#//frankie is also his 'cover name' in his angel verse

[underno9]

Open Starter

It was like most other days in the shop. No customers, no new deliveries... nothing much at all to do. But Frankie was there, as he always was. Day in and day out, he was there. Taking stock, dusting, rearranging... anything he could to pass the time.

Today he had bought in a small record player and had the soundtrack to 'The Producers' stage musical playing quietly as he went around cleaning.

The music had gotten a few songs in (track 5, to be exact) before Frankie had given into and began to sing along. A few lines more and he was singing louder and beginning to dance around as he continued to clean.

In his own happy little world and never expecting anyone to walk in the door.

[dweemeister]

2018 Movie Odyssey Award for Best Original Song (final round)

TAGGING: @cokwong, @dansmonarbre, @dog-of-ulthar, @emilylime5, @fredsbarandgrill, @halfwaythruthedark, @ideallaedi, @introspectivemeltdown, @itsjustangc, @loveless422, @maximiliani, @memetoilet, @mindo80, @monkeysmadeofcheese, @myluckyerror, @nazur, @phendranaedge, @plus-low-overthrow, @saucy-witch, @shadesofhappy,��@somequeerdistortion, @stephdgray, @themusicmoviesportsguy, @umgeschrieben, @underblackwings, @yellanimal

Also TAGGING older followers/friends/supporters who I really haven’t been in touch with lately, have done the final before, or are on the inactive side. And also some newcomers who have been supporting the blog a lot: @astorytellertothestars, @babeltwo, @celibatemachine, @classwarhooligan​, @dakotarosie, @emergencyhugs​, @haveyoubeentobahia​, @ineedanumbrella​, @jayb3​, @justtheguest​, @mundi41, @nudehearth, @sadisticsunglasses​, @shootingstarvenator​, @thenarddog, @thethirdman8, @thewolfofelectricavenue​, and @voicetalentbrendan​!

And now the grand finale. For those of you who have never seen this before, I have an Oscar-like ceremony on my blog celebrating all the movies of that year’s Movie Odyssey (all the movies I saw for the first time in their entirety) at the year’s end. For the last four years, I have asked family and friends to help out with the Best Original Song category - because in all other categories, you'd be forced to watch entire movies to decide it. This is a musical thank-you to all of you, who have contributed, in your ways, to support the Movie Odyssey and me. Please do not feel like you have to do this; there are no hard feelings if you do not participate, and you have my thanks either way. But if you are, I hope you enjoy this 2018 edition!

This final round has the largest chronological spread we have ever covered: eighty-eight years. Songs in English, German (making its debut), Hindi, Japanese are all involved. A Vietnamese-language song made its debut for MOABOS, but was eliminated in the preliminary.

INSTRUCTIONS Please rank (#1-16) your choices in order. The top ten songs will receive nominations. Be warned, there is a new tabulation method for this year's final (described in the "read more" at the bottom). There is no minimum or maximum amount of songs you can rank, but because of the nature of this new tabulation system, it is highly recommended to rank as many songs as possible, rather than only one or two. Those who rank fewer songs run a greater risk of their ballots being discarded as I am counting the ballots. Again, this is all described in the "read more". Why not implement at a minimum number of songs to rank? Well, I believe in giving you folks as much freedom as possible.

Please consider to the best of your ability: how musically interesting the song is, its lyrics, context within the film (if you've seen it - this factor also includes integration into the film's score), choreography/dance direction (if applicable; not many song-and-dance numbers this year), and the song's cultural impact/life outside the film (if applicable, and by far the least important factor). Imperfect audio and video quality may not be used against any song, as this disadvantages older and non-English language songs. You may absolutely send in comments and reactions with your rankings - it’s always fun to read reactions to individual songs, and it usually makes the process (for everyone) more enjoyable!

The submission deadline is Sunday, December 31 at 6 PM Pacific Time / 4 PM Hawai'i / 5 PM Alaska / 8 PM Central / 10 PM Eastern. If you're across the Atlantic, that's New Year's Day at 2 AM GMT / 3 AM CET / 4 AM EET / 7:30 AM IST. There will be no deadline extensions.

And now the sixteen finalists in this category, for your listening pleasure (contextual blurbs are provided, and I hope they are informative; if links do not work there are most likely alternatives across the Internet but please inform me if that does not apply to you):

“Bless Your Beautiful Hide”, music by Gene de Paul, lyrics by Johnny Mercer, Seven Brides for Seven Brothers (1954)

Performed by Howard Keel

The opener to Seven Brides; its melody is used as the main orchestral theme throughout (most memorably in the barn dance scene). Oregonian backwoodsman Adam Pontipee (Keel) has little experience with society (let alone women), as he looks for a bride to take care of him and his six brothers in this satirical musical of gendered misbehavior - which pokes fun of, never endorses, said misbehavior.

“'Bout Time”, music and lyrics by Richard M. Sherman and Robert B. Sherman, The One and Only, Genuine, Original Family Band (1968)

Performed by John Davidson and Lesley Ann Warren

In this Disney musical, Joe Carder (Davidson) has convinced the Bower family to move to Dakota Territory. Joe is suitor to Alice Bower (Warren), their relationship complicated by her grandfather's politics. This song takes place on the first day in their new hometown, and before her first day at work at the schoolhouse.

“Candle on the Water”, music and lyrics by Al Kasha and Joel Hirschhorn, Pete's Dragon (1977)

Performed by Helen Reddy

Nominated for the Academy Award for Best Original Song

Nora (Reddy) has just tucked Pete in, not before describing the story of her long-lost fiancé (missing sea for over a year) to him. After being scolded by her father for clinging onto the past, Nora goes up to the lighthouse balcony to sing this.

“Chaar Kadam”, music by Shantanu Moitra, lyrics by Swanand Kirkire, PK (2014, India)

Performed by Sushant Singh Rajput (dubbed by Shaan) and Anushka Sharma (dubbed by Shreya Ghoshal)

Lyrics in Hindi (song ends at 16:20)

In Bruges in Belgium, an Indian Hindu woman named Jaggu (Sharma) has met a Pakistani Muslim, Sarfaraz (Rajput) - both are students. This is their love duet before her family objects due to nationalistic and (especially) religious reasons. Don't worry about the dude at the end - he's the one who got them together.

“Charade”, music by Henry Mancini, lyrics by Johnny Mercer, Charade (1963)

Performed by orchestra and chorus; conducted by Mancini

Used as main theme throughout this romantic comedy/mystery/suspense film. This song is more famous for its instrumental version without lyrics.

“Falling in Love Again (Can't Help It)”, music and German lyrics by Friedrich Hollaender, English lyrics by Sammy Lerner, The Blue Angel (1930, Germany)

Performed by Marlene Dietrich

(English-language version... excuse the badly-edited video) / (German original)

A college prep school professor is angry at his students for passing around photos of cabaret singer, Lola Lola (Dietrich), in class. In hopes to catch the boys at the club, he goes to the cabaret and is overcome with lust for Lola after seeing her perform this song. Their relationship will become toxic, based on his groveling and humiliations.

“Gunfight at the O.K. Corral”, music by Dimitri Tiomkin, lyrics by Ned Washington, Gunfight at the O.K. Corral (1957)

Performed by Frankie Laine (the above was re-recorded in the 1980s when Laine was in his mid-70s, so those familiar with Laine's voice will notice it sounds weaker)

Played in the opening credits, with additional verses sung during montage scenes across the film. Used as main orchestral theme in the film's score. This version of the song contains additional lyrics that can't be found online.

“Hooray for Hollywood”, music by Richard A. Whiting, lyrics by Johnny Mercer, Hollywood Hotel (1937)

Performed by Johnnie Davis, Frances Langford, and Benny Goodman and His Orchestra

Considered an unofficial anthem of Hollywood. Usually played at least once in every Oscars ceremony and other movie awards ceremonies worldwide.

Small town saxophonist Ronnie Bowers (Dick Powell) has just won a contract with a major Hollywood studio. His friends and former employer, Benny Goodman, arrive at the airport to send him off. The lyrics are meant to satirize what people do to become famous as actors.

“Hum Aapki Aankhon Mein”, music by Sachin Dev Burman, lyrics by Sahir Ludhianvi, Pyaasa (1957, India)

Performed by Guru Dutt (dubbed by Mohammad Rafi) and Mala Sinha (dubbed by Geeta Dutt)

Lyrics in Hindi

Broke poet Vijay (Guru Dutt) encounters his university ex, Meena (Sinha), who is now married to a hotshot publisher who won't publish Vijay's work. Vijay then has a flashback, and within that flashback is this foggy fantasy song-and-dance sequence. Flashback-ception?

“It's Not Easy”, music and lyrics by Al Kasha and Joel Hirschhorn, Pete's Dragon (1977)

Performed by Sean Marshall and Helen Reddy

Pete (Marshall) and his dragon, Elliott, are on the run from his abusive foster family. The lighthouse keeper and his daughter, Nora (Reddy), take Pete in. Nora has not met Elliott yet, and believes that he is Pete's imaginary friend.

"Love Is a Many-Splendored Thing", music by Sammy Fain, lyrics by Paul Francis Webster, Love Is a Many-Splendored Thing (1955)

Non-film version performed by Nat King Cole; film version performed by chorus (and is unavailable)

Used as main orchestral theme throughout this romantic drama's score; version with lyrics sung by chorus first appear at the end of the film.

"Mystery of Love", music and lyrics by Sufjan Stevens, Call Me by Your Name (2017)

Performed by Stevens

(single version) / (use in film; song isn't played in its entirety)

This song appears as the film's main characters, Elio and Oliver, take one of their many day trips in this Italian summer.

“Rain”, music by Shin'ichi Nakajima, Saori Fujisaki, and Satoshi Fukase, lyrics by Saori Fujisaki and Satoshi Fukase, Mary and the Witch's Flower (2017, Japan)

Performed by Sekai no Owari

Lyrics in Japanese (rough translations)

Appears in the end credits; this song is not referenced in this anime fantasy's score (but like the score, there's a prominent and unusual use of a dulcimer).

“Shallow”, music and lyrics by Mark Ronson, Lady Gaga, Anthony Rossomando, and Andrew Wyatt, A Star Is Born (2018)

Performed by Lady Gaga and Bradley Cooper

Aspiring singer-songwriter Ally (Lady Gaga) has fallen for declining artist Jackson Maine (Cooper). At one of his concerts, he begins to put music to a song she sung to him in a parking lot, inviting her onstage.

“This Is Me”, music and lyrics by Justin Paul and Benj Pasek, The Greatest Showman (2017)

Performed by Keala Settle and company

After being shunned from a dinner including P.T. Barnum’s wealthy sponsors for his circus, the circus "freaks" sing this ballad which eventually becomes a montage, refusing to put up with those harass and put them down.

“You're the One That I Want”, music and lyrics by John Farrar, Grease (1978)

Performed by John Travolta and Olivia Newton-John

At the post-graduation high school carnival, greaser and bad boy Danny Zuko (Travolta) is stunned to see his relatively restrained, somewhat prudish, girlfriend, Sandy (Newton-John), committing to change herself for him to win him over.

Well, have at it! And thanks for your time and consideration! You may submit your responses in any way, as long as they come in before the deadline. I am free to answer any questions about anything you have about the process. The 2018 Movie Odyssey has been a rewarding one, and I have been glad to share it with you.

TABULATION Like the preliminary... a respondent’s first choice receives 10 points, the second choice receives 9, the third choice receives 8, etc. HOWEVER, the points system is used only for tiebreaker purposes.

The way the winner will be decided is through a process called instant-runoff voting (IRV; the Academy Awards uses this method to choose a Best Picture winner, visually represented here - you should really watch this video if the below doesn't make sense... which it probably won't):

All #1 picks from all voters are tabulated. A song needs more than half of all aggregate votes to win (50% of all votes plus one... i.e. if there are thirty respondents, sixteen #1 votes are needed to win on the first count).

If there is no winner after the first count (as is most likely), the song(s) with the fewest #1 votes or points is/are eliminated. Then, we look at the ballots of those who voted for the last-placed song(s). Their votes then go to the highest-remaining (non-eliminated) song on their ballot.

This process (in #2) repeats until one song has secured 50% plus one of all votes. We keep eliminating nominees and transfer votes to the highest-ranked, non-eliminated song on each ballot. NOTE: It is possible after several rounds of counting that respondents who did not entirely fill in their ballots will have wasted their votes at the end of the process. For example, if a person voted the second-to-last place song as their #1, ranked no other songs, and the count has exceeded two rounds, their ballot is discarded (lowering the vote threshold needed to win), and they have no say in which song ultimately is the winner.

A song wins when it reaches more than fifty percent of all #1 and re-distributed votes.

Tiebreakers: 1) first song to receive 50% plus one of all #1 and transferred votes; 2) total points earned; 3) total #1 votes; 4) placement on my ballot; 5) placement on my sister’s ballot; 6) tie declared

Previous years’ results for reference: 2013 final 2014 final (input from family and friends began this year) 2015 final 2016 prelim / final 2017 prelim / final