unfurled a copy of the Daily Prophet and was now reading with his tongue between his teeth. A large photograph of a sunken-faced man with long, matted hair blinked slowly at Harry from the front page. It was Professor Black's brother.
'That man!' Harry said, forgetting his troubles for a moment. 'He was on the Muggle news!'
Stanley turned to the front page and chuckled.
'Sirius Black,' he said, nodding. ''Course 'e was on the Muggles news, Neville. Where you been?'
He gave a superior sort of chuckle at the blank look on Harry's face, removed the front page and handed it to Harry.
'You oughta read the papers more, Neville.'
Harry held the paper up to the candlelight and read:
BLACK STILL AT LARGE
Sirius Black, possibly the most infamous prisoner ever to be held in Azkaban fortress, is still evading capture, the Ministry of Magic confirmed today.
'We are doing all we can to recapture Black,' said the Minister for Magic, Cornelius Fudge, this morning, 'and we beg for the magical community to remain calm.'
Fudge has been criticised by some members of the International Federation of Warlocks for informing the Muggle Prime Minister of the crisis.
'Well, really, I had to, don't you know,' said an irritable Fudge. 'Black is mad. He's a danger to anyone who crosses him, magic or Muggle. I have the Prime Minister's assurance that he will not breathe a word of Black's true identity to anyone. And let's face it - who'd believe him if he did?'
While Muggles have been told that Black is carrying a gun (a kind of metal wand which Muggles use to kill each other), the magical community lives in fear of a massacre like that of twelve years ago, when Black murdered thirteen people with a single curse.
Thirteen. Harry was sure Hermione said it was twelve Muggles that Professor Black's brother had murdered.
'Scary-lookin' fing, inee?' said Stan, who had been watching Harry read.
'He murdered thirteen people?' said Harry, handing the page back to Stan.
'Yep,' said Stan. 'In front of witnesses an' all. Broad daylight. Big trouble it caused, dinnit, Ern?'
'Ar,' said Ern darkly.
Stan swivelled in his armchair, his hands on the back, the better to look at Harry.
'Black woz a big supporter of You-Know-'Oo,' he said.
'What, Voldemort?' said Harry, without thinking.
Even Stan's pimples went white; Ern jerked the steering wheel so hard that a whole farmhouse had to jump aside to avoid the bus.
'You outta your tree?' yelped Stan. ''Choo say his name for?'
'Sorry,' said Harry hastily. 'Sorry, I - I forgot -'
'Forgot!' said Stan weakly. 'Blimey, my 'eart's goin' that fast ...'
'So - so black was a supporter of You-Know-Who?' Harry promoted apologetically.
'Yeah,' said Stan, still rubbing his chest. 'Yeah that's right. Very close to You-Know-'Oo, they say ... anyway, when little 'Arry Potter put paid to You-Know-'Oo' - Harry nervously flattened his fringe down again - 'all You-Know_'Oo's supporters was tracked down, wasn't they, Ern? Most of 'em knew it was all over, wiv You-Know-'Oo gone, and they came quiet. But not Sirius Black. I 'eard he thought 'e'd be second-in-command once You-Know-'Oo 'ad taken over.
'Anyway, they cornered Black in the middle of a street full of Muggles an' Black took out 'is wand and 'e blasted 'alf the street apart, an' a wizard got it, an' so did a dozen Muggles what got in the way. 'Orrible, eh?'
So he murdered a wizard as well as the twelve Muggles. Black was a powerful and evil wizard alright.
''An you know what Black did then?' Stan continued in a dramatic whisper.
'What?' said Harry.
'Laughed, said Stan. 'Jus' stood there an' laughed. An' when reinforcements from the Ministry of Magic got there, 'e went wiv 'em quiet as anyfink, still laughing 'is 'ead off. 'Cos 'e's mad, inee, Ern? Inee mad?'
'If he weren't when he went into Azkaban, he will be now,' said Ern in his slow voice. 'I'd blow meself up before I set foot in that place. Serves him right, mind ... after what he did ...'
'They 'ad a job coverin' it up, din' they, Ern?' Stan said. ''Ole street blown up an' all them Muggles dead. What was it they said 'ad 'appened, Ern?'
'Gas explosion,' grunted Ern.
'An' now 'e's out,' said Stan, examining the newspaper picture of Black's gaunt face again. 'Never been a breakout from Azkaban before, 'as there, Ern? Beats me 'ow 'e did it. Frightenin', eh? Mind, I don't fancy 'is chances against them Azkaban guards, eh, Ern.'
Ernie suddenly shivered.
'Talk about summat else, Stan, there's a good lad. Then Azkaban guards give me the collywobbles.'
Stan put the paper away reluctantly and Harry leant against the window of the Knight Bus, feeling worse than ever. This Sirius was a murderer all right, and a supporter of Voldemort. And Harry's dad had been best friends with him, what kind of a man did that mean he was?
____________________________________________________
I find it quite fun when Harry knows that Sirius Black and his dad were friends. That'll be interesting to explore for this part of the story.
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