#''When people misattribute quotes to famous writers-
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Kill the classist in your head
Mark Twain, probably
#That cool lines post went past earlier#And it's nice to go 'look at this cool thing someone said'#But the thing that still boils my piss is how people feel they've got to neg things down for being off of YT/anime/social media/fanfic#Cool writing can be found anywhere and indeed is found everywhere#It doesn't have to be shakespeare to be a banger#This doing down of good lines is#(a) classist AF - it's like the Stratfordians being adamant shakespeare had to be posh because a prole couldn't possibly write that well#(b) serves to make you (yes you) think you can't make lines like that#to quote Mister Shania Twain:#''When people misattribute quotes to famous writers-#it's either because they're too lazy to look shit up or because they're ignorant classist dicks who judge source over content.#Be better. Kill the classist in your head.''
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10 famous quotes that you probably misattributed
Through the years, we have all had many inspirational or witty quotes from role models, movies or actors plastered all over our Tumblr or Myspace pages to seem super cool, sophisticated and smart. These quotes just spoke to our souls and captured the middle school/teenage angst we were all feeling as one collective, moody unit.
SEE ALSO: Girl convinces a dude that she's a beet farmer using quotes from 'The Office' on Tinder
Well get ready to delete your accounts and throw your diplomas out the window, because so many famous quotes are badly misattributed.
Chances are, other people said those pretty words you love. So, you are about to find out the less-cool origin of some of your favorite quotes.
1. “Elementary my dear Watson.” ��Sherlock Holmes
Oh yeah, that's Sherlock Holmes, right? NOPE. Sherlock Holmes has said both "elementary" and "dear, Watson" at some point, but never together. According to Sherlockian, the foremost authority on everything Sherlock Homes, the phrase is from P.G. Wodehouse’s novel Psmith, Journalist published in 1915. Although the novel does not star Sherlock Holmes, Wodehouse does reference him while writing this now famous line.
2. “I cannot tell a lie.” —George Washington
Image: Drew Angerer/Getty Images
There's the well-known story of little George Washington admitting to his father that he cut down a cherry tree, affirming, "I cannot tell a lie". Well, his honestly may as well be a lie because Washington did not say this. Writer Mason Locke Weems added this detail in a biography about Washington, embellishing on his saintly nature. If you can't trust George Washington, who can you trust?
3. “Winning isn’t everything, it’s the only thing.” — Vince Lombardi
Famed Green Bay Packers coach is often credited with using this phrase to motivate players and describe a passion for football. If you were a young boy who had a poster of this in your room to motivate yourself to play better, I'm sorry to tell you that Lombardi isn't the man you should be thanking. Lombardi did say this, but Red Sanders, UCLA Bruins football coach said it first.
4. "Well-behaved women rarely make history." — Marilyn Monroe
Image: Frederick M. Brown/Getty Images
Ah, Marilyn. Probably the most misquoted woman in all of history. Working to her advantage, the many quotes misattributed to her have somewhat shaped the way society admires her. In 2007, Laurel Thatcher Ulrich, a female historian, wrote a book titled, "Well-Behaved Women Rarely Make History." While some believe she stole this phrase form the blonde beauty, she was in fact the originator. Ulrich first wrote the phrase in 1976 for an issue of "American Quarterly" in reference to colonial woman who are not featured in our history books because they are considered to be "well-behaved."
5. "The ends justify the means." — Niccolo Machiavelli
Niccolo Machiavelli may have had some suspect political beliefs, but people took his words to heart. In his book The Prince, Machiavelli argues that people will always honor and and praise the means a prince uses in order to reach a greater end. Although Machiavelli is credited with this phrase, the idea was not entirely his own. According to Business Insider, in "Heroides II," the Roman poet Ovid writes, "Exitus acta probat," which translates as "the outcome justifies the means." Machiavelli references this idea to make the larger point about the relationship between a prince and his subjects, but did not come up with it.
Are you questioning your whole education yet?
6. "Insanity is doing the same thing over and over again and expecting different results." — Albert Einstein
Image: Chung Sung-Jun/Getty Images
We've used this one to describe everything from our own behavior to that of a friend that just won't quit their ex. Although we'd like to credit genius Albert Einstein for this nugget of wisdom, unfortunately, we can't. An editor at the Bozeman Daily Chronicle in Montana named Michael Becker credits this quote to Rita Mae Brown, the mystery novelist. She attributes this phrase to the fictional Jane Fulton in her 1983 book Sudden Death writing, "Unfortunately, Susan didn’t remember what Jane Fulton once said. 'Insanity is doing the same thing over and over again, but expecting different results.'"
Sorry Al, we'll give you the Theory of Relativity, but not this quote.
7. “Be yourself; everyone else is already taken.” — Oscar Wilde
Was this your senior quote? Well, your yearbook is a lie because Oscar Wilde didn't say this.
This quote reads like something Oscar Wilde might've said, but it never actually shows up in his writings. It might be a composition of his ideas, but not a direct quote. In his De Profundis letter, Wilde wrote, “Most people are other people. Their thoughts are someone else’s opinions, their lives a mimicry, their passions a quotation.” And in an 1882 book introduction, he wrote, “One’s real life is so often the life that one does not lead.”
Both great quotes to keep in mind, but not the one you so desperately clung onto in high school.
8. and 9. “Strategery.” — George W. Bush and “I can see Russia from my house.” — Sarah Palin
Saturday Night Live is famous for its impressions of everyone from actors to singers to serious politicians. The political impressions on SNL are so amazingly accurate that they are often regarded as having influence over the way an audience views a candidate. This phenomenon is so present that some people believe that words spoken by SNL cast members doing an impression of a politician are the actual words spoken by the politicians themselves. In 2000 when George W. Bush ran for president against Al Gore, cast members Will Ferrell and Darrell Hammond played Bush and Gore, respectively. During a sketch, satirizing the first presidential debate, Ferrell played Bush and used the word "strategery" to describe the best argument for his campaign. The joke was in reference to Bush's reputation for mispronouncing words and was a jab at his intelligence. People credited Bush with saying the word, rather than Ferrell, proving the power of Ferrell's impression.
In 2008 when Barack Obama ran against John McCain, SNL pulled out their biggest guns to create possibly one of the greatest impressions of all time. Cast member Tina Fey portrayed McCain's running mate, Sarah Palin, to impeccable, almost frightening, accuracy. Because Fey looked so much like Palin, the two were very often confused. In an interview with ABC News' Charlie Gibson, Palin was asked how Alaska’s proximity to Russia gave her insight into the country’s affairs. Palin responded, “They’re our next-door neighbors. And you can actually see Russia from land here in Alaska." But, she did not say “I can see Russia from my house." That was all Fey, who transformed herself so seamlessly into character that the two women became interchangeable to the audience.
Fooled ya!
10. “And in the end, it’s not the years in your life that count. It’s the life in your years.” — Abraham Lincoln
Image: Library of Congress/Getty Images
On Sunday, Feb. 12, 2017 the GOP tweeted a picture of the Lincoln memorial with this quote from Abraham Lincoln to celebrate the president's birthday.
But, uh, he never said it. It is traced back to a man named Edward J. Stieglitz. An advertisement for Mr. Stieglitz’s book, The Second Forty Years, contained the phrase, "The important thing to you is not how many years in your life, but how much life in your years!"
Don't feel bad if you thought Lincoln said this. His own party did, too.
BONUS: Donald Trump's inauguration address included a Bane quote
#_author:Samantha Scelzo#_uuid:c9972843-3444-3dd5-9a72-2fbea60beb95#_lmsid:a0Vd000000DTrEpEAL#_revsp:news.mashable
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I often see the same quotes from certain people come up on my dash, and on the web in general. The same Kurt Vonnegut quote, the same Hemmingway quote, the same Audry Lorde quote, it doesn’t really matter who it is. There are sometimes three or even six quotes that circulate, but it’s rare to see a new one appear.
And I wonder if there is a name for this and if it’s a trend that’s going to continue until most famous people are remembered for one line. How many lines did Gandhi write or speak, and yet without effort you’ll mostly likely just read one: You must be the change you wish to see in the world.
I know for me it’s easier to google the writer I’m looking to quote and reuse something someone has already pulled out rather than pull a book off my shelf and type in new words. It’s lazy on my part, but sometimes I think lazy has shaped the internet. Most things are basically good enough.
But I’m curious if there is a narrowing of thought in all of this that is continuing down a worrisome path. And don’t even get me started when the quote is wrong or misattributed.
I don’t know where I’m going with this other than putting it out there. I’m sure others have wiser thoughts on this, so feel free to share.
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AI Will Forever Change How We Create and Find Truth in Images
Image courtesy of Deep Angel.
Sometime in the not-too-distant future, anyone will be able to take a picture without a camera. Instead, we will be able to generate photographs, indistinguishable from those made by a camera, using artificial intelligence (AI) software. You will be able to create an image by simply typing out a description of the scene, or describing it to (presumably) Siri. “Siri,” you’ll say. “I’d like an image of a red-haired woman walking through a park in autumn, the breeze blowing red, orange, and yellow leaves around her.” And—though it may require more detail than that—presto! Your phone will provide various options on the screen to choose from.
That is the future that Alex Savsunenko, head of Skylum AI Lab, described at a recent panel with Richard Carriere, senior vice president of CyberLink, and Greg Scoblete, technology editor of PDN, about the role AI will play within imaging. Scoblete began the talk by declaring that AI is the most important advancement in imaging technology since the digital camera. It’s a bold statement, considering the fact that digital imaging catalyzed the vast number of images we produce, and entirely shifted our relationship to imagery. (Editor’s note: Scoblete is a former colleague of the writer.)
But we are entering another shift; already, we see the implications of fake videos (called “DeepFakes”), facial recognition, and algorithm-generated art, all powered by AI. This fall, MIT released Deep Angel, a tool that, like the memory-doctoring tech in Eternal Sunshine of the Spotless Mind, can erase anything or anyone from your photos. Already, researchers are using powerful computers to generate fake images from scratch, as a team at NVIDIA did last year when they created a library of celebrity portraits—none of whom actually exist. Eventually, when all of our devices catch up in storage and processing power, we, too, will be able to do the same, forever changing the meaning of the famous Ansel Adams quote: “You don’t take a photograph, you make it.” So what will happen when anyone can create an image of anything that is indistinguishable from a real photograph? (AI will come into play there as the solution, too.)
A brief history of AI
Portrait of an imagined celebrity generated by AI algorithms. Image courtesy of Nvidia.
Portrait of an imagined celebrity generated by AI algorithms. Image courtesy of Nvidia.
Backing up a bit, this isn’t the first time that AI technology has caused a flurry of media coverage. We have become starry-eyed over AI’s capabilities in cyclical fashion, starting with its inception at a 1956 conference at Dartmouth, where the term “artificial intelligence” was coined by computer scientist John McCarthy. The basic idea hasn’t changed much since then: to be able to teach software to make decisions on its own, and to eventually reach such lofty goals as replicating the human brain. In 1970, cognitive scientist Marvin Minsky told Life magazine that “[in] three to eight years we will have a machine with the general intelligence of an average human being.”
Obviously, that didn’t happen. In the 1980s, however, there were significant new advancements, including the proliferation of expert systems—computers that could solve problems through reason; and the birth of deep learning, in which a computer continually performs tasks and makes improvements each time. Again, the hype built up and died down.
So what causes these sinuous waves of progress? Generally, it comes down to computational power. Researchers will hit the limits of AI application, and then wait until computer processing speeds and storage catch up.
More recently, since 2012, there has been a boom in deep-learning applications. This is thanks to computer scientist Alex Krizhevsky, who used the concept of neural networks, based on the human brain, as the basis for an algorithm that could perform object detection and image classification at an enormous scale. Neural nets have led to speedy advancements in facial-recognition and image-editing software. When successfully trained, neural nets can recognize and classify subjects much faster than humans, especially when it comes to trickier classifications like dog breeds or age.
While the framework of all deep-learning neural nets is the same technology, Carriere explained that the application can vary widely, from restoring resolution in your images to identifying China’s civilians for the country’s new social-credit system.
How AI might affect photographers
Before-and-after images showing the van Gogh style application in PhotoDirector. Image courtesy of CyberLink.
Starry Night, 1889. Vincent van Gogh The Museum of Modern Art, New York
Before-and-after images showing the van Gogh style application in PhotoDirector. Image courtesy of CyberLink.
In photography and video, AI tools are being incorporated into user-friendly software. Cyberlink’s PhotoDirector software can apply artistic styles to your images and videos, such as “Impressionism” and “Van Gogh,” based on the artworks the software learns about in a lab, while Topaz Labs’ A.I. Gigapixel is taught, based on millions of photos, what human features or a landscape should look like, rendering soft or pixelated images with incredible resolution. At Skylum AI Lab, Savsunenko and his team are looking to deep learning to eventually make image-editing software entirely personalized; the image-editing tools will learn about your style, and you’ll be able to make a sweeping one-click edit accordingly.
When technology advances even further, AI tools may begin to replace required technical skills in photography. Google has released an AI-powered camera, Google Clips, that can judge when the composition or lighting is aesthetically pleasing. And though we’re probably a long way off from a totally automated photographer (the reviews of Google Clips leave much to be desired), the seed has been planted. Plus, as image-generation technology hurtles forward, we can imagine a scenario where agencies can generate their own images, instead of hiring an advertising photographer. Could that become a reality?
Scoblete raised this question in the panel, but neither Savsunenko nor Carriere seemed to think AI posed a serious threat to photographers. They believe that AI will be used to enhance, not replace, traditional imaging. Savsunenko said it will be some time before AI images match the quality of in-camera images, though he said a photographer’s role could eventually shift, with less emphasis on technical prowess. “It’ll be a requirement to make an idea, to be creative,” he offered.
Savsunenko also believes that a computer will never truly understand the human experience, and thus, “it will never create a masterpiece.” He pointed to the famous photograph from Alfred Eisenstaedt, VJ Day Kiss in Times Square (1945). A computer may be able to judge composition and lighting, but it takes a rich historical context and emotional understanding to comprehend how people felt on the day that World War II came to an end. Carriere agreed that the ineffable power of a narrative will not be easily replicated. “Storytelling is still a profoundly human activity,” he said.
What AI images will mean for us
A print featuring the head of Abraham Lincoln superimposed on the figure and background of an earlier print depi John C. Calhoun, 1852. Courtesy of Library of Congress.
Engraving of John C. Calhoun, 18. Courtesy of the Library of Congress.
As humans, we add our own interpretations—and our biases—to images, without necessarily understanding the context. For nearly as long as images have been made, they’ve also been manipulated, dating as far back as 1860, when studio photographer Mathew Brady “artificially enlarged” then-presidential candidate Abraham Lincoln’s collar to assuage criticism of the Republican’s long neck. Photoshop was not the first tool to doctor photos, though it has made it easier for those with the technical skill to do so. AI will lower the bar for technical skill entirely, but it will also provide us the ability to better detect the very manipulated images it is helping to create.
Adobe is straddling both sides of the AI fence. On one hand, it is incorporating AI tools into Creative Cloud (which includes Photoshop and Lightroom) that speed up and improve image-editing and organization; on the other, it’s researching ways to easily detect manipulated images, as part of the broader Media Forensics program by U.S. government agency DARPA. Vlad Morariu, a senior research scientist at Adobe, has been part of the program since 2016. On Adobe’s blog, he outlined tools that can be used to defend against image manipulation (such as metadata, forensic tools, and watermarks), but his research involves finding quicker and easier ways to prove an image’s authenticity, allowing someone to determine in “seconds” whether an image has been doctored.
Those tools will be helpful for anyone who cares to know if an image is authentic, but it’s unlikely that everyone will opt to use them. A doctored image of Parkland survivor Emma González ripping up the constitution spread like wildfire in March, despite how easy it was to find the source, a Teen Vogue video that, in reality, showed her ripping a shooting-range target in half. Real photos can be used to mislead, as well; in these past few weeks, misattributed images have been shared on social media in an attempt to paint a caravan of asylum-seekers approaching the U.S.–Mexico border as violent and dangerous. Perhaps social media sites could eventually implement a warning that the image you’re looking at may be fake, as Facebook now does with news, but that will be a much larger challenge than creating, posting, and spreading offending photos.
Savsunenko doesn’t think that such warnings will be necessary. He presented a different view: that the proliferation of AI-powered image-generating software might be “good” because of the fact that everyone will have access to it, instead of a select few. “Imagine a world where you can make fake images and fake videos, instantly on demand, with zero technical skills,” Savsunenko mused over the phone. “The credibility of any image will go down, right? So you will doubt any image that you see on the internet—and that is why it will be harder for professionals to manipulate public opinion, because there will be less credibility to every image.” Proof and credibility will have to be presented in other ways, he believes—“so there’s no definite proof that it’s going to be bad.”
That seems like a very positive—if not idealistic—view: a world in which everyone will do their due diligence; in which people respond to the threat of fake images with more skepticism and deeper critical analysis.
It’s a big ask right now, when, in the U.S., we’ve seen the decline of critical reasoning when it comes to judging what counts as a responsible news source. For many, on both sides of the aisle, blogs and Twitter accounts have been accepted as viable media outlets, or valued more than publications with credible fact-checking teams and lengthy journalistic standards. When we must eventually judge all images based on where they came from, instead of their contents, what will happen?
AI-generated images are coming at a time when we may not be ready for them, and when we have few defenses in place. But we still have time to reframe how we view images before the next AI breakthrough hits. Whether or not we will rise to the task remains to be seen.
from Artsy News
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