#2020 Irish Movie

[celluloidrainbow]

DATING AMBER (2020) dir. David Freyne It's 1995 in The Curragh, Ireland. Outsiders Eddie and Amber, two teenagers distraught over persistent homophobic abuse, decide to hide their sexuality from the rural Irish town in which they live by pretending to be a heterosexual couple. (link in title)

[harleybarbarahandler]

Ayo Edebiri Margot Robbie gay lady pirate movie sounds genuinely too good to be true but I want to believe so badly

[pacingmusings]

Seen in 2023:

The Banshees of Inisherin (Martin McDonagh), 2022

[bloodsplatteredcinema]

BLOOD SPLATTERED VLOG: ODDITY (2024)

New Blood Splattered Vlog!

This week The Horror Guru & Count Jackula review Oddity!

An Irish horror film about a blind clairvoyant and her quest to figure out who killed her twin sister! Ghosts, escaped mental patients, and cursed mannequins galore!

[moviesandmania]

FOLLOW THE DEAD (2018) Comedy horror - free to watch on YouTube

‘We get the monsters we deserve’ Follow the Dead is a 2020 Irish comedy horror film in which four millennials in rural Ireland can’t discern fake news from real. Viral videos seem to show the fall of Dublin at the hands of the undead. Has a dependent lifestyle left them too naive to weather their fate? The movie was written, produced and directed by Adam William Cahill. The Wild Stag Productions…

[goryhorroor]

masterpost of horror lists

here are all my horror lists in one place to make it easier to find! enjoy!

sub-genres

action horror

analog horror

animal horror

animated horror

anthology horror

aquatic horror

apocalyptic horror

backwoods horror

bubblegum horror

campy horror

cannibal horror

children’s horror

comedy horror

coming-of-age horror

corporate/work place horror

cult horror

dance horror

dark comedy horror

daylight horror

death games

domestic horror

ecological horror

erotic horror

experimental horror

fairytale horror

fantasy horror

folk horror

found footage horror

giallo horror

gothic horror

grief horror

historical horror

holiday horror

home invasion horror

house horror

indie horror

isolation horror

insect horror

lgbtqia+ horror

lovecraftian/cosmic horror

medical horror

meta horror

monster horror

musical horror

mystery horror

mythological horror

neo-monster horror

new french extremity horror

paranormal horror

political horror

psychedelic horror

psychological horror

religious horror

revenge horror

romantic horror

dramatic horror

science fiction horror

slasher

southern gothic horror

sov horror (shot-on-video)

splatter/body horror

survival horror

techno-horror

vampire horror

virus horror

werewolf horror

western horror

witch horror

zombie horror

horror plots/settings

road trip horror

summer camp horror

cave horror

doll horror

cinema horror

cabin horror

clown horror

wilderness horror

asylum horror

small town horror

college horror

plot devices

storm horror

from a child’s perspective

final girl/guy (this is slasher horror trope)

last guy/girl (this is different than final girl/guy)

reality-bending horror

slow burn horror

possession

pregnancy horror

foreign horror or non-american horror

african horror

spanish horror

middle eastern horror

korean horror

japanese horror

british horror

german horror

indian horror

thai horror

irish horror

scottish horror

slavic horror (kinda combined a bunch of countries for this)

chinese horror

french horror

australian horror

canadian horror

decades

silent era

30s horror

40s horror

50s horror

60s horror

70s horror

80s horror

90s horror

2000s horror

2010s horror

2020s horror

companies/services

blumhouse horror

a24 horror

ghosthouse horror

shudder horror

other lists

horror literature to movies

techno-color horror movies

video game to horror movie adaption

video nasties

female directed horror

my 130 favorite horror movies

horror movies critics hated because they’re stupid

horror remakes/sequels that weren’t bad

female villains in horror

horror movies so bad they’re good

non-horror movies that feel like horror movies

directors + their favorite horror movies + directors in the notes

tumblr’s favorite horror movie (based off my poll)

horror movie plot twists

cult classic horror movies

essential underrated horror films

worst horror movie husbands

religious horror that isn’t christianity 

black horror movies

extreme horror (maybe use this as an avoid list)

horror shorts

[doyoulikethissong-poll]

Billie Eilish - No Time to Die 2020

"No Time to Die" is the theme song for the James Bond film of the same name. Performed by American singer-songwriter Billie Eilish and written by Eilish and her brother and collaborator, Finneas O'Connell, the song features orchestration by Hans Zimmer and was produced by Finneas O'Connell and Stephen Lipson. Seventeen years old at the time of recording, Eilish is the youngest artist to have recorded a James Bond theme in the history of the franchise.

The song debuted at the top of the UK Singles Chart and the Irish Singles Chart. It became Eilish's first number-one single in the UK and made her the first artist born in the 21st century to top the chart. The song is the second Bond theme overall to top the UK chart. "No Time to Die" debuted and peaked at number 16 on the US Billboard Hot 100.

"No Time to Die" received various accolades, including the Grammy Award for Best Song Written for Visual Media, the Golden Globe Award for Best Original Song, the Critics' Choice Movie Award for Best Song, and the Academy Award for Best Original Song, making it the third-ever and third consecutive Bond theme to win the Academy Award (after "Skyfall" by Adele in 2012 and "Writing's on the Wall" by Sam Smith in 2015). Eilish became the first person born in the 21st century to win an Academy Award.

"No Time to Die" received a total of 62% yes votes! Previous Billie Eilish polls: #10 "NDA"

[herejusttosufferalong]

(Re: About Joe Alwyn, Similarities with Nic, and Acquaintance with Luke Thompson)

Response to your shock about Ratty Healy : Hahaha as a swiftie myself I SIDE-EYED tay so hard when she had her rebound with him, like gurl he's nasty and disgusting with all of his past troubling behaviors no matter how sweet he might appear to you.

If you wanna know a glimpse of JoeTay relationship, it was officially started in September 2016 and ended in early April 2023.

They first met at Gigi's bday party (April 29th 2016, References: High Infidelity-Midnights, Gorgeous-Reputation, Dress-Reputation), then met gala (May 1st). She previously and was still dating Calvin Harris- long story short he was a D, she wanted to leave him. I didn't know what prevented things to go further between her and Joe but in met gala she also met Tom Hiddleston and danced together. They had a brief getaway car moment or rebound (Getaway car-Reputation), officially known to public from June to September.

Then Joe and Tay started their relationship on September 28th (Ref: September - Cover by TSwift).

2016-2017 was the hell of year for Tay because of the whole Kanye Kim drama and lies. The whole world turned their back on her and she was at the lowest point of her life. She disappeared for a year then came back with a new album Reputation released in 2017.

Albums that give us many insights about her life and love story with Joe are : Reputation 2017, Lover 2019, Folklore 2020, Evermore 2020, Midnights 2022, The Tortured Poets Department: The Anthology 2024.

He had part of writing and producing some songs with Tay in Folklore, Evermore, and Midnights in the pseudonym of William Bowery.

In TTPD, songs about Joe are So long London, I Can Do It With a Broken Heart, loml, The Black Dog, How Did it End, and Peter.

I'm sad when people have to refer Joe only as Taylor Swift's Ex. He's a talented, low profile, and private actor. He's rarely active in SM. (Alwyn keeps his personal life private, which he described as a "knee-jerk response to the culture we live in". GQ labelled Alwyn a "notoriously low-key actor".)

Alongside with Paul Mescal, he is one the male leads of Sally Rooney Novel Adaptations. Paul in Normal People and Joe in Conversation with Friends. (I really would like Nic to have a project with him. Maybe another Sally Rooney adaptation would be great😭 *manifesting*)

Some of his projects are The Favourite (2018), Boy Erased (2018), Mary Queen of Scots (2018), Harriet (2019), The Last Letter from Your Lover (2021), Stars at Noon (2022), Catherine Called Birdy (2022), Conversation with Friends (2022), Kind of Kindness (2024), TBA projects: The Brutalist and Hamlet.

He is also friends with Lukey T. He ever talked about him in interview.

Similar with Nic, he is very vocal about activist/social movements and always stood on the right side of history. Nic came from her background as an Irish people and her late Dad with his humanity and military works to keep peace in middle east. Joe family also has deep connection to activism, particularly in Palestine, his late great uncle is a peace activist and patron of the Palestinian solidarity campaign. And both are private about their personal lives. But Joe is really silent and not chronically online as Nic.

I just love when Nic has so many connections and fully booked. She deserves it. And I would like the same things to happen to Luke too. They both deserve the best to not put their talent in waste. I wish my parents all the best.

DAMN ANON

Are you on his payroll????

No but seriously thank you for sharing 💜

I know nothing about the guy but I have seen multiple movies listed above with him in it

Will have to rewatch and check out some of his other work 🥃

[atouchofireland]

PR Perception & Consequences: Luke Newton

[This analysis is from the perspective of a lover of story with a Masters in Publishing & Writing, with ties to a publicist with 20+ years experience.]

I didn't watch Bridgerton until a while after s2 came out. Partly because I hesitate with new shows and mainly because I hate waiting years between seasons.

I LOVE Derry Girls because it clicks with my mainly Irish family. So, I knew who Nicola was as Clare before watching Bridgerton, but nothing else.

That leads into the LN assumptions.

From what I can tell as a general viewer of the show and Social Media, he came from musical theater and Disney stuff in the UK before landing the Colin role in his mid 20's.

During this time, aka 2019/2020-2023, LN had a gf named Jade for that whole time.

Media reported that they'd broken up some time at the end of filming in June 2023. Then, there is some reports saying he got with his current partner, mere months later in at least 8/23 if not sooner. (Nic is known for keeping her even longterm relationships a secret, but Luke's previous gf would post a few pics and vids here and there.)

This is where PR should've started to protect his image before the first premiere and press tour even happened.

At this point, late 2023, Luke has not posted even a hint of his supposed app gf anywhere. Then he leaves for a 6-month world tour with his friend, of 5 years that he has easy chemistry with, but now they both are not with longtime partners.

LN leaned into the romantic press interviews with his friend because he was comfortable with her and it promoted the show.

Here's where his friends as PR shows dumbass judgment.

I believe I saw something about the app gf attending the 1st premier in London, before the tour, but it wasn't paparazzi-d. Whereas, after the WT, the 1st LN news was pap photos with this girl at the after party 2nd half premier. Basically, PURPOSEFULLY taking the romance illusion away from the couple that the actors built for the months leading up to this.

Bad PR leads off from here: self-described introvert Luke goes to Milan with 'gf',' fair enough it's fashion week. But, THEN he's BACK in Italy on "holiday." Getting paparazzi pics of him they didn't even get on his World Press Tour. Then possibly in Greece, continuing some vacation? So much of this shit makes zero sense both PR-wise and normal person-wise.

For example of good PR capitalizing on lead roles: Nicola is on a movie rn, she's part of A-list representation, she's possibly a future bond girl. Johnny Bailey was shooting a drama, Wicked, and his Bridgerton cameos at the same time. Simone is starring in a motion picture out soon.

The rumors of LN's friend Rory running his socials is horrible because: 1) Rory seems like a douchebag who wants more shirtless pictures of himself on his non-famous account than of his gf. 2) He puts Luke's skinny "similar to his gf" wannabe influencer gf on his instagram without hyping up any on Luke's actual work and projects.

This all gives off the vibe of this friend being resentful, taking advantage of Luke breaking up with his longterm gf and deciding to get more built for the show, and convincing him he needs the "hot rebound" for himself and image. As always, that gross straight man is wrong. All his friends say he's so sweet and quiet and genuine.

How I perceive him from his own press: Had a supportive, longterm gf who was also an aspiring actor as they were both coming up in their early 20's. LN started working out so much to get lean & abs to feel on-par with the other Bridgerton guys. Him and his gf grew apart, maybe even felt resentment, while LN was shooting so long for BS3. Shooting raps.

This is the overall perception that makes me and I think many others so mad: Luke had a sweet, curvy, talented gf for 4 years. And he was a thicker tall guy, not fat, not skinny, not ripped but amazingly curvy in the male way that's rare. He got all built for Bridgerton when Nic refused cuz it isn't necessary for the characters. And after all this real-life and on-screen romance with a mid-size woman, after becoming a "muscly man," he shows up with a stick-figure wanna be dance influencer.

His actions of allowing his pr/friend to paint him as if he gets "hot women" now that he's "desirable" is what makes me fucking sick about the perception of him and I think this is why so many Bridgerton fans in the SM sphere got the ick.

[haveyouseenthishorrormovie]

SUMMARY: A crew of hardy road workers, led by a bickering father and son, must survive the night when they accidentally awaken an ancient Irish vampire.

[mischief-and-tea-by-the-sea]

Keanu Reeves and Alex Winter to Star in ‘Waiting for Godot’ on Broadway

They played slacker buddies in three “Bill & Ted” films, and next year they plan to reunite for Beckett’s classic tragicomedy.

By Michael Paulson

Aug. 1, 2024

Call it Bill and Ted’s Existentialist Adventure.

Keanu Reeves and Alex Winter, the actors who incarnated a pair of slacker musicians for three “Bill & Ted” films, are planning to reunite for a Broadway revival of “Waiting for Godot.”

The production, planned for the fall of 2025, will be directed by Jamie Lloyd, one of the hottest directors of the moment, whose work is characterized by a spare aesthetic and an emphasis on psychological intensity.

Lloyd said that the project was Reeves’s idea, but that as soon as the actor approached him, “it was a no-brainer that this needed to be done.”

“Their instant chemistry and their shorthand and their friendship is going to be so valuable,” Lloyd said of Reeves and Winter in an interview. “This is a very deeply complex play, as we all know, but it’s also a very funny play, and they’re very witty people and their shared sense of humor in those movies and in real life is going to be very beneficial to the production.”

In “Godot,” Reeves will play Estragon and Winter will play Vladimir, who banter and bicker while waiting for a mysterious figure who never arrives. “Those characters take solace in their companionship as they stumble toward the void,” Lloyd said, adding, “that’s going to be the central thesis of the production, with Keanu and Alex’s own friendship.”

“Waiting for Godot,” by the Irish playwright Samuel Beckett, was first staged in French in 1953 and then in English in 1955. The play was first performed on Broadway in 1956, and has been revived there three times since, most recently in 2013 with Ian McKellen and Patrick Stewart.

Reeves, the prolific film star of the “Matrix” and “John Wick” series, will be making his Broadway debut with “Godot.” He likes a challenge: In 1995, he played Hamlet in Winnipeg, Manitoba.

Winter, who writes and directs in addition to acting, appeared on Broadway twice in the 1970s, when he was a teenager, in musical revivals of “The King and I” and “Peter Pan.”

The two first worked together in 1989 in “Bill & Ted’s Excellent Adventure.” A second film, “Bill & Ted’s Bogus Journey,” arrived in 1991, and a third, “Bill & Ted Face the Music,” in 2020.

Lloyd, based in London, has become a regular presence in New York. Last year he directed a revival of “A Doll’s House” starring Jessica Chastain, and this fall he will direct a revival of “Sunset Boulevard” starring Nicole Scherzinger.

The “Waiting for Godot” revival is being produced by Lloyd’s production company, as well as ATG Productions, Bad Robot Live (J.J. Abrams’s company) and Gavin Kalin Productions. ATG is a British theater company that has a long relationship with Lloyd and operates seven Broadway theaters; the production said that “Godot” would be staged in one of those ATG theaters.

https://www.nytimes.com/2024/08/01/theater/keanu-reeves-broadway-godot.html?unlocked_article_code=1._k0.sgY5.jVlfdfEVMdVl&smid=url-share

[synonomy]

As a David Thewlis enthusiast, what movies of his would you recommend?

That depends if you’re watching for the plot or just simp fodder tbh

Naked (1993) is number one for David simp fodder since it lives up to its name/you get to see him doing sexy things, but its a tradeoff since his character is fucking insufferable and the film is a weird, unpleasant slog, so any time he isn’t naked or being sexy will be 💀💀💀

Resurrected (1989) is pleasing because it features a babyfaced and very Remus-esque David, but the plot is kinda meh and depressing/upsetting, especially near the end

Vroom (1988) also has some very young and pretty David (with bright orange hair!!!) but the film itself is kinda boring since he’s not the main, so you have to put up with some shitty Clive Owen lovestory

Total Eclipse (1995) is worth a watch because even though David has the most atrocious hairstyle possible you get to see him being topped by a twink Leo DiCaprio 👌 I mean, they have the most toxic relationship you’ve ever seen, but it’s gay so

Gangster No. 1 (2000) features the most Daddy of Davids as a slick suit-wearing London gangster, but the plot is kinda trash and you have to endure Malcom McDowell’s godawful narration throughout the whole thing. Ironically, the narration mostly revolves around him simping for David, which, while relatable, doesn’t make it any less irritating

Veronika Decides to Die (2009) also has a Daddy-style (also very Remus-esque) David as a smart and bespectacled psychiatrist. The plot isn’t absolutely terrible from what I remember, but he’s not in it a great deal, so

If you care more about the film itself, or are looking for a good balance between plot and simp:

Divorcing Jack (1998) is my favourite David flick by far. Not only is it the best he’s ever looked, he has an Irish accent(!!!), his character is adorable and the film is hilarious. There’s also bonus Jason Isaacs (Lucius Malfoy). Highly recommend 🙌

Seven Years in Tibet (1997) is also pretty good. David has an Austrian accent (can’t comment on its quality) and looks cute with a lil Remus moustache. My main takeaway from the plot is that David has superior rizz to Brad Pitt (unsurprising) but I remember being entertained

The Lady (2011) is also one of my faves. It’s based on a true story about a Burmese diplomat, in which David plays the most supportive and wholesome husband ever to Michelle Yeoh (whom I also love) 🥰

I’m Thinking of Ending Things (2020) is great, though again David’s not in it all that much

I also really love Life is Sweet (1991) despite him only being in it for about 5 minutes

Honestly though, most of his really great performances have been in television rather than film.

[denimbex1986]

'Last month, the BBC offered an apology of sorts after a red-carpet reporter at the Baftas asked Andrew Scott, star of the film All of Us Strangers, about fellow Irish actor Barry Keoghan’s appendage. This had been the subject of conversation thanks to Keoghan’s naked dancing in the film, Saltburn, in which Keoghan’s floppy bishop steals the final scene. To settle this nagging concern the BBC turned to a gay man. ‘There was a lot of talk about prosthetics. How well do you know him?’ the reporter asked an annoyed Scott who shook his head and walked away.

Had a female actress been asked to authenticate another woman’s breasts, the scandal that would have ensued goes without mentioning, but the BBC dusted it off. ‘Our question to Andrew Scott was meant to be a light-hearted reflection of the discussion around the scene and was not intended to cause offence,’ the organisation said.

The gynarchy has made clear that objectifying men is perfectly fine and, after all, what’s a little light-hearted homophobia when gay movies are having a renaissance? All of Us Strangers – nominated for six Baftas but ultimately snubbed, and Saltburn, nominated for five – joined a handful of other gay titles that studios have banked on attracting an audience beyond the 4 per cent of the population who might traditionally see those films.

Where the box office didn’t pay off, critical acclaim largely has. 2020’s Supernova, staring Colin Firth and Stanley Tucci as a 60-something gay couple, and last year’s drama Passages directed by Ira Sachs, have also inched into a market where such movies typically didn’t belong.

‘Why are gay movies always so sad,’ people used to ask in the 1990s. Thirty years later, nothing has changed. Gay flicks tend to have three themes – loneliness, death, and villainy – and this recent batch of movies is no exception. The miniseries Feud: Capote vs. The Swans, released last month and based on writer Truman Capote’s final years, nicely encompasses all three.

‘New film All of us Strangers centers on gay loneliness and trauma,’ a headline on NBC News read, as though that’s anything new. And while I don’t know what ‘trauma’ is, I do know that gay people have always fixated on it and, increasingly, so does everyone else. Gay films haven’t changed, but the audience has. Women are lonelier, more promiscuous, and more atomised than ever and now they’ve discovered a whole sub-genre of cinema speaking to that and aiming to nurture those anxieties. Just a hunch, but the ladies sobbing along at home to Supernova are probably childless and spend many hours a week on Zoom calls.

When a gay film meanders too deeply into gay insider baseball, like Billy Eichner’s 2022 romantic comedy Bros, it bombs. The most resonate gay movie of all time might continue to be 1970’s The Boys in the Band, but the 2020 remake flopped, probably because it’s a story devoid of hope and beauty, only messiness and casual destruction –something gay men understand but remains far too raw and excruciating for women to enjoy.

Then there’s the other side of it – the neutered gay fan fiction written by and for women, like Amazon Prime’s horrendously stupid 2023 film Red, White & Royal Blue, which offers women magical gay pets to carry around in their dreams. When I asked the feminist writer Louise Perry about these films, she said:

"These are usually gay relationships represented in a uniquely feminine way: intensely emotional, no casual sex, very unlike gay porn for men.

I suspect that young women find these gay fantasies attractive because they’re scared of the asymmetries inherent to straight relationships, in which women are always the more physically vulnerable party. So, they invent fictional gay men and give them a style of sexuality more typical of women.

She continued: ‘Will & Grace was obviously created for women because the gay male characters are weirdly asexual,’ reiterating something gay men have speculated for some time, noting that the bitchy and boozy, heterosexual Karen Walker was the only character they gravitated toward.

That’s not to say women can’t write great gay stories. Brokeback Mountain, the most critically acclaimed gay movie of all time, was based on a short story by Annie Proulx, who revealed in a 2009 interview her frustration with fan letters wishing the story had ended on a positive note. Those ‘idiots’ who want a happy ending, she said, overwhelmingly tended to be men.'

[thegeminisage]

ok, now that i've watched all of tos (none of the movies yet...) i am going to do the top ten worst and best episodes, according to Me. they are as follows:

WORST EPISODES

10. the savage curtain - idk who thought putting abe lincoln in a cage match with the vulcan version of ghandi against like, ghengis khan and space hitler would be a good idea. but it wasn't. i did like seeing the vulcan father of logic though like "im gonna go sacrifice myself for peace" ok king

9. i, mudd - all of the mudd episodes are bad. he's not charming at all whatsoever. however, this one is better than the other one because uhura gets to pretend to sell out kirk and they're SOOO cute about it. her little giggle when he PICKS HER UP BY HER SHOULDERS and tells her how proud he is. PLEEEEASE

8. charlie x - the entire premise of this episode is that the bad guy is just autistic. and then they make him live on a planet without people because he can't adjust to normal life ???

7. shore leave - obvious racism of this episode aside, the faux-irish jig that played while kirk was being menaced by his extremely unfunny old bully nearly drove me over the edge. we DO love a good mccoy death fakeout tho

6. a piece of the action - if i had any interest in gangster films before this it's all gone now. that being said. i loved when kirk drove the little car. he was so bad at it. he was so happy.

5. mudd's women - like he's literally just selling women?? and the plot twist is that secretly they're ugly?????

4. who mourns for adonias - this is just "what if ALIENS build the pyramids bro" except for the 1960s. nail in the coffin for this one was kirk proudly declaring they didn't needs gods - because they already had the One God, thank you very much!

3. the paradise syndrome - WHY WOULD YOU HAVE NATIVE AMERICANS MISTAKE KIRK FOR GOD. WHY. like i know why but Why. i think the very worst part of this episode was that it had an amnesia plot that would have FUCKED if you had simply removed the people. if there hadn't been people in this it would've been in my top 10 episodes. i think this broke me.

2. the omega glory - this is the same as the last episode except there's no amnesia, and also the "native americans" are white cosplayers who worship the american flag and mistake kirk for god because he can recite the pledge of allegiance yes really. if i had a nickel for every time this happened i'd only have two nickels etc etc at least kirk didn't knock anybody up in this one ig

1. patterns of force - why would you make your two jewish leads wear swastikas and then literally be whipped by nazis. i know he's such a bad person but not even william shatner deserves that. number one worst episode everyone says it's omega glory but it's this one

BEST EPISODES

10. plato's stepchildren - this episode is hard to rank because like it's both good and bad. the torture scenes were genuinely upsetting, especially the ones at the end w/ spock & nurse chapel, because they weren't just violence being inflicted on tied up guys, but they were SUPPOSED to be upsetting, like it was literally the point. and also this episode bears the distinction of THEEE kirk & uhura kiss. literally historic.

9. the trouble with tribbles - i feel like everyone's heard of this but it really is as good as everyone says. sometimes 1960s humor doesn't translate to 2020s humor but it was genuinely hysterical start to finish. also, the distinct trilling sound was so imprinted in my brain i recognized it in the 2009 movie where i had never registered it before.

8. the naked time - aside from the KING SHIT george takei pulled with the fencing this episode also contains the "i am in control of my emotions [sobbing]" moment and kirk & spock LITERALLY having a slapfight. this episode has everything. an absolute masterpiece

7. the empath - i feel like this paired with "the world is hollow and i have touched the sky" really made me a Bones Understander. i feel a little bad about that bc everyone says the characterizations in s3, or actually that the season as a whole, is kinda shaky? but i watched without knowing that and i feel like i Get It now. also, this was the only score i went and relistened to on spotify

6. tholian web - the spock & mccoy episode ever. there's so many things to say about this from the death fakeout to kirk's little space suit but what TRULY got me was the instant and totally nonverbal agreement to lie straight to kirk's face to both preserve personal dignity and troll the shit out of him (while chekov and sulu are like also silently laughing as they listen in no less). what this episode made me realize was that it's a good thing they argue all the time and make kirk play referee because if they were on the same side kirk wouldn't stand a chance. like he'd be finished.

5. the city on the edge of forever - ok, so, this episode made me feel like i was having a mental break. the time travel. spock's little hat. when he watches kirk kiss edith and then goes back into their room to pretend he didn't see anything. mccoy and kirk basically hugging at the end when edith bites it.

4. requiem for methuselah - the first time i watched this i was kinda like :/ because how does kirk fall in love with a woman in FOUR HOURS? that aside the ending scene blew my tits clean off. i paced around my house for like 30 minutes going "what the FUCK was that" because i couldn't simply lie down and sleep after seeing it. rewatching the episode with uh. new context made me like it a little better. but even if it had been garbage the last scene shook me so thoroughly it would still need to be on this list. i'm getting wound up just thinking about it. number one most shocking tos moment.

3. the dagger of the mind - look, i understand that this episode was technically just run-of-the-mill stuff as far as everybody else is concerned but they put james t kirk in a little brainwashing machine. and the machine was shaped like a chair. and it gives people amnesia sometimes. i don't know how i'm expected to behave normally

2. this side of paradise - this is the episode where a flower jizzes on spock and gives him feelings. and look: it's really funny, and there's a lot to love about it. but the ending where kirk hurls verbal abuse at spock for a solid 92 seconds WITHOUT STOPPING followed by: spock beating the shit out of him until he gets his logic back. i have rewatched this perhaps 1,000 times at minimum. what the fuck were they doing

1. conscience of the king - this episode got me into this mess. i don't think i can elaborate further without significant self-incrimination. let's just say what happened was i thought "oh i'll just watch this one tos episode for context for the fanfiction" and one month later i'm writing fic about [redacted] [redacted] [redacted] DON'T WORRY ABOUT IT

ok, that's my list. i thought about doing honorable mentions for episodes that had scenes i liked even though the overall episode didn't make it into my top 10. but then i realized that would mean recapping basically the entire series and this post is already too long. i do have to give the pon farr episode a shoutout though because even though so much of it was offputting there was literally a titty window in kirk's shirt. like, it's the pon farr episode. ok NOW i'm done

[galtx]

GALTx eNews: Let's Turn Luther's Luck Around!

Born around 2020, Luther hunted coyotes for a while and, at some point, ended up with a broken leg. He was turned into a Wichita Falls vet to be euthanized. The doctor would not put down a healthy dog and contacted a Good Samaritan who stepped in to take him. Due to their health issues, they could not keep Luther for long. Luther is now with us and we want to turn his luck around by finding his perfect forever home!

Luther's DNA test revealed that he is 76% greyhound, 10% Polish greyhound, 6% borzoi, 3% Scottish deerhound, 2% whippet, 2% Magyar Agár, and 1% Irish wolfhound. He is a big boy, weighing 75 pounds. Luther doesn’t let his old injury stop him. He chases squirrels with his foster brother and leaps through the dog door when he hears something outside. He loves to go for short walks, enjoys meeting the neighbors, and loves investigating new things. He also has fun at a park where he walks through a simple agility course.

Luther's favorite thing to do is collapse into your arms on the couch and sleep through a movie. He is loving and affectionate and thinks all humans are wonderful. Your bad day is officially over when he climbs into your lap or lays his big ol’ head on your shoulder. An Airbnb guest nicknamed Luther "Mr. Smooshy Face" because of his distinctive facial expression when he falls head over heels for a new human. His eyes go from round and alert to a soft dissolving happiness. His "look of love" is one of his most endearing and distinctive qualities. Luther is playful and goofy. He loves squeaky toys and other small things he can pick up and carry. He also loves to help workers, such as plumbers and landscapers, and joins right in the fun. He’s unafraid of thunder, fireworks, and holiday gunfire. He likes to have his meals in a social setting with other dogs and respects their space with little correction.

Luther's stress comes from being left alone. He would prefer to live in a home with other dogs of any size and will do best with people who are home a lot. He likes children, though, because of his size, weight, and playfulness, kids 14 years old and up would be the best fit for him. We don't yet know whether he can live with cats.

If he sounds just perfect to you, please let your adoption coordinator know or visit our website to read our adoption policies and procedures and to complete an application.

8/29/24

[asunsetgrace16]

☀︎ ▴ ｍａｄｅｌｙｎ ｃｒａｗｆｏｒｄ ‣ 𝒸𝒽𝒶𝓇𝒶𝒸𝓉𝑒𝓇 𝓅𝓇𝑜𝒻𝒾𝓁𝑒

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[𝟶𝟷]  ___  𝙱𝙰𝚂𝙸𝙲𝚂

Name(s): Madelyn Joy Crawford

Nickname(s): Maddie, Mads, Lynnie

Age: 21

Birthday: December 29, 2002

Birthplace: St. Paul, Minnesota

Allergies: pineapple, clams, and grass

Conditions/Illnesses: ADHD

Occupation: Therapist (soon)

Education: BSc of Psychology, plans to take a Master's degree

Current Residence: Ann Arbor, Michigan

Hobbies: Reading, playing guitar, playing basketball, hiking, gardening

Pets: Luna - golden retriever/lab cross, Perry - the cat

Sports: plays intramural basketball at UMich, was a competitive dancer her whole life

[𝟶𝟸]  ___  𝙰𝙿𝙿𝙴𝙰𝚁𝙰𝙽𝙲𝙴

Height: 5'6

Eye Colour: Brown/Hazel

Hair Colour: Red

Birthmarks: None, just a lot of freckles

Scars: One just above her knee from when her and Michael were playing at their grandparents' and she caught her leg on a tree branch

Tattoos: has '04 '02 '72 '74 on the back of her arm, a paper airplane on the inside of her wrist, and a bouquet on her ribs

Style: Wide-leg jeans, oversized crewnecks, gold jewelry, cute crop tops, leggings and big t-shirts, loves her converse and white Nikes

Piercings/Accessories: has a M initial necklace that she got for her 14th birthday, always has plenty of rings on

[𝟶𝟹]  ___  𝙿𝙴𝚁𝚂𝙾𝙽𝙰𝙻𝙸𝚃𝚈

Introvert or Extrovert: a mix of both. She loves people and being social and is definitely a social butterfly, she likes her time alone too

Mood/Temper: usually Maddie is pretty chill and goes with the flow, but she is feisty and is outgoing and adventurous

Dreams/Goals: She wants to be a therapist to help people work through mental health struggles after having a hard time with their own. She also wants to travel to 50 countries. Maddie is independent but loves to have a partner in crime, and has always wanted a family

Strengths: reading people, lightening the mood, getting the party going

Weaknesses: saying no, always putting herself last

Quirks: tells dad jokes when she's uncomfortable, has a tendency to pull an Irish good-bye, always points her toes when she jumps

Habits: tying her left shoe first, tap-dancing in place while waiting in line, losing her Chapstick

Fears: snakes, cockroaches

[𝟶𝟺]  ___  𝙻𝙸𝙺𝙴𝚂 & 𝙳𝙸𝚂𝙻𝙸𝙺𝙴𝚂

Likes: burritos, butterflies, fluffy socks, sleeping, rock music, thrifted jackets, northern lights

Dislikes: bananas, waterslides, monkeys, mismatched socks, mornings, rollercoasters

[𝟶𝟻] ___ 𝙰𝙴𝚂𝚃𝙷𝙴𝚃𝙸𝙲

[𝟶𝟼] ___ 𝙵𝚄𝙽 𝙵𝙰𝙲𝚃𝚂

[𝟶𝟽] ___ 𝙵𝙰𝚅𝙾𝚄𝚁𝙸𝚃𝙴𝚂

Food: sushi

Music: pop. rock.

Songs: Teenage Dream by Katy Perry. Edge of Seventeen by Stevie Nicks. Angeleyes by ABBA. Rockstar by Nickelback. Shine by Collective Soul.

Movies: The Breakfast Club. Knives Out. Dirty Dancing.

Shows: Suits. Scandal. The Crown.

Colour: yellow

Place: Portland, Oregon

[𝟶𝟾] ___ 𝙵𝙰𝙼𝙸𝙻𝚈 & 𝚁𝙴𝙻𝙰𝚃𝙸𝙾𝙽𝚂𝙷𝙸𝙿𝚂

Family: Maddie is the oldest of two and has always gotten along with her little brother

Mom: Mona Crawford (nee Jones), b. july 18, 1974

Dad: Michael Crawford, b. october 18, 1972

Sibling(s):

➪ Mason Crawford: b. April 2, 2004. single. two years into a physics undergrad at University of Minnesota.

Relationship Status: taken. Luca Fantilli (december 2024)

Past Relationships: Maddie has had three other relationships

➪ Gabe: (october 2018 - march 2020) he was Maddie's high school boyfriend. they were the IT couple, he was on the football team and she was on the basketball team. they eventually grew out of the relationship.

➪ Chris: (january 2022 - april 2022) he was a fun, light relationship. they met at a party and hit it off. he was a business major who transferred to UCLA and neither wanted to commit to long distance. it was a painless end.

➪ Max: (october 2022 - march 2024) he was a solid boyfriend. he is a law student. they clicked over mutual interests and it was the most fulfilling Maddie has had. until she got "hey girl'd" by a girl who shared a class with Max. needless to say both of them dumped him and now they are close friends.