#he was joking with us btw

[pizzaboat]

I just remembered something a lecturer said when we called him neurotypical

He was like "fuck you! Do you have any idea how hard it was to get diagnosed adhd in the 80s?!"

Anyway, Eda has that energy

Like "fuck you. I am adhd and I don't need a fancy diagnosis to prove it!"

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[villainsandvictimsalliance]

A reminder that Spinner canonically compares himself to Dabi and feels inferior to the rest of the League of Villains.

Part of the reason he allowed AFO to manipulate him is because he wanted to be reliable, as in he wanted to be stronger to be of use to Tomura. So again, he's canonically kinda jealous not only of Dabi's quirk, but of him as a person.

[p4nishers]

no really ALL im saying is if aziraphale was infront of ME and me only and even gave me a smallest amount of attention i would've already confessed right there. wouldn't have taken me 5 minutes let alone 6000 YEARS. nuh uh. especially if he slutted me out while dressed like THAT in 1793 or rizzed me up in 1941. i may be oblivious but im not dumb as fuck and i would've taken THE FUCKING HINT. unlike SOMEONE. ugh if only i was in crowley's place this shitshow wouldn't have taken more than aziraphale's eyelashes to flutter once and i'm done for the wedding is already in full swing oh lookie here a priest appeared completely out of nowhere how odd how mysterious!! anyway we must not waste this opportunity let's just get over w it for completely normal regular reasons YEP!! nothing to see here just a perfectly regular every day wedding !! like come on man atp u gotta blame urself for wasting opportunities like that

[project-sekai-facts]

Maybe I dreamed that up but did you have a post about Tsukasa being repulsed by romantic plays? Or something like that? I swear I've seen mention on that somewhere but i don't remember where...

repulsed isn't the right word but he has a habit of writing unnecessary amounts of violence into romantic plays.

in kamikou festival, his adaption of R&J involves a bunch of romeos engaging in a violent battle over juliet, and generally puts much more of a focus on the violence and action than the romance. he does it again in Emu's wedding card story where he suggests killing every character that gets in the way of the wedding in Emu's play.

also in kaito's mermaid card story he writes out the romance part of little mermaid, however the reason given for this change in the main Mesmerised by Mermaids story is that wxs' version of The Little Mermaid is simply a homage due to the original tale being too tragic for their audience of young children (also there's a certain out-of-universe reason why wxs never does romance plays).

tsukasa likes violence.

[literallyjusttoa]

Here’s what Meg got Apollo for Christmas

(Apollo got Meg an ancient sword and curse of Delos seeds, but I sadly cannot find picture of that ;-;)

[sysig]

Wuh oh (Patreon)

Bonus:

The novel experience of being crushed by a giant rock, a visual metaphor

[hollownest-whore]

I'm pretty sure I've already made a post about cannibalism in hallownest but it still fascinates me the difference between a person bug and a food bug. You could say sentience but a good amount of bugs that are simply scurrying around have thoughts (dreamnail) and once tumblrblazed by the Radiance every bug tends to have narrow and simple thoughts, something else I froth over

The Deepnest bugs (are implied to) eat people, or do they eat bugs, is it out of disrespect of their humanity, or the culture. There could be a natural foodchainare aspect but maybe PK influence disrupted the structure. Are nosks people? I'd love to know what's up with nosks

Bugs were capable of thought before PK (tribes and communities existed before him or WL took power and the Radiance mothtribe seems very advanced) so it could have been a way of life where "cannibalism" had no definition. Imagine the furious debates PK got up too about citizenship and laws, god I love that silly colonizer worm

[aetherdecember]

Look, I love BBC Merlin and how they told the lore, but I’m a sucker for the relationship between Arthur and Mordred in the mythology. Specifically, I love how Mary Stewart (author of The Arthurian Saga**) and Nancy Springer (author of I Am Mordred**) wrote about the father/son relationship between them. So naturally, my brain has been conjuring up how I can include that in my Flipping the Coin au.

Since the main premise is Merlin died/Arthur lives, and now Arthur is the one waiting for Merlin to come back, things would stay consistent with canon up to the last episode (when Merlin flips the coin of their destiny and sacrifices himself so Arthur can live and thus stop Camlann from happening altogether). Which is where this idea will start:

Gwen is barren. She and Arthur never have kids. Eventually, everyone Arthur knows and loves dies. He can’t rule Camelot forever, and after Gwen’s death, he no longer wants to, so he fakes his death and wanders off figure out why he’s still here. He never gets an answer for that. Arthur spends the next millennium waiting. He keeps living. He meets people, experiences things he’d never experienced before, and learns things he’d never dreamed of learning. He can’t stay anywhere long, or else suspicions will rise, but he gets to see the world change, how technology advances, and witness humans continuing to be humans. When war breaks out, he joins the battle. It’s familiar. The rush of adrenaline is the same whether he’s wielding a sword or a gun. Only, he can’t see the enemy’s face anymore.

Peace comes again. At some point, he sleeps with a woman, and she happens to become pregnant. Bisexual disaster that he is, he’s had all sorts of partners from both sexes, but has never had this happen, even before the advent of reliable birth control. Later, he’ll learn her name is Morgause. She doesn’t look like the Morgause he knew before, nor does she act like her, but her name haunts him. After the baby is born, she gives him to Arthur, says she has no intentions of being a mother, and leaves. The last thing she had said to him was the baby’s name.

Mordred.

That night, Arthur holds Mordred and weeps.

There is irony in his son being named Mordred. First, in that the legends surrounding him, Merlin, Camelot, the Knights of the Round Table, and all of it, had long ago decided Mordred was his son. And two, in a retelling of that legend, it had aptly phrased what he sensed was happening now. Granted, he isn’t a sorcerer, he doesn’t have magic, so he can’t support his feeling with anything other than he’d been around a long time and knew to his very core that it was true. Mordred’s birth is a signal of the beginning of the end.

Fatherhood brings him a new sense of purpose. Gone are the days of loneliness and drudgery. Every day with Mordred brings a new light into his life. Each smile is a miracle. Seeing Mordred experience things for the first time brings a new appreciation. Being there to watch him grow makes time fly like it never has before. But Arthur is afraid. He doesn’t want to be his father. He doesn’t know how to be a father, or what the right way to do it is. In all the years he’s been on the Earth, he’s never known a man who could concretely say, “This is the way to raise a son,” and actually reap the fruits of their efforts. Too frequently, he’d seen sons grow outside of the visions their fathers molded for them and receive only disappointment and disdain in return. So he was afraid, because he too had been that son.

*cue a series of fluffy father/son one shots of Arthur raising Mordred until Merlin comes back, takes one look, and is is like WTF????? No, I won’t have Mordred for a step son >:(*

**Mary Stewart and Nancy Springer have several other works, not just the stories I mentioned. The ones mentioned are the ones I’m pulling inspiration from ^^

Additional notes below the break:

Guinevere’s barrenness is not a headcanon I typically subscribe to for BBC Merlin. My headcanon is that after Arthur’s death, Gwen gives birth, and their child eventually succeeds her as ruler.

I’ve always seen Mordred’s appearance as the harbinger of Arthur’s downfall. Thus, the reason for the plot bunnies in my brain going crazy with this idea of how I could bring him in, still remain mostly canon compliant with BBC Merlin, and build off some of my favorite parts of the lore. (Mandatory disclaimer: for BBC Merlin, I don’t headcanon Mordred as Arthur’s son. But for the mythology, I do wholeheartedly support that canon.)

Arthur’s choice to participate and live once Camelot is gone is a decision to contrast my headcanon of how Merlin handled it. I don’t think Merlin thrived. I think he stayed busy, and tried to remain hopeful, but I think he was anxiously consumed with the anticipation of wondering when Arthur would come back. In this au, Arthur may or may not know that Merlin is supposed to come back (I’m still working on that detail), but he’s always been around others. I think he would seek camaraderie, and companionship, and that he would connect with others but only to a superficial level. I don’t think he’d exist in a void of loneliness. Plus, he doesn’t have the guilt of knowing he failed because the pressure from the prophecy is very one sided *coughcough*causemerlinnevertoldhim*coughcough*

Anyways, that’s enough rambling from me about this. I’ll probably share some snippets of writing next because there are some fantastic scenes coming together in the draft so stay tuned! ;D

[milkbreadtoast]

o yeah btw i liked these guys from the latest crk update..... detective gays.... macaroni and cheese....🤭

[puppyeared]

Doodles from stream

[lunarharp]

when an obsessed orufrey person plays ace attorney for the first time in a while

[kuzunoha-xiv]

im just saying

[echosluvr]

just remembered none of the milkovich siblings , ESPECIALLY mandy and iggy, were at the gallavich wedding guys its kinda over

[dennistakesamentalhealthday]

dennis is an angry character btw im sorry but he is full of rage but that rage is not exclusive his anger does not negate sadness and fragility and insecurities in fact they work together and dtamhd was one of the first times where his anger was not used as a joke via a surface level rage explosion from him but instead explored the fragility of his anger. the way he keeps reassuring the workers he encounters (and himself) that he's not mad. when he tells daisy he's not mad but he is a little bit upset. dennis is angry and that anger is what makes him so fragile. he was upset and it manifested as rage bc he doesnt know what to do with his own sadness

[gh0stz404]

"our grandpa made a respectful gay joke? i didn't know he knew how to do that!" -me when my grandpa makes a respectful gay joke

and the joke, for those of you who might be curious: "Someone told me my jacket looked gay, and so i told them "it just came out of the closet!""