#(also in the notes someone says that cue scripts were done to prevent piracy
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tfw you want to go ACTUALLY IT'S MORE COMPLICATED but you also don't want to take the time and effort to write up why so you drop a "tfw" reblog on a post that's gonna have wide circulation and hope for the best
One of my favourite bits of media history trivia is that back in the Elizabethan period, people used to publish unauthorised copies of plays by sending someone who was good with shorthand to discretely write down all of the play's dialogue while they watched it, then reconstructing the play by combining those notes with audience interviews to recover the stage directions; in some cases, these unauthorised copies are the only record of a given play that survives to the present day. It's one of my favourites for two reasons:
It demonstrates that piracy has always lay at the heart of media preservation; and
Imagine being the 1603 equivalent of the guy with the cell phone camera in the movie theatre, furtively scribbling down notes in a little book and hoping Shakespeare himself doesn't catch you.
#basically modern scholarship has pushed back against the concept of a 'bad quarto'#and while piracy did happen#you can't assume that's how any given play got into print#even when there's a preferred text like with shakespeare's folio#sometimes plays were printed in quarto with the company's approval#other times the quarto version is a cut or expanded edition#shit's complicated#(also in the notes someone says that cue scripts were done to prevent piracy#it was actually to save paper and effort)
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