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unitedfrontvarietyhour · 2 days

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Those goddamned flags are everywhere at work. Makes me want to puke. Well, more so than usual.

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rainbxw1derland · 2 days

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#old web imitation #old internet #old web #webcore #the matrix #web graphics #my core #my text #animated text

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synthient · 2 days

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Matrix parallels aren't the only or primary lens to read this movie through. But I gotta do the special interest shuffle (spoilers for I Saw The TV Glow throughout):

We get at least one overt matrix reference, which is the bit where Owen's movie theater is showing a sci fi movie where humans have been driven underground after machines took over the surface

There's the obvious thematic overlap of "is reality real," "are my memories real," "to what extent is my reality shaped by information/entertainment technology," "is there an Outside to escape to," "would I want to if I could," etc.

The pods and the coffin. "What if I was something powerful and beautiful, suffocating"

There's also some interesting overlap with matrix 4 specifically re "what's the line between transition and suicide," "to what extent is transition a kind of death," to what extent is not transitioning a kind of death." Along with the general stuff around nostalgia and mythologized source materials and hauntology (a term Schoenbrun has used in interviews & that I first heard in a matrix 4 podcast, lmao)

The pods and the heart/luna juice sequence both posit Being Made To Live Like This as a visceral bodily violation

Tv glow is maybe more cynical about the possibility of a true Outside/alternative to the system. Though Zion turns out to not be fully "outside." And Maddy's vision (of a slightly more magical suburbia that still can't escape the confines of "the county") is probably supposed to be less The Only Vision, and more filtered through the lens of someone young and very early transition. Generally though, tv glow is much more focused on interiorty and personal transformation (or lack thereof) than overt politics, although a critique of capitalist suburbia is certainly the background radiation

Also interesting, I think, that "how does kitsch and 'bad art' shape our identity formation" becomes a central question of the later Wachowski oeuvre. And something that's always been present in their work--and has maybe been one of the most polarizing things for viewers--is the combo of "we want to make serious art, And we want to make the kitsch we adored growing up. at the same time." The pink opaque conceit perhaps manages to draw enough of a boundry between The Art and The Kitsch to head off some of the confusion and frustration re "how much of the kitsch is intentional, and how much is an attempt at serious art that failed"

The Family (and the whole concept of having loved ones to leave behind) is basically nonexistent in the matrix trilogy, and Just Evil Robots Don't Worry About It in 4. Tv glow gets much more into this. Though both the saintly mother & and the monstrous father equally serve to keep you trapped, in the end

Anyway. Perhaps the matrix has shaped the entire concept of "trans cinema" to the extent that you kind of have to engage with it on some level. Perhaps it's simply that We Are All Having The Same Thematic/Philosophical Preoccupations. All very interesting regardless, to me

#i saw the tv glow #the matrix

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absolutelybatty · 2 months

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