#[ i never see her referenced as a tomboy. if anything; she's described as being the exact opposite. ]

[orchideae]

(We've all seen the first one, but the source for the second one from the official artist is here)

Yelan. Yelan, Madame Yelan, what on earth is this outfit. Granted, please don't get me wrong, I loved and was enthralled when I first caught a glimpse of her (also any glimpse of Yelan thrills me) in it, but geez. And yet, they're so consistent with her design;

— The single-sleeved jacket is a brilliant little nod to her mantle but making it something utterly hers within something that is an AU. No mystical beasts or Tsaritsa here! — The straps near her neck are a very different, but quite nice, summer-like rendition to Hoyo's consistent choice for Yelan of a halter/high neck (even the Pizza Hut ad had her in a turtleneck). A lower neckline is something that they actively seem to avoid for her so far. — The amount of see-through fabric is simply a call-back to her default outfit, but rather than spots of it left and right, it's her full-midriff and leg. It fits, it's nothing new. And if anything, funnily enough, I'd seen numerous artworks pop up of Yelan in swimming attire, and all of the designs felt a little off. I don't actually envision her in a bikini like many draw her, but instead, something like what you see here from her neck, to the midriff to the hips. Much more fitting in my opinion, actually, so I like seeing that concept in an outfit in circumstances where you'd expect a lot of summer influence. — And a detail that makes me laugh: the hand that has the white glove in her canonical outfit is also white here, and same with the black one. Also, the bracelet. God, I love consistency even if it seems trivial. But nothing's ever trivial to me guys, you know this.

All in all, thirst trap, sure, but also, good decisions were made.

[bethanydelleman]

Northanger Abbey Readthrough, Ch 1

Welcome to the Northanger Abbey Readthrough, October 2023! I will be posting one chapter per day, which will take us right to Halloween. This readthrough does contain spoilers, because I can't help myself.

We begin with the advertisement from the author, who is clearly annoyed that her first novel was purchased and then not published.

That any bookseller should think it worth-while to purchase what he did not think it worth-while to publish seems extraordinary.

While Jane Austen notes that books have changed, by which I assume she means the popularity of some of the novels referenced, I am pleased to inform you that Anthony Trollope mentioned Mrs. Radcliff and The Mysteries of Udolpho in his 1987 novel, Barchester Towers! Even the veil! So clearly the novels she was satirizing had not yet gone out of style.

On to the story! Catherine Morland is so very normal. The most normal girl ever. She also isn't an orphan, both her parents are living which the narrator points out is very hard for a heroine (lol). She doesn't really like lessons and she likes running around and rolling down hills.

She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid.

Catherine's indifference to flowers will come up later, but this line is also funny in a forbidden fruit way:

Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief—at least so it was conjectured from her always preferring those which she was forbidden to take.

This is a great description of an older sibling (I like to think this describes me as an older sister):

very kind to the little ones, with few interruptions of tyranny

And her family is so good and normal too! Her mom seems to have some good parenting practices:

She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off.

The Morland family seems like a strong contrast to the Bennets, both of them employing no governess. We learn that the Morlands are actively invested in their children's education (unlike the Bennets):

Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could.

And even though the older girls are left to "shift for themselves", Mrs. Morland, who is both poorer and has double the children, can be more easily excused for some neglect. She sounds like a slave to the children's education, unlike Mrs. Bennet!

Catherine, a tomboy, begins to become interested in more feminine pursuits, but she does not transform into a great beauty or an accomplished young lady. Her achievements are similar to those of the ordinary person:

So far her improvement was sufficient—and in many other points she came on exceedingly well; for though she could not write sonnets, she brought herself to read them; and though there seemed no chance of her throwing a whole party into raptures by a prelude on the pianoforte, of her own composition, she could listen to other people’s performance with very little fatigue.

Catherine is just the most relatable heroine ever! She's adequate. She's reasonably intelligent, passingly pretty, a true Every Woman. And really, the whole novel is full of so many small human moments that hit just as hard as the more dramatic ones from other novels (Lucy telling Elinor Edward is engaged to her, Louisa falling from the Cobb, Lydia's elopement) because they are things that might happen to anyone. Really wanting to see your crush and instead having to hang out with someone you dislike; not knowing if someone is angry at you or not; and finding out your friend isn't a real friend... Northanger Abbey somehow explores the most ordinary things without making them boring.

Also, while Catherine may seem unintelligent, the girl must have read a lot of Shakespeare, the quotes in this chapter come from Twelfth Night, Measure for Measure, and Othello. I reluctantly read 5 Shakespearean plays in high school, so Catherine is at about par with my education (I like Shakespeare now! I learned to appreciate him in university when I saw a few of the plays in person).

Catherine is also such a happy, bubbly, character. I can really imagine her being "all happiness" when her parents consent to her trip to Bath. We are told Emma Woodhouse has a happy disposition, but we don't see her dancing in her chair all the way home after a fun evening. Catherine really has joy and she comes back quickly from disappointment. She's a really great character to go on a journey with.

I feel like it must be noted, Catherine has to get away from her family to have an adventure because she has good parents. Good parents are exactly what you want to have, but as the narrator points out, they hardly make a good heroine! So the narrator is forced to remove our nascent heroine from her loving home into the dubious care of the Allens (and really they aren't that bad) for her story to begin. This contrasts again with the Bennets, who manage to supply a good deal of the story's conflict all on their own!

[sole-cuore-amore-e-droga]

Suspiria remake review from a shitty movie-goer

(this review is posted too late so excuse me for some timing inaccuracies I couldn’t be arsed to edit)

(IF YOU HATE TL;DRS JUST SKIP AHEAD TO THE “THE REVIEW” PART. YOU’RE WELCOME)

I actually hate to admit why was I interested to watch this movie in the end, but for once SOMETHING motivated me to go to a movie after countless tries from my family to get me to watch something in theatres at a “reasonable time” (daytime is what they mean, this movie was at 8pm our time, and this is when the cross-city bus transport (it goes from one big city to another) stops doing their service lmao).

I myself have a lowkey interest in moviemaking (I’m already getting there by editing my phone-recorded videos because whatever). I come up with my concepts in my head and I am mostly willing to put them down somewhere in my computer so I don’t forget it years later if I want to make that concept a thing in the end (because none of my concepts are finalized... well except for one short horror-ish story I posted on DeviantArt (see mom, I do like some horror stuff!). Reddit as of lately inspired me to edit some of my movie’s plot-lines based on irl events (not related with anything too SJW), and I’m not sure how an usual movie-goer would see this concept but I am going to try to execute it... whenever I have enough equipment to shoot my own little films or skits or whatever.

What’s that? There are people who scrolled past this and already yell at me that “YOU ONLY WENT TO SEE THIS MOVIE BECAUSE OF THE MAN WHO COMPOSED THE SOUNDTRACK~~~”? Ugh yes you exposed me, tea all over. I even had “Street Spirit (Fade Out)” on a bit of a repeat as of lately (how fucking come I wasn’t too couragerous to listen to this song before?? And “Pyramid Song”??? Man am I discovering their pearl(ie)s(*) too late). And I’m occasionally on the band’s subreddit as well. And the man himself is touring ‘round the USA, signing material of fans and have genuinely warm chats with them. Admireable.

But that’s only half truth.

I never thought I’d see Suspiria on cinema theatres in here. Until one time when I saw an ad on a completely random Lithuanian website that said this movie is coming to our theatres 14 December... I couldn’t quite believe my eyes. I made my goal to see Suspiria since then. I even dared to ask a couple of my new college ‘friends’ to see it with me, but one of them fell off the deal when I revealed that I’ll be going to see it on Saturday, and on the weekends he’s usually at home, far away from the city the college is in (he lives in college dormitory on mostly the work-weekdays). So my only movie companion ended up to be this 28-year-old coursemate (actually we both study different things but sometimes we attend some of the same lectures) who was intrigued by the Suspiria trailer herself so at least I’m gonna have her by my side of the movie, so I thought. Sweet.

I already envisioned seeing this in a mall cinema theatre but my companion offered me a cheaper alternative - her suggested cinema theatre was actually in renovation so the business is temporarily happening inside an actual drama theatre’s long theatre hall. I had to wait long until the ticket box opened and because of that I was lowkey frustrated as I finished my English test writing a little earlier, so I spent my time walking around the city until the time came and I wandered off to the old building of the cinema so then I remembered it was moved and I found the moved place. Yeah I bought the tickets before my companion could but I’ll skip ahead to the time that I almost lost the tickets because they were put down on a windowsill outside some children activity centre (Suspiria and children?? lol). I came back home late at night and was ready for the movie to happen the next day. Oh and before buying the tickets I coincidentally saw dance classes going on nearby that building... weird, as Suspiria has dance elements in there

The day came (December 15) and my family went together with me because they saw this as an opportunity to see the Christmas tree of our city (but not the movie). Needless to say, they were still visibly pissed at me orchestrating this idea, as I planned everything BUT the transport to go by. Well at least my mom and my sis. Dad was cool with it as he returned home to watch Home Alone. Aside all that, the cinema hall was cozy, Christmassy, not too small, there were a few trailers before the movie, no snack-seller places (as this is not a mall lol) - my companion was glad she wasn't at the mall as she found this place where we were at way lovelier.

Now with all that unnecessary long intro off my chest, let’s begin:

THE REVIEW

(definitely not spoiler-free, if you are sensitive to spoilers please watch the movie for yourselves before reading my review. But if you like being spoiled, I’m your friend then I guess lmao)

The intro to the movie felt like I ended up booking a wrong movie - I didn't expect that to be set somewhere in Germany, especially an American/Italian-shot one. Was that a thing in the original Suspiria? I don't know... (apparently it is, but the cities are different, never the country though)

Patricia (I didn’t know it was Chloë Grace’s role until reading the Wiki) looked like to be a really big deal here, with the dance pupils discussing her disappearance the other day and Susie overheard them, then Sara mentioned the Patricia thing to Susie after Susie revealed she was kind of chosen as the lead dancer for the Volk play... is it because Patricia was THE saviour that unfortunately knew a little too much?? Idk, it’s perhaps the reason we get to see the Klemperer guy subplot happen (I didn’t know it was Tilda Swinton behind him all the time either, must be because the way the male German accent was put on her lol). Turned out she was captured and kept under some dungeon where Sara had gone later in the movie, but looking like an almost melted and grotesquely old human being (or if Mary’s mother from “Chocolate with Nuts” was a person). Speaking of which, there is one more later in the movie, but I won’t tell just yet - we will need to get into such scenes discussion first.

Interesting deaths here, despite of them being grotesque and horrifically detailed. It almost felt like Susie, whilst doing her first dance as the probable lead dancer, temporarily turned into Olga’s voodoo doll or a violent bloodbender (that old lady from Avatar that could bloodbend was incredibly uncanny, damn) and left Olga completely fucked up, and the foam mouth later on... is this the effect myxomatosis has on a human being if it was ever humanly? She was twitching and salivating afterall. :P But no, she’s not dead until she gets to plead her death later in the movie! :O Several others occur throughout, but none is more prominent than this key scene I described, well at least according to TV Tropes.

The search for the evil person in this movie without Wiki helping me much was definitely a nice game for me to play. I kept thinking that Blanc might be that one, then I thought she’s not the one until she looked at Carolina (I think that was the tall tomboy’s name??) suspiciously and then she later passed out on the floor violently, with rabies foam and everything.

Anyway, don’t tell me Tilda Swinton wouldn’t make out a pretty good Thom Yorke post-Pablo Honey. She’s 8 years older than him, ffs! Also played a man before (e.g.: this movie I’m talking about) so the make up won’t be an unjumpable-over hurdle.

The sighs were for sure unsettling, especially because they oddly sounded like orgasm here and there. IDK why. I know fucking is referenced twice in this movie (well only fucking once and sex another time). Speaking of random things, the nightmare shots were completely random themselves, following up with some imagery we never see in the movie again, and some of that we see only a little (like the worms and bloody organs).

3 long scenes that were note-worthy for me. One is the Olga mutilation/Susie's first dancing scene that I already noted, and it was driven by music (the others will be too. Soundtrack of this movie still rules). Then there's the Volk play itself - girls go from one place to another, take poses of each other, dance individually, let their minimalistic red rope dresses flick in the air, interspersed with Sara in the underneath area and her broken leg (so broken, the bone went out of her skin!), and then the matriarchy getting her back on stage, but healing her leg with her witch powers before that. I haven't really listened to the rest of the soundtrack but I gotta check the song out so that I won't end up labeling it as a Kid A reject. No but seriously - intense dancing needed some intense drumming and painful instrument sounds just to project out the massiveness of the whole play.

Then I keep remembering the scene where Madame Blanc commands Susie to jump higher and higher in the mirror hall, up until she jumps as highest as possible. Also my companion’s favourite scene was the stare exchange between these two ladies during the part where people were singing some drinking song in a bar to celebrate ‘Volk’’s success - you hear them singing and then some chilling background noise slowly mixing and creeping its way into the atmosphere, then I think it leads into a scene where some sparkling aura entity wakes Susie up (and she’s nude) in the middle of the night and gets her to go down to this... dungeon orgy full of random stuff going on, complete with an Asian man doing something beyond explanation (I could say lewd but not quite), even more strange ritual dancing and the very much frightening Madame Helga... who looked like Jabba the Hutt for some reason. And then of course everyone slitting, slashing and twisting each other, and by the end Susie throwing us all a plot twist which makes her THE evil one who can finally let her ‘friends’ go of all that suffering they have been through thanks to the damn witches (and yeah apparently her dance friends haven’t completely died? THAT’S how they do - they tell Susie to end their suffering and she does). Also she cracks her chest open to reveal a... very graphic part of a female body that will by no doubt get this whole text review reported without consent so I refrain from any illustrations. Oh and this scene mostly has the possibly favourite this movie’s soundtrack song of mine, if not one of them, play - titled Unmade. It was a mind-boggling decision to do so but the movie editors do them I suppose, but still. I felt sad for the song having to be the background of such absurd but fair enough events? (Oh and I didn’t mention that everyone who voted for the other woman than Madame Blanc to be the leader of the witches (iirc) were rid of in this movie. Damn.)

Oh and the ending is rather an interesting detail, not talking about post-credits because as always I have to be this one movie goer who wants to do it but can’t because they’re urged to go back out of the movie theater. We turn into modern day Germany with a love heart carved on a brick wall with the letters A and L (perhaps?? at the time of finishing this review my memory towards it kind of erased some parts of the movie for me), a nice little remembrance of Lutz’s (the old man’s) love for his dear Anke, with which they have reunited during the movie, but Lutz was dragged out by some people related to the dance academy for probably wandering elsewhere than needed and somehow Lutz ended up as one of the sex dungeon victims, stripped of clothing and lying down quite powerless. That and before the modern day shot we are subjected with Lutz in hospital with Susie coming to visit, they discuss something related to the plot, Susie touches the guy speaks some more, leaves and according to the Wiki, Lutz “suffers from a violent seizure” that was nothing more than just a hard seizure. And it even erases his memories!

Anyway, as a whole, I felt more underwhelmed of this movie’s experience despite really wanting to see it. Like, “uhm yeah gore blood people getting slashed everyone’s a witch and everyone’s watched over by the witch and if you expose the witches you die” kind of underwhelmed. I didn’t want this movie to blatantly go through my head, but it did, that’s why I wanted to make notes everytime something notable happens. There was one startling moment, and it just was an innocent scene transition. And something within Olga’s mutilation scene made me chuckle (and made some other people leave the cinema hall ASAP). It’s more of a disgusting watch than scary. Also feels too dragged out in parts.

I’d only recommend it if you are gore-tolerant (there are people that can’t stand looking at blood so this might as well not be for you, especially if you’re younger than 16), like intense choreos that can impact other people literally, and... the soundtrack. Yes of course. If you dare to get through the movie with feeling its soundtrack, sometimes you might as well feel it right, but some of the soundtrack song usages might as well make you go “hmm” as much as me.

I'll remind myself to never watch a movie in theaters for soundtrack again (unless they're not THAT late). And the other 'trilogy of the three witches' movie remakes, especially if they come out at the time I haven't moved houses by now, because for sure as hell will my parents not like me going to cinema late once more. The movie is lowkey 7 out of 10 for me, can sometimes it's on the verge of falling down to 6 becaude of no completely proper comprehension of some directing choices... so 6.7/10 is good - as it still has 6 in it, but totally leans on to the 7.

Will probably watch it again. I need to remember some more of this movie sometime later. And looking for online uploads of this movie is unrecommendable - I'll wait until Lionsgate distributes it to America for wider audiences so that anything could surface 2 months (or even a few days) later from now. Though if I didn't need all that, I'd definitely not watch it again for a long time... unfortunately I want to.

Post movie feelings: my companion liked the movie, initially said to never watch it again but now wants to watch it again because it was so "wtf" she felt like re-experiencing it at some point. She liked the music (another bonus point for Yorke). She wished she could film the reactions of other people who watched this, as they mostly were confused, all being like "wtf did I just watch???". I'm already feeling bad for the 3rd companion who didn't join us but would also like to watch this - he’ll likely be one of those confused movie-goers.