#karlie kloss

[pinkorchidsinspring]

Taylor dropping the tortured poets department CD’s with the bonus tracks “Down Bad” and “Guilty as Sin?” On the first day of pride month??

Between this and the fact that both Taylor and Karlie posted photos on insta wearing red dresses with “soon” in the caption? I fear it will be a long but very, very good pride month for the kaylor familia…

Happy Pride Month Everyone 😘

Let the chaos ensue <3

[karlieklosssourcee]

[lezliebrooke]

I hate it here...

So I will go to...

Secret gardens in my mind.

- TAYLOR SWIFT

[always-rolling-my-eyes]

Katy Perry in the VIP tent in Sydney while Karlie Kloss was in the nosebleeds in LA

Life comes at you fast

[omgthatdress]

I love that Karlie Kloss posting "looking camp right in the eye" and then wearing her horrible ill-fitting gold tube minidress with water wings look has gone down in Met Gala history, but when you think about it, the instagram post paired with the terrible dress was camp AS FUCK maybe we should be re-evaluating.

[doingitbrokenhearted]

oh my gosh I actually might cry looking at the ttpd “in summation” because

The handwriting is cute, right? But wait…

Lovers spend years denying.

In swooping, sloping, cursive letters.

🥹

[the-1ast-time]

NO YOU DONT UNDERSTAND LOOK HOW HAPPY THEY WERE TAYLOR HAS NEVER LOOKED THIS HAPPY EVER IN THE PRESENSE OF A MAN

like i'll seriously never be able to get over the difference

[falsecardigan]

The straightest Taylor Swift songs

1.Betty: Writing a song about yearning for a woman is such a hetrosexual thing to do.

2. Marron: Yes because most straight men have scarlet lips.

3.Wonderland: It’s a complete coincidence that Diana had her wonderland tattoo removed right after this song was released. 

4.The Man: Because most straight women wish they could brag about getting bitches and models.

5.Don’t Blame Me: I don’t know what you're talking about being in a straight relationship is totally falling from grace.

6.Hits Different: Because wanting to melt another girl's world is extremely straight.

7.Dress:  Wanting to date your best friend is such hetrosexual behavior right? Right?

8.Gorgeous: Because it makes total sense why it would be worse for a man to not have a girlfriend than to be single.

9.Now That We Don’t Talk: Because it’s completely logical for “Truth is I can’t pretend it’s platonic it’s just ended” to be written by a straight woman about a straight man.

10.Daylight: “I used to think love would be black and white but it’s golden.” is such a straight lyric to write.

11.I Know Places: Because every straight person has to worry about people finding out about their relationship with their partner.

12.End Game: Because her being in a relationship with a man no ones ever heard of would be a big conversation.

13.Illicit Affairs: Again having to hide a relationship is such hetrosexual behavior.

14.Question: Because a hetrosexual relationship is totally going against gender norms and is not at all considered suitable and right

15.Ours: Because most hetrosexual couples have to deal with people disapproving of their relationship.

16.How You Get The Girl: Because most straight women are extremely familiar with how to get the girl. 

17.Out Of The Woods: “The rest of the world was black and white but we were in screaming color” is such a straight lyric you guys.

18.All Of The Girls You Loved Before: Because “all of the girls you’ve loved before made you the one I’ve fallen for” makes total grammatical sense for it to be about a man.

19.Glitch: Because it’s so common for a straight relationship to start off as them supposed to be just friends.

20.The Very First Night: Because there is no reason as to why “they don’t know how much I miss you” breaks the whole flow of the song.

[pinkorchidsinspring]

Her lips 110% formed a SH- not a you-

For those of you who may not know, the lyrics to long live here are : “promise me this, that you’ll stand by me forever.”

Not let me look at my secret wife and say “promise me this, that she’ll stand by me forever”

Tree was probably like be subtle- and Taylor was like 🤭sure no prob

“That she’ll stand by me” “That you’ll stand by me”

[onceuponakaylor]

Taylor Swift planting the seeds of allyship in 2014

[ornithorynquerouge]

Amazing Karlie Kloss by Steven Meisel

[lezliebrooke]

- ATTICUS

[12triceratops]

Where the rubber meets the road.

These two didn't just have a relationship, they had a (soul)utionship. "The Prophecy" Hand on the throttle Thought I caught lightning in a bottle...

What these two had was magical. There is no debate that Karlie Kloss and Taylor Swift were electric: (I am using past tense for the moment, I will refer to them in present tense a bit later in the post)

Fast forward a decade later to Fortnight. This record did not hit me immediately the way "Folklore" and "Evermore" did, It has almost been a week since its release and I hadn't been fully onboard with TTPD. I was expecting something different, something not familiar and I had quite literally thought maybe Jack Antinoff and Taylor Swift had reached their limit together as collaborators. The music produced by Aaron Dressner had flavors and connections to "Folklore" and "Evermore," while parts of the album was reminiscent of "1989." My next thought that maybe the three of them had done all they could do.

And then the Matty Healy conversation exploded across the net (le sigh), and I just about gave up on the record.

I damn near had a sanguinary struggle within myself over The Tortured Poets Department (I know, that is very dramatic lol), and then I finally got it. The brilliance of this woman is unmatched.

The last song "The Manuscript." Now and then she rereads the manuscript Of the entire torrid affair

"The entire torrid affair" meaning the last decade (probably longer, but I am sticking with 2014-2024). The title isn't lost on me and many others - The Man-U-Script.

The last segment of the song

The only thing that's left is the manuscript One last souvenir from my trip to your shores Now and then I reread the manuscript But the story isn't mine anymore

She is closing the chapter on all of it. It's over, the countless theories, the stories we all have created about her. They're our stories now, we built them into a formidable, monstrous entity that took on a life of its own. "The last souvenir" are her words to us on this album. From the Swifities, to the Gaylors/Kaylors, to the haters, critics, industry, fans, media. She won't play this game anymore. Taylor gave enough clues on this album to make EVERYONE'S theory plausible (Karlie, Joe, Matty, Travis, Harry, Kim etc). She connected threads to come full circle, which brings us back to "1989," that 1980s syth-pop (hello! "I Can Do It With A Broken Heart"). This is why she and Jack Antonoff brought us back to where it all began, Karlie Kloss and #Kissgate (Dianna Agron, too, who can forget "Wonderland). Aaron Dressner summons moments within this records of the two albums that fractured my soul, F & E. That folky-pop melody that gets into your skin to change the DNA. No joke, I sobbed listening to "Folklore" and "Evermore."

With TTPD, Taylor comes in like a thrashing, tumultuous storm; at times seething and others admonishing. She is singing to herself, for herself and without need of approval from the mainstream radio (or anyone else). TTPD is messy, too much, not enough, vulnerable, real, relatable and she is tired of our collective shit.

Back to "The Manuscript" This Era has come to an end and she is leaving us with the ruins, the aftermath of what she went through: being forced to hide who she really is, having to placate the rabid fans who believe the stories of every boy she has ever dated. She has had zero privacy and the only safe place Taylor has ever had was her music, she is the ONLY one who knows to whom she sings. Does she love her fans, of course, but Mother is tired and done. She is ready to come clean and live the life she has crafted to keep in secret in order to protect the innocent.

The beards, NDAs, slight of hand, she is smashing all that we know. It's not her reflection she seeks to shatter, it's the illusions. In "Fortnight" the nurse, a woman (cannot convince me that it's not Karlie. A doorframe is 6'8" and that nurse is about 5" shorter that frame, which would make that person 6'3" :), comes to save her, gives her the key to set her free. The men in the video are the ones who are torturing her. Like the last 10 years, The poet has been tortured by the department of men: Joe, John, Conner, Jake, Harry, Calvin, Tom, Joe, Matty, Travis, Scooter, Scott, and the list goes on.

It's "Robin" that has got a choke-hold on me.

Buried down deep And out of your reach The secret we all vowed To keep it from you in sweetness

She is singing to a child, a kid, and I am going to say a little boy. Is this song about Levi? I am going to say yes. Hands down the gem of the album, and our cue to realize she is telling us what is next, her family, the loves of her life: Karlie and the kids. That is what she wants and that will be her next chapter. We struggle to interpret the Taylor that is always ten steps ahead of us. Her Eras Tour, this will be the last one for a while. Once it has wrapped, I wouldn't be surprised if she disappeared for a spell. Will she produce more work, sure. Perform, probably, but this last decade has taken a toll, and this tour has been a herculean effort. Hence, its wild success. Could she retire (FLORIDA)? It's possible, but she would never tell us, we would have to figure that out for ourselves.

I have more to say, but it's late and I am sleepy. As I get lost in the piano of "The Manuscript" I am reminded of the book "The Seven Husbands of Evelyn Hugo"

Not sure if anyone is going to see or read this, but I needed a place to write my thoughts about this extraordinary album that I almost let slip through my fingers. Good night and sleep well everyone <3