#it doesn't get more precure than this

[cat-shouty-13]

I'm so sorry girls your colours are hard with my pencils :(

but anyway yippee its them !!! They're dancing and having a wonderful time :)

[cureblogging]

Gonna say something potentially controversial:

I think Heartcatch suffers from the Up phenomenon in that people remember it as an excellent, if not flawless masterpiece when it actually has One (1) excellent, if not flawless moment in the beginning and is otherwise nothing special.

[justworthlessreblogs]

i think i've finally settled on my feelings on ciel as a character which is that the writers kinda fucked her over. i don't hate her but i do hate how she was utilized after 23 (which is to say... not really all that much?)

[mahoutoons]

on the topic of men in magical girl shows being treated worse than women in shonen... mot only is it not true but a lot of men in magical girl shows are actually nuanced, full fledged characters with their own personalities and characters arcs.

mamoru chiba may be the poster boy for the male damsel in distress in magical girl shows but he's actually very helpful to sailor moon, supporting her both emotionally and in fights and doing everything he can to be useful to her. he even had a whole arc in the dream arc about wanting to be more useful to usagi.

syaoran li starts out as a rival to sakura and proves to be quite capable, even collecting a few cards on his own. he slowly becomes friends with her and eventually, her boyfriend. in clear card he's a very loving boyfriend and does everything he can to support sakura and make her happy.

touya kinomoto is sakura's brother who knows about her powers but doesn't tell her. he watches sakura from a distance and protects her in any way he can.

yukito tsukishiro is the alternate form of yue. he only knows about this near the end of the sakura card arc. but even then he's a good character with a full fledged personality. also he and touya are such a good couple.

masaya aoyama puts on a facade of the perfect, popular boy but deep down he's cynical and hates humanity because of what they're doing to the planet. but him meeting ichigo and spending time with her opens his heart. he also takes on the role of blue knight to protect ichigo.

shugo chara has many magical boys. tadase hotori, kukai souma, kairi sanjou, and nagihiko fujisaki are all just as important as the girls and they have their own character arcs. even ikuto is quite a complex character, that is if you take away his whole deal with amu.

princess tutu has just as many main male characters as female characters, probably even more and they're all extremely important to the story. mytho is the prince from the story drosselmeyer wrote who went into the real world after he shattered his heart to seal away the raven. fakir is a descendent of drosselmeyer and starts out mean but eventually grows to care about ahiru and plays a very important role in the finale. drosselmeyer is the driving force behind all the events in the series.

the precure franchise, although it did some of its male characters dirty (*cough pikario and takumi cough*) also has some great male characters.

seiji sagara is megumi's childhood friend who finds out about her being a precure. even though he doesn't have any powers he does his best to support her and her friends.

prince kanata is the catalyst behind haruka becoming a precure and he's a capable fighter who does anything to protect his kingdom and supports the girls whenever he can.

henri wakamiya is the first ever male cure (although he's not on the main team) and gives a wonderful lesson about gender expression.

masato aikasi starts out being very conservative but after his heart is opened by henri, he starts to learn that gender roles are stupid and even stands up for his sister against their grandfather.

and now we have cure wing, who is going to he the first main male cure in the franchise.

even though there are male characters in magical girl shows who are either done dirty or quite useless, a lot of the time the authors actually develop the male characters just as much as the female characters.

and this should be an example because if these shojo magical girl authors can put just as much care into their male characters as their female characters, then what's stopping these male shone authors from doing the same to their female characters? shonen being aimed at boys and the authors not knowing how to write women is not an excuse. if shojo authors just said they don’t know how to write men, they would get laughed at. so why is it seen as an acceptable excuse for male shonen authors.

and even if there is a lack of men in these magical girl shows, so what? men have like 148293 shonen anime with generic male protagonist #738383 who beats up bad guys and gets a love interest whose only purpose is either the damsel in distress or fanservice bait. let us have a genre made for women by women. it won't hurt you.

[freezing-kaiju]

THE BIG POLL, ROUND ZERO, REPLACE BLADE BRAVE!!!!!

Beautiful show it is, Kamen Rider Blade must come to an end soon. I will cry. But the world must move on.

And I decided to make this one an anime poll, since some of the legacy options from the very first poll ended up being much longer than the rest. SO! This is all shows between 20-50 episodes, around the same length as a Rider show!

You must choose at least one; if u want more, leave it in the comments or tags or replies pls and i'll count your additional votes at the end!

Agatha Christie’s Great Detectives Poirot and Marple - A young detective related to famous detective Miss Marple joins other famous detective Hercule Poirot as his assistant and learns from these two legendry mentors to solve murders. I love detective shows but I'm not too familiar with Poirot and Miss Marple so maybe the show could serve as an introduction to them. It seems cozy but compelling! The lead writer worked on a bunch of the big popular serieses (Pokemon Sun & Moon, Fairy Tail, Death Note, and Anpanman). This one's a legacy inclusion!

Blue Gender - A man from the modern day with a strange illness goes into cryosleep and wakes up in a destroed earth where mechs and aliens fight and there is a cool tall woman who has a mech. It has gore, mechs which I do need to see more of, but it's a military series. Space's also listed in the genre stuff which...is that a spoiler, do they go to space? 26 episodes, so it's on the longer side, less diligence may apply. This one's a legacy inclusion!

Dirty Pair - 80s anime, two Hotted Boobhaving space agents fight and bicker their way through the galaxy in a distinctly 'two bi women constantly getting divorced' vibe. I don't remember if this one is a legacy inclusion, but it's a famous show!

Scrapped Princess - Fantasy setting, A local white girl doomed to destroy the world and her adoptive siblings travel the world to avoid her devastating fate. also... There's mechs?? Wikipedia tells me it’s a lighthearted but mournful show that uses Clarke’s third law to bridge the gap between scifi and high fantasy. This one was handpicked by a dear friend!

Texhnolyze - by the creators of Serial Experiments Lain, it’s a show that seems similarly angsty and cerebral but much grimier. A boxer gets dismembered, cyborgized, and possibly radicalized deep in the bowels of a city that never sees the sun. ALSO GACKT IS THERE?

R.O.D. READ OR DIE -THE TV- - a potentially jojoish, gay little show about a novelist with a heady mix of hubris and self-loathing and three bibliophile sisters with Paper Abilities fighting various goons and also Britain. It seems like a romp!

Captain Earth - In the vein of Super Sentai (sadly without the precious masks), a color coded group of teens that seems to include a Yaoibait Kaworu fight aliens on behalf of NASA, with a robot that has a REALLY big hat. Supposedly it’s got a lot of intellectual depth!

RahXephon - the second name on everyone’s lips when someone says Evangelion Rip-off, after Darling in the Franxx. Mechs that are blatantly angels, a JSDF, and blue-blooded men in black. I tried a bit, and it’s got a great capture of humanity in times of crisis and such a beautifully 2000s aesthetic.

Devilman Lady - what if you were Devilman and a Lady??? What if there was a blond woman and you were a beast and there was all this blood and violence. Psychological, grungy, and gorgeously 90s. And it's a yuri!!!

Chrno Crusade - Cisgender Bridget and a devilboy (no relation to devilman or devilmanlady) do exorcisms for an order of nuns in 1929 New Yawk Citay. It's a het romance, full of bumbling and comedy and period era ghostbustiness. Also for some reason in a lot of the art (like this one) Chrno is whitewashed?

ITS NOT LETTING ME PUT AN ELEVENTH VIDEO TAKE THIS AND SOME POSTERS

A Precure - I've seen Kamen Riders, Super Sentais, an Ultraman, but I've not seen the sister show to them all; Pretty Cure! SO clearly I need to, and if this one doesn't win it'll flood the poll to replace Ryuki. These options are suggestions; might be others.

[original image sources: agatha's is from the op but can be found screencapped here, gender, dirty, scrapped, texhnolyze, die, earth, rahxephon, lady, crusade (official magazine art findable here), pre tty cure (official posters findable in those places). i replaced them with trailers tho lol. but check the ones that are oroginal anime wallpapers out theyre very nice]

[pochqmqri]

A few months ago, when All Stars F first hit theaters in Japan, I saw some posts from the Japanese side of the fandom that Cure Supreme had a stronger form where her skin "turned brown," which confused me. Even the film director, Yuta Tanaka, and character designer, Nishiki Itaoka, acknowledge it as such in an interview:

Cure Supreme exists as a misinterpretation of Pretty Cure Q: How was Cure Supreme Born? Tanaka: Cure Supreme is a being that only takes an extremely narrow-minded view on Pretty Cure. They see Pretty Cure as only something strong and cool, simply imitating them. If she only understands those superficial aspects, then she truly doesn't get what makes Pretty Cure so strong and allows them to rise above all hardships. In her mind, isn't that all there is to Pretty Cure? By conveying this, we wanted to reaffirm what Pretty Cure has been depicting for the past twenty years....and that's the kind of image born from her existence. Itaoka: In terms of the design used in the story, we started by designing Cure Supreme, then split her off to create Puka, then into the strong Supreme ẞ, as well as her pre-transformed state Prim...other characters were derivatively designed from her. The director gave me notes to start drawing from, but I ignored it all at first. When he looked at the final thing, he had a look of "What the heck is this?!" on his face, lol. What is the "B" that Itaoka-san mentioned? Tanaka: Though it's not specifically stated in the film, the darker-skinned Cure Supreme was referred to as "Supreme ß" among the staff. The gigantic one is "T." The one we first meet is "Supreme Origin." Itaoka: Rather than appear cute, ẞ has a totally cool look, or would it be called "devilish"? The highlights in her eyes are rabbit-shaped. It was introduced as a crest on the back of Cure Supreme before she became ẞ. It's an aggressive design unique to the film.

At the time, there wasn't any screencaps or footage of this form, so I wasn't sure what to make of it. Eventually, the anime comic, which took stills from the film to adapt it, released, as well as the Blu-Ray which came out a few days ago, so I got a better look at "Supreme ß."

...Yeah. For the record, compare this form with Cure Supreme's base form.

She's usually pale as a ghost, mostly because she's an alien. So why is that, when she gets more evil, she turns brown, like a human complexion of brown? Like what are they trying to get at here? That brown skin, along with her black costume, is an indicator of her sinister power?

I get that she has a further stronger form where she's all giant, monstrous, and purplish-black, but I don't see how brown skin relates to that at all?

I haven't seen the film, so I don't know the intricacies of the plot, but it seems that the basic gist is that, Cure Supreme starts out as a villain and ends up becoming good by the end. And judging by how she's been portrayed in promotional material, her skin turns back to normal once she becomes good. What a really great message to send.

All Stars F has been the highest-grossing PreCure film at the box office in the franchise's history, and I understand why, it's a huge love letter built across 20 years, but this piece of colorism that can't be ignored acts as a blemish over it, and the franchise as a whole.

I've been a PreCure fan for about ten years now, and it's been one of my top interests. There are a lot of things I love about it, and things I don't. When "Star Twinkle Pretty Cure" first came out five years ago, I was so ecstatic to see it introduce Elena/Cure Soleil, the first Cure on a main team to have dark/brown skin, that I got to see someone like myself in one of my favorite franchises, but more importantly, that children with darker complexions in Japan could grow up seeing themselves in her. That's why I've been so disappointed that after StarPre, they seemingly gave up on continuing racial diversity, and we haven't had someone like Cure Soleil since.

That's why how they treated Cure Supreme in this film stings so much, because if their message is that brown is evil and pale is good, and that the girl who turns brown when she becomes more evil is a "misrepresentation" of what PreCure is all about, what does that say about Cure Soleil, who also cameos in the film fighting against Cure Supreme and her forces?

And Cure Supreme is not the only recent example of this franchise's colorism. They did something sort of in the opposite direction. Also last year, "Otona Pretty Cure" aired, and we got several new designs for the Cures from a few older seasons, all grown up...and their skin lightened. Most notably, this happened to Saki/Cure Bloom and RIn/Cure Rouge, and even in the anime itself they literally show a flashback scene of Saki when she's younger and more tan, and Rin as an adult de-ageing to her younger self and becoming slightly more tan. So no, you can't claim it's "just the lighting" here.

What are they trying to say here too? One could say that it's because they stopped playing sports their skin became lighter, but we still see Rin play soccer as an adult, so that doesn't apply to her. I think it's an implication that, as Saki and Rin grew into adulthood, they felt pressured to keep up with societal beauty standards, where lighter skin is "better," so they used skin whitening products. This might have been interesting if they tried to portray it as a form of criticism, but they don't even acknowledge it. Tied with the fact that Saki and Rin lose most of their sporty and tomboyish natures as they grow up, it makes it seem like being tan is something "to grow out of" for women. I find this especially bizzare when OtonaPre had several background characters of diverse skin tones/ethnicities, something I praised them for, and would like to actually see in the yearly PreCure anime.

For "Tropical-Rouge! Pretty Cure," we got some concept art of Manatsu/Cure Summer, and a lot of people noticed that she seemed to be slightly more tan in her beta designs. It's a little difficult for me to judge personally, but I'm including this here because TroPre also frustrates me. It's a tropical-themed season and yet almost every character is as pale as a sheet, and you take that in with the fact that this is a season that heavily focuses on makeup. Given the severe amounts of colorism in the makeup industry, as briefly mentioned earlier with skin whitening products, it just shows how little care both Toei and Bandai have about sending a healthy and positive message about skin tone diversity post-StarPre.

Going further back, in "Happiness Charge Pretty Cure," one of the main themes is a network of "international" Pretty Cure, so we have girls from all over the world, and, how the girls of non-European ancestry are depicted are generally really bad ranging from stereotypes to a lack of skin diversity. In the American Pretty Cure team, the Cure in Native American clothing is barely different in skin tone compared to her white peers. The (Asian) Indian Pretty Cure team are barely brown at all. The Egyptian Pretty Cure is as pale as a sheet. The Hawaiian Pretty Cure team is actually relatively well portrayed in terms of skin tone, and they are how the characters in TroPre should have been designed like. I will concede the fact that there are people from those nations who look just like those girls, but when the majority of your franchise is filled with girls of mostly unchanging pale complexions, would it kill the character designers to branch out more?

There are more examples of colorism in this franchise but I feel those are the most major ones I can bring up. A major theme of PreCure nowadays is that "anyone can become a Pretty Cure," from aliens, to boys, dogs, etc. But I now find that message absolutely patronizing with how most of the Cures end up having the same pale and skinny assembly-line-style body types. It makes what they did with Cure Soleil feel like a miracle, and for that, she remains my most favorite Pretty Cure. She came with her own problems too, such as the merchandise lightening her skin or even turning it orange, the amount of screentime she got in StarPre, the prejudiced fandom not buying merch of her compared to other characters, but with how she remains an anomaly, I have to continue defending her. I want this franchise to do much better, and that's why I care a lot about this issue, as well as getting more masc girls like Akira/Cure Chocolat, more disabled girls like Nodoka/Cure Grace, an actual plus-sized Cure, and so on.

[pinkprettycure]

honestly I was talking about it earlier but while speculation on who the writer of a series will be is pretty big point of discussion with the Toku fans I follow. Everyone has their favorite and least favorite writers. Lot of people LOVE or Hate Toshiki Inoue. Kobayashi is a fandom favorite. Gotchard got a lot of hype for having Hasegawa who worked on Ultraman Nexus as one of the lead writers and people really went wild when Inoue's daughter, Akiko, joined as well. People have been fearfully spreadng rumors about Yuya Takahashi (Ex-Aid fame) being the next season writer and let out a sigh of relief when it was revealed to be Junko Komura (Zenkaiger and Healin' Good Precure)

But the anime fans I follow really don't discuss it much at all. It only really came up in the Precure fandom this year because Narita also did Otona Precure (and Yes5 ofc) but Precure discussions otherwise revolve around the character designer and when writer DOES come up there seems to be a lot more confusion and misinfo. I've seen people credit Komura for Delipa and Wonderful and I looked that shit up dawg she is not head writer. she wrote a few banger eps for those seasons but her only head writer credit is HealPre where are ppl hearing this shit man

I know to an extent it makes sense. When a lot of anime is adapted from manga and light novels, most people place precedence on the mangaka and original author and are more interested in the studio as a whole rather than the writer. There's a few anime writers who get lots of discussion like Urobuchi and Anno, but it's not as common.

But like, there's a TON of anime first and multimedia projects and the lead writer and series comp doesn't get all that much credit either :/

[kousaka-ayumu]

Hello there! I adore your writing, I found you through your Malleus x Ace fics! May I request Yandere Floyd x Riddle?

One of my OTPs yes!

The Wild Eel and The Rose

Warnings: this may contains yandere content, stalking, kidnapping, implied non-consent sex, blackmailing, broken English.

Implied ships: Trey X Riddle.

Background ships: Malleus X Ace, Azul X Jamil

--------------------------------------------------

Ever since their first year Floyd always thought that Riddle was small, cute, and petite and usually called him "Kingyo-chan"(it means Gold fish in Japanese)

However Riddle doesn't like him much, the red haired boy tried his best to avoid the energetic eel, because to him Floyd was a menace.

The heartslabyul dorm leader tried his best to avoid the energetic eel but to no avail Floyd always finds him, someone please saves this red head.

One day Floyd was doing his usual thing, stalking Riddle Rosehearts when something may or may not trigger his yandere instincts

While hiding in the bushes Floyd was of course watching the red haired boy talking to the other Heartslabyul students about another upcoming Unbirthday Party since it was 5th of May.

He seems to be noticed that sthe Vice-Dorm leader Trey was a lot closer to Riddle than before.

As the other Heartslabyul students left, the green haired third year leaned against red haired boy's cheek and KISS!

Floyd's eyes widened in anger as he cletch his fist. 'Why him out of all people?! Why Kingyo-chan?! Why did you chose this Umigame-kun?! Why didn't you choose me instead?!' He thought in anger as he saw Riddle smiled at the green haired third year making him filled with anger even more.

He needed to thought of plan to get rid of Trey Clover, Riddle was his! And his alone.

For the next few days Floyd was in a bad mood that was so bad right to point that scares the other NRC students, alongside the fact that Ace and Jamil have to avoid him.

Yeah, this boy's mind I'd pretty fucked up am I right?

But since he knew of Azul, his dorm leader have done to Jamil, he thought that he might do the same to Riddle.

Meanwhile Riddle was currently in the library helping Yumeri prepare for her remedial test as she scores 41 on her test and heeded someone to help her improve since Sonomi was at the Botanical Garden, Taiyou at MagiShift practice, Mizuko was currently at the Monstro Lounge, Farah's with Jamil, and Hokori was at dance practice and Kaida.... Who knows what she's doing.

"I told you you shouldn't be spending all your time reading manga Yumeri, you should be studying for the test and you didn't." Riddle said scolding the grayish-redhead who look down in shame. "I'm sorry Riddle." She said.

He took a deep breath and looked at her"Now what is the answer to-"

"Kurayami!" A monster that look like a book outside the library scream out as they're looking for something or someone..

"PreCure, come out." A deep yet soft voice said as a villain who happened to be a 17 year old girl named Marionette "Come out,come out wherever you are."

"Sorry Riddle! I gotta go! Bye!" Yumeri yelled out as she got up from her seat and ran out of the library.

"Yume- wait!" He tried calling out to her but she was gone from the library, he decided to follow her to see what she's doing only to be grabbed by a large hand which covered his mouth, at first he tried to fight back but the hand is too strong that he is passing out.

Wep, that's the end. Sorry anon if it's too short a d taking forever...

[variouspolltournaments]

Propaganda

Mandy: No Propaganda Submitted

Setsuna Higashi: Grew up under a highly controlling ruler, and encountering the world of the Precure challenged everything she believed in. Nearly sacrifices herself for the villains in desperation before she accepts that it doesn’t need to be that way, and becomes a precure in the process. Takes a while to accept that her friends trust that she isn’t a villain anymore as well

Venom: No Propaganda Submitted

Koro-sensei: It doesn't get much more villainous than being the world's greatest assassin.

[good-intentions-paving-co]

I'm super surprised I enjoyed a precure episode where a big part of it was just educating kids about animal care. This season has such great chemistry for the characters.

The fight wasn't to bad as well. I'm always glad these fights are more rescue than battle, even if it means less cool fight scenes. That being said, this way has high highs and low lows. This one was a good middle though.

One of the low lows was the first time they used the power of the penguin. They really forced it into being a speed upgrade then, so now the more obvious ice power up had to sort of be fudged a lil bit. At least I can excuse it a little by saying it's a cat duo thing.

Oddly enough though my favourite part was when Iroha called MeyMey. You wouldn't believe how little the precure items DO NOT GET SEEN untill they literally pull them out for their transformation

(and no, being something they wear 24/7 doesn't count. The point is for the relationship between the individual and the MAGICAL FRIGGIN ITEM THEYVE BEEN GIVEN. Iroha having an out of the box idea and implementing it is the best we've even gotten. Also they even drew the trunk so high def and even showed how it works beyond its primary function. I'm seriously so happy XD)

[curedigiqueen]

Listen, I understand why Suite isn't a popular season. Generally speaking, the best parts of it are generally done better in the two seasons that precede it. It in many ways is just a weaker frankensteining of Fresh and Heartcatch. But Fresh and Heartcatch are fantastic, so just because it's worse than those seasons, doesn't mean its bad in my opinion. And to be fair, it does deserve many of its criticisms.

But it's also one of my favorite seasons, and I think some of it's criticisms are more a matter of taste. There's just a lot I love about Suite.

Hibiki and Kanade

I also know a lot of people aren't huge fans of the whole fighting thing Hibiki and Kanade have going on. And I agree, it's not the best executed and some things don't make sense. I also understand that many people are not fond of the vitriolic best buds trope, but I don't think that makes their relationship inherently bad just not to everyone's taste. For what it's worth, we haven't had a pair of cures like them before and since and it's a tragedy to me personally because I am quite fond of vitriolic best buds, duo cures and childhood friends. We have so many cure duos and aside from these two, none are childhood friends. The CLOSEST is the fact that Saki and Mai met once, when they were 9. Several trios of childhood friends (Fresh, Doki Doki and Happiness Charge), but they're the only true childhood friend duo. I honestly want more cures like these two. They get the learning to understand each other that the new friendships have, with the wealth of intimate knowledge about each other stemming from their childhood friendship. Despite spending a year "apart", the years they spent together still mean something, and they can't seem to stay away. They're mad at each other but there is still a comfortable familiarity in the way they aren't afraid to fight with each other. They say they aren't friends but they still call each other by first name.

Their hearts naturally fall into perfect harmony. The have like the same sense of style. Kanade likes to bake. Hibiki likes to eat. Souta refers to Hibiki as "Hibiki-Nee-san", and otherwise treats her similarly to his own sister. They have a flashlight code that they use to communicate across town at night. Neither one realized that there are two entrances with Sakura trees at their middle school or tried to talk about it for a whole year. They're both so stupid.

They take after Nagisa and Honoka a lot too. Nagisa and Hibiki are both athletic redheads who are good at sports and have black as a main color in one of their outfits (Cure for Nagisa, Civ for Hibiki), and generally use pink in their outfits. Both like to eat. Both can be prone to grumpiness and disagreements with their family members. Honoka and Kanade are both white Cures with fierce tempers and a strong sense of responsibility, able to handle domestic things like cooking. Both have more academic strengths, but are relatively graceful. There are some twists of course, Kanade has the little brother who she bickers with (their little brother's even both end their name with "ta"), Hibiki is the one with a parent who is often abroad. I really like how the two called back to the original duo without at all feeling like a copy.

To be fair not communicating is the name of the game in Suite. And so, I do 100% understand not liking this plot. I really do understand it. It's more than fair. All of the plots basically revolve around miscommunication. That is like. The entirety of Suite. Miscommunications, and the breakdown and subsequent healing of relationships. A very very valid complaint. One that I can overlook, but understand if others cannot.

Siren and Hummy

So, Precure's second heel-face turn Cure (if we don't count the Kiryuu sisters). She's a shapeshifting cat who can sing. The original one.

While normally I dislike the "Brainwashed to be evil" trope. It can be very effective. Go Princess used it to great effect in which there was a level of tragedy to the years that had been stolen away from Towa, and how her motivations had been twisted. I think it has similar effect here, where we kind of get both. She was brainwashed, and I do think that does cheapen Siren's motivations and redemption a bit, but she also had genuinely negative feelings towards Hummy, that she acted on in refusing to practice with Hummy. She still has to face Hummy head on, and as much as she tries to pretend that she's hard and strong enough to live in her bitterness. Siren isn't actually mean enough to keep facing her friend and betray her over and over again.

Hummy being better at singing than her caused her to lose a piece of her identity. The most important singer in all of Majorland. The one who sings the melody of happiness. So Siren doubles down on that identity. She becomes Minorland's singer. But she also, due to her shapeshifting, spends that time adopting different identities. Testing things out, even if she doesn't realize it. Ultimately she has to completely let go of her old identity (losing access to her original form) and everything associated with it and forge a new sense of self, in order to find happiness. But she doesn't completely lose everything.

Despite not liking to be called Siren anymore, she still lets Hummy call her that. She turned her old identity of Siren into something bitter, so she had to cast it off to redefine herself. But Hummy is the only one who ever saw the real Siren through everything Siren tried to become. Hummy may have been the one who took her sense of worth, but she's also the one who always saw Siren's value as Siren. Hummy gets to use Siren because her relationship with Hummy is the only thing that survived Siren's evolution. The two have to forge a new relationship to a certain extent. But it's built on what came before.

I also just think it's fun that the bulk of this emotional arc is on Hummy. It's cat drama. Fairy drama. Usually this is the kinda of stuff that happens between the pink and the heel-face cure. But not this time. This time it's the cat fairy, and the pink is dealing with her own friendship drama. I think it also ties right back into Suites continued echo of healing relationships, actually listening to people in order to harmonize with them. Hibiki and Kanade have to resolve their bitter feelings from their estrangement. Siren has to get over her jealousy to let Hummy back into her life. And Mephisto and Aphrodite have to stop fighting a war against each other.

Major Land's Royal Family

I mean really, no one bothered to tell Hibiki and Kanade at any point that Mephisto was the brainwashed former King of Major Land and that Major Land had a princess who was in hiding? Just locked out of the loop. Both Kanon and Majorland are entirely made up of people who can't communicate.

Anyway, Ako is my all time favorite cure. I rather unpopular choice, I know. But she fits right in with many of my other favorites, characters such as Hikari Yagami, Takeru Takaishi, King Clawthorne, King Ezran, Anya Forger etc. I love kid characters. I especially love messed up traumatized kids who don't always deal with it in great ways. And kid characters with heaps of responsibility on their shoulders. Like chosen ones and royalty.

So Ako is the epitome of what I look for in my favorite characters. She's a 9 year old with high future expectations, that she can't even begin to try and live up to because she's been sent away from everything she's known and loved. Not just moving to a new town, but a new world, where the rules of what is and isn't normal are different. In addition she was forced into physically altering her appearance, wearing unfamiliar clothes, and cutting her long hair. Not only that, she now has to keep everything about her secret. Her hometown, whatever music magic she has, her real future career plans, everything that made her her, has to be suppressed and kept secret. And she was like. Six. That's tiny. And she has to construct a whole new fake identity?

No wonder she's grumpy and keeps to herself? Her alternative is just trying to keep up a bunch of lies all the time. And keeping to herself, means few friends, and trying to keep people away, because this is supposed to be temporary to some degree. She has back home eventually, she's their future queen. She really has no choice BUT to be a grumpy brat. To keep from getting found out and to keep from getting attached. Like sure she doesn't have to be a brat to Hibiki and Kanade, but she's kinda right half the time, and honestly her tempering that brattiness into being just unpleasant enough to be left alone without being so obnoxious she draws people's ire involves way more socio-emotional intelligence than should ever be expected from a nine year old. And at a certain point, after years of it, it became part of her real personality. The sweet optimistic little princess is still there. But it's under a layer of cynicism.

Ako wants her family back. So she gets the power to do that. And things still don't go her way.

I've joked to people before that Ako is one of 4 cures with divorced parents. Her parents are effectively divorced, but extra. They're not just trying to fight over a house and custody of her, but over not just an entire kingdom, but the fate of the world. And her father doesn't even know who she is anymore. Her parents are actively at war, and her mother honestly shows no qualms about letting her husband be potentially killed, not bothering to tell the people she's sent after him about their relationship and his true nature. (And then her mom asks Mephisto to kill her to protect their kingdom, Ako can't catch a break).

This ties back to a fact that is kind of brushed over in the show. Ako is the princess. In the show she's honestly just the princess because it puts her in between Mephisto and Aphrodite's drama. But we see in show that Mephisto and Aphrodite are constantly putting their kingdom's needs above their own. A- monarchs (points deducted for getting brainwashed), but like. B- parents tbh. They love Ako so, so much, but simply can't raise her themselves. In fact, Ako's parents won't look after themselves, so Ako has to look out for them instead of the other way around. We see this a lot with Mephisto.

Sometimes Ako makes absolutely stupid decisions, like releasing notes, because she doesn't want to go against her dad, even if he isn't himself right now. Because she's a child whose parents are fighting, seemingly to the death, and if she can spread out the fight, she can hopefully drag out the arrival of consequences.

Ako does eventually learn to use the power as a cure, so she can balance the needs of the many over the needs of her loved ones. So she can do both. But she has to learn to make the hard choices and be willing to stand against her loved ones.

Also Ako also gets the miscommunication based friendship breakdown with her and Suzu, and to a lesser extent her and Souta in the movie. Suite really goes hard on the whole healing relationships thing.

Ako is really a direct foil to Yuri who precedes her. Missing evil brainwashed dads. Present throughout the whole show, but only join the team in the last quarter (the latest of any Cures). Semi-awkward friendship with one of the other cure's siblings in part because their friend doesn't know about all their magical girl trauma. Already looped into the magical girl stuff before any of the other cures, so has a preexisting relationship of some sort with the grandparent mentor. Ako is pretty much just a baby Yuri, but who has just now gained the power to try and fight after years of inability to do anything, instead of having just lost her power, and having to face down her own failure and keep going. So she's an angry elementary kid rather than a depressed high schooler. How can I not love her?

[flightfoot]

I just finished the seasons of Pretty Cure I was interested in, here's my rankings for them!

For reference, the Precure seasons I've completed are Futari Wa, Max Heart, Fresh, Heartcatch, Go Princess, Mahou Tsukai, Kira Kira, Hugtto, Star Twinkle, Delicious Party, Otona, and Hirogaru Sky.

I'm gonna rank them from worst to best and give my opinion on them. Warning that there may be spoilers in my review.

Hirogaru Sky

This season was a MASSIVE disappointment. It started off strong, but the plot just kind of meandered around until the last few episodes, the pacing was terrible. Most of the episodes are just the characters going to some location and hanging out being cute, and while that's fine for the occasional breather episode, it got really boring really quickly. The character arcs were also pretty lackluster for the most part, Sora's especially. C'mon, you can do so much more interesting things with the desire to "be a hero". Cure Majesty managed to be the most boring cure in existence, she lost all semblance of personality in her transformation from Ellee. Some good things: Tsubasa's character design was amazing, and his two episode introduction was one of the best I've seen for a non-midseason. I also really enjoyed how Mashiro and Battamonda foiled off of each other, I hadn't expected that. If only that arc encompassed more than just three episodes, that was the best part of the show.

Futari Wa

It's okay, it's neat to see where the show started and Nagisa and Honoka are fun to watch. I wish it'd given more even focus to both leads instead of focusing so heavily on Nagisa though, given that there was only the two of them, and it's overall pretty generic by magical girl standards.

Max Heart

I like Max Heart a little better than Futari Wa. Hikari's just okay and the Heartiels are a really poor fetch quest for showing progression (they just kinda show up when it's time), but there's a bit of a mystery element going on with figuring out what Hikari is and how she's connected to the mysterious boy, and overall the plot and ending are a little better than the first season.

Star Twinkle

Now we're getting into the really solid seasons, the ones with a lot to offer, even if they still have major flaws. I love how expansive the world is, all the Cures are interesting and have their own problems, and the way the villains foil with the heroes is cool. It does have some major flaws, however. The season refuses to actually commit to the moral ambiguity it sets up. Like with its cool phantom thief character: she's stealing back the treasures that were illegally stolen from her homeworld after all her people were petrified. Unfortunately, the show doesn't want to promote stealing, so she ends up being scolded about how "stealing is bad" and that they need to simply ask the mob boss nicely to hand over the jewelry he bought. It also has problems with something that's going to come up a lot with the more ambitious, darker entries on this list: terminal vagueness. Precure is frequently extremely vague when tackling darker subjects in the narrative, which can be to its detriment. Like for instance, Kappard hates outsiders because outsiders took his planets resources. It's unclear from what little we see whether outsiders conquered and colonized their world, or whether there were just too many exploitive tourists and the government was incompetent and decided not to do anything about it. I also just kinda got bored after awhile and started wanting it to be over, though there was a lot of interesting stuff in the series. Overall still a good series with a varied world that attempts to tackle and comment on a lot of interesting subjects, but doesn't always manage to do it well.

Heartcatch

So this is a fan-favorite season. Funny thing is, I think it actually sucks at the things it's most well-known for, but is very good at some other things. It's known for being really dark, but I thought its dark elements were poorly executed, with little explanation being given for why Cure Moonlight's father felt the need to put on that damn mask, and little explanation being given about how the main villains came to be. Honestly, for any of them except for Dark Precure. Dune is particularly nonsensical, I have no idea whether he's an alien, a god, or some primordial force. He just kinda popped up. It also set up some plot threads at the beginning with some unsatisfactory pay-offs, like with Cure Blossom supposedly being the weakest Precure and that mostly not mattering after the first episode, or the mystery of who the hunky guy who saved her actually was. Him being Coupe transformed to look like her dead grandpa was unsatisfying. Heartcatch DOES, however, have solid characters and the best monster-of-the-week episodes in the franchise. The premise of Heartcatch was well-crafted for going over and helping to resolve the emotional problems various people run into in their day-to-day lives. For that aspect, I'd recommend Heartcatch to people, even with the problems I have with the actual plot.

Go Princess

This is a really good, solid season that you can hand to most newcomers and be confident they'll have a good time. The character arcs are just kind of okay, but the season's well-paced, I really love the message about pursuing your dreams, putting in the work to fulfill your ambitions, and it's got solid episodic episodes. The thing it's REALLY good at and is known for are the fight scenes and boss fights though. There are boss fights roughly every ten episodes and they're pretty epic, and the fighting is pretty brutal this season in general.

Delicious Party

This is the most underrated Precure season. I think it's something about the silliness of being a food-based season? But I loved its full-throated sincerity when espousing how food brings people together, and it has one of the most plot-filled, excellently paced storylines, since it has this mystery running throughout it of who stole the recipebon, where it is now, and what, exactly, happened to Cinnamon. I really enjoyed some of the character arcs this time around, Cure Spicy's in particular, with her and her parents trying to reconnect, she's one of my favorite cures! Overall, I can understand some of the complaints about this season, but I loved it.

Mahou Tsukai

This season is more than the sum of its parts. Its villains are fun, if not ground-breaking, and it has pretty good world-building, arguably the best of any Precure season - not that that's saying a lot, that is not one of Precure's strengths. It's not really the character ARCS that are amazing this season, it's how the main characters play off each other. This is the most cohesive, closest team of Cures I've seen. Helps that the two main Cures raised a child together XD. Anyway, while a few episodes were kinda slow, I really enjoyed seeing the Magic world and the epilogue left me on the verge of tears, which is the most I've been emotionally affected by ANYTHING in Precure. Highly recommend this season.

Otona

This one's hard to place, since it was only a single cour instead of just four. Still, I think it earns this place. I love how while all the Cures achieved their "dream" jobs, it didn't mean that everything was perfect and sunny in their lives, and looming threats like Global Warming were brought up. All the cures had their own, individual problems, ones that couldn't just be naively dealt with like when they were kids - they had to come up with actual adult answers for them. I love how Otona didn't just like, make everything dark and gloomy, but DID actually seem interested in tackling what might happen with a group of adult magical girls in a genuinely mature way. It felt even-handed. I'd recommend this to even some non-Precure fans who were interested in this sort of premise.

Fresh

I did not like this season at first. I could tell that the villains were gonna be interesting, but I wasn't all that interested in Miki, Buki, Love, or Chiffon. I thought this was gonna be a mediocre season. ...then Eas got those cards and the plot went into overdrive and never went back. The first ten or so episodes of Fresh are just kinda okay, but after that, once Setsuna's arc kicks into high gear, it becomes one of the best Precure seasons, with the single best plot, ending, villains, and single character arc in the series. Setsuna's redemption arc is very compelling, especially since her having been a villain never stops mattering. Reminds me of Ken Ichijouji's, in that way. And the villains are all a blast to watch, and for different reasons. Westar's a himbo, Soular's a sneaky schemer, and Eas gets divided loyalties pretty quickly. They have different sorts of villains they make too. I especially like Soular's villains, they have creative powers. The main things keeping Fresh from being higher are its early mediocre episodes and Chiffon. Chiffon's role in the plot makes no sense. Once again, Precure's just very vague and has Chiffon be this infinity thing that can be used to take over worlds and has a music box to help undo the transformation... just because? it's never explained why Chiffon is the way she is, and she's too important to the plot for that to just be handwaved away. Overall though, I think this season has the most of the best stuff to offer, it's just that there's enough important things it does poorly to keep it off the top of this list.

Hugtto

This season is excellently paced with great character arcs for all the Cures AND even a bunch of the side characters, such as Henri and Masato. Hugtan is a great magical Precure baby and Hariham Harry is an amazing mascot/mentor. The episodes are almost all highly enjoyable and the villains stick around after being defeated, popping up in their new jobs repeatedly. The main thing keeping it off the top spot is the whole "terminal vagueness" problem I've talked about before. It's not totally clear why a lot of the villains want to stop time or why some of them even joined the organization to begin with, or why they made certain other decisions. Like Doctor Traum just sort of attempting to murder his coworker because he could, or why Hariham's brethren decided to stick with Criasu Corp as much as they did after everyone else had gotten hit with an unexplained illness and then had the village burnt down and everyone die in a similarly unexplained fire. The ending was highly disappointing because of how vague it was about these sort of motivations, it just kinda felt like stuff was happening. The epilogue was really good though, I loved seeing what was happening in this new future.

Kira Kira

This is, in my opinion, the single best Precure season. It's got well-orchestrated character arcs for everyone, memorable villains (well, half of the villains, at least), excellent pacing, and the earnestness with which it pursues its baking theme is great to watch. I also really love how Ichika actually kinda sucked at baking at first and had to slowly become better through experience, it was satisfying and realistic! Also the ending was really good and the epilogue had me jumping out of my seat, I STILL can't believe that something that'd been bugging me since episode 2 was finally answered IN THE VERY LAST EPISODE. Honestly my biggest complaint is the lack of Cure Waffle, we were ROBBED. Still, I'm very glad Pikario existed in the first place at least.

[curejiraiya]

So AiPri huh.

I posted my live reactions on Twitter, but tldr of that was I was initially really excited. I think the idea of two arcade games, one that's more aimed children and one that's more aimed at long time fans is honestly genius. I think that they're going to make a lot of money out of that concept.

I also compared it a lot to Aikatsu. The art looks like Aikatsu, the plot that we know feels like Aikatsu. I think the two new main girls are pretty cool, they're designs are a lot simpler than PriMagi and I can't say I like that, but I don't dislike their designs I just like them less than PriMagi.

I'm also really excited for the music. I honestly feel like I called Auru's VA being the lead, but she deserves the role. She's really young and if this show stays around she'll grow into it. We didn't hear much but I liked the song we heard from the snippit of the arcade game, even a little more than Matsuri's song.

Though once the live stream ended my excitement has dropped a little bit. The anime is being done by a completely different production company, that means it's not going to keep a lot of its staff. To be blunt the writing is just going to be different, and I'm scared it's going to be more like the modern children's anime landscape where they're afraid to have things happen lmfao. They don't get deep enough into the plot as I want, and they leave all the crazy world building to the last few episodes. Now PriChan did this too so like there was a chance this was gonna happen anyway, but giving the show to a studio that's known for working on fucking pokémon terrifies me a little bit. I'm scared it's going to be shallow and bad.

Actually I think I'm just scared It's going to be Aikatsu. Aikatsu isn't a bad show, but it's not the Pretty Series. There isn't crazy lore and things that you could never expect to happen happening. The Pretty Series has a certain magic that I haven't felt in any other show, and I'm worried a new production team isn't going to be able to capture that.

The other two parts of my theory that lead me to believe this is true is 1. the split arcade game, because the arcade game that's meant more for adults has the old series girls on the front of the machine. Like it's being very blunt that it's pushing nostalgia, and the show itself isn't. I'm worried that their intentionally dividing the audiences so they can aim the show at a slightly lower demographic and not alienate the adults. and then 2. The theme of the show being makeup. Makeup itself is not inherently childish, but two-fold one it makes the show pointedly more for girls than unisex, which also is not a problem I just think the only reason they would do that is if they want to capture a very young child audience.

But the other point and this to me is the important one, is children's makeup toys in Japan are made to be temporary because the students are not allowed to wear makeup to school. So they have formulas meant for the kids to be able to rub off easily in their lip gloss and nail polishes. Because of this adults cannot buy these toys, because they're not going to wear fucking temporary lip gloss. It concerns me slightly that their main toy line with this series is something that adults aren't going to want at all. In comparison to something like prepara where the main toys are little plastic mics which make great display pieces for adults. Fun for all ages.

Now; lowering the target demographic age of the show doesn't necessarily mean a bad show, But I can't help but look at other shows airing for the demographic like PreCure or Aikatsu or even pokémon and as an adult viewer you can see that the shows have been slightly dumbed down then where they were when they started airing. or even where they were when Pretty Rhythm started airing. and it's my personal opinion that I don't really like these new shows that much, they're not bad but they're not as good as they used to be lmaooooo and it's not nostalgia because I didn't grow up with PreCure or Pretty.

That's the crux of my fears though, like I'm just afraid new production company, new people who haven't touched the show before, they're going to dumb it down. But we don't know yet.

Someone on Twitter pointed out that this opens up the production company to work on projects like PolePri or hahahaha omg say it with me, King of Prism 🤡 but I do like those kinds of shows that they've put out, and they seem to he pushing cheer screenings, so this could lead to good things in the end.

Sorry if this is slightly gloomy, I'm still excited! I'm just cautious.

[muthaz-rapapa]

Otona Precure '23: The Sequel We ACTUALLY Deserve

Let's not mince words.

Otona Precure wasn't just fantastic, it puts every reboot or sequel of an established series to shame.

Because yea, it's primarily aimed at an older audience alright but the issues and the themes discussed in the story are relatable and relevant to everyone's interests, regardless of age.

That reality is much harsher than we think it is, more than we can comprehend. That the world will never be perfect like we want it to be.

But also that, because we're on this planet right now at this very moment, we can't just sit around and resign ourselves to not do anything as situations continue to worsen.

Pollution, climate change, toxic society, war.

The show did not shy away from addressing these topics but what's even more notable is it pointing out that people, humans, are the source of them all.

And I appreciate the honesty of that statement because yes, frankly, we are the problem.

People are selfish. We indulge too much in ourselves, our own egos, that we are blinded to the welfare of others. We are also lazy and discriminating and even those who say we'd like things to be better often give up too easily because searching for a solution is too hard and daunting.

Mankind is the shittiest species to walk upon this earth and no one's gonna argue on that.

But does that make everyone inherently bad though?

No, of course not.

We're flawed beings but we're also capable of learning. We're capable of understanding and compassion. There are many among us who do try our best to make this world a kinder and more beautiful place to live in.

But as the finale shows, it cannot only be these few people (like Precure) to do all the hauling and pushing. Everybody has to pitch in. Everybody has to contribute for a better world to be possible.

And that doesn't mean tackling a conflict that's a lot bigger than you can handle. That doesn't mean you have to go at it all alone.

It means that you have to change the way you are, change the way you do things to get the ball rolling. Only by changing yourself first that you can begin to change your surroundings, not the other way around.

It's only through the collective effort of everyone wanting to change for the better that we can protect what we love and create the future that we envision.

Precure is meant to inspire that will to act which is best exemplified in Nozomi. Cure Dream, the Precure of Hope.

Nozomi stands out among the many lead Cures we've had over the years in the quality of leadership she displays as the head of her own team.

She is not the brightest nor sharpest person in any group but damn, does that girl woman never give up.

Not even when she pushes herself to the brink that she falls unconscious from fatigue several times did she ever consider the thought of giving up.

And that's exactly what makes her such a strong and effective leader.

It's not because she's been put into that position so she's only functioning as one.

It's because she inspires everyone around her to become the leaders of their own lives which would then repeatedly bring about the butterfly effect in people beyond their own circle.

Additionally, we must applaud at how well the themes of adulthood and personal struggle have been explored. Look at the girls! Look at how much they've grown, how much they've progressed from the time they were still just middle schoolers dreaming of what they want to be in the future.

(GODDAMNIT, MILK BECAME THE PRIME MINISTER OF HER HOME COUNTRY, I'M STILL NOT OVER THAT AAAAAAHHHHHH!!!!!!!)

They've accomplished so much and you can't help but be incredibly proud of how far they've come on their individual journeys.

But now that they're adults, they also realize just how difficult it is to keep the optimism they had when they were kids. Things don't always go the way you want them to. Real life is stressful and exhausting and the accumulation of all those negative feelings of helplessness is enough to send anyone into depression.

As an adult, you're constantly asking yourself "is it really worth it?" because you don't want to betray the hopes you had as a child but sometimes, it's just too hard that all you want to do is give up.

...and that's okay if you need to for a while.

Take a break, go talk to someone you can trust if you feel you've really hit rock bottom.

Find a secure, safe space to cry it all out if you have to.

It's okay to not be okay all the time.

Because that's pretty much what adulthood is.

Being an adult is not about doing everything but knowing you can't do everything and telling yourself that's okay. Because you're already doing everything you can. Your best is good enough.

It's good enough for one person. Nobody's asking you to save the world or become a magical girl to fight off monsters or resolve a major crisis with a miracle answer.

You just need to do your part of the whole in the best way you can. That's all.

And I believe Bell knows that as well.

She knows that just because today's worst was averted, it doesn't mean we're out of the doom radar yet. Because she's right. Humans still can't be trusted as proven by that after-credits scene. There are still plenty of jerks out there who don't give a damn about how much harm they're adding to the world.

But she also knows that as long as there is someone like Precure to do their part, to yell at those jerks to pick up their trash, then maybe, maybe, not all hope is lost just yet.

And so she leaves with the words "I'll be waiting for you in the future", hoping that what the Cures have taught her to believe won't betray her when that time comes.

That said, for us longtime fans of the series, Otona Precure is also a love letter.

A project of appreciation to us for the past 20 years of love and support we've given this franchise.

And I'd say we got what we wanted because before the announcement of this spin-off, I didn't think Toei would ever care to redeem Yes! 5 Precure on how badly it performed during its two seasons run.

Yet here we are and even 100 times better than the original.

They cut out all the fillers which was the primary flaw of those two seasons and focused entirely on the characters. The girls and the expansion of their story arcs. The stuff we actually want to see.

Moreover, the writers did a very great job of showing how everyone has matured. For example, Rin and Karen outgrew their bickering and even the uncalled for vitriol that Kurumi always directed at Nozomi is nowhere to be found.

Seriously! I laughed so hard when Kurumi switched the target of her criticism from Nozomi to Coco. I don't think we've ever seen her this concerned and sympathetic towards Nozomi to the point that she didn't even hesitate to yell at her superior to "cut it with your responsibilities crap and go comfort your lonely girlfriend, you idiot king!"

🤣🤣🤣🤣

Everyone is just incredibly supportive of each other and that's so heartwarming.

I also personally loved how they dealt with Komachi's episode, which introduced a sort of sub-theme of one's love for their hometown.

Komachi has always aspired to become a writer and it would've been fine to go down the route of getting her out of her slump.

But having Komachi put in effort for her community, learn about the history of her town, and becoming determined to defend it after her strengthened appreciation fit with the overarching theme and her personality so much better.

The inclusion of Splash Star into this story was awesome, too.

If I can be honest, I don't think Saki and Mai would've done as well as Otona Precure if they had 12 episodes only to themselves (including Michiru and Kaoru, btw). So by giving them a fair amount of screentime next to the Yes!5 girls, the show just felt more complete with their conclusions.

They're still chasing their respective dreams, had their relationship troubles (and Saki got engaged to her boyfriend/fiance who seems like a very good guy judging by how he's supportive of her going to Luxembourg, ugh so happy for her!) and career doubts but are still as close as ever which allowed them to pull through in the end.

Wonderful.

Finally, let's all agree that no anniversary season is complete unless proper spotlight is given to the dai-senpai Precure, FutariWa.

Maybe that's why 10th anniversary was such a dud?

They didn't get as much screentime as they did during the 15th anniversary (which included two episodes in Hugtto and sharing the main lead role with Hana/Cure Yell in the All Stars movie) but they still made a grand entrance in the penultimate ep of Otona Precure and kicked absolute ass in the finale and that's really all that matters.

So good job, Toei!

And ok, finally finally, NozoCoco officially got 💖MARRIED💖

Romance is not a vital aspect of Precure nor does it ever have to be because focusing on friendship and teamwork is still the most important aspect when it comes to this series...

But only a stupid numbskull would say Coco is unnecessary to Nozomi's happiness because he's the biggest reason she was able to become who she is today. The fact that she even tells him, right after she woke up from her coma, that she needs him to truly be happy is a proof of how irreplaceable he is to her.

She doesn't ask him to be with her because she needs a man. She wants him to marry her because he brings out the best in her. Because he is the one person who can understand her better than anyone else can and the one person whom she wants to share the rest of her life with.

Remember that Nozomi was inspired by Coco. She became Precure, became Cure Dream, because she met him. She aspired to become a teacher because of him. The butterfly effect for her began with him.

For them to overcome all these obstacles to their relationship and promise to be there for one another, through all the good and bad...it's the fulfillment of a dream they both deserve.

And the perfect ending to Yes! 5 Precure.

So congratulations to Yes!5 and Splash Star on an amazing sequel.

Congratulations to Precure for these precious 20 years you've given us.

Here's hoping to more successful years ahead.

See you in the new year!

[mahou-furbies]

I really wish we'll get an art-themed precure season where the "draw your own transformation" idea could be used to the fullest. I think the animation is great in Star Twinkle, but also feels wasted since the season isn't otherwise about art. This has been a problem I've had the franchise for years, it's far more loose with its subjects and themes than I'd like. Like most of the seasons have a distinct main theme, but then there's usually various unrelated elements that feel extraneous and incomplete to me.

Like for example KiraKira is the sweets season, but they also have an animal theme that doesn't really amount to much, and while I'm only up to episode 12, I haven't heard that Komugi and Yuki's crowns or Iroha's detective hat would mean anything. HapiCha is the worst offender as far as I can remember, like the collectible outfit cards are a major element but the story and themes have nothing to do with fashion or clothes, it introduces the international Precure but that notoriously goes nowhere, the girls have dance related attack finishers but nobody has any interest in dancing otherwise, Iona transforms with a piano but otherwise isn't a musician, and so on.

I remember seeing some complaints that some people didn't like how DeliParty was so much about food, and I can see that side too since sure it can get stale to have 40+ episodes on the same topic, especially if it's something you're not interested in or if the show doesn't say anything new about it subject matter. But in general I'd prefer it if they settled on a theme and really thought of how to utilise it to the fullest, and use it as much as possible and from many different angles. Like not every episode has to be about the same thing, the show is four cours so there's room for some variety and more "generic" episodes, but I'd like if most of the major elements (main plot, villains, character designs, individual characters' stories, henshin and attack animations etc) pointed in the same direction. They're going to make a billion of these seasons anyway so there should be room for all kinds of themes to be the main focus, so I don't think they should be tacked on to unrelated seasons where they end up being woefully underutilised.

[hotwaterandmilk]

I started writing this last week, then my tonsillitis floored me so @bunnymajo beat me with her own post on the topic (it's v. good, check it out!!), but I still wanted to share a few of my thoughts about why y'all should consider picking up the Discotek release of the Kaitou Saint Tail anime series on blu-ray.

I'll be honest, Kaitou Saint Tail wasn't my favourite magical girl series growing up in the mid-90s, I found myself far more drawn to Sailor Moon, Wedding Peach, and Kamikaze Kaitou Jeanne (in that order). However, as I've grown older and re-watched the anime series a couple of times, I've grown to appreciate a lot about it that perhaps I didn't so much when I was young and had a million anime series vying for my attention.

The anime

If you've never seen the Kaitou Saint Tail anime, Haneoka Meimi is regular teenage student by day who rights wrongs by night as the thief Saint Tail. How does she know about what bad things have gone down in the local community? Why her BFF (Mimori Seira) is a nun-in-training, of course! So when Seira hears about things being stolen etc. she relays this information to Meimi so she can set things right.

Complicating the situation is Asuka Daiki, the son of a local detective who notably failed to catch a previous phantom thief (hmm!). Asuka Jr. wants to stop Saint Tail no matter what and luckily the local mayor is cool with giving him the status required to do so. Meimi slowly finds herself torn between how she feels about Asuka Jr. (whom she bickers with but ultimately cares about) and how Asuka Jr. feels about the thief Saint Tail.

So obviously if you like magical girl-type series and you're keen on a cute lil tween romance with some wacky kids' show thieving then you're going to be keen to watch (or read, the manga is adorable) the series no matter what. If you're on the fence, here are a couple of things I found to be stand-outs in Kaitou Saint Tail that you might like about it too.

Saint Tail = Seira & Meimi

Saint Tail the thief is really a team of two people. You've got Seira who gathers all the intel & helps plan, then you've got Meimi who acts as the muscle and executes the scheme. If you removed either of them you wouldn't have the legendary phantom thief everyone talks about in the series. Seira is never magical herself, she goes between God/Meimi/the community to help save "lost lambs" but her role is vital and Meimi's feats as Saint Tail are truly part of a team effort.

I've honestly always loved this about the series, that Seira isn't some friend kept in the dark nor is she another magical thief to team up with, she's got her own unique role to play that utilises her skills just as much as Meimi's role relies on her talents too. Together they are a phantom bigger than any one tween girl could ever be.

Meimi is physically adept

There's room for all types of magical girls in the genre imho and these days we've seen lots of magical girls who can land a solid punch as well as those better suited to intellectual challenges. However, in the mid-90s at a time when Tsukino Usagi and Hanasaki Momoko said it was OK to be clumsy and not great at athletics, Meimi said it was just as OK to be athletic and have excellent fine motor skills.

One thing I didn't note in my above summary of the series is that while Meimi does a whole lot of VISUALLY magical girl things like transform in the anime, she doesn't actually have any supernatural abilities. Meimi is instead adept at stage magic thanks to her father's profession and she plays a lot of tricks to get the job done (while following in her mother's footsteps as well). Meimi can't punch a bad guy through a wall like a Precure, but her strength allows her to frequently save other characters or pull herself out of tricky situations.

Asuka Jr. provides a great contrast

While Asuka Jr. can ride a bike pretty fast he's not that physically strong, which is a contrast to a lot of love interests in the genre who are tough enough to give the heroine enough time to finish the job (Tuxedo Kamen and Limone, for example). Asuka Jr. is more of an intellectual who despite managing to figure out a lot of what's going on with Saint Tail's capers, can never seem to get pin her down (and yeah yeah we know Meimi looks like Saint Tail but this is a cartoon for kids, being in on that while Asuka Jr. goes mad trying to find Saint Tail is part of the overall charm of the thing imho).

I think a decent chunk of what I like about Asuka Jr. as a male lead in Kaitou Saint Tail is that he's not some older, mysterious guy who helps solve problems; Asuka Jr. is a brat who causes most of Meimi's problems and because of his clueless youth he's also quite oblivious to her burgeoning romantic feelings for him. But I love that? They both feel like they're young kids challenging each other on an equal playing field.

While Asuka. Jr doesn't necessarily disagree with Saint Tail's objectives (to right wrongs), he doesn't support her methods (stealing is baaaaaad) and he's following his own moral code which is perhaps a little more conventional than hers. Meimi and Asuka jr. certainly bicker, but they have a lot in common that becomes apparent over time and their differences do indeed prove to be complementary to each other's in the long run.

The stakes are fairly low

Wait, isn't this a bad thing? Shouldn't the stakes be super high in order for us to care about the series? No, I don't think every magical girl series needs to have high stakes to leave an impact or be meaningful. I love that Kaitou Saint Tail isn't about a potentially world-ending event or magical abilities that could change reality as we know it. Heck, there's an episode where the entire goal of Saint Tail's elaborate scheme is to get back a notebook that a classmate gave to her crush accidentally before he can read it.

In that sense, it harkens back to a lot of older majokko shows that, while having some supernatural gifts for the heroine that Meimi doesn't technically have, still chose to focus on the lead solving personal problems or issues in the local community rather than fighting to save the planet.

This isn't to say there are no stakes at all or anything. Meimi's greatest problem lies in her diverging identities and the fact that, as ostensibly a criminal to those not helped by her talents, Saint Tail being unmasked would ruin her life. I know they're not huge stakes compared to galactic evils, but Saint Tail being an outlaw and the way the persona is both a blessing & curse to Meimi certainly is present throughout the series.

Kaitou Saint Tail's stakes might not be as high as those in Nurse Angel Ririka SOS, Tokyo Mew Mew, or any number of Precure seasons, but there's definitely a place for that in the genre and if you'd like something a little more laid back (that's still plenty of fun & with twists and turns a plenty, mind you) then this series might be worth checking out.

The anime doesn't overstay its welcome

The Kaitou Saint Tail anime is a fairly tight production that deftly balances fun filler (remember when we were allowed to have filler eps???) with more emotional story touch points and doesn't feel at all drawn out, which was certainly an issue even for some of my favourite series of the period. While I wouldn't say the anime is perfect or anything, it really doesn't have any majorly weak arcs or huge dips in quality overall.

Kaitou Saint Tail has lovely music (I'm partial to the first OP/ED combo myself), some great 90s animators at work (Abe Junko, Ishino Satoshi, Kadonosono Megumi & Gotou Keiji, Watanabe Nobuhiro, Ochi Kazuhiro, Motohashi Hideyuki, etc.), and a cast of talented seiyuu (Sakurai Tomo as Meimi and Inoue Kikuko as Seira being the stand outs).

While there are some changes to the source material and a lot of the cute, whispy beauty of Tachikawa Megumi's original artwork is lost on screen, the animated version of Kaitou Saint Tail is worth picking up not just to support the release of magical girl titles in the US market, but because it is a solid little series that I know I always appreciate spending some time with.

Anyway those are my rambling thoughts on the series. It won't be for everyone, but if you're interested in magical girl classics then you might want to check out the upcoming US release from Discotek on blu-ray.