#“do you see what we've done? were gonna make such fools of ourselves”
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CRIMINAL VS DETECTIVE
a detective who is obsessing over solving a case involving a ‘criminal’ who steals precious monuments but does bring these items back under a ‘one’ condition…
which is forcing officers of the law in san myshuno to reveal their deepest injustice secrets, that are long hidden from the public eyes..
#MWAHAHAHA IM INSANE.#g-guys english is not my native language so ignore any odd word placing hskshhs#yes. they needed their official post with their original identity hehe#these shots are kinda an AU were draco finally realize the identity behind that culprit…#the pictures are kinda a intro/promoting thingy?? for the Criminal vs Detective#I would say those scenes are not official… yet. these are like faaar in the future :3#floyd cyprus#draco almond#ts4#simblr#sims 4#criminal vs detective???? this time I couldn’t get creative with their official name aaa#also this song lyrics.. especially the bridge part gosh. its them.#“do you see what we've done? were gonna make such fools of ourselves”#“how did we get here? when I used to know you so well..”#Spotify#CvsD
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Content and trigger warnings for:
- eating disorder[s] (eds), i.e anorexia, bulimia
- me talking about my suicidal thoughts and venting (I'm ok i just need to like... "word vomit" i guess)
- abandonment by friends
- feeling repression
~~~\\
So i doubt most people on here who follow me know that I suffer from mental illness but I do and have for a very long time. All of the symptoms and effects really came out after my grandfather/best friend passed away when I was 11, 12 years ago. I fell into a hole of depression, anxiety, and disordered eating. From the time I was 11 until I was around 14 I had a very hard time with food. I was suffering from bulimia and I would do the routine binges and purges I had set for myself through the day. I'm surprised my teeth survived all of the stomich acid assaults on them honestly.
I was lonely. I felt so fucking alone in the world. I didn't have many friends. The friends I had were pretty fairweather at the time, as we were kids. They'd hop to the coolest person in their opinions on sight and leave me in the dust, and then come back when they were done, or something happened, whatever. It wasn't stable, and I was always afraid of just being deserted again. My friend who stuck with me, my grandfather, was gone. My grandmother was so in shambles that she doesnt even remember the year after he died at all. My mother is chronically ill, and even though she is and will always be there for me as long as is possible I just couldn't tell her how bad I was feeling. Maybe it was guilt because she has problems that I felt far outweighed mine (haha oh god there's the tears that actually stings).
And my dad is... well.. a dad. Sometimes dads just don't understand things like mental illness, or being an unwell person. My dad loves me. I know that, and I love him a lot too. But he can't understand how these things affect me as he's basically neurotypical in every way. He tries. But I can't find empathy there, and a lot of the time there's misunderstanding when we talk about mental illness. So I didn't tell him anything then either.
I would stay in my room a lot, or be out in the woods a lot. I would scratch up my arms with my nails until they would bleed and I would cry. I felt like I didn't care if I died at that time. My parents raised me religiously in the church and I tried very hard to have a relationship with their concept of a god. But I couldn't because to me in was just emptiness. For me, in that sense, there is nothing there. So my loneliness was running even deeper than just the physical. It was spiritual as well. And idk if anyone reading this has experienced spiritual emptiness, or even is a spiritual person, but please believe me when I say it's Hell.
When I was 14 I rode my bicycle out to a bridge near my home out in the back woods type country. The old train bridge kind with the big cement blocks at the bottom of the pillars holding them up. I remember sitting on the very edge of it just looking down at the cement. I really wanted to jump. Honestly the only reason I didn't was because of my mom. She's the reason I stepped back, got on my bicycle and rode home. Albeit I was crying the whole way home, stayed out in the garden to finish crying, washed my face in the creek and went inside and straight upstairs to my bed and I slept until the next day.
When I was around the end of being 14 I tried repression. I started trying eating normally (which has wrecked me internally, I have major digestive problems as I've always refused to go to a rehab centre, which in itself is not good for me). I started pretending to have a relationship with "God". I tried the whole "cool hip Christian kid" spin from when I was that age until 17 or so. I pushed back my depression, my fears and anxieties and eds to see if I could be happy. And I pretended to be happy for a while. And I fooled a lot of people.
Things weren't by any means okay though. My school work was suffering as it always had, but since the work was harder it was also suffering harder. I picked up smoking cigarettes. I also picked up alcohol more and more. I dated a 21 year old and lost my virginity to him at 16, after much coaxing from him. That was an extremely bad 8 months.
My saving grace and my recharge at the time was a Bible camp I'd attend in the summers. I went for 12 years. Now that I think about it.. that camp was my only constant thing for a very long time. It was always there. And even when it wasn't camp time, the place was so close I could just go talk to the live in managers when I had questions. While my relationship with a god I don't believe in was strained and a facade, the people I met are amazing and have helped me a lot.
In fact, at that camp I spilled a lot of my struggles to my group of close friends. We were just a few girls, only 17 or so. But they had all been through things just as bad as me. Some so close it scared me. I felt accepted by those girls who are now beautiful strong women. So I opened the flood gates of what I had been through. All of my dark times and feelings, thoughts of dying and plans to do it, the bulimia and how it hurt my body, my 21 year old ex and what had happened to me, my struggles in school, my guilt towards my mother as her pregnancy with me put her in her wheelchair, my panic attacks and the anxiety that I'd felt for so long, my loneliness and my desperate want to not be alive. Basically just like, ALL of it. I don't really think that was a gate I could've closed even if I tried at that point. It was just a lot.
It took a while to talk about everything, and by the time I'd covered everything even more young folks like us had come over to sit. I was sobbing. My friends weren't very far behind either. Someone was rubbing my back and another person brought me tissues. I finished and everyone was kinda quiet and sad. One of my friends said "Hey can we all just kinda sit together and pray?" and I said that I thought that was a good idea. So we sat. And we just prayed. Even if they were words floating up to an empty space where I see no god, the solidarity that I felt with my friends and those around showing that they cared about me was overwhelming. I wasn't alone. I had friends. REAL friends who weren't looking for the next best thing. And I didn't feel as empty anymore. Knowing that I had people who genuinely cared for me and everything I'd been through and everything I was made me feel so much more worthy of living, it showed me I wasn't nothing.
A lot has happened since those dark times. I've had other dark times. Anorexia claimed me at 18 as a sufferer, and I still struggle with it to this day. I had a physically and emotionally abusive sociopathic partner in the Autumn of my 21st year. I had a whole 2 year ordeal with someone that I'm not even going to talk about, as this person and I have BOTH put it behind us and forgiven each other and are now friends. I alsp dropped out of high school in grade 11.
But I've had a LOT of light times. I started actively loving my body at 21, which was the first new constant in my life. I took action and got a breast reduction from G to C cup for my health at 18. I left the church and started understanding science better. The spiritualist in me called for more, so I delved into research on Paganism and Wicca. What I found was what I needed. It was the second new constant I needed. So now instead of 1, I had 2.
I live with my fiance now. He's someone who I was schoolmates with in highschool. After a few years of not keeping in touch, we hung out. We got close again. And after a few years we started dating. We've had bumpy patches. 1 break up due to his mental illness (again, it rears its ugly head). But that was short lived. And we are actively improving ourselves while being there for one another. Last March I asked him to marry me to which he said "Well, I was gonna ask you when we got our own place, so obviously yes." (I've dated a lot of people, so I am so happy that it was him I'm going to be with, no offense to any of the guys, girls and other folks I've been with and am friends with). He's my third constant.
I have so much more now than I ever dreamed I could in those dark times, friends.
Moral of the story is:
Friends come and go. But you'll find someone, or multiple people who will care about you enough to stick with you as much as you wanna stick with them.
Don't give up on yourself. You're gonna have a lot of bad times. Life happens and we can't do shit about it. But life also has a lot of really good times worth looking forward to and holding close to heart. You can love yourself no matter who you are or what you look like because you're more than a name or a number on a scale. You're a complex person with real feelings who is worthy of self love. And love from others too.
Pain sucks. Life can suck a whole fucking lot. So much you want it to end. But through all the struggle, the hurt and the mental illness, you still very much deserve a good life. If not more, because you're actively trying to enjoy being alive in a very hard time.
So yeah. Thanks for reading this. I just needed to talk. I felt like I was going to explode and my Instagram isn't really the place to put this.
Take care of yourselfs. Cherish yourself and your time here. Make the best of your situations as much as you can. Hold your loved ones close in mind and heart. And don't be afraid to talk.
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#anorexia recovery#bulimia recovery#self love#feels#rant#feelings#depression#anorexia#my past#struggle#victory#pinky
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It was 50 years ago this week
The Beatles, with Billy Preston, gave their final live performance atop the Apple building at 3 Savile Row, London, in what became the climax of their Let It Be film.
The sound engineers had to run cables all the way down from the roof and into the basement recording studio, while women’s stockings were wrapped around the microphones to protect against wind distortion. It was chilly enough for Paul McCartney’s fingers to go numb midway playing, while John Lennon had to borrow Yoko Ono’s fur coat. It could well have been farcical — Ringo Starr, also wrapped up in his wife Maureen's red mac to fend off the cold, had to be coaxed into playing minutes before they emerged
"We went on the roof in order to resolve the live concert idea, because it was much simpler than going anywhere else; also nobody had ever done that, so it would be interesting to see what happened when we started playing up there. It was a nice little social study. We set up a camera in the Apple reception area, behind a window so nobody could see it, and we filmed people coming in. The police and everybody came in saying, 'You can't do that! You've got to stop."
George Harrison
Anthology
30 January 1969 in London was a cold day, and a bitter wind was blowing on the rooftop by midday. To cope with the weather, John Lennon borrowed Yoko Ono's fur coat, and Ringo Starr wore his wife Maureen Starkey's red mac.
"There was a plan to play live somewhere. We were wondering where we could go – 'Oh, the Palladium or the Sahara.' But we would have had to take all the stuff, so we decided, 'Let's get up on the roof.' We had Mal and Neil set the equipment up on the roof, and we did those tracks. I remember it was cold and windy and damp, but all the people looking out from offices were really enjoying it."
Ringo Starr
Anthology
The 42-minute show was recorded onto two eight-track machines in the basement of Apple, by George Martin, engineer Glyn Johns and tape operator Alan Parsons. The tracks were filled with the following: Paul McCartney, vocals; John Lennon's and George Harrison's vocals; Billy Preston's organ; McCartney's bass guitar; a sync track for the film crew; Starr's drums; Lennon's guitar; Harrison's guitar.
The songs performed on the roof:
Get Back (five versions)
I Want You (She's So Heavy)
Don't Let Me Down (two versions)
I've Got A Feeling
One After 909
Danny Boy
Dig A Pony (two versions)
God Save The Queen
A Pretty Girl Is Like A Melody
Brief, incomplete and off-the-cuff versions of I Want You (She's So Heavy), God Save The Queen and A Pretty Girl Is Like A Melody were fooled around with in between takes – as was Danny Boy, which was included in the film and on the album. None of these were serious group efforts, and one – the group and Preston performing God Save The Queen – was incomplete as it coincided with Alan Parsons changing tapes.
The Beatles' rooftop show began at around midday. The timing coincided with the lunch hour of many nearby workplaces, which led to crowds quickly forming. Although few people could see them, crowds gathered in the streets below to hear The Beatles play.
There were people hanging off balconies and out of every office window all around. The police were knocking on the door – George Martin went white! We really wanted to stop the traffic, we wanted to blast out the entire West End...
Dave Harries, engineer
The Complete Beatles Recording Sessions, Mark Lewisohn
Traffic in Savile Row and neighbouring streets came to a halt, until police from the nearby West End Central police station, further up Savile Row, entered Apple and ordered the group to stop playing.
The Beatles began with a rehearsal of Get Back while the film cameras were being set up. At the end it was applauded by the spectators on the roof. In response, Paul McCartney mumbled something about cricketer Ted Dexter, and John Lennon announced: "We've had a request from Martin Luther."
Another version of Get Back followed. An edit of these two versions was included in the Let It Be film. Afterwards Lennon said: "We've had a request for Daisy, Morris and Tommy."
The third song was Don't Let Me Down, as featured in the Let It Be film. Afterwards The Beatles went straight into I've Got A Feeling, which was used in both the film and the album. At the end of the song Lennon can be heard saying: "Oh my soul, so hard."
One After 909 was also used in the Let It Be film and album. At the end of it Lennon broke out into a brief impromptu rendition of Conway Twitty's 1959 hit Danny Boy.
The sixth song The Beatles played was Dig A Pony. A short rehearsal was played first, with Lennon asking for the lyrics. They then performed the song properly, with a production runner on the film, Kevin Harrington, kneeling in front of Lennon holding a clipboard bearing the lyrics. George Harrison, too, briefly knelt next to Harrington.
Dig A Pony began with a false start. In the film, Ringo Starr can be seen blowing his nose and crying out 'Hold it!' This, and the full version that followed, were both included in the album and film, although on the LP the 'All I want is..." refrain which opened and closed the song were later cut by Phil Spector.
George Harrison joined Lennon and McCartney on vocals for the excised lines from Dig A Pony. He also contributed minor backing vocals to Don't Let Me Down and I've Got A Feeling.
As Alan Parsons changed the recording tapes in Apple's basement studio, The Beatles and Billy Prestonperformed an off-the-cuff version of God Save The Queen. This was never used; nor were second versions of I've Got A Feeling and Don't Let Me Down.
The final full song was Get Back, although The Beatles nearly stopped performing when the police arrived on the roof. The officers demanded that Mal Evans turn off the group's Fender Twin amplifiers. He complied, but Harrison immediately turned his back on. Evans realised his mistake and turned Lennon's back on too. The amplifiers took several seconds to start again, but The Beatles managed to continue long enough to see the song through to the end.
"In the end it started to filter up from Mal that the police were complaining. We said, 'We're not stopping.' He said, The police are going to arrest you.' 'Good end to the film. Let them do it. Great! That's an end: "Beatles Busted on Rooftop Gig".' We kept going to the bitter end and, as I say, it was quite enjoyable. I had my little Hofner bass – very light, very enjoyable to play. In the end the policeman, Number 503 of the Greater Westminster Council, made his way round the back: 'You have to stop!' We said, 'Make him pull us off. This is a demo, man!' I think they pulled the plug, and that was the end of the film.
Paul McCartney
Anthology
As a climax it could scarcely be bettered, with McCartney brilliantly ad-libbing, "You've been playing on the roofs again, and that's no good, and you know your Mummy doesn't like that... she gets angry... she's gonna have you arrested! Get back!"
The police presence ensured that The Beatles would play no more on the roof. The concert over, McCartney thanked Starr's wife Maureen for her enthusiastic cheering with a simple "Thanks Mo".
I always feel let down about the police. Someone in the neighbourhood called the police, and when they came up I was playing away and I thought, 'Oh great! I hope they drag me off.' I wanted the cops to drag me off – 'Get off those drums!' – because we were being filmed and it would have looked really great, kicking the cymbals and everything. Well, they didn't, of course; they just came bumbling in: 'You've got to turn that sound down.' It could have been fabulous.
Ringo starr
Then, of course, there was John Lennon's immortal closing quote: "I'd like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition." Both these comments were used at the end of Get Back on the Let It Be album, although the version of the song was not from the rooftop performance. Around half of the performance was used in the Let It Be film. Furthermore, edits of I've Got A Feeling, One After 909 and Dig A Pony all featured on the Let It Bealbum.
The final Get Back take was included in the Let It Be film, and appeared on Anthology 3 in 1996.
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