#(basically first half adult second half YA- though there's a few in the grey area)
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aroaessidhe · 1 year ago
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as profiterole-reads said in the replies, I have a little database of no-romance books! I also have a no romance tag, where you will find a little more about most of these books
but here’s a few that come to mind! (adult and YA)
The Art of Prophecy by Wesley Chu - wuxia inspired high fantasy
Murderbot Diaries by Martha Wells  - sci-fi novella series 
Nophek Gloss by Essa Hansen - Adult space opera trilogy
Winter Tide & Deep Roots by Ruthanna Emrys - historical fantasy w lovecraftian elements
The Bruising of Qilwa by Naseem Jamina - high fantasy novella about a healer trying to deal with a plague in their city
The Stones Stay Silent by Danny Ride - high fantasy about a guy & his smoke-demon friend travelling the land
The Girl In Red by Christina Henry - sf/horror adventure about a girl trying to find her family after an apocalyptic pandemic
The Heretic’s Guide to Homecoming by Sienna Tristen - slow & introspective high fantasy
Firebreak by Nicole Kornher-Stace - sci-fi dystopia
Archivist Wasp & Latchkey by Nicole Kornher-Stace - weird postapoc fantasy w ghosts and friendship adventure through the underworld
A Snake Falls to Earth & Elatsoe by Darcie Little Badger - both Indigenous YA contemporary fantasy focusing on friendship & family
A Thousand Steps Into Night by Traci Chee - YA fantasy adventure
Vespertine by Margaret Rogerson - YA high fantasy about a nun accidentally possessed by a powerful ghost
We Rule The Night by Claire Eliza Bartlett - YA military high fantasy
Forest of Souls by Lori M Lee - YA high fantasy w elemental magic and giant spiders, (so far no romance in the first 2 books but might change)
Towers Trilogy by Karina Sumner-Smith - YA postapoc dystopian about a magical girl trying to survive
The Life Giver by Jase Puddicome - YA high fantasy about friends who see prophecies from a sun god in an underground city
hi does anyone have fantasy/scifi/adventure book recs (preferably adult but ya is fine) that have little to no romance? i'm experiencing some extreme romance fatigue atm
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poppun-chan · 8 years ago
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The Year of Keroro Challenge Update 6 (Yes Sir)
I’m finally back (^.^) And Sweet Goodness I’m far behind in terms of writing, though at least some of the episodes I have to catch up are already written about
So before we do anything, let’s cover the names of the partner Humans, we all know about the Hinata family’s season themed naming but there’s another neat pattern to find
Fuyuki Hinata: Fuyu=Winter Ki=Shrub (it can be a bush or small tree too), while Hinata means Sunny Place, so his full name in proper order is Sunny Place Winter Shrub
Natsumi Hinata: Natsu=Summer Mi=Beauty, so her full name is Sunny Place Summer Beauty. It’s also worth noting the “Mi” is read that way when paired with another kanji as part of a word, either way it’s a surprising names considering her birthday is in December
Momoka Nishizawa: Momo=Peach, Ka=Blossom, Nishi=West, Zawa=Swamp or Marshland. So her full name is Western Marsh Peach Blossom
Saburo/Mutsumi Houjou: Saburo means third son while for Mutsumi Mutsu=Harmonious Mi=Truth, but considering the meaning of the first kanji it could mean someone who is emotionally close to/on friendly terms with the truth Hou=North Jou=Castle, So his name is Northern Castle Third Son or Northern Castle Harmonious Truth. It’s also worth noting that he uses numbers to write regular name and radio persona name and each is the reverse of the other (Saburo=326, Mutsumi=623)
Koyuki Azumaya: Ko=Small/Little, Yuki=Snow, but together it can mean light snowfall, Azuma=East, Ya=Valley. So her full name is “Eastern Valley Little Snow”
As you can see, the other Humans have a compass direction theme set completed by Alisa Southerncross. During one of the next two sets I’m hoping to cover the Keronians’ forms of “I” and their sentence endings (I may have to split this one up, but the “I” needs to be done before I write about episode 65)
And The Plan Count:
Serious Plans: K66:18 D66:1 MMK:1 TMM:1 
Funding Plans: K66:4
It’s a plan, I Swear!: K66:8 (Yes Powered Natsumi falls under this category, I’m fairly sure it was mostly to needle Natsumi & Giroro)
Oh look! Progress!: K66:3
Episode 36: Now I’m curious just how cold it actually gets in this part of Japan during the winter (I know from the Northernmost islands to the Southernmost there’s quite a difference, but most of it is around the temperate zone). I have to admit my reaction to people complaining about the cold on T.V. is more curiousity than anything else since I have a fairly good tolerance for the cold....Not quite because I’m Canadian, mind you, even other Canadians seem a bit surprised by my tolerance for the cold (though it bothers me more when it’s only slightly cold, so that raining cold from the fall actually bothers me much more than the cold in mid-winter when the snow is two feet deep).
Also why does Tamama care about how big his bonus is? He can basically buy whatever he wants regardless (Though given what we learn in episode 40, it does seem weird they get paid so little). And it’s a bit surprising that Dororo isn’t the one in the old fashioned straw snow suit.
Episode 37: I feel in a way the first half of this episode illustrates most cases where you go to teach something that people have a certain image of and they expect what they see in movies and T.V. shows instead of what the thing you’re teaching actually is or at best expect to be doing the advanced things right away. Part b was also a bit surprising in terms of the range of emotions it runs through since at first it doesn’t seem like it would go in that direction at all; it starts off with a sort of Jurassic Park premise but actually ends up surprisingly sweet at times.
Episode 38: So apparently the opening shot with Sumomo is quite famous as one of the strangest anime gifs ever, hmm. Alright I’m going to admit, I think I’ve only seen this one once before and I know Giroro & Natsumi is a really popular pairing for the series and it’s not that I dislike it but I don’t really have any strong feelings about it or a lot to say about this episode.
Except that I’m fairly sure that password was chosen specifically to embarrass Giroro, and that the bit about the apron might tie into how Geisha would leave a small portion of the back of their necks unpainted because it suggested the bare skin under their make-up (It’s been a while since I read the book it’s from).
Episode 39: I’m going to admit that I really like Japan’s “Always been fun” Christmas, in some ways more than what we have here; namely because here there are a lot of people who have trouble with Christmas because it went from having a lot of emotional meaning to being commercial and Japanese Christmas seems to be in a nice middle ground where it never had the meaning it used to for Westerners, but didn’t go the other way either. Or maybe it’s more commercial than I think, either way the episode is really sweet and charming.
As for part b. I know about the Japanese tradition of having a big clean up around the end of the year to have a fresh start in the new year, but I have to wonder if having Fuyuki throw out those books was really necessary. I know my books don’t really fill the entirety of their space on my bookselves and you can fit more books or even an entire second row behind them, and Japanese books are generally much smaller than Western ones (probably because it take fewer characters to say what you need to) plus there’s all that space in the secret base. Long story short, I sort of like to think that Keroro didn’t actually throw out Fuyuki’s books (or at the very least took them out of the trash) and sold them to Momoka to make up for getting such a small bonus
Episode 40: It’s the News Years episode! And goodness it’s different from it’s manga counterpart, really, really different. Now in a way I can understand why they changed it; even though children’s anime have no problem showing adult characters getting drunk (Ojamajo Doremi actually has a few episodes where the girls’ magic teacher/mascot is shown using alcohol as an emotional crutch when she loses ownership of her store), minors are a different matter entirely and in this case it’s a bit of a grey area since Mois’ Human form is based on a girl who is either in high school or late middle school and we don’t know what stage she’s in in terms of her own species, the latter sort of applies to Tamama as well. Actually, speaking of the manga, there’s a good bit that seems to either have been dropped from the earlier chapters or possibly was part of some trial and error process; I know the first few volumes included a chart that shows Giroro’s organs as including a reactor and they had an interview with Tamama which, along with a few other moments makes it almost seem as if he was originally planned to have some form of hypopituitarism, the one that keeps you from aging normally....
Moving right along, the kite bit is a pun on kite & octopus both being pronounced “tako” (this isn’t the first show to do this pun) and the “Tamaya!” is something that’s commonly done when fireworks are launched (Though some shout “Kagiya!”); it started as the result of a competition between two firework making rivals to make the most spectacular fireworks, each would call out his own surname every time one of his fireworks was launched.
Also sweet goodness this episode got a bit meta, possibly more than the one where they make anime.
Episode 41: I’m really curious about sugoroku, I’ve never actually seen a normal version of the game; not simply I’ve only seen it in T.V. shows where the game is enhanced by either magic or technology and has you do things that normally wouldn’t be possible or practical, even the versions I’ve seen that are regular board games are always themed.
Dororo’s story was quite nice, though it’s a bit funny that 556 misremembered his name as “Terere”, “Tereyasan” means “Shy Person” (”Tere” being what marks it as “shy”) it’s also really close to his name if you look at a syllable chart (both are one place off from where the right one is). Either way it was really nice seeing him get the spotlight and be noticed for once, even if it was short lived (though I wonder why when all of them lost their footing none of them tried to grab the cliff face again).
Episode 42 (I’m warning you now, this one is about to get weird):
♪Viva the beautiful game, it’s what saturdays are for. Ooh! Ah! The triumph and pain. Work to live, but live to score. We’re on our way now! To Wemberly~     Up for the cup it’s the classical game, the marvellous game. Thank Frog for football~♪
Actually my opinions on soccer aren’t especially strong either way, I just really love musicals (This one is called “The Boys in the Photograph” which is an updated version of “The Beautiful Game” but with a happier ending)
Now part 2 is adorable but rewatching it left me wondering, how exactly does the timing of this episode work? To clarify the opening scene shows this episode starts directly after part one with Keroro being punished for losing the game (how is the barbed wire actually working by the way? Keronian hands are small enough to fit between the barbed section) but then it seems an entire winter goes by over the course of this episode, one where he goes to the park every day in case the boy comes back; even if we go by the snow actually holding and not being the very first snowfall of the year and taking place after the Natsumi Birthday episode and ending before valentines day when there clearly was no snow on the ground, that still leaves a lot of episodes where Tamama would have gone to the park at some point that day and there are a few where I have to wonder when he had the time to do that.
Even if we say that the episode started in fall 2004 the opening of the first part mentions the approach of spring so that would mean feeling the approach of spring before winter even starts....Or was that snow just a random one from that weird point where it can snow and hold for a few weeks, but the bulk of snow from the winter melted earlier?
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