I'm thinking about Wish again. So as the only Wish liker I know of, tell me what you liked about the story and also maybe some things you thought could be improved!
I would be honored! And it got long, so... below the cut.
What I liked:
I would die for Asha. She is so precious!
All her friends were so cute! I love that they were a tribute to the Seven Dwarfs. People complaining that the friends had no personality... neither did the Seven Dwarfs, really. I am so happy that they clearly accept Simon immediately when he returns after the spell is broken.
Dahlia specifically tho. She is always right there for Asha no matter what, trying to calm her and support her right before the interview, stalling with silly questions so that Asha can get into the castle for Sabino's wish, being the first to join in "Knowing What We Know Now" after Asha, and especially!!!! In "This Wish (Reprise)" when Asha is nearly defeated and pleading to the audience it is Dahlia who answers first! She doesn't even know if it's going to work, if anyone else will join, but she's right there pledging her wish with Asha because she cares about Asha so much!!!!! (Yes I might ship them. Why do you ask?)
I actually really like Magnifico as he is. He's a great example of a villain driven by trauma, with a great amount of charisma and genuinely entertaining to watch while also being so "love to hate"able. (The same cannot be said for a lot of stans.)
I love Amaya. Perfect arc. God I feel so bad for her but now she can rule as she sees fit, not playing second fiddle as an accessory to Magnifico. (I don't doubt that they love each other but there really was no repairing their relationship after he hit her with magic.)
I love Asha's mother and grandfather so much.
I LOVE STAR!!!!!!! FUCK OFF STARBOY
They structured the plot similar to old, cherished Princess movies like Snow White and the Seven Dwarfs, and most specifically, Sleeping Beauty.
The end credits!!! Having little nods to all the Disney animated movies (except Meet the Robinsons apparently????) it was so sweet.
Could be improved:
The music. I liked about... half of it. The other half felt flat. I think that's because they hired pop radio writers instead of like, lyrical writers, if that makes sense. Both of "This Wish," "Knowing What we Know Now" and "This is the Thanks I Get?!" were so great, but "At All Costs" just had me sitting in the theater like pretty lights, but did we really need the song? and I don't even remember "I'm a Star!" because it felt really flat.
I love Star but we were promised "an origin of the Wishing Star!" and we did not get that. He just happens to be a character. I wish we'd gotten that actual origin story. I wrote a little rewrite about it, in fact, in which Star gives his life and magic to Asha and she is the Wishing Star we see in all the movies.
Also I didn't... much like Valentino. He was funny for the first five minutes he could talk ("Who knew my voice would be this low?") but then he just kind of became obnoxious. He didn't really bring anything to the plot that I can think of (even Hei Hei in Moana justified his role by actually, for once, being useful in catching the heart of Te Fiti).
I think that situating Rosas in a geographically real location was a shortcoming, because suddenly there is a myriad of real-life local cultures native to the Iberian peninsula to chose from aesthetic (clothes, architecture, etc.) wise and they didn't. For example, Asha has long braided hair specifically inspired by the Amazigh people, who the designers imagined her having heritage from specifically from Sakina's side, but there wasn't a lot else there. I like the design of the clothes and stuff in the movie but it feels short compared to culture of the area.
Lore. Apparently this movie is set before all other Disney movies and Asha is the very first person to ever wish on a star? Except clearly her father did the same, and her friends are at least familiar enough with the idea of wishing on stars that they see it as childish (Gabo's comment: "What are you, five?" or something like that.)
Asha deserved a whole magical transformation. Her pose when Star dusts her with sparkles is an exact pose reference to Cinderella, but while Cindy got the most gorgeous change (and Walt Disney's personal most favorite piece of animation), poor Asha just gets glitter. A massive downgrade made even more down because of the reference, in my opinion.
Both liked and could have been so much better:
References. So many of them. Some were nice (Sandra's wish to make the most beautiful dresses being shown as Sleeping Beauty's dress, a man named Peter wishes to build a flying machine and his companion is a brunette dressed in blue like Wendy). Some were weird. Some felt like they had no real business being there (see: Valentino's comment about an animal utopia suspiciously similar to Zootopia.)
(No I swear I'm not bitter that Atlantis and Treasure Planet didn't get in-movie references)
Miscellaneous comments:
I understand the whole "people are reluctant to let Black girls have a love interest" thing and I completely understand. But Starboy was just not it. This fandom already ignores Asha for him and he doesn't actually exist. If he had made it into the movie I already know how people would be treating Asha.
I know I said I love Magnifico as the villain but I would very much love to explore an AU where Asha *did* become his apprentice, and maybe he was like a stand-in father figure to her, actually careful and guiding, before something threatens all the wishes. I don't know what, but I feel like there's a lot of different ways that his trauma could have been explored without necessarily making him lash out and require so much control.
The movie feels rushed. I'm not saying that in an "it was bad, eew" way but in a "it could have been so much better" way. The literal tagline was "A story a century in the making!" and that drummed up a lot of expectations, but the end result is that honestly, it kind of feels like it needed more time to bake.
That being said, it was clearly crafted with a lot of care and thought put into it for what it was meant to be, and time constraints aren't the creators' faults.
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In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.
Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.
Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.
And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.
And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.
All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.
Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.
The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?
The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.
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I have been thinking on the nature of mdzs as a deliberately vague text that leaves many things up to interpretation, and how i've slowly come to understand "up for interpretation" less as "there is One True version of this story i must find" and not even as " Everyone has a different One True Version of this story inside their head be based on their interpretations and the differences don't make one wrong and the other right" but as "There is no One True Version. Even in my own subjective interpretation of the text multiple things can be true at once" specifically, in regard to Jin Guangyao and the many things which are left up in the air as to whether he did them or not, most notably killing his son.
There's evidence for this, but it's non conclusuve (jgy saying he killed him while also saying he killed Qin Su, who very much killed herself. The speculations on how he'd have killed him being sect leader yao just saying shit. ) it is, esentially, just up in the air enough that if you decisively fall on one side of the debate is probably says more about you and your general opinion of jgy than it does about the "true" events of canon.
I have, as a proud apologist, always fallen on the "he didn't kill him but felt in some way responsible for his death." Side but recently have become more okay with the interpretation that maybe he DID kill him, and that at the very least, that when he tells Qin Su their son "needed to die" he is being genuine. Which, once you look at it beyond. "Is jgy a poor lil meow meow who it is Okay to Like or an irredeemable baby murderer" becomes both INCREDIBLY tragic and deeply interesting. Because here is a man condemned for who his parents were and who wants nothing more than to live, saying that it is possible to be so cursed by your heritage that you need to die. There is no existence for you. The exact same thing that has been said to him.
Of course being born out of wedlock to a sex worker and being a product of incest are different things, but that begs the question: where is the line? What crimes of the father can mean death for the son? How cursed can you be until your existence is so incompatible with society it is you who needs to give? And if there is... where is it? Qin su clearly thought she was past it. Was his son really past it? Is he?
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Just started watching suits recently and was wondering if you had any good fic recs, particularly AUs. The nature of the show really lends itself to Selkie fics imo but also I just love selkies
anon i need you to know that as soon as i saw your ask i immediately went scouring through the AU tag on ao3. i’m not gonna lie, i'm not usually an AU reader but i wanted to challenge myself to provide some recs as unbiasedly as possible.
at first observation, i noticed a lot of the AU fics were still in some way canon (divergent and adjacent)-- usually splitting off somewhere along the show or a situation where Mike or Harvey is still a lawyer, while the other was not. i will say i skipped over smut-based (omegaverse, bdsm) and lengthy fics (under 20k is nothing, anything more than 50k is pushing it for me) cause i just did not have the brainpower to even try to get through them :/
so of course the ones i ended up liking were mostly canon divergent/adjacent but i tried my best to get you something different. what i managed to dig up for you is under the cut and i really hope you like them anon (also fyi these are all pretty much marvey fics, hope that's okay!) <3 also thanks so much for the ask! i enjoyed this little scavenger hunt haha!
As the World Caves In by SupernaturalIdjit16 | Mature - Zombie Apocalypse, Warning for the usual triggers that come with zombie apocalypse. It’s not a complete work but it literally got updated today!
Here at the end of all things by tattooedsiren | Explicit - Apocalypse, Hurt/Comfort, Mike and Harvey protecting each other, Mike does shoot someone and goes a bit into the psychological aftermath, light smut towards the end
The Haunting of Penthouse B by Skara_Brae | Teen+ - Supernatural Elements, Happy ending, Mike’s a ghost…or is he?
Meet Me at Midnight by butdaddyilovehim | Teen+ - Superheroes/Superpowers, Protective Harvey, he's also Batman…need i say more?
Complications by LearnedFoot | Teen+ - Canon divergence, Fake/pretend relationship, Harvey decides not to hire Mike, instead asks for his help to spite Jessica, of course they end up falling in love
The Touch by FrivolousSuits | Teen+ - Magic, Angst, Soulmate inspired, it’s also from Donna’s pov which was super fun and interesting, as was the nature of the magic
TBR list:
Wear My Name by Lunarflare14 (Teen+) and whatever the question by tattooedsiren (Explicit) - These are both Fake/Pretend relationship AUs based/inspired by The Proposal movie! (a very good movie imo)
The Game by FrivolousSuits | Teen+ - It’s a Hunger Games AU so i am intrigued, just haven't gotten around to reading it yet
Ocean Dream by Blue_Five | Mature - i apologize for being unable to provide you with a selkie fic so the best i could do was the incomplete merperson au... i hope it's enjoyable...😅
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