#they're so sweet... and gay
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mizuribbons · 3 days ago
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WEEEHHHHH love rui being a gayass boyfail
LOOK AT HIM!!! /vvvvvvvvvvvvvvvvvvvvVVVVVVpos
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happy pocky day
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nastyalover123 · 4 months ago
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My dear friend got me into the 1980s Soviet Sherlock and so now I'm here to spread the word, enjoy
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sydneighsays · 1 year ago
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Doodle
I was peer pressured into drawing this
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stevebabey · 2 years ago
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you thought it would be all sweetness??? nooo u got to have a little miscommunication angst before anyone gets any hickies. but they will. in time >:) part one. part two. this is a part three :)
Steve blames it all on the clock.
That stupid cuckoo clock on the wall of the Munson trailer. It's an absolute horror of interior design that would make Steve’s mom shiver if she ever laid eyes on it. It’s probably why Eddie loves it — and the god-awful cuckoo! noise it makes when it goes off.
Because the moment Eddie utters that delightful question, asking for a hickie, the nerve of him, Steve loves it — and Steve is more than ready to oblige him — the stupid clock goes off.
It gives them both a fright, Steve more than Eddie. He gives a whole-body twitch that shifts them both, his head snapping to the wall, a breath forced out of his lungs at the sight of the mustard-coloured bird. Shit. Stupid fuckin’ clock, Steve thinks.
But it seems to break the trance over the room. The sweet tension of their shared closeness is sucked out of the room in an instant. Steve is suddenly aware of the time the popping out bird is announcing. It’s late. Far later than Steve intended to stay over, especially considering work tomorrow.
Without meaning to, the prickle under Steve’s skin rolls through his body. It steals away the comfort that he usually feels with Eddie, tenseness filling his body. Steve hates it — hates how he can’t stop himself from tensing up beneath Eddie.
Eddie notices. He's quick to to retract himself from Steve, pushing up and back, giving Steve his space. He sits beside Steve on the couch, still close. Not close enough to touch.
It helps. The rigidness of Steve's body relaxes just a bit but Steve doesn’t want that. He wants Eddie back on him. Wants his hands gripping Steve’s side. His breath fanning over Steve’s face, cheeks cherry red and pupils blown wide. Steve doesn’t say any of that and he sure is shit isn't brave enough to ask for it.
Instead, he croaks, “It’s late.”
Steve reluctantly pushes himself up from his slumped position, eyes already searching for his scattered shoes. He misses the way Eddie’s face falls, the way he tries to tug his hair in front of his face to hide the hurt. It takes another second to school his expression.
Steve hears a cough and then Eddie agrees with a murmur. “Yeah, sure.”
The words ache. No part of Steve is relieved to have Eddie agree with him. He’s not sure what he wanted; for Eddie to egg him to stay just a little while longer? To prove that their kisses hadn’t been a heat of the moment impulsivity? There's nothing to prove they weren't.
No, it was Steve who said he had to go. It is late. But then again maybe, Eddie wanted him to leave. But, no— Eddie just asked for a hickie, he wouldn’t—
“Don’t you have work early tomorrow?” Steve’s spiral cuts short at Eddie’s voice, tinged with… irritation?
O-kay. Now Steve’s not sure what to think. What had been the source of immense joy because Steve had asked for a kiss and Eddie said yes is suddenly… tilted.
The beginnings of embarrassment begin to cling to Steve like a thick fog. He’s done it again. Been overly eager. Asked for too much, too soon— fuck, that had been Eddie’s first kiss too.
“Yeah,” Steve replies, standing and shoving his foot into the one shoe he can find. He spies the other one under the table and wiggles it out with his toe. He can’t find in it to look at Eddie, not just yet. “Yeah, uh, I should get going.”
It’s all wrong. Steve shouldn’t be leaving — not on these terms. Not when he can’t look at Eddie for fear of what he’ll find. Regret? Steve’s not sure if he could face Eddie again, not if there’s even a trace of it on his face. It would feel like Halloween all over again, a bludgeon on Steve’s too-soft heart. It’ll crumble, he just knows it.
Steve wants to stay. He really wants to. He wants to ask for another kiss, ask for a dozen more kisses. Wants to give the hickie Eddie asked so nicely for and receive one back; matching love bites, like a gentler version of their matching twisted scars adorning their sides.
But he’s always asking for more. Steve always needs more. It’s greedy. It’s embarrassing how much he wants it, how he’s already gotten patient touches from Eddie but it’s not enough. Eddie had sounded a pinch annoyed — even aggravated at Steve.
It doesn't cross his mind that it might be for any other reason. Really, Steve thinks he’s doing Eddie a favour.
“Um,” Steve clears his throat, takes the wobble out of his words. Nods to himself and chances a glimpse at Eddie. The older is staring down at his lap, locks of hair trapped between twitchy fingers. They should talk about it. Steve’s not brave enough to risk his heart tonight.
“Well, g’night.” He says quietly, letting himself out the trailer door. He closes it behind him gently, shoes tapping against the stairs on the way down. It feels wrong, it feels wrong — but it would be selfish to turn back.
He repeats the sentiment over and over, raspy whispers beneath his breath as he climbs into his car. It would be selfish. The engine turns over and he hesitates for just a moment, hoping to catch a silhouette in the kitchen window. It’s empty. Of course, it’s empty.
Of course, Eddie is not chancing for a glance at him on his way out because Steve just asked for more and more and more, and he took Eddie’s first kiss and then— He whispers it to himself again. It would be selfish to turn back.
When he thinks about it on the drive home, Steve’s sure it all comes back to that stupid fucking clock.
-
Eddie stares in the mirror.
He’s not sure why he was so convinced there would be some radical change in him upon popping his make-out cherry but… well, here he was. Staring in the mirror like he had this morning. Except 10 hours earlier, he had been unkissed.
Tonight, the difference shows. His lips are rosier than usual, a swell to them given by hasty sweet kisses. It’s the only evidence of his spit-sharing moment of passion with Steve on the couch. The rosy colour is already beginning to fade.
Eddie sinks his teeth in. He doesn’t want the only physical proof that he even got to kiss Steve to be gone so soon. Even if that fact seems terribly bitter now.
“What the shit did you do, Munson?” He murmurs to himself in the tiny bathroom mirror.
It’s got toothpaste specks splayed across it. Eddie stares past them. Stares into his own face, reading every change in his features as emotions inside him churn. It’s heading for a distraught expression, the upturn of his brows and quiver in his lips giving him away. He always was a crier. Eddie really wishes he wasn’t.
“Idiot!” He pairs the word with a bang on the wall beside the mirror, frustration leaking out. The toothbrush on the sink shudders in its cup with a clink.
Eddie hates the welling in his eyes. He hates that he ruined the first fuckin’ good thing to happen to him in this town. Loathes that he drives away the first person who actually knows him and still wants to kiss him.
Well, wanted to kiss him.
Eddie’s pretty sure Steve scampering out of the trailer is more than a big enough sign. It’s a blazingly bright neon sign — light up words that say ‘This was a mistake!’
Except, it hadn’t felt at all like a mistake to Eddie. It had felt wonderful, better than anything he had thought, the soft curve of Steve’s lips, the grip on his hands on Eddie’s face, the heat in his face, the— Eddie growls, wiping his hand down his face to shake the thoughts. Too good to be true was what it was.
It’s because of what he said. Of what he asked for. It had to be that. But— but Steve had looked eager and almost excited and then the stupid clock had gone off, scaring the shit out of them both. Maybe it was then that Eddie’s words had sunk in and Steve realised what he’d gotten into— and who he’d gotten into it with.
“You had to ask for more, huh?” Eddie scolds himself angrily, wiping his cheeks harshly when a tear streaks free. Another follows, just as fast. Eddie wipes roughly at his face to clear them. Doesn’t care about the streaks of red he leaves on his cheeks. Another trembling reprimand comes out. “You just had to push it, huh? You fuckin’ idiot.”
Eddie can’t stand his reflection anymore. He tears his gaze away as he spins and heads straight for his room.
The button on his stereo is sticky and it takes a few forceful clicks to turn it on, but when he does, he cranks it. It’s loud enough he’ll surely wake some neighbours. Eddie can’t find it in him to care, not even when the neighbours dog starts off with its incessant barking. Anything to stop hearing himself cry.
-
“Something’s up with Eddie.” is the first thing Robin says when she comes in the front door.
Steve’s mid-yawn when she does, a result of a night of tossing and turning, and he somehow manages a strange choke at her words. In a haste to shut his mouth, he chomps on his fingers covering his mouth — then hisses, pulling it away from his face. He ignores Robin’s perplexed expression, shoving the hand deep in his pocket. His ears feel a tad hotter.
“What? Why? What makes you think that?” Steve asks the questions in rapid succession. Very chill, he chides himself. At this rate, Robin would have him all figured out 10 minutes into their shift.
And it’s not like— well, Robin’s advice is usually great. A bit cut-throat, sure. She doesn’t have a problem trodding on his feelings on her way to tell him the hard truth. Usually, it’s fine. Steve could probably do with a bit of ego-bruising.
Today, he’s… It’s different. That’s what Steve tells himself. This thing with Eddie, he wants to fix it himself. And with too much meddling from Robin’s advice, even if it was with the best intentions, might mix things up too much. It’s hard enough keeping his half-baked apology that’s been brewing since last night in proper order in his mind.
Thankfully, Robin doesn’t comment on his odd demeanor. She just bustles into the back room — there are a couple sounds of her dumping her stuff. When she comes back out the front, she’s fixing her Family Video vest. It looks perfectly straight to Steve.
He checks his own — it’s sitting askew, part of the collar flipped over. He hastily fixes it, running his hands down the front to smooth it a bit.
“Just,” Robin starts, talking as she sits in front of the computer, beginning to take a crack at the admin she managed. She likes doing things as she talks, Steve knows. Helps keep her from letting words run away from her.
Steve’s thankful for it now because she isn’t looking at him when she says, “I think he might have had a bad nightmare last night, or something of that sort. I don’t know. Maybe I’m way off — you know how I am with trying to read people, Steve. I’m not good at it! But when I saw him, he just seemed…”
Robin seems to take an extra moment to deliberate her word choice. Steve’s really glad she’s still facing the computer so she can’t see the myriad of emotions that show on his face.
“…Off.” is the word she decides on.
Which means bad. Steve feels like he’s swallowed a stone. It sinks deep into his stomach. It burns, sour and scorned, twisting up his gut. It means Eddie is bad — it means disappointment, means he regretted it. That Steve had been right; that he’d been too eager, too soon. Too much.
Right. Of course, this happens again. Really, Steve had brought it on himself by asking for so much. It had been one thing to ask for a hug — who actually has to do that? — and then to expect he might get Eddie to kiss him too? What a overstep. Christ, he's an idiot.
“That’s not…” He hears himself say, still lost in his thoughts. It's only when Robin turns on the stool, brows raised, that Steve realises he hasn’t finished his sentence. “Good. That’s not good. To hear.”
Steve turns and starts shuffling around the films on the returns cart, picking them up at random. He stares at a copy of ‘The Princess Bride’ in his hands, a new release, and forces out a causal question.
“What made you think that?” He asks, shoving the film into an empty slot, like he was arranging them. He’s relieved when Robin’s clicking on the keyboard resumes, along with a dramatic sigh.
“I don’t know. I don’t know if I can be trusted to read anyone’s emotions correctly at any given time, honestly. Remember that old lady? I thought she was being sweet that whole time and then you told me she was being rude! And I couldn’t even tell…”
Robin’s ramble is comforting and helpful to Steve in a way he didn’t know they could be. He presses the cart out, finally getting a move on with it, but delivers a quick nod to Robin when she’s looking to let her know he’s still tuned in. He listens to her get distracted by another topic and leaves Eddie’s name in the dust. It’s a silent relief.
It’s a task to multi-task, listening and devising a plan, but Steve has all shift to find the balance. It’s sometime between finishing re-stocking the action section and starting the romance that Steve decides he should apologise. He should go over today and apologise.
Eddie’s a big boy but Steve’s fairly certain now, if he regretted it, Eddie had probably felt obliged to kiss him back. Probably hadn’t minded the first kiss but- but— Something sticks in his brain; it was Eddie’s first kiss.
It makes Steve feel worse. It doesn’t matter, really, Steve should say sorry for all of it. God, he’s such an idiot.
By the time he’s clocked out, it’s all set in place. He’s got a dozen different apologies running in a loop in his head, reciting the words in time with his anxious tapping on the steering wheel. It’s not a long drive out to Forest Hills Trailer Park. The drive is well-known now. Steve tries hard not to wallow in what he might be losing today. What he lost because he’d been too greedy with want.
The sight of a brown van parked roadside yanks him from his thoughts. Eddie’s van. Steve’s stomach turns, nerves gnawing faster. He slows, trying to catch eye of the other boy as he rolls to a stop behind the van. The sun is beginning to dip closer to the horizon, the temperature going with it.
At the same time, they see each other; Eddie’s head popping around the raised hood to see who had stopped, right as Steve pops his door. Eddie retreats in an instant. Steve's chest grows a bit tighter.
Gravel crunches underfoot as Steve takes a few wary steps closer. It doesn’t take more than a couple before Eddie calls out. He doesn’t bother poking his head out again.
“Go away, Steve.”
Steve swallows thickly. Yeah, okay, he deserves that. He deserves probably worse than that. But more importantly than that, Eddie deserves to hear this. And Steve... needs to not lose Eddie.
“Can I… can we talk?” Steve asks, taking a couple steps closer. A car whizzes by on the road, hidden from Steve's view behind the van. He still keeps his distance, hovering. His hands clench nervously at his sides. Steve shoves them deep in his jean pockets, wiping the sweat off them as he goes.
“What part of ‘Go away’ isn’t clear enough for you?” Eddie snarks back. He still doesn't stick his head out, still won’t look at Steve. It stings.
“I know, I’m sorry,” Steve starts, another instinctive step forward taken. “I-I just, I shouldn’t have left like I did last night. I wanted to apologise.”
There’s a clattering from behind the hood like Eddie’s dropped a tool. He swears. Steve wants to take another step, wants to see Eddie — wants to read every emotion and apologise for causing any of the ugly ones.
“Well, apology accepted,” Eddie responds. There’s a bite in his words. His next words are grumblier, quieter. “And message fuckin’ received.”
What? “What’s that supposed to mean?”
“That—” Finally, Eddie steps away from the van, rounding the hood to march up to Steve. His arms cross over his chest, a wrinkle set between his brows that pull his face into a glare. Robin was right; he is off. This isn’t normal Eddie. Fuck, Steve had fucked up bad.
“That means message received, Steve.” Eddie seethes. He uncrosses his arms to gesture wildly. Steve misses the wobble in his bottom lip. “Message received loud and clear! I get it!”
And all Steve wants to ask is: get what? He doesn’t ask that. He should know what. That would be an idiotic question, would make Eddie more irritated. Lord knows, Steve has been enough of a fool in the last day. So, he doesn’t ask.
“Look, I just…” Steve starts, words a bit weak. They die in his throat as he tries to recall a single apology he had practiced all day and comes up empty. “I’m just- I just wanted—look, I’m sorry I took your first kiss!”
It’s not exactly what he means to say, but Steve certainly is sorry for it. Eddie’s expression wavers, some anger slipping away. Confusion takes its place.
“What?” Eddie says with a tone of bafflement. “What are you talking about?”
“And I’m sorry I kept… kept asking for more.” Steve continues on, pulling on the thread inside him, connected to the terrible stone he swallowed earlier. He tugs it. Hopes pulling it will unravel the guilt sitting heavy in his stomach.
Steve scrunches his eyes shut and rubs the bridge of his nose. “I know, okay? I know that I can be a lot.” He sighs and drops his hands.
“But I didn’t mean to… shit,” He wrenches his eyes open. Eddie’s a bit wide-eyed now, brown eyes watching him intently. Steve doesn’t know what expression he’s wearing, can’t tell if it’s good or worse. He continues, soft words scraping out his throat.
“I didn’t mean to be like that with you.”
Eddie searches Steve’s face, eyes darting and wild. He licks his lips. His hands are in motion, fingers twisting rings, quick and fast. It’s a nervous action.
“What do you mean by ‘like that?’” Eddie asks, voice gentler. It's lost its snarl from before.
Steve blinks, a scrape of teeth worrying his bottom lip. He murmurs his admittance lowly, just one word, “Selfish.”
Eddie doesn’t try to hide his surprise; it ripples across his face in a wave. Confusion melts away into something closer to, Steve hopes desperately, relief. Steve can feel his own heart thudding hard inside his chest — can feel the beat it skips when Eddie steps closer.
“Steve?” Eddie says, sounding unlike himself. Steve’s never heard his voice that small. He nods, wordlessly. Eddie searches his face once more — wide brown eyes scanning and devouring. Steve can’t help but do the same.
He drinks in the details of Eddie’s face; the soft scruff along his top lip, the darkness of his lashes and the way they kiss in the corner that Steve adores. The pink of his lips. The familiar ache to kiss Eddie surges up within him, still as violent and strong as it had been the night before.
Steve should really stop looking at Eddie’s lips. He’s supposed to be apologising. He drags his eyes up and meets Eddie’s gaze full-on, prepared for whatever he might say. Except, he’s not expecting him at all to say;
“Can I... try this again?” It comes out a ragged breath, Eddie's scared eyes conveying the weight behind his words.
And this time Steve doesn't even need to ask what because he knows. Because Eddie's hands are reaching up and holding either side of Steve's face so gently. Steve can't recall a time he's ever been held so softly. His own hands come up slowly, draping around Eddie's wrists to hold them, to keep them there.
Eddie's thumb traces. It draws a sweet line of that familiar fire beneath Steve's skin along til it's settled on Steve's bottom lip, resting. The blood under Eddie's thumb thrums, gloriously warm, aching with want. Yes. Steve thinks. Yes, yes, yes.
"Yes, please." Steve breathes, so sincere the words comes out as a kiss against Eddie's thumb.
So, Eddie kisses him.
now with a part four !
tags below! sry if i tagged u and u didn't want it just tagging everyone who replied <3 @they-reap-what-we-sow @impeachy @anaibis @resident-gay-bitch @ediewentmissing @newtstabber @original-cypher @invisibleflame812 @hunterbow04 @leather-and-freckles @dracoswifeandlokispet @foolofentirelytoomanyfandoms @lfaewrites @sundead @call-me-big-eyes @the-redthread @goblinmanifesto @etaka @bishopextractions @ketterfuck @persephone13 @beckkthewreck @maya-custodios-dionach @autumnal-dawn @yourstrulyjoko @gleefully-macabre @princess-eddie @savory-babby
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usiel21 · 8 months ago
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Wednesday: You see that house over there? It belongs to a woman that routinely neglects, psychologically abuses and gaslights her daughter, Enid Sinclair, my... Destroy her.
5 Minutes Later
Enid: WEDNESDAY ADDAMS! Did you send Godzilla after my mother?!
Wednesday: No.
(Legendary Godzilla roars)
Enid:
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Wednesday: Maybe...
Enid:
Wednesday: What? He owed me a favour okay.
Enid: (Puppy dog eyes)
Wednesday: Ugh fine.
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antiyourwokehomophobia2 · 2 months ago
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I have long since taken the mantra "write what you want to see" to heart, but I've just gotta say that it's kind of upsetting that gay movies seem to only fit two extremes. There's one end where the characters never kiss (or kiss once) or have sex (even implied). It's very sweet and clean and PG. The other extreme is like. Orgies every 5 minutes. Cheating. Abuse. Promiscuity.
It's just like. Y'all know that letting gay people have sex doesn't mean they can't be sweet as well, right? That man who shows up at his boyfriend's door with flowers and takes him to a nice dinner can fuck him (and only him) later. They can be married with a beautiful idyllic backdrop and still want each other carnally. Lesbians can make flower crowns and go for late night drives and write love songs and pick flowers and eat pussy? Monogamously.
I just really feel like people think there's some dichotomy where one side is "sweet = sexless" and the other is "sex = promiscuous low life"
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a-dauntless-daffodil · 8 months ago
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Something about how Fire & Ice give up on going after Pearl directly, and instead both arrow in on dissing Marina-
Something about, Pearl having no shame at all, outright telling Frye right off that Off the Hook is here to “take control” and then literally talking over Frye’s turn. Frye’s snarking on how Pearl isn’t the boss here and no one’s cheering for her, ignored. How she goes after both Frye and Shiver asking where Frye’s big friend is to help her pass this test, moving right on to saying they’re both just goons making a mess anyway, little fish who should stay in they're bowl, but
that seems to give Frye the idea of hitting back with the “who’s backing you? Imaginary friends?” line… like Marina doesn’t even count as a music partner- or a friend?
Pearl literally yaps about Marina being divine, one of a kind, voice so fine, big mind- raps the lines off her cuff and the heart that's proudly pinned there
And Frye and Shiver go TARGET DETECTED. They lock onto Marina.
Shiver doesn’t bother trying to needle Marina about Pearl, the way their partners were each doing- if Pearl has no shame then at least she DOES still have a weakness, a soft spot, a thing she openly cares about- something they can try riling her up over
(problem: Pearl actually has all the confidence in Marina as a musician, partner, and performer. She's WATCHED Marina be all those things for YEARS now)
In the end Frye and Shiver just rile up the gay feels. Because Marina’s been living with a rapper who LOVES hyping her up even when they’re not on stage- Pearl who said she’d cut a fish for Marina. And if you don’t come to Inkopolis with a lot of self confidence, well then getting some from your girlfriend is fine too  
But it’s cute that Pearl’s still so obvious about being Marina's no. 1 fan that Fire & Ice thought they could use it against her XD
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carnivalcarriondiscarded · 1 year ago
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your honor they're everything
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nerd-elf · 3 months ago
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Such a precious moment 🥹
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elephantshoetoo · 3 months ago
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So, I wrote this little miwi flashback scene today. I plan to use it in The Byler Files somewhere, but I don't know where yet. Probably Vol.4.
(*warning: contains a homophobic slur.)
May 7th, 1979,
The schoolyard at Hawkins Elementary…
(It's morning recess. After staying back to talk to his teacher about a late homework assignment, 8-year-old Mike Wheeler exits the building with Miss Drew to find his best friend Will huddled in a corner, his legs pulled up to his chest, quietly crying into his knees. Mike rushes over to him, alarmed.)
MIKE: Will! What happened?! Are you okay? Why… why are you crying?
(The teacher catches up and bends down to check on him.)
MISS DREW: Will…? Honey? Can you tell me what happened?
(Will shakes his head and pulls himself in tighter.)
MIKE: Are you sick? Are you hurt?
(Still not looking up, he shakes his head again. Mike rubs his back, concerned.)
MISS DREW: Sweetie, I can't help you if you don't tell me what's wrong…
(Will doesn't respond. He squeezes his legs like he's trying to fold in on himself and disappear.)
MIKE (to the teacher): I… I can probably get him to talk… (Nodding, she mouths, “Okay,” and continues watching them.) Um… alone.
MISS DREW: Oh. Alright. (She hesitates, but decides it's probably the best course of action.) Well, let me know if he needs anything, okay?
MIKE: Yes, ma’am.
(Once she's gone, Mike puts his arms around Will and holds him tight, rocking slightly to comfort him. He softly hums the tune of “I Want You to Want Me” by Cheap Trick. When he feels Will start to loosen up, Mike pulls back to see if he'll talk yet.)
MIKE (softly): Will? Are you okay? What happened?
WILL (sniffling, into his knees): It's… it's nothing. It's stupid.
MIKE: Hey, it's not nothing if it upsets you… You can tell me.
(Will sighs and leans into Mike, whose arm is still cradled around his back.)
MIKE: Please…?
WILL: Okay… (Mike soothingly strokes Will's hair, waiting patiently for him to feel safe enough to open up. Will tilts his head slightly and peeks up at Mike. He's greeted with an encouraging smile and relaxes a bit more. Gathering his thoughts, Will starts to talk, slowly at first, his words tinged with shame.) James and Troy were… were calling me names again. And… and everybody laughed.
MIKE: Oh.
(Mike looks out at the schoolyard. A few groups of kids are still hovering nearby, glancing at them and whispering. Mike sends them a piercing scowl and they quickly disperse.)
MIKE: What did they call you?
WILL: Troy said his dad told him I'm a… a…
(Will tears up a bit and hides his face again.)
MIKE (gently coaxing): A what?
WILL (cringing): A… a disguting… f*ggot…?
MIKE: Oh. (He looks down, wincing, then purses his lips and resolves to make Will feel better.) Well… it doesn't matter what they think. They're a bunch of stinky dunderheads anyway. (Will chuckles sadly for a brief moment.) I mean, they even waited until Lucas was home sick and I… (regretfully) wasn't here. They're total cowards.
WILL: I know, but… it's not just them – everybody thinks it. Even my dad.
MIKE: R-really…?
WILL (looking down): Yeah.
MIKE: Well… I don't.
(Will gazes over at Mike, overwhelmingly relieved to hear this.)
WILL: Y-you don't?
MIKE: No! I could never think anything bad about you. You're… you're perfect, Will.
WILL (quietly): No, I'm not.
MIKE: I think you are…
WILL: Really…?
MIKE: Yeah. Really.
WILL: But… what if it turns out they're right?
MIKE: They're NOT!
WILL: But, what if… what if they are? Would… would you still like me?
MIKE: Will. (Mike holds Will's face between his hands and peers resolutely into his eyes. He speaks gently but insistently.) I would still love you.
(A flash of joy lights up Will's whole face.)
WILL: Y-you would?
MIKE: Yeah! Of course. You're my best friend. (He squeezes Will's hand reassuringly.) Nothing could ever change that, okay?
(Fresh tears slip down Will's cheeks. He gives Mike a small, grateful smile, rubbing his thumb over Mike's knuckles for comfort.)
WILL: Okay.
(Mike tenderly caresses Will's face, wiping away his tears, then pulls him against his chest, kissing the top of his head. Holding Will securely in his arms, Mike's heart glows with a sparkly kind of warmth.)
WILL: Mike…?
MIKE: Yeah?
WILL: D’you know a f*ggot is…?
MIKE: No… D-do you?
WILL (shrugging): I dunno. Something horrible and gross, I think. It… it sounds like… some kind of… monstrous garden slug, maybe...?
MIKE (laughing): Well, you're definitely not that!
WILL (also laughing): No, I guess not.
(Mike gives Will one last comforting hug before they stand up and, hand in hand, head over to swings. Watching them from the school steps, Miss Drew smiles to herself.)
(END SCENE)
*The Byler Files, vol 1 and 2, and the first half of vol. 3 are all on AO3, under the name ElephantShoe.
Okay, now I seriously need to get back to the story I'm supposed to be working on.
(Procrastination -- the best way to get something *else* done. Am I right?)
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fisheito · 2 months ago
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"Eiden and his companions accidentally run their carriage into two yokai wearing "maid costumes". To take responsibility and make amends, they set off to check out a maid café located in the forest—"
Girl that's just kuya and yakumo on their way back from the island
Wait ,no. Forest...
Girl that's just kuya and garu out for a walk
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frobby · 2 months ago
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do yall see my vision?
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clouddrawsstuf · 2 months ago
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You people just LOOOOOVE Tsukasa don't you....
You weirdos... /joke I love him too wwwww
I Need more akikasa nd akiruikasa content sigh someone fuel me up please please please
N e ways, old ruikasa art for old au (I fuckimg lOOOOVE gods au I LOVE IT I LOVE IT GIVE ME MORE DRAGONKASA GIVE ME MORE)
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gayofthefae · 2 months ago
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I JUST LAUGHED OUT LOUD.
I WAS TRYING TO FIND THE NAME OF THE OLD COUPLE WHO TAUGHT BUCK ABOUT THE BEAUTY OF QUEER LOVE IN 208 AND YES I PROBABLY TYPED IT TOO VAGUELY BUT
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THEY'RE THE FIRST RESULT FOR 911 GAYS PFTHAHA
[and the fact that it's them filming their son - right after Eddie apologizes to Buck for getting back with his wife and Buck tells him it's not like he's having an affair, and right before Buck doesn't correct the lady who assumes they're together. Great scene all around. They were like "what's the most coupley photo/scene we can possibly pick to really nail it home for the people who haven't seen it. Camcorder parents. Done.]
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lala-blahblah · 2 months ago
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I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.
#if we were villains is actually genuinely good and has actual literary worth and pulls from shakespeare in an intelligent meaningful way#but unfortunately all i can do is comedy so this is the only fan content i have to offer :(#THE THING IS iwwv is just hsmtmts if it hsmtmts was good and also they committed crimes#they utilize the same parallel of casting choices with real life drama which I love#umm so casting: Meredith would be Sharpay Obvi. I think it would be really funny if James was cast as Ryan bc they hate eachother and would#have to pretend to be siblings working together. And I think ashley tisdale and Lucas Gabreel actually didn't get along when filming#also i love the thought of Ms Jen looking at James and going “i know what you are”#HOWEVER it would be more interesting if james was Chad to Oliver's Troy (which is really just reversing their Romeo and Juliet moment)#bc chad is like nooo don't do theater... stick with me and do basketball... but it would be Coded Subtextually#Unfortunately Wren would be typecast as Gabriella and I don't think that would cause drama bc I don't believe James actually liked her!#I think it was comp het bc she was very sweet and nonthreatening as opposed to Meredith's big flirting energy so she would be a “safe” crus#lets lean into that actually. this gives Wren a chance to have a personality (bc I enjoy this book but it is not good at fleshing out women#So oliver and Wren spend more time together and kind of talk about James a little and Wren is like yeah James is very sweet#and I like him but it feels so hard to get him to feel comfortable with me... i guess he's just closed off and doesn't talk much#we also get to see more of her personality and interests maybe she's like I relate to gabriella because I also like to Read :) feminism#and oliver is like Hmm That Is Not My Experience With Him perhaps our bond is deeper and James does like me Hm#And then Meredith can flirt with him as Sharpay and James gets pissed and in character gets very intense about how Troy can't join THEATER#that's why he's upset and sad bc sharpay represents theater and only that reason and nothing else and he isn't in love with oliver At All#Alexander can be Ryan now since James is Chad (and he's also Gay) and Filippa can be Kenzie bc they're both queer coded#Anyway at rehearsal one day Meredith and James and Oliver are having their fighting over troy moment and then Meredith stops and is like#wait guys. This musical is so freaking stupid. why are we even doing this#and their mutual frustration at their art being turned into a farce is enough to bond them together and they're like#we need to focus on our REAL enemy: ms Jen#and then they hatch a scheme and it's probably like. They dump a bucket of fake blood on her at opening night a la carrie#and then put on their own rebellious production... it still has to be a musical because i like musicals#families with children are in the audience and they're like OK FOLKS! HERE'S ROCKY HORROR PICTURE SHOW!#if we were villains#iwwv#hsmtmts#high school musical the musical the series
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mono-socke · 3 months ago
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Eric William Morris Squip and Jason Tam Squip fighting over Jeremy, who shows he likes them both? (Thank you!)
sure!!
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hope this is okay!!
they <33 i like them <33
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