#“you don't create a queer avatar by fucking accident”

[suffersinfandom]

A Summary of The OFMD Meta (Part IV)

This is part four of an incomplete summary of A Meta-Discussion Of The Subtext by meratrishoslee (Mera) on AO3 (linked to, as the author requests). I’m trying to stay impartial and present the content fairly and with context. Like, I started reading this 140K beast after I saw a wild screencap and thought, "Surely there's context that makes this make sense," so I do want to provide at least that much.

This part includes interviews and a response to one of the “concern trolls that couldn't quite manage to wipe the foamy froth from their mouths long enough to keep it from dripping on their keyboards.”

No more chapter numbers because they keep being reordered.

Other posts Part I Part II Part III

Chapter The Vanity Fair Article - A Wondrous Fuckery

Here’s the article that chapter is about.

Mera suspects that the interview happened via text, giving David Jenkins time to sort out what he was going to say. They note that they’re “going on vibes and subtext, which is really more [their] wheelhouse.” You’re welcome to disagree with them.

“First off, I was trained in the House of Moftiss/BBC Sherlock fandom, where we just assumed that every word the showrunners spoke in an interview or on social media was a shameless distortion at best, and an outright lie at worst -- so that's where my mind goes first. [...] Having said that... so much of the Vanity Fair interview is an actual gift.  You do have to cherrypick somewhat... but again, DJenks just released an episode with a major character death.  He can't go back and reverse himself and suggest on any textual level that the death was less than permanent.”

VF mentions the happy endings in the finale, and Jenkins says, same-sex relationships end on a dour, downbeat note, where one of them dies and it’s unrequited or it’s unrealized; something horrible happens and they’re punished in a way.

“That's not a happy ending -- and that's exactly what you apparently fucking did with a central character.  Gosh, how weird of you to bring it up here.  So why?  Is it... is it something you left open for a third season?  That the horrible death of an unrequited love isn't what it appears?”

Jenkins says that Izzy is kind of a mentor to Blackbeard and that he is kind of a father figure. Mera says that “this is the closest he gets to queerbaiting us” because Izzy is definitely not Ed’s father figure.

“Notice we are still given the subtext here: mostly dead is slightly alive, and "kind of a father figure" feels like a limp gesture in the direction of explanation.  The rest of it... if you feel insulted on Con's behalf, that Izzy Hands was reduced to an old dog being put down at the vet's office here ("beautiful arc", "does a lot of things", "it's time", "full meal" -- god, a day at the dog park and a last fucking supper with cheeseburgers and pie and all the human food he never got to have otherwise she says sarcastically) -- YOU ARE SUPPOSED TO.”

Jenkins keeps mentioning “magic, love, turning, losing, changing, rebirth, resurrection, present tense about Izzy Hands, ghosts/life after death, or anything of those flavors.” He is “legitimizing repetition” in order “to prime your mind to see the subtext.  You can only look for something if you know what it looks like: he is giving you the key to the season.”

Jenkins reminds us that “he was not a straight white guy alone in that writers room, and he's telling you the story worked for everyone in that room of all queerness/genders.” 

“And then he brings our head back around and goes ‘hey, look at Izzy again. It's almost like he's the key to everything.  Hey, look at me using present tense on a character that's supposed to be dead and gone which would be past tense. God I love Con O'Neill, and I need you to hear that in every single interview I ever give EVER. His character IS a joy to write.’”

Mera mentions all of the “subtextual queer references and coding” put into Izzy. “You don't create a Queer Avatar by fucking accident. And these professionals certainly did not.”

Mera encourages their readers to read the Q&A that wraps the article “with the mindset that we will have an S3 where a queer self-sacrificing man rises from the dead in a damn near explicit Christ metaphor and our Izzy Hands is safe and whole and loved.”

“The Vanity Fair interview, as far as I'm concerned, is not some painful/cruel gloat. It is a subtextual love letter back to the fans, published just in time to be ready to soothe our hurting hearts -- if we know how to parse it.”

Chapter "Who Do Ya Trust If You Can't Trust God?"

“I'm finding myself tired at being the point of the spear. No one prepared me for how exhausting it is to be among the first to realize a massive truth.”

This chapter is about coping with fandom and contains some solid advice: “The block button is our friend. The unfollow button is our friend. The mute option is our friend. If someone's relentless negativity hurts your feelings or drags you down, mute/unfollow/block them as needed.”

But then:

“I choose to believe my daily-growing mountain of evidence that Izzy Hands is alive and that the writers intend that he be hollered home from the gravy basket. 

“Furthermore? If I can be painfully real for a minute? I am amazed at the trust the writers have given us. 

“Because we the Unseen Crew have been put into the position of Izzy's future lover -- to be to Izzy what Stede was to Ed.  We are called on for our audience participation now, to hold his hand and beg his return -- not for a minute, an hour, or a day... but potentially for the next several months, over a year or more, until we get Season 3. 

“I do tend to have this fatal flaw of wanting to uphold others' trust in me, and to be loyal to those who show loyalty in return.”

Mera reminds us that her word is not canon. She isn’t affiliated with the show and is just trying to provide hope and positivity.

“Even though I often will get tired... I am determined to stay positive. When I can't say something nice, I close the window or the app and say nothing at all. You will find me on my social media being as unrelentingly kind as I know how to be.”

Next: interviews and what we can take from them. “Interviews have exactly two purposes: pocket money for the subject of said interview, and promotion for the show. I was trained to never fully trust what is said in interviews.” Engagement and getting people clicking is more important than imparting useful and truthful information, and nothing engages people like anger.

That’s how we get the early “interviews that are half touching and half enraging, with seriously tone-deaf seeming self-conflicting statements from the writers/showrunners [...]. We can trust that if the interviews are live/verbal, they'll be more irritating rather than less. The showrunners would much rather say too little or say something wrong than give away something too big or too true accidentally, and in the pressure of the moment they will fall back on phrases they've memorized as safe to use.”

Don’t trust that interviews are telling you the truth (but they might be saying something truth-adjacent).

Mera has doubts about Jenkins telling O’Neill about Izzy’s death mid-season. She doesn’t think that Jenkins is that stupid. “It's not too far a stretch to think that this "mid-season" conversation occurred in the middle of filming the first season, and all DJenks is prevaricating about is the timing thereof.” 

Jenkins realized mid season one that Con is an amazing actor, so he takes him out for dinner and says, “Next season I want to kill Izzy 3 times. The first time will be Stede's dream sequence, and the next two will be actual Passion Plays, because we're setting Izzy up to be Jesus and Westley from The Princess Bride and Han Solo from Star Wars.”

“And Con takes up the challenge of being coded as an OVERT Queer Messiah (with an additional layer of subtextual HIV/AIDS)... because of course he does. Of course he fucking does. If he can pull it off -- and if anyone can, it's him -- it's the role of a fucking lifetime. It's a role for history books and media studies for the next fifty or one hundred years. 

“Doesn't that sound a bit more likely? Doesn't that sound a bit more real?”

Mera predicts that interviews and articles will start publishing ideas about Izzy still being alive, and talking about how weird and off the end of season two was. Everyone involved with the show, after all, will “know we inspect every frame and every pixel of every BTS and teaser they release,” so they’ll feed us enough to keep us guessing at the truth.

“Here is my promise to you: if/when I'm wrong about any of this, I will edit this chapter only to admit I was wrong and when and how. I will not remove my evidence.  I am comfortable being wrong.  If I was never wrong, I would never have tried and failed and learned from my failures!”

Chapter Until You Come Full Circle

This chapter is about interviews. “We’ve had, just in the last week, two very sweet and classy interviews with Con (which I did predict, although that was about as safe as saying the sun would rise in the east this morning) – and one that seemed… less so, with Taika.”

First interview with Con.

Con says to trust David Jenkins, which immediately makes Mera think of Proverbs 3:5-6: Trust in the Lord with all your heart, And lean not on your own understanding; In all your ways acknowledge Him, And He shall direct your paths. “Now. Am I delulu, as the kids are calling it these days, suggesting that Con might intentionally be throwing some religious vibes at us?”

Con is also “earnest and intense” in his praise of OFMD’s writing. This is a good sign; that means he thinks the show is written well, and that’s further evidence that Izzy will be back.

Second interview with Con.

Con “seems to me to be very reluctant to outright lie, which is awesome for a meta writer and squares with my experience of him. Lying is easy in the moment and difficult in the future – a person has to remember what lies they’ve told in order to remain sufficiently consistent in their stories. It takes more skill to tell just enough of the truth that it's both vague in the moment but pays off later.” This makes interviews with him extra valuable.

A short analysis of one of his quotes: “Everything Izzy is in Season 2 was there in Season 1, only understated and repressed. According to the actor who played him: he didn’t change who he was. Izzy just got safe enough to let what was inside him out to where others could see it too.”

One of Con’s quotes backs up Mera’s Sacred Heart meta, namely the part about Izzy trying to serve the crew that loves him. 

Now a Taika interview.

This interview bolsters Mera’s idea of Ed as Judas. 

From the article: When Consequence asks writer/director/actor Taika Waititi if he’s feeling optimistic about a third season of Our Flag Means Death, his initial response is this: “Have you seen the end?”

“I think we can safely assume that Taika’s not asking the interviewer if he’s literally seen the last episode of Season 2. This feels to me like the blunt, sardonic, dry humor Taika’s evinced (and occasionally gotten into trouble over) during other interviews, aimed at the word ‘optimistic.’ ‘Have you seen the end? How optimistic did you think it was?’”

It’s not an optimistic ending. The interview mentions the inn’s renovations, but we don’t see anyone doing any renovating. Ed and Stede don’t even have food as the Revenge sails away. 

From the article: For Waititi, though, the Season 2 finale “feels like a natural end to their story. Just because I feel like, you know, they’ve been through so much and then wind up in that nice place at a happy ending.”

What nice place? What happy ending? 

From the article: Waititi says, though, that “I don’t want it to feel like Rambo III suddenly, you know, when you’re like, ‘Oh man, they have to leave their idyllic life again.'”

“Okay, everything else was fucky as fuck… but that feels wrong enough to be a lighthouse.” So Mera went and watched Rambo III, which is more relevant than she expected. 

Rambo’s “idyllic” life isn’t that great. “We don’t see an emotional, human connection. We see a white guy who’s on tolerance in a place he doesn’t really belong, separated by a language he doesn’t fluently speak. We see a man tormenting himself with boredom and isolation.”

“When you look at John Rambo through most of this movie, you see a pretty good correlation to Edward at the start of the last episode of OFMD S2: on tolerance in a place that’s not truly his home, trying to fit a life and do a job he’s not suited to… and he gives it up without another thought because a man he cares about is in danger.” A hint to season three?

Chapter My Ridiculous Obsession With Love

In this chapter, Mera addresses one of her “haters.” 

For anyone who forgot the thesis of this meta: “The overarching hypothesis I'm building in this meta-discussion is that Izzy's death was more serious because HIV/AIDS and queer grief is serious.  He had to go into the grave and take the full journey of the passion play to be able to leave it behind him, and to re-emerge as someone that can touch, kiss, and love again.”

--

Commenter: “None of that makes this a definitive interpretation, or one that the creative team can reasonably be held responsible for.” 

Mera: “... yes?  Okay, sure? (Dear non-haters: just picture that John Travolta confusion gif again, because if I threw it in here every time I rammed up against an example of begging the question in this comment, there'd be like 30 of them and we'd all get tired of them.)”

--

Commenter: “The crew hold back because Ed is the person Izzy dedicated his life to and has not yet fully reconciled with- they're giving him space to sort things with Ed so he can go in peace. Etc etc.”

Mera: “I see a rapid parade of images and sounds. "He's a dick, but he's our dick." Jim snarling "He was your friend" up into their captain's face, even though they know for a fact that could get them killed. The crew make the unicorn's leg for him together but they leave it at his door because they know he can't (yet) let himself accept it if anyone's watching: what an incredibly emotionally intelligent maneuver. The easy way that we see Jim and Lucius and Frenchie and Fang interact with Izzy in later eps-- all touching him or letting him lean on him, just never skin to skin. The way that we see Izzy go into Wee John's arms and stay held there for a while as he commits the incredibly vulnerable act of singing for them. The way that Izzy lays his hand on Stede's knee while they're talking at Jackie's bar, and there's no real animosity from them on either side then.

“So I'll give you this one, 100%.  I can't say that you're wrong or prove it in any way.  Your reading is absolutely as valid as mine, no more and no less.”

--

Commenter: “Isn't it heavily implied that people touch him with bare hands while dealing with his leg? And if he is coded as having AIDS and being untouchable, why would the crew be so willing to dive in and get covered in his blood when they treat his leg, especially when they're also scraped up at the time?”

Mera: “I haven't had a chance to write up this meta yet, but in a nutshell: we see Jim and Archie amputate his leg (with their hands pressed together in visual union atop it).  They're covered in blood and this is one of the least realistic depictions of a survivable amputation attempt in media ever, frankly... and yet Izzy lives through it!  [...]

“Notably we do NOT see Fang cleaning up.  I need to go back and verify, but I'm like 99% sure. 

“Why? Is Fang lazy or unhelpful? No, I'd say two reasons. One, he's paralyzed with grief (and the men in this show are so emotional, as Auntie rightfully notes).  But two, certain classifications of men were more susceptible to Izzy's subtextual disease. [...]

“I think it's a direct subtextual sign post to the part that lesbians/wlw/AFAB people had to play in the care of queer men dying of AIDS. [...] Jim won't catch Izzy's subtextual HIV/AIDS, ever.  Jim's hands heal and comfort, with both Izzy and Auntie -- repetition (usually) legitimizes, as I've said elsewhere.”

--

Commenter: “...while I know I have no control over this... it's alarming to see other commenters accepting this elaborate interpretation as if it's definitive.”

Mera: “Ooooh, I'd pay a dollar to find out how many comments you leave on fix-it fics. Are they also dwelling in their delusions of a world where a fictional character in a show overcomes a fictional death in the same show? Is it a sign of mental illness to indulge in word count or WORSE -- for them to irresponsibly leave those insane words just out there online where other people can also continue their madness by READING THEM?!?! The absolute horror. We writers should be ashamed, etc etc. 

“There's every possibility all the words I'm spilling over this are worth just as much as you paid for them: exactly nothing. 

“So thank goodness we have you and others like you, willing to do the purely altruistic and entirely virtuous work of... leaving comments to tell us you didn't agree? I guess?  Honestly I don't have a full lock on what your goal was here, if something other than trying to make people feel bad but fortunately not being very skilled at it.”

--

Commenter: “I wish you and every other fan nothing but the best, and for that reason, I find this hard to watch.”

Mera: “My sibling in Shiva: the 'back' button and the 'x' to close the window are available in every single web browser I have ever used in the history of the internet, ever. But I appreciate your martyrdom in staying here and nobly suffering so hard in an attempt to save me and my readers from ourselves!”

--

Commenter: “It seems like you are setting yourself and others up for even more rage and heartbreak than there would otherwise need to be.”

Mera: “I want to point out that I've tried to be very careful in not speculating about Season 3; I think it's reasonable for any fan to assume all characters living at the end of S2x08 will return in S3 unless real life status of the actors, scheduling, or budgetary considerations prevent that. 

“I want to point out that all I have are the first two seasons, and I am telling you that Izzy Hands, inside the last second of S2x08, is "mostly dead but slightly alive" -- and he's in the house, being the cause of the smell that Edward doesn't want to recognize (as he is at least twice before shown refusing to recognize what he's done as Blackbeard after the fact) but does actually recognize all the same.”

Mera admits that there are two options: “Either I'm correctly parsing the absolute bounty of subtext available in every aspect of the show, or I'm not.”

“On the day that we get that confirmation, I will feel one of two things: either the delicious vindication that I was right -- or amazement that they could build such a wondrous sky castle of subtext, whether consciously or subconsciously, and fail to complete it satisfactorily.”

“I've been wrong before and will freely and cheerfully admit it [...]. That's also why I put in my first meta post that I had been a TJLC'er -- and why I've left it in there, actually. It's correct and it's honest. Straight off I admitted I was wrong about Something Big. 

“See, it's [...] ‘hater bait,’ and it's already caught several. Lots of concern trolls that couldn't quite manage to wipe the foamy froth from their mouths long enough to keep it from dripping on their keyboards, because all of them had mentioned it... until you.”

--

“I've cackled my way through all of the writing of this post, even as I've tried to be very kind in reply -- you should have seen some of the shots I chose not to take due to their cruelty (even though they were fucking hilarious) -- so thank you for a most diverting morning.  I even got more meta and more word count out of this, so it wasn't actually a waste of productive time!”

--

Commenter: “I urge you to reconsider this approach that you're taking.”

Mera: “Here's where I'm gonna get all the way real again. Because I'm not talking to [...] that poor dear any more. I'm talking to the ones who are here with me in the stinking dark of the Pit of Despair, holding onto Izzy's naked right hand with no glove between us any more or hopefully ever again, hollering him back home out of the gravy basket.”

“If one sound had been added, everyone would know what the author knows. “We have the house. We have the grave -- with Izzy's collar on it like the dog collars on the dog graves in Pet Sematary -- where whatever comes back often comes back wrong. We've got the concept of a bad smell. We've got Stede reacting to something awful with a scream [the one thing Mera’s adding in this scenario]. 

“DONE. 

“Now the fandom is convinced that Izzy is alive, just as most of us were convinced in the last 18 months that Lucius was still alive.”

“This is part of what convinced me in the first seconds after the episode was over that Izzy wasn't dead. If I could both change the story and prove it to everyone else with just one small addition... then he's not dead.”

After Lucius was pushed overboard in season one, “I just trusted that this soft and sweet little show wouldn't actually permanently kill one of its gays. [...] And I still trust that it didn't actually permanently forever and truly kill the most gay-coded of its gays.”