#len speaks

[kenobihater]

tragedy enjoyers when a character perpetuates the cycle of violence they themselves were a victim of

[shibalen]

Okay!! I think I'm gonna open matchups again after all (yay?)

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[rubberduckyrye]

Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.

It's about how Gonta is treated by the fandom.

As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.

You all need to stop being ableist towards Gonta.

I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.

But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.

This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.

First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.

There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.

Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.

This is further clarified here:

It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...

It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.

He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?

Because Gonta is a young man.

Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)

I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.

To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.

But.

You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.

This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.

So again, ask yourself this: Why are you treating this young adult like he's a toddler?

[hetaari]

So apparently miku expo has these unofficial after parties and someone on twitter the vocaloid inspired drink lineup and I cannot stop thinking about how dirty they did kaito 💀

Like yea I understand the need for something non-alcoholic but come on you can do better than a measly ass bottle of water lmfao

[hydrachea]

Took a shot at translating and typesetting this short comic by @k4m-golden! A great many thanks to them for allowing me to share it!!

Original comic here on their tumblr, among others from the same doujin.

(read right to left)

[pantherloid]

💬

[atissi]

okay very preliminary thoughts on mitski's new album BUT i think there's something with how "laurel hell" felt like a goodbye to the music industry (can't find the source but i remember reading that it was intended to be her last album under her contract) like i'm sorry anthony fantano but if you interpret the back half of "laurel hell" as being generic breakup songs you're missing like 80% of the context. to me TO ME it feels so clearly about her negotiating her relationship with fame, how she can't love her fans the way they love her, and how she feels like she sold her soul to her job, so the only thing to do is step away. but THEN "the land is inhospitable and so are we" was created after mitski decided to renegotiate her contract, specifically because she loved making music enough to deal with the negative aspects of the work. and then all the songs are about the ghost of love she can leave behind, despite the present pain or emptiness, and like. do you see it. do you see it.

[alexkablob]

not to wade into discourse about shows online which I swore to stop doing but I think some of you need to recognize that not every piece of media is about you, and that focusing only on the themes that you personally identify with while erasing the ones you don't is Not Great

[kenobihater]

after literal years i finally got around to downloading a pdf of the wipers times, an unsancitioned satitical british trench magazine circulated among the troops in france from 1916-1918 after the fortuitous discovery of a printing press. i have approximately five million other things i need to read so idk when i'll be able to devote much time to it, and i gotta pick up a proper copy bc it's missing at least salient no 4 vol 2. that said? i'm genuinely laughing at what i've skimmed so far

[theplasticman]

if I said the Rusty Lake devs sold out and the franchise hasn’t been genuinely good since 2020

[shibalen]

♡ Hello all, I had a ton of fun with them but I am going to close the appearance matchups soon so I could finish the remaining normal matchups in my inbox! Appearance matchups are open until 20th of February, 23.00/11pm (UTC+2) so request if you want to and still can. People who have already requested are welcome!

[magnoliasandbeardedtooth]

thinking about the relationship between sif and the universe, and related theories / headcanons aka I listened to a song and I need to get these feefees out of me

this is a lot of prelude for something that can be shown with just the video clip, but I want to include all the strings that make up this knot

Its not explicitly stated, but I believe it's pretty clear that whenever sif repeats something three times while hoping for something (sharpening the keyknife, carving in general, praying to the change god statue in dormont), he is performing wish craft.

however, he doesnt repeat anything three times when getting the keyknife. he doesnt even need to pray to get it at all, the change god just gives it to him. they say themselves that they dont care for rituals. they never even take credit for the stat buff, they only take credit for the keyknife

when sif changes how they pray at the change god statue, their method more strongly resembles the ritual to make a wish at the favor tree (picking the one you like best), and as a result the buff gets better. it is the wish craft ritual that is the important part of the prayer to that statue, not the change god

one thing that IS explicitly stated is just how powerful wish craft is for those who know the rituals, and how dangerous it is in the wrong hands. between the disappearance of colors (Im pretty sure that was the result of a wish, I may be misremembering), the disappearance of the country, and the king being nearly successful in freezing all of vaugarde in time, it only takes one wish to take out massive chunks of the world at a time

we know that wish craft is very entwined in the culture of the country (the story written about in the journal is told as a cautionary fairy tale, the rituals themselves are so deeply ingrained in sif that the wish to forget the country did not restrict his memory of the rituals, and he can perform wish craft without even being fully aware he is doing it)

it seems reasonable to me that the reason for the country's disappearance was to hide the existence of wish craft and the rituals to access that power from the rest of the world. considering sif didnt even remember his culture AND had good intentions, and still nearly ended the world, seems like that concern is pretty well founded. however, thats not the important theory Im making this post about

the country has knowledge of wish craft in conjunction with worship of the universe. "the universe leads, we can only follow," "the universe willed it," seems pretty safe to say that sif's Universe is the "entity" that is granting wishes

the way wishes are described, they dont seem like something the universe grants based on who worships it. as long as you know the ritual, you get the wish. everyone is part of the universe, after all, worshiper or not

Admittedly, its a bit of a stretch to say that the universe as a collective force has any sense of empathy for human struggles. but using the change god as an example, as spiteful as they are to sif, and unsympathetic to anything other than a human's role in the concept of change, they still show a great deal of care and favor to mira, someone who loves them. it is possible for a deity to care for those that care about it

sif, despite no longer having access to his culture or why he cares about the universe, still loves the universe, very very deeply, just as much as mira loves change. the change god says that sif's deity will never answer him, but I dont think thats the case

and this is the important headcanon that I am making this post for

sif is performing the rituals, so he gets the wishes, simple as. but I feel strongly that his wishes getting granted in very small but noticeable ways, despite not knowing how or why hes doing it, is the presence of his universe helping him, caring for him, even when he doesnt remember it

the strongest evidence for this, and the basis for this whole thing, is exactly how euphrasie breaks down in act 5

at first I only really noticed when she laughs, it reminded me very much of how the change god, a being who uses sprites of other characters and has done a whole possession, laughed during their encounter. they and euphrasie are the only two that use anything other than "ha," and right after this laugh is when her breakdown pauses and she says the lines

"... Soon you'll be able to go back to your normal lives. Away from battle and strife. Finally, you'll all be able to go home!!!"

which, knowing the end of the game is coming, is incredibly relevant. very deliberate

before this pause, her breakdown seems pretty chaotic. the characters and the player are just coming out of one harrowing experience, and are clearly headed for another. the cohesiveness of this glitchy breakdown amongst a mess of the rest of the world doing the same isnt really high up on the list of priorities. none of the characters notice anything beyond the fact that reality is breaking, not even sif. it just sounds like scary nonsense.

but with the context of euphrasie being possessed to talk to sif, every single one of her lines makes perfect sense

(footage from Zhain Gaming on yt)

the universe is there its talking directly to him, it was there the whole time

the Universe loves Sif so much

[marysong-mp3]

midnights is not a breakup album but it is an album about examining new and old kinds of hurt which exist next to new and old kinds of love and how those things have and continue to impact your life and your relationships.

how have we gotten to where we are? where can we go from here? i miss you and i love you and i feel suffocated and i want no one else but you. when have i been here before? how do i get through this now?

[coldflasher]

anyway, thanks to that moment in the sound and the fury where barry is standing around watching with blank frustration like "god i wish i'd taken a language in high school" while hartley verbally eviscerates both cisco and eowells in multiple languages, i now headcanon that len speaks a second language, mostly cos barry would find it really annoying

[power-chords]

Logs on three hours later to blog about The Zone of Interest: I can’t expect viewers to pick up on cultural forms of representation they have no cause to even recognize (at least here in American English departments you still get Hellenism as the default). But I saw these reactions to the ending that were just like… oh, man. Like if there is one thing I could stress to anybody who watches the film and feels conflicted about that decision, or confused about the attitude of it, it’s to try to keep in mind the centrality of archiving in the Jewish consciousness. Telling/re-telling (inscribing/re-inscribing, producing/reproducing) as explicit meta-commentary — where you are being constantly reminded of the text’s own structuring and framework, its (re-)generation and interpretation across a living historical continuum — if there were an essential “mode” to Jewish narrative, that would probably be it. I think this is being lost on a lot of people. It’s also why reactionaries hate critical theory.