#“i hate my life and i hate the one who made it this way but that doesn't give me the right to take a fate that was never mine to begin with

[keferon]

Chapter 2 of Blurr storyline >:D

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head is all cloudy, I thought you said you were an alien.”

Part one

Holy shit I actually managed to finish it…..Oh. My god.

Under the cut⤵️

Is it stupid to miss someone who doesn't even exist?

Probably yes, but hey, Swerve already has several degrees, might as well get another one. A degree in Stupidity or something. Who cares?

For the first few days after waking up from his coma, he feels like he's going crazy. Everybody has realistic dreams, right? The ones where you can scrutinize every angle, memorize every face and smell and sound. The ones that make you lie still for a while after waking up, grasping at every thing you can. Trying to memorize everyone you meet, imprint them in your head.

Because apart from your mind, they don't exist anywhere else. So that's your only way to keep them.

It never works. Obviously. Details slip away. Impressions fade. Just a couple days, and you won't be able to recall anything but the main events from memory.

Wait, hell, not days. Cycles.

His life is a weird, pathetic, fantastical circus. Earth term. Heh. There are no circuses on Cybertron, haha!

But Swerve remembers. And the word circus, and the smell of asphalt, and rains that were made of water not acid. Remembers the English language. Can speak it fluently, even if you wake him up in the middle of the night.

Remembers his work schedule and remembers which company makes the best details. And Tailgate with his bright blue uniform and Wheeljack with his endless experiments and Swindle with his expensive coat and of course...yeah, no, don't think of Blurr, don't think of Blurr, don't. Don't.

He'd heard about it. Read about it, too. Mechs waking up from comas and doing wild things. Some forgot how to speak at all, some gained a new skill, some lived a whole life while they slept.

Articles tell Swerve, don't worry, what you've experienced isn't unique. The doctor tells Swerve that the same thing has happened to others before you, it will be okay, it will pass.

Swerve isn't sure he wants it to pass.

He's been in a coma for who knows how long. The medic said it was caused by an internal trauma that decided to suddenly get worse. One minute he's recharging , the next he's gone. Internal injuries are insidious.

So it turns out. One day he just disappeared from the world because he was busy slowly dying in his room and no one noticed until a thief tried to sneak in. The only one who came to him was a Mech who wanted to steal his stuff. Huh.

That feels revolting. Swerve liked to think he had enough friends. Or at least enough good connections. Enough those who should have noticed his absence, right?

Apparently not. His shifts at work were reassigned, his contacts never texted him first, his...

His small persona wasn't important enough for anyone to notice his disappearance.

Would his human coworkers notice? Would Tailgate have noticed? Or Jazz? Swindle?

Jazz would have noticed, he was always surprisingly attentive when it came to his friends. And he was friends with just about everybody.

Swindle would probably get upset about the money he'd lost.

It's amazing how much his brain-- wait, no, his processor. How much his processor could create to entertain him. It's a more elaborate world than the most complex series Swerve has ever known. And that scrap had forty-six seasons and fifteen encyclopedias!

People, Earth, a bunch of new languages and rules and all for the sake of the end being like, OOPS! ...it was all a dream. Hilarious. Worst plot twist ever. Swerve hates it when stories go in this direction even more than when they kill off their characters.

In his humble opinion, death is better than the revelation that none of the experiences made sense or had any value. In terms of writing scripts obviously. Haha.

He's busy roaming haphazardly through his own memory. He's looking, comparing, trying to find inconsistencies or things that don't make sense. All the stuff that usually gives away the fact that what happened was a dream.

Most of his memories are occupied by--No. Frag.

Don't think about Blurr, don't think about Blurr, don't think..

He's thinking about Blurr. A lot.

Blurr occupies a surprisingly important role in his comatose dreams.

In the time he spent just looking at him, you could hand-build an entire Mech. Maybe even three. Swerve remembers picking up every bit of merch he could reach with his paycheck. Watching hundreds of videos and buying every new themed drink even if it was a flavor he didn't like.

Then spent a surprising amount of time resenting Blurr for not living up to his fantasies.

Blurr's behavior hadn't helped either, of course, but now, looking back at the past himself Swerve thinks that.. Oh wow. You weren't just annoyed at him. You blamed him for ruining your beautiful fantasy. You were having so much fun entertaining yourself with thoughts of this marvelous image, and he came along and corrupted it. Poisoned the well you drank joy from.

But that's not quite true, Swerve thinks.

Blurr was more complicated than that. But exactly how, he'll never know. All he has are his memories, and those memories are cut short at the most interesting point.

Swerve knows this plot twist. The asshole character that no one loves at the last second turns out to not be what everyone thought, but it's too late.

Oh no, he's not an evil jerk, he's actually traumatized. Oh no, he wasn't bad, he was actually secretly helping everyone. You thought he was awful? Well now you're going to feel awful reading fanfics.

Serevus Spayne didn't actually betray the main character's dad, no no, he was in love with him! Bam. Drama.

Swerve isn't a big fan of this stuff. He likes his characters developed properly. But he can't deny the appeal of a character leaving behind a bunch of questions you thought you knew the answer to.

Uggh.

The doctor was wrong. These thoughts don't go away. These memories don't dull.

Swerve just boils in them, constantly getting stuck in his own head. Sometimes he puts English words into his speech and everyone looks at him strangely. Sometimes he reflexively says some inside joke and no one gets it and he's left standing there with an awkward smile. Because. Guys, you don't understand, if my coworkers were here they'd think it's hilarious. I promise, in my fantasy world, it's funny.

When he gets a job on one of the Autobot ships, he accepts it thinking it might be a good distraction from his thoughts.

When he happens to see Prowl with a tiny human on his shoulder in the corridor of that ship, he thinks he's lost his mind.

The whole thing. The whole load-bearing structure on which his picture of the world has been held suddenly gives a lurch. Living your life in a super realistic dream is wild, but meeting a character from your dream in real life??

Freaking cursed.

Jazz looks puzzled by his reaction, but all Swerve can think about are two things.

One, if Jazz is here, does that mean everything else was real, too???

Two - holy shit, Jazz is tiny.

It never occurred to him. But he didn't really know what size humans were. Well, sure, he could measure it in numbers. But he was among humans himself. And about the same size. He was generally even shorter than most of them.

If Jazz is so small, he can't imagine how tiny Tailgate would be. Or--

He can feel his spark freeze. In fact, he can almost hear the sound of a string breaking in his processor. Does that mean Blurr is real too? Real and just as tiny and currently dead? Because Swerve was there but was too convinced it was all just a dream to help?

He's going to get sick.

He needs to talk to Jazz right now.

____________

Swerve taps his fingers nervously on the countertop. Come on. You're good at talking. Talking is your greatest skill. All you have to do is tell someone else about your comatose hallucinations and hope they don't think you're crazy.

They're sitting at a table at the bar. More specifically Swerve and Prowl are sitting at the table, and Jazz is sitting right on the table. (God he's so small).

“So uh. I got injured a while back and...uh...well, it got worse, turned out important systems were affected and I kind of. I was in a coma. For a really long time.”

Jazz frowns

“Oh. I’m sorry to hear that.”

He speaks in a mildly wonky Common, Swerve notes to himself. He waves his servo a little too cheerfully in response.

“'Ay it's no big deal really. I saw a whole other world while I was asleep and like. See, I thought it was just my fantasies, but it seemed very real and...”

Swerve mentally crosses his fingers.

“And it was about this planet called Earth and about people who were building their own inanimate huge robots to fight huge aliens and their boss wanted to launch Mechs into space, so he picked the best of the pilots named Jazz and sent him on this test mission and...”

Jazz looks at him with huge eyes before switching to English in surprise.

“Mech, what the hell?”

“...And we lost him...” finishes Swerve with a sad smile.

Before thinking for a bit, and adding.

“I'm going to show you a trick I can do.”

And then projects his holoform onto the table in front of him.

This. It's weird. Not in a way that would tilt it in the direction of unnatural. More like walking around in his comfy indoor pajamas right in the middle of the street. Being human is familiar to him, but being human amongst huge Cybertronians? Strange. And a little creepy.

Prowl looks confused.

Jazz looks absolutely frantic.

“SWERVE????”

Swerve doesn't even manage to respond, only to smile in relief before Jazz rakes him into his arms. In his holoform, Jazz feels right again. He's taller than Swerve and oh boy, he's alive and unharmed. To think everyone thought he was dead, staying up nights trying to find what was left of him, and he was on the other side of the universe the whole time?

Swerve chuckles into Jazz's shoulder. Then picks him up and spins him around a couple times just because he needs something to get his energy out. Man, it's nice to hug people. Warm and soft, eight out of ten.

Jazz pulls away but still stays standing very close. Swerve can literally see the happy stars in his eyes.

“Dude, I'm not complaining but what...how???? You just kinda..."

Swerve laughs and twitches his eyebrows playfully.

“I still speak English, you don't have to torture yourself with Common.”

“Oh thank fuck.” Jazz throws his hands up dramatically ���you're my favorite person right now.”

There is a polite click of the vocalizer resetting above their heads.

“I” Prowl says “very glad you two are happy but I'd like some explanation”

Swerve presses his head into his shoulders guiltily. Prowl has the unique ability to always sound like you've done something wrong in front of him.

Although Jazz doesn't seem to feel the same way?

“Short version - I sleepwalked my holoform to another planet.”

He pauses dramatically.

“The long version is...”

Jazz raises his hand

“What's a holoform?”

Swerve sighs.

“It's a holographic avatar that I can project using a holomatter generator. Sort of like a remote controlled game character.”

Jazz whistles impressed. And then immediately turns back to Prowl

“Have you been able to do that all this time too?“

Prowl hums

“I can create an avatar, but it takes a lot of practice to make it at least believable. And to fully perceive the world through it takes even more. It's a whole new technology. What Swerve does is essentially an art form. Sophisticated and impressively detailed may I add.”

Swerve shrugs shyly. He's still using the holoform to stand on the table next to Jazz. Looking up to speak to Prowl isn't exactly comfortable, but Jazz definitely looks like he's been missing the human presence. Swerve isn't human, but he might as well be.

“Thank you. Yes! Uh. Anyway, it seems while I was in a coma my processor projected my avatar onto Earth and I...let's just say I lived there for a while.”

Jazz laughs

“Dude. So you're telling me you were basically sleepwalking the whole time?”

“ I was.”

Prowl frowns.

“But the range limit of the holomatter generator is only four hundred miles...”

“.... I had a lot of practice...”

Jazz claps his hands.

“You learned a whole other language! Got an ID!. You had a job!!!”

“I got carried away,” Swerve admits.

Jazz scratches the back of his head, still looking very amused

“How many degrees did you get? Haha wait no, I have a better question, did you pass your driver's license?”

“Two. And I failed my driver's exam.”

“Dude you are literally a car without a driver's license!” collapses Jazz on the table with laughter.

Swerve blows the hair out of his face

“Says you who retook the physical several times. You couldn't pass the "being human" exam.”

Jazz just wheezes incoherently in response. Prowl looks alarmed.

“Don't worry, that's him getting excited. So...where have I been...”

Swerve nervously shoves his hands into his pockets

“...Do either of you two know where Earth is?”

Prowl twitches his door wings

“No. Since Jazz was teleported we don't have much clues.”

Swerve grimaces. Scrap. Of course nothing's going to be that easy. He's also been, like,....teleported.

He stands there for a couple minutes and just feels fifteen different emotions rise up in his head at once. A crooked, unsteady smile creeps across his face.

He's thinking.

Oh hell, yeah! I knew it wasn't a dream!

Then he remembers the mess he left behind.

Oh, no, it wasn't a dream.

Jazz puts a hand on his shoulder.

“Swer... Swerve? Dude, are you okay?”

“Ah frag..” Swerve says weakly ”it wasn't a dream.”

Jazz looks...puzzled.

“Is that bad?”

Swerve remembers his friends. Remembers the Mecha program. Remembers fire and smoke and screams and rumbling and crackling flames. Ashes flying through the air and the smell of burnt wires. He remembers blood and debris and...

“It's...complicated.”

This wasn't just a stupid plot twist he'd dreamed up because he'd watched too many shows. This wasn't a hallucination or a disembodied fantasy that just happened to linger in his head. This was real. His friends exist out there somewhere. His work and his collections and his little apartment...

And Blurr. Was real. Or still is? Swerve doesn't know. Blurr wasn't a product of his imagination. He was real and what he did was real and Swerve left him there alone, bleeding and trapped in rubble and tiny and...

Hahahahah oh fUCK.

He doesn't like this plot. It's too much. Too much to handle, too complicated, too ambiguous.

It's also probably too late.

But he can't leave it like this, right? Blurr went into the damn burning building just because of the possibility that there might be someone alive in there.

And Swerve doesn't even have to go through the flames. He has to look. He has to try at least.

Jazz glares at him with a worried look on his face

“ That expression you have...”

Swerve puts the smile back on his face.

“I need to get to Earth.”

___________________

Swerve is not an idiot.

Or maybe more accurately an idiot, but with several degrees.

He's well aware that finding Earth in space with only a description of it is impossible. Which leaves him with two options.

Ask the Quintessons. Or look for it himself.

The first sounds like death. The second like coma. Swerve has exquisite enough taste to know which is better.

He just needs to do some preliminary reserch.....

Jazz, now back inside his Mech looks doubtful.

“You're not going to die suddenly and for no reason, are you?”

Swerve laughs.

“Pfffff what, no of course not, would I kill myself hah. No no, look I'll just put myself in stasis for a bit. Send myself to Earth. And try to figure out where it is from there. Get the coordinates. If I'm lucky, I can see what Space Bridge the local Quintessons use. All you'll have to do is wake me up after a while.”

“It's not harmful?”

Swerve makes an uncertain gesture with his hand...servo.

“If I have enough fuel. And an additional connection to an external generator.”

Jazz tilts his head

“ Why are you so eager to get to Earth? Don't get me wrong, I miss it too and want to go back, but.”

Swerve bites his knuckles.

“ I have some unfinished business?”

“Pshhhh you sound like a ghost.”

Swerve only laughs in response.

_______________

Concentration is tricky.

Swerve tries to think about Earth. And not to think about the fact that he doesn't know where it is. If he's already been there once, he might as well go there again yes? In theory? Perhaps?

Except for the possibility that his sleepwalking just takes him to random planets. That would be very inconvenient. It would be a whole new level of lost

Shit. No. Earth. Think Earth.

What's he even gonna do when he gets there? How far away is it? Swerve is very talented with his holomatter generator, but if it's really far away... maybe he should reset some settings.

He mentally starts going through his options. Does he need tangibility? Probably not. Come to think of it, it would only make him more vulnerable and take a lot of energy. Yeah, the tangibility has to go. What else? Touch, too. Sight and hearing should stay, that's not even a question, but colors and textures are not really necessary.

The amount of detail and picture quality can be reduced as well. His holoform will become colorless and grainy and will probably ripple with static, but he'll survive it.

After he finishes making changes to his holoform he thinks about his old stuff left in his house. Then about the posters. Then reminds himself that he needs to focus on the goal or he'll never find Blurr and...oh FUCK his phone! Where was his phone when he disappeared? Was it found?? There were so many personal things on that phone, he's hoping the phone was burned under the rubble. Either that or the arriving investigators will find his browser history and he'll go into another coma from pure embarrassment.

He blinks dazedly when he realizes he has loads of rocks in front of his eyes. Oh..Did he screw up? Did he end up on the wrong planet? Is it a cave or--

Then he notices the odd shape of the “rocks” and. Oh, no. It's not a cave. It's charred concrete debris.

This is the place where he was last.

He hastily looks around. Anxiety creeps up the back of his neck, makes him feel like something slippery and cold is crawling over his skin. There is nothing but ruins all around.

Blurr is not here. The place where his Mech was lying is empty.

Which means he was at least found and dragged out. Dead or alive.

Swerve's bites his knuckles. Okay.

All right.

He's got things to do.

_______________

He's trying to stay out of sight. Which isn't hard, considering he's just a hologram. At first, he just sneaks around in the quiet areas. Then proceeds to do a facepalm and start teleporting. Think, Swerve. Did you read all those comic books for nothing? Superheroes who couldn't really use their superpowers creatively always annoyed him. And he does, in fact, have a superpower. Gotta get creative, right?

He stops and looks at himself again. His holoform is going static and is a dull white color. He thinks for a bit, and then shrinks himself. Thinks some more, and makes himself almost transparent. There's no way he could pass as a normal human right now, so he'd better just do his best to avoid being seen by anyone.

He looks around thoughtfully. Hmm. Even if he's going to be absolutely tiny, he needs to make sure no one sees him, otherwise the whole base will think the Quintessons are now spying on them through holograms or something.

Breaking the rules feels...it's exciting.

All his ..human life here he hadn't thought about it, but if he threw away the rules he was used to about what people could or couldn't do...

He looks up in a sudden rush of sly genius. All people look under their feet when they walk, but how many look up? And how many of them notice the barely visible tiny holoform hiding just behind the blinding lamps?

The answer is probably none.

Swerve projects himself onto the ceiling and mentally pats himself on the shoulder for his impressive intellectual accomplishments. A creativity degree should definitely be a thing.

A degree in spying on the Quintessons' ships wouldn't hurt him either.

Fortunately sneaking onto their ship turns out not to be that difficult. Swerve makes himself absurdly tiny and hides in the darkest corners that no one would ever think to look into. Why hasn't anyone thought of using holoforms for spying before? Could he be the first to think of it? He doesn't know, but he mentally decides to patent the idea.

Finding the Space Bridge is surprisingly easy. The local Quintesson fleet is clearly used to being the dominant force in space. And that's generally logical. Even if humanity collects a mountain of money from somewhere to throw a dozen Mechs into space - there will be thousands of monsters waiting for them. In such a situation, you don't have to hide, the guards are enough.

Well done, well done, don't hide, Swerve thinks, copying the coordinates and address of the space bridge to himself. You have absolutely nothing to fear here, he thinks, so stay where you are and don't move. Please and thank you.

Once the coordinates are obtained, he... has some freedom to explore. And he uses it for probably the most boring-sounding thing in the world. He returns to his usual workplace.

It’s simple. As damning as the Mecha program was, Swerve loved his job in it. He loved his position in the assembly shop. And he missed his friends.

He quickly teleports through several rooms, continuing to hide close to the lamps. Tailgate is here. Alive and unharmed. Wheeljack is too, though his face has some scars added to it. It's great to see them again, even if he can't talk to them right now. No one will probably react well to a grainy unexplainable hologram. He's just glad to know they're okay and honestly, the last thing he needs is paranoid Onslaught installing extra signal jammers.

It takes time to find Blurr. Partly because Swerve is terrified of what he might find if he started looking. So he goes to check the death lists first, and only after flipping through and re-reading them three times does he finally exhale in relief.

Blurr's name isn't there.

So his smug, shiny ass must be around here somewhere.

He checks the hangar. Flips through the Mech launch logs and feels an uncomfortable knot begin to form in his chest. Blurr's Mech has never been repaired or launched even once since the incident. Its plating has been replaced with new, well polished, and put in a prominent place where anyone who wants to can take a picture of it. But all the internal systems are destroyed. This machine hasn't been used for anything other than being a beautiful exhibit.

That's...something's wrong.

He checks offices and schedules as well as eavesdropping on a few conversations and ends up secretly following Swindle, who is arguing loudly with someone on the phone. He says something about deals and how he doesn't need anyone meddling in his business. Then he talks about how he's got everything under control and the person on the phone is “a dumbass who's making drama out of nothing” and that “he doesn't need anyone's handouts". Then he sighs and says, “you know how celebs are. Dumb and dramatic. You can't take their words literally.”

Then drops the call and for a couple seconds looks like he's just had a large bill taken right out of his hand. Curses again, but in a quieter voice. Leafs through his contacts and stops at the one signed 'free ice'.

“Blurr? Where are you? Wha...ah, no wait. No, the advertising agency called. No, liste...Can you shut up for one second?Where are you?

Uh-huh....... Uh-huh.Okay.

Give me half an hour...okay, yeah.”

This is it, Swerve thinks.

He shrinks himself further and teleports under the collar of Swindle's coat.

He wants to take a look. Just. Just a peek. Make sure everything's all right. Then he can go about his original mission in peace. He watches Swindle get in his car and drive off somewhere. Swerve doesn't recognize this part of town. The houses here are much nicer than where he lived. The streets are cleaner.

He tucks himself further under the coat collar. He's not going to be a stalker or anything, but he's worried and he doesn't have time to wait for Blurr himself to show up for work. Just one little look and that's it.

Swindle's car stops outside a beautiful, shiny hospital. Swerve nervously tries to bite his knuckles, but remembers he's disabled touch in his holoform. Shit? Shit.

Shit. Shit. Shit. Shit. Shi

Blurr looks like a mangled corpse.

Okay, not really. His left side that faces the door to the hospital room looks like a mangled corpse and that's the first thing that catches Swerve's eye when he's inside.

Blurr is pale and thin and his hands are covered in bandages. The left side of his face has been turned into an absolute ugly nightmare. A piece of his ear is missing. In the place of the left eye is a creepy empty hole.

Suddenly Swerve realizes why Blurr didn't show up for work. You can't even show him to his coworkers like that, not just to the public.

Blurr turns his head and the spell breaks. His lips stretch into a cocky smile.

“'Got bored without me Swindle?”

Swindle doesn't show the slightest emotion at the gruesome sight. He casually pulls a chair over to the hospital bed and sits down.

“Shockwave is trying to sneak a new project into the program. And he's slowly swaying investors to his side, using you as an excuse. Tells everyone you're a poor martyr he can save if only he's given the green light from above.”

Blurr wrinkles his nose.

“Not that he's wrong. The doctors say I need to pick a new career because with this...” he jerks his head to the left implying his damaged half, ” neither racing nor piloting is an option for me anymore. I'm out of your project.”

Then he stops talking for a few seconds and raises an eyebrow curiously.

“You wouldn't have come here in person just to say that. Why are you really here?”

Swindle adjusts his glasses

“Have I ever told you why I made the contract with you?”

“Because you like money” Blurr says without hesitation.

Swindle lets out a quiet chuckle.

“Fair point. But money wasn't my only priority.”

He pauses for a second. Gets up. Draws the curtains in the room. Checks to make sure no one is outside the door.

Goes back to his seat.

“You didn't see what the Mecha project was like before. Brutality and absolute disregard for human rights multiplied by a thousand. People were desperate and no one cared to maintain any decency.”

He raises his hand when Blurr rushes to say something.

“No no, listen to me. If you think things are bad now, you're right. But it used to be much. Much, much worse.”

Swindle sighs and adjusts his glasses again

“Vortex was taken as a boy. He wasn't even out of high school when they shoved him into the lab. Me and Onslaught were pulled right out of the college exams. The others were no better, although they were usually a little older. My point is that it was allowed. It's what the superiors could do and no one told them no.”

Blurr tilts his head and gets a little all turned around to see Swindle better with his right eye.

“But you... found a way to change that, didn't you?

Swindle rubs the bridge of his nose

“I have no power over my own superiors. But Onslaught and I have come up with a plan. Look. I'll put it in simple terms for you. Above me is my boss, and above him is another boss, and so on but at the very end of that chain are people from the government. The investors. So we figured out a way to cut through the chain of command and influence them directly. Make them worry about us. It's a kind of social shield. Onslaught is a genius.”

Blurr blinks.

“Why are you telling me all this.”

Swindle takes off his hat and just. Crumples it in his hands. The back of his head shows numerous scars and the glint of tiny metal implants barely visible behind his hair.

“You're that shield right now, Blurr. You can't leave.”

Blurr's eye widens

“Is that why you insisted on ‘befriending’ me with all those bullshitters?”

“I needed to make sure that in their minds we weren't just a military unit. To keep them thinking that we're as human as they are. So I gave Project Mecha a face.” He tugs on the hat again, “Your face.”

Blurr runs his fingers through his hair

“Shockwave can't do whatever he wants cause...because of me his efforts would risk going public and people wouldn't like it and it would ruin the reputation of our investors-and-they'd-cut-off-his-funding.”

Swindle puts his hat back on.

“Exactly.’ That's why he's being so persistent right now. He knows you're vulnerable and he wants to capitalize on the opportunity. Make you part of his new project and tell the world about it. Make publicity his weapon, too.”

The lamp above them flickers faintly. Blurr takes a breath. Long and tired and exhausted and. a bit doomed.

Swindle puts a hand on his shoulder.

“Please. Don't leave. At least not now. And don't let Shockwave get to you. That would open the way for him to get to the rest of the pilots you represent.”

They just. Sit in silence for a while. Blurr quickly taps a finger on his knee. A rapid tap-tap-tap-tap-tap-tap-tap-tap-tap-tap.

Swindle moves his hand away and gets up from his chair.

“There's a press conference coming up. I need you to be there. I've told everyone who needs to know that the problem is exaggerated and you're fine but they need to see you.”

Blurr smiles sourly.

“My lawyer is going to charge you such a handsome sum for that stunt.”

Swindle laughs, but his cardboard advertising smile doesn't reach his eyes.

“We’ll see about that. Seriously though. I need you there.”

Blurr bites his lip.

“I..don’t know...”

Swerve...doesn't know what to think of that.

Blurr shows up for the press conference. Late, but he makes it. Just as Shockwave is presenting his new project in his amazingly well-pitched voice. Blurr swings the door open and waltzes lazily inside, skillfully pretending not to notice the many cameras and eyes instantly directed at him.

Swerve, whose memory is still fresh thinks for a second that no, no this can't be the same person. Past Blurr looked like a wreck. Past Blurr was tense and tired and hunched over. Present Blurr couldn't look more alive. His shoulders are squared proudly, there's that cheerful springiness and grace in his stride. He moves with ease and confidence. Smoothly.

The left side of his face is neatly covered with fresh white bandages. Carefully, without leaving the even the slightest gap through which his injury could be seen. His hands are hidden under a fancy jacket. He smiles wide and bright and squints playfully toward the table.

The very embodiment of nonchalance. The few pilots sitting in the audience roll their eyes.

Swindle breathes out a barely perceptible sigh of relief. Swerve, once again using Swindle's collar as a tactical cover, can't help but let out a silent triumphant laugh. Maybe slightly more nervous than he is supposed to be.

Blurr sends Swindle a sly, sharp smile and even knowing it wasn't meant for him, Swerve feels his cheeks heat up.

Ah, damn it.

Swerve breaks the rules. He tells himself that peeking is fraught with consequences when it comes to military organizations, but he can't stop himself from being curious. And from worry, too.

And now that he knows where to look, he sees things he'd rather not see.

Blurr ... is crumbling.

Swerve doesn't know all the details and consequences, but that incident did leave a mark.

But every time Swindle calls him and says “I need you at some place in two hours” he gets up and assembles himself into a human being. Like a goddamn puzzle. Tapes and covers the burned half of his face. Covers up the bruises and hides the stitches. Fixes his hair and sets off on shaky legs to pretend he's fine.

He smiles so bright and carefree, laughs so sweet and beautiful that no one would ever think that even standing up sometimes hurts.

And continues to act like a jerk of course.

The only difference is that this time Swerve mentally gives him the presumption of innocence before he starts judging.

Blurr does a lot of things that seem rude. He also does a lot of things that are actually rude and figuring them out without resorting to alien superpowers would be nearly impossible.

When the pilots see Blurr sitting right on the table while negotiating with investors, they roll their eyes and make comments about his terrible manners. Or when he stops showing up for even the most basic, rudimentary training.

Or when he develops that stupid habit of leaning his elbows on people standing next to him.

It's the model behavior of a rich, spoiled brat.

It's also an inconspicuous way to stay upright.

Employees say “that dumbass has never heard of personal space.”

Investors say, “I think he likes me.”

Blurr leans on Swindle's shoulder and through a charming smile says “Don't move or I'm gonna fall.”

Swindle also keeping up the smile discreetly holds him back, pretending it's a friendly half hug.

Swerve feels like yelling at both of them, but he's not sure what for exactly. For one thing, Blurr in his condition is very VERY VERY contraindicated to even get out of bed, let alone participate in social activities.

On the other hand, without Blurr, everything is going down the pit.

Without Blurr, all the government sees are dry reports and spreadsheets. Without him, all the high command has is numbers and a sense of impunity. Swerve is sickened by how easily people tend to forget that numbers represent other people.

Most pilots are able to draw a parallel between deteriorating working conditions and Blurr's sudden fondness for staying home instead of working. But they think the rich jerk got scared and ran away. Considering the way Blurr has always behaved at work - Swerve can't even judge them too much for it. They assume Shockwave getting more freedom is the cause of Blurr's absence, not the result.

Blurr's influence only becomes noticeable when it slowly starts to fade away. It's like switching from expensive tea to a cheaper one. The awful flavor only becomes noticeable in contrast.

Blurr doesn't lead the development of new technologies or go out to fight in the field. He doesn't make plans and reports, he doesn't participate in drills, he doesn't cover anyone's back in battle.

But he's the one who puts his hand on the government's shoulders when they're about to sign the next piece of paper. He's the one they have to look in the eye before they have a pen in their hands and a document authorizing Shockwave to stick more needles in people's brains.

It makes a difference. Small one. But still.

It turns a disembodied imaginary “combat units” into a tangible person.

From “do you want to accelerate the combat training of new soldiers” to “are you willing to tell the living, breathing guy standing in front of you that shoving poison under his skin is an idea you approve of.”

More importantly (And Swerve actually admires Swindle for this) Will you be able to explain anything to your families later on, when this same guy is on TV all over the country saying that's what you did to him?

There have been two fronts here all this time, Swerve realizes.

While the pilots were protecting people from monsters wearing teeth and armor, Blurr was protecting the pilots themselves from monsters wearing ties and lab coats.

After another conference, Shockwave stops Blurr in the hallway.

“Good show.”

Blurr laughs. Soundly and proudly.

“Thanks darling~ Sorry I interrupted you. Your speech sounded like something important, but I don't really know much about nerd stuff.”

Swerve, hiding on the ceiling again, snorts.

Shockwave doesn't move. Doesn't give any indication at all if he's offended or upset or whatever.

“It must have been hard getting here with your injuries.”

Blurr shrugs and lazily turns his head around distracted.

“It's just a few bruises here and there. Not the end of the world.”

Shockwave nods slowly. His voice and posture and all, Swerve thinks, looking very uncomfortable.

“Of course it isn't. But hardly good for your career.”

Blurr freezes.

No, Swerve thinks. Shit. No, don't listen to him, don't listen to him, don't listen to him, don't

“Your brilliant achievements have always been a source of admiration to me” continues Shockwave “it would be a pity to lose them.”

Blurr makes an indifferent face and tucks his hands into his pockets.

“Like I said. Not the end of the world.”

Swerve imagines choking Shockwave. Dropping a lamp on his head. Maybe jumping on top of him himself. Shut up, he thinks. Shut up, shut up, stop fucking talking.

Shockwave with a nice, slow gesture pulls out a notebook from somewhere and flips a couple pages.

“Multiple burns, cracked ribs, poisoning from carbon monoxide and combustion products of toxic chemicals...”

Blurr visibly shivers and looks away.

“...loss of vision on one side...” Shockwave continues reading, ”and partial hearing loss. Finally, the impact of neural link malfunctions. And this, if I'm not mistaken, is on top of the already existing memory problems?”

Shockwave takes a step closer. Not fast enough to make it look threatening, but enough to hover.

“It may not be the end of the world, but it is the end of you.”

He writes a set of numbers on the same page, tears it off, and hands it to Blurr.

“You are broken. I can fix you.”

Blurr frowns, but takes the piece of paper.

“That fixing would involve giving you consent to mess around with my head, wouldn't it? It's brave of you to think I'd go for that.”

Shockwave tucks the notepad into his pocket.

“I can assure you, neither I nor anyone else is interested in your brain. I just want to give you back what you're truly valued for.”

Blurr flinches.

“I don't need your help.”

“ If you say so,” Shockwave agrees easily. Nods, slowly and smoothly. Then starts to walk away “But you do need your fame.”

...

“By the way, you might want to wipe the blood off.”

Blurr waits until Shockwave's back disappears around the corner, then quickly pulls a tissue from his pocket and brings it up to his nose.

____________________________

Swerve wakes up looking up at the ceiling of his room. The high, metal ceiling, of a metal room on a metal spaceship.

Holy shit...

Jazz pokes him gently on the forearm

“Are you alive? You've been gone for like quite a while...Did it work?”

“Hey Jazz” frowns Swerve “what do you know about Blurr?”

Jazz laughs

“What are you fanboying over him again? Still??? Dude's smug and arrogant. Good boss though. I was hired to perform at his parties before I became a pilot.”

Swerve sits up and rubs the back of his head.

“Ah...”

“So it worked?”

“Wha...ah! Yes! Yes, it worked! I managed to get the number and codes from the space bridge the Quints used on you. We just need to find another space bridge and we'll have a pretty much direct route to Earth...well. Or rather, to the Quint ship that's located near Earth. You get the idea.”

Jazz rubs his hands together happily.

“I'll take it.”

Swerve jumps to the floor and heads to grab an energon cube. Man, these holoform exercises are burning energy like crazy.

He stares at his metal hands like an idiot for a couple minutes. Just...Contemplates how non-human they are.

He has eight fingers again instead of the human ten. Huh.

Prowl downloads the information he's gotten and immediately runs off to plan a route to the nearest working space bridge and for a while Swerve is just.

Left to himself.

He tries not to think about Blurr. What would he even say to him? Hey, look, I'm sorry I accidentally set you up, see, I'm actually an alien who was sleepwalking and thought you were fictional, surely this won't affect our non-existent strictly professional working relationship? Nah, screw that. If he's going to sound crazy, he needs to at least come up with a good presentation for his insanity.

....

Is it weird to think humans are beautiful if you're not human? If you're kind of human, but only in your soul and only half human?

He looks at Jazz and Prowl.

“You two get along really well.”

Jazz chuckles, sitting on Prowl's shoulder.

“Right now, yes. But we got on each other's nerves quite a bit when we first met.”

Swerve looks up at Jazz's chattering legs from his height and thinks. This is working somehow.

On the other hand, Jazz is the exception rather than the rule. He's friendly with everyone, he's easy to get along with, he's the soul of any company and most importantly, he was a little too much into robots before he discovered they could be alive. If anyone could find common ground with the Cybertronians, it would definitely be Jazz.

_____________________

”Are you a ghost?”

Swerve shrieks in fear and gets covered in static. He hadn't planned on talking. He hadn't planned on being noticed at all. Blurr was supposed to be asleep! And Swerve just wanted to close the curtains and leave, because there's some noisy party going on outside and bright illuminations are very bad for a patient already suffering from neural connection withdrawal.

He freezes in place like that dude from Jurassic Park. Like if he's still enough, he won't be noticed. Oh, or was that from another movie?

“I'm just uh” he awkwardly reaches up and closes the curtains “Lights. Bad for...you...now.”

Blurr chuckles. It sounds suspiciously joyful. His whole posture and facial expression. He looks very relaxed for someone who had a ghost materialize into the room out of thin air.

Swerve traces the line of the IV with his gaze. Oops, that looks like painkillers.

“Yes I am. Uh. A ghost watching the curtains. And now the curtains are fine, so I guess I'd better go?”

Blurr squints amusedly.

“You can walk through walls?”

“Uh, I can teleport into the next room?”

He backs up his words by making himself disappear and reappear in another corner of the room.

“Cool!” says Blurr cheerfully.

Swerve is involuntarily infected by his mood and makes a couple dramatic bows as if he were some kind of magician.

“ Show me more?”

“Hehehe okay eh” Swerve spreads his arms like he's presenting something and then makes himself the size of a soda bottle and teleports to the edge of Blurr's bed “Ta daaaa~”

“Wooooo look at you, you're like an action figure~”

Blurr immediately makes an attempt to touch him, but fails to reach and drops his hand back on the blanket.

Swerve chuckles and steps closer. It's funny to see the usually incredibly agile Blurr struggling with something so simple and ridiculous.

“They really drugged you huh?”

“It's not the drugs” snorts Blurr ”...it's my eye.”

He raises his hand once more and hesitantly pulls it towards Swerve until it bumps into his hair

“... depths Per…percen.. ah, shit. I can't tell how far away things are.”

Swerve just. Lets Blurr fidget at himself, while starting to feel really bad at the same time.

"If you can't tell how far things are, how are you going to drive?

Race???”

He must have a plan right? Something? Let’s-prove-Shockwave-wrong tactic???

Blurr drops his hands back on the blanket

“I won't.”

He freezes when the all too close fireworks rumble outside the window. Then points to his head.

“With this. I can't drive, I can barely walk at all, and I look like horror movie material. Pathetic heeh.”

Swerve sits down quietly cross-legged on the blanket.

“Well...at least you're alive....”

Blurr shakes his head.

“If I had died, it would have been epic. You know? Dharm...dramatic! It would be big news and everyone would be talking about what a hero I was or...or something...”

“...”

“Swindle would be so angry, but he'd figure out a way to make money out of it. He'd make a commercial about how people should be heroes. I'd be remn..remembered for being cool and brave and stuff.”

Fireworks can be heard from the street again. Swerve notices that there is a thin slit between the closed curtains through which a slim, flickering strip of multicolored light streams into the room.

Blurr frowns and leans back against the pillow, looking up at the ceiling.

“I've turned into a boring wreck. My records will be beaten, my career forgotten , and all the guys from work will remember me as a brat. In a--in a--in a way, it's worse than death. Shockwave's right.”

Swerve isn't sure what exactly would be an acceptable gesture of comfort, so he kind of just. Places his hand on the blanket covering Blurr's lap.

“Hey, don't say that. I think what you're doing is great.”

“Liar” smiles Blurr crookedly ”You hated me. I saw your posters collection.”

Oh shit. The ones he ripped off the walls and destroyed in a fit of fan frustration? He didn't even hide them, just shoved them in the back corner. Aw, man...

Swerve folds his arms awkwardly across his chest.

“I can be mad at you and think you're cool at the same time. I'm a multitasker.”

“You're a very specific kind of ghost.” says Blurr. Then, apparently inspired by the painkillers, decides to drop the conversational equivalent of an atomic bomb on Swerve's head “You died because of me?”

Swerve stiffens.

“I...Wwhat?”

“You know.” he makes a gesture with his hand that's ..unclear what it's supposed to mean. “You were working there with everyone else, and then there was that fire and I was sure I saw you down there under the rubble.”

He's silent for a couple seconds before he hesitantly continues

“And then no one could find you so most assumed you either burned or ran away. And now you're here with all your weird ghost stuff, so you must be dead.”

Swerve has.No idea what to think about it. And what to say? He's been so busy blaming himself for Blurr getting hurt that it hasn't occurred to him to think about what it looks like from Blurr's own perspective.

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head’s all cloudy, I thought you said you were an alien.”

Swerve wants to run around and bang his head against the wall.

Instead, he gets up from the hospital bed. Carefully.

“You're high. I'm not going to explain things to you while you're high, you won't understand or remember them. Go back to sleep. It's the middle of the night.”

“You'll tell me later?”

Swerve hums quietly and pulls the curtains all the way closed.

“If future, sober Blurr would want my company.”

---------------

Jazz looks at him. Very intensely.

“Are you going to tell me who this mystery person you keep coming back to Earth for?”

Swerve snorts.

“What makes you think it's anyone in particular?”

“You're right, you're right~” raises his hands in surrender Jazz “So are you going to tell your friend the whole thing?”

Swerve crosses his ..metal arms over his metal chest.

“Is it that big of a deal? He thinks I'm a ghost or something.”

Being a ghost...somehow better, he thinks. If you're a ghost, it kind of automatically implies you're human. Or was a human.

“Sooner or later, he'll put the facts together~” says Jazz in a chant.

Swerve laughs.

“That's unlikely. He's got a pretty bad memory.”

_______________

His plans to stay out of anyone's sight combust with a dramatic pop the next time he projects himself to Earth. He doesn't plan to interfere, he doesn't even plan to linger. He just wants to see what's going on.

He actually just quietly sneaks into the hospital to make sure nothing's happened to Blurr since last time, but when he finally finds him then...oh shit, is that Pharma in the same room with him??? This can't be good.

They don't speak, but Pharma has clearly locked his eyes on Blurr and starts making his way towards him with the relentlessness of a industrial metal press.

Swerve does some rough math in his head. If he briefly gives his holoform back its detail and voice, will that be enough to fry his processor? He's not sure.

Pharma gives a believable impression of a shark getting close. The staff, as if sensing something untoward is about to happen, leaves the room in a hurry.

Blurr looks indifferent, but Swerve's attention is drawn to the way he squints tensely. Man, the lamps are too bright in here.

Pharma smiles sweetly and reaches out for a handshake

“Mind some company?”

Swerve's mental processes fly out the window. Oh no no. Not Pharma. Not in his fucking fanfic. He quickly changes his work clothes into a slightly more business-like looking shirt. Thinks for just a moment and adds a cap to his head to blend in more strongly with the attendants and hide his face to an extent. And then projects himself around the nearest unoccupied corner and runs out of behind it looking as anxious as he feels.

“Blurr!!! Sir, there you are!!! I've been looking everywhere for you!”

Pharma wants to say something, but Swerve doesn't even let him start. He stands in front of Blurr separating him and Farma expressively waves his hands trying to keep his head down.

“The guys you were talking about didn't bring the new hydraulics! It's a disaster, we'll have to use the one on the old models!”

Blurr, to his surprise, backs up his act almost instantly

“Really? But I thought there was nothing to take from the old models?”

“That's exactly the point! I got the paperwork this morning and...oh those assholes are going to screw it up if you don't step in as soon as possible!”

Pharma tilts his head

“Can it wait? We were actually talking here!”

Oh no, thinks Swerve I'll show you who's talking.

“Sir, no offense but this is a matter of extreme urgency. Are you implying that the safety of your patients is not important?”

“What do you mea...”

“Old faulty hydraulics, that's what you want?” raises an eyebrow in horror Blurr.

“No I'm just...”

“I had a better opinion of you, to be honest.”

“I...” opens his mouth Pharma “...WHAT...?”

Swerve shakes his head.

“And I thought his profession was to help people, can you imagine?”

“Wh..”

Blurr rolls his eye.

“Any idiot can get an important position these days.”

“Wait..”

“Tell me about it. Especially doctors.”

Pharma looks like he's about to start pulling the hair out of his head.

“Can at least one of you shut up??”

Swerve adjusts his cap in a businesslike manner

“Sir, I understand you're a bit detached from reality spending so much time in your department, but you need to take better care of your reputation.”

He raises his eyebrows knowingly

“Wouldn't want the rumors about you to turn out to be true. You know what I mean?”

Pharma doesn't even answer anymore. Pharma just looks like a discarded fish.

“…..Wha....there's rumors?”

“Of course” shrugs Swerve ”Ask Norman, he usually knows everything about everyone. And about your interesting tricks with safety, too.”

He leans in conspiratorially, effectively pulling all of Farma's attention to himself

“So if I were you, I'd stay out of any more things you don't understand.”

Pharma wants to say something. Swerve can tell by the look in his eyes. Pharma tries to come up with a witty and context-appropriate response, but this whole conversation has no more context than a typical episode of Teletubbies.

“Where does this Norman guy work?” finally finds the ground beneath his feet Pharma

Swerve shrugs.

“Block C, if he hasn't been transferred yet. He's already been fined several times for spreading harmful information you know? The guy can't keep a secret.”

Pharma throws his hands up angrily and storms away. Probably looking for context. Or revenge.

A quiet cough sounds behind Swerve's back.

“So. Should I be worried about Norman's health?”

Swerve feels the hair on the back of his neck shiver and slowly turns to face Blurr while still looking somewhere on the floor.

“Uh...only if you're concerned about the fate of fictional characters. I made up Norman's wife, she'll be upset if he gets fired for gossiping.”

Blurr chuckles. Then goes silent. Then, after a couple seconds, starts laughing again. That's a good look for him, Swerve thinks. It's not like Blurr's usual velvet-smooth laugh that he uses at social events. It's more like a quick, jerky giggle, and in Swerve's subjective opinion, it's pretty damn cute. He can't help but grin.

Blurr snorts one last time, cutting off the laughter.

Then he reaches out his hand to him.

Swerve reaches back, expecting a handshake, but Blurr ignores his hand and instead goes for his cap and lifts it by the brim.

Swerve, not expecting this, freezes with his hand outstretched.

Blurr freezes as well, still holding the cap in his hand and looking...like he's rethinking his life. A little.

Ugh, and how to explain it all to him....

“Uh...you...uh...probably don't remember me. I...it's...”

Blurr shifts his gaze from Swerve to the cap in his hand. Then back to Swerve.

“You're real???”

Swerve awkwardly waves his hands in front of him

“Ah not.., not really. Do you know why Pharma was looking for you in the first place? He doesn't work with patients anymore, he's been reassigned to the research department, right?”

Blurr shrugs.

“Last time I saw him, he said I might have implant rejection in the third ..uh..what? stage? or something? I think he's trying to get me in for a checkup.”

Swerve twitches.

“Third??? How are you still standing???”

He then quickly reaches up with both hands to Blurr's head and tilts it so he can see his face better. Using one thumb, he pulls his lower eyelid slightly and mentally catalogs. Temperature normal, pupil normal, eyes are steady, no darkening or trace of blood on the eyelid. Implants? He puts both palms up and gently feels the places behind Blurr's ears. No signs of rejection or malfunction.

“No no no” sighs Swerve ”You're fine, it's only stage two. I mean, second sucks too, migraines and all, but you just need to rest and no bright lights and...” he finally notices his hands are still on Blurr's head and pulls them back as fast as if he's been burned ”I MEAN I'm uh...sorry, I didn't mean to, I...”

Blurr laughs quietly.

“I'm glad you're back.”

_____________________

He wakes up in his quarters and can feel his face burning.

When he goes out to get the energon, Jazz throws him a look.

“Is something wrong? You're all kinda...shaky.”

“Hhhhhhuuuuuuuuuuuu” imitates signs of life Swerve “Say, doesn't it bother you that Prowl isn't human?”

Jazz smiles

“ Oh, I went crazy when I found out. But we figured it out.”

“Like...on a scale from ‘bad grade in school’ to ‘an asteroid is coming to Earth’ how crazy was it?”

“Worried about what your human friends will think?”

Swerve swings back and forth on his heels

“Pfffffffffffffffffffffffffffffff. Whatnooooo, no of course not. I'd be worried if I planned on telling them at all.”

Jazz frowns

“No offense, but keeping secrets isn't your strong suit.”

“Haha” Swerve waves his servo “ Watch me.”

[archangeldyke-all]

Consider the following cuz I think it's funny:

Sevika with a gf who's just... Kinda dumb? Just kinda ditzy and airheaded and it's kind of a miracle that she's still in one piece. Just a bit of a bimbo but goddamn does she love Sevika with everything she has.

-🌙

okay as a blonde who definitely has my fair share of Blonde Moments i love this l;askdjflskj

men and minors dni

sevika loves you so much.

so much.

she would kill for you. she would die for you. she would even wear matching pajamas with you-- that's how much she adores you.

that being said... sevika has to admit that sometimes you can be a little... clueless...

you aren't stupid! you're constantly reading and learning, watching documentaries and sharing interesting scientific facts with sevika. you're a whiz in the kitchen, always making delicious meals and treats, and you're incredible with couponing and keeping your grocery bill within budget. in sevika's eyes, you're one of the smartest people she knows...

but... sometimes...

sometimes, you can be a bit of a ditz.

you're horrible with directions. sevika's watched in horror many times while you hook a right, completely confident that you're headed left.

"babe, the bar's this way."

"you said left!"

"use your hands, babe..."

"...oh." you mumble, scratching the back of your neck in embarrassment as you turn around and start headed the correct way. sevika cackles and wraps an arm around you.

"where would you be without me?"

"wandering by the docks, probably."

"the docks are south of here, babe."

"yeah, south." you say, pointing east. sevika groans.

she gifted you a compass keychain for your birthday that year.

you struggle with spelling.

you love to leave sevika little love notes-- and she adores them! but sometimes, your notes have the unintended consequence of making sevika cackle while she tries to interpret your unique spelling. 'sevika, i've never been able to be so intimidate with somebody before...'

she teases you for the rest of the night about how intimidating you are together.

sometimes, sevika really wonders how you made it through life without her there.

like when you're behind the bar at the last drop making change for a twenty, and you hand the customer six fives.

"baby, that's thirty!" sevika squawks, smacking your hand before you can hand the man the money."

"what? no, babe, six times five." you say, scoffing and rolling your eyes.

"six times five is thirty, baby." sevika says slowly.

you groan and bury your face in your hands, embarrassed. sevika giggles and wraps you up in a hug, handing the man four bills and kissing your scalp.

"i'm an idiot." you groan.

"sometimes, yeah." sevika agrees. you gasp and elbow her, glaring at her. sevika giggles. "but the rest of the time you're smart! and i'm usually here to help before you can get yourself into any dumb trouble..."

"whatever. you're dumb too!" you say, pointing at sevika. she laughs.

"i am not!"

"you thought i hated you for months before we started going out." you say. sevika cackles.

"i didn't get why you kept looking at me!"

"'cause you're hot!"

sevika grins. "okay, i'm a little dumb emotionally. good thing i got you to balance me out, huh?" she asks.

you grin and kiss her. "you bet your ass."

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@lavenderbabu @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@strawberrykidneystone @sevikasfan @fict1onallyobsessed @dvrkhcld @sweetybuzz25

@sluttysierraaa @snake-in-a-flower-crown @ruiwonderz @littlemisszaunite @biblicalcrybaby

@blackgaladriel

[blitzwhore]

Stolas just standing there and letting blitz hug him in the end is all good, right? He is just sad because of octavia and accepting that blitz is there with him right?? It's not that he regrets chosing him, right??? (I just need affirmation)

You know what? I've found myself needing reassurance about this too. So let's take a moment to look at the facts together, shall we?

(This reply turned out way longer than I expected it to 😅 sorry!)

Fact #1 - Stolas is still coming to terms with the consequences of his actions. He spends the whole episode finding out just how much his life has changed. Learning how to navigate groceries, and laundry, and meals, and having a job, and worrying about money.

Mid-episode, he has a breakdown where he truly questions if everything he gave up was worth it just for a fantasy. At this point in the episode, he still hasn't realised how much he means to Blitz. As far as he's concerned, he did all of this for someone who doesn't reciprocate his feelings. By the end of the episode, though, his feelings have settled enough for him to express what he has known to be true all along: that saving Blitz was the right thing to do.

What Stolas regrets isn't saving Blitz's life, or even loving Blitz in the first place.

What he regrets are the choices he made that led them to this. He feels guilty for selfishly (or, rather, naively) playing out his fantasies. He's the one who established the deal, who let Blitz illegally use the book for many months, who wasn't always sensible about how he expressed his love for Blitz publicly and despite being married, and who allowed himself to ignore the reality of his situation so he could live in his own, personal romcom—all of which ultimately led to the events of Mastermind and the loss of Via.

And all the guilt and regret he's grappling with (however justified it might be) is exacerbated by fact #2, which is:

Fact #2 - Stolas is off his medication. He's been off it for a month now. Symptoms of depression (especially untreated depression) include mood swings, irritability, self-hatred and low self-esteem, passive/active suicidal ideation, pessimism and hopelessness about the future, catastrophising, black-and-white thinking, and anhedonia (inability to feel pleasure and to find joy in things—and people—who used to bring you it). All symptoms Stolas exhibits throughout this episode.

So, even if he shows a lack of emotion toward Blitz at times, or irritation to seemingly minor things like low doors or "secretating" or Karen's behaviour, even if he acts regretful and angry and desolate... a lot of these emotions and behaviours are a result of his depression, and not of actually hating the life he chose.

Fact #3 - Stolas loves Blitz. He always has, and always will. I could point at a thousand different moments in the show when Stolas' love for Blitz has transpired, but I'm going to leave it at his line from Mastermind: "I would rather be dead than live life without you by my side."

Even after everything they've gone through, even now that he's taken Blitz off his pedestal and can acknowledge that Blitz can be a fucking idiot... Stolas simply does not want to live a life without Blitz. It has always been Blitz. It will always be Blitz.

Stolas loves Blitz.

Fact #4 - Stolas kissed Blitz. Before he truly hits rock bottom as a result of Octavia cutting him out, Stolas is so ecstatic that Blitz cares, that Blitz was willing to go to such lengths to save his life, that he can't hold back the need to kiss Blitz mid-air. Suddenly, none of his earlier frustration matters. Nothing matters expect for how elated he is that Blitz loves him back. So he smiles and he pulls Blitz into a kiss because he can't bear not to kiss Blitz for a moment longer.

Look at this man. Look at how happy he is. Because it's always been Blitz, and maybe it was a fantasy for a long time, but it doesn't have to be anymore. Maybe this can be real now. He's so happy he (and I) could cry.

Fact #5 - Stolas didn't deny loving Blitz. When Via said "You don't love me, you love him," the script very purposefully did not have Stolas go "no, no, Via, that's not true—" or say anything else that might make Blitz doubt, even for a moment, that Stolas loves him. Because that much is true. He does love Blitz. He just also loves Via. Which brings me to:

Fact #6 - Blitz knows Stolas loves him. At no point throughout the episode does Blitz doubt, even for a second, that Stolas loves him. And we know this because Blitz's walls remain down at all times. If Blitz doubted he was loved, if he had even the slightest of reservations, those walls would come crawling back up whether he wanted them to or not. It's what he's been trained and conditioned to do—it's how he's kept his heart safe ever since the accident.

But now, he knows his heart is safe with Stolas. He believes it enough to not depend on his walls to feel at ease. He believes it enough to let himself take care of Stolas and be soft with Stolas without the slightest trace of hesitation.

Look at Blitz's face. This is the face of a man who knows that even if Stolas isn't okay right now, things will get better. And when they do, they'll both still be in love with each other. This is the face of a man who can't wait for something beautiful to flourish between them, but who is in no rush to get there. He knows the road ahead is hard and painful, but he has faith in Stolas. In both of them.

Fact #6 - Stolas was happy to share a private, romantic dance with Blitz. Despite everything going through his mind, he found comfort and happiness in dancing with Blitz; in getting to have this little moment with him.

He found relief in the fact that Blitz stayed with him this time, even after Stolas told him, once again, that he didn't have to stay.

His reaction to Blitz initiating a dance between them is genuine surprise, immediately followed by an enamoured little smile at the mere notion that he gets to have this, now.

And, as they dance, he keeps smiling and leaning into Blitz, going as far as to manage a deep, heartfelt laugh at Blitz's words. This, for an unmedicated, depressed person going through one of the worst days of his life, is huge in itself. It shows that, even in the worst of times, he finds undeniable comfort and happiness in Blitz.

And, after their dance, Stolas looks at Blitz with a sobriety and soft sort of realisation that shows he's finally coming to terms with the fact that this is real. After everything he's lost, after all the fantasies he hoped for for so long and believed he'd never have, he finally gets to have this.

Despite the pain he's going through, Stolas looks at Blitz and sees the man he loves.

Notice how Blitz's eyes trail down to Stolas' mouth. And Stolas realises. And doesn't move away. Waiting, expectantly, for Blitz's next move, fully expecting it to be a kiss.

But then Blitz hugs him instead, and Stolas doesn't hug back.

And it's not because he doesn't want to be hugged by Blitz. It's not because his feelings for Blitz have changed, or dimmed, or disappeared. It's not because he regrets loving Blitz, or saving him. It's not because he doesn't want to have a close, healthy, loving romantic relationship with Blitz.

It's because of facts #1 (he's grappling with so much guilt and coming to terms with the consequences of his actions) and #2 (he's experiencing symptoms of unmedicated depression). And, above all, it's because of fact #7, which is...

Fact #7 - Stolas doesn't know how to be loved. Stolas has never had support. He has never had a shoulder to cry on, or someone to hold him when he needed it. When he's feeling vulnerable and broken, he defaults to hugging himself as a way to self-soothe, because that's the only comfort he's ever known.

And because he's never known comfort from others—because it was never allowed or safe for him to need or ask for comfort from others—all Stolas knows to do with his vulnerability is hide it. So much so that, the two times we see him begin to break down in front of Blitz before this episode, he either portals Blitz away or masks his tears and pain immediately. Even as he drunkenly rambles about wanting to be held, he still makes sure not to appear like he actually needs a hug.

So when he finds himself being held by Blitz in a warm, comforting hug, Stolas doesn't know how to respond. Because he's never had this. He's never had an opportunity to learn how to exist in someone's comforting embrace, how to interact with this kind of physical contact. He still has to learn how to feel safe between arms that aren't his own.

Simply put, Stolas still doesn't know how to hold Blitz back.

That doesn't mean Stolas doesn't want or need physical comfort. He needs it desperately—everyone does. But wanting something and knowing how to actually have it are two very different things, and Blitz knows that better than anyone, because he's wanted Stolas for a very long time, but didn't, until very recently, know how to feel safe accepting Stolas' love.

And that's why Blitz is completely understanding of the fact that all Stolas can do, all Stolas has the ability to do, is stand there and let himself be held, and let his emotions go through him. In, and out, with every breath, with every second. And get slowly acquainted with what being comforted by the person he loves feels like.

Thirty-something years of trauma can't be undone in a single hug, or a single conversation, and it's going to take time for Stolas to learn how to be present while in Blitz's arms, and how to return that emotional closeness.

But Blitz has faith in him. Blitz is willing to be patient and soft with him while he gets better. Blitz is ready to meet Stolas where he's at, because he knows, beyond a trace of doubt, that they love one another, and they're going to be okay. Even if Stolas doesn't know it yet—even if we, the audience don't know it yet—Blitz knows.

And that's just going to have to be enough for now.

And because this post got completely away from me, I shall conclude by quoting their song, because it summarises their story better than I ever could:

Truer love is hard to find. ❤️

[haologram]

stairway to the stars ☆ l.jh [m]

⤷ part of 'a very seventeen christmas' secret santa event! synopsis: your husband has always been supportive of your dreams - from the sidelines. he stays to himself, he keeps his mouth shut. it's you that can't stop running yours when your co-star is all over him. genre: established relationship au, tiny bit of angst, fluff, smut? pairing: husband!lee jihoon x actress!fem!reader word count: 1.5k...it pained me to stop it here. rating: 18+. minors do not interact. warnings: mentions of jealousy, ideation of infidelity, general relationship dynamics. clit play, kissing, in the backseat...you know the vibes. what to listen to: stargirl interlude - the weeknd, lana del rey ; never lose me - flo milli ; the boy is mine - monica, brandy. author's note: hi baby @monamipencil ♡ i hope you enjoy my little segment for you! i did 1000% pull this out of thin air but please let me know if there is ever anything else i can write for you. much love from your secret santa. ♡

"Don't forget about me, sweetheart." It was one of the few phrases your husband burned in your brain when your career really started taking off. He'd only been your boyfriend then, trying his hardest to prove himself worthy of your affections and time. You promised you wouldn't, over shared bottles of heady Cabernet and stolen kisses. The following years proved most difficult – from fighting over not spending enough time together because of your jobs, to vacationing for months on end without repercussions – you were rising to the top way too fast for him to wrap his head around it.

But never once did his love, loyalty, or respect for you falter. He watched quietly from the sidelines, silently supportive of all your endeavors. He'd grimace inwardly a bit if your lipstick stained anyone else's lips on the big screen, he'd clear his throat one too many times if you shed any tears during a scene. He held your waist at events, a silent reminder that your ascend up the stairway to the stars was in good company.

When you finally got a bit of time for yourself, he made it his priority to become someone more permanent in your life. With eyes that never strayed and a heart that only beat for you, he proposed softly as the two of you took a midnight stroll for the first time in a long time. He apologized for not making it something grand, promising your wedding would be to die for and he'd pull every string possible to give you the honeymoon of your dreams – only for you to stop his rambling with a teary kiss to his lips. Telling your friends the news of the proposal was an exciting feat, until it fell on the ears of multiple of your co-stars. You hadn't ever even spoken of a boyfriend (you had, they just didn't remember), and a few of the men you'd worked with questioned the validity of your engagement, of your relationship – and it eventually got back to Jihoon. Whispers of the startup CEO dating an actress filled his office, side-eyed glances made him uneasy in his own skin and he hated it – he hated that people wouldn't mind their own business.

Needless to say, it pissed him off. He'd never been openly possessive, but a part of him knew that neither of you had an issue understanding where you stood in each other's lives. From dating, to girlfriend, to wife – you'd always been open about who Jihoon was to you and what his presence meant. You never shied away from answering his questions if any, and you proudly presented him as your significant other if he managed to attend any of your events. This alone was enough for the two of you to realize that people in your industry didn't take relationships too seriously, and enough for you to hard-launch your relationship by posting your wedding photos on social media.

The industry did not like that, but you didn't care. You and your agent continued to book role after role, your husband continuing to grow his business and make a name for himself in the world of music production…a stepping stone for him, and the first moment of blood-boiling jealousy you'd ever experienced at the side of Lee Jihoon.

Her hand was on his shoulder as they spoke music, and he swiftly moved out of her grasp, sure. The dance floor was full of couples, a dance floor you'd intended to whisk him onto after reapplying your lipstick in the washroom. Someone Like You by Van Morrison played as you stood a few feet away, your face contorted in a fit of envy as you saw your husband push her hand away, the words I'm married, please don't touch me falling from his lips. The woman grimaced – the same woman you'd starred alongside for three seasons of the very same show you were all celebrating a renewal for tonight – and she shrugged her shoulders, before the dreaded words fell from her own red lips.

"So? She doesn't have to know."

Jihoon looked taken aback, and it was almost like he was a moth drawn to a flame – his eyes landed on you, and the way your jaw was tight with anger as you made your way over.

"Soyoung, nice to see you. Did you lose something here, dearest?" You speak softly, staring at your co-star with eyes of fire. She gave you a sleazy smirk, shaking her head. "Not at all, Y/N. Enjoying the party?" "It's lovely, isn't it? Now, if you'll excuse me, I'm feeling a bit under the weather." You gave her a tight smile, your hand wrapping around Jihoon's wrist watch as you pulled him away. He'd never seen you in such a state, eager to get him out of the venue and into the backseat of the black car waiting for you. Your arms were crossed as you sat facing away from him, before he made eye contact with the driver. He raised his brow, and the driver nodded, swiftly raising the partition as Jihoon turned to face you.

"Something bothering you, sweetheart?" He saw the way your shoulders tensed under the wine red straps of your dress, your legs crossed at the knee baring the skin of your thigh under the slit of the skirt. You gave him a glance through the corner of your eye, your lip jutted out in a pout as he cooed at you, making you huff in embarrassment.

"I don't like her." You mutter, "I don't like what she said and I don't like how she was all over you. She's literally my co-star. She knows we're married." "As much as I like your little pout and think you're adorable, I don't like that you're upset. You know I'd never wrong you, especially not like that." He tilts his head at you, making you pinch the bridge of your nose. "I know, Ji. I know." He's not satisfied with your answer, his hand reaching over to graze your knee, biting back his smile at the way your shoulders lose their tension at his touch. Your jaw remains tight, shaking your head in disbelief. "We've been co-stars for three years. You'd think she'd have some fucking respect for me." You were always so calm and collected, never too outwardly expressive of your disdain for people or their actions. He feels almost guilty for the growing tightness in his pants as you click your tongue, facing him as his fingers trace circles into your skin. "You're literally my husband. That's how I introduced you. My husband, Jihoon. Not Lee Jihoon, not the CEO of Ruby Productions, my husband. She's so shameless, I almost pity her." You tongue your cheek with a humorless laugh, and he can't help but feel his cheeks heat at the visual. He's silent as you run a hand through your hair, your earrings swinging as you shake your head again, giving him a pitiful smile.

"I'm sorry, I know this is out of character." You sigh, leaning your head on his shoulder. He nods, shifting slightly as your hand splays across his thigh. You press a kiss to his cheek, stamping your lipstick on his pale skin when you notice the flush on his cheeks. He clears his throat as you stare at him, a look of disbelief glossing over your eyes as you gape at him.

"You liked it?" "In my defense, you're hot when you're mad." He scoffs embarrassedly, making you huff out a laugh. "Jihoon." "I'm sorry." He presses a kiss to your temple as you roll your eyes. "Are you?" "No." He smiles against your skin, and you feel your cheeks heat as he trails his lips down your neck. "I love you, sweetheart. Just you." "I know, Ji." You sigh, feeling a bit of heat pool in your lower belly as he nips at your shoulder with a hum. "I don't think you do. Maybe I should remind you." Your cheeks grow hot as he gently pulls your thigh over his, his teeth nipping at the shell of your ear as he snaps the waistband of your underwear against your hip. "Now you know how I feel. Everyone always has their hands all over you, like you're not spoken for." You shudder as he slips his fingers under the cotton fabric, smirking against your skin as your hand wraps around his watch. You bite down on your lip as his finger traces your clit, your nails barely digging into his wrist. "Ji, not here." Your body betrays your words, your grip on his wrist loosening as he pulls your thigh higher on his lap. "Why? Aren't you mine?" His voice is sultry as you shiver against him, slim fingers collecting your arousal while he nips at your ear.

"Yes, but-" "Oh, there's a but?" He slides a finger inside you easily, your words getting caught in your throat as you whimper. "Hoonie…" "Tell you what, pretty." He slips his hand out as the car slows to stop, the front of the hotel you're staying at coming into view. "We're going to go upstairs and you're gonna take this dress off for me, and I'll show you who the brightest star in my sky is. Go."

You nearly stumble as your husband walks out behind you, his arm wrapping around your waist as he bids the driver goodbye. You feel his teeth on your shoulder, his voice low as he speaks into your ear.

“And keep those heels on for me."

[woso-story]

The Weight Of Love And Loss - Part Four

Alexia Putellas x Reader - Part One Two Three Five

The morning of the meeting, your nerves felt like they were eating you alive. Every step toward the café felt heavier than the last, as though the gravity of your decision was pulling you back. For days, you’d debated whether to come at all. You’d imagined every possible outcome: Alexia apologizing, Alexia blaming you, Alexia trying to win you back. But no matter how much you rehearsed your responses, nothing prepared you for the reality of seeing her again.

The café was quiet as you approached. It was early, not many people around. Through the glass, you could see Alexia already sitting at your old table, her back slightly hunched, her hands wrapped tightly around a mug.

For a moment, you stopped in your tracks. Memories of the two of you flooded your mind—happy days spent in this exact spot, laughing, dreaming, planning your future together. The air had always been warm with love back then. But now? Now it felt like that love was gone, leaving only bitterness and heartbreak behind.

You inhaled deeply and pushed open the door.

---

The bell above the door jingled softly, drawing Alexia’s attention. She looked up, her eyes meeting yours instantly, and she stood, as if she wasn’t sure whether to stay seated or greet you. She hesitated before giving a weak smile, one that didn’t quite reach her eyes.

“Hi,” she said quietly. Her voice was small, unsure, and it tugged at your heart in a way you weren’t ready for.

“Hi,” you replied curtly. No warmth, no familiarity. Just the distance you’d carefully built since the day you walked out of her apartment.

“Can I get you something? Coffee? Tea?” she offered, almost nervously.

You shook your head. “No. Let’s just get this over with.”

The words were sharp, but you needed them to be. You needed to protect yourself, to keep the walls you’d built from crumbling the moment she looked at you with those pleading eyes.

Alexia flinched slightly but nodded, sitting back down. You followed, keeping your distance, your arms crossed defensively as you waited for her to start.

---

The silence between you stretched on painfully. Alexia fidgeted with her mug, her eyes darting between you and the table. You resisted the urge to fill the void, to make it easier for her. This was her meeting, her chance to explain. You weren’t going to make it easier for her.

Finally, you sighed, irritation creeping into your voice. “If you’re not going to say anything, I’m leaving. I don’t have time to sit here in silence.”

“No—wait,” she blurted out, her voice breaking slightly. She looked up at you, her eyes glistening with unshed tears. “I’m sorry.”

You raised an eyebrow, waiting for her to continue.

“I don’t even know where to begin,” she admitted, her voice trembling. “But I need to try.”

---

Alexia took a deep breath, her hands clasped tightly together as if trying to hold herself together. “I’m sorry for everything. For the way I treated you. For shutting you out. For not listening. I thought I was doing the right thing, trying to focus on getting better, but...I didn’t realize how much I was hurting you in the process.”

You stayed silent, your expression unreadable.

“When I got injured, I felt like everything I’d worked for my whole life was slipping away,” she continued, her voice cracking. “Football isn’t just a job for me—it’s who I am. And losing that...I didn’t know how to deal with it. I was angry, scared, lost. And instead of letting you help me, I pushed you away. I thought I could handle it on my own. But I couldn’t.”

Her voice broke completely now, tears streaming down her face. “I didn’t mean to hurt you. I swear, I didn’t. But I did, and I hate myself for it. I hate that I made you feel like you didn’t matter, because you do. You always did. You’re...you’re the best thing that’s ever happened to me, and I ruined it.”

---

Her words hit you harder than you expected. For months, you’d begged her to open up, to tell you how she felt. And now, here she was, pouring her heart out—but it was too late.

“You’re right,” you said quietly, your voice trembling. “You did ruin it.”

Alexia flinched as if you’d slapped her, but you didn’t stop.

“I tried, Alexia. I tried so hard to be there for you, to support you, to love you. But you didn’t let me. Every time I tried to talk to you, you shut me out. Every time I needed you, you weren’t there. And do you know how that felt? To feel like I was invisible? Like I didn’t matter?”

Tears were streaming down your face now, but you didn’t bother wiping them away. “You broke my heart, Alexia. Piece by piece, over months. And I can’t just forget that.”

---

Alexia sobbed quietly, her shoulders shaking as she tried to compose herself. “I know,” she whispered. “I know I messed up. But...please. Please give me another chance. I’ll do better. I’ll change. Just...don’t give up on us.”

You shook your head, your heart aching at the sight of her so broken. “It’s not that simple, Alexia. You hurt me. And I don’t think I can trust you not to do it again.”

Her face crumpled, and she covered her mouth with her hand to stifle a sob.

“I think we need time,” you continued, your voice shaking. “Time to heal. Separately.”

Alexia’s tears fell freely now, her shoulders shaking as she cried. “I can’t do this without you,” she whispered. “You’re my rock. You always have been.”

You let out a bitter laugh. “Your rock? I felt more like your punching bag these last few months. I took every hit, Alexia. Every argument, every hurtful comment, every time you brushed me off. I took it all. And I broke because of it.”

She sobbed quietly, her hands trembling as she reached for yours. “I’ll fix it. I’ll do whatever it takes. Just...don’t leave me.”

You took her hands in yours, your heart aching at the sight of her so broken. “You need help, Alexia. Real help. Talk to a sports psychologist. Work through everything you’re feeling. Because I can’t be the one to fix this for you. I tried, and it nearly destroyed me.”

Her tears fell harder, but she nodded slowly, her grip on your hands tightening.

After a moment Alexia’s sobs quieted, and she wiped at her face with shaking hands. “So...that’s it?” she asked, her voice barely audible.

“For now,” you said softly. “You need time to heal. And so do I. We can’t do that together.”

She nodded slowly, her tears falling silently now. “Is there still a chance for us? Someday?”

You hesitated, your heart breaking all over again. “I don’t know,” you admitted. “But if it’s meant to be, we’ll find our way back to each other. For now, we have to let go.”

Her face crumpled, but she managed a small, shaky smile. “Okay,” she whispered.

You stood, your heart heavy as you looked at her one last time. “Take care of yourself, Alexia,” you said gently.

“You too,” she replied, her voice trembling.

And with that, you walked away, leaving behind the woman you once thought you’d spend forever with.

As you stepped out into the crisp morning air, a single thought ran through your mind: Maybe someday.

But for now, you needed to heal. Alone.

[genderqueerdykes]

hey anon saying "my abuser was a trans man so trans men hate trans women" I just want you to know I'm a transmasc person who was literally abused horrifically on the basis of sharing a similar pronoun and gender identity to my then-girlfriend's ex. she used the abuse of an entirely unrelated person as an excuse to insinuate I never respected her and would regularly scream at me and even invalidated my trauma over a relative dying using her own trauma.

she also, unsurprisingly, was a rampant transandrophobe, calling me horrible and transmisogynistic because I challenged her as a trans woman over saying blatantly transphobic things about trans men and transmascs (myself included).

because it was never about truth, it was about being on top and being the most inconvenienced and being in control of the conversation of suffering (this went beyond us fighting over my gender).

think why you feel that way, that you need sole dictation over the conversation and can't let anyone else breathe their words about experiences that may challenge how you feel, anon

if I were to do what she did, and say I was uncomfortable with trans women because they can be abusive, I would rightfully be ripped limb from limb for the transmisogynistic notion that trans women are remotely a monolith or are abusive based solely on my experience

but I guess trans men aren't owed that same equivalence. they are forced to live a double standard there. because you don't respect us enough for it. why is that.

"because it was never about truth, it was about being on top and being the most inconvenienced and being in control of the conversation of suffering,"

"if I were to do what she did, and say I was uncomfortable with trans women because they can be abusive, I would rightfully be ripped limb from limb for the transmisogynistic notion that trans women are remotely a monolith or are abusive based solely on my experience"

i had to highlight these bits in particulare because good god you worded this so perfectly. i am so sorry you have had this experience but you knocked the ball so far out of the park that i am genuinely in awe of how well you conveyed this, and how absolutely fucked peoples' double standards are when it comes to abuse and how people think that trans men and mascs have it "so much easier in life". you're dead on the money. NONE of this has to do with talking about oppression and looking out for one another.

this behavior is about control.

it's about controlling the narrative. some people literally get so insecure when the conversation turns away from them for even a moment, they think it means that everyone is their enemy. yes, trans women have an absolutely awful time in cisheternormative society. so do trans men.

i have been emotionally and sexually abused and harassed by 3 separate trans women. one of which struck me with an object, another who stole something out of my purse while i was asleep and continuously kept trying to get in my pants after she found out i had a vagina despite me repeatedly turning her down, and another who mocked me for my psychotic episodes and repeatedly swore up and down that i didn't have DID and just in general gaslit and emotionally abused the fuck out of me. the woman who hit me also constantly kept insinuating that penises are what make a man a man, and would not stop making me feel bad for not having a biopenis.

once everyone found out i had a vag, suddenly, i was a cishet woman in their house and i was public enemy #1. i had to deal with my cis gay male roommate shrieking about how he's gay, boobs and vaginas are disgusting, he's a MAN attracted to MEN. meanwhile, my ex girlfriend (the one who hit me) made me feel like shit for being a man without a penis almost every single day. she would guilt trip me about how she missed being with partners with biopenises and would spend all day telling me that she loved me, but then would turn around and scream and yell at me and tell me that i'm an evil asshole.

the transandrophobia i have had to deal with at the hands of other trans women has been absolutely fucking staggering. we need to stop fostering a culture where this is okay because it's genuinely getting people hurt. like you said, if a transmasc were to say "i hate trans women, they're all mean and shitty and abusive," they would literally be torn limb from fucking limb. and rightfully so, because it's a dogshit thing to say. but we HAVE to start telling people who do this to trans men to fuck OFF and stop it.

i am very sorry you went through that. i hope things improve for you, and that you're able to spend time in company that treats you with respect. nobody should have to deal with literal profiling just because of their gender.

is that what we're doing now? profiling people based off of their gender? how is that progressive? how is that liberating? how is that trans rights? it ain't.

[mononijikayu]

blue — fushiguro megumi.

As you walked hand in hand through the snow, Fushiguro Megumi felt like your warmth and his blended together, refusing to part as you made your way away from the shrine. The thought of that made him feel like the winter was nothing, the biting chill rendered powerless against the steady heat of your presence. It was the kind of moment that made the world feel smaller and quieter. It was as if the universe had decided to go on a pause just for the two of you. It was as if these two hands were meant to fit because destiny said so.

GENRE: Alternate Universe - Canon Convergence;

WARNING/s: AFAB! Reader, Safe For Work (SFW), Long Distance Romance (LDR), Aged Up Characters (Megumi and Reader are 18!), Young Love, Innocent Romance, Established Relationship, Middle School Classmates to Lovers, Teasing, Teenagers, Feelings, Fluff, First Love, Hurt/Comfort, Falling In Love, Flirting, Humor, Domesticity, Slice of Life, Light-Hearted, Confessions, Pining, Holding Hands;

WORD COUNT: 5.3k words.

NOTE: im a bit late, i'm sorry!!! i had a whole list of chores i helped my family with and i met up with some people yesterday, since i might not see them for christmas due to schedules. but i'm here. i always imagined megumi to be the sort of person who loves so wholeheartedly and so innocently. i wanted to capture that for his birthday. happy birthday, megumi!!! you will always be so loved by me <33333 i love you all too!!! thank you for reading!!! see you for yuuji's own fic on 24th <3 (asia time)

addendum: i just want you to know that the exact number of the words are 5302. chinese/cantonese numerology expresses that 53 means my life, 0 means good and 2 means joy and sometimes double joy. it reads as 'my life is good joy' and i think between them reader and megumi, that's genuinely true <333

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THE DARK BLUE SWIRLED AROUND THE SKY TENDERLY TONIGHT. Had there been more time, he would have enjoyed it more. But he knew there wasn’t. He had to get to you, immediately. He bit his lip softly against the cold winter wind.

Fushiguro Megumi tugged the bright tender scarf tighter around his neck as the frigid wind bit at his cheeks. He caught a faint whiff of the fabric, and something about the scent felt... off.

It’s a good scent, don’t get him wrong. But it wasn’t the familiar one he was used to. Had he bought a new perfume and just forgotten about it? 

He sighed to himself. He was too busy lately, going off on missions. And now a lot of his life had become footnotes, even if he didn’t want them to be. Megumi knew he had to do better.

He had to do whatever he could to make a better pace for himself. Still, thinking about that right now is impossible. He had to brush the thought aside. There were more pressing things to focus on—like how late he was. Again. 

Megumi could only hope that you weren’t waiting too long or that you had arrived late. But now he can’t help but think if you wore that thick Arc'teryx coat he’d gotten you. Or if you wore mittens or had enough hot packs on your body at this moment. Guilt started to echo into his head as easily as it was breathing. But he can’t help but feel that.

He took a moment to breathe, his breath visible in the cold air. He hated being late about absolutely anything. He likes punctuality, after all. But he especially likes it when it comes to you.

Because that meant he’d have more time with you. And more time with you means that he’d have you with him enough to sweep the thought of missing you for a little while. 

But being a sorcerer, the job description didn’t care about holidays or plans. Or even the personal, the thoughts and moments that made one happy. It just never stops. Not even when he was supposed to take you out on a date on New Year’s Eve. Megumi absolutely reviled it. If he saw a curse, he had to deal with it, no matter the time. 

And somehow, some sort of way, still, he knew you understood. You always did. You always reassured him of that no matter what. No matter how many times his responsibilities pulled him away from you, even just for five minutes.

You never stopped smiling when he finally showed up. You don’t stop having the warmest red on your cheeks when you see him. Your eyes always shone brighter than Sirius when you both stand beside one another.

Even though you weren’t a sorcerer yourself, you tried to understand his world, even the parts that didn’t make sense to you at all. It wasn’t fair to you, and he knew it. Yet, no matter how hard things got, you never gave up on him. You just didn’t want to, even when he had tried to keep you at bay. 

That was one of the things he appreciated most about you. Megumi had never had quite a lot of joy in his life, but he was to be honest, you were one of them. You always will be. And even now, you stand by him, even if it’s hard.

You didn’t care for the hard stuff, you always said it was part of it. Because what mattered to you, was having him in your life. And he was certain he felt the same way about you.

Well, it’s obvious.

Why else would he start running in this cold winter weather?

If it’s you, the person he loved most, then he’ll find a way?

After all, he wanted to be with you for as long as possible.

He paused for a moment, staring at the message. The small emoji made something in his chest tighten, as much as it made his body feel the warmest it had ever been. Despite everything, you still cared enough to wait for him, to worry about him. A small, rare smile tugged at his lips.

The faint vibration of his phone snapped him out of his thoughts. He fished it out of his pocket, his cold fingers fumbling slightly as he unlocked it. A text from you lit up his screen:

“Megu, baby, where are you? 🥺”

Megumi stared at his phone after hitting send, watching the little delivered mark appear. Megumi has thought about how many times he’d sent similar texts, always apologizing to you, for more often than he hoped, about being late.

He typed back quickly, his fingers stiff from the cold.

"On my way, babe. Sorry for being late."

Yet, you never seemed to hold it against him. He wished you had. Most romantic partners would be so fed up with such a position. 

Hell, most of them would have already left their partners. But not you. You never had thought of it, not even during middle school, when Gojo started to take him on his missions to observe. You were steadfast, because you saw his efforts. You saw how much he loved you. 

And that was enough. He never had to doubt that you loved him. And perhaps, that’s why he kept running. He wanted to get to you, as soon as possible. He wanted to see you. He wanted to hold you in his arms. He wanted to love you.

As he slipped his phone back into his pocket, Fushiguro Megumi picked up his pace. He had to. He had to arrive as soon as possible. For once, he hoped the world could hold its chaos at bay. Just for tonight. He owed you that much. He owed you all of the world. And he had to make it possible, even if just for a little while.

His phone buzzed again almost immediately.

“Okay, but you better hurry, baby! It’s cold! Also… why does your scarf smell like my perfume? 🤔”

Megumi stopped in his tracks, his brain processing your words at a glacial pace. Your perfume? His hand instinctively went to the scarf wrapped snugly around his neck. That was the weird smell he’d noticed earlier��the soft, floral notes he’d never associated with his usual scarf. His mind raced. If this was your perfume, then this wasn’t his scarf.

It’s your scarf. The realization hit him like a curse to the chest. Now, his heart was thumping hard on his chest. You must’ve grabbed his scarf  by mistake in a rush the last time you visited him and you forgot about it.

And now that left him with your scarf. And he hadn’t noticed at all. His face heated to warm scarlet instantly, the cold air doing nothing to cool it. Ah, this is…..

His grip on the phone tightened as he read your words. Cute. It was hard enough to deal with how much warmth you give him with your scarf, but the thought of you being so tender with him, loving to the point that he can’t take it.

Before he could come up with a reply, another message came through:

“Wait, Megu!… Are you wearing my scarf? 🥺 That’s so cute! Wah!”

He doesn’t know what to do. Everything about his love for you just grows deeper and he can’t help it. His face burned hotter, and he was suddenly hyper-aware of the soft fabric around his neck.

He hesitated, fingers hovering over the keyboard, before typing back:

"I didn’t realize until now. I must’ve grabbed it by accident. Sorry."

Fushiguro Megumi felt like the temperature had risen ten degrees despite the snow swirling around him. He tried to clear his throat, trying to wick away the scarlet blush spreading across his cheeks. But it was no use. He was never going to win against you. Never. 

Your reply came almost instantly, as though you’d been waiting for it.

“Don’t apologize! I think it’s adorable. It’s like you’re carrying a little piece of me with you 🥰.”

"It’s not a big deal." he typed, trying to sound indifferent, but his fingers betrayed him as he hesitated before adding: "It does smell nice, though."

His phone buzzed almost immediately. “You’re so sweet, Megu! You better hurry so I can see you all bundled up in my scarf. I want to take a picture and enjoy the cuteness of my baby!🫶 ”

Fushiguro Megumi let out a soft groan, burying his face in the scarf—your scarf. He takes in the soft smell of your scent, while feeling your words take over him. He could feel the heat radiating from his face as he resumed walking, this time a bit faster. 

He can’t run in this case, not when he’s overwhelmed by this, by you. You’ve ruined him for any other romance. This was it for him. You were it for him. And yet still, he couldn’t believe he was blushing over a scarf. Over you.

But that’s how it is. It didn’t need explanation, it didn’t need logic. That’s how it is to love you. And he wouldn’t have it any other way. Not ever. But still, as much as possible, he still wanted to play it cool.

There was a wonderfully warm feeling in his chest that he couldn’t ignore, not when it’s caused by you. Even if it was accidental, wearing your scarf made him feel closer to you, like he was carrying a part of you with him.

"I’ll be there soon, babe." he texted back simply, though his heart was racing as he hit send.

“I look forward to it! 🫶”

“I'll see you soon.”

“Love you, Megu~”

".....love you too."

══════════════════

IT WASN’T THAT LONG NOW WHEN HE MADE THE SHARP TURN TO AND ARRIVED. The faint glow of the shrine came into view, and quite expectedly, Fushiguro Megumi’s pace quickened even more now despite the biting cold.

His own breath puffed in little warm clouds as he rounded the last corner, and there you were, just like always, waiting for him by the warm illumination of the bright red shrine gates.

You seemed to be humming to yourself as you waited for him, all  bundled up in the white winter coat he gave you and those bright purple gloves trimmed with faux fur you so dearly loved. You hadn’t noticed him yet when he stopped.

But when you did, your eyes widened almost so excitedly. There was a slightly excited bounce in your step as you waved at him enthusiastically, your beautiful face lighting up like the warm spring flowers blossoming when you started to register his presence. Megumi could feel his chest tightened at the sight. 

The stress of trying to get here on time, the hardship of not meeting, the times he missed you — every bit of that started to fade away into nothing. He was here with you. You were here. And nothing can take that away from him, from the two of you. Because he knew it too well. He was home. 

“Megu!” you called out, your tender voice cutting through the quiet winter air.

He slowed as he approached, his usual calm demeanor taking over, but the pink sunrise on his cheeks hadn’t faded. Megumi tried to casually stuff his rather cold hands into his coat’s pockets, pretending the cold was the only reason his face felt warm.

“You’re late, Megu!” you teased, though your tone was playful, and that familiar smile spread across your face.

“Sorry.” he said quietly, stopping just a few feet away. “There was a—”

“A curse?” you finished for him, watching him blink. You grinned. “I figured. You always come anyway.”

He nodded, his gaze flickering to the shrine gates. “I told you to wait here for a reason. It’s safer.”

“I know, I know.” you said, rolling your eyes with a laugh. “I always know that I’m always safe, thanks to you. But I’m also freezing, so I hope you don’t plan to keep me standing here much longer! Let’s eat dinner!”

Your grin widened as your bright doe eyes flicked to the scarf around his neck. “Especially since it looks like you’re nice and warm in my scarf.”

Megumi’s hand immediately went to the fabric, his ears turning red. “I told you, it was an accident.” he muttered, avoiding your gaze.

“And I told you, it’s cute.” you said, stepping closer. 

“You’re wearing my scarf too.” He mutters under the cold winter air. 

You looked down slightly, your cheeks flushing red as you smiled. “Hm! And I love it! It suits me, having a part of you with me always when I’m cold, don’t you think?”

Megumi was taken aback by what you said for a moment. His cheeks turned even redder, even though he wasn’t sure how it was possible. He hums softly, lowering his gaze shyly. “.....It does.”

The soft crunch of snow under your boots was the only sound as you closed the distance between you. You smiled at him as you stopped in front of him. You reached up, on tip toes and gently adjusted your scarf around his neck, your fingers brushing against his skin for just a moment. 

“It suits you, don’t you think?” Your soft voice blossomed against the wind. Your gaze met his, as he raised his face. “Being so loved by me in winter cold too.”

He froze, his heart skipping a beat at the gesture. “You’re—you really are…..” he mumbled, though his voice was quieter, almost fond. “How can you say that so easily?”

“And you’re blushing, lover boy!” you teased, stepping back with a playful laugh. “You also said something like that too!”

“Am not.” he replied quickly, though the redness in his cheeks betrayed him.

“Whatever you say, my precious Megu~” 

You reached out and took his hand, your gloved fingers curling around his as you tugged him toward the shrine gates. You wanted to keep his hand warm from the cold too. He forgot his gloves, after all. And he knew that, his gaze turning to your tender touch on his, even though the leather.

“Come on, let’s get going before we both turn into icicles.”

For a moment, Fushiguro Megumi hesitated, looking down at your hand wrapped tightly on his own. Years together still hasn’t stopped him from being so awestruck by your touch on his.

To hold someone’s hand, it made him feel like he understood what love was like. Ever since that day he met you. You made him understand, with just a touch of your hand. And still, he continues to learn love, because of you. 

Megumi shook his head then he let out a soft sigh, his lips curving into the faintest hint of a smile as he followed you.Even if he’d never admit it aloud, your warmth, your wonder, your very existence, it made him whole.

And if this was a dream, he wishes he never wakes up. Because nothing of him would exist without you. He refuses to do so.

“Hm, let’s go.”

As you walked hand in hand through the snow, Fushiguro Megumi felt like your warmth and his blended together, refusing to part as you made your way away from the shrine. The thought of that made him feel like the winter was nothing, the biting chill rendered powerless against the steady heat of your presence.

It was the kind of moment that made the world feel smaller and quieter.

It was as if the universe had decided to go on a pause just for the two of you.

It was as if these two hands were meant to fit because destiny said so.

This, he thought, was more than enough to ground you both in the stillness of the winter night. The two of you ceased to talk for a while, your breaths forming soft clouds in the frosty air.

Neither of you felt the need to fill the silence. The quiet companionship you shared was enough, an unspoken understanding that words could never quite capture.

It was always like this with you. There was a gentle kind of closeness that didn’t demand anything more than your presence. It wasn’t loud or extravagant, but it was steady.

That was more than enough for him, to keep him grounded in a way nothing else could. Megumi didn’t have to explain himself, didn’t have to rush to fill the gaps, because you already understood. It was just like that between the two of you.

He glanced at you from the corner of his eye, noting the way the soft glow of the blue moonlight reflected off your hair and the peaceful expression on your face. A rare warmth bloomed in his chest, spreading slowly but surely, chasing away whatever lingering shadows had tried to follow him here.

Megumi’s grip on your hand tightened ever so slightly, his way of acknowledging what he couldn’t yet say aloud. This, he thought, was the kind of peace he didn’t know he needed. And for tonight, that was more than enough.

When you both arrived at the train station, the warmth of the moment lingered despite the cold metal benches and the faint whistle of the wind echoing through the platform. The faint hum of distant activity surrounded you, but it all felt muted, like the world had softened its edges just for the two of you.

You both sat down to wait for the train, your hands finally parting as you settled beside each other. Fushiguro Megumi shifted slightly, resting his elbows on his knees and looking out at the empty tracks.

The silence between you was comfortable, but you broke it, your voice cutting through the cold like the first hint of sunlight after a long night.

You looked up at him with a soft smile. “Happy birthday, Megu.”

He froze for a moment, blinking as if he hadn’t quite heard you. Slowly, he turned his head to meet your gaze, his brows furrowing slightly. “What?”

You giggled, the sound warm and light as you looked at his astonished face. “Happy birthday, I said.” you repeated, your smile widening.

His expression softened as realization washed over him. He let out a small, almost imperceptible sigh, his shoulders relaxing just a fraction. He shook his head, as you looked at his most adorable expressions, reserved only for you.

“I forgot, babe.” he admitted quietly, glancing away.

“I know, baby.” you said, your tone teasing but gentle. “You always forget. That’s why I’m here to remind you.”

He didn’t respond right away, his eyes fixed on the tracks ahead. But the faintest hint of a smile tugged at his lips, barely there but unmistakable. He turns his blue–green eyes to you, as though you were the most wondrous thing he’d ever set his blue–green eyes on.

 “Thanks, babe.” he murmured, his voice barely above a whisper.

You reached into your pocket, pulling out a small, neatly wrapped package. You always were better at wrapping presents. You had the best hands in the world, warmest to touch and the most delicate with care. And perhaps that is what made him freeze for a moment. 

“And because I know you’d never ask for anything, I got you this.”

He looked at the gift, his eyes widening slightly. “You didn’t have to—”

“But I wanted to, baby.” you interrupted, holding it out to him. “It’s your birthday, Megu. You deserve to feel special, even if it’s just a little.”

He hesitated before taking the gift from your hands, his fingers brushing against yours for a brief moment. He stared at it for a few seconds, his expression unreadable, before carefully peeling back the wrapping paper.

Inside was a small, leather keychain engraved with his initials on it. Attached to it was a simple charm shaped like a wolf, a perfect reflection of his shikigami. Megumi stared at it for a moment, his fingers brushing over the smooth leather and the delicate charm. It was clear you’d put thought into this, making sure every detail would suit him.

Everything about it was just to his liking. You always knew it better than him sometimes too. Its design is sleek and understated, free from unnecessary embellishments, yet carrying so much meaning.

It was practical, simple, and deeply personal, just like him. And yet, the simplicity is what made it even more special, just like he knew he was to you.

“You… put a lot of thought into this, babe.” he said softly, his voice tinged with something unspoken, something he wasn’t entirely sure how to express.

You smiled, a faint flush rising to your cheeks. “Of course I did. I wanted it to be something you’d actually use. And… well…. I thought the wolf was a nice touch.”

“It is.” he murmured, his eyes lingering on the charm. 

His shikigami were a part of him, a symbol of his strength and the weight he carried in his cursed technique. But they were something he loved too. Especially his wolves. And now, here it was, captured in this small but significant token by you. Now it meant even more. Because you gave it to him. Now, it was something he could keep with him no matter where he went.

“Do you like it?” you asked, almost shyly.

Megumi looked up at you, and though his expression remained its usual calm, there was a softness in his gaze that made your heart flutter. “I do, babe.” he said simply, but the quiet sincerity in your boyfriend’s voice spoke volumes. “Thank you.”

“I thought it could keep you company, when you’re away.” you said softly, watching him closely. “You’re always busy helping people and running around. You keep doing so much for everyone else. I wanted to give you something you could keep with you, something to remind you…”

He glanced up at you, his blue–green eyes meeting yours. “Remind me of what?”

“That you’re never really alone.” you said simply, your voice filled with quiet sincerity. “That I’m always there for you, Megu.”

For a moment, he didn’t say anything, his fingers tightening slightly around the keychain. Then, almost imperceptibly, he nodded. And for a moment, those rare smiles, the smiles he could only show you. You, his most precious person. That smile had trailed on his lips for a moment.

“Thank you, babe.” he said, his voice steady but laced with something deeper—gratitude, maybe, or something even more profound that he didn’t quite know how to put into words. “I’ll treasure this well, I promise.”

You smiled, leaning back against the bench as the distant sound of the approaching train reached your ears. “Happy birthday, Megu.” you said again, your tone warm and light, your words laced with genuine affection. And then, as naturally as breathing, you added, “I love you.”

The words were simple but carried a weight that made Fushiguro Megumi’s heart stutter. He froze for a moment, wide-eyed, his usual composure shattered like glass under the heat of your confession. He’d always heard you say it over and over again. And yet…..it always made him feel like he was going to drown in your wonders.

He couldn’t help but feel himself combust with your words, the warmth spreading from his chest to his ears, and then outward until he was sure he’d melt into this cold blue winter night. Before he could even begin to stammer out a response, you squeezed his hand, your smile never fading. 

“Our train’s here! We gotta go!”

Your voice snapped him out of his thoughts, and he blinked, glancing at the train now pulling into the station. You tugged him forward, your fingers laced with his, as if the moment hadn’t just turned his world upside down.

Megumi let out a soft sigh, a mix of exasperation and fondness, as he let you guide him toward the train. His blue–green eyes drifted to the keychain in his hand, its wolf charm catching the dim station light, and then to the scarf around his neck. 

The warmth of your scarf, still carrying your faint, comforting scent. For someone who often felt like the weight of the world rested squarely on his shoulders, tonight felt light. For tonight, everything just felt like a gift. The greatest gift in the world.

The train doors slid open with a gentle hiss, and you both stepped inside, settling into a pair of seats by the window. As the train began to move, Megumi finally found the courage to speak, his voice quieter than usual.

“You’re ridiculous, you know?” he muttered, though there was no bite in his tone.

You tilted your head, looking at him curiously. “What do you mean?”

His cheeks flushed again, and he turned his gaze to the window, watching the snow-covered scenery blur past. “You can’t just… say things like that so casually and just….watch me combust.”

“Oh, you mean when I said I love you?” you replied with a grin, clearly enjoying his reaction.

Megumi groaned, pressing a hand to his temple. “Yes. That.”

You laughed softly, leaning your head on his shoulder. “But it’s true, Megu!” you said, your voice softer now. “I do love you, truly! And I don’t see why I shouldn’t tell you over and over again.”

He was silent for a moment, his heart pounding in his chest as your words settled over him like the softest blanket. Finally, he glanced down at you, his blue–green gaze steady despite the pink still dusting his cheeks.

“…I know.” he said quietly, his voice barely audible. 

And though he didn’t say it back to you, overwhelmed by the wonders of those words on his soul, you knew that look in his eyes. That look of love, that wonder in the blue–green that said those words without leaving his lips.

It was all in his eyes that said everything you needed to hear. He struggles. But he hopes one day, he could say it to you without the struggle. 

You smiled to yourself, your gloves gone. You let your warm fingers still intertwine with his as the train rocked gently beneath you. He squeezed it even more and that had made you smile even more as you looked at him.

You hummed and leaned your head against his shoulder. His breath hitches before a moment later, his head resting on your own. You giggled at that. 

Tonight was perfect, you thought. Just the two of you, wrapped in warmth, as the world outside continued its quiet, snowy journey. And all you could see was the tenderness of all those shades of blue. That’s what it felt like when you were with him.

Everything was worth it. The cold was worth it. And so was the parting and the waiting. As long as you get to be with him and have this feeling of blue. As long as you could see those blues in his eyes.

Everything was worth it. Everything was worth experiencing. And you knew from the depths of his heart that he felt the same way too. Blue was the wonder of being with you. And he loves it too. 

══════════════════

epilogue

Later that night when you reached your house, the warmth of the entryway light spilling into the snowy night, you turned to Megumi with a thoughtful smile. He noticed the way your bright eyes sparkled.

It was a sign you were about to say something that might throw him off. He was familiar with that look since you were in middle school. But every time, he finds himself learning the depths of that mischief in your eyes. 

“So…” you began, glancing up at him with a hint of mischief. “Do you want to stay over tonight?”

Fushiguro Megumi nearly tripped over his own feet. His handsome face turned a shade of red that rivaled the setting sun, and he froze in place, his free hand holding your bag for you. You can see easily that he was clutching it nervously.

“W-What?” he stammered, his voice cracking slightly. “Why—what—why would you even—?”

You couldn’t help but giggle, watching him flounder. “It’s late, Megu!” you said, your tone as calm and reasonable as ever. “The buses aren’t running anymore, and so are the trains, you know! I’d feel bad making you walk all the way back to the dorms in this cold.”

He opened his mouth to argue, but you held up a hand, cutting him off before he could get a word in. You already knew that you had a card up your sleeve. You grinned at him and giggled, taking out your phone from your coat pocket and showing it to him.

“And before you say anything about it being improper or whatever.” you added with a knowing grin, “I already asked Gojo–san if it was okay.”

Megumi’s face somehow turned even redder, and his hand shot to his temple like he was trying to ward off a headache. He looked at your phone for a moment.“You asked Gojo?”

You nodded, looking far too pleased with yourself. “Yup! He said, and I quote, ‘As long as you don’t let Megumi brood in a corner all night, I’m fine with it! Take care of my precious son, daughter in law!’”

Fushiguro Megumi groaned, running a hand down his face. What did Gojo mean precious son? And what did Gojo mean about daughter in law? That was just….

Megumi didn’t know what to do anymore. He can’t even believe Gojo gave his number to you. He couldn’t help but feel his face echo a look of a son embarrassed by his overbearing father. 

“Why would you even tell him that? Now he’s never going to let me live this down.”

You laughed, tugging gently on his hand to lead him inside. “Oh, come on. He didn’t care at all. Besides I had to, he’s your guardian! He said he’d rather you stayed somewhere warm and safe than out in the cold. Besides, it’s not like we haven’t hung out late before. We’d have sleep overs before too.”

“That’s different.” he muttered, still flustered as you closed the door behind him.

“How is it different?” you teased, tilting your head at him.

He hesitated, glancing at you and then away, his ears burning. “It just… is. I just…..”

You rolled your bright doe eyes playfully and reached up to unwrap your scarf—now his own scarf—from around his neck. “Relax, Megu. It’s not a big deal. You can have the couch if it makes you feel better. Or the guest room. I don’t think my mom will mind when she comes back! She loves you too!”

He sighed, letting you take the scarf off but avoiding your gaze. “Fine, fine.” he muttered, his voice barely audible. “I’ll….I’ll sleep here tonight.”

You grinned, your victory clear. “Come on, I think I still have some of your old clothes I took from you. I’m sure they still fit you.”

“You never returned that hoodie I used to like.”

You raised a teasing brow at him. “Do you want it back?”

“No.” He says back to you, and looks at his own scarf on your neck too. “You can keep the scarf too.”

“Good. Now come on, I’ll make some hot chocolate. Consider it a bonus birthday gift.”

As you walked toward the kitchen, Fushiguro Megumi stood there for a moment as he watched you start humming, looking for the cocoa. He let out a quiet sigh, the corner of his mouth twitching upward despite himself. 

He was definitely going to hear about this from Gojo Satoru later, but for now, he couldn’t bring himself to care. He was with you. And that was more than enough for him to not care about the world outside. 

[deliciousangelfestival]

Holly Jolly Charade | Bucky

Character: Bucky Barnes x Female! Reader

Summary: Turns out, bringing a fake boyfriend to a family dinner worked out just fine.

Prompt: fake dating becomes too real

Part 2 : The Christmas Shift

Written for @the-slumberparty's December Daze Challenge.

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

By the way, I publish my book Arrogant Ex-Husband on Kindle. 👉 Now available on e-Kindle Amazon! << here's the link.

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

Have you ever had one of those mornings that just feel perfect? The kind where everything aligns so effortlessly it feels like the universe is on your side?

No traffic, no line at the coffee shop, and all your usual rush-hour chaos smoothed out like butter on warm toast. Especially now, with Christmas looming, when there’s so much to get done, a morning like that feels like a miracle.

But just when you think the day’s off to a perfect start, something always has to disrupt the flow. This time, it’s your phone buzzing with a text message.

Mom:

"I’ve sent our ride to pick you up. No more excuses!"

You groaned audibly and rolled your eyes so hard they almost hurt. The text left an invisible weight pressing on your chest. It wasn’t like you hated your family, but the thought of attending their Christmas dinner was… exhausting. Ever since you moved out, you’d been dodging these gatherings like a pro.

In the first couple of years, they were understanding. Your excuse? A new job, fresh out of college, with long hours and no time for travel. They’d bought it. Then, a few years later, you said you were busy building your business, and that worked too.

But now? Now your business was thriving, and worse, everyone knew it. Thanks to that damn magazine article, your entire extended family knew about your company’s success. Including how much profit it was making. You should’ve refused the interview. You should’ve told your friends to leave you out of it.

Now there were no excuses left. Your family saw right through them.

You tossed your phone onto your desk with a huff and ran your fingers through your hair, trying to come up with a last-minute plan. The thought of sitting at that table, sharing space with your aunt of all people, made your stomach twist.

She was the epitome of judgmental nosiness, prying into every corner of your private life, not because she cared but because she wanted to compare. She loved knowing someone was doing worse than she was—it was like her secret Christmas joy.

You groaned again, typing furiously on your phone. “How to get away from Christmas family dinner” was the search query, but every suggestion seemed ridiculous or impractical. You sighed, slumping back in your chair.

A sudden knock at the door startled you.

“Come in,” you said, not bothering to glance up from your phone.

The door creaked open, and your vice president, Bucky Barnes, stepped in. He held a stack of papers in one hand, his other shoved casually into his pocket. His loose, long hair, still a work in progress, framed his annoyingly handsome face. He was wearing a crisp blue shirt with the sleeves rolled up, black pants, and the faintest smirk on his lips.

“Here’s the report,” he said, stepping closer and placing it on your desk. “Just need your signature, and the team can have an early paycheck.”

You glanced up briefly, pen already in hand. "Why didn't the finance guy give this to me?"

"Because they're afraid of you." He leaned against the desk, folding his arms, his smirk growing into something more mischievous.

“You look like someone Googling excuses to avoid their ex,” he teased, tilting his head toward your phone. “Or did your mom finally pin you down for the family Christmas dinner?”

You shot him a withering glare, tapping the pen against the report in irritation. “Mind your business, Barnes.”

“Hard not to,” he said with a shrug. “You’ve been muttering under your breath about aunts for the past five minutes. Also, your face? It’s doing that scrunchy thing again. Looks like someone ate a lemon.”

You leaned back in your chair and crossed your arms, staring daggers at him. “You’re awfully chatty for someone who’s been begging me for months to let him quit.”

“Begging?” He scoffed, a mock look of offense crossing his face. “I just said I wanted to try something new. But nooo, you’re like, ‘Stay here, Bucky. You’re the best VP ever.’” He fluttered his eyelashes dramatically, earning an eye roll from you.

“Don’t flatter yourself,” you said, snatching the pen and signing the document with more force than necessary.

“Aw, is that your way of saying you’d miss me?” He grinned, grabbing the papers and straightening them with a satisfied nod.

“No. It’s my way of saying you’d never survive on your own.”

He laughed, heading for the door. “Well, good luck with Christmas dinner. Don’t forget—misery loves company. Or in your case, a nosy aunt and smug cousins.”

You rolled your eyes, ignoring him as you continued scrolling through your phone. Your search results were less than helpful, but then one suggestion caught your eye: “Tell them you’re traveling with your boyfriend.”

The idea wasn’t entirely ridiculous. Your mom had been nagging you about finding someone and settling down for ages. Without thinking it through, you began typing a message.

“I can’t. I already have a trip planned with my boyfriend. Didn’t you want me to get married?”

Satisfied with the excuse, you hit send and placed your phone on the desk.

Not even two seconds later, the screen lit up with an incoming video call. It was your mom.

“Crap!” you yelped, fumbling for the phone. In your panic, you almost dropped it, but Bucky, quick as ever, snatched it mid-air. Unfortunately, his finger brushed the screen, accidentally accepting the call.

Your mother’s delighted face filled the screen. “Oh my goodness, you didn’t lie! You have a boyfriend. And a handsome one at that!”

Bucky froze, his eyes widening in shock. “Uh… I… wait—”

Your mom wasn’t listening. She leaned closer to her phone camera, grinning ear to ear. “It’s so nice to meet you! Both of you are still at the office, I see. Perfect. Cancel your plans and bring him to the family dinner!” With that, she hung up before you could say a word.

You stared at the blank screen, your hand still frozen mid-air. “What the heck just happened?”

Bucky turned to you, raising an eyebrow. “I think I just got adopted as your boyfriend.”

You groaned, rubbing your forehead. “This is a disaster. I texted her saying I had plans with my boyfriend so I wouldn’t have to go to dinner.”

“Do you even have a boyfriend?”

“No!” You threw your hands up in exasperation. “And now my mom thinks we’re together!”

Before Bucky could respond, your assistant knocked on the door. “Ma’am, the driver is waiting downstairs for you.”

“Shit,” you muttered under your breath, scrambling to grab your coat.

Bucky leaned casually against the doorframe, watching you with an amused expression. “I could play along, you know.”

“You? Helping me?” You scoffed, slipping your arms into the coat.

He shrugged, grabbing his own jacket. “I didn’t say I’d do it for free.”

You narrowed your eyes at him. “What’s the catch?”

“I want to resign. And a generous bonus while we’re at it.”

You gaped at him, incredulous. “Seriously? Why do you want to quit so badly? You’ve got great benefits here.”

He followed you out of the office, adjusting his jacket as he walked. “I want to explore more. I’ve learned a lot here, but it’s time for something new.”

You glanced at him, half-annoyed, half-impressed by his confidence. “Unbelievable.”

“Come on,” he said with a mischievous grin. “How hard can pretending to be your boyfriend really be? I’ll even charm your aunt.”

“Oh, this is going to be a nightmare,” you muttered as the two of you stepped into the elevator.

“Maybe,” Bucky said with a smirk, “but at least it won’t be boring.”

As you stepped into the lobby, your eyes immediately landed on the sleek black Maybach parked by the curb. The driver stood beside it, wearing a formal suit and gloves, ready to escort you to the inevitable Christmas dinner. Of course, it was your mom’s car—a glaring reminder that she always got her way.

You stood frozen for a moment, torn between irritation and resignation. The reality of the situation hit you like a weight: there was no escape this time. You chewed the inside of your cheek, contemplating running back upstairs and locking yourself in your office.

Before you could make a move, you felt a presence behind you. Turning around, you found Bucky standing there, casually slipping on his coat.

“Fine,” you sighed. “I’ll fire you.”

His lips quirked into a triumphant grin. “Finally.”

“But,” you added sharply, pointing a finger at him, “if you want to leave on good terms, you’d better play your part well. Convince my family—especially my aunt—that we’re a couple.”

Bucky gave you a mock salute, his grin widening. “Got it. I’ll play my part like I’m gunning for an Oscar.”

You nearly laughed at his response, a small chuckle escaping despite yourself. “Let’s go.”

Once inside the car, you pulled out your phone and scrolled through pictures of your family. Handing it to Bucky, you said, “Don’t worry about my cousins—they’re pretty cool and don’t ask too many questions. The real trouble is my aunt.” You pointed at a specific photo.

“That one,” you said, gesturing to a woman in her sixties, decked out in pearls, bright red lipstick, and chunky jade bracelets on both wrists. “She’s the one you need to watch out for.”

Bucky studied the picture, raising an eyebrow. “She looks… interesting. Definitely has a lot of character.”

You snorted. “That’s one way to put it. She’s the type who compares everything—lives, careers, relationships. If she starts asking questions, keep your answers vague. She’ll latch onto anything you say.”

Bucky nodded thoughtfully, his expression serious. “Got it. What about your parents?”

“They’ll be relieved the moment they see me walking in with a boyfriend,” you said dryly.

He nodded again, absorbing the information like he was preparing for a mission. “Then I’ll make sure to play my part well.”

🎄🎄🎄🎄

Inside, the house was bursting with holiday cheer. Laughter echoed through the halls, mingling with the warm hum of Christmas music. The living room was a festive wonderland, filled with garlands, twinkling lights, and an enormous tree decorated to perfection.

The moment you stepped through the door, a woman in an elegant dress swept toward you, her arms outstretched.

“Finally!” your mom, Robin, exclaimed, pulling you into a side hug. Her perfume was a comforting mix of cinnamon and vanilla, and her excitement was almost infectious.

Then her eyes landed on Bucky, and her expression shifted into one of pure delight. “My prayers have been answered,” she said, clasping her hands together. “Come here!”

Before Bucky could react, she pulled him into a warm hug. He blinked, caught off guard but recovering quickly, wrapping an arm around her lightly.

“I’m sorry for the late introduction, ma’am,” Bucky said smoothly, stepping back with a polite smile. “I’m Bucky.”

You stepped in before your mom could ask questions. “We just became official recently.”

Robin’s face lit up even more, her eyes darting between the two of you. “Good! Welcome, Bucky.”

“Thank you,” he said with a slight bow, his tone respectful but calm.

As you stood with your mom and Bucky in the foyer, a woman approached, her presence unmistakable. She wore pearls as if they were a permanent part of her body, bright red lipstick that seemed freshly applied, and her signature jade bracelets jangled with every step. Her hair was big—almost comically so—and styled to perfection. It was your aunt Teresa, the one you had warned Bucky about.

“Well, well, well,” Teresa said, her eyes scanning Bucky like he was a prize. “Is this the boyfriend I’ve heard so much about?”

You stiffened, forcing a tight smile. “Yes.”

Bucky, ever the diplomat, stepped forward with a friendly grin. “Bucky Barnes. Nice to meet you, ma’am.”

“Oh, call me Teresa,” she purred, giving him an appraising look. “You’re quite the charmer. And so handsome! No wonder she finally brought someone home.”

You bit the inside of your cheek, struggling to maintain your composure.

“So,” Teresa continued, her tone dripping with faux curiosity, “how long have you two been together?”

“Not too long,” you said curtly, trying to end the conversation.

“A little over three months,” Bucky added smoothly, his tone warm and engaging.

“Three months?” Teresa said, arching a perfectly shaped brow. “Well, you’d better lock him up, dear,” she said, turning to you. “We’ll be planning another wedding soon!”

“Teresa,” Robin interjected gently, noticing your discomfort. “Why don’t we give them a moment to settle in?”

You took the opportunity to grab Bucky’s arm and drag him away, your jaw clenched.

As soon as you were out of earshot, you muttered, “That’s just the beginning. Wait until she finishes her fifth glass of wine.”

Bucky chuckled, shoving his hands into his pockets. “She’s... entertaining.”

You rolled your eyes. “That’s one way to put it.”

Later, Bucky met your cousins in the den, and as you predicted, they were laid-back and easy to talk to. They exchanged jokes and stories, asking Bucky only a few lighthearted questions about his work. You watched from the sidelines, thankful that at least some of your family wasn’t exhausting.

At dinner, everyone gathered around the massive dining table, the centerpiece adorned with candles and holiday-themed decorations. The atmosphere was warm and festive, but the moment Teresa began talking, you felt the familiar weight of dread settle in.

“So,” Teresa began, her voice carrying over the clinking of cutlery, “my son just secured a new oil permit. Big deal, you know. And my daughter-in-law? She got promoted to partner at her firm. Isn’t that wonderful?”

You nodded politely, forcing a neutral expression. “That’s great, Aunt Teresa.”

“And what about you?” Teresa asked, her tone dripping with condescension. “I hear your little business is doing well. But it must be so stressful, hmm? All that work with no one to share it with.”

You bit back a retort, focusing on your plate instead.

Bucky leaned toward you and whispered, “This is boring.”

“Yup,” you murmured in agreement, spearing a piece of food with your fork. “She always does this. She’s the one who insists on family dinners.”

The two of you exchanged quiet remarks, completely ignoring Teresa’s continued self-praise. Finally, she noticed and turned her attention to both of you.

“Are you two even listening?” Teresa snapped, her bracelets clinking as she gestured dramatically. “And tell me, when are you two getting married?”

Bucky didn’t miss a beat. He leaned back in his chair, a mischievous smile playing on his lips. “Well, Teresa, we want to make sure we don’t rush it. After all, we wouldn’t want to overshadow the amazing achievements of your son and daughter-in-law.”

The room went silent for a moment before your cousins stifled laughter, and Teresa pursed her lips, clearly caught off guard.

After dinner, you helped your mom arrange desserts on the table in the kitchen. The aroma of freshly baked pies and cinnamon filled the air. Robin looked pleased, humming softly as she arranged plates.

From the dining room, Teresa’s voice drifted in as she tried to corner Bucky for more questions.

“So, Bucky,” Teresa began, her tone overly sweet. “Tell me, what’s it like working with her? She must be such a perfectionist.”

Bucky didn’t falter. “Actually, she’s brilliant. One of the smartest and most hardworking people I’ve ever met.”

Teresa narrowed her eyes slightly, clearly fishing for more. “But she must be difficult sometimes. Don’t you think?”

Bucky smiled, his tone calm but firm. “No more difficult than anyone else who’s successful. If anything, she makes work more enjoyable.”

You overheard the exchange and couldn’t help but feel a flicker of gratitude. For all his teasing, Bucky had your back.

Later, when the two of you were finally alone in the den, you let out a long breath and slumped onto the couch. Bucky poured himself a glass of whiskey from the bar cart and sank into the armchair across from you.

“You’re fired, Bucky,” you said, though there was no heat in your voice.

He chuckled, raising his glass in a mock toast. “Thanks, boss.”

You rolled your eyes but couldn’t hide the small smile tugging at your lips. “Seriously, thanks. I’m glad you came.”

“Anytime,” he replied, sipping his whiskey. “Just don’t make me sit next to Teresa again.”

You both laughed, the tension of the evening finally starting to fade.

You leaned back on the couch, your fingers tapping the glass of wine in your hand. The room had gone quiet after the bustling chaos of the family dinner, and Bucky was nursing his whiskey with a far-off look in his eyes.

“I still don’t get it,” you said, breaking the silence. “Why do you keep wanting to quit?”

Bucky’s gaze shifted to you, his expression unreadable at first. Then, he set his glass down and leaned forward, resting his elbows on his knees.

“Because I want to be on the same level as you,” he said, his voice steady but carrying a weight that made you pause.

You blinked, confused. “Huh?”

“I want to start my own business,” he explained, his eyes meeting yours. “Be my own boss. I’ve learned so much working with you, but I need to prove to myself that I can do it too.”

You studied him, trying to piece together the sudden intensity in his words. “That’s it? You’ve got some big plans, huh?”

Bucky exhaled a soft chuckle, but there was something else in his eyes—something unspoken. “Yeah, big plans,” he said, swirling the amber liquid in his glass. “I’ve always admired you, you know. Not just for what you’ve built, but for who you are.”

You tilted your head, still not fully grasping the weight of his words. “You admire me?”

He looked at you, his blue eyes holding yours longer than usual. “Yeah. For a long time now.”

The air between you shifted, and for a moment, you couldn’t find the right words. You thought back to all the years you’d worked together, the arguments, the jokes, and the moments where he always seemed to have your back.

But you dismissed the thought, brushing off the flicker of something deeper. “Well,” you said, forcing a grin, “I’m glad you’re ambitious. Just don’t expect me to give you glowing references when you leave.”

Bucky laughed, leaning back into the armchair. “I wouldn’t dream of it.”

That year marked the first time you’d asked Bucky to pretend to be your boyfriend, a favor born out of desperation. He played the part so convincingly that even your family believed it.

The second year came, and to your surprise, you asked him again. By then, it had become a strange tradition—your fake boyfriend who seamlessly charmed your family while sparing you the agony of invasive questions.

By the third year, something had shifted. The lines between pretending and reality blurred, and you couldn’t shake the growing warmth you felt whenever he was near. It wasn’t just gratitude anymore—it was something deeper.

When the fourth year rolled around, you made a decision. No more pretending. You told him you wanted to stop the charade, but instead of ending things, you found yourselves starting something real.

And in the fifth year, you stood side by side at the altar, promising forever to the man who had been beside you all along.

Taglist:

@thezombieprostitute

@mostlymarvelgirl

@scott-loki-barnes

@kjah97

@jeremyrennermakesmesmile

A/N : There will be part 2. I'll use the prompt from @the-slumberparty

[machisneedle]

hiiii! can I request some hcs (fluff + smut) for chrollo (or any other troupe members) if they have a husband/wife from meteor city (who he grew up with)?

im just rlly tired of ppl constantly making the pt k!snap their s/o’s tbh😕

ty!!!!!

Ofc I can !! <3 also I agree with the kidnapping part , I struggle to find good troupe content that isn't grr yandere zaddy kidnaps you. No hate to those who like that though !

phantom troupe members w a S/O they grew up with !! 🕷️ྀི` .

✧ characters in this are chrollo , feitan , shalnark , pakunoda

✧ content : headcanon format , fluff , smut / not safe for work content , fingering , oral , p in v ( chrollo , feitan , shalnarks part) , angst / death on pakus , also I don't really know how to write male or gn reader so I just did fem !! I hope that's ok.

!! Minors, please do not interact with this post !!

Chrollo 🕷️ྀི` .

✧ growing up with chrollo before the incident with Sarasa's death would be quite sweet tbh , staying up late together , talking about finding new tapes to perform and dub over. You were always a constant in his life , which was comforting for him.

✧ after the trauma of Sarasa's death , It just made him need you around him more. that need for you to be safe lasts into his adult years. This man is so protective of you , not in a cliche get away from my girl type way , no its in the way that your safety is on his mind alot. Especially with the line of work he's in. Probably keeps a troupe member with you at most times when he's not home , just in case.

✧ with the fact you grew up together , you already knew the troupe before it existed , so it would be something he couldn't really hide from you.

✧ I'm a firm believer in that chrollo is suffering from insomnia or some disorder that is similar. like this man is never asleep first when you're both in bed , when he finally puts his book away to sleep you can feel his arms snake around your waist as he breathes in your nostalgic scent. He doesn't get many times to relax nor to be so close to you due to the troupe, but he enjoys these moments more than anything , It brings him back to a simpler time.

✧ you both visit meteor City quiet abit (i'd also like to think you got married there) , seeing you pass out new clothes and food to the kids who live there warms his heart , it makes him remember why he fell for you in the first place.

✧ you were his first time and the only woman he wants to pleasure. I feel like growing up with him makes being intimate just that much more passionate , he fucks you like he might never see you again (which is a possibility If he isnt careful enough with protecting you , the reality makes his heart ache.) . Whispering the dirtiest but softest praises into your ear , acting like he isn't making you moan so loud under him , your voice might give out.

✧ this man eats pussy SO well , after the first time he eats you out your just stunned for a second , like what magic did this man just cast on your pussy to make you feel this good. He probably read a book about it or something. Also defo would eat you out because he likes it not for anything in return , your needs come first for him.

✧ about seeing you helping out the kids in meteor City thing I mentioned. when your home be ready. He doesn't have a breeding kink , but the thought of you taking care of his child and doing motherly activities makes him so happy he can't help but want to get you pregnant the second you close the front door. Get ready for a long night , he has stamina , and he won't be stopping till you're absolutely full of his loads. He'd whisper to you how "I should of done this so much sooner , my darling" or "feeling you this raw is pure bliss... like I'm fully claiming you in body and mind."

✧ 100% into cock warming you while reading a book. No one will change my opinion.

Feitan🕷️ྀི` .

✧ when you first met him , he avoided you like the plague. Honestly , at first you thought he hated your guts. Whenever you hung out with him and his friends , he'd refuse to reply to you but he didn't mean it in a rude way he just didn't want to embarrass himself around you because of how bad his english was.

✧ phinks eventually told you why he wouldn't talk to you , which made you feel somewhat bad ? To communicate with him for a while , you used a pen and some paper you found in the garbage heeps writing down what you said to help him learn some English.

✧ the first time hearing his voice is SHOCKING , he wrote down how he didn't want to because it sounded bad but you thought his voice was soothing which you told him , making him a bit more comfortable around you.

✧ As he grew up , he got more reserved but you didn't care sticking to him like glue , he could complain as much as he wanted saying you where wasting your time being around him or that it's too dangerous for you to stick with him but his words never held any malice more concern that you would get hurt by something or his actions but he'd never admit to having such 'weak' thoughts.

✧ like chrollo , he's another protective boy , but he doesn't trust anyone else with protecting you but himself. Would break someone's neck for looking at you in a way he didn't like , oh and don't even get me started if someone tries to hit on you because they think he's just some short loser who got lucky... let's just say later that night you will hear some screaming coming from the basement (aka where he does his work).

✧ you definitely know about the troupe , he's probably the only one who will outright tell you before you can ask. I mean , he literally tortures people... when you move in together , he literally can't hide it , so he's just honest with you. Another thing if the screams from the basement freak you out and you complain he probably will be grumpy about it , but he will line the walls down there to make it not as loud.

✧ for feitan knowing him from childhood will 100% be the easiest way for him to be comfortable around you , feitan just doesn't like people to be honest but your company is actually enjoyable for him.

✧ another cute thing I can imagine is him trying to teach you his native language like you taught him some English. You telling him you love him in his native tongue... the things that does to him.

✧ both of your firsts times are with each other. Honestly , sometimes you doubt he would have ever even had sex if it wasn't for you. Your first time was... not the best because you both had no idea what to do really , but after that mess of a first time , he definitely went to chrollo or phinks for advice. Another thing is not to make fun of him for it , it would really hurt his ego and he'd probably avoid you for a couple weeks.

✧ he is still a total sadist don't get me wrong but with you he's softer , he can't bring himself to hurt you alot. The worst he can do is bite you or slap you , anything else makes him feel icky because it reminds him of his work too much. He still finds your tears really hot though , and will overstim you just to see them.

✧ the first time he finger you , it was surprising how good he was with his hands (for a torturer , I guess you have to be). He's so unfair when he fingers you , he hits spots so deep you see colours then he'll pull back just near your climax saying he didn't say you could finish yet with a dumb smirk on his face as tears threaten to fall from your pathetic looking eyes.

✧ probably doesn't want kids even if you knew him that long his opinion wouldn't change , if you asked he'd say "no. I dont like kids" but really , he didn't mind kids he just didn't want to bring more kids into a world like this.

✧ super random but has eaten you out in your period before , he doesn't think it's a big deal... like he's around blood everyday ? What difference does it make.

Shalnark 🕷️ྀི` .

✧ he definitely mocked and teased you a lot when you were younger. Stealing your shoes when you where acting on the stage with everyone else or messing up your cute braids in your hair , but he never meant it in a mean way , it was his weird way of showing he liked you.

✧ probably the only one out of the guys to realise he had a crush on you as a kid , would cope by being even more of a little shit to you till he went to far one day and actually upset you , which led to admitting he was only mean to you because he had a silly little crush.

✧ this man is sooo clingy to you , he gives pathetic vibes like you can't leave this mf alone for a couple hours without getting messages like , 'babeeee I miss you (˚ ˃̣̣̥⌓˂̣̣̥ )' and 'come homeeee pretty please ? ｡°(°.◜ᯅ◝°)°｡' (yes I believe he uses emoticons). When he's busy on troupe work he's calling you every hour it feels like , feeding you some lies about being on a work trip.

✧ he wouldn't be honest about the troupe with you. You know all the members as you grew up with them , but he thought leaving you in the dark was better. If you asked too many questions , he'd probably tell you you're being delulu. he doesn't want to lie to you but your safety is too important to him and he knows he isn't like feitan and chrollo , he can't always protect you.

✧ he's not yandere , but he is a bit obsessed with you , having cameras in the rooms in his house so he can watch you when he's lonely on a mission. He wouldn't take advantage of the fact he can see you without you knowing , if you started to change clothes or something , he'd turn the screen off. If he wanted to see you naked he'd literally just ask for nudes or look at old pics you sent him.

✧ your first time was... Good ? Shalnark actually knew what to do , mostly from how much porn he's watched to prepare for the day he finally got to do it. Side note he also made you finish during your first time.

✧ he's such a service top when he doms , he struggles to tease you because of how needy for him you sound , can you blame him though when you look so pretty under him ?

✧ whenever he is busy on work for the troupe but he misses you , he always ends up calling you even if you're in public , whispering sweet praises into your ear through the phone asking you to go to somewhere private because he misses you. "Baby... please ? It's been a week and I'm so needy for you" his whiney voice would beg at you , he was too cute to deny.

✧ he loves seeing you in really girly lingerie. It makes you look so innocent that he feels bad for having such perverse thoughts about you.

Pakunoda 🕷️ྀི` .

✧ while you were trying to catch an injured kitten to help it , crawling over the heep of trash it ran over , you saw a blonde young girl you soon learned who's name was pakunoda holding it , softly stroking its fur as it snuggled up into her. Her caring and nurturing personality has been known since the day you met her.

✧ you two were like two peas in a pod , always cheering her on in the audience when she was on stage with the rest of her friends acting out the tapes. It was so silly , but you both had made a pinky promise that when you grew up you would get married.

✧ after Sarasa's death , she abandoned you to focus on the troupe. She left you with a kiss on the cheek and a "I promise when we grow up , I'll find you... and I won't stop till I do." Being forced out as she looked at your form , hands shaking tears forming and soft begs for her not to leave.

✧ you had no clue how she did it but after you left meteor City and moved to yorknew she found you , waiting for her felt like waiting for glue to dry and when she came back she refused to ever leave you again.

✧ she isn't possessive I'd say , but she does sometimes check your memories to make sure you don't do anything bad when she isn't around. She doesn't worry about your safety as much as the others also because no one knows your her s/o but you both.

✧ she told you about the troupe after you demanded an explanation for her leaving you , though she didn't explain her nen ability to you yet mainly just because she doesn't think you're ready for that.

✧ got you a cat called ophelia , it reminds her of how you both first met and she also likes for you to have company when she's busy.

✧ you weren't each others first times , but with how loving and passionate it felt like it was your first time , you would never forget the feeling of her nails running down your spine as she whispered sweet nothings into your ears , leaving lipstick marks on your jaw.

✧ she doesn't like strap-ons , Likes to think her hands and mouth are enough to make you fulfilled , but if you ask her to use a vibrator on you she wouldn't mind.

✧ LOVES when you sit on her face , her nose is built for grinding on as she eats you out. If you were worried about crushing her , she'd spend a good couple minutes lecturing you about your weight was nothing to her and if she did 'die' being crushed by you , it would be a perfectly fine death for her in her mind.

✧ you would only learn about her nen ability when she found out she was the one to have to go get the boss. She had called you after telling the troupe about you , then explained the situation , asking you to go to the location of the troupes base incase this was the last time she could contact you.

✧ after she got kurapikas chain around her heart , she already knew her fate. After the deal went well getting the boss back , she came to the troupes base. Your wet eyes looked at her as you ran to her , falling to your knees , hugging waist. She felt guilty knowing what she was about to do. she ended up using a memory bullet on you instead of one of the troupe members , you deserve an explanation after you spent most of your life waiting for her.

✧ after her death , you kept her gun , keeping it as your last reminder of her you could bare to keep around yourself. Every once in a while , someone in the troupe would send u a message from a random number to see if you were okay the first year after. You were also set for life as everything she had went to you , but it never filled that hole in your heart.

✧ that promise of marriage never happened , huh ?

Omg I got abit carried away on pakus LOL. But I hope you enjoy <3

[velvetvexations]

"Women do traditionally feminine stuff because they are afraid of the men in their lives." Hilarious, because for me growing up all of the worst misogyny I faced was at the hands of other women, usually family and friends, and whenever I caved into the pressure to do feminine things I didn't want to it was specifically because I was seeking the approval of other women. None of the men in my life have ever forced femininity on me the way the cis women have. The people who made fun of me for dressing "badly" and not shaving and spread rumors I was secretly a boy were all girls. I kept trying to get into makeup, not because I wanted boys to think I was cute(all the guys who've shown interest in me have actually liked me just fine the way I am), but because I wanted the women around me to see me as one of them and I never felt like I was.

Even when women aren't pressuring me to do girly things I still feel the pressure because I'm the only woman I know who doesn't and it makes me feel like a freak. I don't care what the men around me think, a guy getting weird about my not shaving or wearing makeup would be instantly disqualified from my dating pool without a second thought, being raised a feminist very quickly inoculated me against giving a shit what men think, but the women? My whole life I have been trying so hard to be one of them and it's still hard work to ignore the annoying internalized patriarchal cisheteronormative bullshit in my head making me think I need to be more like them and less like me. And I genuinely don't know if there will ever come a day when I can hang out in a group of women and not feel like an imposter just waiting to be discovered and killed.

And I know that my experiences aren't universal any more than the person who originally said that's are, but like. It's just wild to me that trans people especially will chalk all of the pressure to conform to gender roles up to shitty men and completely ignore how heavily the patriarchy incentivizes women to not only violently police each other's femininity but also destroy ourselves seeking the approval of the very women who are violently policing our femininity.

EXACTLY.

I love cis women who our allies with all my heart and soul, but we need to stop being desperate for their approval. The cis women who DO care about us would be the first to admit they as a category need to do a lot better, so why do we pussyfoot around them being just as horrible to us as cis men can be?

With trans women it feels like we're just trying to link arms under the exact same oppressive patriarchy because it feels like that's what being a woman is, haha yeah, men hate us, I mean they hate us in different ways and you hate us too but what matters above all else is that we're the exact same thing right? Oh, sorry, like seventy percent of you don't believe that and are violently disgusted by the thought of coming anywhere near me? But I also fear men!

And trans men...

"Women are soooo scared of me, yeah you better cover your drink around trans men too, I mean not that I would do anything personally, but I could, because I'm a man, and that means I could oppress and hurt you, theoretically!"

Listen, bro, most cis women aren't scared of you, they're laughing at you, and frankly so am I, not because it's impossible for a trans man to be a person who's intimidating, but because you're so needy for validation that you've developed a patriarchy fetish you can't turn off.

None of this is to say we should ignore the crimes of cis men or that cis women aren't also another marginalized class, and again, I love cis women who're trans allies, they're amazing, wonderful people and I would never want to leave them behind or seem ungrateful.

[galacticsilverplush]

Another post because I remembered something I did. Before I came here, I was on Instagram, and being a Misako fan on Instagram is AWFUL.

Left, Right "jokes" and serious posts about idiots who thought Misako was a cheater were everywhere! So I made a thing.

I made this chart to show how Misako and Garmadon, two brown haired people, could give birth to Lloyd and blonde haired boy. (This is a recreation of the chart). I did it because people who said/say Lloyd is Wu's kid PISSED ME OFF, and they still do!

If you think Lloyd is Wu's child, shut the FUCK up. Lloyd looks like Garmadon because that's how biology fucking works, if Lloyd was Wu's kid he'd look like Wu but... he doesn't! So guess what? LLOYD IS GARMS KID AND MISAKO DID NOT FUCKING CHEAT.

How else do I know? MY OWN LIFE! My parents have dark hair, but I have blonde! (Hair reveal woo). Ninjago fans will ignore genes/biology just so they can hate Misako even though there are REAL LIFE EXAMPLES of children with brown-haired parents being blonde.

According to some Ninjago fans, if you don't perfectly match both your parents, one cheated. Which is wrong. If you think Misako cheated/Wu is Lloyd's 'real biological dad' in 2024, stay the fuck away from me.

The idea Misako cheated is just another bullshit way to claim Misako didn't love her family. Misako loved everyone in her family even if she had to make drastic decisions to protect them, and I wish some people would stop villianizing her. Even if it's not as common anymore, it still happens, and it makes me MAD.

[atoriv-art]

what are your thoughts on the hyuga siblings and their relationship

OOF now thats one of my favorite naruto dynamics lmao. i think neji and hinata have a very interesting relationship and i say that as someone who really didn't (and tbh still doesn't) love how that relationship developed in canon

i really like the hyuga fight in the chunin exams because the way it's perceived is sooo interesting to me.. neji comes off as an outright bully and i don't even blame the kids for calling him an asshole after all of that, but from reader's perspective it's really obvious that his animosity only exists because of a larger issue...

neji shouldn't treat hinata the way he does, but he does so because of her unique position as a scorned heir. she still benefits from everything that makes his life awful - her life is still valued more than his - but hiashi hates her enough that he won't care if neji dishes out verbal abuse on her. it's an awful dynamic and definitely contributes to hinata's terrible self-worth, but it's a symptom of the life they have been forced into by the man who the manga is intent on letting escape all of the blame for this situation lmao

(hiashi himself can be a really fascinating case honestly. i think he fully means everything he says, which is what makes him so grating but fun to me LOL. his apology to neji is entirely sincere AND it completely misses the point of all of the issues, but neji is young and deprived of acknowledgement enough that he accepts it wholeheartedly. hiashi thinks he's the best uncle of all time.)

hinata herself has so little belief in her own worth that she just sits there and takes whatever abuse people throw at her... i don't actually think neji's anger towards her was a constant - i think some people interpret it that way - rather i feel like it was something that came up whenever he was pushed too far. in more normal circumstances where he's not being made to fight her directly, he was likely more detached than anything. he wanted nothing to do with her.

in one of the filler mini arcs ive mentioned before (i think. the one that focuses on hanabi and hinata) there's a scene that rang very true to me (and im gonna recount this without rewatching it atm so sorry if i get details wrong,): neji was being made to train with hinata, asked to be allowed to leave because he felt his time was being wasted and correctly noted that it doesn't have to be him here, was told no by hiashi and then he started getting vicious and violent. towards hinata, of course, not hiashi. he then got horribly punished for it LOL i think that's the general dynamic they were living in, neji reaches a limit of disrespect that he can take and explodes on the nearest most acceptable target (we loove a boy with no emotional regulation <3), goes too far and suffers the consequence of it while nothing else changes. to him interacting with hinata at all is just asking for pain, either emotional or straight up physical

But, for hinata, she saw herself and neji as similar (the black sheep of the family i suppose), and would have liked to bond over that fact; theyve known each other since they were very little and she outright refers to him as a brother. it's clear to me she's always cared a lot about neji and imo feels responsible for what happened to his father (something that hiashi doesn't help with. Dad of the year), so she saw their match in the exams as a chance to close the distance between them and get neji to see her as a person, an equal instead of a symbol to lash out on.

but, you know, she was 12 LMAO so she ended up pressing all of his buttons instead and it led to his famous outburst, which led to the famous moment of Every Single Jonin (other than asuma.) coming to stop him and further cementing his belief that her life is seen as special. i think (and this is a mix of Shit I Made up, and Me trying to make sense of the manga's insane mishandling of their plotline) that despite her trying her hardest to reach neji she didn't really grasp the horror of his situation. that's the tragedy of neji's life really LMAO, no one really tries to grapple with the severity of what having that curse mark does to a person. she thought of his fatalism as more of a psychological, metaphorical way of dealing with hurt and not like... "my life literally does not belong to me no matter how much i try to fight it"

this is loooooong take this readmore.

i think hiashi-hizashi were hoping that the cousins could have had a better relationship than they did... letting them hang out often and stuff, introducing them early, hizashi not discouraging neji from being friendly with her, to me it all reads as very "ok well this didn't work for Us, but what if it works out for them... even though literally nothing has changed". they were proper family once and hizashi wanted to die for his brother, not his leader, so that just makes sense to me.

i do nautttt like the naruto vs neji fight so to keep the post positive i will gloss over it <3 but hinata and neji's relationship post-chunin exams to me is peak like. God i wish this was done better because it could have been soooo good

neji realizes that his anger is consuming him and adjusts his behavior accordingly, getting a lot of his kindness back, and he becomes intent on fixing his relationship with hinata... i don't hate that premise at all, it's just the way it's executed that bothers me!

the impression i got (and i could be mistaken im in the process of rewatching the anime + rereading the manga) is that their relationship getting better is done exclusively through like. neji repenting for being mean to her. which, don't get me wrong, he SHOULD apologize (AND THAT WOULDVE BEEN A COOL THING TO SEE ONSCREEN, BTW) but you CANNOT divorce his behavior from the hyuga system in general. from the way they act after the exams you would think their issues were born solely from neji being a bully for no reason, and not, like... him lashing out on her because his uncle is literally the devil.

i don't think hinata has the power to change a lot in her clan on short notice (she did get disowned. did that un-happen offscreen? we will never know. Hiashi gets to be a grandfather to her children btw.) but i certainly would have liked to see her standing up for branch members and in the stuff i draw that's the story i have in mind LMAO. like, her gaining a deeper understanding of neji's situation and trying to work against her father trying to make her cousin's life better? i think that would have been really sweet and even show her gaining more confidence in herself and her beliefs. you can still have neji fussing over her and being protective because he feels bad for how they used to be, i actually really like that because neji IS a very sweet person, i just reject the idea that it's his sole Moral Obligation to put everything aside and make things better by the power of I Will Die For You Now, But This Time, For The Right Reasons

as for hanabi i wish she had more screentime soooo bad because i'm obsessed with how she gives off Haunted Child vibes lmfao. talking abt her requires me to expose myself a little bit and have to admit hiashi is kind of a blorbo to me because of how much he sucks ass, but like. Essentially his insane resentment of hinata was born when hizashi died, it doesnt matter it wasn't really her fault, he needed someone to blame and he would never blame himself, at least not outwardly lol. hiashi did genuinely love his brother, it just didn't stop him from being a monster to him, and he is certainly not gonna grapple with that now that he's dead!

(and, you know, the whole "sorry we sent a guy to kidnap an heir. you do need to die for killing him though" thing is really dumb but if we stop at every single stupid thing in naruto we will be here all day.)

with all that being said i think hiashi tries his best to make hanabi everything hinata isn't, and he has very little interest in having her and hinata have any bond at all. he just left neji and hinata to fester in that god-awful dynamic with no supervising, and took hanabi as the best direction for the clan to head towards. but, you know, father of the year is very demanding and doesn't seem to be very fatherly to her at all from the little we see of them. she's just like. a good soldier, and that's what he needs.

i think hanabi growing to resent her sister for the situation she's been put into (if hinata weren't 'weak' she wouldn't have so much responsibility) is very interesting! by the time we meet her i think she's learned that the best thing to do wrt her sister is to just ignore that she exists. as for neji he barely registers as a presence to her; neji has no reason to interact with her and hiashi has no reason to incentivize it. it's very fun to me!

in general i really like all of their dynamics can be used to explore how hurt and trauma drive people apart, i could talk about them for hourssss LMAO i love the suna family for the same reason!

[doodler16]

as someone with a neglectful father, octavia did absolutely nothing wrong, and her feelings are completely justified. but of course, helluva/vivzie stans won't see that. they do what they do best: victim blame. no matter the circumstances.

stolas does the bare fucking minium and people expect octavia to be overjoyed and grateful. these people sound no better like shitty parents. "i neglect you all the time and put other things before you, but i took you to the cinema, be grateful!!!"

it's so gross seeing this as someone who was actually neglected and only realized the shitty actions of my father when i turned 16/17 and then "turned against" him. i didn't have the mental capacity to even understand that when i was younger. thats why octavia as a chatacter hits so close to home to me. she is one of my favorite characters of viv's shows because of that. but yeah lets hate the 17 y.o for being rightfully upset because the fuckass owl is a poor baby. fucking hell.

Octavia has always been an afterthought in Stolas’ mind. Previous episodes have shown that and even the “Mastermind” episode highlights that.

There could’ve been an amazing moral dilemma with Stolas, forced to choose between his precious owlet or the imp who made his life more thrilling and exciting. But nope, without a second glance or doubt he runs off to save Blitzø.

Only after Stolas gets stripped of power does he conveniently mention his daughter. I don’t blame Octavia for pushing Stolas away and she has every right to do that.

Either way knowing Vivziepop, Stolas will get the man of his wet dreams and his daughter will be on his side like the gay couple in the “Sinmas” episode. Then Stella and Andrealphus will on the streets similarly like the newest client.

[evelynvipah]

This whole idea that Jinx had more of a reason to hate Caitlyn is honestly insane to me. Caitlyn has been getting blown up by Jinx since she was like 16 years old. Yes, that one wasn’t intentional, but that doesn’t even scratch the surface. She gets blown up again simply by doing her job during Progress Day, gets blown up and shot at, again, on the bridge. After, she literally gets kidnapped by said person, and probably tortured or god knows what during that time. Threatened to be killed for the sake of a relationship she had no intentions of getting in between from the very beginning. And to top it all off, had to watch her mother be murdered by the same person who has had it out for her simply by being wealthy, an enforcer, and in love with a former prisoner. All my girl did was fall in love with someone from Zaun and try to take down a king pen, and Jinx made it her life’s mission to destroy it all.

And I’m sorry to all the Jinx lovers or apologists, but Jinx’s issues with oppression towards Zaun should have never been taken out on Caitlyn, someone who was trying to find a way to improve upon all of that. I get Jinx could only see, at that time, an enforcer looking to hurt her city and steal her sister, but we really need to look at the facts. Caitlyn was not Jinx’s oppressor.

Caitlyn is honestly better than me because she had many opportunities to put a bullet in Jinx’s head and still decided against it. She even decided to accept the possibility that she could lose the person she loves for Jinx to be happy and get her sister back.

[jesncin]

The Portrayal of Noah Ikumelo's Disability in Spurrier's Hellblazer and Dead in America run

Noah Ikumelo is a divisive new character introduced in Si Spurrier's 2019-2020 Hellblazer 12 issue solo (illustrated by Aaron Campbell and Matias Bergara, colors by Jordie Bellaire), he continues appearing as a recurring character in Hellblazer Dead In America (2024, 11 issues) Spurrier's long awaited continuation of his original run. Introduced in the very first issue as a Black, mute (hearing, but unable to orally speak) teenager who predominantly uses BSL to communicate.

We'll be discussing how Noah's disability was portrayed, how effective it was narratively, and thoroughly analyze the limits and ableist biases comics have as a visual language. Spoilers for Spurrier's Hellblazer and Dead In America run below. CW for ableism, racism, SA, police brutality, and general violence.

Disclaimer!! I am an able-bodied person with only occasional interactions with the Deaf community and am still studying ASL in my own time. All of these observations are made from an outsider perspective. I feel that starting a critical discussion from any source of knowledge for other more informed perspectives to follow up on is better than having no discussion at all.

However! I can offer some valuable perspective as a ~classically/formally trained~ comic artist- because we'll be discussing some inherit biases with how comic artists are trained to illustrate communication in this visual medium. I'll also be talking about lettering, which I'm nitpicky about so if I'm an expert on anything, it's those things.

I won't be going through each issue in as much detail as these first few issues for the sake of set up, but I will stop every now and then to discuss the portrayal of some scenes.

Let's start with Noah's very first appearance in Hellblazer 2019 #1. Noah is introduced as one of the very young members of a gang called the Ri-Boys. He's tasked with kidnapping a magic specialist to help get rid of murderous angelic spirits in their local park that are getting in the way of their prime location for selling drugs. He kidnaps John Constantine, who is quickly informed that Noah is mute.

Noah doesn't sign at all in this first issue, opting instead to communicate with a little notebook tied around his neck.

Despite K-Mag's (the gang leader) justification for recruiting teenagers as a "refuge" from a world that hates them, he's not afraid to treat Noah as disposable. He opts to send Noah's able-bodied friend (named Isa) on an errand instead of Noah because they "don't need no tongueless splesh backin' on ops-" and threatening Noah's life in order to get John to cooperate. So narratively the set up is clear: even though this gang is meant to provide jobs for the marginalized, it's still a bigoted organization that doesn't treat Noah well.

After accompanying John to the park where the angelic spirits murder another junkie, Noah is so traumatized by what he witnesses that he throws up on his notebook- rendering it unusable. Issue #2 starts with Noah raving in BSL (the image at the very top of this essay) to his gang mates that ignore him. When John asks if anyone knows sign language, he gets no response. It's clear that Noah is an outsider even among the Ri-Boys. Regardless, by the end of the issue in the following day, Noah is back to using his notebook (I guess he got a new one).

So. The notebook. I'll be honest I hate the notebook. It's such a clunky thing for Noah to carry around his neck, and it's clearly a set up so that Noah throws up on it and can't communicate to people who don't know sign.

On personal experience alone, I've been able to communicate with deaf people through texts on a shared phone. We'd just pull up notepad and write to each other to bridge the language barrier. And (as I've been informed by @scoliwings!) if phones running out of batteries is the worry, there's also pocket-sized boogie boards as a handy means of communication. At the very least Noah canonically has a phone (he is texting John in the panel above), and the Ri-boys can afford an ipad that K-Mag uses. These boogie board devices are much more affordable than either of those items and far better than a notebook.

Throughout Spurrier's treatment of Noah's disability, there will continue to be a sense of "we haven't even exhausted basic options to bridge a language barrier yet-" and this one is the first instance of that.

[this is not how the panels look in the comic, I chopped and arranged the last panel to save up on tumblr blog image space]

To keep this essay focused on Noah's disability, by issue #3 after some plot stuff progresses, John reveals to Noah that he actually can understand BSL. It turns out he knows "a bit" of BSL from a relationship he had with a deaf man in the 90s. Regardless, throughout Spurrier's whole run, John is shown to understand Noah's signing fluently. You might be wondering why John kept this a secret. Was he withholding his understanding of BSL so he could "eavesdrop" on something Noah signs to his friends without knowing? Nope. This reveal had no narrative purpose; John gained nothing from hiding this from everyone and it retroactively makes earlier scenes weirder. John just decides to reveal this to Noah for no other reason than to be a jerk I guess?

Once John fixes the "murderous angels in the park" problem, he also convinces K-Mag to let go of Noah from the Ri-Boys gang so that Noah can live a more honest life going to school (we will never see this) and uh. Being John's new personal driver. John used to have a friend, Chas, who drove him around everywhere but with Chas gone now- Noah is narratively set up to take his place.

Eagle-eyed readers might notice something odd about the way the scene where John reveals to Noah that he understands BSL is staged: if John supposedly understands what Noah is signing, why is he walking away, yet responding to what Noah is signing behind him? Yeah. This is one of the most annoying artistic blunders throughout all of Spurrier's Hellblazer runs with Noah. Despite Noah being mute, other characters still act like they can "hear" him.

Sign language isn't a language you can passively listen to. When someone is signing, that means you have to be looking at their hands and facial expression in order to understand what they're communicating to you. A casual irl example- in art school us hearing students could draw in our sketchbooks as the teacher lectured. A deaf student we had that year had to clarify that was not something they were able to do. As whenever the lecturer spoke- that meant that student would have to look up to their interpreter translating the lecture. So they weren't able to catch up with the classwork the way us hearing students could.

You'll notice in the panels above, John is preoccupied and talking to someone on his phone. Yet he's "hearing" what Noah is signing to him. John self identifies as someone who knows "a bit" of BSL- meaning he's not fluent. But this doesn't go anywhere since John's functionally fluent throughout both runs. It's like having a character say they know "a bit" of French only to show them being fluent through the whole story. Why bother mentioning a language barrier if it wasn't going to matter?

In these panels, Noah is signing while facing to the side- as in he's not facing John directly as he's signing, which obscures his signs from being clearly read. This wouldn't be a problem for folks who are way more fluent with any sign language (they can recognize signs at many angles), but for newbies you'll usually have people signing with their torso directly facing the other person to be as clear as possible. And they'll sign a lot slower. Little nuances like that make it clear that no one on the Hellblazer creative team have conversed with deaf people before- but why would something so obvious not be considered in the artistic direction of this run?

Let's quickly go over comics visual storytelling and how comic artists are trained to tackle staging a "talking heads" scene. Scenes like this are when characters are having a long conversation, visually giving the scene a "samey" vibe. Our job as comic artists is to keep the visuals interesting, so there are a ton of tricks we're taught to vary up how a conversation looks. We'll have a character hold a prop, walk around, look away to something else, have characters multi-task as they talk (bonus if it's thematic to the conversation), basically outside of zooming in and out it's good to keep a character busy to give the scene visual variety. Anything to break out of that silhouette of two characters directly facing each other.

[these are not how the panels are presented in the comic, I spliced these panels from 2 different issues to save up space]

Therein lies the problem: these tricks rely on an able-bodied standard of communication in order to function. Having a character like Noah communicate in sign, relies on the character he's signing towards to be paying full attention. Tackling "talking heads" as a comic artist explains but doesn't excuse these horrendous instances where poor staging of the characters ends up accidentally implying Noah "has a voice" because the able-bodied characters sure seem to be able to "hear" him even though they're facing all sorts of directions. Again, this just means the artist and writer have to rise to the challenge of keeping the scenes visually interesting while being inclusive to the disabled character the writer introduced into this world.

While we're talking about comics, I'm just going to go ahead and say I'm not a fan of the letterer's choices to visualize Noah's dialogue. To differentiate from the other characters, Noah's speechbubble is more like a caption box- it's square and light green. Instead of a tail pointing out of it to indicate who is talking like a traditional speechbubble would, instead Noah's dialogue box has a long arrow coming out of it. The arrow pointing out is just so corny. It says: "look! here's where the words are coming from! His hands!! Whoaaa".

Moreover, the arrows ruin the visual flow of the comic pages. We humans are hard wired to look at where an arrow is pointing. It's what that symbol is designed for. It's why all those clickbait youtube thumbnails have arrows pointing on them, it steals your attention. The best kind of speechbubbles are unobtrusive to the art, complementing it. Having it so that whenever Noah has dialogue we get these annoying arrows that stick out of the page composition just ruins it. Here's what it looks like edited on other characters' speechbubbles. It's a lettering eyesore.

I see no reason why Noah can't have a speechbubble tail like everyone else. I personally like making the speecbubble tail a lil-squiggly when I'm drawing a speechbubble for a character signing. Differentiating the speechbubble enough but not to the point it's obtrusive to the page flow.

Additionally, Noah has "translation brackets" around his dialogue- it's a block of dialogue that starts with the "less than" symbol and ends with the "greater than" symbol to indicate a sentence being translated from another language.

<So you'll have a character's dialogue look like this in the speech bubble.> *

accompanied by a translation box clarifying that the dialogue is; [*translated from French, for example] in the first instance we see the language featured in the comic. Of course this isn't the only way to portray language in comics, sometimes letterers will go for using colored text to differentiate languages. There's no standard look! Noah's dialogue never featured an initial caption box that discloses what language he's signing in. I'm going to charitably presume that it's a stylistic move away from that practice so that the reader is put in the same confused position as John is upon first meeting Noah.

I don't personally have an issue with the application of translation brackets to Noah's dialogue. Because even though Noah is communicating in a type of English language (British Sign Language), what we're seeing written in the dialogue of the comic isn't a direct translation of what he's signing. Unless it's Sign Exact English, sign language has different sentence structure, grammar and syntax from spoken English. So if Noah signs something like "#BUS RED YOU SEE WILL", then that translates to him saying "You will see a red bus." in written dialogue. It's a translation of his signing, even if it's still English.

I don't think there's an indisputably correct way to portray sign language in comics. Something like this will go down to personal stylistic choice of the artist. Maybe one artist decides they don't want to put brackets on ASL dialogue because they'd rather use that to differentiate English language from non-English language. There's an argument to be made either way! So long as you commit to your set of rules, I can at least try to engage with where an artistic choice is coming from even if I disagree with how it's done.

Unfortunately, that's not the case for Dead in America:

It's in the very last issue of the run, but well. You forgot the translation brackets there, guys. Sloppy work.

To wrap up Noah's arc in Hellblazer 2019, Noah is revealed to be John Constantine's son. John had a graveyard fling with Liza Ikumelo, a police woman (barf), thereby insulting a demonic spirit (and by extension, me, the reader). Many years later the spirit hunts down the woman, cursing her to an eternal sleep. Her child, Noah, was nearby and by proxy lost his voice from the incident. So it's John Constantine's fault that Noah's mute, and that Noah's mom is in a coma. Hellblazer 2019 ends with John feeling an immense guilt for forcing Noah to kill a friend, meaning they now have to flee the country. John doesn't tell Noah that Noah is his son.

So despite the poor portrayal of Noah's disability in this run, his character overall at this point was a really interesting addition to Hellblazer lore. He has a unique background of hardship; cursed by John's shenanigans at birth without even knowing it, and despite all of that he still has it in him to want to help and be kind. The reveal that he's John's son adds a layer of tragedy to everything- what does it mean to be another continuation of the Constantine family? Without even knowing it? There's plenty of angst on John's end of things, having unknowingly been an absent father for years. We get to see echoes between father and son in their actions. They're both from harsh backgrounds but humanitarians at heart, in different ways. It's very compelling stuff.

Years later, Dead In America is released as the long awaited continuation of this story. John, his friend Nat, and Noah are in America now, going on a long cross country road trip in a double decker London bus. Why? Just because. Noah and Nat take turns driving because John can't drive. In my opinion Dead In America is a bigger, more convoluted plot so I will stick to summarizing things that are relevant to Noah's disability.

This run has all the same problems as the 2019 Hellblazer run does with characters not being staged properly when Noah is signing to them, but it's the very first issue that reveals something particularly damning about how Spurrier views sign as a language.

As Noah is driving the bus he is instructed not to stop for anyone. But later that night he suddenly does. John berates Noah, only to be surprised that Noah is speaking (and sounding uncharacteristically posh)! John suddenly can't speak, instead he signs. This is how he realizes he's in a dream and regains his ability to speak. It's clear what's intended by the storytelling here. Seeing an able bodied person sign is part of the surrealism that makes this scene out of the ordinary. It's supposed to be odd that John is signing, because it's weird that Noah is the one speaking. Signing is a thing only disabled people do, not anyone else. This dream sequence is the only time a character other than Noah signs.

This single narrative choice has a drastic ripple effect on the rest of the run; it means that through both runs, no one ever signs back to Noah. According to the National Association of the Deaf, 72% of hearing parents with deaf kids don't learn sign language. This leads to deaf kids struggling culturally within their own families. Sign language expresses things that written or spoken languages can't. So having their own family not bother to learn sign is deeply isolating for deaf kids. By not having anyone but especially John sign to Noah, any narrative attempt to portray familial care and consideration between the two is undercut by this barrier. Sure John cares for his son in his own way, but not enough to converse with him in his own language.

This is when it became clear to me that Noah's use of BSL functions more as "a voice but #diverse" instead of portraying sign language as a culture and community of its own. It's like characters of color being written as white, where their identities are just a palette change. Only here, it's more of "this character is speaking, but with his hands this time" never mind how that drastically changes how a character navigates the world and how people interact with him. Attempts at writing Noah's disability in this run continue to be lackluster at best and insulting at worst.

Don't get me wrong, Noah is not a "whitewashed" character- his Blackness is integrated into the narrative of both Hellblazer 2019 and Dead In America... for better or for worse. By this I mean especially in Dead In America, Spurrier really likes to use Noah as a prop to show how racist America is. I don't think there's anything wrong with showing some uncomfortable scenes of Noah facing off American cops. In fact I like how this scene in the first issue shows the specific struggles a Black disabled person goes through, being double profiled as someone dangerous when Noah's attempts to communicate are misinterpreted as a threat- it sets the tone for how dangerous the country is for someone like him.

The original Hellblazer showed plenty of scenes where John is brutalized by the cops in both the UK and US, so gritty commentary is right at home with the character's stories. The difference here is there is almost a giddiness to inventing scenarios for Noah to experience profoundly racist situations at the expense of Noah's own characterization in this run. It becomes more obvious as we progress.

This is another nitpick but when John, Nat, and Noah meet up with Clarice Sackville (an elderly magician lady) in issue #2, Noah discreetly signs to John, calling Clarice a "wrinkled old hag" only for John to whisper back "Be grateful she can't sign, Noah." meaning "be glad she can't understand what you're saying". If there was any opportunity to use sign language as a means of discreetly communicating around someone who doesn't understand it, this would've been the moment. But alas, only disabled people use sign language, right guys. John can only sign in a weird dream sequence.

The punchline here is that Clarice actually understood what Noah was signing, making a jab at him for calling her a "wrinkled old hag". I don't know how she understood what Noah was signing when she was clearly facing away from him the whole time but well. That's basically a tradition for Spurrier's runs at this point. Technically John's dialogue isn't wrong here. Clarice "can't sign". She understands it, but doesn't sign. Because that's a thing only disabled people do.

Let's put a pin on issue #4 and skip ahead to Dead In America issue #5. This is essentially an anthology issue containing short stories of little incidents John, Nat, and Noah encounter on the American road. I will be discussing the second story, "One-Way Ticket" written by Aaron Campbell (ordinarily the main artist of Spurrier's runs) with art by guest artist John Pearson.

It's a story about a ghost guy who wants to go home but everyone ignores him (because they can't see him), John helps out by discovering his dead body and bringing the spirit comfort. It's a cute and cozy story if it weren't for the abysmal way Noah is treated in it, completely contradicting its themes. Noah is horrified at the prospect of John leaving him alone in the red bus, fearing the cops will show up. John responds "You're mute, just pretend you're dumb too." Even for asshole-John standards this is unnecessarily cruel. Dead In America started with Noah being profiled by the police, so Noah's fears are as founded as it gets. This short story may not be written by Spurrier, but it is written by the artist who DREW THAT SCENE.

I didn't splice the panels above, that is exactly how they are presented in the comic. Not only do we have characters facing away from Noah as he's signing again (a tradition even guest artists continue to perpetuate it seems), but it's followed up immediately with a ghost being grateful that John recognizes him. The irony that John gets told that after ditching his son. Why not make the story about Noah relating to the ghost? Remember that scene where Noah is signing to the Ri-Boys and they all ignore him? He and the ghost could connect over how they're ignored and treated as disposable, how accommodation for people like them is considered an inconvenience, how no one cares when their life is threatened.

When John returns from discovering the ghost's dead body, just like clockwork Noah is being searched by a cop. Only now it's treated like a joke instead- with Nat taking a smoke on the side and John just slapping a spell on the cop to make him stop.

This nonchalant carelessness for the portrayal of cops is a big departure from how ACAB John was in his original Hellblazer run. John was a man who could outsmart and kill the Vampire King only to be immediately beat up by cops afterwards. He's called homophobic slurs for defending the dead body of his sex worker guy friend. It paints this image of a guy who can overcome the supernatural but doesn't stand a chance against mundane human cruelty. Because that kind of thing takes more than a magic trick to defeat. But in Dead In America, cops are a mild inconvenience to John. He can just cast spells on them and move on. It's disappointing how even in a run that's supposed to be a return to form for Hellblazer, John isn't as radical as he was written in the 80s and 90s. The cops don't have the kind of threatening authority they had in the older comics. Don't worry, it gets worse.

Let's hop and skip ahead to Dead In America issue #9. For plot reasons, John went missing. He disappeared to Hell and back for four weeks, separated from Noah and Nat. When he reunites with his friends, they want nothing to do with him. They're now running their own little film studio, shooting a film that metatextually reflects their road trip adventure. Again, for plot reasons. They're teaming up with a metamancer to speed filmmaking along. Nat's the director and Noah's the producer. He's practicing magic, and even found himself a girlfriend, Liz! She's an Asian girl though and that worries me. Because Asian love interests are usually seen as narratively disposable. A racist character assumes Noah is using "mind magic on her" because there's no way Noah would end up with someone so "hot", right? Right.

[spliced panels from issue 9 and 10]

Issue #10 is when we get very much needed perspective from Noah and Nat's point of view. Nat always wanted to be a writer, while Noah longs for a life of normalcy. The two narrate their backstories, building their life up to meeting John, to where they are now with their film studio.

We learn how Noah got into using magic, and. Urgh. Sick of dealing with a language barrier as a disabled person, Noah uses magic to communicate with people. It's another case of "we haven't even exhausted basic options to bridge a language barrier yet-" I get it, throughout this run Noah doesn't have his notebook, and he doesn't appear to have his phone either (perhaps to hide from the authorities tracking them down) but to that I say pocket-sized boogie boards are still an affordable option that won't get you tracked down by the cops. I'd even prefer him buying another notebook over this. In this issue he's even seen with a phone, so what do I know.

"huh! I just remembered that I, an American, actually do know British Sign Language! Hah how could I forget something like that ho ho" it's just so trite. Like we're not even going to try and grab a paper and pen to communicate? We're skipping to using dark magic instead? Okay. Worst of all, so you're telling me the racist loser was right about Noah?? That Noah wouldn't have a chance with Liz if it weren't for magic? What are we doing...

I'm not including the panel here but after Noah narrates "I won't use this shit to coerce people-- I'm not him. But... making things easier? Simpler? Why not?" the following panel is of him and Liz getting funky style in bed. Even with Noah saying he won't "coerce people" he still says that magic can make things easier. Simpler. There is this uncomfortable implication that Noah "made it easier" for Liz to sleep with him. Sure it can be read that he got close to her through them communicating on the same page. But when their relationship isn't developed, narratively she just kind of exists as a prop for his desires. To quote Noah himself in Dead In America issue #4: "It was rape."

Time to revisit that pin. So issue #4 is about John and Noah masquerading as an exorcist and...an enslaved person to trick a small town into revealing a coverup: a girl was assaulted by six boys in their local football team, ending her own life from her story being pushed aside for the bright future of the football boys. Noah is so infuriated by how she was mistreated that he beats up one of the boys. It's a heavy story about how far a town will go to protect the future of boys while discarding the life of the girl, who to this day is anonymous. If you're wondering whether Noah pretending to be an enslaved person was necessary to the con, I can assure you it really wasn't.

What's frustrating here is that are we really supposed to believe that Noah, a character who was willing to risk his safety by beating up a rapist, would then go ahead and "make it easier" to sleep with a girl later? Remember. The reason he did that was because his disability was apparently holding him back. Are we really having it so the only person of color in John's cast for this story did this? That if he wasn't disabled, he wouldn't do this? It's frankly disgusting.

Through John's silver tongue trickery, he pulls shenanigans that cause Nat and Noah to get arrested. Despite Nat being known to be violent, Noah is the one who is brutalized by the cops and put into solitary confinement. Because racism. Spurrier really wants you to know that American cops are so racist, guys.

I wonder where all this energy was for his Hellblazer 2019 run taking place in the UK. Where the only cop characters were noble people of color who are looking out for each other. Noah's own mom was a cop, even. He'll show Noah looking tense in a car as cops walk by in Hellblazer 2019, but for Dead In America? Noah is profiled by police three times, made to play an enslaved person for John's ends, and is in the receiving end of so many bigoted characters' racism. Spurrier is selective about his portrayal of cops when it suits him.

At this point it's transparent looking back at the treatment of Noah's character throughout Dead In America, that there's a giddiness Spurrier (and technically Campbell) have in crafting racist scenarios for Noah to go through. But it's okay because they have John say a lamp-shading comment to assure readers that the writers recognize "This Is A Racist Thing Happening".

Reading Dead in America reminded me of the discourse surrounding "Strange Fruit" a comic by Mark Waid and J. G. Jones. I won't belabor explaining the plot, but what they have in common is this self congratulatory "giddiness to put Black characters in compromising situations" I keep describing. Like, they didn't have to create a naked Black Superhero named "Johnson" who doesn't speak and wears a confederate flag while dealing with racists in the Jim Crow era South but...these white writers just didn't have a choice! It's the rules of story! John has to pretend Noah is his property!

"Strange Fruit's desire to make big, albeit familiar statements about America's sinful past and do justice to both the subject matter and history often comes at the expense of considerate or even dimensional characterization."

-Vox writer Tre Johnson, 2017.

This is the kind of giddiness to indulge in fictional cruelty that isn't written with Black readers in mind. It's to entertain white readers with an exaggerated depiction of racism to make themselves feel better about being British. And if anyone's excuse is "well it's Hellblazer! Vertigo comics are supposed to talk about uncomfortable topics, John gets beat up by cops too back in the day", then need I remind you that unlike John, the sheer frequency Noah is put into these compromising scenarios is at the expense of his characterization.

Don't think that Spurrier's done playing with his "America Sure Is Racist" prop yet though.

As Noah (still bruised and battered) escapes prison, John pulls a couple more tricks on him: he "accidentally" reveals that Noah is his son, tricks Liz into faking her death to freak Noah out (we'll never see her again after this), and gets Clarice to pretend to die in front of him. All this angers Noah into attempting to kill John- but he stops. Because Noah still isn't that kind of person.

This is all part of John's plan, supposedly he made a deal with demons in Hell that if John himself is killed in the allocated time, he won't actually die. But his plan failed. Unfortunately for John, Nat is still filming their road trip movie, and whatever the actors do, the real characters do as well. A script change happens, and John ends up killing Noah.

But aha, this is yet another trick. By issue #11, Noah wakes up bruise-free and alive (he even gets to smash in John's stand in actor for good measure). Turns out, John's deal with the demons of Hell was for his son to live, instead- a selfless act that none of the Gods and demons saw coming. After John does some more silver-tongue talking to a Dream Entity, he's able to grant people some rushed happy endings.

Noah's mom wakes up from her eight year magical coma, the policeman hunting down Nat and Noah deletes his files, and Nat becomes the boss of a major studio- her writer dreams come to fruition. I don't know how Noah's getting back home to his mom, but shh shhh it's a happy ending, Spurrier promises.

So we have a twist to the usual Hellblazer story. Instead of John surviving at the expense of his friends and family, now John sacrifices his life to Noah and Nat so they can live freely. Last but certainly not least, as Clarice dies she gifts Noah the ability to speak. And when Noah does speak, he sounds so out of character I thought I was misreading things. Is this another lettering mistake? No? Then what is this random poetry.

I recognize what the narrative is doing here. It's John's fault that Noah's mom is in a coma and that Noah is mute, so the resolution to that conflict is for him to undo the wrongs he did to the Ikumelo family- which includes Noah being "cured" of his disability. The problem here is not only is this an exhausting continuation of the "disabilities getting cured" trope- so Noah can join the "easier, simpler" life of able bodied people- but also that a large facet of Noah's identity is tied to John's character development.

Noah might not be the main character, but he's the deuteragonist of Dead In America- the beating family heart that ties John to someone who would otherwise be a stranger. Instead of narratively endearing us to Noah's character, Spurrier seems content to just have Noah drive the bus only to make occasional stops to demonstrate how Racist America Is. It's such a fall from grace to the intriguing character we met in Hellblazer 2019. All that characterization of someone willing to help despite a life of hardship is just out the window.

[spliced panels]

My overall feelings about the treatment of Noah Ikumelo is that whatever representation he embodies feels like being thrown a really shitty party. Noah Ikumelo is an original creation for these two runs. Si Spurrier didn't have to make Noah a Black disabled teenager, but he did. Spurrier takes up that responsibility of representation by half-assing it. The kind of thing a guy who gloats about a bi-colored comic cover would do before accidentally calling the character in it "pansexual" in said comic. And then backpedal on twidder when called out for it. Half ass behavior.

Noah went from being this interesting exploration of unintended legacy to being a prop to make shallow commentary on American racism. Noah is never drawn consistently between artists but he sure is adultified a bunch to the point that I even see readers describing him as "basically an adult" when he's only 16-17 years old. I get that it's supposed to be tragic that he's forced to grow up too soon, but part of that tragedy is that he still is a kid. The portrayal of his disability shows how no research was put into being inclusive in either the writing or the art to the point it's downright nonsensical. The research amounts to looking up a sign language dictionary for words and that's it. This isn't even touching on how there was no recognition of the intersection between Black culture and sign language.

The problems with Noah Ikumelo are not unique to Hellblazer, or Si Spurrier or the Hellblazer creative team. They're a reflection of a predominantly able-bodied and white industry that is comics and media as a whole. The very way comics as a medium is taught carries with it an ableist standard for portraying communication. All this to say that tackling a character like Noah would mean doing the extra work to be critical of what we're used to seeing as the norm. But if you were just going to half-ass setting up a party for Black disabled readers, then why even bother y'know? It's not like Spurrier was held at gun point to create a disabled character. Frankly he was too busy crafting scenarios for guns to be pointing at Noah instead.

[idkplzhalp]

The Admin in TF2 comic 7 was so GLaDOS and Caroline coded. Her character has made me tear up multiple times, there's such complexity to her I'm so upset.

Anyways. I think it's Caro/GLaDOS coded because of keeping up this cold facade and then being the pettiest woman on the planet. GLaDOS' cut voice lines are so petty, I posted some earlier but like the way she tries to guilt Chell and makes stuff up... oh girl. Admin put up a big fake idea of what she was doing and then turns out she's trying to keep one single guy alive for an event she cannot even remember.

Pre-australium Helen was more Caroline in my mind, mainly in her appearance, but also the section about Zepheniah dying? The frame of Admins absolute apathy for life? She lost all her purpose now that he's dead and she feels like she didn't win.

^ Her appearance in these, like okay you look just like Caroline (similarish hair & nose shape).

^ The feelings that come from the panels of Admin are so strong, you can so easily read what state she's in. Caroline coded in my heart. The way the mansion is left uncared for while Admin sits depressed in bed was just. So emotional for me?

I don't think Caroline felt that way about Cave, the hatred Admin did for Zepheniah, as it was very implied they were besties at least for awhile. Though I feel she'd hold the grief that Admin did for Zepheniah in a different way. Admin is grieving because her purpose in life was lost, she has no one to focus revenge on anymore. Caroline lost her friend and was forced into a fate she didn't want, mistreated by employees, left angry and isolated forever. She lived to be the highest assistant of Aperture, working as one for 40 years prior. So in a sense, her purpose was lost as well. We don't hear anything from the Caroline CEO era so I'd like to think she took a step back as she awaited her fate. She probably was barely keeping things together from the stress (though not to undermine how good at her job she was, I just think she'd be depressed for at least some of her CEO time). That's more headcanon territory though, and I wish there was a way we could get more confirmation on how she acted then.

Both were fated to live basically forever and forgot the reasons why they feel the way they do.. GLaDOS didn't remember Caroline/her being a human while Admin forgot how her parents died/that Zepheniah likely killed them.

They are wasting their time forever. GLaDOS is testing and evolving science for NO ONE but herself. Forever. She's alone. Implied to feel lonely in the Lego Dimensions song + her VA thinks so too. Eventually she'd run out of materials and there's no people left to either help her or torture her. Admin admits herself that her plan was a waste of time and for a moment shes sad. Both characters are so focused on their goals, they were mistreated and became separated from humanity, there was no reason for either to be rational towards who they were hating. Such a big effort for something miniscule in the end!

While Admin initially didn't want to live, she got stuck in a cycle of trying to spite this guy forever and it was for nothing, she ruined people's lives in the process (Mainly Pauling, ohhh she was so betrayed, someone SAVE HER).

And both are voiced by Ellen McLain, nicest woman on the planet. Wow.

Really gives same character different universe, doesn't it.