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comidyye · 6 months

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HAIII HI IM ASH !!! im a TEENAGE brain surgeon FANARTIST whoo Also likes to make SH🥩Tposts and Edits here an theRRe !!!

they / He ★ minor ★ neurodivergent ★ excluusivly english Srry!!!

I USUALLY ONLLY REALY POST stuff about my CURENT HYPERFIXATION !!! My twitter IS pretty Dead rn And On tiktok (SAme @) I uslly post edits / memes!! CONTENT ⚠️ : ART MAY INCLUDE (TAGGED) GORE /BODY HORROR /BLOOD /EYESTRAIN .. anything suggestive is highly UNlikely However

ART: #doodle ★ RANDOM: #rambljngs

HERESSZ SOME OF my Strong Recent / curent fixations! ALSO : WHen i Fixate on a series i Usually have one character Im Obseszed w/.. I wil List them 2 !

★ resident evil ( rebecca, leon, hunk, stars wesker) ★ slashers/slasher adjacent (martin (77), billy lenz, leslie vernon, henry barrow)

★ spooky month ( bob / dexter) ★ yu-gi-oh [ s0 & dm ] ( ryou / s0 yami yugi) {reoccurring} ★ fnaf ( glitchtrap, vanny, funtimes, springbonnie) {reoccurring} ★ wii deleted you ( henry morris) {short} ★ kirby ( marx) {reoccurring} ★ animatronics - All kinds!! halloween/scary, old kids bands, theme parks ( rockafire explosion, circus playhouse band) ★ smile for me ( dr habit) ★ childs play franchise [ 1-2, 7] ★ super paper mario ( dimentio) {reoccurring} ★ welcome home - eeh... ( wally / eddie) ★ madness combat ( tricky)

"SO WHATS WITH THE CLOWNS">!>???????/

CLOWNS ARE PROALY MY BIGEST SPECIAL INTEREST! I KEEP A RUNNING LIST OF ALL THE FICTIONAL CLOWNS I KNOW. i have a google doc with MOST of them However the list is originally made/updated in Discord so the doc is likely an inaccurate count of the clowns. LAST CLOWN COUNT TOTAL: 178 CLOWN DOC If you know a clown not on the list send me their name thru The ask box Please! Fictional clowns from established series only - no ocs or anything !

OTHER INTERESTS NOT PREVIOUSLY MENTIONED CAUS holy moly thhrz a LOT

IN GENERAL : obscure, surreal, crreepy stuf !!! ... I <3 HORROR. ONE OF MY favorite things ever is cannibalism !!! Its super neat how versatile it is in media fiction-wise, and i like learning history and stuff around it too. i only think its a really cool thing in fiction though, dont.. im not weird <3

GAMEZ : DAY SHIFT AT FREDDYS(!), rhythm heaven, Klonoa, NiGHTS, um jammer lammy, splatoon, Omori, Balan wonderworld, undertale, deltarune, needy streamer overload, dropsy, FAITH: the unholy trinity, league of legends(ONLY FOR FIDDLESTICKS AS A CHARACTTR-I DONT PLAY), killer frequency, happy hills homicide, 1996 resident evil

SHOWS/SERIES : dont hug me im scared, the walten files, BUGBO, Ena, My little pony, kaiba(2008), tokyo mew mew, devilman ovas, milky way & the galaxy girls, the amazing digital circus, bee & puppycat, over the garden wall, infinity train, garfield & friends, gloomy bear, tokyo mew mew, wordgirl! MOVIES/MUSICALS: ride the cyclone, mean girls(musical), rocky horror picture show, trick r treat, re-animator, killer klowns from outer space, inu-oh, benny loves you, day of the dead(for bub), house of 1000 corpses, behind the mask: the rise of Leslie vernon, black christmas (1974), martin (1977), texas chainsaw franchise + chucky franchise CONTENT CREATORS: MARRKIPLIIER, JERMA! failboat, Dougdoug, dead meat, wicked masters, dawko, ANDY LAND, Itemlabel, CHRBRG, j-gems, lumpy touch, matt rose, planet clue, RTGAME, ooftroop, astralspiff, vernias MUSIC ARTISTS: WILL WOOD & LEMON DEMON . ... Chonny Jash, tally hall, CREATURE FEATURE, ROB ZOMBIE, KMFDM, icp, that handsome devil, oingo boingo, nero's day at disneyland, rusty cage, maretu, the stupendium, MSI(....Eeh..), duran duran, mcr, american murder song, s3rl, stolen babies(!). i am a hereditary connoisseur of 80s new wave/alt

DNI UHHH JUST DONT BE A BIGOT?!?! + FUCK PROSHIPPERS .. Dont piss on people 4 Their Interests n OH Sfw interactions Only Please SO nsfw dni Thannkz.. Just puting that out there Just in case.

BOUNDARIES:? Just Use common SEnse i would Think !! i dont think im crazy chronically online - school comes First Unfortunately . But if yurr that inntreseted in becoming Friends juuss lemme know howevrr You want .. Even with my own friedns I don't talk a lot however so dont expect full convos from me All the Time

ASK BOX..? anything related to me Just dump in there !! questions r whatevaa ... art requests about my fandoms r on the table, but dont expect me to do them!! low chance but still, shoot your shot COMMISIONS? if yur interested Ask and im sure we can work something out somehow : o)))! i do have a cashapp, but i dont have set pricing and i wont accept all requests SHIPS/OCS N SHIT? i generally dont really have any ocs n dont Really selfship unless like Platonic - I'm not a big shipper but may have a rarepair here and there - Real chill shit REPOSTS/USING ART? tell me if Yoou want to repost something somewherer - even if i do give the thumbs up Credit is required!!!! Feel free 2 use my stuff as a pfp just don't claim it as Your own -- Give Credit if someone Asks . Bare minimum Stuff

FUN BLINKIES/ STAMPS/GRAPHICS N SHIT

WOWOAOAOWA YOU MADE IT THIS FAR WHO EVEN ARR YOU >!>???!?>??

WELL thank You 4 Coming By < 3333333 SEE U AROUND!!!!!!!1

#blog intro #HAIIIIIIIIII #cw blood #cw blade

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crusherthedoctor · 1 year

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💖 💙 🧡 📺 🎸 🎤 🎧 💡 🍡 ✨ 💫 🦔 👽🧍😘 ☺️🎙️ ✍️ 🤔 😳 🫡

It's a good thing I've already done half of these. XP

💖 Favourite Character?

Wow, that was eas-*BANG*

Seriously though, I cannot stress enough that the haha funny round moustache get a load of this the more the merrier man is my favourite character of all time. In anything. There are characters I like, there are characters I love, but Eggman will always have a special place in my heart.

I can enjoy different types of villains so long as they're fun or interesting. But we all have our preferences, and Eggman ticks every box on my personal list, and does so with effectiveness, hilarity, deadliness, and memorability. His themes are top class, his aesthetics are grade-A, his genius and creativity is legit, and ahhhhh he's so good. <3

Is it any wonder why I take issue to him being portrayed as a helpless fool? Or a defanged softie? Or a launch pad for other villains to piggyback off of? Or a Bowser-flavored father figure for characters who aren't even interesting on their own?

📺 Favourite TV show?

I assume the OVA doesn't count since it was a "movie", due to being tragically short-lived.

So by process of elimination, I choose AoStH. It's about as much of a non-Sonic cartoon as the rest, but for a Looney Tunes Lite, it is amusing most of the time, and it has Long John Botnik, so I gotta give it a pass. And while AoStH Sonic is… well, very Urkel, he was at least reasonably smart, which is more than can be said for his SatAM counterpart.

AoStH doesn't annoy me nearly as much as SatAM for its overwhelming influence that continues to this day with Archie and IDW, Boom for how everyone at the time overrated what was essentially a standard animated sitcom with Sonic characters shoehorned into the expected templates, and Prime for having an insufferably empty-headed Sonic, and everyone else being either unlikable or bland.

Underground is so forgettable to me that it loops back around to being a positive for it, since that means it doesn't actively piss me off enough like the aforementioned three, lol. As for Sonic X… I'm willing to give the first season a pass despite its heavy quantity of Chris, since I have some nostalgia for it, it has the unironically great and heartwarming Helen episode, and the questionable portrayals of certain characters (Eggman, Amy, Knuckles, arguably Sonic himself to a lesser extent) weren't as bad as they'd later become. Seasons 2 and 3 can fuck off though.

🎸 Favourite Stage Theme?

That's a certified Too Fucking Hard for me in a franchise that's full of bangers, so I'm gonna pick two zones/stages per game to make it only 90% difficult for me to choose instead of 100%.

Sonic 1: Star Light and Scrap Brain

Sonic 2: Hill Top and Wing Fortress

CD JP/EU: Quartz Quadrant Past and Stardust Speedway Past

CD US: Stardust Speedway Good Future and Metallic Madness Present

Sonic 3: Marble Garden and Launch Base

Sonic & Knuckles: Sandopolis and Death Egg

Fighters: Black Bed (Aurora Icefield) and Fire Stone (Giant Wing)

3D Blast Genesis: Rusty Ruin and Volcano Valley

3D Blast Saturn: Rusty Ruin and... the Special Stage

Sonic R: Can You Feel The Sunshine and Living In The City

SA1: Windy Hill and Tricky Maze (THIS ONE WAS EXTREMELY HARD TO NARROW DOWN TO JUST TWO)

SA2: Deeper (Death Chamber) and Space Trip Steps (Meteor Herd)

Advance 1: Ice Mountain and Egg Rocket

Advance 2: Music Plant and Techno Base

Heroes: Ocean Palace and Final Fortress

Battle: Holy Summit (arena) and Death Egg (arena)

Advance 3: Cyber Track and Chaos Angel

ShtH: Circus Park and Final Haunt

Rush: Ethno Circus (Mirage Road) and What U Need (Dead Line)

Riders: Metal City and Digital Dimension

'06: Aquatic Base and End of the World

Secret Rings: Let the Speed Mend It (Sand Oasis) and High and Broken (Levitated Ruin)

Rush Adventure: Haunted Ship and Sky Babylon

Zero Gravity: Aquatic Capital and Gigan Rocks

Unleashed: Rooftop Run Night and Skyscraper Scamper Day

Black Knight: Deep Woods and... actually, that's the only level theme I really like in this game, the rest are pretty forgettable

Colours: Planet Wisp and Aquarium Park

Generations: Speed Highway and Crisis City

Lost World: Sea Bottom Segue and Hidden World

Mania: Press Garden and Titanic Monarch (THIS ONE WAS ALSO HARD)

Forces: Moonlight Battlefield and Mortar Canyon

TSR: Roulette Road and Sand Road

🎤 Favourite Vocal Track?

I'll be unconventional and go with Live Life. Ironically, I don't care for the other vocal tracks in Black Knight, as I find them generic and unmemorable, but Live Life is a really uplifting one that I think deserves more appreciation.

I've always had a particular fondness for What I'm Made Of as well. And despite preferring the JP soundtrack for CD on the whole, Sonic Boom is still really catchy and infectious.

🎧 Favourite overall soundtrack?

How am I meant to narrow it down to one?

The answer: I can't, so instead I'll just list the ones I consider to be S-tier. Note that I am indeed taking the question to heart and judging them by how strong I consider them overall, rather than singling out one or a couple of tracks specifically. Otherwise I'd be listing the entire non-Chronicles catalogue. (The Last Scene in SA2, Aquarium Park in Colours, some tracks in ShtH…)

Sonic CD (JP/EU)

Sonic 3 & Knuckles

Sonic 3D Blast (Genesis)

Sonic Adventure 1

The Advance trilogy

Sonic Mega Collection (yes, I'm serious)

Sonic Heroes

Sonic '06

Sonic Rush Adventure

Sonic Riders: Zero Gravity

Sonic Unleashed

Sonic Mania

Team Sonic Racing

💡 Spinoff you’d like to see?

Dr. Crusher's Negating Mandating Machine™.

Serious answer, I'd like another Tails game of some sort, in the hopes that it would let the fox regain some of his fandom respect in a legitimate, non-Wildly Inconsistent-speech way.

I'd also be open to a Blaze spinoff, since there's a lot you could do with her world, and maybe it'd allow us to finally see Marine again under a pen that's hopefully not Flynn's. And since Blaze herself is still one of the most popular and less controversial Modern characters, I can't see a lack of audience being an issue.

🍡 Classic, Adventure, or Boost Gameplay?

Classic overall, but a little of Adventure as well in the form of SA1 and the Advance trilogy (even if the latter is semi-Boost if anything).

✨ Dream Sonic Game?

I've always preferred the S3&K/Mania/Advance approach to alternate characters, because I feel they strike the delicate balance of being different enough to offer something unique for each character, but still consistent enough to not detract from the overall style of gameplay. They also handle the matter of story completion the best IMO: if you want to stick with one character for the adventure, you can actually do so, rather than be forced to juggle different styles in one story (SA2), or for the game to suddenly hand over the controls to someone else halfway through the stage ('06).

That's honestly about it, aside from the obvious stuff (good soundtrack, pleasing aesthetics, etc). I don't think I'm impossible to please in that regard. The only other bullet point I can think of is that I'm not inherently opposed to different goals for different characters, but it's important that they don't come at the expense of the core gameplay. For example, I'm alright with Knuckles' treasure hunting conceptually, since you're still platforming and going fast like you would in any other installment. It's when you throw in the dipshit SA2 radar that it becomes a problem.

🦔 Favourite version of Sonic? (the character)

Game Sonic. The original, and the best.

I still have issues with him, but after seeing writers miss the point with him again and again in adaptations, with his portrayal ending up being obnoxious for one reason or another in the process, it's made me grow to appreciate the good qualities and low-key nuance of the original template.

🫡 Coldest Sonic Take?

My opinions seem to always be in opposition to that of the overall fandom's, so to think of one that's actually popular… hmm.

S3&K is still liked, right?

#Crusher's Asks #Opinion #Sonic the Hedgehog #Miles Tails Prower #Blaze the Cat #Dr. Eggman #Sonic Music

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recentanimenews · 3 years

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FEATURE: How I Got Into Sakuga

Kaiba, Directed by Masaaki Yuasa

If you’re an anime fan, you’re likely an animation fan in general. But how do you know when an animation is “good”? How do you learn to identify an animator by only what you see, or tell when their drawings are better than usual?

English-speaking anime fans have adopted sakuga as a general catch-all term for exceptional animation. While the word sakuga itself means “animation,” in this context, sakuga has come to mean something very specific: Not just animation that looks cool, but the deliberate handiwork of specific animators with specific artistic aspirations. For example, a single-animator project might have a lot of “sakuga shots” because it has a personal, highly-refined style. Meanwhile, a television series might have an entire team of varying specialists for a larger narrative. Some of this might be attributed to specific key animators, while some might be credited to an entire studio — transformation sequences, explosive missiles, robots — that’s all fair game to be called sakuga. But how do you really know if what you’re looking at really is this so-called “sakuga?”

Like most art, it’s almost entirely subjective. Here’s my story.

Project A-ko, a high-energy 1986 OVA series best remembered for its exceptional animation staff

(Image via Retrocrush)

All’s Fair in Love and War Games

When I was a kid, I got my hands on the English-dubbed Digimon: The Movie on VHS. This notorious release was a three-part recut of Mamoru Hosoda’s Digimon OVAs released from 1999 to 2000, heavily featuring his second film Digimon Adventure: Our War Game. Of course, I didn’t experience this package as a “Hosoda anime” at the time. Besides the inspired inclusion of Barenaked Ladies’ "One Week" to the soundtrack, I strongly associate these films with Hosoda’s signature interpretation of Katsuyoshi Nakatsuru’s original Digimon Adventure character designs. Compared to the Toei-produced television series, these renditions of the Digi-Destined are charmingly off-model and move with awkward intention, like actual kids up against terrifying monsters.

In a sense, that’s what most people mean by sakuga — animation that makes us lean in and notice traits about the world and characters that can’t be communicated otherwise. Sakuga, in particular, places special emphasis on an individual animator’s keyframes, or the drawings used as a basis for in-between frames during movement. That’s what I mean by the phrase “Hosoda anime.” If you watch Summer Wars or The Girl Who Leapt Through Time enough times, anyone will notice a stylistic palette of idiosyncrasies.

Digimon Adventure “Home Away From Home” directed by Mamoru Hosoda

(Image via Hulu)

An Emerging Style

When I got older and realized there was more anime than what was on cable, I kept returning to “flat” style animation with films like Tatsuo Satō’s 2001 Cat Soup and Shōji Kawamori’s 1996 Spring and Chaos. Around this time, contemporary artist Takashi Murakami also began developing his own “superflat” style (coined in his 2000 book Superflat and later in Little Boy: The Arts of Japan's Exploding Subculture) we’ll return to. Once I got a taste for the experimental, I never turned back.

But back to Hosoda. Less focused on the details of models and more fixated on a “flat” or fluid style of movement, the key animation in Hosoda’s films makes body language a priority. This is perhaps the best thing about good sakuga — its potential to express deep emotion even under production constraints. My favorite example comes from the first Digimon short film Hosoda directed, the simply titled Digimon Adventure from 1999.

Keep Your Hands Off Eizouken!, Directed by Masaaki Yuasa

Originally conceived as a standalone for Bandai’s then-new Digital Monsters virtual pet toys, this version of Digimon is less loud, more atmospheric — and sincerely preoccupied with the question: “How would little kids actually handle a giant monster of their own?” The result is an unforgettable shot of Kairi, Tai’s little sister desperately blowing her whistle, stopping to catch her breath, then spitting and coughing in an attempt to calm down their newly evolved kaiju Greymon friend.

For the television series, Hosoda directed the episode “Home Away From,” depicting the two siblings clinging to each other as the other slowly drifts back to the Digital World. In both scenes, characters don’t constantly move, but only act when necessary via careful manipulation of the frames. This technique not only makes everything seem more “realistic,” but also acts as a visual cue for the anxiety Tai and Kairi feel. In other words, painstakingly controlled animation serves both form and function, especially when you’re selling an emotional climax of another kid-meets-monster plot.

Tomorrow’s Joe, 1980 film adaptation of the 1970 TV anime series directed by Osamu Dezaki

(Image via Retrocrush)

A Little History Lesson

After Digimon, Hosoda and Nakatsuru collaborated on films like Summer Wars and the Takashi Murakami-inspired pop art short Superflat Monogram. Hosoda is no doubt inescapable to sakuga fans today thanks to the ubiquity of his feature films. Still, Hosoda obviously wasn’t the first sakuga animator. Animators like Yasuo Ōtsuka, known for his cinematic work in a pre-Ghibli era of anime film with Toei, documented the growth ‘60s and ‘70s of Japan’s animation industry in his 2013 book Sakuga Asemamire. When the demand for films lowered in favor of anime television during that era, animators took risks. Classics of the era like Tiger Mask and Tomorrow's Joe literally held no punches, and Osamu Tezuka’s own Mushi Productions dove headfirst into experimental adult films. Animators, and especially keyframe animators, had creative control. In this perfect storm, the advent of sakuga was inevitable.

Everyman Ken Kubo is taught the ways of eighties anime in Otaku no Video

(Image via Retrocrush)

Why Bother With Sakuga?

In 2013, animation aficionado Sean Bires and company hosted an informational panel titled “Sakuga: The Animation of Anime” at Anime Central Chicago. Uploaded to YouTube that same year, this panel informed my younger self’s understanding of not just the “how” of sakuga, but the “why” it even needed to exist in anyone’s vocabulary. Accessible, meticulously researched, and full of visual references, Sean’s two-hour panel-lecture does the heavy lifting of contextualizing anime not just through a historical lens, but within the broader project of expanding cinematic techniques. This primer might sound heady, but considering the popularity of Masaaki Yuasa’s series like Keep Your Hands Off Eizouken!, and references to animator Ichirō Itano’s “Itano circus” missiles in American cartoons like DuckTales, it’s hard to say sakuga isn't relevant. Nowadays, it's practically a trope to parody one of Dezaki's most iconic shots. Supplemented by a rich community of blogs and forums, it couldn’t be easier to learn about animators like Yasuo Ōtsuka or the early days of Toei if you want a bigger picture. Blogs like Ben Ettinger’s Anipages and the aptly named Sakuga Blog are a good place to start, not to mention dozens of dedicated galleries of anime production and art books published by studios themselves. Now couldn’t be a better time to vicariously live your art school dreams through anime masterworks.

Little Nemo: Adventures in Slumberland, a 1989 film featuring animation by Yasuo Ōtsuka best known for his work on the Lupin III franchise

Sakuga Is For Everyone

Fans have always been obsessed with the technicalities of animation, even if they weren't artists. As early as 2007, uncut dubbed collector box sets for Naruto came with annotated booklets of episode storyboards. More recently, critically-acclaimed series like Shirobako further explicated this love for animation as a team effort — people love attaching other people to art. In contrast, psychological horror series like Satoshi Kon’s Paranoia Agent features an episode about an anime studio’s production going terribly wrong. Not to mention the endlessly self-referential Otaku no Video Gainax OVA and its depiction of zealous sakuga otaku. Anime fans adore watching anime be born over and over. It’s that simple.

Digimon Adventure “Home Away From Home” directed by Mamoru Hosoda

(Image via Hulu)

Today, I’d comfortably call some shots from Hosoda Digimon films great sakuga. But Koromon is still weird. Sorry. The love for sakuga isn’t a contest to one-up fans on production trivia or terminology. It’s about taking the time to appreciate the fact that anime is ultimately a collaborative artistic endeavor. From tracing back the lineage of animators like Yoshinori Kanada to Kill la Kill, to appreciating the visual sugar rush of Project A-Ko alongside slow-paced Ghibli films, “getting into sakuga” isn't a passive effort, nor a waste of time. Besides, wouldn't it be fun understanding how your favorite animator achieved your favorite scene? The phrase "labor of love" is cliché, but maybe that’s a good synonym for what role sakuga inevitably plays for artists and fans alike — work that brings you joy, no matter how you cut it. Who is your favorite animator? When did you get into sakuga? Let us know in the comments below!

Blake P. is a weekly columnist for Crunchyroll Features. His twitter is @_dispossessed. His bylines include Fanbyte, VRV, Unwinnable, and more. He actually doesn't hate Koromon.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: Blake Planty

#Anime #News #Latest in Anime News by Crunchyroll!

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lueduar01 · 6 months

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THE AMAZING DIGITAL CIRCUS - OVA FINAL 1995

TIMESKIP 3 YEARS LATER!

#the amazing digital circus #90s anime #digital circus ova

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teigeki-graph · 4 years

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Sakura Taisen Song Box

Released: April 15, 2009 (digital only)

Available at iTunes

This is like a mashup of 2003′s “Complete Song Box” and 2006′s “Zenkyokushuu,” only with a lot less content: it’s got 120 songs, while the aforementioned collections had 139 and 122, respectively. For the price, though, it’s still a good deal for people who just want a lot of Sakura Taisen songs, not necessarily all of them.

Songs with a “—” instead of a number are songs that were part of the physical collections but that are not included in the digital version

Full track listing under the cut

[Complete Song Box]

Disk 1

1. Geki! Teikoku Kagekidan

2. Sakura

3. Etude

4. Nayamashi Mambo

5. Only Man

6. Tokyo-teki Kyuujitsu

7. Shakunetsu Boogie

8. Yoru no Samba

9. Ai wa Daya

10. Ai Yue ni

11. Hanasaku Otome

12. Kono Yo wa Tanoshi ~Natsu Kouen~

13. Kono Yo wa Tanoshi ~Aki Kouen~

14. Tsubasa

15. Kono Yo wa Tanoshi ~Fuyu Kouen~

16. Cinderella

17. Kono Yo wa Tanoshi ~Haru Kouen~

Disk 2

1. Omatsuri Dansu

2. Watashi no Aozora

3. Geki! Teikoku Kagekidan Kai

4. Yume no Tsudzuki

5. Metro de Ikou

6. Ikiteru Yorokobi

7. Haru ga Kuru

8. Minamikaze Go Go

9. Itoshi no Jean Paul

10. Zettai Unmei no Tango

11. Koi no Hassha All Right

12. Shonen Red Shudaika

13. Miyako no Hana zo

14. Moshimo...

15. Icarus no Hoshi

—Kiseki no Kane

Disk 3

1. Akatsuki no Senshi

2. Kanpan Furafura

3. Dream / Yume no 1 Pound

—Kiseki no Kane ~So special a day~

—Happy Day Happy X’mas

4. Chanbara Boogie

5. Dandy

6. Kibou

7. Kore ga Revue!

8. Geki! Teikoku Kagekidan (Kai II)

9. Yuuyake no Mukou ni

10. Watashi no Natsu

11. Chichin no Pui

12. Kamona Asakusa

13. Hirameki no Uta

14. Subarashiki Butai

15. Shinjirareru Koto

Disk 4

1. Ai wa Towa ni

2. Masquerade

—Ucha! Yorokobi no Uta

—Benitokage no Uta (Kanna no Musou)

3. Tabi no Sora e

—Rikken Braun

4. Harukaze no Koi Uta

—Gekitei!

—Yumemite Iyou

5. Hanagoyomi

—Ima Totsugu Hi ni

—Futari ni Kanpai!

—Furui Piano

—Kagayaki

—Gekitei Ondo

6. Gekijou e Ikou!

7. It’s Showtime!

8. Scandal wa Dame yo

9. Star Kagayaku Hoshi

10. Yukai na Yoru

—Watashi no Okini’iri

—Iza Tachiagare

—Kokoro wa Sabaku no Youni

11. Arabia no Bara

12. Atarashii Ashita e

—Kinema Koushinkyoku

—Jidai no Ressha

—Akai Katyusha

—Center Spot

—Shitamachi Rhapsody

—Hibari no Uta ~Tsubakihime no Yuu yori~

—Stone Monkey

—Tsubasa (TV version)

—Hanafubuki Shiranami Benten

—Ohanabatake

—Yumemiru Kikai

—Kokoro wa Sabaku no Youni (Baragumi version)

-Hanagumi wo Tsubuse!

—Anata no Okini’iri (Kanna no Musou 2)

—Sakura Zensen

—Yume no Tsudzuki (Todoru Hana Kenran Mix)

—Euro Gekitei

—Euro Koi no Hassha All Right!

13. Mihata no Moto ni

14. Hana no Paris

Disk 5

—Erica Ohayou Dance

1. Inori

2. Eroica/ Eiyuu Densetsu

3. 192455631

4. Issho ni Arukou

5. Kokoro no Kasa wa

6. Sentimental na...

7. Kimi Shinobu Uta

8. Kokoro no Okibasho

9. Geki! Teikoku Kagekidan III

10. Mirai (Voyage)

—Mihata no Moto ni (Les Chattes Noires Mix)

—Hana no Paris (Les Chattes Noires Mix)

11. Hanagumi Revue

—Bus wa Yukuyuku Yume Nosete

—Ramune no Uta

—Shiawase na Yume

—Kangaeru Ashi

—Kuchizusamu Uta

—Umi no Utage Hana no Utage

—Kono Shomotsu wa

—Yoru no Kurage

12. Subete wa Umi e —Gekijouban-Kiseki no Kane

—Gekijouban-Subete wa Umi e

—Monogatari no Hajimari

—Utsukushiki Mono-tachi yo

—Kaijin Debeso (Kanna no Musou 3)

—Akawanikun Irasshai

—Boku no Paris Watashi no Paris

—Kuroneko Rumba

—Montparnasse no Yoru

—Koi wa Makafushigi

—Shimakaze

13. Kimi yo Hana yo

—Tsukiyo no Mori e

—Ciseaux no Theme

—Aijou Ippai

—Yozora no Hana

—Sumire Chachacha

—Kore ga Revue! (Full Version/Bonus Track)

—Tsubasa (Tanaka Kouhei Version/Bonus Track)

[Zenkyokushuu]

14. Hana no Youni Yume no Youni

—Ohayou Good Morning

—Nakama-tachi yo

—Koubu

Disk 6

1. Kagayaku, Ginza Street

—Kibou no Hoshi yo

—Sumidagawa

—Neko Odori

—Aku no Hana

—Fusehime Kigen

2. Mirai no Kyoudai-tachi e

—Saboten Mambo

—Dokidoki Audition

—Hoshi yo

—Ragtime Show

—Yumeoibito

—Ai no Hi wo Seine ni Tomose

—Natsu ga Kita

—Waga Na wa Javert

—Itoshiki Hito yo

—Koganemochi wa Kanemochi da

—Koi no Deai

—Waga Kokoro ni Naru Kane

—Nanairo no Niji

—Natsu no Nichikado

—Yoshuu Fukushuu Memo Kaki Benkyou

—Sunset Summer

—Trump no Uramote

—Yuuki Rinrin

—Kodomo no Yume wa

—Kaizoku Kagyou

—Umi no Jo’ou

—Yasei no Otakebi

3. Takarajima ~Yuuki no Hata wo~

4. Namida yo, Au revoir

5. Canariya

—Mihata no Moto ni (Ecole de Paris Version)

6. Romance

—Yodel Musou

—Storyteller

—Lucky Man

—Usotsuki Oomu

—Waratte Shine

—Daidako no Uta

—Nagareru

—Lucky Man

—Akawani Dansu

7. Chattes Noires

8. Misterious

9. Yunhua ~Revue Ouka Ranbu~

—Watashi wa Ima...

—Ginza Koushinkyoku

—Eien no Inochi

—Tenjiku Doko da!?

—Bakabakashiku mo Arigataku mo

—Nageki to Kanashimi

—Mouja no Uta

—Akutoku no Hanabira

10. Shin Saiyuuki ~Inochi ga Meguri Sekai ga Tsunagaru Toki~

11. Samurai Damashii

—Imadoro Boushite Kita yo

—Kanna no Musou ~Radio demo Yaranai Taisou na Koto~

—Ore ni wa Ore no Jingi ga

—Chouju no Momo

—Okane da ze! Everybody

—Mitsukaranai?

—Ushimaou no Daienkai

—Zettaizetsumei

—Inochi Hateru Toki

—

12. Akuma no Youni

13. Koi wa Speed

14. Mihata no Moto ni (Le Nouveau Paris OVA version)

15. Circus

16. Yoru no Kisetsu

Disk 7

1. Modern Boogie

2. Kurayami no Ou

3. Nigatsu no Akai Hana

4. Chijou no Senshi

5. Koko wa Paradise ~Littlelip Theater no Theme~

6. Hana no Revue

—Koi wo Shimashou

—Mi yo Akatsuki ni

—Toki no Nagare ni

—Yume no Naja ni

—Karen na Hana yo, Tsuyoi Hans yo

—Neko no Uta, Inu no Uta

—Bluebird

—Yoru no Rondo, Hikari no Sonata

7. Kibou ~Shin Aoi Tori~ yori

8. Boku no Yume

9. Downtown Heart

10. Bounty Hunter Rika

11. Aru Hi Aozora Miagete

12. Kagayaku Seiza

13. BON-PSY

14. Kiss me sweet

Disk 8

1. The City

2. Over the Rainbow Sunshine

—Modern Gang

—Yokubou no Machi

—OH! Manjuu Tengoku

—Aoki Hono’o

—Koi Uta

—Hana wo Kazarou

—Cafe Tiger

—Modern Boys

—Cafe Tiger

3. Revue ~Shin Aoi Tori~

4. Watashi no Aruku Michi

5. Christmas Paris

6. Tenshi no Hitomi

7. Anato to Naraba ~Around the World~

8. Sono Na wa Rodeo

9. Viva! Harlem

10. Ai no Hana

11. Jungle Revue

12. Try

13. Atashi Naichaimasu [bonus track]

14. Hana Bon-Bori [bonus track]

15. Geki! Tei ~Saishuushou (Finale)~

#Sakura Taisen #sakura wars #Sakura Taisen OST

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