#'anon' i wonder who this could be
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ghostbny · 8 months ago
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taranza
A happy taranza just for you anon 🫶
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pix-writes · 1 month ago
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Uhhhh Stan adopting a teenage runaway who came from an abusive home. (He sees a lot of his past self when he was homeless in them and vows to save them from the life he had)
This is kind of adjacent to an idea for a fic I've already had! But I couldn't resist doing a little bit about this scenario! <3
Stan has already basically adopted Wendy and Soos already, even without fully meaning to with Soos he sees that he needs a father figure in his life and sort-of does the best he can to be that. With Wendy, its different too because it's basically canon that he just lets her get away with stuff because he knows she needs somewhere away from home to relax (even tho he could definitely get another employee who doesn't bunk off so much). Will he admit that's what he's doing though? Of course not!
Despite his exterior/persona, though, Stanley Pines is a kind man who wants to help people who most need it - like you say, he's been in that position enough times himself. I'm sure there's been the occaisonal person who's helped him out in the past, even if they never stuck around. Well, now he's Mr Mystery, he can sort-of be that person for others, not just because he's more stable, but also because he desperatly wants connection, especially after losing his brother in the portal (though that's also a reason to keep everyone at arms length to an extent, so they can never find out about his double life).
Runaway teen & Stan pines (under cut):
I can imagine you ran away from home and come across Gravity Falls, perhaps you had even seen the ads for tourist stops in this area, or maybe you just found the most random small town on your travels and decided to stop there - your travels are erratic so that no one can follow you or suspect you of being a runaway. Not that you really expect your parents to be concerned, at least not for long. That's why you had to get away and stay gone, you had reached your breaking point for what you could handle.
It starts to rain, you go to the local diner but your travel money is fast becoming less and less... you only order coffee, nursing it there for as long as possible, but when business starts to pick up you realise just how small of a town it is, everyone seems to know nearly everybody around here! You've already gotten a few curious glances or greetings put your way and you decide to leave.
Wandering around, you end up on the outskirts of town, there's a fair few campsites around, now lying half empty since its off-season right now, maybe you coud stay on the edge of the forest somewhere? Pinch some tent equipment from somewhere or from someone who doesn't need it? You already had a sleeping bag, water bottle, a torch. You just needed something to keep more of the rain off of you!
That's when you wander into an opening within the forest, notice the wooden signs nailed to the trees. You see a small group of tourists being spoken to by some guy, his voice carrying across the place, gravelly and jovial, and in your surprise you just stare dumbfounded - this place isn't closed? The group is moving and you take in your surroundings and you're so cold and wet and hungry, you're not really thinking ahead when go in, pulling your hoodie down over your face and sneaking in beind the throng of people, unnoticed.
But it turns out that you had been noticed, after the bizarre tour of this overpriced tourist trap, you lurk behind, the rain hasn't let up outside and you're wondering when the place might close, now that the tourists had filtered out the place was pretty dead, which is when a large hand lands on your shoulder making you jump out of your skin and your eyes land on the proprietor.
"Hey! You gonna at least buy anything, kid?"
You apologise and stutter, feeling like you want to bolt but totally caught at the same time. Stan immediately picks up on the fact that you're so twitchy, even for a teen. He eases up on you, switching to a friendlier tone. Wendy asks you where you're staying, curiosity getting the better of her usually nonchalant demeanour. You tell them you just got lost from the campsite and Stan isn't buying it one bit but Wendy has given you the directions and you're out of the door. The interaction doesn't sit right with him. He knows exactly where you're hiding out by the time you've stayed there overnight. Having discovered the pop up tent you 'found' set up in the woods not far away.
He decides to keep an eye on you, he's worried being direct will make startle you, like a deer in headlights, at the diner he doesn't acknowledge you at first just pushes a plate of food subtly towards you, for you to swipe. After that he manages to make small talk, hes still wondering how he can help you, what excuse he can make so it seems like he's offering you something and it be believable instead of suspicious.
Maybe he complains there's no one around to do the stock take now that summer is well and truly over, you perk up, saying you'd like some extra pocket money. You come right on time and the owner of the Mystery Shack introduces himself properly, shows you what you need to do. You take your time, living rough has made you exhausted mentally/physically, and because... you've begun to like the place as kooky as it is. And wouldn't you know it, Mr Pines has made more food than he expected and wouldn't you like some? You come back the next day and its pretty much the same, though you are starting to pick up on where Stan is subtly gaining information on you. He both curses and admires how whip-smart you are, reminds him of himself a lot further into being homeless than you are (reminds him of someone else too...), he worries that night of whether you'll have run off, if you'd get into trouble somewhere else, but you return the following afternoon. This time, Stan levels with you -
"Look kid, I don't know what's going on at home and trust me when I say I get it - but whatever's going on, it's probably not worth staying out in the woods, epseically 'round here, it's dangerous!" He reassures you he's not going to call anyone, though, just asks you to reconsider, think about how much trouble you might get into, if you don't turn up to school how you're going to explain yourself, how are you going to get a job? You swipe frustrated tears from your eyes and thank him for being concerned, though its hollow. How can you return home now? All you're going to get is more abuse, you can only think of how angry they'll all be if you did!
You end up wandering to some other town, using the money Stan gave you to get a bus and find a place to stay, having seen a load of jobs you could apply for. Turns out though, that some of your family had been looking for you and tracked your phone, you end up in a fight with them, receiving a hard slap to the face before running away once more! You pack up your things and head straight to the first place you think of.
Once you get there, its dark, you hesitate before knocking but you've came all this way. When Stan opens the door all of the shock and adrenaline has seemed to have worn off and you see the mix of sadness, surprise and anger on his face at the clear mark on your face from the fight.
"I'm sorry, I didn't know where else to go." Is all you can get out before bursting into tears. He let's you stay, you've been out in the cold and so stressed over this time that when you come in you're shivering, you end up running a nasty fever. You're so exhausted there's nothing left but to accept your fate and Stan feels he must help you. He piles on the blankets and gives you hot drinks and plain food till the fever runs its course.
He still has a bit of trouble with authorities/some family members looking for you in the area, you traded your old phone in for another and Stan was eventually able to brush them off your trail. He couldn't help it, he liked the kid in the small amount of time he knew them and it was clear that you had danger waiting for you at home. You had told him a little after the first night you had stayed at the shack, words tumbling out of your mouth about your trauma, how you couldn't stand your family. His heart sank as he remembered his own life as a young man, a kid technically, homeless and making ends meet and was determined you wouldn't have the same fate. Yet he had to know you were sure.
"You really want to stay here - in this boring ol' town? At the shack?" You were determined you would, as long as he was okay with that, you vowed to work hard, sweep the floors, keep an eye on the gift shop when Wendy couldn't, anything to be useful. But, you didn't want him to get into trouble. Too little too late for that, he thought to himself.
"But, really do ya want to see this ugly mug every day?" He said gesturing to his face. That brought a slight smile to your face, in fact you ended up giggling and he knew he wouldn't be able to get rid of you now (like he ever would've entertained it).
He sighed. "So, do you trust me? Cause I need some kind of story if ya gonna stay here, kiddo."
He needed a lot more than that of course, he ended up getting you a fake ID and if anyone asked, you were family, here to stay for a while. When people asked anything more than that he got cagey, but he liked thinking of you being a Pines, another part of the family. Part of him felt guilty for doing it too, faking that you had the same last name, he still thought you might not want to stick around, you weren't blood family to him, you had no ties to him, but he wanted family so badly, was it so bad to pretend that you were?
He made sure you got to school, he even started to pack you lunches every day, he wasn't so bothered about homework, saying he didn't think much of school when he went anyway, you both had something more important than that (street smarts!), but when you were struggling with your math homework you were surprised that he semmed to know an awful lot, but then again you probably shouldn't be surprised, he did own a business after all. Whilst there wasn't a lot to do around the Mystery Shack all year round, you still found yourself picking up around the house part of the Shack, doing the laundry, washing the dishes, normal chore stuff - isn't that what teens were supposed to do? Stan was surprised to see a teen do chores unprompted and you were nervous that you'd done something wrong, because why else would he be questioning you? He recovered quickly though and just grumbled out something about 'finally, someone who knows how to pick up after themselves/work' but from the expression on his face, you are relieved to know that he is joking with you and he isn't mad. You're picking up on his quirks.
The months roll by and you started to feel safer, the shack became more familiar, you were less frightened and jumpy, people in town were more friendly, familiar faces and if people knew that you weren't actually related, that you were a runaway, they didn't say anything at all. You were starting to be referred to as 'Stan's kid'. No one had said so in front of Stan so far as you knew, it made you feel some residual guilt, even after all that you're family had done, were you really not a burden to Stan? Was it wrong to see him like a parent? What would you do if he no longer wanted you around? But as much as you were scared of being rejected, a situation came up at the Shack at the beginning of your first summer in the falls. A gathering was forming for a tour and some tourist had asked something or assumed he was your parent, something like that. Unbeknownst to you Stan had heard and he freezed, unconsciously waiting on your response.
"Oh, you'll wanna ask my dad, he's the one over there in the fez?" It just slipped out, you should've said Mr Mystery at work, but you couldn't help the feeling in your chest that it was right. Ever since then you had been tentatively saying it (you eventually start to notice how when you knew Stan had heard it he seemed a little emotional) and Stan now proudly referred to you as 'his kid'. You may or may not call him 'dad' to his face, maybe you'll still just call him 'Stan' but it seems like now you officially have a family!
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goldensunset · 2 months ago
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dude if kh ends ill. probably cry lmaoo. but also. fandoms continue after their thing is finished dont they?? like. 10 years after its done ppl will still talk abt it?? i hope so at least
given that the kh fandom has survived several massive droughts over the years at this point i think it's unkillable. some of my mutuals on here are from like the ice age of kingdom hearts and still alive and blogging the exact way they always did. it won't be a huge fandom but even now with the series still being alive the fandom isn't as big as it once was in its heyday. but those of us here are incredibly loyal. and the nature of any long-running thing is that people carry it with them over the course of many years and it'll become impossible to drop it once it does end. but! it truthfully all depends on How it ends if you ask me. if it's a trainwreck a lot of people might abandon it out of resentment. if it's good or even mediocre as an ending it'll have its fans throughout eternity
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bloomingbutterflies · 2 months ago
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hi bloom here ^_!!^ im drawing people's ocs over this face thing I found on pinterest if you want me to draw yours give me a ref pic of them n which spot you want em in !!!
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gacha ocs are allowed too as long as they don't have 20000 accessories because they get crunchy so small on the image
in case anyone doesn't read:
I DO NOT OWN THE BASE IMAGE.
I found it on pinterest !! and thought it would b silly 2 draw people's ocs over, this is mainly talking to mutuals but if other people see this i would love to draw your occc
(edit) ps: you can ask for more than one character + the same character in more than one spot
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alexotls · 11 months ago
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diavolo holding a teddy bear 🧸🕶
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journey-to-the-attic · 4 months ago
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3rd anni req 24: luke / outing
ao3 link
note: okay, so the original request did refer to a restaurant, but i was having trouble figuring out what to write for that setting, so i ended up swapping it - but the scenario still works as a silly little date as specified, so hopefully that's okay!
∎ ∎ ∎ ∎ ∎
“I still don’t get what we’re doing here.”
“You’ll understand as soon as you get in.”
“Are you sure you can’t come with me?”
“So many questions. Yes, I’m sure.” Lucifer sighs. “You’ll have company once you get inside. Call me once you’re finished.”
“...fine.” I huff, allowing him to push me through the door.
A bell rings, and Lucifer nods at me one final time before disappearing back out onto the street. I don’t even know where this is, but this looks like a reception, so I shuffle hesitantly to the demon at the front desk.
She looks up from a notepad as I approach, and offers a friendly smile. “Can I help you?”
My mind blanks. I think Lucifer told me what to say, but—
“IK!”
“Luke?”
“You took ages! I was getting worried.” He turns to the receptionist with a polite cough. “Oh, um, this is the friend I was talking about.”
“I see,” She says with the same smile as before, then indicates a door to her left. “Well, go ahead. Enjoy yourselves.”
“Thank you! IK, come on.”
“What’s going on?” I ask, bewildered, as we step into a finely carpeted hallway. “Is there a party or something?”
“It’s afternoon tea,” He says patiently - as if he’s reminding me of something I already know. “Did you forget?”
“I didn’t know there was anything to forget.”
“Lucifer didn’t tell you?”
“No?”
He stops walking. I do the same. We stare at each other for a moment.
Clearly something’s been lost in communication here. Was Lucifer meant to tell me? He certainly wasn’t acting like he intended to. He’s got to have set this up, right? It’s definitely not a coincidence that Asmo had a new tie for me this morning, either. Maybe everyone’s in on it…
“...well, never mind,” I say after a moment - Luke is beginning to look panicked. “Did you say afternoon tea?”
“Barbatos recommended it. I thought…” He trails off for a moment. “...well, I wanted to try the sweets. And I felt bad about the thing in Enchantments.”
I’d forgotten about that as soon as we left the classroom, to be honest. (I’m not one hundred percent sure I didn’t break something, but Simeon was so quick on the ball with his healing that I couldn’t tell.)
“I did tell you it was fine,” I say, indicating for him to start moving again. “But this is nice. You didn’t invite Simeon?”
“Oh, um… no.” He looks a little embarrassed. “He said he was busy.”
He indicates a door and ushers me into a dainty little parlour room. It’s opulent in a subtle sort of way; the decor is quaint, but it’s clear that whoever owns the place isn’t skimping on costs to keep the charm of the aesthetic up. I recognise those special ambient candles - Asmo uses them for photoshoots, and they definitely don’t come cheap.
One of the chairs is already pulled out, but despite the vast spread of sweets across the table, Luke clearly hasn’t touched anything yet. He shows me the catalogue of teas on offer - the names are so flowery that they all kind of melt together into an indistinguishable haze. Eventually I spot one that I recognise from Barbatos’s own collection, and quickly latch onto it.
“You’re really good at this,” Luke says happily as I pour him a cup. “Oh, wait!”
He leaps up, rounds the table, and quickly pulls out my chair for me with a little bow. “There. Like a gentleman does it.”
“Thanks,” I say with a laugh. “Did Barbatos teach you that?”
Luke returns to his seat, a little pink-cheeked. “Raphael, actually. Okay! Let’s try some of these cakes!”
The menu is extensive: a vast array of confections, iced in a colour wheel of hues, topped with everything from spun sugar to dried fruit to little edible figurines. There are some I recognise - Battenberg, castella, chiffon, babka - and even more that I don’t.
Most of them are rendered in miniature form, so that as many can be sampled as possible, with the exception of the house special. This one is a pure Devildom creation, though it looks to me a lot like a Swiss roll with an especially large, almost dizzying swirl. It feels like I’ll fall into it if I stare too long…
“Look at the rise on that,” Luke says in awe, holding up one of the ones I don’t recognise. “They’re so teeny, but they look absolutely perfect. Mm! It’s not sour at all, either! Mine always come out too tart.”
“Hey, I know this one.” I pick out a little rectangular one with layers of puff pastry. “This guy’s French. I think it’s called mille-feuille.”
“Mille-feuille,” Luke repeats, then giggles. “That’s fun, isn’t it? Mille-feuille.”
“A lot of these are French, actually,” I ponder, pointing at several in quick succession. “Eclairs, macarons, and… well, we call those French fancies, but I don’t think they actually are. You call all these petits fours.”
“Petits fours,” He copies, then draws out the vowels a bit more. “Petits fours.”
“Petits fours,” I agree.
“Petits fours...”
We pass the words back and forth, making it a little more French each time, until the consonants completely disappear and we’re practically just cawing at each other, and finally reduce ourselves to laughter.
“You’re good!” I manage once we’ve calmed down enough. “Your French is really good!”
“Is it?” He takes a few deep breaths and grins helplessly across the table. “I was just copying you.”
“You do it better than I do, I reckon. Whew…” I compose myself with a sip of tea. “And you don’t even have France in the Celestial Realm. Actually, the Devildom doesn’t, either, so what’re all these French sweets doing here?”
“Maybe they’re just that good! Actually, even in the Celestial Realm, human-world sweets are even more popular than our traditional ones.”
“The French do really know how to bake. It might the second best thing they do. After revolution.”
“Revolution?”
“And chopping people’s heads off.”
“What?”
“Did I never tell you about the guillotines?”
I wouldn’t have blamed him for asking me to stop (we’re eating, after all), but Luke listens to the whole history lesson with starry-eyed fascination, and it doesn’t stop him from sampling a mini madeleine and two financiers while he’s listening. Morbid history is much more Belphie’s thing, but Luke asks questions even he hadn’t thought of - like how long the heads stayed ‘awake’ for after they were cut off, which is possibly the most unsettling way he could have phrased it.
A year or so ago, I don’t think he could’ve gotten past de Launay’s head being on a pike. I don’t think I could’ve identified nearly as many of the cakes laid out in front of us, either. (Now that I think about it, it’s a shame there isn’t any angel cake.) Clearly we’ve had very different effects on each other.
Once I’ve exhausted about as much of the history lesson as I can recall, it’s Luke’s turn to tell me about the time a seraph, pursued by some heavenly equivalent of a polar bear, crossed the entire Celestial Realm thrice over in a trial of justice and courage. Though the point seems to be more about the spectacle - and it sounds more like the seraph Uriel just did it for fun. A trial of courage probably doesn’t involve pole-vaulting over a perfectly level field.
Somehow, no matter how long we talk, the sweets never get sickly, for all there are so many of them. I really must have learnt something from Barbatos; something about the occasional sip of tea stops the cakes from getting too cloyingly sweet. Still, eventually we’ve both had enough for the day.
I can’t say I’m not worried about all the sugar - but somehow I don’t feel the buzz as we keep talking, either. Maybe it’s cancelling out, somehow. It’s easy to keep up the energy with such good company.
Luke excuses himself to go ask for something, and it’s only once the room is silent that I realise how much time we’ve whiled away. I decide to shoot Lucifer a message - because he likes to fret about timings, even if he denies it - just to let him know that we’re still doing fine.
As soon as I press send, there’s a muffled musical note from somewhere suspiciously close by. I pause, then turn around. There’s a large potted plant blocking the window from the direct view of the table.
I narrow my eyes. Then I get up, round the table, side-step aside the potted plant, look out through the window - and make direct eye contact with Simeon.
He, at least, has the grace to look embarrassed. Lucifer, standing plainly beside him, does not; he just raises an eyebrow at me and jerks his head, as if to say ‘continue’.
I don’t know whether or not to be annoyed at him. Actually, I still don’t know why he made such a performance of getting me here in the first place. ‘Do you want to go to a sweets parlour with Luke?’ would have been a perfectly fine way to set it up. Did he think the fancy hotel would intimidate me too much?
Luke isn’t back yet. I unfasten the latch and open the window, half-expecting them both to disappear, then hiss, “I thought you were busy.”
Simeon smiles sheepishly. “I wanted to make sure things were going well.”
“Have you been here the whole time?”
“Oh, no, just for a few minutes. There’s a little cafe just out front. We were having coffee…”
“And spying on us.”
He winces a little. “That’s a strong word.”
I turn to Lucifer, who still doesn’t look as if he thinks he’s done anything wrong. “Why wouldn’t you tell me what was going on?”
“I thought it might spoil the surprise,” He says lightly. “Well? Are you having fun? Is Luke behaving himself?”
Simeon shoots him a look. “Of course he is."
“I’m afraid I wasn’t asking you.”
“We’re having fun,” I interject, exasperated. “Lucifer, behave.”
He quirks a brow and folds his arms. “That’s an odd way to speak to the demon who’s paying for this.”
“Don’t listen to him, IK,” Simeon says. “We agreed to split the bill.”
“If you’re so quick to make corrections, perhaps you should pay for the whole—”
“Okay, that’s enough,” I announce. “Go do something fun, alright? I’ll save you some cake.”
I shut the window (Simeon waves a little meekly), then draw both the blinds and the thick velvety curtains for good measure. To be honest, without magic, there’s very little I could do about them eavesdropping if they really wanted to, but it’s better for all of us if they just listen.
I’d better light some more of these candles, too. It’s kind of dark in here now.
Luke returns just as I’m done doing that. He shuts the door behind him, then pauses. “...what’s this?”
“There, uh… there were a lot of people walking by the window.” He might start panicking if I told him the truth. Or, worse, get mad, and storm off to chew Simeon out. “It was kind of dark, so…”
“Oh! Right.” He coughs and comes further into the room. He seems a little flushed. “Ahem, anyway, I asked, and all the cakes come with the package, so we can take the ones we don’t finish home. I got some bags from the front desk - they’re really cute.
“Alright… are we leaving?”
“Well, we don’t have to. The lady at the desk said the room wasn’t booked for the rest of the afternoon. I was just thinking…”
“I could put on a bit more tea,” I suggest. “Barbatos says the neptune-blue is good for talking after sweets. If you’re not sick of me, I mean.”
He beams. “Come on, I could never get sick of you. Yeah, let’s stay a little longer!”
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deoidesign · 21 days ago
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Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop
To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.
The short answer:
Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!
The long answer:
I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.
Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.
Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.
Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.
What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.
So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!
#I wish there were a cleaner answer to this kind of thing#and I also wish that there were a way to answer that didnt feel like 'just do it lol'#but... genuinely you kind of just have to do it!#I find it helps to reframe writing as trying to figure out which ideas I don't like#then if I write anything that feels bad to me#it's not about being a bad writer or anything like that. it's just something I dont want in my story and I delete it.#like if you find yourself naturally coming up with worldbuilding elements. its okay to just start there!#you can start like 'I really want giant mushrooms' and then start thinking about how cool that would be#and like oooh what if there were really cool caves full of mushrooms and all glowy yeaaah#then you start building people from that. colonies of fungal people or something. this is still worldbuilding#then you might think now. whats a plot that could go with this and show off my cool mushrooms.#maybe the mushrooms are all connected and the main one is dying and no one knows why. it's a classic plot.#if you still dont feel like you can find a character in that. keep going! why is it dying? how can it be saved? can it? if not then why?#etc etc etc. when I am writing I actually ltierally write out 101 questions like this as I'm going and then I answer them#and if I cant answer them. then I figure out a different situation that doesnt bring that question up LMFAO#eventually you can decide you want a hero who idfk will replace the big mushroom or something. a sacrifice and immortality simultaneously#then you can be like yeah so my themes are probably about sacrifice. connection to others. love for your community. stuff like that#and then you can go back to your world and say. yeah I think that people should have telepathic communication on some level!#I'm just making all this up right now but I just want to illustrate somehow how this kind of cyclical process can actually be a tool#because it's not about getting it all right at once. its about leaning into the cycle and how it guides you through developing these#anyways idk if this makes any sense. if this doesnt feel like it works for you then it probably literally doesnt#but writing more and analyzing writing more is ALWAYS good#it will never make your writing worse to do those things.#unfortunately (said with all the love in the world) writing is an endless process of learning more about who you are and what you care abou#its wonderful but it's hard and theres no way to skip that process#good luck!#asks#anon#writing stuff#oh also if at any point you go hm. that big thing isnt working for me I think...
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theminecraftbox · 10 months ago
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fuck it. while c!punz and c!dream's relationship has more to it than being just about power, obviously, and involves a lot of trust on both sides, obviously, it's kind of impossible to acknowledge that power isn't a big part of their dynamic? even ignoring the mercenary aspect of their relationship, what c!punz is specifically entrusted with while working closely with c!Dream is being an enforcer, particularly of c!Tommy's exile. having the revive book. keeping an eye on the server, and being put in charge explicitly after c!Dream goes to prison. running magical experimentation. when c!Dream is imprisoned, c!Punz seems to look into the Egg, though it's unclear if he does so by himself or because of c!Dream and to what ends. after c!Dream's being broken out of prison, once again we largely see c!Punz acting primarily as a partner in magical research and as an informant particularly with regards to c!Quackity related matters, both in scrapped lore and LN5. interestingly enough, what he does do over and over again, what c!Dream gives him over and and over again, is power. on the other hand, when we touch on c!Dream's ideological motivations and his desire for peace, the person that most obviously reflects these desires in his allies is NOT c!punz, but rather c!Ranboo, who had a whole wall of signs of his goals that aligned eerily well even in wording with what c!Dream had mentioned in the past. it's not to say that c!punz doesn't care about c!dream outside of power, of course not. it's obvious that c!punz does care about c!dream. but the aspect of power and how it's offered c!punz is a huge part of c!drunz as a whole, and is interesting when that whole aspect of the relationship between c!dream and his allies re: c!punz seems to exist in an interesting contrast to how c!endersmile was repeatedly shown during that same period of time (fallen down/asgore, people not sides, unite the server/big happy family, the lessons, c!ranboo seeming to have communicated with c!dream regularly both before and after prison to the point where the end of c!dream's voice appearing happened because of a lack of interactions meaning that that memory wasn't as strong (iirc), c!punz being the one to put c!dream in the prison and c!ranboo being the primary person to communicate with while in the cell and the one that facilitated his escape, the list goes on)
strongly agree / agree / ambivalent / disagree / strongly disagree / don't care whatsoever
🙌 I had a whole post percolating about c!Punz and power at one point. where'd that fella go. Anyway I also think this point is interesting in the context of exactly how long Punz was left in limbo (lol) while Dream was in prison, and the frustrations that must have been inherent to that. It was while Dream was in prison that Punz fell (briefly) to the corrupting influence of the Egg, which, yknow, I wonder what it told him.
Furthermore, in LN5, I'd argue Punz is reacting to the sense of powerlessness/directionlessness he experienced during the prison arc. He's either taken or been delegated the power to get vengeance on Dream's behalf. And he's not really *shy* about this. In fact he's pretty damn upfront about it. It's personal and he's angry and he's not really pretending it's for higher-minded goals.
Yet another reason to mourn the fall of c!Ranboo is to mourn the death of the (presumable) ideological foil to c!Punz: a character without much interest in power and without as much personal fondness for c!Dream, but whose motivations seemed to align more closely with c!Dream's than c!Punz's did.
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fobnsfwdoodlesbackup · 2 months ago
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every time you draw joe you get his face so spot on!!!! i love when you draw him!!!
Thank you!! I adore him, I'm in love with him, I say this all the time but he is The Most Beautiful Man In The World. Let's all look at him together. Look at the plains of his face. The silhouette of him. His eyelashes, nose, lips, hair. He's godly why is he so beautiful.
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epphfervescent · 5 months ago
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can we see Selma! my girl deserves more attention (and one belly too full of food)
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kskdjdks missed the parenthetical of this ask oops! Anyway.
Selma is Kalila’s mom/Idrees’ first wife (peep that 90s maternity wear lol). I don’t talk too much abt her bc I used to think she died tho now I think she might just be in like. Miami. Doing her thing.
I think this universe has witches, which I think I’m basing in homeopathy/phytotherapy with some fantasy sauce on it. Historically they would have occupied the same niche as midwives in the western world. Selma is a witch, however she’s Afro-Cuban so I think her work is influenced by Santeria in a holistic kinda way & she’s an Obá/high priestess also.
to be clear I’m not fictionalizing Santeria, which I think would be rude. I’m saying that Selma is a witch (fictional) and also practices Santería (very real) bc of her ethnicity:)
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cipherinator · 4 months ago
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Should I recreate Phineas and Ferbium in sims (4)
Sure it be cool
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sentimentalslut · 3 months ago
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Sometimes I want to yell at you to update your fics but I remember you’re a whole ass lawyer and have a life.
also writers block dont forget the writers block
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mayoiayasep · 3 months ago
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Can you tell me why you think muu deserved to be innocented in the second trial? Its been a year and I still don't really see a reason to why she should tbh (btw I'm not trying to argue or anything I just want to know your point of view)
the first and the more silly answer is bc i like her i kinda relate to her and she's a 16 y.o girl. being 16 is full of horrors and considering her conditions i don't blame her for snapping and for her attitude in milgram itself ^^
more serious answer is that while like. yea i don't think she's entirely innocent in this scenario especially w the reveal that she was something of a mean girl too, i'm just more mad with like. how guilty she got in comparison with some of the other prisoners. like if she had gotten a almost 50/50 guilty i would've been less bitter about that is more the fact that she got a 74% guilty vote when a character like mikoto got the same percentage in the opposite direction. like atp i'm team "vote all innocent so that no one has to go through the mental torment of the guilty vote" but there's actually no way in hell that the 16 y.o girl who very likely on accident stabbed someone in a state of extreme distress and was shown to be distraught after the fact is more unforgivable than the 23 y.o who has killed at least 2 people bc of the stress of his job👍🏾 idc how hot mikoto is or how much i like natsuki hanae, mans did not deserve all that
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arttsuka · 2 months ago
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Just wanted to tell you that whenever I get on Tumblr, I genuinely enjoy your posts and what you talk about. You're very honest and real, and it doesn't feel like you're posting to get likes or attention, it's just you. Sharing. And I really (not the word I'm trying to think of, but in a way it is) appreciate? Enjoy? you. : }
Aww, that's nice.
Take this random out of context screenshot from a movie I was watching the other day (2 weeks ago actually)
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mafaldaknows · 1 year ago
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Mafalda, the erroneous use of y’all and the reference to the brood of vipers was pretty telling to me. Don’t want to name any names but there’s only one person still alive around these fandom spaces who remembers in that much detail the ss and uses y’all like the wannabe american she desperately wants to be. And I’m gonna bet it’s not a charmie or an armie fan at all lmao.
Unless she still considers herself his fan :D even after all that supposedly happened to her.
Hello, Anon:
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Well, bless her heart. 😏🤣
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Thanks for your observation. 😏😉🎪🎟️🤡😂
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999moreyears · 5 months ago
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Everybody point And laugh 🫵
is this because im a faggot? hm? because i wanna dick down my girlfriend? HM?
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