#***find a recording where the organ rattles all the bullshit out of your bones so all that's left is the music
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Marcus Miller and Corine Bailey Rae's Free
Queen Pen and Meshell Ndegeocello's Girlfriend
Queen's It's a Hard Life*
Phil Coulter's The Gathering - Bealtaine and Coultergeist
Rodrigo y Gabriela's ...everything. But Diablo Rojo and Tamacun with C.U.B.A. especially
Tanya Tagaq's Cold, Uja, Aorta
Sampa the Great feat Angelique Kidjo's Let Me Be Great
The Empire Brass with Bill Kuhlman's Rondeau to Abdelazar and Prince of Denmark March**
Saint-saens Symphony 3 (organ symphony)***
Chinchilla's Little Girl Gone
Hey eyeone! I want to know what your favorite songs are, if you see this post you are CONTRACTUALLY OBLIGATED to reblog with at least 1 song you have listened to and enjoyed but if you have more you'd like to share then go ahead! Also tag your friends!
I'll start, I'm going to list 5 of my favorite songs
Dr Sunshine Is Dead by Will Wood
134340 Pluto by Cojum Dip
Vulture by Bear ghost
Dear John by I monster
And finally: playing places: Oceans by Cosmo Sheldrake
Here's the people I want to tag
@f4y3w00d5 @ashen-the-tiefling @terrencetheshark14 @underpaid-guard @blacktipreefsharkwizard @the-gnomish-bastard @thatgayforkcrow @lixorloveslicorice @yourlocalbreadenthusiast @agentldiddy @aileaxthevoidien @slutty-wizard-council @monsterfucker-research-wizard and anyone else who wants to play!!!
#*go watch the video. trust me.#especially if you liked the m9 campaign#enjoy the visual of the nonagon in freddie's outfit#**literally everything on the album. i was at this concert and the masterclass they held beforehand and it's one of my best memories#***find a recording where the organ rattles all the bullshit out of your bones so all that's left is the music#Eugene ormandy and the philly symphony or the sf symphony
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Always Kid, Always
Or: I rewrote Patâs death scene
This is pretty heavy, so mind the warnings and read at your own risk!
Thanks to @snaillamp for helping with medical things. Theyâve got an ask Enjar game going on, go check them out!
cw: major character death, graphic depictions of mortal injuries, blood, brief mentions of other bodily fluids (vomit, urine), medical treatment, institutional indifference to human life, emotional whump, hurt no comfort, grief, guilt, Dead Dove Do Not Eat
Pat has been condemned.
The human capital council voted 3-2 to deploy her, along with the rest of Turquoise. He and Henle had gone up on the stand, two years worth of medical records with him, and told them in no uncertain terms that this will likely kill her. Her powers are tearing her body apart. Itâs not just her nerves anymore, it's her blood vessels and internal organs and muscles and bones. Any use of her powers could be her last.
They agree with them. They say itâs dangerous for her. They also say that this villian, whatever the fuck his name is, is more dangerous âFor everyone,â they say. Itâs bullshit. They have other heroes. Heroes that wonât die. Heroes that canât die.
The mission is stupid and dangerous and everybody knows that. It doesnât matter. Itâs for the greater good.
Joseph, though he hates it, though he knows itâs selfish, canât help but think âfuck the greater good.â
He doesnât hunt down any of the council members. He doesnât slam them against the wall and yell at them until heâs red in the face because it wonât change anything.
Pat has been condemned.
***
The locker room is utterly depressing
The normal banter is gone, replaced by oppressive silence. Everyone suits up slowly, painfully, speaking only to ask âcan you zip me up?â or âcan you buckle this for me?â His medic patch feels more obtrusive then normal, like an annoying itch that wonât go away. The already heavy bag feels crushing.
Patâs hair is done up like it normally is, tightly pulled back in two french braids so it will t under the helmet. As she laces up her boots, he can see the black and orange compression socks sheâs wearing underneath.
She catches him looking and smiles, the corners of her green eyes crinkling.
He tries not to puke. Itâs awful.
The helipad is worse. Theyâre up high, the city spread out around them, as they wait for their ride. Pat stands next to him, chewing on her lip. He turns to her.
âIf you donât want to go inside, weâll find another way. Iâll take the heat. Martinâll take the heat. Henleâll take the heat. We will keep this off you.â
She dips her head. âItâs okay. They picked me for a reason. This dude? What he made? Itâll kill you.â Her eyes glimmer with tears. âI canât let that happen.â
He could say the same.
âWe can abort. I will fight for you on this, Pat. All of us will.â
âNo.â She shakes her head. âHeâs dangerous. For everyone. I signed up for this. I knew what I was getting into.â The helicopter roars overhead. âItâs for the greater good.â
Itâs too loud, and they have to stop talking.
***
The villainâs base looms on the horizon. Itâs boring looking, like some sort of factory or warehouse, but it's not.
Warehouses donât have lasers.
The building is mostly empty, because even villains know that you should try to protect your employees from further harm. Per the plan, Pat charges straight into the heart of the compound, hands on fire, eyes glowing, and very tachycardic.
Even though they canât see her, itâs obvious where she is. Just follow the violent thrum of energy and the rumbles reverberating through the floor. It shakes the whole building, rattling the windows. Pat is busting through door after door after door, but sheâs getting there.
For a brief second, thereâs a pause. Joseph thinks that maybe sheâs made it.
Then, a violent shockwave shakes the building, nearly taking him off his feet.
Thatâs it. Thatâs the discharge that will kill her. The clock has started. Sheâs dying now.
He silences his com, ignoring Martinâs voice ordering them to leave the building, warning that itâs unstable, and goes deeper inside. Running as fast as he can, he traces Patâs steps, following her path of destruction into the heart of the building.
Sheâs crumpled on the warehouseâs concrete floor, glass windows blown out around her, lying in a rapidly growing pool of blood. âPat!â He yells as he approaches, looking her over.
He sees a steady stream of blood oozing out of her leg.
âHey kid,â He says, kneeling down by her side. âPat, câmon.â He quickly ties a tourniquet around her mangled left leg, trying to stem the bleeding. She screams as he tightens the windlass and clips it in. He quickly searches for any more major bleeding, hands patting up and down her body while he calls for help. Helicopter. Here. Now.
He finds a jagged hole in her chest. Her sternum seems to be half gone, replaced by a deep pool of red. Fuck.
âEx-exhale?â She whimpers, eyes wide with worry. Her face is clammy and her breathing is fast and she looks like sheâs about to cry.
âJoseph. Call me Joseph, yeah?â he says, tearing open a package of gauze and jamming the contents into her chest. Her blood is warm as it coats his fingers, and it's awful.
The scream is even worse, loud and piercing and heartbreaking. âI know it hurts, just stay with me, yeah?â he says as he keeps packing, watching the gauze turn pink and then red as itâs saturated completely.
There is one thing in this world that can save her right now, and itâs a healer. If he can get her to the helicopter, then maybe sheâll make it. He digs out his IV kit and seizes her arm.
âI-I think Iâm gonna..â She says, her breath catching.
âItâs okay, I gotcha,â he says. Her veins are too sunken back. There's no way heâs going to be able to get an IV in.
âI donât wanna die," she hiccups. âPlease, I donât wanna die.â
His fingers press into her neck and find her pulse. Itâs weak and thready. Her breathing is slowing down. Sheâs dying.
âIâve got you,â he says, âIâm going to do everything I can to help you.â Itâs a lie, because there's nothing he can do. Sheâs lost too much blood, and sheâs bleeding out internally, and there's not a damn thing he can do about it.
ââM sorry, Exha-Joseph.â Her voice wavers, and she starts to cry even harder. âPlease, I don wanna go,â A gasp escapes her blue tinged lips.
He wraps his hand around hers, bloody blue nitrile intermingling with shaking and cold flesh. âItâs okay Pat, I know itâs scary.â He comfortingly squeezes her hand. âIâll be here to help.â
She whimpers, and she looks up at Joseph again. Her eyes are pleading, and she looks so desperate to keep living. Another tear rolls down her cheek, and she gasps again. â âm, sorry. âM so sorry, âoseph.â
âItâs okay, youâre amazing, kid.â Tears well in his eyes, and he lets them fall. They both know whatâs about to happen. He takes her in his arms, maneuvering her shaking body onto his lap.
â âm sorry I couldnât be better.â Her words are barely audible, voice raspy. She heaves another breath in, body almost convulsing with the eort.
âYou were great, Pat. I couldnât have been more proud of you.â He smiles down at her as the tears fall freely.
âThank you, âoseph,â she slurs, blinking very, very slowly.
âAlways, kid, always,â he chokes out, watching her eyes slide close. Her pulse is still there, but only barely.
âI love you, Pat.â Her breaths are getting further and further apart.âFrom the moment I met you, I knew you were going to be amazing.â He squeezes her hand, one last time.
A horrid, horrid silence passes over everything. âIâve gotchaââ
Her chest rises.
âAlways, yeah? Fucking always.â
It falls.
It doesn't rise again.
Sheâs dead.
Sheâs fucking dead.
The tears come harder, and he lets them. He yells, loudly and painfully. Anger erupts in his mind.
Why her? Fucking why!
Her skin is gray, muscles too relaxed. She looks soâŠalmostâŠalive. There's a warm feeling on his thigh, where her legs are resting.
Sheâs pissed on him.
Carefully, he sets her down, closing her lifeless eyes and bowing his head.
Everything hurts. His mind is screaming.
âExhale to Guardian, Exhale to Guardian,â he says into his coms, half on fire, half numb.
âGuardian on, location and report,â Martinâs voice responds.
Heâs quiet for a very long second. âSurge is dead.â He grits his teeth. âRepeat, Pat is dead.â
The words land like a jetliner plummeting out off the sky
Martin orders him to return. They disregard the helicopter.
Everything is very quiet.
It doesnât feel real.
It is.
***
The ride back is even quieter than the ride there. Everyone sits together, heads held low.
Even breathing seems wrong.
Halfway there, it hits him. This is why INSUPA uniforms are black. To hide the blood of those they let die.
Itâs soaked into the lower half of his uniform from kneeling and sitting in it. The piss stain is still drying too, but its not as noticeable. His gloves were so sopping wet that it got under his fingernails. The smell of iron stills burns his nostrils.
He has to look horrible.
The words play over and over again in his mind.
âPat is dead.â
âPat is dead.â
âPat is dead.â
âPat is dead.â
By the time they arrive at the centre, everyone is crying. No one tries to hide it. It doesnât matter.
Pat is dead.
Pat is dead and it was preventable.
Pat is dead, and it is partially their fault.
But mostly, itâs his.
He bypasses the locker rooms and starts to march straight for the council's office. Theyâll pay for this, heâll make them. The patch is heavy on his shoulder.
âJoseph, no!â Henle yells at him.
He keeps walking.
They yank him back, pressing him against the wall. âI canât let you do this.â
âThey let her die, Henle, what you let me to do!â Everyone is looking at them. It doesnât matter.
They lean in closer. âYouâre smarter than this.â
âHenle..â
âYou charging into that office and punching the teeth out of them will not change anything. Not for the better, anyway.â Their face is deadly serious, though their eyes are bloodshot from crying.
Joseph is silent for a moment. âSheâs dead, Henle.â He breaks, fracturing into a million pieces. The tears are like a waterfall. âI sat there, and she was crying and apologizing.â He wipes his eyes. âShe said she was sorry.â
Henle pulls him into a hug, and Joseph lets him, still sobbing violently. âShe looked so sad. She begged to live. She thanked me.â His mouth gapes open. âThis is my fault. If I hadnâtâŠIf I hadnât encouraged her toâŠfuckâŠif I hadnâtâŠâ He slowly melts to the floor, hyperventilating.
They donât let go. âHey, shhh, breathe with me, yeah.â
Joseph tries his best, carefully watching their chest, trying to match its movements. âIâm sorry,â he mumbles.
âYouâre okay.â They let go, and Joseph relaxes back into the wall. âHow about we go get you cleaned up?â
Heâs suddenly hyper aware of the dried blood itching his skin. He wants it off.
âPlease, yeah.â
As he walks towards the locker rooms, he finds himself crying once again. The anger flares. Itâs going to eat him forever.
She didnât have to die.
She didnât have to die.
She didnât have to die.
Taglist: @pigeonwhumps @rainydaywhump @painful-pooch @rainbowsandwhumperflies
#worlds babbles#whump#major character death#injury whump#blood#medical whump#guilt tw#tw grief#medic caretaker#hurt no comfort#emotional whump#Joseph oc#Henle oc#Pat oc#yeah Iâm sorry#Joseph âwhatâs scene safetyâ Schneider#have some pain#I hope it makes you cry in the toilet like I did#đđđ
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one of those new wave boys
Title:Â one of those new wave boys Link: On AO3 Fandom:Â Stranger Things Pairing:Â Gen; Steve & Robin friendship Warnings:Â None Other tags:Â Platonic cuddling, Bed-sharing, Nightmares, Insomnia, Mild hurt/comfort, Friendship Summary:Â Steve and Robin go on a road-trip, drink, listen to music, and look after each other. And yeah, maybe there's some cuddling involved too.Â
Written as part of the Fandom Supporting Migrants fic exchange for @alessandriana, who donated to Border Angels.
*
Steve lets the strap of his duffel bag slither through his hands to land with an ominous thud on the puke-green carpet.
âSo, uh,â he says as brightly as he can. âThis is nice.â
On the upside: there are in fact two beds. The broad wink the clerk tipped him when he asked for two queens instead of a king had him a little worried on that count. The bedspreads are the same puke-green as the carpet and bear ominous stains, like maybe theyâve been used at some point to roll up a body in the trunk of somebodyâs car, but there are two of them. Robin ducks her head into the bathroom, makes a quietly horrified exclamation, then crosses the room to drop herself and her suitcase onto the bed closest to the window, then flops backward with a sigh.
âI donât even care,â she mumbles. âOh my god. Why are we doing this again?â
âHey,â Steve says, tossing his duffel bag in the general direction of the other bed. The walkie-talkie clanks again when it hits the headboard, and he winces. If he breaks that, Dustin is going to actually murder him in his sleep. âThis is your roadtrip of self-discovery. Iâm just, like. The chauffeur, or whatever.â
âI regret everything, letâs just sleep in the car.â
âThe roomâs not that bad, come on.â
âI think someone died in this bed,â Robin says, pushing herself upright, shoving her hair behind her ears. A worn-down road-trip sleepiness around the corners of her eyes. She dozed most of the way through central Indiana, but it was around dawn when they headed out and exhaustion is settled into their bones. Steve can feel it dragging at him, a dull lassitude.
âIâm sure they clean them,â he yawns. âWhat time is your campus tour?â
âThree? Or, wait.â She flops forward to pull her bag to her and dig through it, finally coming up with a sheaf of papers bearing the University of Chicago logo. âThree-thirty.â
âThatâs like two hours from now, plenty of time to nap,â Steve decides, kicking off his shoes and falling backward against the mattress. It creaks ominously beneath him, but the bedspread doesn't smell like anything worse than bleach and stale cigarettes. He shoves his hair out of his face, closes his eyes, hears Robin snort out loud. âWake me up when itâs time to go.â
âYouâre unbelievable,â Robin sighs, but it sounds amused. Possibly even fond.
Steve sticks his thumb up without opening his eyes. âI think you mean charming and generous, and oh, also, thank you, Steve, for giving me a ride at ass oâclock in the morning, something like that.â
âThank you, Steve, youâre so charming and generous,â she parrots in the snidest tone possible, and he canât help grinning. Thereâs a suspiciously giggly-sounding snort, and then the other mattress creaks as she stands up. âIâm going to go find something to eat. You want anything?â
âIâm good,â Steve yawns, and waves her off, listens to the sound of her footsteps on the carpet, the creak of the door. Peels his eyes open just long enough to make sure that itâs locked, then lets them slip shut.
He doesnât actually mean to doze off, but sleep has been proving elusive in the past few months.
Oh, who the hell is he kidding? He hasnât been able to sleep reliably or well since Christmas of 1983, when a horror from another dimension slithered out of Jonathan Byersâ ceiling and tried to eat his face. Nightmares are par for the course these days, and getting his face pounded in by Russian intelligence officers was really just the icing on that particular shit cake.
Anyway, no nightmares this time, or at least not any that he can remember. He comes awake, groggy and disoriented, when the door to the room creaks shut, and then there are footsteps on the floor and Robin leans down to press something cold to his belly where his shirt has ridden up. Steve yelps, flails, opens his eyes. His cheek is sticky with drool, the comforter beneath his face damp. He tugs a hand through his hair to find it flattened and disheveled.
Itâs probably just as well that Robin was never going to consider sleeping with him no matter how appealing he is. Or isnât. His mojo seems to have taken a permanent hike since high school.
Point is, one of the many nice things about Robin is that she doesnât give a shit. It takes the pressure off. She waits for him to clamor upright, then holds out a can of Coke. âTime to go. I got you a pop.â She eyes him for a moment, then adds, âPretty sure I could score some cocaine if thatâd work better. You look like shit.â
âVery fucking funny,â Steve sighs, taking the can. Itâs icy cold and beading condensation against his palm, and he cracks it open, chugs half of it in one go, burps. âThanks.â
âItâs a complete mystery to me how youâve ever gotten anybody to sleep with you,â Robin says. Steve thinks about pointing out that heâs still pretty sure heâs doing better on that count than she is, but that seems kinda mean, all things considered.
âIâm a man of many talents,â he says instead, raising his eyebrows significantly. She snorts and rolls her eyes, and he finishes the pop, slides off the bed, and goes to see about making himself more or less presentable.
*
He drops Robin off at the edge of campus near the admissions office, where all the wide-eyed future college students are congregating. Most of them have parents in tow, heavy backpacks slung over their shoulders, bright, hopeful expressions on their faces.
Robin offers to let him tag along for the tour to see if he can manage to pick up college girls who havenât seen him slinging ice cream in a sailor suit, but he waves her off. Lately heâs been in a state of what Dustin likes to call persistent ennuiâitâs like an exhaustion of the soul, Steve, stop laughing at me, Iâm serious.
Anyway, tagging along with all the smart nerds like Robin who are heading into their bright new futures seems like a depressing way to spend an afternoon, and they passed by a record store on their way in. He has his boombox with him, and browsing for new tapes sounds infinitely more appealing. Especially with the prospect of the horrified faces Robin is probably going to make at whatever he ends up getting.
The shop is small and dusty and smells like patchouli and pot. Nothing seems to be organized in any particular kind of way, and Steve passes a pleasant couple of hours there, wandering under the tacked-up posters of Bob Marley blowing smoke at the camera and Bruce Springsteenâs denim-clad ass in front of the American flag, Aretha Franklin pinned up next to him as regal and elegant as a queen. Nobody else comes in while heâs there, and the wizened old hippie at the counter ignores him completely until he comes up to the counter with a stack of tapes, and for a while after that, too.
âHey,â Steve says eventually. âCan I buy these?â
âSure, I guess, if you want,â the guy says, rusty and so indifferent that Steve canât even be offended. Just gawks at him, half-amused, while he rings it all up on an old-fashioned register and accepts the cash Steve hands him in knotted hands, nails yellowed with nicotine.
*
Robin does make an appalled face back at the hotel, sitting on the floor with their heads tilted back against the mattress and passing a bottle of illicitly-acquired vodka back and forth between them. âOh, my god, you actually bought these?â
âWhatâs wrong with Mr. Mister?â Steve asks, not even bothering to hide his grin.
âI donât have time to give that question the kind of answer it deserves,â she says, reaching for the next cassette. Then she pauses. âOkay, David Bowie, thatâs surprising. Youâre forgiven.â
âThanks,â Steve says, digging a cigarette out of the crumpled pack at the bottom of his bag. He lights it aod offers it to Robin, who takes a drag and then hands it back. Smoke curls up in the yellow lamplight. âWhyâs that surprising?â
Robin hesitates, pulling her bottom lip in between her teeth like sheâs thinking, then she shrugs and pops the cassette into the tape deck. âNo reason. Iâm just always surprised when you have good taste. In anything.â
He kind of feels like that wasnât everything she meant to say, but the speakers are crackling through the intro to Itâs No Game, and instead of asking he tilts the bottle to his lips and passes it back to Robin, takes a slow drag on the cigarette and blows smoke out into the hazy dusk of the room.
Maybe, just maybe, heâll actually be able to sleep tonight.
*
Lights flash above him and thereâs the wet stink of rot all around, growling in the distance as his feet pound the forest floor, the nail bat slippery in his hands. Something catches at his ankle and he goes down hard, and the monster is springing onto him, slamming him to the ground, its face opening up like some sick toothy flower.
Someone screams his name. Dustin, Dustin is screaming his name, and itâs Billy Hargrove above him suddenly, straddling him and laughing and his fists are wet with blood, and Nancy says, âBullshit, itâs all bullshit,â and the floor is falling away beneath him and heâs in freefallâ
Hands on his shoulders, warmth and the sudden jolt of it, and the room is flooded with light. âSteve. Steve!â
He shoves himself away, scrambles backward, heart pounding and hands grasping for a weapon, and hits the headboard. It rattles with the impact of his shoulders, and he finally opens his eyes.
The lamp is on, the motel room filled with dusty yellow light. Robin is sitting on the edge of his bed in cut-off sweats and a baggy Hawkins Marching Band t-shirt, messy hair, wide eyes. Her hands are up, palm out.
Steve lets his head fall back against the headboard with a groan and closes his eyes. âShit,â he sighs. And then, âSorry.â
âNightmare?â Robin asks cautiously.
âWhat gave you that idea?â he says, but it doesnât come out as light as he means it to. His heart is speeding, and he can feel his hands start to shake as the adrenaline rush leaches out of him. His voice is shaky too.
So much for a quiet fucking night of sleep.
He opens his eyes in time to see Robin lift one shoulder. âYou were yelling.â
Steve grimaces, scrubs a hand through his hair. âI uh. I donât get them that often anymore. I didnât mean to wake you up.â
âItâs fine,â Robin says. He opens his mouth, and she says, âSteve, itâs fine. You think I donât get them? The Mind Flayer, or that fucking elevator, orââ
âYeah, yeah, more than enough trauma to go around, I get it,â Steve grumbles, but he actually feels a little better. âStill. Iâm sorry for waking you up.â
âShut up,â Robin says gently. âLook, do you want to justâwatch TV for a little while, or something?â
âYeah,â Steve sighs, because thereâs no way heâs going to sleep anytime soon and that sounds a hell of a lot better than talking about it. âYeah, letâs do that.â
He expects her to go back to her own bed after turning the TV on, fiddling with the rabbit ears until a grainy rerun of M*A*S*H comes in, but she doesnât. She drops onto the mattress next to him, flips the lamp off, and elbows him in the side. âMove over, dingus.â
âWhat?â
âMove over.â Robinâs chin is up, and thereâs something challenging in her eyes, like sheâs just daring him to say something. Steve knows better than to pick a fight with Robin when she looks like that, though, so he just shifts over until she has room to settle against the headboard next to him, the press of her body a comforting line of heat against his side. He can smell her drug-store shampoo and the lingering hint of menthol smoke and he breathes in as she settles her cheek against his shoulder, lets the scent fill his nose and drown out the memory of that tunnel, the rotting stink of animate vines. âKlinger was always my favorite.â
âHuh?â
âKlinger,â Robin repeats. Her breath is warm against his neck, and he can feel the shape of her jaw against his collarbone as it moves. It probably should feel weirder than it actually does. Like, yearning, or something, some kind of heartbroken synonym from Nancyâs thesaurus. Itâs been months since heâs let himself think about Robin like that, though, and that crush seems to have died a quiet, peaceful death while he wasnât paying attention. Itâs justânice, having someone here, a warm human point of contact. He can feel his muscles start to unwind, that shaky adrenaline feeling dissipating. âI always liked him.â
âYeah,â Steve says. On the TV, Klinger is plopped down in front of Col. Blakeâs desk in a tall hat and lacy gloves. The image warps for a moment, then settles as Blake says, âUh, Klinger, the rifle makes me nervous. Actually, the purse does tooâ. âYeah, me too.â
âI knew there was good taste buried in there somewhere,â Robin murmurs, and Steve laughs against her hair, finally allows himself to relax.
He dozes off to the sound of a staticky laugh track from the TV and wakes to the thin gray light of dawn coming in through the blinds and the sound of snoring. The TV is dark; Robin must have gotten up and turned it off at some point after he fell asleep, but sheâs not back in her own bed. Sheâs pressed up against Steveâs side instead, curled in a ball with her knees digging into the outside of his thigh. Her hair is loose across her face, moving slightly with her soft snores.
It should probably be weird. Steveâs never slept with anybody that he wasnât, well, sleeping with. It isnât, though. He feels warm and comfortable, pleasantly drowsy in a way he hasnât in a while, no lingering nightmares fading from his mind. He shifts slightly until Robinâs knee isnât digging a hole in his leg, and she snorts, rolls away, and opens her eyes.
âWhazza?â she mumbles, and then, âShit, sorry,â and starts to sit up.
âGo back to sleep,â Steve yawns, burying his face in the pillow. Itâs early. If theyâre going to be awkward about this, it can wait.
Robin makes a soft sound like a snort, or maybe a laugh, and then the mattress shifts as she lays back down. She pats him clumsily on the shoulder with one hand, then leaves it there, a warm point of contact as he slips back down into sleep.
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