guarana drama, damage control
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there’s something about a piece of media that is so good that everyone is collectively losing their mind over it and your brain starts to get creative and it won’t be at peace until you deliver something so beautiful as an hommage and idk it’s just a great feeling to relate to something so strongly and passionately
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oh my god...are you telling me it was on this day in 2018 that I watched the first episode of Campaign 2 and immediately fell in love with the most tragic and romantic tiefling of all time?? The anniversary of when this happy---haunted--soft-hearted tiefling first met the people who would become his beloved family? Brought them all together and invited them to see what would be the circus' final show? Happy anniversary to the Mighty Nein's first meeting, and to Taliesin making the love of my life--
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watching the star trek Enterprise finale and this shit SUCKS. overall this has been my least favorite star trek series and I've only made it this far out of stubbornness. it's had its good points but I'm almost always finding reasons to put off watching finales because it means the show I've been watching is over. i was so excited to put this on tonight because then it's DONE and i don't have to watch it ever again. this is weird and cheap and bad. it's awkward. extremely insincere. riker is here, but it's exceptionally vague about why. he's watching a holodeck program and troi is holding his hand the whole time until he. comes to a conclusion. makes his decision. says he's gonna talk to picard and that's it. absolutely no closure on that. they killed the token engineer that every fucked up thing happens to. VERY abruptly. AFTER troi SAYS he's going to die. what a fucking shitshow
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now that I’m dragging my mental health back to a semi-decent place and feel like I might have the energy to like....write literally anything again, at some point I’m going to write about the importance of critiquing within the context of a written story
as in, critiquing narrative points completely without any consideration of how they are contextualized in the story is a bit unfair.
as in, I continue to see things about the Ted Lasso finale that annoy me. not because people had a different read of the finale or disliked different things than I did - or that they’re critiquing it at all; there’s plenty I will critique or would have done differently - but like, saying things like “Ted going back home to Kansas is bad because he’s clearly miserable about it” is an unfair reading when, within the CONTEXT of the story, it’s not framed that way. regardless of whether it was a choice you liked or how you would have wanted things to end, it’s not framed in the story as a) a bad thing, b) a miserable sacrifice, or c) a thing that Ted is upset about. so there’s a difference between saying “I don’t like Ted going back home to Kansas at the end because to me that doesn’t read as a happy ending’ and “the finale objectively frames Ted going back as a bad thing because it makes him unhappy”
and this isn’t JUST a critique on criticism in regards to Ted Lasso. it’s the nature of fandom criticism in general. “I didn’t like this thing” becoming “this thing is objectively bad in the story” or even “this thing is portrayed as objectively bad bc of this, this, and this” despite that contradicting how the story actually frames it.
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