#/also been trying to write

[keeps-ache]

my nose is runny.. it's the end of the woooooorlldd

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[bizarrelittlemew]

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

[tititilani]

I can't stop thinking about if Simon had taken Edwin's offer

Like Charles finds Edwin in the hallway as ever but this time there's another boy there too, cowering against the wall next to him. Maybe the dollhead spider doesn't care about Simon, too busy focusing on its favorite target, so Charles is left standing in the hallway with Simon when Edwin is taken.

They get out of hell, but Edwin doesn't confess due to Simon hovering behind his elbow. He doesn't want to confess his emotions in front of his killer, who he probably hasn't even properly figured out how he's feeling towards yet.

The Night Nurse is pissed they came out with an extra soul but Niko's same loophole still applies and Simon stays.

"This is Simon," Edwin says when it's all said and done, finally introducing the boy that's been hiding behind him since the door closed. "He was a...classmate of mine."

"He saved me," Simon says, looking up at Edwin moony-eyed and Charles knows that look and something settles heavy in his stomach.

"Glad to have ya, mate," he tells him even though the words taste sour. This other boy knew Edwin when he was alive, the thought is slightly terrifying to him.

Simon settles in fine with the agency even if the agency feels a little crowded now with five people in it but he continues to moon over Edwin and Edwin just...never tells anyone how they actually knew each other. He reasons it just doesn't matter, that he can't find the right time, whatever.

Charles never really warms up to him, though he tries to hide it, but he sees the looks Simon gives Edwin, a soppy smitten look that is somehow worse than anything Monty or the Cat King ever tried with Edwin because of all of them, Simon arguably knows the most about like Edwardian courting. That, like Edwin, Simon has also survived hell. Charles hates the idea that someone could potentially understand Edwin more than he does.

He hates it so much that nothing further happens between him and Crystal because the idea of Edwin being left alone with Simon bothers him so much. He sees Simon adjusting Edwin's collar one (1) time and it makes him feel sick.

And then there's the fortune-teller.

They only go to her sometimes for cases because she never fails to freak Charles out but her prophecies tend to be accurate like 60% of the time which is pretty good for a fortune teller. She looks at the two of them at the end, because it is just the two of them for once, and then looks just at Edwin.

"How kind you are," she says, the words a compliment but the tone snide. "To house your killer. Pray tell it doesn't come back to you."

"What." Charles says. "The fuck."

Charles is furious, of course, and it takes Edwin a long time to talk him out of smashing Simon's face in with the new cricket bat.

"He's like me," he insists in that quiet but firm voice. Charles wants to scream that Simon is nothing like Edwin - that he doesn't have a fraction of Edwin's kindness or pissiness, that his blue eyes are not nearly as beautiful as Edwin's green - but before he can even open his mouth, Edwin continues. "He...He likes boys, Charles. He likes me."

Oh. Oh.

Charles stares at Edwin who is looking back at him, trying and failing to hide the fact he's terrified, and Charles doesn't give one shit that Edwin likes boys because he's his best mate forever. He's still pissed that Simon is apparently staying but he has to hug Edwin at that. "I'm still pissed you didn't tell me about him," is all he says, swallowing back the other words he wants to say.

Charles grows even more paranoid about Simon being around, who has to get used to the fact that Charles takes to swinging his cricket bat ominously every time he comes within ten feet of Edwin. He finds out that adjusting clothing was an Edwardian courting thing and wants to break something. The very idea the very person who killed his best mate is now trying to put the moves on said best mate pisses him off.

It also makes him think of numerous times Edwin had readjusted his collar or jacket in the past and it makes his non-existent stomach flip.

Eventually, Simon decides he's ready to move on to his after-life and Charles keeps his hands from fisting when he looks at Edwin with that same soppy look. He knows Edwin has forgiven Simon by now but Charles has always been better at holding a grudge and he knows what is going to come out of Simon's mouth before he even asks. He knows that if Edwin says yes, he won't stop him.

Charles also knows that if Edwin does, there is no way he is going to find any kind of his own afterlife.

"You could come with me," Simon says hopefully and the moment after is the longest in Charles' life.

"Thank you, Simon," Edwin says kindly and Charles has to keep himself from crying. "But I have no interest in going anywhere without Charles."

He steps back - away from Simon and back towards Charles. Ears suspiciously pink, Edwin links their hands and they watch as Simon follows the Night Nurse.

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[bluerosefox]

Possessed Pearl's

You know how in some ghost stories sometimes its not a person or a land that's haunted but the items?

Well what if, when looking for a mother's day gift for his mom, Danny is looking around a pawn shop and finds a necklace, it's missing some pearls but it's just enough to pass off as a decent gift. Danny humms but decides against it and goes to leave it....

That was until he gasped out blue frost and spots a ghostly woman appear out of the necklace with a somber smile. She isn't as seeable as the other ghosts in Amity though, meaning she doesn't have enough ectoplasm on her own (that might change the longer she's in Amity and around Danny though) and that right now only Danny can see her.

And Danny well... hes been doing his hero gig for a bit now, might go and ask if there was anything he can do to help.

And later Danny's good deed... bites him back. Oh boy. Because now he has the Bats looking into Amity Park... Wait what do you mean Martha is now strong enough to be seen?!

[gemsalive]

re: that HEFTY siffrin sweep on id5’s isat favourite blorbos poll — this might sound silly but i do actually think it’s kinda fascinating that isat, as a game so inseparably steeped in (for lack of a better way to describe it) queer fandom culture, managed to so completely sidestep the common Fandom Phenomenon that i suspect was behind the poll in the first place by creating a main character that is also overwhelmingly the fan favourite character for once.

obviously there are any number of factors we could point at to explain the extent to which siffrin nomiddlenames nolastnames manages to grab people and absolutely not let go, but personally i think one of the most interesting ones to consider is the one specific to the medium — that is, how siffrin subverts the “silent blank slate video game protagonist” archetype in such a way that happens to be primo brainrot breeding grounds.

like, when a video game dev makes a silent protagonist it’s usually a bid to maximize immersion by closing the aesthetic distance between player and character as much as possible, right? which is especially true of rpg video games — players find connection in the generic, as that is what gives you the freedom of motion to insert yourself into the story in whatever unique shape suits you best. you are your character and your character is you.

(as ever, post ran long. yall know the drill. tossin in a quick header pic before thoughts on blank slates & blorboification continue under the cut)

and then you’ve got siffrin, who is expressly pointed out to be the taciturn type; who when initially giving the player exposition about their journey so far doesn’t seem to hint at a life or history or even really any motivations outside the journey; whose every thought and action is narrated in second person so as to keep tracing and re-tracing the connection between him and you.

even their design — all darkless and shapeless, bundled up in that big cloak, as if an invitation for you to fill it in with whatever lets you relate to them most! at this point they are their own character for sure, but they also have enough very clear parallels going on with the silent protagonist archetype to feel more than accidental.

of course, as you keep playing you start to recognize that his blankness is much, much more than just a grab at immersion; his apparent lack of backstory, itself a fundamental piece of backstory. this is where he flips dramatically in the player’s perception from “generic vessel for story delivery” to “thoroughly multidimensional character trapped within endless torment nexus custom-built to target and exacerbate all his very specific worst traits rooted in very specific traumas”.

yknow, the good stuff !

but by then you have also been playing enough to be feeling the effects of the thing isat’s design does best of all. i’m talkin bout that ludonarrative lockstep baby. every piece of isat’s gameplay is designed to make you feel what siffrin is feeling — you understand by now that he is not a stand-in for you, but all the same you share in his frustration, his grief, his rare moments of joy and the subsequent heart-in-your-shoes devastation when that joy is inevitably poisoned — and through it all, the desperate grasping for anything new — all as if they were every bit your own.

so in this way the connection is maintained, even if you were someone for whom siffrin’s particular traits & struggles might not otherwise cause you relate to them at all if you had encountered them elsewhere, in a setting where you weren’t actively controlling them as a player. siffrin still gets to carry all the “just like me fr” impact of the blank slate protagonist in the tropes he embodies and in the game mechanics’ design, while totally free to evolve completely into his own character and keep you relating to closely them all the same. now toss back in the fact that said traits & struggles very much ARE of a flavour that a great many people Would Tend To Relate To and just like that you’ve got a perfect storm cookin.

too individual and compellingly written to be an empty vessel for plot delivery. too closely connected with the player’s emotional state to be a story observed impassively from the outside. he has 92 mental illnesses and for the low low price of free u can give him yours to carry too. nobody is doin it like him. congratulations on your well-deserved nose sniffrin nomiddlenames nolastnames <3

[myokk]

clumsy

pairing: Sebastian Sallow x f!MC

word count: 9,1k

summary: sebastian is clumsy

cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving)

a/n: or: two stubborn brats make things more difficult than they have to be. I've been working on this for a MONTH more or less, ever since I drew the sketch that inspired it🫶 (I'm the world's slowest writer)

The first time Sebastian Sallow interacted with her after the fateful events of their fifth year, he fell for her.

Quite literally.

Maybe fell on her is more aptly put - Sebastian Sallow is not one to mince his words or say what he doesn't mean, after all. But, in the years to come, he always insists that he fell in love in that moment.

It was inexplicable. One moment, he was walking around, perfectly content with his loveless, boring life, and the next, his every waking moment was painful. Nobody had ever told Sebastian that being in love would physically pain or consume him so.

It all started like this: one moment, he's walking (well, striding) to Crossed Wands. Fine, he's running. Running late already, for the first meet-up of his last year. But - he isn't to blame for being late. He needed to check on something in the library - during his Transfiguration lesson, he had a hunch about something Professor Weasley had said in passing, and of course he had to go and check to see if he was right before he could even think about besting Leander in the inaugural duel of the Crossed Wands season but now, with how late he is - how many minutes ago had it started? - oh, Merlin, it's already been ten whole minutes and what if they've started without him (not that he can blame them) and -

Sebastian is abruptly pulled out of his thoughts when he collides with a strange obstruction in his way. He was just checking his father's old pocket watch, had only looked away for a split second and he could have sworn that, unless he was mistaken (which he never is), there wasn't a statue in the middle of the suspension bridge. And yet, he has run headfirst into something or someone, and now they are both flying through the air, books whirling around them in a flurry of pages and Sebastian unconsciously puts his arms out to grab her before they hit the ground and now he's holding her tight against him and they land with a loud, ungraceful thud, but at least she's not hurt.

Sebastian shakes his head to clear it after the impact that - miraculously - doesn't seem to have been as bad as it could have been, all things considered, and -

He freezes.

What has he done?

He's pressed up against the most impossibly lovely person he has ever seen quite possibly in his life, holding her tightly in his arms as she glares up at him in indignation, a faint flush spreading across her cheeks, making her face glow. Is this what the muggles mean when they say that they were struck by Cupid's arrow? Her hands scrabble uselessly at his chest as she tries to extricate herself from his grip. It's useless. Sebastian is completely frozen in place as he stares down at her, and he can feel his own face heating up at his inability to get off her. What's wrong with him?

"Sebastian," she repeats, and this time her voice registers in his brain. He realizes she has been talking to him this whole time, and as he stares at her face without comprehending - he couldn't have a coherent thought right now even if he wanted to - he sees her eyes dart quickly down, looking at where their bodies meet before she brings them back to his face, a deeper blush coming over her. "You -"

Oh, Merlin. It's her. He blinks and it's like the fog has cleared from his mind - almost, but-not-quite - and he realizes who he has unceremoniously crashed to the ground with him. The spines of the textbooks they are lying on top of dig into the arm that's pinned under her body and his other hand...he realizes (to his almost-horror) that to any students or professors walking by, it would seem as if they were caught up in quite the scandalous extra-curricular activity because his other hand is actively caressing her breast. Well, that's how it would look to any passerby, anyways.

Because there is no way he would be caught dead in such a compromising position with her.

The two of them haven't spoken since the events of their fifth year - the Year-That-Shall-Not-Be-Remembered-or-Acknowledged - and he had been perfectly content with his plan to continue this strange sort of ignoring that they had played all last year. Both of them pretending that they hadn't become impossibly close after only knowing each other for a few months - a closeness that he had gone and ruined by not knowing when to quit. All he had known to do back then was push push push because why couldn't she see things the way he had? The betrayal he had felt when she had gone behind his back to find her own way to cure his sister, and that one stupid word uttered in the heat of the moment, had caused an irreparable rift in their relationship and he would not allow himself to think about how much he missed her. Still misses her.

Just like he will not think about the fact that she is pressed beneath him in a compromising position, her chest rising and falling rapidly as she glares up at him in indignation. He continues to stare at her. Maybe his mouth is agape. She's stopped trying to get out of his grip and is resting her hands on his chest, seemingly waiting for an opportunity to push him off of her.

"Sebastian. Your hand," she repeats. "You're -"

Finally his idiot brain decides to wake up and Sebastian realizes with horror just how aroused he is at the moment and how did he never see her like this before? He gets up in a flash, pushing her back against the pile of books they're lying on top of, wondering if he can subtly adjust his robes without her realizing and then he makes the very grave mistake of looking down at her and she's still very much red-faced, propping herself up by her elbows and she looks so disheveled and lovely lying on top of the pile of books.

His idiot brain has now woken up completely, and how is it possible for one hormonal, eighteen-year-old wizard to be so embarrassed? He knocked her to the ground, pushed her further back in the books in his desperate attempt to get away from her, and now all he can think about is how to hide his arousal. Shameful, really. Sebastian quickly crouches down to help her pick up all of the books but she shoves him away and glares at him with an annoyance that he's never seen before.

"I can do it myself, thank you very much," she says with a huff, gathering everything they spilled up into her arms. She grabs the book Sebastian is holding out of his hands and he inhales sharply at the touch of her fingers grazing his.

Did someone - Garreth, maybe - spike his pumpkin juice with Amortentia during lunch? It's the only explanation he can think of as he stares blankly down at her. How else would he find her so beautiful, so breathtaking, when the last time they had interacted, Ominis and Anne had had to act as intermediaries for the two of them?

"Well," she says finally, slinging her school bag over her shoulder once all of her books have been unceremoniously shoved inside of it, "it's been...nice seeing you again, Sallow. I hope you had a good summer holiday."

And with that, she quickly turns and walks away in the direction she had been coming from, leaving a very confused Sebastian behind. He watches her as she walks away and her long, swishing braid is the last thing he sees before the door closes behind her at the far end of the bridge.

Eventually, he gathers his wits and wanders away.

He does not go to the first Crossed Wands meeting that afternoon after all.

She has not had a full-night's sleep since he somehow cursed her mind and her thoughts a week ago, and she can feel herself slowly slipping into insanity. A curse is the only answer that makes sense, the only thing that gives a conceivable answer to all the wicked dreams she has been having since that moment, dreams that cause her to wake up sweaty and breathless and needing him in the middle of the night in a way she has never felt before. She has been an absolute mess, a disastrous version of her normally quite put-together self, and she is not happy about it.

He's sitting next to her now - they were partnered up by the evil Professor Onai in their first NEWT Divination class of the year - and she's holding herself rigidly, arms tight across her chest, in an attempt to not accidentally touch him. Lately, every single time they make fleeting eye contact across the table during breakfast, or when they pass each other in the hallways, a shiver runs down her spine at the unfamiliar look in his eyes and she has to avert her eyes before it's too much.

Divination has never been a favorite subject of hers - too impermeable for her tastes. She is only taking it at the NEWT level because, during her career counseling with Professor Ronen at the end of her fifth year, he had said that if she wanted to be an Unspeakable she couldn't just work with logic (a preposterous thought, but as a sixteen-year-old she hadn't seen any recourse in arguing with the Ministry's requirements). She supposedly needs to get comfortable with the intangible as well. It doesn't mean she has to enjoy it, though: she doesn't, and never will. The Divination classroom is dark and stuffy, tucked away in one of the highest towers of the castle, and the nauseating smell of incense always coats her nasal cavities long after the class has finished. She finds her thoughts getting muddled in the haze of candle smoke and swirling orbs on the shelves around her - magic somehow always feels thicker up here - and the presence of a certain someone whose knees keep brushing hers under the tiny table they're sharing, a certain someone who has - improbably, inconceivably, impossibly - hit a growth spurt that summer and now towers over her and had encompassed her completely when he knocked her to the ground, isn't helping her concentration at -

"This week, we are going to review everything we learned together last year," Professor Onai says, after the class had rearranged itself based on her instructions. Sebastian shoots a look at her as she shakes her head in an attempt to clear it and sits up straighter. She hopes that Onai's lecture will help her concentrate and clear her mind a bit. If she has something to focus on, to try and think of and remember, it will be better than him. Anything would be better than Sebastian. Onai gives an appraising look to each table before continuing her speech. "As your NEWTs are at the end of the year, we need to make sure you are as prepared as possible. Open your books to page two-hundred and thirty. Today we're going to review the art of palmistry. I should hope that you do not need the aid of your textbook to help interpret the lines in your partner's palm but in the case that you do -"

She chances a glance at Sebastian before getting out her copy of Divining the Undivinable from her bag and wishes she hadn't. He looks uncomfortably big sitting on the tiny tea chair across from her, barely any hints of the boy who had completely swept her away two years ago visible on the sharper planes of his face. When had he - had they - grown up?

Sebastian Sallow was - is - charming, and that had been her downfall. She had successfully avoided his charms the year before, and she wasn't going to let that happen this year, no matter how much her body rebelled against her mind and resolve. Because, as she reminds herself, Sebastian Sallow is also manipulative, and cold-hearted, and selfish.

"Well," she says archly, opening her book. She will not look at him. "I suppose I am still quite ignorant of the practice of Divination, so do forgive me if I have to double-check my readings in the textbook."

He says her name as she opens the book, and she ignores him. He says her name again. She continues to ignore him. He grabs the book from her hands and puts it the correct way for her. She was looking at it upside-down. Her cheeks heat up and she continues flipping through the pages, as if nothing has happened. She finds page two-hundred and thirty. She pretends to be interested in what she sees.

(Divination is unfortunately not interesting.)

Oh, fine.

"Do you want to start, or should I?"

These are the first words she has voluntarily spoken to him - not including the events of last week, which do not count as they were most decidedly not voluntary - since he called her ignorant a year and a half ago. He somehow looks surprised to see that she has addressed him, and for some reason this fills her with rage and a strange sort of confidence. Why shouldn't she be able to talk to him?

"Here," she says, putting her hand out towards him, palm up, ignoring the strange fluttering feeling in her chest when he gently grabs it with one of his. Sebastian looks up at her, waiting for her to continue speaking, and were she not looking at him so intently she would have easily missed the bob of his throat as he swallows nervously. "Show me how it's done."

Her breath catches in her throat at the small, mischievous smirk he shoots to her before he bends over her hand and gently starts tracing the lines on her palm with the fingers of the hand that's not holding hers in place. His touch is feather-light and somehow soft, despite the roughness of his fingers as they drag over her palm. Every nerve in her body seems to have moved to wherever he touches and all of the bravado and anger she had just felt is quickly melting away. When she finally finds her voice, she hates how soft and breathy it sounds. She can't look away from the sight of his larger hands caressing hers.

"Well? What do you see? Do you remember the different lines? Because I -"

She falters. The murmurs of their classmates blend together in the background and the dim lights of the candles...the hazy, thick atmosphere and his proximity and the barely there touches of his rough fingertips on her sensitive palm are altogether too overwhelming and she needs to get out of there. She's supposed to be angry with him. Furious, even. Holding this grudge has been the only way she has been able to have any sort of power over him this past year, and yet...all she can think about at the moment are the sinful dreams she's been having lately where he presses her against a wall, desperately kissing her lips, her neck - even she knows that there has to be more to it - but what?

Sebastian blinks as she snatches her hand away like it's been burned and - oh, Merlin - she shoves the textbook back into her schoolbag and almost knocks the candle on the table over and wouldn't it be awful if she had started a fire? But she can't think about any of that now in her haste to just get out of the claustrophobic Divination tower.

Vaguely, she can hear Professor Onai asking her if everything is fine and she's not sure but she thinks she mumbles something about needing to go to the Hospital Wing - that's a good enough excuse to leave, isn't it? - but then she hears his voice, deep and cutting through the fog in her mind -

"Don't worry, I'll take her and make sure she gets there fine." A muffled response from their professor and then his voice, just as clear as before. "No, I don't know what happened..."

She hears him calling her name as she flees down the spiral staircase, almost tripping over her feet in her rush to get away from him, but he catches up quickly, reaching out to grab her arm in an attempt to slow her down. She stops running immediately - she supposes her traitorous body wants to see what he has to say, or maybe it just wants to bask in his intoxicating proximity. He crowds her space, and she sees that unfamiliar look in his eyes again. So very different from the cold disdain she had seen the last time she had been this close to him, during the argument that had ended their friendship.

"Let go of me," she whispers, but there's no conviction in her voice as she gazes into his deep, brown eyes. He can tell she doesn't mean it and doesn't make any move to listen to her. Why can't she hold on to the rage? A muggle quote about anger floats through her mind: Holding on to anger is like drinking poison and expecting the other person to die. What a sweet poison her anger at Sebastian had been, while it lasted. She tries telling herself that he must still feel the same as the evening he had called her ignorant (ignoring the small voice in her head that reminded her of the letters of apology he had sent (that she had burned without reading), the times he had tried to get Anne or Ominis involved and apologize for him) - because why couldn't he just tell her himself? Maybe she had shut down any and all attempts he had made to repair the rift that he had caused in the first place, but she had been right to be so angry with him.

But oh, Merlin, he's getting closer to her, and she can now clearly see the freckles dusting his cheeks and nose and forehead and then before she knows it, his hand is sliding up her arm, leaving goosebumps everywhere he touches and then he's caressing her jaw with his rough thumb and he pauses. Her eyelids flutter closed as her head tilts towards him - she couldn't stop herself even if she wanted to (what does she want?). She can feel his warm breath ghosting over her lips and she has the improbable, ridiculous thought - how is he remembering to breathe? - before he speaks. His lips brush against hers with every soft word and a deep shiver runs through her body.

"I," she hears him say, his voice so, so low, "haven't been able to think since last week."

That's all she needs to hear, the brush of his bottom lip against hers all she needs to feel, to push her into closing what minuscule distance there is between them and then his lips are on hers and it's better than anything she's been imagining. His mouth is soft against hers, insistent, and her hands go up to grip the collar of his plaid jacket to make sure he doesn't go away or disappear on her.

She knows she's behaving wantonly, snogging Sebastian Sallow in the middle of the hallway where anyone could come across them, but third period has only just started and besides, she has had a week of restless nights being tortured by thoughts of him. A week of a few hours of sleep found here and there. Just one kiss should be enough to help her get over these strange feelings, right? She only feels like this because having him lie on top of her after he crashed into her - that satisfying weight of him - the friction of his thumb brushing against her nipple - had made her realize just how stupid she had been, holding this grudge against him for -

She whimpers in protest but it quickly turns into a moan as his mouth moves away from hers and down to her neck. He pulls at her tight collar desperately - she hears some seams ripping - to give him better access to it, and she finds herself arching her back and pushing her body closer to his as he nuzzles her neck with his nose before giving it open, sloppy kisses. When he hears her, he moves back to kissing her, greedily capturing every breathy moan that comes out of her mouth, but the noises coming from him are matching hers, and at the sound she feels an unfamiliar clenching deep in her stomach. Her fingers come up to his hair, going through the silky curls over and over - how are they as soft as his lips? - and he slowly pushes her back until she's sandwiched between his warm body and the cold stone of the wall behind her.

He lets out a low, frantic growl as a hand goes to grip the back of her head, holding her in place as he slants his mouth over hers. He tastes like cinnamon and...like something forbidden. What has gotten into her? She hates him, and yet...

They have abandoned any pretense of propriety - had they ever even been trying? - by this point. His tongue swipes across her lips and then she is completely lost to him, to every sensation of his mouth, and tongue, on hers. His large hands - the wicked hands that had been caressing her palm and had caused this whole mess in the first place - have moved to her waist and are pulling her even closer to him. When he pulls away briefly, she whines in protest, opening her eyes to glare at him. The sight of him, flushed and breathless, his eyes wide and pupils dilated - must match her own appearance because she sees the same hunger she feels in his eyes. She has never seen Sebastian Sallow so disheveled, but she finds she quite likes it and tugs on his curls with a whine. He obliges eagerly, bringing his mouth back to hers.

She's pressed as tightly against him as she can possibly be, and yet it still isn't enough. Her back arches once again, trying to find something, and then he slots one of his knees between her legs. She moans at the friction caused by his movements, can feel an unfamiliar slickness forming at the juncture between her legs, and this seems to spur him on further as his kisses get more desperate and sloppy. She moves against his leg, trying to relieve some of her discomfort, gasping into his mouth, when -

They freeze. Even if they are fully, completely, absorbed by...whatever this is, they can't ignore the strange, metallic clanking sound coming from their left. Sebastian pulls his head back from her slowly, reluctantly, breathing heavily, and looks over to see what the noise is. She wants to, but all of a sudden the horrifying reality of what they've been doing sinks in and oh god what if the noise is a person? Someone who has now seen her in what might possibly be the most mortifying moment of her life - desperately snogging Sebastian Sallow - and she finds she can't look over. She tucks her head into his neck to hide her face as she listens.

"I demand that you get away from her at once, you knave! Cease your attack!"

The voice sounds vaguely familiar, but she's certain that it doesn't belong to any of her classmates. He almost sounds...medieval, but -

"I made haste when I heard sounds of distress coming from down the hallway," the voice continues, "and it appears I have arrived not a moment too soon!"

She brings her head away from Sebastian's shoulder but still refuses to look over at whoever is speaking, instead choosing to stare at Sebastian's face. He's still deliciously flushed from their snogging, still breathing heavily, but now he looks terribly confused. His brows are furrowed, mouth opening and closing as he tries to come up with a response to the outrage currently being directed at him.

The unknown man is continuing his diatribe, almost not even stopping to breathe as he gets more and more worked up, and she hears some more clanking as he reaches a particularly exciting moment in his rant. Sebastian looks increasingly confused, but still shields her with his body, not moving away from her at all despite the accusations.

Her curiosity gets the better of her and she peeks over to see who it is.

The man who has been reprimanding Sebastian so boldly is none other than Sir Cadogan. Although she's never interacted with him directly, she often hears him yelling at his pony as she passes his portrait on her way to Divination. The knight is standing between two witches having tea, who are glaring at him quite angrily as he gesticulates wildly - every movement of his sword comes dangerously close to their display of cakes and sandwiches and it looks like he has already broken some plates. His armor is ill-fitting and loose on him, which explains the terrible noise.

"You rascally knave! I assure you that you do not want to find out what will happen to you if you do not unhand the fair maiden."

He brandishes his sword again, and the woman closest to him quickly snatches her tea cup away to save it from being broken as well. "Come now, Sir Cadogan," she says, exasperated. "Can't you see that these two are in love?"

The other woman joins her protests, nodding vigorously. "Yes, exactly that. Leave them be!"

"Nonsense," he exclaims. "I too have succumbed to my baser instincts on occasion and I can assure you that this is decidedly not what is occurring."

As Sir Cadogan continues to alternate between lecturing her and Sebastian, and directing his two attention to the ladies who are defending them, she looks back to the boy in question. Sebastian is looking down at her, a bemused smile on his lips and she feels a twinge in her chest. His face is still so close to hers that if she wants to, they could be snogging again with barely any effort and her eyes briefly flicker down to his tempting mouth before going back to his eyes, but...

What had gotten into her? What is she doing?

He had somehow managed to manipulate her again, because there is no way that this situation could have happened otherwise. All of a sudden, the anger she's been feeling for the past year and a half - that had left for a brief, blissful moment - surges again, and she pushes Sebastian away from her with as much force as she can muster. She almost feels bad as the happiness in his face turns to confusion, then frustration as he realizes she's getting away from him.

"Stay away from me," she hisses, picking up her discarded schoolbag from its spot on the ground. As she stalks down the hall, she can hear Sir Cadogan cheering on her bravery over the ringing in her ears.

She has a lot of thinking to do.

Sebastian Sallow's List of Priorities (in no particular order):

Figure out what the hell I'm going to do when I graduate;

Figure out how the hell I'm going to finish this bloody Charms essay before tomorrow; and

Figure out what the hell is going on between us

Sebastian sits in an undisturbed corner of the library - nobody ever comes to this table because it's tucked away between shelves of incredibly dense magical theory books - and is twirling his quill in his fingers, watching the ink splatter on the list he spent his precious time writing instead of the Charms essay he should be working on. He's far away from the first-years who like to congregate by the windows and watch the leaves fall softly to the ground rather than study for their classes. He's made especially sure that he is far, far away from her.

It's not his choice, mind you, but he needs to be a gentleman about these things. If she needs some time and space to figure out that she's as crazy for him as he is her, fine. But even Sebastian Sallow's patience runs thin, and he's not sure how much longer he can give her to come to her senses before he snaps and takes matters into his own hands. If things were up to him, the two of them would be sitting far too close together now in this secluded corner, and maybe he would need to put a hand over her mouth to ensure her complete silence as he runs a hand up her thigh.

Now that he knows what delicious sounds can come out of her mouth - sounds that he caused - he's been having a hard time concentrating on, well, anything. Sebastian surreptitiously glances across the library to where she's sitting and studying with his sister and Imelda. Ever since the events after their Divination class, Sir Cadogan has taken it upon himself to follow Sebastian around the halls of the castle, tripping through frames and disrupting their inhabitants as he lectures Sebastian on love. The tea party women had managed to convince the knight that he had disrupted an amorous exchange, and Sebastian fervently wishes they hadn't.

The whole school is abuzz with rumors about who it could be. Nobody has even come close so far with their guesses, but Anne and Imelda are having too much fun teasing him about it. Somehow, she has managed to avoid suspicion - he wonders how this is even possible, since she's never been able to hide what she's thinking. He makes eye contact with her - has she been staring at him this whole time? - and she flushes before looking over to Imelda, who's laughing too loudly at something Anne's just said. Sebastian can't tear his eyes away from her profile, his eyes following the curve of her eyebrow, the slight upturn of her lips as she smiles at her friends, her eyes as they dart back to him, her cheeks as she turns an even darker shade of red as she realizes he's still watching her. She tucks a lock of hair behind her ear, and rests her chin on her hand as she tries to look absorbed in what Anne is saying to her.

Sebastian wonders if she's thought about him as much as he's thought about her. Judging by how she had snogged him back, he's positive that she feels the same way, but then he remembers how she had looked at him before she fled, and he's not so sure. He sighs as he looks back to his list, bringing his quill back to the third item and ripping the paper as he crosses it out again. His mind has been going in circles since that moment and he doesn't know what to think. He slowly puts everything into his schoolbag before heading out of the library for yet another freezing cold shower that hopefully tempers his now-permanent state of arousal whenever she's around.

He doesn't notice her eyes following him as he walks out of the library.

He doesn't hear her hurried excuse to Anne and Imelda as she shoves her things into her bag and rushes to follow him.

He doesn't hear her light footsteps as she gets closer to him.

When she puts a hand out to touch his arm as he waits for the moving staircase to stop, with a soft, "Sebastian" accompanying it, he nearly jumps out of his skin. He was so absorbed with thoughts of her, that to see her standing at his side, closer than she had been since they kissed was almost his snapping point.

"Can we talk?" she asks, looking almost embarrassed as she avoids his eyes. She instead looks determinedly at his collar. He thinks she probably notices that he swallows nervously before acquiescing, but she says nothing as she turns and starts hurrying away from him without waiting to see if he follows her.

She must know that he would follow her anywhere at this point.

They weave through hallways - Sebastian vaguely wonders where exactly they're going - before reaching a little alcove, hidden by a suit of armor. She looks around before pulling him into it. It's almost curfew and the halls are never that busy when the weather is as beautiful as it has been these days - the end of September seems to be clinging on to the summer for as long as possible.

Her lips are on his before he can even ask her what she needed to talk with him about, hungry and desperate. Sebastian is too stunned to pull away - not that he would actually want to. Her arms wrap around his neck, keeping Sebastian close, slender fingers sliding through his hair.

"What," she says breathlessly between kisses - almost not even moving her mouth away from his enough to be able to enunciate properly, "are you doing to me? I haven't been able to think for the last month."

Sebastian smiles into her mouth, wondering if she knows that she's repeating the very thing he told her two weeks ago. Maybe she has been thinking of him all this time - he almost hopes that she's been suffering as much as he has. Instead of responding, he moves a hand to cup her jaw, deepening the kiss. His other hand moves to her waist, gripping it tightly, pulling her flush against his body and she gasps into his mouth. He slowly moves her closer to the window alcove behind them, snogging her senseless the whole time. She moans into his mouth which just spurs him on further - her skirt rides up to her hips as Sebastian trails a hand up her stockinged thigh and they both gasp when his hand reaches skin. Her skin is so, so soft and her breathing gets faster as he continues to caress her inner thigh, closer to the bend between her thigh and her center. Sebastian wonders if she's ever been touched there before by someone else and jealousy flares up inside of him at the thought.

In one swift move, he scoops her up and places her so that she's sitting on the window-ledge, the dusky light of the sunset illuminating her from behind and making her wispy flyaway hairs a golden halo around her. Sebastian's breath catches in his throat - has he ever seen anything so beautiful as her in that moment? - she's staring up at him, her fingers playing with the hair at the nape of his neck, her breathing shallow and anticipation in her eyes. "You're," he starts saying and his throat goes dry. He brings a hand up to tuck the errant lock of hair - the one she had tucked earlier in the library - behind her ear and she leans her head into his touch, closing her eyes briefly before looking up at him again with wide eyes. "You're perfect."

She smiles faintly and pulls his head back down towards hers and now she's brushing her lips against his, teasing him, before it's too much and he grips the back of her head, holding her in place as he crushes his mouth against hers in a bruising kiss. Her knees are on either side of his waist, and she desperately grinds her core against his throbbing erection and they both groan at the friction. Sebastian moves his hands down to her thighs again as he kisses her, slowly caressing his way up and pushing her skirt up further until it's completely bunched around her waist. She gasps into his mouth at his first tentative touch after he pushes aside her undergarments. Sebastian swipes a finger up her slit, through the slick that coats it, and then he starts circling her clit with slow, even strokes. She shivers against him - at his touch - clinging tightly to his shoulders and gasping into his mouth as he continues.

Every little noise coming out of her mouth, feeling how wet she is, how the slickness keeps growing growing growing makes Sebastian hungry for more - it isn't enough -

Slowly - so slowly - he wants to savor this moment - he lowers himself until he's kneeling between her legs and he looks up at her. Her face is deliciously flushed, all swollen lips and hair in a wild cloud around her face and all she can do is stare down at him. Her chest is heaving and she tries to close her legs - hide what is exposed to him - but he holds her thighs firmly in place on either side of his head. He turns his head and kisses her inner thigh, maintaining eye contact as he swipes his tongue across where he's just kissed, moving closer towards her slick center.

"Oh," she breathes, not-quite-a-word, not-quite-a-gasp, when his mouth reaches her center and hovers over it, lips slowly teasing her the way she had just teased him. Sebastian tentatively runs his tongue up her slit; the loud moan she lets out when he reaches her clit makes him stay there, applying light and not-so-light pressure in equal measure.

Her hands are scrabbling at his hair, digging into his scalp, ruining his earlier attempts to make it look presentable, hopefully attractive, for her these days. She's pushing his head deeper into the space between her legs, starting to rock herself slightly on his mouth, and Sebastian is happy to oblige. He eagerly laps up her slit, and the obscene wet noises as he continues combined with her whimpers and barely-spoken profanities "oh-yes-fuck-yes-there-please-" are making him hard beyond belief. He's straining against his trousers, begging to be let free. Without moving his face from her, he unbuttons his trousers and starts palming himself, using the slickness weeping out of the tip as lubrication.

She's abandoned all control at this point, grinding herself into his face as he laps her up, and it's driving him wild - knowing that he's doing this to her - causing her to be so undone. Normally she's so poised and aloof, never letting any real emotion flicker across her face, so to see her so desperate and needy and wanting him so -

Sebastian's gasping into her, tongue deep inside of her, "ohmygod" he hears her whisper, her hips driving into his face when she shudders and goes still, pulsing around the tongue that's deep inside of it. He slows down, smiling as he continues to run his tongue up her slit until she's responsive again. He kisses her inner thigh and hears her moan before getting up, caressing a finger down her love-struck face and leaning his head down to kiss her deeply. With his other hand he's still touching himself - the thought that she can taste herself on his tongue driving him crazy - and he starts rubbing its blunt head against her swollen clit. She takes it out of his hand- he groans at the feeling of her soft hands (the hands he had held a week ago in Divination and pictured doing this exact thing) tentatively caressing his length before she begins to slide it up and down her slit, coating it in her wetness.

Sebastian has surrendered all control to her - resting his hands on either side of her hips on the windowsill, tucking his head into the crook of her neck and thrusting with her movements as he loses himself in the sensation of sliding through her slick folds. He can feel his release building building building, and when he finally comes, all over her perfect, pink center, it feels like a finally.

Sebastian feels so, so heavy as he pulls his head away from her shoulder, as if he could fall into a blissful sleep right there, in the little window alcove where they've hidden themselves away. The sun has now set completely and they're in shadow as they stare at each other, the sound of their ragged breathing filling the tiny space.

"Sebastian, I..."

She's staring at him with an unfathomable expression on her face, still holding him in her hand, her other hand playing with the hair at the nape of his neck. They look down and he feels his face heat up even more at the mess he's made - he quickly pulls out his wand and cleans her up, before looking back at her, giving her a wry smile as he buttons up his pants and helps her off the ledge. "What did you want to talk to me about, again?"

She gives a slight shake of her head and looks away, but she can't hide the small smile that's growing on her face just like she can't help her eyes that keep wandering over to his. He knows the growing smile on his face matches hers - did that really just happen? She reaches over to lace her fingers through his as they walk around the suit of armor. "I - it's not important."

"Come on," he says, not being able to resist the opportunity to tease her - he's somehow managed to break through the barriers she's set up around her, and he's not about to let the opportunity slide. "Surely that's not what you had in mind when you..."

Sebastian trails off as he sees the expression in her face turn to one of horror - he didn't think his teasing was that bad, was it? - but she's also pulling her hand out of his like she's been burned and -

He follows her gaze, to where it's fixed at the end of the hallway and he knows that once again his face mimics hers. He will never live this down.

Standing at the end of the hallway and looking like two cats who've just found a huge dish of milk, are his sister and Imelda.

Misery.

Complete and utter misery are what she's feeling, if she has to put it into words, which she does. Writing things down always helps her out, helps her organize her thoughts into some sort of order. Except...this time around, it's not really helping. She can't seem to make any sense of her feelings for Sebastian.

She looks over the muddled mess of words she's written down - stream of consciousness, incomprehensible babble - and sighs. She's been dreaming of falling in love since she was a young girl - Jane Austen will do that to you - and can't believe that now that she's had her opportunity, it has to go and be with Sebastian Sallow. Because it has to be love, hasn't it?

There can be no other explanation for the painful way her stomach twists itself up whenever she catches a glimpse of him these days, the way he's consuming her every thought - even when she's dreaming she can't escape him. She can't get the sight of his tousled curls between her legs, his mischievous, warm brown eyes looking up at her as she had the most mind-numbing, toe-curling orgasm of her life - none of the times she's touched herself have ever come close to the sensations he managed to evoke.

Every time she's walking through the hallways between classes and hears his loud voice as he jokes with Garreth, or Ominis, about quidditch or Merlin-knows-what her eyes snap to his face as if he were the sun, and she a sunflower searching for its warmth. And he is most decidedly not the sun. He has the tendency to snort when he laughs, and he laughs too much, especially at his own jokes. Sometimes he talks while he eats. He always twirls his quill between his long fingers in the most annoying way, splattering ink onto any parchment unfortunate to be caught underneath. But he also...

He also always goes out of his way to prepare Ominis's Potions ingredients (why Ominis decided to take and was accepted into NEWT level is a mystery to everyone), occasionally stops to play a round of gobstones with Zenobia when he has the time. Sebastian can often be found in his favorite armchair in the Slytherin common room, resting his face on his hand as he idly flips through the pages of some book, looking altogether too handsome as he does so. And when he stretches and yawns at the end of every Arithmancy lesson - like he is now - his shirt lifts up a bit and she can see a tan sliver of his stomach and -

Snapping in front of her: she blinks and looks over: when she sees it's Imelda her face immediately turns beet red and she grabs the paper she's been doodling on and rips it to shreds as fast as she can.

"Are you fantasizing about a certain annoying someone?" Imelda asks with a wicked grin, dramatically looking over her shoulder at the certain someone in question. He's still stretching, blinking sleepily; when he notices the two girls watching him he flushes deeply. Her stomach twinges again at the sight of him noticing her - has he thought about her since that moment as much as she has? What would she do if he had? Or...if he hadn't? - and she focuses instead on the paper she is currently destroying.

"Imelda," she hisses, glaring at her best friend, "stop."

Imelda does not stop.

Imelda doesn't stop during their walk to Herbology, and she does not stop as they set up their planting stations, and she most certainly does not stop as they mutter charms over their plants.

Ever since she experienced the most wonderful moment in her whole life, followed by the most mortifying, Anne and Imelda have not stopped pestering her about it. They've finally solved the 'Sir Cadogan Puzzle' - I knew it was you all along, claims Anne - but if they truly knew what had happened between her and Sebastian, she's afraid the two of them would simply combust. She loves them dearly, but they never know when to stop, and they've been pushing and poking and prodding her for more information the whole week. She has managed to remain tight-lipped and, she hopes, mysterious about the whole thing, but she's getting tired of the teasing.

"Really," Anne says, wiping her forehead and leaving a trail of dirt behind, "if you would only talk to him, I would stop bothering you. Promise."

"Yes," chimes in Imelda, on her other side, wrestling the leaves of her own plant into submission. "You know, after we saw the two of you holding hands and looking at each other with stars in your eyes, I'm really starting to doubt that you hate him as much as you claim."

"Were the two of you snogging in secret all of last year too? Because, I'm starting to get annoyed thinking of all the times I had to talk to my brother for you because of your stubborn pride."

Does she still hate him? She certainly thinks she should, but then her thoughts get terribly confusing as she continues to think about him, and she realizes all of her old hatred has long since faded. Anne has forgiven her brother, Ominis has forgiven him, and all that remains is her.

They should talk, but she doesn't know what to say.

She's afraid that maybe the man she's been inventing in her mind this past month is simply a figment of her imagination - a fictitious being created by an accumulation of stolen glances when he doesn't know she's watching, someone who all of their classmates seem to like, someone who is very different from the fifteen-year-old boy she had that terrible argument with all that time ago. Maybe he doesn't actually exist.

She would be crushed if he's hiding the fact that he still holds on to that desperate darkness that had driven him to save Anne by any means necessary.

And so she keeps her space. She watches him from afar, feeling the hatred slowly melt off of her, falling more in love every day, but too cowardly to make the next move.

Anne and Imelda continue bantering on either side of her, not noticing - or, more likely, not caring - that she isn't participating.

Sebastian's hands are sweating. He wipes them on the inside of his robes as he glances at the girl next to him. She's holding herself rigidly, but she did this to herself, sitting next to him at dinner as she had.

Well, sitting next to him hadn't been completely her idea if he's being honest. He'd been having dinner with Anne, and the two of them were dying of laughter as she recounted seeing Duncan Hobhouse get tormented by Peeves earlier that day. One moment, Anne had been demonstrating what she had seen using her potatoes and green beans as props, and the next, a particularly evil grin had lit up her face as she pushed her plate away with gusto and jumped to her feet, calling her over.

"It would be such a shame for these potatoes to go to waste, seeing as I have a very important meeting to attend," Anne had said, after pushing her friend into the very tight space at Sebastian's side. "Never mind the mess, I can assure you I didn't actually eat the food..."

And with that, Anne had flounced away, Imelda on her arm, the two girls cackling to each other as they snuck wicked glances over their shoulders at the couple.

A couple who is now steadfastly avoiding each other and trying their hardest not to even brush elbows. Sebastian is altogether too aware of her presence, has been for the better part of a month, and his patience is dangerously close to snapping. He keeps getting maddeningly close to finally getting her to open up to him - had actually achieved it for a few blissful moments - just to have it be taken away again. It's almost embarrassing how many times he's thought about their encounter. She had been everything he'd been dreaming about and more - soft, responsive, just as desperate as him - so why has she been avoiding him so thoroughly?

Yes, he's caught her staring at him more times than he can count, with that same unfathomable expression she had before, almost dreamy - wistful - could it be love? But he knows that it's preposterous, wishful thinking on his part. If it were love - if she felt the same crazy, tumultuous emotions that he was feeling constantly - she wouldn't be so cold towards him. Even if she was staring at him more than ever before.

He doesn't notice as she slips a folded paper into the book sitting next to his plate, but he does notice that she sits next to him for barely five minutes, not even touching the food that Anne has so graciously left her, before she gets up and slips away without so much as speaking a single word to him, or even looking in his direction at all.

Sebastian's sitting in a nearly empty common room after curfew, flipping through his book as he normally does this time of day, when she sees him pause.

Although she's been waiting for this moment, watching him from the corner she's tucked herself away in, she feels ready to pass out from nerves. Her heart's ready to burst out of her chest as she watches him curiously pick up the letter she slipped in his book earlier, brow furrowed. She wrings her hands nervously as she watches him read the letter and flip over the page to see if there's more, and then he goes back to read it again from the beginning.

She wasn't expecting him to read it a second time, let alone a third time, still with an inscrutable expression on his face. Maybe she should have positioned herself closer so she could see every emotion flickering through his face as he reads - she's too far away to see anything and she curses her lack of foresight. If she moves now, he'll see her, and she doesn't even know what she was thinking when she wrote the letter, when she managed to convince Anne to help her get close to Sebastian earlier that night during supper, when she moved herself to sit in this corner just so she could watch him find and read the -

"Hello."

She nearly jumps out of her skin with a muffled shriek at the sound of his voice so close to her. Why does she feel almost guilty when she looks up at him? She's so, so afraid.

Emotions have never come easily to her. Showing them is something she's not sure will ever come naturally - Anne and Imelda can laugh and shout without a care in the world, but she always holds herself back. Hides a small part of herself away, that only she knows about. Baring herself completely to Sebastian in the letter she feverishly wrote the day before was like ripping out a part of her soul and giving it to him to keep. Once the words were written down, there was no way to take them back, not that she wants to.

But what if he rejects her?

Her eyes get hot and tears cloud her vision as she stares up at him, still wringing her hands together over and over, feeling like she's positively going to burst with the force of the emotions roiling around inside of her. Why did she think this would be a good idea?

Now he's kneeling in front of her, holding her hands in his bigger, rougher ones - reminiscent of that fateful day so long ago in Divination when he had flustered her so - and a thumb is gently wiping away the big, fat tears she didn't even realize were rolling down her cheeks and she lifts her face from watching their intertwined hands and gazes tremulously into his eyes.

They are so, so gentle and warm and full of love, but the emotions are still too much for her and she can't stop crying for some unfathomable reason, so the kiss they share is wet and lovely and full of incredulous laughter.

"I love you too," he whispers between kisses, over and over again, until the words almost lose meaning - but these words could never lose their meaning when they come from him.

  In the years to come, they always bicker about who was the first to say it. Sebastian says that writing doesn't count - that his words are the ones that decide who is the victor in this small argument - but she always just smiles at his insistence, knowing that he's kept her letter tucked inside whatever book he's reading since it first fell onto his lap.

[akiacia]

some of the right words

[redshoes-blues]

By the way, Will is explicitly written not only as a gay character who is in love with his best friend, but also as a character who grew up believing that he’d never fall in love. He’s someone who still believes that he doesn’t deserve to be loved, because he feels like his feelings are a mistake. This isn’t the type of character arc that will end with him watching the only person he has ever expressed interest in, the boy he’s in love with, be with with someone else. That wouldn’t be satisfying for viewers, wouldn’t make sense for Will as a character, and it would be needlessly cruel. In a story focused on demonstrating why society’s outsiders deserve love and acceptance, he’s going to find just that. It’s the only end for him that fits with his arc and the show’s narrative themes. To have it end otherwise is terrible writing.

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[mauraeyk]

RUBY BELL AND JAMES BEAUFORT 1.06 | Maxton Hall

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[thilsiktonix]

small little doodle page for you @niceguyanonymous !!!!!

((I tried my best, I'm not a very good writer, but I hope you like it <33 sorry I didn't put too much detail into this one, I wasn't sure how exactly to interpret it!))

[fandom-geek]

i think the thing that really gets me about pre-canon durge is their absolute sense of duty, and their utter isolation outside of the cult of bhaal.

most of the cultists seem eager to see durge upon their return, and one even says they were the first to feed him flesh. gortash tells them of an exhibition of a bhaalspawn's corpse and another bhaalspawn's creations and durge immediately plans to attack the hall of wonder to recover them. they then apparently entrust said bhaalspawn's corpse to sceleritas fel to "restore" through taxidermy. they deride orin for her artistry with corpses explicitly because "bhaal will never care" and because orin "[does] not understand lord bhaal".

even their infamous prayer for forgiveness is framed around their absolute submission to bhaal's plans, and the crime that requires forgiveness? admiring his rival's chosen. that's one line, and the next three paragraphs are swearing to carry out his plan exactly as they've been told to, all for his forgiveness.

hell, even their room reinforces this. orin has barely touched the place aside from installing her mother's corpse and her manifesto - and that is some of the only decoration. what was it before orin, an empty room with skulls, a bed, a desk, some chests and a wardrobe?

the durge didn't have any semblance of a life outside of bhaal, aside from gortash. and is it any surprise? the only other hint they ever had a life outside of the cult is the flashback of kid durge murdering their adopted family, all thanks to their father's urging.

bhaal even tries to force them back into isolation after they've been tadpoled by forcing them to kill alfira, and then trying to force a durge who resists him to kill their lover. if they continue resisting, bhaal kills them. bhaal will not allow them to have a life outside of him and, if it weren't for jergal, he would've succeeded.

[tobyisave]

the new crystal temp