#( i'd probably move the twins n Porky here too though )
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beinfriends-a · 2 years ago
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( tell me why i’m thinking about coming back to this blog. tell me why. )
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thewidowsghost · 3 years ago
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The Daughter of the Sea - Chapter 5
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(Y/n)'s POV
I have weird dreams full of barnyard animals. Most of them wanted to kill me. The rest wanted food.
I must've woken up several times, but what I hear and see makes no sense, so I just pass out again. I remember lying in a soft bed and spoon-fed something that tasted like (Favorite/Food), only it's like pudding. The girl with curly blond hair hovers over me, smirking as she scrapes drips off my chin with the spoon.
When she sees my eyes open, she asks, "What will happen at the summer solstice?"
"What?" I manage to croak.
She looks around, as is afraid someone would overhear. "What's going on? What was stolen? We've only got a few weeks!"
"I'm sorry," I slur, "I don't . . ."
Somebody knocks on the door, and the girl quickly fills my mouth with the pudding.
. . .
The next time I wake up, the girl is gone.
A husky blond dude, like a surfer, stands in the corner of the bedroom keeping watch over me. He has blue eyes - at least a dozen of them - on his cheeks, his forehead, the backs of his hands.
When I come around for good, there is nothing weird about my surroundings, except they are nicer than I am used to. I am sitting in a deck chair next to Percy - who was looking at me with concern - on a huge porch, gazing across a meadow at green hills in the distance. The breeze smells like strawberries. There is a blanket over my legs, a pillow behind my neck. All that is great, but my mouth feels like a scorpion had been using it for a nest. My tongue is dry and nasty and every one of my teeth hurt.
On the table next to me is a tall drink. It looks like iced apple juice, with a green straw and a paper parasol sticks through a maraschino cherry.
My hand is so weak I almost drop the glass once I get my fingers around it.
"Careful," says a voice.
Grover is leaning against the porch railing, looking as though he hadn't slept in a week. Under one arm, he cradles a shoebox. He is wearing blue jeans, Converse hi-tops, and a bright orange t-shirt that says CAMP HALF-BLOOD.
"You two saved my life," Grover says. "I...well, the least I could do...I went back to the hill. I thought you might want this."
Reverently, he places the shoebox in Percy's lap.
Inside is a black-and-white bull's horn, the base jagged from being broken off, the tip splattered with dried blood.
It hadn't been a nightmare. My mother was gone.
"The Minotaur," Percy asks.
"Um, Percy, it isn't a good idea -" Grover gets cut off.
"That's what they call him in the Greek myths, isn't it?" Percy demands. "The Minotaur. Half man, half bull."
Grover shifts uncomfortably. "You two have been out for two days. How much do you remember?"
"Mom," I say softly. "Is she really . . ."
Grover looks down.
I stare across the meadow. There is a grove of trees, a winding stream, acres of strawberries spread out under the blue sky. The valley is surrounded by rolling hills, and the tallest one, directly in front of us, is the one with the huge pine tree on top. Even that looks beautiful in the sunlight.
My mother is gone . . .
Nothing should look beautiful. The whole world should be black and cold.
"I'm sorry," Grover sniffs. "I'm a failure. I'm - I'm the worst satyr in the world." He groans, stomping his food so hard it comes off. I mean, the Converse hi-top comes off. The inside is filled with Styrofoam, except for a hoof-shaped hole. "Oh, Styx!" he mumbles.
Thunder rolls across the clear sky.
Mom had really had been squeezed into nothingness, dissolved into yellow light.
Percy and I are alone. Orphans. We would have to live with . . . Smelly Gabe? No. I'd live on the streets first.
Grover is still sniffling.
Percy says, "It wasn't your fault."
"Yes, it was. I was supposed to protect you."
"Did our mother ask you to protect me?"
"No. But that's my job. I'm a keeper. At least . . . I was."
"But why . . ." Percy begins and I suddenly feel dizzy, my vision swimming.
"Don't strain yourself," Grover says. "Here."
He helps me hold my glass and puts the straw to my lips.
I recoil at the taste because I was expecting apple juice. It isn't that at all. It's chocolate-chip cookies. Liquid cookies. But not just any cookies - Mom's homemade blue chocolate-chip cookies, buttery and hot, with the chips still melting. Drinking it, my whole body feels warm and good, full of energy. My grief doesn't go away, but I feel as if Mom had just brushed her hand lovingly against my cheek, given me a cookie the way she used to when I was upset and told me everything was going to be okay.
Before I know it, I'd drained the glass. I stare into it, sure I'd just had a warm drink, but the ice cubes hadn't even melted.
"Was it good?" Grover asks.
I nod.
"What did it taste like?"
"Chocolate-chip cookies," I reply and Percy looks at me knowingly. "Mom's. Homemade."
He takes the empty glass from me gingerly, as if it's dynamite, and sets it back on the table. "Come on. Chiron and Mr. D are waiting.
3rd Person POV
The porch wraps all the way around the farmhouse.
Percy's legs feel wobbly, trying to walk that far, and (Y/n), though her legs feel like Jello, had moved to support her brother. Grover offers to carry the Minotaur horn, but Percy holds onto it. I'd paid for that souvenir the hard way. I'm not going to let it go.
As the trio comes around the opposite end of the house, (Y/n) catches her breath.
Percy's POV
We must be on the north shore of Long Island because on this side of the house, the valley marches all the way up to the water, which glitters about a mile in the distance. Between here and there, I simply can't process everything I'm seeing. The landscape is dotted with buildings that look like ancient Greek architecture—an open-air pavilion, an amphitheater, a circular arena—except that they all look brand new, their white marble columns sparkling in the sun. In a nearby sandpit, a dozen high school–age kids and satyrs play volleyball. Canoes glide across a small lake. Kids in bright orange T-shirts like Grover's are chasing each other around a cluster of cabins nestled in the woods. Some shoot targets at an archery range. Others ride horses down a wooded trail, and, unless I'm hallucinating, some of their horses have wings.
Down at the end of the porch, two men sit across from each other at a card table. The blond-haired girl who'd spoonfed (Y/n) is leaning on the porch rail next to them.
The man facing me is small, but porky. He has a red nose, big watery eyes, and curly hair so black it's almost poker. He looks like those painting of baby angles - cherubs. He looks like a cherub who'd turned middle-aged in a trailer park. He is wearing a tiger-patterned Hawaiian shirt, and he would fit right in at one of Gabe's poker parties, except I get the feeling that this guy could out-gamble even my step-father.
"That's Mr. D," Grover mutters to me and (Y/n). "He's the camp director. Be polite. That girl, that's Annabeth Chase. She's just a camper, but she's been here longer than just about anybody. And you already know Chiron . . . "
He points at the guy whose back is to me.
First, I realize he's sitting in the wheelchair. Then I recognize the tweed jacket, the thinning brown hair, and the scraggly beard.
"Mr. Brunner!" I cry.
The Latin teacher turns and smiles at me, then looks curiously at (Y/n), who is still supporting some of my weight. His eyes have that mischievous glint they sometimes got in class when he pulls a pop quiz and made all the multiple choice answers B.
"Ah, good, Percy," he says. "Now we have four for pinochle."
He offers me a chair to the right of Mr. D, who looks at me, then (Y/n), who is leaning against my chair, with bloodshot eyes, and heaves a great sigh. "Oh, I suppose I must say it. Welcome to Camp Half-Blood. There. Now, don't expect me to the glad to see you."
"Percy, why don't you introduce me?" Mr. Burnner says, sending a soft smile towards (Y/n).
"Oh, this is my twin sister, (Y/n)," Percy says.
(Y/n)'s POV
I smile and wave shyly.
"It's nice to meet you, sir," I say. "Percy's told me a lot about you. Even said you were his favorite teacher."
A warmer smile spreads across Mr. Brunner's face and then he turns. "Annabeth?" Mr. Brunner calls to the blond girl.
She comes forward and Mr. Brunner introduces us. "This young lady nursed you back to health, (Y/n). Annabeth, my dear, why don't you go check on Percy and (Y/n)'s bunks? We'll be putting them in Cabin Eleven for now."
"Sure, Chiron," Annabeth replies.
She's probably about my age, maybe an inch or two taller, and a whole more athletic looking. With her deep tan and her curly blond hair, she is almost exactly when I think a stereotypical California girl would look like, except her eyes ruin the image. They are startling gray, like storm clouds; pretty, but intimidating, too, as if she's analyzing the best way to take me down in a fight.
She glances down at the Minotaur horn in Percy's hands then looks back up at me. She says, "You drool when you sleep." My cheeks take on a slight red tinge as she sprints off down the lawn, her blond hair flying behind her.
"So," Percy says, looking anxious to change the subject. "You, uh, work here, Mr. Brunner?"
"Not Mr. Brunner," not Mr. Brunner says. "I'm afraid that was a pseudonym. You may call me Chiron."
"Okay," Percy says, looking totally confused, then looking at the director. "And Mr. D . . . does that stand for something?"
Mr. D stops shuffling the cars. He looks at Percy like he'd just belched loudly. "Young man, names are powerful things. You don't just go around using them for no reason.
"Oh. Right. Sorry."
"I must say, Percy," Chiron - Brunner breaks in, "I'm glad to see you alive, and the chance to meet your sister. It's been a long time since I've made a house call to a potential camper. I'd hate to think I've wasted my time."
"House call?" I ask, interested.
"My year at Yancy Academy, to instruct Percy. We have satyrs at most schools, of course, keeping a lookout. But Grover alerted me as soon as he met him. He sensed he was something special, so I decided to come upstate. I convinced the other Latin teacher to...ah, take a leave of absence."
"You came to Yancy just to teach me?" Percy asks.
Chiron nods. "Honestly, I wasn't sure about you at first. We contacted your mother, let her know we were keeping an eye on you in case you were ready for Camp Half-Blood, and then we learned of Miss (Y/n), here." He nods to me. "But you still had so much to learn, Percy. Nevertheless, you made it here alive, and that's always the first test."
"Grover," Mr. D says impatiently, "are you playing or not?"
Percy's POV
"Yes, sir!" Grover trembles as he takes the fourth chair, though I didn't know why he should be so afraid of a pudgy little man in a tiger-print Hawaiian shirt.
"You do know how to play pinochle?" Mr. D eyes me suspiciously.
"I'm afraid not," I answer.
"I'm afraid not, sir," he corrects.
"Sir," I repeat, liking the camp director less and less.
"Well," he tells me, "it is, along with gladiator fighting and Pac-Man, one of the greatest games ever invented by humans. I would expect all civilized young men to know the rules"
"I'm sure the boy can learn," Chiron says.
"Please," I plead, "what is this place? What are we doing here? Mr. Brun— Chiron—why would you go to Yancy Academy just to teach me?"
Mr. D snorts. "I asked the same question."
The camp director deals the cards; Grover flinches every time one lands in his pile.
Chiron smiles at me sympathetically, the way he used to in Latin class, as if to let me know that no matter what my average was, I was his star student. He expected me to have the right answer.
"Percy," Chiron prompts. "Did your mother tell you nothing?"
"She said . . ." (Y/n) begins and I remember her sad eyes, looking out over the sea. "She told us she was afraid to send us here, even though our father had wanted her to. She said that once we were here, we probably couldn't leave. She wanted to keep us close to her."
"Typical," Mr. D says. "That's how they usually get killed. Young man, are you bidding or not?"
"What?" I ask.
He explains, impatiently, how you bid in pinochle, and so I did.
"I'm afraid there's too much to tell," Chiron says. "I'm afraid our usual orientation film won't be sufficient.
"Orientation film?" (Y/n) asks, quirking an eyebrow.
"No," Chiron decides. "Well, Percy, (Y/n). You know your friend Grover is a satyr. You know -" he points to the horn in the shoebox - "that you have killed the Minotaur. No small feat, either. What you may not know is that the great powers are at work. Gods - the forces you call the Greek gods - are very much alive."
I stare at the others around the table.
I wait for somebody to yell, Not! but all I get is Mr. D yelling, "Oh, a royal marriage. Trick! Trick!" He cackles as he tallies up his points.
"Mr. D," Grover asks timidly, "if you're not going to eat it, could I have your Diet Coke can?"
"Eh? Oh, all right."
Grover bites a huge shard out of the empty aluminum can and chews it.
"Wait," I tell Chiron as (Y/n) sits down on the edge of my chair. "You're telling me there's such a thing as God."
"Well, now," Chiron says. "God—capital G, God. That's a different matter altogether. We shan't deal with the metaphysical."
"Metaphysical? But you were just talking about—"
"Ah, gods, plural, as in, great beings that control the forces of nature and human endeavors: the immortal gods of Olympus. That's a smaller matter."
"Smaller?"
"Yes, quite. The gods we discussed in Latin class.
"Zeus," I say. "Hera. Apollo. You mean them."
And there it was again—distant thunder on a cloudless day.
"Young man," says Mr. D, "I would really be less casual about throwing those names around if I were you."
"But they're stories," I say. "They're—myths, to explain lightning and the seasons and stuff. They're what people believed before there was science."
"Science!" Mr. D scoff. "And tell me, Perseus Jackson"—I flinch when he says my real name, which I never told anybody—"what will people think of your 'science' two thousand years from now?" Mr. D continues. "Hmm? They will call it primitive mumbo jumbo. That's what. Oh, I love mortals—they have absolutely no sense of perspective. They think they've come so-o-o far. And have they, Chiron? Look at this boy and tell me."
"Percy," Chiron says, "you may choose to believe or not, but the fact is that immortal means immortal. Can you imagine that for a moment, never dying? Never fading? Existing, just as you are, for all time?"
"You mean, whether people believed in you or not," (Y/n) says.
"Exactly," Chiron agrees. "If you were a god, how would you like being called a myth, an old story to explain lightning? What if I told you Perseus and (Y/n) Jackson, that someday people would call you a myth, just created to explain how children can get over losing their mothers."
My heart pounds. He's trying to make me angry for some reason, but I wasn't going to let him. I say, "I wouldn't like it. But I don't believe in gods."
"Oh, you'd better," Mr. D murmurs. "Before one of them incinerates you."
Grover pleads, "P-please, sir. He's just lost his mother. He's in shock."
"A lucky thing, too," Mr. D grumbles, playing a card. "Bad enough I'm confined to this miserable job, working with boys who don't even believe!" He waves his hand and a goblet appears on the table, as if the sunlight had bent, momentarily, and woven the air into glass. The goblet fills itself with red wine.
"You're Dionysus," (Y/n) says and Mr. D looks at her. "The god of wine."
Mr. D nods then stares at me as I say, "You're a god."
"Yes, child."
"A god. You."
He turns to look at me straight on, and I see a kind of purplish fire in his eyes, a hint that this whiny, plump little man is only showing me the tiniest bit of his true nature. I see visions of grapevines choking unbelievers to death, drunken warriors insane with battle lust, sailors screaming as their hands turn to flippers, their faces elongating into dolphin snouts. I know that if I push him, Mr. D would show me worse things. He would plant a disease in my brain that would leave me wearing a straitjacket in a rubber room for the rest of my life.
"Would you like to test me, child?" he says quietly.
"No. No, sir."
The fire dies a little; he turns back to his card game. "I believe I win."
"Not quite, Mr. D," Chiron says. He sets down a straight, tallies the points, and says, "The game goes to me."
I think Mr. D is going to vaporize Chiron right out of his wheelchair, but he just sighs through his nose, as if he were used to being beaten by the Latin teacher. He gets up, and Grover rises, too.
"I'm tired," Mr. D says. "I believe I'll take a nap before the sing-along tonight. But first, Grover, we need to talk, again, about your less-than-perfect performance on this assignment."
Grover's face beads with sweat. "Y-yes, sir."
Mr. D turned to me. "Cabin eleven, Percy Jackson. And mind your manners." He sweeps into the farmhouse, Grover following miserably.
"Will Grover be okay?" I ask Chiron.
Chiron nods, though he looks a little troubled. "Old Dionysus isn't really mad. He just hates his job. He's been . . . ah, grounded, I guess you would say, and he can't stand waiting another century before he's allowed to go back to Olympus."
"Mount Olympus," I say. "You're telling me there is really a palace there?"
"Well now, there's Mount Olympus in Greece. And then there's the home of the gods, the convergence point of their powers, which did indeed used to be on Mount Olympus. It's still called Mount Olympus, out of respect to the old ways, but the palace moves, Percy, just as the gods do."
"You mean the Greek gods are here? Like...in America?"
"The what?"
"Western civilization?" (Y/n) guesses and Chiron nods for her to continue. "It started in Greece, then spread to Rome, right?"
"That's correct, Miss (Y/n)," Chiron says.
"And then they died?" I ask, looking between my Latin teacher and my sister.
"Died? No. Did the West die? The gods simply moved, to Germany, to France, to Spain, for a while. Wherever the flame was brightest, the gods were there. They spent several centuries in England. All you need to do is look at the architecture. People do not forget the gods. Every place they've ruled, for the last three thousand years, you can see them in paintings, in statues, on the most important buildings. And yes, Percy, of course, they are now in your United States. Look at your symbol, the eagle of Zeus. Look at the statue of Prometheus in Rockefeller Center, the Greek facades of your government buildings in Washington. I defy you to find any American city where the Olympians are not prominently displayed in multiple places. Like it or not—and believe me, plenty of people weren't very fond of Rome, either —America is now the heart of the flame. It is the great power of the West. And so Olympus is here. And we are here."
"Who are you, Chiron? Who . . . who am I? Who . . . who are we?"
Chiron smiles. He shifts his weight as if he was going to get up out of his wheelchair, but I know that was impossible. He's paralyzed from the waist down.
"Who are you?" he muses. "Well, that's the question we all want answered, isn't it? But for now, we should get you a bunk in cabin eleven. There will be new friends to meet. And plenty of time for lessons tomorrow. Besides, there will be s'mores at the campfire tonight, and I simply adore chocolate."
And then he does rise from his wheelchair. But there's something odd about the way he did it. His blanket falls away from his legs, but the legs don't move. His waist keeps getting longer, rising above his belt. At first, I think he's was wearing very long, white velvet underwear, but as he keeps rising out of the chair, taller than any man, I realize that the velvet underwear wasn't underwear; it was the front of an animal, muscle and sinew under coarse white fur. And the wheelchair isn't a chair. It was some kind of container, an enormous box on wheels, and it must've been magic, because there's no way it could've held all of him. A leg comes out, long and knobby-kneed, with a huge polished hoof. Then another front leg, then hindquarters, and then the box was empty, nothing but a metal shell with a couple of fake human legs attached.
I stare at the horse who had just sprung from the wheelchair: a huge white stallion. But where its neck should be was the upper body of my Latin teacher, smoothly grafted to the horse's trunk.
"You're a centaur!" (Y/n) says in awe, and Chiron's eyes sparkle with amusement as he nods.
"What a relief," the centaur says. "I'd been cooped up in there so long, my fetlocks had fallen asleep. Now, come, Percy and (Y/n) Jackson. Let's meet the other campers."
Word Count: 3702 words
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