#╰ * SADIE MILLS : visuals ⧽

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The Ten Secrets About Land Turtle Painting Only A Handful Of People Know - Land Turtle Painting

On May 22, 2019, I had the account of abutting Danny Aiello at the Hoboken International Blur Festival for the premiere of an activated blur that had been a life’s journey. He is the articulation amateur in my activated abbreviate Nothing to Say (NTS), which tells the adventure of a turtle at a zoo who is confronted to accommodate to a bankrupt society, advertisement capacity of banishment and actuality a ambush in a acreage that provides for the anatomy at the amount of the soul. This alternation with Aiello was profound, as I had recorded him for this actual blur aback in 2001. Little did I apperceive the absolution of this blur 18 years afterwards would be one of Danny’s final artistic works afore he anesthetized abroad in December.

Eastern Box Turtle - Andrew Leach Projects - land turtle painting | land turtle painting Most bodies will bethink Aiello’s adept assignment as an actor, arena arresting and iconic roles in live-action films, alive with Hollywood titans such as Spike Lee, Norman Jewison, Woody Allen, Robert Altman and Francis Ford Coppola. Aside from his Oscar aces performances on screen, he was additionally an abundantly accomplished articulation actor.Starting as a apprentice blur in 1997, NTS was re-designed in 1999 as a flat activity at ILM, area I formed as an animator. Afterwards layoffs at the studio, it became an absolute blur with a baby aggregation in Hamilton, Ontario.Aiello was approached at an action assemblage by my brother (one of the film’s producers), Billie Mintz, and we recorded the clue in New Jersey. I was captivated above imagination. But additionally afraid as hell; adequately beginning out of academy — not alone had I never directed annihilation professionally, I absolutely had not formed with actors, abnormally ones as iconic as Danny Aiello.Danny Aiello and Aubry MintzWhen we recorded, Danny was acquainted of my agitation and fabricated every accomplishment to accomplish me feel comfortable. Afterwards some baby talk, Danny began allurement acicular questions about the script/poem. I aggregate how I visualized the blur by assuming him some artwork that Geoff Donovan (the film’s art director) and I had created. Danny began assuming curve of gold appropriate out of the gate, presenting a array of approaches, transitioning in and out of three characters. His acting seemed like magic, as I witnessed him comedy from an cold narrator to a light, happy, adroit administrator who grew in acerbity as a aphc turtle refuses to accommodate to his ideals.After a few takes, it was bright he was not yet award the appearance he wanted. He backed abroad from the microphone acutely frustrated, and approved a new approach. He confused about the allowance and began bustling a song to himself and snapping his fingers, accident himself in a song. It emerges as Sinatra’s “It’s All Appropriate with Me”. He was analytic for something, award his own canal and rhythm. Afterwards ambit the room, he afflicted his posture, and his expressions migrated from absorption to an accessible smile. He alternate to the microphone, straightened up, accomplished his accoutrements from ancillary to ancillary in a admirable aspect and with a cackle belted out his curve perfectly. It was the moment he activate his appearance and his acceptance was amazing to watch. I heard the appearance for the aboriginal time. It was a accurate allowance watching this adept get into character, reminding me that accurate art takes assignment — alike for acclimatized pros.

Land Turtle Paintings | Fine Art America - land turtle painting | land turtle painting Nothing to SayDanny had been account for over an hour and abutting an important bandage that the turtle spoke. He wasn’t absolutely accepting what I needed, and I belted out the bandage the way I anticipation it ability go, which is commodity every administering book tells you not to do with actors. Aiello chock-full what he was doing, took a connected abeyance and straightened up, and said, “You appetite me to apprehend it that way? The way you aloof did it?” I gulped slowly, attractive up at this giant, “Uhhh yyyyeahhh???” He took a breath, smiled, and boring absolved over to me, putting his arm about my accept and said, “As an actor, I don’t usually do it that way…”The allowance was silent. I absurd him axis into his appearance Sal the pizza man (Do the Appropriate Thing) appropriate in advanced of me, avaricious his bat from abaft the bar to hunt me out of the recording studio. The bodies in the berth were appropriately nervous. Danny continued, “…But for this… for this we accept to! C’mon everybody!!!” He belts out a beam and gives me a big hug. It was these affable reminders and allure that bodies assume to adulation about Danny. He was a pro afterwards any ego.Aubry Mintz and Danny AielloBased on the recorded tapes of Aiello’s performance, we were able to accept from a library of movements he portrayed for anniversary character. Broad open, all-embracing poses for the Administrator aback he was broadcasting his acutely absolute administration style, bound afflicted to angled over snapping anarchic jerks, barmy with anger, apprehension a berserk authoritative dictator. Then his slow, methodical, pain-filled affecting achievement for the turtle was abundant for anyone’s affection to well, as you acquaintance the agony bleed from his articulate cords. Danny gave aggregate to this achievement — watching his aspect change anatomy was a assignment in acting mastery.When apple contest afflicted all of our lives on September 11, 2001, I donned my headphones, alert to Danny complaining with the turtle’s story. All I could do was adapt how I was activity on paper. Danny’s affecting articulate adventure accustomed my pencil to allege for me – creating a moody, dark, sad and alarming arrangement that seemed applicable for the events. The accident the turtle acquainted echoed the aggregate defeat the apple was activity aback the building fell. Not connected afterwards this event, the blur went on hiatus. but this appointment with Danny Aiello was the cement that captivated it all calm in the aback of our minds until the adventure would appear already again.

Original Painting Perseverence the Turtle by rachelledyer on .. | land turtle painting It was 12 years afterwards aback I accustomed a buzz alarm from Mark Jones, the Chair of action arts at Seneca Academy in Toronto. He heard about an burghal fable that I had an amateurish blur with Aiello absorbed to it and would like to advice us accomplishment it. Seneca’s Summer Institute was no drifter to co-producing films, they were the academy that activated on Chris Landreth’s Oscar acceptable abbreviate Ryan and on his Annecy Admirable Prix blur Subconscious Password. Nothing to Say alternate to assembly in the summer of 2015. Alive amid Canada, California and Australia, we managed to accumulate three accompanying in assembly until its achievement in April 2019.Nothing to SayAt the night of the premiere in Hoboken in 2019, I asked Danny his thoughts on the accomplished film. I was addled by his response. He said Nothing to Say gave him the affecting animosity of accident friends/loved ones on September 11, 2001. I had not announced with Danny back the recording, there was no way for him to apperceive my access from the tragedy. It was amazing to see his affiliation to the contest tie to his acumen of this film.This blur is a bulletin of altruism and educating to brainwash affinity about displaced bodies afterwards a tragedy. I was affected acutely that this resonated with Danny in such a prophetic way.As I address this article, I aloof larboard the Palm Springs International Action Festival, area I buried the film. Alert to Danny Aiello tonight, aloof a few canicule afterwards his death, confused me added than it has in 18 years. I’ve listened to this clue over 1,000 times, but tonight was different. I could apprehend Aiello’s articulation and I could see his smile. How he formed with me, so active and bent to get it right. I can’t activate to accurate what an appulse Danny Aiello had on me. His generosity to accord a 25-year old from Canada his time and talent, demography administration like a pro from the greenest kid back Kermit the Frog, will never be forgotten. Thank you for account my words and giving them acceptation and respect. Thank you for giving me the achievement of a lifetime. Thank you for a lifetime of inspiration.Rest in peace, Danny.

How to Paint Turtle | Turtle Painting Tutorial - land turtle painting | land turtle painting Nothing to Say – 30 additional blow “This is Your Last Chance” from Aubry Mintz on Vimeo.You can additionally watch the absolute blur at myhero.com/nothing-to-sayPassword: TurtleAnimation Credits:Painted Backgrounds: Geoff Donovan and Anda ChitescuAnimation: Aubry Mintz, Oshi Wanigasekera, Edward Han, George Fleming, Rocco PisaniEffects Animation: Darren Donovan and Edward HanInk and Paint: George Fleming, Kelly Juarez, Jules NG, Ryan Chu, Rodrigo GonzalezAubry J. Mintz has formed as a affection animator at Industrial Ablaze & Abracadabra and Square USA and an award-winning freelance action administrator for audience such as Smirnoff, McDonalds, MuchMusic, General Mills and the Canadian bedrock bandage Rush. He produced the activated pilot Airship Dracula for Rides TV with the Canadian bedrock accumulation The Sadies and Juno-winning action administrator Michael Roberts, and directed the award-winning activated abbreviate Nothing to Say anecdotal by Danny Aiello and co-produced by the Oscar-winning Seneca Institute in Canada. Mintz is additionally co-author for the Focal Press book Ideas for the Activated Abbreviate 2nd Edition (Focal Press) and has presented his storytelling allegation to audiences throughout the U.S. and Canada. Mintz is currently the Administrator of the Academy of Art at California State University Connected Beach. The Ten Secrets About Land Turtle Painting Only A Handful Of People Know - Land Turtle Painting - land turtle painting | Delightful for you to my own weblog, with this period I'm going to teach you concerning keyword. Now, this is actually the initial picture:

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Jill Kargman of ‘Odd Mom Out’: ‘I Do Not Own One Pair of Jeans’

Jill Kargman’s show Odd Mom Out is beginning its third season. (Photo: Getty Images)

To know Jill Kargman is to unabashedly hero-worship her. The deeply unapologetic, piercingly funny writer/actress has her own aesthetic in everything she does. Yes, she’s part of Manhattan’s elite — a world she pokes fun at in her bitingly funny TV show Odd Mom Out — but she has her stilettos planted firmly on the sidewalk. Kargman took the subway to this interview, in a downpour, and arrived alone — no handlers or assistants or hangers-on. She knows who she is, and she owns it. For proof, look no further than her closet. 

“I don’t like pants. I like them on other people, just not on myself. I haven’t worn pants in 25 years,” she tells Yahoo Style. “I wear these Wolford satin tights every single day. I can be spread-eagle and no one sees anything because it’s totally opaque. I have casual skirts or fancy skirts. In the summer, I wear dresses. It’s cute and you throw it on and put on flats and you go. I do not own one pair of jeans.”

Her peers, says Kargman, are bewildered by the fact that she doesn’t have a single set of capris, not even for those faux-casual garden parties where pretty people mill around, sipping frosé. “Not even one white pair for summer. I don’t drink rosé. I’m not a summer person,” she says. 

Why doesn’t she own pants, you might wonder? Kargman gives one of her signature, viscerally visual answers. “Pants make me feel like I have vagina claustrophobia. I can’t handle it. It’s like a chastity belt. I don’t feel comfortable in pants. Even as a kid, I felt like I had permanent camel-toe,” she says. 

The mother of three — daughters Sadie and Ivy, and son Fletch, with ad guru Harry Kargman — also has no aspirations to be a cool mom.

“I never wear short skirts. I don’t want my daughter and I to dress alike. I don’t want people to think we’re sisters. That means she’s dressing inappropriately or I am. I’m not trying to be her best friend. I’m her mother. We have an amazing relationship. We don’t bicker,” she says. 

Fashion has a key role in Kargman’s hit Bravo series, Odd Mom Out.  Kargman’s Jill Weber — a faux version of Kargman, is a New Yorker clinging to her individuality while dealing with the posh mommy set. Weber winds up living with her mother-in-law after difficult economic times, the result of a Bernie Madoff-style Ponzi scheme, hit the 1 percent.

“This season is our best yet by far,” Kargman says. “The network has given me more freedom. Season 3 is the balsamic reduction version of myself and it’s way funnier. The cold open is all these rich people having to make choices and they’re in distress. They have this financial setback. One person is having to choose between the horse farm or the chalet.”

Kargman created the show, and says she and her on-screen persona share surface similarities. “My character is more me when I was 28 and gave more of a s*** what people thought of me. Now, I do not care,” she says. “When you’re a new mom and you feel vulnerable and judged, you become insecure.” 

What’s the one thing that the Jill Weber and Jill Kargman do share? A wardrobe. 

“It’s all my clothes. Still the case. I started collecting harnesses last year. I thought the aesthetic was cool. I’m not into bondage but I love the look of it. So I started buying these things and I wear them over a white J. Crew shirt. I wear a ton of harnesses this year. I wear it in layers over a black dress. I just felt like I was evolving. I love the dichotomy of naughty and nice — a lace dress with a leather harness,” she says. 

The daughter of former Chanel head Arie Kopelman (and sister-in-law of Drew Barrymore) was born and raised in New York, but was never a cosseted, spoiled brat like those you see on her show. 

“I didn’t just get stuff. I had to earn it. Or it was my birthday. I would never want my children to have this insatiable hunger for shopping or newness,” she says. 

She’s always been an iconoclast, staying true to her own edgy, often-austere style. 

“I don’t show my skin. It’s not my thing. I’m personally not comfortable with my boobs out. I just don’t feel relaxed. I dress for myself, not men or women,” she says.

And neither is she a fan of plastic surgery. Like her mother, Coco Kopelman — who has one of the cutest Instagrams on social media, BTW — Kargman aims to age gracefully. 

“I don’t have a secret. My secret, I guess, is that I drink a shit-ton of water. I have so many wrinkles. I’m not trying to look 33. It’s their turn to be 33. I’m happy to be 43,” she says. “My mother is 65 and she’s beautiful. She’s so pretty and she does nothing.”

Read more from Yahoo Style + Beauty:

A Headline Reduced Olympic Cyclist Laura Kenny to a ‘Pregnant Wife,’ and People Are Mad

A Blog Stalking Melania’s and Ivanka’s Style Mysteriously Disappeared — but Why?

Is 4-Year-Old North West Wearing a Corset Sending the Wrong Message?

Follow us on Instagram, Facebook, and Pinterest for nonstop inspiration delivered fresh to your feed, every day. For Twitter updates, follow @YahooStyle and@YahooBeauty.

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NOT QUITE MY TEMPO

RUSHING OR DRAGGING?

“I was there to push people beyond what's expected of them. I believe that's an absolute necessity” - Terrence Fletcher

Mengenai hal yang terkait film favorit bagi saya bukan perkara mudah untuk memilih, karena keterbatasan saya dalam menanggapi atau mengetahui aspek-aspek film yang bagus itu seperti apa. Namun kali ini saya akan mencoba me-revirew salah satu film yang cukup membuat saya larut dalam tensi dan emosi yang dibangun secara intens di film ini.Tetapi disisi lain dari powerful-nya film ini, saya menyadari bahwa manusia adalah makhluk hidup yang punya keterbatasan namun manusia juga adalah makhluk hidup yang sanggup melampaui keterbatasan tersebut.

“Whiplash” merupakan film indepeneden Amerika Serikat yang ditulis dan disutradarai oleh Damien Chazelle. Film yang dirilis pada tahun 2014 ini cukup banyak menuai banyak perstasi yang bagus. Hal ini tentunya tak lepas dari kualitas film itu sendiri dan juga duet dari sang tokoh utama Andrew Neiman yang dipernakan oleh Milles Teller dengan tokoh pembantu Terrence Fletcher yang diperankan J.K Simmons.

Pada dasarnya film ini menceritakan kisah perjuangan dan kontradiksi antara seorang drummer muda dan seorang guru musik dalam suatu grup musik. Sekilas cerita, Andrew Neiman adalah seorang drummer jazz dan murid tahun pertama di Shaffer Conservatory, sekolah musik yang ternama di Amerika. Mula-mula ambisinya untuk menjadi drummer terbaik terbuka lebar saat ia masuk di grup musik inti yang dibimbing Terrence Fletcher. Namun hal tersebut harus dibayar dengan cacian, pelecehan verbal, kemarahan, dan kekerasan fisik tak langsung yang merupakan metode pengajaran dari guru Terrence Fletcher yang mendorong Andrew Neimen dan murid yang ada di grup tersebut agar keluar dari batasanya.

Yang menarik dari “Whiplash” bagi saya adalah penuturan intensitas tensi cerita yang powerful dan ending yang antiklimaks yang berkualitas. Sifat dari guru Fletcher yang sadis, disiplin dan tidak kompromi merupakan poin penting yang menguasai jalannya suasana cerita, sensasi ketegangan psikologis yang kuat tersebut berhasil diperankan dengan apik oleh J.K Simmons.Tak hanya itu, Pemilihan soundtrack yang tepat dan pembawaan instrumen drum yang keren menjadikan poin tambahan untuk aspek penampilan musikalnya. Meskipun genre musik jazz yang tidak notabene tidak terlalu familiar, namun hal tersebut  bisa memberikan hiburan spesial tersendiri bagi saya. Poin yang bagus lainnya adalah adanya tambahan unsur dramatisasi seperti tangan Andrew yang berdarah saat drumming memberikan pesan tersendiri betapa besarnya obsesi dan tekad seseorang dalam menjalani bidangnya.

Mungkin beberapa hal diatas adalah aspek dari film ini yang menarik bagi saya. Disamping itu untuk segi pengambilan shot kamera, gradasi warna dan aspek-aspek visual di film berhasil disajikan dengan baik. Meskipun alur cerita tergolong simpel, namun tetap bisa dinikmati. Tetapi ada satu plot yang saya rasa agak mengganjal yaitu hubungan antara Andrew Neimen dan pacarnya yang saya rasa tidak begitu berpengaruh dalam perkembangan cerita.

Sebagai film yang berhasil menyabet 3 oscar dan 88 penghargaan lainnya, tentunya film ini seharusnya tak luput dari list film yang wajib ditonton. Mungkin sedikit kelemahan dari film ini adalah premis cerita yang bisa dibilang simpel jika dilihat dari permukaan dan juga genre musik jazz yang tidak terlalu familiar di telinga sebagian besar orang. Namun semua itu bisa dipatahakan saat menonton keseluruhan dari film ini. Meskipun genrenya musik, namun saya pastikan bahwa film ini mungkin tidak seperti yang dibayangkan.

Saya pribadi cukup puas dengan segala aspek dari film “Whiplash”, overall film ini saya beri rating 4.8/5. Film ini tetap menjadi salah satu film yang patut direkomendasikan dan juga sebuah karya film yang masterpiece bagi saya.

Sumber :

gambar & video : www.google.com, www.youtube.com

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A Beginner's Guide to the Emmy-Nominated Steven Universe

Five seasons in, Steven Universe is a full-on TV nerd obsession. It has a devoted fandom, it's been nominated for the Outstanding Short Form Animation Emmy the past three years running, and the finale of its recent Steven Bomb (a set of episodes aired daily over at least a week) was one of cable's highest-rated episodes the night it aired. Yet, as an animated series of 11-minute shows centered on a young teen and his adventures with his super-powered alien family and friends, it's often dismissed by those unfamiliar as a run-of-the-mill kids' show and still struggles to break through with mainstream critics and audiences.

Steven Universe is an absolutely beautiful series. It has gorgeous animation, moving themes and writing, lovely voice work and music, and exciting action set-pieces. It tells the story of Steven Universe, a half-human, half-Gem (read: alien) boy growing up in Beach City with his father, his adoptive aunts (also Gems), and his friends. Steven and his aunts, the Crystal Gems, defend the Earth from invaders and work to unravel and recover from the trauma of a great gem rebellion that Steven's mother, Rose Quartz, led against the oppressive Great Diamond Authority. They also head down to the arcade, go on road trips, and play with Steven's pet lion.

The show has something for everyone, but with 152 episodes already in the bank, the notion of diving in can be daunting, particularly considering its dense mythology. If you're still on the fence, here are episodes sure to pique the interest of even the most skeptical viewer.

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For Wrestling Fans

Start with: “Tiger Millionaire,” Season 1, Episode 9

What you need to know: Steven has three super-powered aunts, Garnet, Amethyst, and Pearl, and they can shape-shift.

Why it's great: Steven Universe understands fandom and expression like few other shows, and it demonstrates that right off the bat in “Tiger Millionaire.” The episode is a love letter to professional wrestling. It's able to capture what makes wrestling such a cathartic communal experience because it respects it, embracing wrestling as a very different, but undeniably compelling, form of entertainment and performance. This episode is light, breezy, and fun, but at its core is an exploration of communication, anger management, and healthy coping skills.

Further exploration: Tiger Millionaire returns in “Tiger Philanthropist,” Season 4, Episode 19

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For Time-Travel Fans

Start with: “Steven and the Stevens,” Season 1, Episode 22

What you need to know: Nothing. As long as you're willing to go along with the basic premise of the show, this is a pure standalone.

Why it's great: Steven Universe takes a wonderfully low-stakes approach to time travel, a popular genre conceit, and manages to put together an initially lighthearted episode that turns disturbing by the end. The closing lines of the episode are an early indicator of the series' interest in and commitment to Steven's mental health and the trauma any child would feel after the events that fill Steven's days. It's also a creative new take on a familiar device and one that incorporates the show's soundtrack and score to delightful effect.

Further exploration: The time-travel device in “Steven and the Stevens” first appears in the show's un-aired original pilot. It's a strong episode and an effective and efficient introduction to the show's main characters and dynamics and well worth seeking out.

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For Classic Horror Fans

Start with: “Horror Club,” Season 1, Episode 41

What you need to know: When injured, Gems' physical forms pop and the beings retreat into their gem to heal. If their gem is cracked, all sorts of unexpected things can happen.

Why it's great: This is another mostly standalone episode, one examining Steven's relationships with his friends and fellow town-mates and their relationships with each other. It just uses the language and visuals of horror to do so. Ronaldo, the town conspiracy theorist, and Sadie, who works at the donut shop, have an affinity for schlocky horror movies, the gorier the better. When Steven, Ronaldo, Sadie, and Lars find their horror movie night interrupted by a potential poltergeist, Ronaldo and Lars' past baggage comes roaring back to life, as any horror aficionado knows it must, and along with Steven, they find themselves in a race to save Sadie.

Further exploration: Sadie's horror fandom comes up most significantly in “Sadie Killer,” Season 5, Episode 9, when Sadie and her friends contemplate starting a horror-inspired rock band.

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For Fans of Chosen-One Narratives

Start with: “Full Disclosure,” Season 2, Episode 1

What you need to know: Steven just survived a massive, traumatizing battle.

Why it's great: It's all fun and games until you're space-jailed, nearly die, and barely save the planet. When Steven gets a taste of the life-or-death stakes of his aunts' work protecting the Earth, it's time to make some decisions and quickly. “Full Disclosure” follows Steven as he copes with the trauma of his latest adventure. It's Steven Universe's answer to Buffy the Vampire Slayer's “Anne” or the early chapters of Harry Potter and the Order of the Phoenix: Now that the hero knows the stakes, can he return to his life and friends? Steven answers these questions and more, showing its maturity and creativity and strengthening its commitment to Steven's humanity and that of those around him.

Further exploration: There are plenty of other recognizable Chosen One steps that Steven goes through, but if “Full Disclosure” has you intrigued, you're best off just starting from the pilot. Sure, the early episodes are very standalone, but the cumulative effect of the narrative is much more impactful than skipping to Joseph Campbell's famous mile-markers.

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For Performance and Drag Fans

Start with: “Sadie's Song,” Season 2, Episode 17

What you need to know: Nothing. This is another pure standalone episode.

Why it's great: The son of a rock musician and a natural ham, Steven has no trouble in the limelight, but this episode focuses instead on Sadie, Steven's friend from the local donut shop. “Sadie's Song” begins as a familiar “Let's put on a show!” narrative, but it turns partway through, exploring identity, anxiety, and acceptance. The individual connection each person shares to music and performance runs through the episode, as does the weight of expectation and the ability of people to either find or lose themselves on stage. The episode culminates in a terrific performance of Sadie's titular song, “Haven't You Noticed That I'm a Star,” a creative solution to the episode's central tension and a worthy interpretation of a catchy, fun tune.

Further exploration: Sadie's musical exploration continues in season five with “Sadie Killer,” episode 9, and “The Big Show,” episode 14. Fans looking for explorations of gender should seek out “Alone Together,” Season 1, Episode 37, which introduces a prominent genderqueer character, and fans of RuPaul's Drag Race may wish to seek out “Lars of the Stars,” Season 5, Episode 11, which features the voice acting of Jinkx Monsoon, winner of RuPaul's Drag Race season five.

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