#if given time i can write it out but i am so not there with my spoken words

[angelltheninth]

Arcane Characters Make Food for You

Pairing: Jinx, Vi, Caitlyn, Maddie, Ekko, Vander, Silco, Sevika, Viktor, Jayce, Mel x Fem!Reader

Tags: fluff, established relationship, domestic fluff, kissing, making food, teasing

Ko-Fi | Rules | Fandoms and Characters

A/N: I already wrote this on my old blog but now is a good time to re-write it.

Jinx knows how to cook pretty well, surprisingly enough. Or maybe not so surprisingly given how she's always the one making things and experimenting. However that also means she might make some really weird meals.

It's something you'll have to deal with if you're with her and might have to develop a strong stomach. She already has it because she grew up in Zaun and ate a lot of different things. For you she wouldn't recommend some of them yet and she will try her best to make something that you'll like. And she won't get too offended if you don't eat her cooking right away.

"I made ya some breakfast, ta-da! It's a little sticky but don't worry, eat your fill and I'll clean up the mess later. Don't look at it like that, it might not look pretty but I promise ya it's so good. I could eat this every day. I hope I'll get to eat it together it with ya every day, sugar."

Vi doesn't know how to cook because she never had the opportunity to learn. The first few dishes are bad, like really bad, almost burn the toast and eggs type of bad but Vi she isn't the kind of person to give up. She'll keep trying until she gets it right.

There have been times where she did burn things and she won't let you eat it since it's not right. She wants you to have the best of the best, even if she didn't. Might get a little distracted when you're in the kitchen with her so she prefers to cook by herself even if you're there with her. Regardless of how many times she gets it wrong she at least wants to learn to cook your favorite.

"Yes, this is burned toast but this time it's not my fault, it's yours. Well you're the one who walked in here looking all cute and distracted me. One kiss is all it takes if it's from you, sweet stuff. Sit down and let me do this right and if you do you'll get something sweeter than this."

Caitlyn knows how to cook really well. She did grow up with people doing the cooking for her however she was curious and wanted to learn how to do it on her own. She's a very hand-on learner, now she can use some of her skills to make you happy.

She gets up really early anyways so she might as well make breakfast for the both of you. The first time she brings you breakfast in bed she thinks your reaction is cute, the way you stare at her, eyes wide and drooling over the food. For her it's not odd to have breakfast in bed. And if you stick with her you'll get used to her pampering you. Be sure to tell her how the food tastes.

"Good morning, darling, I brought you something. See, I didn't just brag about my cooking skills, this is me showing you I can cook. Showing off? Suppose I am a little bit, it's not my fault you didn't really think I would bring you breakfast in bed."

Maddie can cook some dishes but she can cook them well. Her skills aren't anything impressive but they don't need to be because she can get take out too. But she is more than happy to share what ever she makes with you.

She falls back on take out more often than she would like to admit. However not when she invites you over to her place, then she will put her best foot forward. A lot of that is because she wants to impress you hard, but it also gets her to work on her skills either way she wins. She keeps looking at you very intently while you take that first bite. Thankfully she doesn't seem to do a bad job if your smile is anything to go by.

"I'm not weird for watching you eat, it's called being smitten, gorgeous. Anything you do is interesting to me, you know that by now. This isn't empty flattery. I already got you to eat my cooking, I don't need to butter you up at this point."

Ekko isn't the best cook out there, he will be completely honest with you. While he does know the basic things you can't really expect anything fancy. If anything he focuses more on the dish being filling than tasty.

The thing about him cooking for the two of you is that he can only do it on his free time, which isn't a lot. Therefore he wants to make it a bonding activity. A cute date of sorts, mostly in the late evening when the rest of work is done. Sometimes he will try to surprise you but its hard when his living space isn't that big and everyone knows everything in the Firelights. The gesture counts.

"There wasn't much time so it's pretty simple, but at least it's your favorite, Firefly. No, I actually finished the new project, I had extra time to kill. Please, don't thank me! It seemed only right for me to make you something after you cheered me up this morning."

Vander knows how to cook really, really well. He kids to raise, and he was on his own for a very long time, he had to become a good cook. Plus he makes awesome drinks, being a good cook was a bonus skill for him.

He's always the first one to wake up and start the day in the Last Drop and he always makes breakfast for everyone. Not just breakfast but every meal, his kids need to eat a lot, there's always a little left over for later. Even if he feels a little sleepy himself he at least wants to put something on the table. It's the dad instincts in him. And husband instincts, hopefully.

"Don't ya even think about sneaking up on me right now, darlin'. I've got a pan full of sizzling hot oil in my hand, I don't want it all over us. Hugs are fine, I always love ya being close to me, but keep your hands to yourself. We both know ya get handsy in the morning."

Silco didn't know how to cook before he adopted Jinx, since then he's had to learn. It wasn't easy but now he does know a lot and he can impress the woman he's dating. Now when you stay over you can expect good for for your date, and good food when you wake up.

When the dating gets more serious he lets you help him cook, but until then he pretty much does it on his own. Jinx will go nowhere near the kitchen alone, not after that one explosion. He does have a list of recipes that he makes the most. And a few that he made up. Sometimes ingredients are hard to come by so he needs to improvise.

"Pass me the flour would you, love? This time I will follow the recipe, yes, the last time there was a bit too much sugar in there. I know you liked it but it's not the healthiest thing now is it? Fine, call me a worried dad, I know you think it's attractive."

Sevika isn't able too cook that well, she never was, she always liked others cooking for her though. However when you tease her about it she takes it as a challenge. And you know damn well that she doesn't back down from a challenge.

Curses a lot when she messes up, though you can bet that she's not gonna let food be the thing that beats her. When you walk into the kitchen it's a mess which will take a while to clean up. But at least she managed to make the dish this time and it's quite good. For her hard work you give her a very passionate kiss and that just makes her wanna work harder. That's the best reward she can ask for.

"One kiss for at that work, doll? I think I earned myself a little more than that, maybe you on the table instead of all this food. Yeah, I know it's gonna get cold, you're right. Can't let all this hard work go to waste, but when we're done we have to work all that food off."

Viktor doesn't have as much time to cook as he could if he worked a bit less. Not that his skills are award worthy but he can make a few things, at least in his opinion. Give his cooking a chance.

When he was a student in the academy he had to learn how to make quick meals and that is where most of his strength is. Just very simple dishes but he knows how to make them well. There are times when he himself forgets to eat so he makes sure he gets a good meal when he can. If you're part of that that's even better. Having you eat his cooking makes cooking more fun.

"If you think cooking this is so easy then you make it will you, beautiful? Ah so now you like it, I see how it is. I'm just kidding, I love making food for you when I can. But if you want to make it yourself please let me do a taste test first. I promise to be brutally honest, just like you are with me."

Jayce has absolutely no skills in the kitchen unless you need him to fix or build things in there. He knows this too and will admit it right away. Trust him he is much better in science than in cooking food.

That being said he will join you in the kitchen when you cook. He takes an interest in it because the way you cook makes his mouth water. When he learns about what your favorite food is he wants to lean how to cook it. However he does this in secret because he wants to surprise you. Sure enough he's able to get the biggest smile out of you when he presents you with your favorite meal.

"I learned it secretly, all for you, babe. Well I am quite good with my hands and I enjoy working, that was just another excuse to learn. Of course I don't have an ulterior motive for it! But if I did... and if it was kissing... would you kiss me for doing a good job?"

Mel is actually an amazing cook and knows a ton of recipes. Including your favorites of course. Do you really think she'd invite you over and offer you nothing to eat?

It's been a long time since she had to cook for anyone but herself but she's not bad at it at all. She has high standards when it comes to good food specifically because she holds herself to high standards. It doesn't matter how simple or complicated the meal is. When she invites you over and offers to make you food you better believe you're eating good that night. Not strictly food either.

"Beloved, slow down a little, the food isn't going anywhere and neither am I. We have all night. Every time I make food I do so because I want to enjoy a good meal, and you should too. And please be careful, I don't want you to choke, on the food that is."

[magpies-gold]

I have both eyes and they're both technically functional but I still relate to a lot of this because I also have monocular vision. In my case, the problem is with my brain, actually. It can only process images from one eye at a time because of a defect when I was born that required surgical intervention. Even after the fix, my brain just never learned that I still had two eyes, so it has no capacity to combine the image data like normal people do. As a result, I have no depth perception and I have a dominant eye that I use 90% of the time.

I also have visual snow that's especially noticeable when I close my eyes and at night in the dark, but as there isn't a lot of research on visual snow, I'm not sure if that's related or coincidental. In case people want to know a bit more about life as a person with monocular vision in a two-eyeballs kind of situation: I have a weird trick that I can do that seems to astound folks with binocular vision: I can consciously switch eyes. It's like flexing a muscle and I can decide to use the left one or the right in the same way that I can choose to wave my left or right hand. Trying to use both at the same time just doesn't work, though. If I really try, there's just this pressure feeling in my head, like I'm trying to imagine a colour that doesn't exist, but I can't make the two work together at all. This is likely just a me thing but my non-dominant eye is much worse than my dominant eye, and its been getting worse over the course of my life. It's still useful, but extremely near-sighted, so much so that it alone is legally blind and makes my optometrist and all their staff wince. But I can read very, very tiny close-up writing with it, so it comes in handy when I'm doing things like reading. My dominant eye is a little near sighted but not much. It's pretty stable. Also probably just a me thing: I have one lazy eye, but it relates to the monocular vision. It's my dominant one. If I use the non-dominant eye, you can actually tell when I've switched to it because my dominant eye "switches off" and rolls a little bit up and out. It was worse when I was a kid (my mom saying "Meghan, are you looking at me?" was a common thing) but it still happens nowadays. My non-dominant eye isn't lazy, so when I'm looking around normally with my dominant eye you can't tell that there's anything different about me than your average Joe. It's a mostly invisible disability for me (and I still feel strange calling it a disability because it's just how I've always seen, and yet here I am making a list of complexities regarding my vision, so....) A final possibly-just-me thing is that I hold my pencil like a space alien and always have. The reasoning I've given since I was a kid was because of which eye I use, I wouldn't be able to see what the end of my pencil was doing if I were holding it "correctly", so I draw and write like this:

(Video here, if you want to see the rest of that: https://www.tumblr.com/magpies-gold/699322866172346368?source=share) Can confirm from the above that head-tilt is a thing when one has monocular vision, even with two eyes. Because of the head tilt, I also get people startling me on my non-dominant side a lot, possibly because with my "blind" side tilted back and away from what I'm looking at, they think I'll see them sooner since that eye is closer to looking behind me. Therefore they don't think they're sneaking up on me. That is, right up until they appear, as if by magic, in my field of vision and I go AAAA!

Depth perception problems that I personally encounter: I don't drive so I don't have a lot to add there except that trying to learn scared me too much to proceed. I was not comfortable with how much slower my reaction time was on my left side or how I couldn't accurately judge where exactly objects in front of me were, so I gave it up in my teenage years in favour of a good pair of sneakers and a transit pass. But I will loudly say that going down stairs sucks. I am very opinionated on how much I love and appreciate when stairs have the bright yellow stripe at the edge, or some other marker to aim for. If stairs are all one uniform colour I am hesitant as hell putting my feet down because I can't tell how far a drop it is. I'm slow on descents on unfamiliar stairs and I desperately need the railing to hold on to. Going up stairs isn't bad because I have other visual cues to help me, and I'm much faster there. I also don't do well on really uneven terrain, like the rocky shores we have on beaches here. Watching my fiancé go hopping and skipping over rocks like a mountain goat gives me light wistful despair because I know if I tried that I would miscalculate almost immediately and break all my bones. My tactic is to get low and go slow if I have to cross anything where distances get tricky to guesstimate. I become a crab. I also have friends who know to slow down and will also let me hold their hand (bless). I do have peripheral vision ghosts on the non-dominant side even with two eyes. The most common thing I see is ghost cats. I'll see my cat jump up on a counter in my peripheral vision only to turn and find nothing there. Sometimes my brain will also suggest there might be a person walking in my peripheral vision. It's just overcompensating for what it has to fill in the blanks on. I can't catch things that are thrown at me except by sheer luck. Sports like baseball and badminton were brutal in high school and I got into many a verbal confrontation with my teacher while trying to explain that I had a very good reason to be afraid of the projectile coming for my face. I told him more than once to go close one eye and try it for himself and see what it's like. No peeking! I can't peek. Similarly, I can't fly a drone. I learned that very quickly when I accidentally flew Tim's full tilt into a wall. Oops. >> Drone was okay. I, on the other hand, was absolutely boggled by how I just could not tell where it was in space until boom, I'd crashed it. And that's because another thing is that I was personally born the way that I am, so I'm fully acclimated to it. I know nothing else, and I don't notice all the micro calculations that I do to translate my 2D view into 3D space so that I can move around in it. At least, I don't until I have a situation where the object I'm working with suddenly has no context, like a drone in mid-air, and then I suddenly notice my limitations. 3D movies largely don't work for me. They're basically just regular 2D movies involving stupid glasses. -shrug- Finally, video games with a lot of icons around the edges of the screen are a nightmare for me because I can't see all of my monitor at once. Again: slow as balls reaction time because I have to re-calibrate and turn my head a lot. The concept of a wide-screen monitors makes me go "Jesus, why?"

writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.

[muletia]

[tfp] optimus prime x human!reader

summary: you had to go on a business trip. optimus doesn't take it too well

cw: obsessed!optimus, hardcore pinning, angst, i wanted to practice writing dialogues and it shows lmao

word count: 1800

an: i want you guys to know that i am reading EVERY reblog and comment from you swirling my hair and kicking my legs like a schoolgirl

you are so real for that anon

When you, out of your own free will, expressed the desire to join him on patrol, Optimus was overjoyed. You rarely got the chance to be together, just the two of you, always consumed by work or saving the world. And although Optimus wouldn’t dare ask you outright to accompany him on patrols (because the last thing he wanted was to make you feel uncomfortable), he deeply longed to spend more time with you alone. He knew he was feeding only his own illusions, fueling the machinery of madness, but by this point, he couldn’t stop. Not when you sat comfortably on his seat, gazing at the views outside the window, visibly content with your outing together.

He wanted so badly for this to be your everyday reality. Maybe then he could finally find some relief from his fixation, maybe you would even save him.

"Hey," you started, and his entire attention focused on you. "Actually, I’ve been meaning to tell you this for a while."

Oh.

Did your feelings match his? Did you feel affection for him as well? Had you noticed his suffering? Or maybe you wanted to reject him, once and for all, to make him understand that his passion was an illusion, that no matter how much he wanted it, the two of you could never be together — too incompatible, too different. That he had developed this coping mechanism, exhausted by the war.

But before Optimus could spiral further, you crushed his hopes.

"The company I work for is sending me on a business trip," you sighed, clearly dissatisfied with the news. "It’s supposed to take two weeks, but you never really know with these trips, especially since they’re sending me across the continent."

"I understand," he replied, his tone not betraying the turmoil within. "What does this business trip involve?"

"Oh, shoot, sorry! I should have explained that right away," you laughed casually as if you hadn’t just delivered news that shattered his spark. "Business trip is assigned by an employer for training sessions, conferences, exhibitions, and other boring stuff. Kind of like a mission, but without explosions, action, or danger."

It was good to hear that you’d be safe, though you would truly be safest only at the base, under his watchful optics.

Pessimistic, ugly thoughts churned in his processor. Of all the things he expected to hear from you, this wasn’t one of them. Suddenly, he feared being alone, feared his own dreams. Because he knew you wouldn’t be there to comfort him after a nightmare, and nothing else could bring him peace.

"I am sorry to hear we will not see each other for two weeks," he said, "but I am confident you will do exceptionally well on this assignment. You are dependable, unyielding. You can handle anything."

"Oh, thank you," you answered, a bit flustered. You hadn’t expected a compliment. "It just makes me sad to leave Jasper. I don’t say it often enough, but I have a wonderful time with all of you. With you."

"Likewise, [Name]. When are you leaving?"

"The day after tomorrow. Tomorrow after work, I’ll say goodbye to everyone else."

So soon. Too soon. He’d hoped you wouldn’t leave until next week, to at least give him time to mentally prepare for the separation, but you denied him that luxury. Not that any amount of time would have prepared him for this.

Slowly, subtly enough that you wouldn’t notice the change, he reduced his speed, prolonging your shared drive.

"I’m not sure I’ll have time to write," you warned. "Unfortunately, they’ve given me a really tight schedule. But! If I can, I’ll write to the kids. Oh, and expect some souvenirs — I’ll bring something back for you all."

"You do not need to spend your valuable time searching for trinkets. But if you insist, I will cherish anything you bring me."

"Aw, don’t worry—it’ll be no trouble." You waved your hand dismissively. "You do so much for me, for the kids, for the whole Earth without asking for anything in return. You deserve something nice."

"I do not protect your planet for glory or offerings."

"I know, I know. That’s very noble. And amazing. So many years, sticking firmly to your values."

He eagerly soaked up your praise, allowing himself, if only for a brief moment, to forget the world around him, to forget his duties, unfulfilled promises, fallen brothers and sisters. He’d never describe himself as 'amazing', nor did he believe the praise his own kind gave him about his greatness. But for you, he could believe it. If only for a moment, a few seconds, so that you’d leave on your mission thinking warmly of your time together and of him.

"Thank you, [Name]. Please know that I value your words tremendously."

"Oh," you blushed, "that’s nice to hear."

Embarrassed, you quickly changed the subject, unaware that Optimus was watching you closely, curious about your reaction. For now, he pushed thoughts of your departure to the back of his processor, wanting to fully enjoy your presence. You recommended songs from the country genre, one of his favorite discoveries on Earth, which he promised to listen to later. He knew well that this would lead to more daydreaming, imagining a future that would never be. Because no matter how hard he tried, his tomorrow would not be entwined with yours. His desires would forever remain mere fantasies born out of desperation, longing, and sorrow.

A week had passed since you left. In the lives of the Autobots, not much had changed because of your absence; they went on with their chaotic schedule. The kids, however, missed you. No more evenings spent helping them with their homework, working on your reports, playing games, or simply chatting. The worst part was that no one really knew what was going on with you. You rarely messaged, didn’t have time to talk, and when you did, it was just to say, "I’m alive, it’s boring, I’ll message you on Thursday." Life continued, despite how much Miko wished she could play games with you instead of doing her homework.

Everyone managed to adapt to your absence.

With one exception.

At first glance, it seemed like Optimus, the bot with whom you shared the closest bond, hadn’t been affected by such a drastic change. Nothing in his behavior indicated any longing. He didn’t express his opinion on the matter, didn’t ask, didn’t demand. As always, he buried his feelings deep within, playing the role of a diligent leader, hiding from everyone the nightmares running through his processor, now even more intense because of your absence.

He was withering, quietly and alone.

Until now, he had been content simply watching you. He had established a routine, unhealthy as it was, that kept him going. He knew that most of the time when he returned from patrol or a mission, you would be at the base. Even if you came every other or every third day, Optimus knew that eventually, you would show up. It gave him a sense of stability amidst the chaos surrounding him. But now? Maybe two weeks wasn’t a big challenge for you, but he was done after one.

Now, he wanted to be more than a passive observer. He craved physical contact, to hold you close, to feel your heartbeat against his metal. He wanted to know you were alive, to feel your pulse under his digit, to listen to its rhythm, to understand how your chest moved against his metal. He wanted to feel, taste, touch, enter.

He kept glancing at the spot on the couch where you usually sat with your laptop on your lap or spent time with the kids as if hoping that if he looked just one more time, you would materialize there. That everything would return to normal, that he wouldn’t suffer so much, that you would give him the daily dose of antidote he needed to function without plunging deeper into despair. But no matter how many times he looked, you weren’t there, and wouldn’t be for another week.

At some point, however, someone noticed their leader’s miserable mood.

"I can’t quite figure out what kind of bond you have with that woman," Ratchet said, pausing his work to look at Optimus. Before his friend could answer, he continued, "But she’ll be back soon. And whatever she’s doing, she’ll do it well. She’s tough."

"Thank you, old friend. I have no doubt in her abilities. But I would feel better if she were stationed closer to the base in case of a Decepticon attack."

"Mm-hmm," the medic scoffed. "Sure, that’s all it’s about."

Optimus had no response to that. He wasn’t surprised that Ratchet noticed his infatuation, but he would prefer that his friend not delve into the details of their relationship. At least, not yet. Not while Optimus himself was a wreck.

"Hey, hey! [Name] messaged!" Miko yelled.

The Autobot leader immediately approached the platform, finally abandoning his conversation with Ratchet, aware that it would only spark more suspicions. But he didn’t care anymore, not in such an important moment.

He stood directly behind Miko, with Bumblebee and Bulkhead beside him, equally curious to know what you had been up to over the past week.

"She sent photos, too! Look!"

Miko turned to show the messages to the others but paused when she noticed Optimus’s helm close to her.

“Whoa,” she whispered, surprised that out of all the bots, he was the one standing the closest. She swallowed, but her confidence quickly returned.

Holding her phone firmly, she displayed a close-up selfie of you. You were smiling, though the bags under your eyes betrayed that you were sleep-deprived, probably exhausted.

Optimus felt the accumulated stress, pain, and longing of the past week slowly dissipate. Everything was fine with you. You were alive, pushing forward with a smile on your face, happy to simply exist. Admiring your photo didn’t compare to seeing you in person, but it let him vent a little easier, granting him a brief respite from worry, gnawing at him from within. It was enough. For now. For a moment.

“She sends her regards to everyone,” Miko went on, “Oh, and she also asked Ratchet to take a break and mentioned she already bought a gift for Optimus and can’t wait to come back. Hey, I want a present, too!”

Optimus couldn't be certain if another week apart wouldn’t inflict even more damage on his processor and spark, or if longing would eventually consume him entirely. But he knew he was already lost, that you held sway over every aspect of his life. He was wrapped around your finger, tethered by a leash you didn’t even realize existed. And he didn’t mind one bit.

[vigilskeep]

there are so many things in veilguard that have made me go "wait what??? okay i guess i have to totally rethink the character i'm roleplaying now" that it's literally impossible to guess what thing you're referring to as The Thing That Happened. obviously extremely curious to hear what it is once you've detangled it

it’s kind of like that but it’s also less that and more... okay i should probably just say it, i’m being weird and unhelpful and i need to write it out anyway so i can think

MASSIVE SPOILERS UNDER THE CUT for a companion quest, do NOT say i didn’t warn you. also please don’t respond to this if you know more than me i am in distress but i still don’t want spoilers

so i just finished lucanis’ “a murder of crows” quest. and lucanis. first talon. for some reason. (this is the writing choice i’m ??? on. also i’m ??? on lucanis’ whole storyline, frankly. the writing was. well. like i said, we’re not unpicking that right now, i don’t want to get into it at this point, not the conversation i’m having.)

lifelong trauma of being in the crows and fighting to get someone in a talon’s position and keep them there -> the thing that gave sol all their diseases and made them, to be frank, fairly suicidal

viago: ultimately can handle it without them, especially with teia’s backing.

lucanis: CANNOT handle it without them. holy fuck. for like twelve hundred different reasons, unthinkable, completely laughable, that he can handle this. who is going to protect him. the only reason this could be better at keeping sol mentally stable than watching viago’s back is that they will never feel purposeless or need to go looking for an adrenaline rush, because forget crows, an ambitious blackbird could eat that man alive. he can’t scheme. he can’t even SCHEME and the very fact that he trusts sol DE RIVA demonstrates this. sol is a crow! from another house! does he have no memory at all of the fact that his own parents died in crow infighting? sol could have been playing him this whole time, it wouldn’t have even been hard, and if they were that kind of person, then right now the first talon’s house would have just fallen directly in their hands like a gift from the maker, and they can’t even say a part of themself they can’t shut off isn’t thinking about it that way! how is sol supposed to keep someone like that alive?

you see what it’s like trying to sleep while sol is having this discussion in my mind.

ahem. anyway. pathways for sol’s life assuming they indeed make it through the game:

becoming lucanis’ guard dog the way they were for viago, which (even if they could mentally handle that, which they can’t. or can they??) means switching house loyalties which would surely destroy them eventually -> bad

somehow trying to persuade lucanis to give this up, as if that wouldn’t be throwing house dellamorte completely to the dogs, which at least sol can’t imagine any crow is capable of, let alone someone so dedicated to clinging to what remains of his family that he couldn’t even kill a traitor -> bad

going ahead and leaving the crows, but sol now has to leave BOTH viago and lucanis behind and also lucanis is going to die in there because they left him to do this alone -> bad

solution: sol is back on their original “if a blighted dragon eats me by the end of this, i don’t have to experience consequences” train

and maybe they’re right and i should not worry about this because i’m painfully aware it’s VERY bold to start deciding what happens after the game at this point, when they might still get trapped in the fade or turned into paste or something. and admittedly they did know and dread the possibilities from the first moment they felt something for lucanis, which was why they so wanted it to be anyone else, because anyone else in that lighthouse could have given them a different world, and he is the one who regardless of his best or worst intentions can only tie them tighter to a burning building. and SURE, i see the solas/mythal breakup parallels of sol still leaving, i’m looking at them, that doesn’t mean i have to LIKE them

he hasn’t even kissed them. they’re doing all of this unkissed. lucanis dellamorte when i get you

again please absolutely do not respond to any of this with even the vaguest of hints if you know more about the rest of the game than me 🙏 it’s probably best if no-one responds to this at all lmao i am just thinking out loud. you can reply with a “that’s rough buddy”. for sol

[lullabyes22-blog]

my supreme, what is your opinion on the first three episodes of arcane season 2?

hhfdgffd

<3

The only supreme is Fortiche - and a huge round of applause to them for the animation in S2. Every frame is like lickable visual cake icing and my eyeballs scream for more.

Also in keeping with food metaphors -

First 3 eps are good soup. Tasty soup. Well-presented soup.

However.

There are clumps in this soup that were absent in S1. The flow is not as seamless. Transitions feel jarring and the dialogue overall feels distinctly more flavorless. First time I watched S1, there were entire lines of dialogue I ended up memorizing, and that dialogue continues to pack a well-deserved punch 3 years later.

This time around, the scripts feel distinctly more... Marvel-esque?

High on quip calorie, low on substantive content.

I highly suspect there was a great deal of executive meddling behind the scenes, given corporate were not expecting Arcane to crunch the numbers it did + the scripts being incomplete. That, and the storyline kept getting passed between different writing departments, with different chefs trying to spice the broth. All of this might account for the relative lack of cohesion and its weird sense of hypercompression

I don't know if it'll improve or get worse. We're only at 3 eps, and the rest of the story's still waiting to be told, so I reserve any real criticism until then.

But overall, yeah.

It's still gourmet soup, but I feel as if the soup's been zapped in a microwave, ykwim?

Beyond that, the series is still a treat. Truly sumptuous soundtrack, and inspiring cinematography. The fight scenes legit made me catch my breath. You can feel the love poured into every frame.

Fuhrer Caitlyn gassing Zaun was not on my Bingo card, tho.

Nor was Jesus Viktor.

I am A-OK with the Arcane eating Heimerdinger. But gimme back Jayce and Ekko, pls. They got character arcs (and ship breakups) to suffer through </3

I also do not think the writers of the show were expecting world affairs to pivot quite the way they have - /gestures vaguely at RL - because leaving aside character motivations in a self-contained fictional setting, the critical literary lens and interpretive optics between Zaun and Piltover overall are gonna lead to some, hehehe, interesting fandom discourse.

On my part, I can't wait to see every single one of these beloved characters spiral to the depths, hit rock bottom, and hopefully climb back out as wiser human beings.

I also expect some of 'em to die.

:')

Overall: 8/10. Very yummy indeed.

[zyafics-recs]

reblogging comment review from @zyafics

i said i was gonna read when u edited and now u given me the signal 🫡 let's see if i'm ready to let go of pretty maybank and rafe <😭3 ⬇️

Some gave you that look—you know, the one that said, “Oh, sweetie, you again?”—while others just shook their heads, probably wondering when you would finally stop playing caretaker and start looking out for yourself.

maniacally scribbling down this sentence into my notes bc i am in love with how it flows?? i have a writer-crush on u bc of the way u string together words so elegantly

Brand new driver’s license, barely knew how to parallel park, and boom, you’re getting woken up at like 2 a.m. because your dad’s been arrested.

don't even know if im gonna to even talk about the story atp but one of my FAVORITE things about ur writing is how u add these little specific details that makes the characters come alive !!!

It wasn’t the first time you’d seen him wasted or bruised up, but this time felt different. This time, it hit you that this was gonna be your life now.

why did this line hit me so deep???

Now, sitting in the small, stuffy waiting room of the sheriff’s department, you glance around, feeling a knot of tension tightening in your stomach, the fluorescent lights doing little to help, making everything appear sterile and unforgiving.

love the word fluorescent lights, could never learn how to spell it without google

JJ’s next to you, his leg bouncing like he’s got caffeine running through his veins instead of blood. You’re already annoyed, and it doesn’t help that Rafe is sitting on your other side, looking just as pissed off.

THIS IS MAKING ME GIGGLE SO BADLY THE DYNAMIC TRIO

"You wanna talk about sisters too?"

the way i went—

JJ nods, fiddling with his shark tooth necklace, the one you’d given him when he was seven.

u mesh so well with canon events 🩷🙂‍↕️

You glance at the two men beside you, each representing a different part of your world. Your brother stubs out his cigarette, glancing over at Rafe with an exaggerated sigh. He smirks, but it doesn't reach his eyes.

thought this man was gonna be nice and offer rafe a cigarette but i guess wer're not there yet

It’s been a month since the nightmare with your dad, and you’ve pretty much been living at Rafe’s new place ever since. Sure, you’ve got your own house, but it just doesn’t feel like home anymore. Rafe’s apartment though? It’s like your little safe haven now. You don’t officially live there, but who are you kidding? Most of your stuff is in his drawers, he’s stocked the bathroom with all your skincare, hair stuff, even a toothbrush. He tried to go all-out, buying you everything, and you kept telling him to stop, but it’s like talking to a wall. You gave up eventually.

so bf of him

“Anyways,” He rolls his eyes, ignoring the way you tried to cut him off, his hand now lightly squeezing your knee, “You were out there showing off, catching wave after wave. I was so fucking annoyed."

why is this so funny LOLL

“You know, it’s funny. Back then, I thought you were just this arrogant piece of shit who was always trying too hard to fit in.”“That’s so sweet.”

im literally gonna miss them sm 😭

Ward’s expression turns cold once more, but there’s a flicker of something—maybe regret, maybe just a reflection of his anger.

FEARRRR

“Let’s go home." You nod, a smile spreading across your face. “Yeah, let’s go home.”

such a cute ending <3

FINAL THOUGHTS • i literally am going to miss them so much, it was such an adventure to read this series (and despite how late it is), and with the new edits, i can just see how much you grown as a writer. it's glorious and im so happy to have been there for the ride! can't wait to read more of ur things and also, how the fuck do u write so fast? i blink and there's 15304 different rafe fics out by you??

THE OTHER SIDE OF PARADISE - rafe cameron (+18) - seven (finale)

request: "a rafe enemies to lovers 🫣 the reader is jjs sister the whole drama before but then she gets left behind on the ship and rafe ends up comforting her and then yea that’s all I got you can do whatever else the rest 😛" + "def some little smut during the enemies part and a long story"

word count: 6.3k

warnings: last chapter <3

You’ve been to Kildare County Sheriff’s Department way more times than you care to admit

Being the oldest kid in your family—and somehow the only actual adult—you lost count of how many times you had to drag your dad out of jail between the ages of sixteen and twenty. It felt like a full-time job.

Then there were the countless times you’d been there for your friends. 

JJ, for instance, had been taken in more than once for public disturbances. It was almost a given that he'd end up in that shithole whenever there was a party or some kind of trouble brewing. You knew every officer by name, and they knew you too. Some gave you that look—you know, the one that said, “Oh, sweetie, you again?”—while others just shook their heads, probably wondering when you would finally stop playing caretaker and start looking out for yourself.

But you always showed up, no matter what, because that’s what you did. You took care of your own.

The first time you had to pick up your dad, you were sixteen. Brand new driver’s license, barely knew how to parallel park, and boom, you’re getting woken up at like 2 a.m. because your dad’s been arrested. You were shaking the whole time, gripping the steering wheel like your life depended on it, eyes blurry with tears. It wasn’t the first time you’d seen him wasted or bruised up, but this time felt different. This time, it hit you that this was gonna be your life now.

You were stuck.

You remember pulling up to the station, parking all kinds of crooked because your hands wouldn’t stop trembling. You ran inside, still half-asleep, and the officer at the desk gave you this sad little smile. “He’s in the back,” he said, like you didn’t already know.

When you saw your dad slumped over, bruised, and barely awake, something inside you just... cracked. He looked up, and for a second, he recognized you. “Hey, kiddo,” he mumbled, still drunk, still out of it. Back then, there was still some part of him left, some shred of the man he used to be.

You signed the papers, helped him stumble to the car, and drove home in silence while he passed out in the passenger seat. It was the first of so many nights like that. And you knew it wasn’t gonna be the last. When you finally pulled into the driveway, you helped him inside and onto the couch. He mumbled a thank you before passing out, his snores filling the room.

Now, sitting in the small, stuffy waiting room of the sheriff’s department, you glance around, feeling a knot of tension tightening in your stomach, the fluorescent lights doing little to help, making everything appear sterile and unforgiving.

You wish you could be anywhere but here.

JJ’s next to you, his leg bouncing like he’s got caffeine running through his veins instead of blood. You’re already annoyed, and it doesn’t help that Rafe is sitting on your other side, looking just as pissed off.

“Will you stop bouncing your leg JJ?” You grit out, already irritated from waiting longer than an hour.

“Why the fuck did he have to come?” JJ mutters, throwing daggers at Rafe with his eyes.

“JJ, not now.” You put your hand on his arm, trying to keep him from starting something. The last thing you need is another fight.

JJ glares, but his jaw clenches shut. “This is so messed up,” he grumbles.

“Messed up is leaving your sister alone with your drunk piece of shit father.”

“Like I knew he was there, you dumbass?” JJ shoots back, his voice dripping with sarcasm.

“Maybe stop leaving her alone.”

“Oh, here we go,” you mutter, feeling the tension rise again. The last thing you need right now is for these two to start another fight.

Ever since JJ came back to the mainland only to pick you up from Taneyhill, things had been…tense. It was one thing to talk about you and Rafe, it was a completely different thing to see you together.

You know your brother hates every second of it. 

“Oh, but you wanna talk about drunk pieces of shit? How many times did your daddy bail you out?” 

Rafe’s eyes narrow, his fists clenching, “How many times did you make your sister bail you out, huh?”

"You wanna talk about sisters too?"

You shut your eyes, attempting to ignore the way they’re clawing each other’s throats out with tainted insults. It was a miracle they're standing in the same room without killing each other, but you can only take so much. It’s like they’re about to throw punches, right there in the middle of the sheriff’s office.

"Shut the fuck up Maybank."

“Fuck you, Cameron!” JJ snaps, standing up so fast his chair skids backward, “You think you’re better than us?”

Rafe stands up too, stepping closer to JJ, “Better than you? Yes.”

“Don’t act like you’re doing this for her,” JJ scoffs. “You’ve never helped anyone but yourself, you manipulative asshole.”

“That’s enough,” you snap, standing up and stepping between them, pushing them apart. Your voice is shaking with frustration. “You two are going to shut the fuck up or take this shit outside. It’s nine in the morning. I didn’t get a wink of sleep, and I’m not gonna sit here and hear you two bitch it you.”  

JJ glares at Rafe over your shoulder. “We don’t need this asshole’s help. We can handle it ourselves.”

Rafe sneers. “Handle it? Like you’ve handled everything else?”

Your brother lunges forward, but you push him back, your voice shaking. “Sit your ass down or leave, I’m not going to repeat myself.”

They both just stare at you, their harsh words still hanging in the air of this stuffy room. The tension is almost suffocating, but there's no way you’re letting them keep tearing each other apart. You’re exhausted, emotionally and physically drained. The last thing you need right now is to play mediator between them… again.

Rafe finally sits down, arms crossed, biting his tongue—for your sake, you know. JJ’s sitting too now, still fidgeting like he always does, tapping his fingers against the armrest.

"Look," you say, your voice still firm, "We're here for a reason. Let's just get through this and get out, okay?"

Your brother just grunts, glaring at the wall like it’s personally offended him. Rafe lets out a sigh and gives you the tiniest nod, like a reluctant “fine.” You sit back down, feeling a bit of the weight in your chest ease up. Rafe leans in and gently takes your hand, mouthing, "I’m sorry." You give it a little squeeze—apology accepted, for now.

JJ notices but looks away too quickly for you to read him. You know he’s pissed, but at least for the moment, he’s staying quiet.

The minutes crawl by, each one feeling like forever, and finally, a cop shows up at the door, calling your name. The three of you stand up at the same time, and Rafe and JJ follow behind you, silent but close, as you walk down the hallway.

The clanging of barred doors shutting behind you makes your stomach twist, and you eventually end up in a small interrogation room. The officer gestures to a chair, "Take a seat." He heads off to get paperwork, and you glance at Rafe, who’s watching you like he’s afraid you might disappear. You know he won’t relax until your dad is completely out of the picture.

Your brother, on the other hand, leans against the wall with crossed arms, a brooding expression on his face. He's always been protective, even if his way of showing it often led to clashes with others. You wish things could be different.

Officer Malcom comes back with a stack of papers, but before you can even look at them, Rafe’s lawyer, Mr. Johnson, walks in. Rafe's had him on speed dial since the whole mess started, and honestly, he's been a lifesaver. He sits beside you, reviewing the papers calmly, and just having him there makes everything feel a little less scary.

“Alright, folks, let's go through this step by step. The first form here is the petition for a temporary restraining order. It outlines the incidents and reasons for seeking protection.”

“Are these incidents documented with the sherrif’s office?” Mr. Johnson's expertise is evident in the way he examines the document meticulously.

“Yes, sir. We have reports dating back to—" Officer Malcom stops for a second, checking the data, “About eight years ago, give or take.”

Rafe’s head snaps in your direction, brows furrowed, clearly pissed off that this has been going on for that long without anyone doing anything. You try to ignore it, focusing on the papers in front of you instead.

“What happens after I file this?

“Once filed, a judge will review the petition. If approved, a temporary restraining order will be issued, usually effective immediately. Then, there'll be a hearing within a few weeks to determine if a permanent order is necessary.”

“What if he doesn't abide by the temporary order?” 

The officer only nods sympathetically. “Violating a restraining order is a criminal offense. He could face fines, jail time, or both.”

Rafe’s still looking at you, “Does she have to serve him personally with these papers?”

“It’s crucial that he’s officially notified. We handle that part, though.”

Rafe’s lawyer is taking notes when he speaks up again, “If he contests the order, he’ll have the opportunity to present his side at the hearing. Both parties can bring witnesses or evidence. But based on your father’s behavior, that’s unlikely.”

You hope to God he doesn’t. The thought of seeing him again makes you feel like you might throw up. You take a deep breath, hands itching to twirl a piece of your hair.

“How long does the process usually take?”

You feel a hand touch your shoulder, gently tightening the grip around the skin, you don’t have to look back to know it’s Rafe. By now you know the lines and the ridges of his hands as if they are your own.

"The timeline can vary, but typically, from filing to the hearing, it might take a few weeks. It depends on the court's schedule and any potential delays."

You nod, absorbing the information while trying to steady your breathing. None of this feels real. Not the legal stuff, not the fact that this could actually be over soon. As the conversation continues, Mr. Johnson outlines the next steps clearly, discussing what will happen during and after the hearing. 

The officer quickly gathers the papers in his hands, “I’ll get everything started then. Just a moment.”

As he leaves to process the paperwork, a brief silence settles over the room. You exchange glances with JJ and Rafe, both of them entirely too interested of the concrete floor. 

“This is the right thing to do, right?”

You know it is. You’ve known for years, but it’s still hard to understand how it came to this. Your life could’ve been so different. 

JJ nods, fiddling with his shark tooth necklace, the one you’d given him when he was seven. “Yeah. He shouldn’t be able to just...” He trails off shaking his head.

Rafe squeezes your shoulder once more, then lowers himself to your level and plants a quick peck on your temple, “You’ve got this. It’ll be okay.”

Mr. Johnson finally puts his pen away, turning to you, “I’ll stay on top of the filings and keep you updated on any developments.”

This moment is a culmination of years of struggle. It's daunting, but you’re not alone. 

 "Thank you.”

JJ shifts his weight, his agitation visible. "I hate this," he mutters. 

"I know," you reply, not knowing what else to say.

The door swings open again, and Officer Malcom re-enters, holding a stack of papers. "Alright," he says, handing you a pen. "Just sign here, and we'll get this process started."

You take the pen with shaky hands, knowing there’s no going back after this. As you sign your name, you can't help but sigh in relief.

This is a step towards freedom.

Rafe watches you intently, his eyes full of concern. He reaches out, placing a hand on your back, a little reminder that he's here for you. JJ stands close by, his protective instincts on high alert.

After you finish signing, Officer Malcom takes the papers and gives you a reassuring nod. "We'll take care of the rest. You should hear from us soon about the next steps."

You stand up, feeling a little lighter, but the emotional toll of the day still kicks your ass. As you make your way out of the room, Rafe keeps a steady hand on your back, guiding you.

Once outside, the morning sun feels almost blinding after the harsh fluorescent lights of the station. JJ immediately lights a cigarette, taking a long drag and exhaling with a sigh. 

Rafe looks at you, his expression softening. "You're good?"

You nod, managing a small smile. "Yeah, I think so. Thank you for being here, both of you."

JJ smirks, though there's a hint of sadness in his eyes. "Where else would I be?”

You glance at the two men beside you, each representing a different part of your world. Your brother stubs out his cigarette, glancing over at Rafe with an exaggerated sigh. He smirks, but it doesn't reach his eyes.

“Gotta admit, I never thought I'd see the day when 'Rafe the Retch' would be helping us out.”

A laugh escapes your lips before you can stop it, but you quickly cover it up, turning it into a cough. You’d forgotten about that one.

Rafe’s eyebrows shoot up. “'Rafe the Retch'? Seriously, what the fuck?”

“Ask her,” JJ nods in your direction.

“You called me that shit?”

You bite your lip, “To be fair, I called you worse things.”

Rfe tilts his head, hands on his hips, “Like what?”

“You don’t want to know.”

The three of you start walking toward the parking lot, as you reach the cars, JJ pulls you into a quick, tight hug. “We’re gonna get through this,” he murmurs, his voice filled with determination. 

You hug him back, “I know, Jay.”

Rafe stands a few feet away, watching the exchange with a thoughtful expression. When your brother finally lets you go, he steps closer, “Ready to go?”

JJ looks at you, the concern in his eyes clear. "I gotta head to work. Do you want a ride home? It's on the way.”

You glance at Rafe, then back at JJ, sensing his reluctance. “No but thank you.”

JJ’s shoulders tense, but he nods, trying to hide his disappointment. "Alright. Just... call me if you need anything, okay?"

You smile, appreciating his concern. "I will. Drive safe."

He nods again, glancing one more time at Rafe before getting into his truck and driving off. You watch him go, knowing that things are still far from being okay between the two of you.

You know he’s never going to change his opinion about Rafe, maybe not until he witnesses the changes in him, but you hope that one day they’ll find some common ground. It’s a lot to ask from your brother, you know that, and it’s why you never push him. 

“You sure you’re doing okay?”

You nod, leaning into Rafe now that he stands behind you, “Yeah, just a little tired.”

He wraps an arm around your shoulders, guiding you towards his car, “Did you get any sleep last night?”

"Barely," you admit. "Just couldn't stop thinking about today.”

He unlocks the car, opening the passenger door for you. "Well, now that it's done, you can rest. I’ll even put that bullshit show you like.”

You gasp ready to punch him in the shoulder, but by the time you turn he’s already on the other side of the car, “Love Island is not a stupid show!”

He chuckles as he starts the engine. "If you say so.”

“You watch it too.”

“Only because you force me to,” Rafe counters, a playful glint in his eyes.

It’s been a month since the nightmare with your dad, and you’ve pretty much been living at Rafe’s new place ever since. Sure, you’ve got your own house, but it just doesn’t feel like home anymore. Rafe’s apartment though? It’s like your little safe haven now. You don’t officially live there, but who are you kidding? Most of your stuff is in his drawers, he’s stocked the bathroom with all your skincare, hair stuff, even a toothbrush. He tried to go all-out, buying you everything, and you kept telling him to stop, but it’s like talking to a wall. You gave up eventually.

As he pulls out of the parking lot, his hand slides over to grab yours. It’s such a simple thing, but it makes the tight feeling in your chest ease a little. You’re both quiet for most of the drive, but it’s not awkward or anything. It’s actually kind of nice. You never imagined he’d be so...attached. Things between you are still...somewhat undefined, but it definitely feels like a relationship. That thought is pushed to the back of your mind for now. It's just not the right moment to talk about it—not with his father’s trial only weeks away and your own dad still recovering in the hospital.

When you pull up to his apartment, the building feels familiar in a way that makes your stomach flip. He hops out of the car and, as usual, rushes around to open your door for you. It’s such a small thing, but it always makes your heart race.

Once inside, the place feels so different from the craziness of the day. It’s cozy, warm, and just... safe. You kick off your shoes and flop onto the couch, sinking into the cushions.

“Wanna watch your show?” Rafe asks, giving you that half-smile you’ve come to love.

You chuckle, feeling lighter than you have all day. “And you say you don’t love it.”

He grabs the remote and turns on the TV, navigating to the show. As the familiar theme song starts playing, you snuggle closer to him, finding comfort in the routine. It's all trashy drama and ridiculous contestants, but it’s the distraction you desperately need. Rafe’s arm stays around you, like always. But as the episode progresses, your eyelids grow heavy. The events of the day, combined with the sleepless night, catch up to you. You feel yourself drifting off, your head resting against Rafe’s chest, his heartbeat a steady rhythm lulling you to sleep.

“Rest, baby,” he murmurs, his voice a soothing whisper. “I’ve got you.”

Next thing you know, you wake up to the smell of something cooking. Blinking your eyes open, you realize Rafe’s in the kitchen, and the living room is dimly lit. A blanket slips off your shoulders as you sit up, and when you look over, he’s already smiling at you.

You’ve seen him smile more times over the past month than all the years you had “known” him combined. It looks good on him, makes him look younger. 

Stretching, you ask, “What’s all this?”

“Dinner. Figured you could use a good meal,” he says casually, like it’s no big deal that he’s cooked for you.

You sneak up behind him and wrap your arms around his waist. “Look at you, Chef Rafe.”

Ever since he moved in on his own, he’s been slowly learning how to take care of himself. You’ve caught him watching cooking and deep cleaning videos more times you can count. You find it endearing. It makes your chest ache, in a good way, to watch him slowly turn into his own person, not the Rafe his father shaped him to be.

He chuckles, giving you a quick forehead kiss. “Eat before it gets cold.”

You sit down, and the first bite has you practically moaning. He snorts at your reaction, but you can tell he’s proud of himself. As you eat, though, you notice he seems a little off. His shoulders are tight, and there’s something in his eyes that makes you pause. You reach across the table, placing your hand over his.

"What is it?”

“Nothing.”

“Rafe. What’s wrong?”

He hesitates, then sighs. “Got a call from my lawyer. About Ward.”

The mention of his dad sends a chill down your spine. “What about him?”

Rafe’s thumb brushes your knuckles as he looks down. “He wants to talk.”

“Do you want to talk to him?”

Rafe's jaw tightens, and he lets out a slow breath. “Yeah. But every time I’ve tried to stand up to him, it’s backfired."

You squeeze his hand, “He can’t hurt you anymore, you know that, right? You're not the same person you were before," you remind him gently. "You've grown so much, Rafe. You’ve made your own life."

He looks up at you, his gaze softening. The intensity in his eyes is clear—vulnerability, determination, and a deep-seated fear. It's as if he’s silently pleading for your reassurance, for the strength to face his demons.

“You think so?”

It's in the way his eyes become softer when they meet yours, the slight quiver in his lips, the way he holds your hand just a little tighter.

“Wouldn’t be here if I didn’t.”

“Okay. I…I’ll think about it.”

The two of you finish dinner, the conversation shifting to lighter topic. After cleaning up, you find yourselves back on the couch, the TV playing quietly in the background. 

Everything feels so domestic it pulls at your heartstrings. And it hits you how much you love this, just being here with him.

But you can still feel the tension rolling off him. You turn to him, tracing little patterns on his chest. “You’re still worried, huh?”

He sighs, throwing his head against the cushions, his hand coming up to rest on yours. "Yeah. I’m scared talking to him will pull me back into that dark place.”

You press a kiss to his clothed chest. “You won’t go back there. Not while I’m here.”

He tightens his hold on you, “You know you’re too good for this world. It’s ridiculous.”

You narrow your eyes, “Am not.”

“Yeah, you are, Pretty Maybank.”

There it is. That nickname. “You know that’s so stupid, right?”

He grins, completely unbothered. “You love it.”

You nudge him with your elbow. “I tolerate it.”

He catches your hand, bringing it to his lips for a soft kiss. “Fits you perfectly.”

You roll your eyes, but you can’t help the grin tugging at your lips.

“If you say so.”

His eyes soften as he looks at you, his thumb tracing gentle circles on your hand. “I do.”

“Shup up,” You feel a blush creeping up your cheeks. “Don’t even know how you came up with that shit.”

Rafe laughs, the sound low and rumbling, his hand moving to rub your leg.  “It’s really stupid.”

You raise an eyebrow, teasing. “’Course it is.”

“Remember when we were fourteen, and we were both at the beach for that huge surf competition? You were this cocky, skilled little girl with an ego bigger than the waves.”

“And you were a suck-up mother—"

“Anyways,” He rolls his eyes, ignoring the way you tried to cut him off, his hand now lightly squeezing your knee, “You were out there showing off, catching wave after wave. I was so fucking annoyed."

You raise an eyebrow, giving him a skeptical look. “Oh, so you were secretly in awe of me?”

“Maybe,” he admits with a sheepish grin. “Or maybe I was just bitter because you made me look bad.”

“I made everyone look bad.”

“Okay, Gabriel Medina. You were out there showing off, making everyone watch you like you owned the ocean. All the boys were ogling you, calling you pretty, and you were loving every second of it.”

You smirk, remembering the day. "I was pretty good, wasn’t I?”

“Good?” He snorts, shaking his head as his fingers trail up and down your thigh. “You were more than good, you were unreal.”

"Yeah, yeah, so how does that tie into the nickname?”

“You came out of the water, hair all messy, sand on your skin, but you had this huge smile. One of the boys called you 'Pretty Maybank,' and you just laughed, brushing it off. But I— I guess I remembered it. It fit you.”

You blink, momentarily thrown off, "I...I didn’t know you remembered that."

“You’re kinda hard to forget Maybank.”

Your heart flutters at his words, the sincerity in his voice making it hard to breathe, “Shut up.”

He leans in, capturing your lips in a gentle kiss, his hand cradling the back of your head. It only lasts a few seconds, before you’re pulling away, mumbling against his lips.

 “You know, it’s funny. Back then, I thought you were just this arrogant piece of shit who was always trying too hard to fit in.”

“That’s so sweet.”

You cup his face, brushing your thumbs across his cheeks, “Hmm. You were always showing off, too.”

“Well,” he drawls, pulling you a little closer, his arms wrapping around your waist, “We both grew out of that phase. Mostly.”

“Mostly,” you agree with a grin. “But I guess some things never change.”

“Yeah,” He doesn't take his eyes off your face, “Some things don’t change. 

There’s a brief silence, filled with the quiet sound of the TV and the comfortable presence of each other. His fingers continue to trace patterns on your hand, and you can feel his earlier stress easing if only a little.

“I don’t want to mess this up,” He admits quietly, “With you.”

“We’ve come this far, haven’t we?”

Rafe’s fingers gently brush a strand of hair behind your ear, “Yeah, we have.”

“I’ll keep you in check, Cameron.”

He holds you tighter, his breath mingling with yours. “You're too good for me, y’know that?”

You laugh, “I know.”

Before you can react, his fingers are dancing across your sides, tickling you mercilessly. You squeal, wriggling and trying to escape his grasp, but he’s relentless.

"Rafe!” You gasp between fits of laughter.

"Say sorry,” he demands, his fingers still working their magic.

"Never!" you manage to choke out, tears of laughter streaming down your face.

He grins wickedly, the movement driving your tummy insane.

"Wrong answer."

You squirm in his grip, the tickling intensifying. "Okay, okay, I'm sorry!" you finally relent, breathless and giggling.

Rafe stops, his hands coming to rest on your waist. His grin is triumphant, but there's a softness in his eyes that makes your heart skip a beat. "That's what I thought," he muses, leaning in to press a gentle kiss to your forehead.

You catch your breath, still smiling. "You know, for someone who's supposed to be a tough guy, you’re surprisingly good at this domestic stuff."

He chuckles, pulling you closer until you're nestled against him.

"What can I say? You bring out the best in me, Pretty Maybank."

"I like this," you admit softly. "Being here with you, just... us."

"Me too," Rafe murmurs, his hand gently stroking your hair. "Feels right, doesn't it?"

"Yeah, it does.”

⁀➷ೃ⁀➷ೃ⁀➷ೃ⁀➷⁀➷ೃ⁀➷ೃ⁀➷ೃ⁀➷⁀➷ೃ⁀➷ೃ⁀➷ೃ⁀➷⁀➷ೃ

Three weeks later, Rafe finally agrees to visit Ward in prison.

His lawyer arranged the meeting, emphasizing the importance of having this conversation to find closure. Despite your protests, Rafe insisted on doing this alone. Plus, prison's security measures are stringent, and there’s no way you could accompany him inside.

Instead, you’re stuck waiting outside, the anxiety killing you slowly. You're sitting on a bench outside the high-security prison, your foot tapping nervously against the ground.

The sun is blazing, making the wait even more unbearable. You wish you could be in there with him, supporting him. You glance at the ugly building, feeling desperate to get the hell away. Your phone buzzes, snapping you out of your thoughts. It’s a text from JJ.

"how's it going?"

You quickly type back.

"he just went in. kinda losing my mind out here."

"he’ll be okay. devil spawn and all yk".

"not helping???"

"my bad sis, just trying to lighten the mood. seriously though, he's got this."

You sigh, putting your phone down and glancing around the barren surroundings. The high walls and barbed wire of the prison seem to loom even larger now. Time drags on, every minute feels like an hour. You find yourself looking at the entrance every few seconds, hoping to see Rafe walk out.

Inside, Rafe is led through a maze of corridors, the echo of his footsteps bouncing off the cold concrete walls. The guards are stoic, their faces expressionless as they guide him to the visitation room. His heart pounds in his chest, but he forces himself to stay calm, to stay focused. He's going to be just fine.

When he finally walks in the room, he sees Ward already seated, the older man looking surprisingly composed. Of course he'd care about his appearance even when he's locked up. There's a glass partition between them, with phones on either side for communication. Rafe sits down, picking up the phone with a shaky hand. He wishes you were here. 

Ward's eyes are piercing as they lock onto Rafe's. "Look who finally decided to visit," he says, his voice dripping with sarcasm, "Took you time, boy."

Rafe takes a deep breath. This is it.

"Only came to tell you something."

Ward raises an eyebrow, leaning back in his chair. "Oh? And what's that? That you’re an ungrateful piece of shit?”

Ignore him, your voice echoes in his head. He knew Ward was going to try to get a rise out of him and he hates that it might work.

"I'm done," Rafe says, his voice steady. "You don't control me anymore."

“After everything I've done for you?"

Rafe's grip on the phone tightens. "You didn't do shit for me. You did it for yourself."

Ward leans forward, his eyes narrowing. "You have no idea what you're talking about, boy. You need me."

"No, I don't," Rafe retorts, “No one needs you.”

Ward's eyes flash with anger, but he quickly masks it with a calculating smile. "Is that what you really think, son? That you can just walk away from everything? From me?"

Rafe feels a rush of anger fighting it's way up his throat, but he holds it back, remembering your words. He takes another breath, steadying himself, “I don’t care.”

Ward's smile fades, replaced by a sneer. "You think you're so strong now, don't you? Do you think you can survive out there without my influence? The world is a cruel place, Rafe. You won't last a day. You think that Maybank trash is gonna solve all your problems, huh?”

“You’re not getting under my skin.”

Ward's eyes narrow further, and he leans in closer to the glass, his voice dropping to a whisper. "So, it’s about her now, is it? What makes you think she’ll be any better for you than I was? She doesn’t know you like I do."

Rafe’s temper flares, but he forces himself to stay calm. He can’t take the bait.

"Keep her out of this.”

“You think you’re so righteous, so superior. You’ll need more than just some girl to get you through.”

“I don’t need you,” Rafe insists, his voice firm. “I never did.” 

Ward’s expression turns cold once more, but there’s a flicker of something—maybe regret, maybe just a reflection of his anger. “You can pretend you’re free, but you know I’m not so easily forgotten.”

Rafe takes a deep breath, forcing himself to stay composed. “I don’t need to hear anything else from you. I’m done.”

“You won’t be able to keep her safe.”

He knew the conversation wouldn’t be longer than five minutes.

He stands up abruptly, the phone clattering against the partition as he drops it. He doesn't need to hear Ward any more. He turns his back on his father and walks out of the room, the door clanging shut behind him. As he walks back through the maze of corridors, his thoughts turn to you, knowing you’re outside overthinking and ready to hug the live out of him. 

He’s striding to you the moment he sees you. You're still on the bench, trying to distract yourself with your phone, but it’s no use. You jump up, rushing over to him. You’re always so endearing to him it pains him to know he hurt you so badly over the years.

“You okay?”

Rafe’s arms wrap around you, finally breathing normally. His breath is warm against your ear as he whispers, “Yeah. I’m okay.”

You wrap your arms around him, holding him close as if you can protect him from the Ward’s harshness. “I was going crazy waiting out here.”

“Sorry for making you wait,” Rafe murmurs, his voice muffled against your shoulder. 

“I don’t care,” You pull back slightly, your hands moving to cup his face. Your fingers trace the lines of his jaw, feeling the faint stubble beneath your touch, “You did what you needed to do. And I’m proud of you.”

He smiles a small, tired smile that doesn’t reach his eyes, “Needed to hear that. Thank you.”

You nod, your thumb brushing against his cheek. “For what?” you ask, leaning into him again. “You did great, baby. You stood up to him. That takes so much strength.”

You take his hand, your fingers intertwining with his as you lead him away from the prison. His grip is strong, his palm warm against yours. The two of you walk in silence for a moment, the only sound the gravel crunching beneath your feet. You glance at him, noting the way his shoulders have relaxed a litte.

“I felt it. Like a weight lifting off me. It’s not completely gone, but it’s lighter.”

You stop walking, turning to face him fully. Your free hand reaches up to brush a strand of hair from his forehead. It had grown so much over the past few weeks. “And it’ll keep getting lighter,” you assure him. 

“You think?”

“I know. You’ll keep needing to stand up to him,” you acknowledge, “But it will get easier each time.”

His hand brushes a stray hair from your face, copying your earlier movement. “And you’ll be here with me?”

“Always.”

Rafe’s expression softens, the hard edges smoothed away by the promise in your words. He leans in, pressing a kiss to your forehead.

His lips linger there.

“You really are too good for me,” he murmurs against your skin, the sound blending with the hum of the car engines in the distance.

“I know.”

He pulls back slightly, his eyes searching yours. The intensity in his gaze takes your breath away, but it’s a different kind of intensity than you’re used to seeing in him. It’s softer, more open, and entirely focused on you.

“Let’s go home."

You nod, a smile spreading across your face. “Yeah, let’s go home.”

[apdreadful]

Since the election I have deactivated some of my social media. Blocked some people I never should have ever engaged with to begin with, and unfollowed several accounts on IG that just don’t bring me joy.

And 911onabc was one.

Is it because Buck & Tommy didn’t end together? No. I’m a grown ass adult. I can be irritated by the something and not be dramatic or hateful about it.

It was because several storylines lately have been complete bullshit.

They start strong with solid good storytelling. But then..eh we’re bored. Only whatever we do absolutely can not make sense!

The lazy fucking way they wrote Christopher’s character out, and that weird ass doppelgänger storyline.

New season? Let’s start by putting Bobby and Athena through to some major disaster! Hey it worked last season! Let’s do it again! (Do not even get me started on that fucking drug cartel shit..what the hell even was that??)

We are only allowed to have one character or couple drama free at a time. And if we can’t come up with a plausible way to create discord or havoc, we’ll just do some stupid shit instead!

Spend several seasons showing the deep strong bond between Eddie and Christopher. Gavin’s family moves? Just make it something dumb..but fast! I know let’s have him get mad at his dad and ask to move in with his grandparents!! Never mind he’d never do that!

The amount of psychological trauma they have inflicted on Maddie. The near death experiences of Chimney. Jesus. Just what tf?

Hmmm. Karen and Hen..the fans would revolt if we broke them up. So let’s go after their kids!! And we can’t make it about them being gay! Let’s create this over the top villain Councilwoman Ortiz. Who’s the mother of that drunk coked up dude from the accident. Only we absolutely cannot have Hen or anyone defend what happened or shut that shit down by saying “Your son was a fucking menace and maybe if you hadn’t kept covering for him he would have gotten some fucking help and not caused an accident.” Also do not mention Hen was cleared of all wrong doing. Nope. Logic has no place here!

Ok so the fans have been clamoring for Buddie. But Eddie Diaz is straight. Period.

So hey! Let’s make Buck bisexual. And tell everyone we are getting him off the hamster wheel (because really, we’ve given him the emotional depth of a teaspoon for a while now)..And his love interest/boyfriend should be Tommy Kinard, who used to work at the 118, and we will invest time to give him a compelling backstory, and lay a ton of Easter eggs showing how richly we can mine this pairing and these characters.

And make them HAPPY for several episodes. Blissfully in love. And then totally out of the blue, let’s break them up. But the reason has to be complete bullshit, totally against character out of left field BULLSHIT. Like they should start out the episode great and about 80 percent in..wait! Let’s also make him the SAME Tommy Abbie from season one was engaged to before she started banging Buck! And then let’s make Tommy who is so into Buck it’s palpable, dump him because he’s afraid of getting his heart broken! Even though it’s one of the most tired, overdone, stupid tropes ever!!

Yeah. I don’t know WTF is going on in the writers room I would swear it’s like there’s this talented group of writers who start stories, and then they go out in Wilshire Blvd and ask some random person on the street to write the ending, but they have to do it, right there in the next 20 minutes.

No I am not going to stop watching 911 forever. I just don’t really want to see them on my IG. This last stunt, sparked only incredulity and scorn.

[fruityindividual]

you erased tonks and she's literally teddy's mom??? why do ff writers keep doing this??? this fandom is hella misogynistic let the female characters be MOMS!!

mkay. thoughts + questions below the cut xx

i do not care abt tonks enough to write abt her. i won't spend my time writing abt a character i dont find interesting just cos jkr did and u think i should.

is it ok w you if i leave tonks out of fics that don't include teddy?

is tonks' motherhood where u draw the line?

cos shes a mum?

cos being a mum is the most important aspect of her canon female character?

or am i misunderstanding you? like u've misunderstood why i chose to not include tonks in tmos?

should i have killed her off? or made her a v minor character? either way, as ppl who clearly care so deeply abt tonks, u would've been disappointed.

oh! i shouldve just written an oc kid?

so u don't mind if tonks is left out of fics that don't include teddy? cos if she's not a mum, then there's no point? or am i misunderstanding you? like u've misunderstood why i chose to not include tonks in tmos?

'this fandom is misogynistic' -> 'let em be MOMS!!'

fictional characters dont actually have 2 b anything just cos you and jkr say so.

including a character solely cos shes a mum in canon isn't a v convincing reason to divorce (<-lmao) myself from wht i'd prefer writing. imo

i feel no obligation 2 write tonks just cos jkr did n u think i should. this stems from my personal belief that i can write whtevr the fuck i want.

calling a fandom as a whole 'misogynistic' but citing tonks' motherhood as ur only grievance is rly interesting. and by 'interesting,' i mean dense + annoying

fandom is 'denying tonks her motherhood?' well i also denied her a fucking existence......btw.

excluding tonks from tmos wasn't driven by my desire to 'get her out of the way' so r/s ('two gay men' <-insane three words 2 type n click send on btw anon) could raise teddy, but rather my desire to literally not write abt her at all. cos ive never rly found her an interesting character. is that wrong? i'm not convinced it is. but i dont pretend to have given this as much thought as u three big thinkers.

write ur own fics n give tonks the appreciation u think is lacking instead of whinging abt the product of my own loser daydreams in my askbox.

u'll never convince me that these sorts of asks are sent in effort to make the world a better place <3

will always welcome asks n polite discourse + treat everyone w the respect they deserve, but pls consider baiting, drama-fuelled asks like these outside of my boundaries. dont bring this shit into my house xoxo

[libraryspectre]

I wanted to talk about the Black Parade uniforms and it kind of turned into an entire essay. My ideas on the intention behind each costume and their cohesion as a group really evolved over the course of writing this, and I think it brought into focus a lot of things I knew subconsciously but hadn't articulated. I also noticed a lot of details I had never seen before. This has futher convinced me that 1) costume design and what you can say with it is really fascinating and 2) this is S-tier costume design of all time. And it's really long so I'm putting the rest under the cut.

What I would have loved is a Weezer-style picture of the five of them standing side by side, full bodies visible, but unfortunately that doesn't seem to exist. They're either covering each other up, or posed in such a way that details aren't visible or cut is hard to compare, so I'll have to provide a variety of visuals. This weirdly blurry poster is the closest thing I could find to a Weezer picture, so take them in as a group and refer back as necessary. I want to start by saying, obviously, that they look amazing both individually and as a set. "Dark marching band of death" is a really fun concept that is very well executed. But this isn't their first time doing a look as a group - think back to Revenge for a minute, when they really started to think about their costuming as a band. Gerard has talked about how then, they were kind of closing ranks against the vitriol coming their way. They needed to feel like a team, a gang, and dressed like one. I think some of this mentality has carried over into the Black Parade uniforms - they're less defensive, (there's no bulletproof vests), but in taking on new, nameless identities they have removed themselves as individuals from the equation, which is protective in its own way. What's left are stage personas, and the more you look the more you see that these were designed by someone who is very familiar with the history of the band and how each member presents themselves on stage. It's absolutely genius costume design, because when everyone is in uniform, the little differences are more noticable and tell you so much about the intention behind each variation.

Before we really start, I have to confess that I have no history in costuming or even a lot of familiarity with marching or military bands. I can only say I find costuming interesting, so I've read a little about it, and I went to high school in America and almost all my friends were in marching band. Someone who is more educated in these things could probably give more specific insights and have a better vocabulary to talk about it, but do not underestimate me. I am deeply obsessed with MCR and got A's in English, so let's find some meaning in symbolism! But please remember that with all art, there is no one interpretation. And remember going forward that these costumes were designed by Colleen Atwood, based on sketches she was given by Gerard, so there's no telling what elements were brought in by her and what elements Gerard had planned originally. If anyone has sources on that, PLEASE let me know because I'm very curious about the design process.

Also, I'll be using the uniforms as they appear in the WTTBP video as the standard, with acknowledgements toward variations seen in posters and the FLW video. It's worth noting that in many live performances they wore different, less unique jackets, and often forewent the pants for black jeans. This is almost certainly because they were easier to perform in and they didn't want to subject the originals to the sweat and rowdiness of regular shows. Ok, here we go! Here are some pics to refer back to throughout.

Starting with the band as a whole, I want to point out two things: first, marching bands evolved from military bands. The individual costumes vary in how "military" they look, but you can definitely see the influence when you look at them as a set. I imagine they leaned into that a bit because of the military elements on the record - the suggestion in Mama that the patient was a soldier, maybe even a war criminal. We also know they've done military aesthetics before, in The Ghost of You music video, and that the band was formed in response to 9/11. Suffice to say, the military is on the mind, and this is a continuation of that.

They also look a bit like skeletons. Obviously they would occasionally do the face paint, but the uniforms themselves suggest a ribcage with the horizontal silver lines, and at some angles the stripes on the pants also really contribute to the image. I know most people have already realized this, but I wanted to point it out explicitly because it took me an embarassingly long time to see it.

Alright, I'm gonna talk about them individually now, going from my personal least to most favorite. Taste aside, they're all individually really interesting.

5. Bob

(I can't find another good Bob picture, just scroll up to the blurry one)

It's not just because I don't like Bob, I genuinely like this one much less than all the others. It might be because it's less tailored - the others look much sharper, he looks almost rumpled in comparison. The lose fit might be because as a drummer, he needed better range of movement, but I'm not a drummer so I don't know. The cut of his jacket looks kind of naval to me, which is interesting. His stripes are also very minimal compared to the others. Overall, his looks the least like it's part of a set. I don't necessarily think they meant to set him apart, but maybe they did, considering he's the only non-original member (I'm counting Frank as an original member) and the only one not from New Jersey (which, I only point out because they ALWAYS point that out to people who mention they're a Jersey band. We're from Jersey, Bob is from Chicago.) Maybe it was a subconscious thing, or maybe as the drummer his costume was designed to make the most of what would be visible sitting and partially obscured by the drum kit. It does have a very dramatic collar. That's probably also part of the reason they gave him a more distinctive haircut for this - I'm not gonna talk about hair much, but it's worth mentioning. Overall, I don't have a ton to say about Bob because I don't think of him much (sorry, but not really).

4. Frank

Frank's is really interesting. His is the least traditional-looking, which is why it's here in the ranking, but I like it and I think there's a good reason for that. Those stripes on the sleeve are a really strong look, and the material of the silver has kind of a tarnished/dappled look you can see better in other photos. I've seen people say it's a subtle camo pattern, but I'm honestly not sure - I think he's supposed to look a little less new and shiny. The blockiness of it widens him and gives him a lot of presence that might be lost if he was dressed more like the others, and it compliments his performance style well. That's particularly important in the WTTBP video - on that float, he simply doesn't have room to be as wild and energetic as his standard performance was at the time, so this uniform helps him stand out and draw attention to what thrashing he is able to do. As far as bucking tradition, he also is the only one without shoulder tabs (those little loops). There's something funny about that - those tabs are meant to hold loops and eupalletes that would signify rank, placement, or achievement, which apparently you could not give to Frank if you tried. I think this lack of traditionality is reflective of Frank's more punk sensibilities, having come up in the Jersey scene. His playing style evolved over time as he and Ray influenced each other, but at the start he was very much their punk guitarist and coming up in that scene continued to influence how he conducted himself as a musician. I think this uniform marks him as a non-conformist even within the group.

He also has that patch with a red cross on the sleeve, the only bit of color on any of them. I don't know what to make of that, maybe it's just for the Catholic vibes.

Honestly, Frank's feels the most like what people would expect from an "emo" marching band uniform. Especially considering the poster, where he's found a hole to stick his thumb through. I don't think he's wearing it in the video, but in that poster he has this belt with some kind of weapon?? Maybe?? We get it, he's a dangerous little man.

3. Mikey

Mikey's uniform is by far the most military - it's not just the medal, it's also the cut of the jacket. And he's the only one with a fun little belt, which helps keep the silhouette look nice and tailored even though the jacket flares a little at the waist. We all know the medal is a reference to his death in The Ghost of You video (there's no way they didn't know we would make that connection) and it wouldn't surprise me if the rest of his uniform looks more military because it was built around that idea. But also consider Mikey's stage presence at the time - due to his discomfort on stage, he used to be really stoic, standing in the back, getting the job done with little showmanship. I think that presentation lends itself well to a classic military figure. Mikey is also pretty thin, and the long jacket and it's strong, solid construction keeps him from looking too Victorian-orphan waifish (especially with how pale they all are), and more like a dead soldier boy.

Additionally, Mikey's costume leaning so hard into the military side helps them look more military as a group. It keeps the association in your mind when you look at the others. Also, he's wearing a little necklace here, which I've never noticed before, is he wearing that in the videos?? I think it's an anchor, which is fun considering he died on a beach.

2. Gerard

Yes, Gerard's is #2 in my ranking. I'm sorry, I might have a slight bias knocking it down from #1. But maybe not, let me defend myself when I get there. Anyway, Gerard's is the most classically marching band, which makes sense considering he's the frontperson. In fact, he has one of those braided loops on his shoulder we talked about earlier, demonstrating.....something, it seems to vary a lot, but we're probably meant to think leadership. He's not wearing it the WTTBP video, but it's there in Famous Last Words. He also has that fancy little star thing on the shoulder, which definitely seems to suggest rank. Otherwise, his uniform is very basic. He's the template that the others' uniforms are variations of. And it's a great look! He's also got nice big buttons compared to the others, three whole rows of them, which is a nice touch to make it look a liiiiittle more feminine. Because, of course, the back of the jacket is corseted, in a genious stroke of gender that puts the entire outfit in a new context. I think this is a good example of how Gerard likes to play with androgony by balancing masc and femme elements. The cut of his jacket makes his shoulders look wide and his waist narrow, but not so narrow it looks terribly feminine (just a little, taken on its own). A lot of this is achieved by the piping - notice how on Bob, Mikey, and Frank, the top row of piping (I might be using that word wrong but let's go with it. I'm talking about the silver stuff across the chest) is pretty much the same length as the bottom row? On Gerard, they start out wide way up on his shoulders and get progressively narrower at the waist. It's still a mostly masculine silhouette, but then you have the counter balance of the big buttons and his little white pixie cut, both of which lean just a little further toward femme than masc. It's an androgynous look that leans toward masc as a whole, until he turns around and, boom, corseted back. Showstopping. He also had those black leather gloves that give some nice formality, and maybe a touch of impersonality. They make it so that when he's in full uniform, the only skin you can see is that of his face. They're like an edgier version of the usual plain white marching band gloves.

1. Ray

Going purely by aesthetics, Ray's is my favorite. It's the fancy one, most obviously distinct by the flourishes around the buttons on his jacket. He Mikey are the only ones with pure silver shoulder loops, and Ray has more silver piping on his jacket than the others. In some pictures he's wearing this really ornate knotted tassle thing? You can see it in one of the group pictures above. He isn't wearing it in any of the videos, which makes sense as it could be really annoying while playing. The cut of his jacket at the bottom also looks formal to me, but I'm not sure why. Overall, the ornanamentation could be a reflection of his playing style - the same caveat here applies to Frank, in that they influenced each other through their parnership as guitarists, (and Ray has a lot of influences from different genres), but at the start he was their metal guitarist, and the guitars in metal are often complicated and showy. And he's their soloist, they need to show him off a little.

Additionally, the construction here is giving him an absolutely wild silohette. Like Gerard, the piping on his jacket gets progressively narrower to suggest a smaller waist, but without the really long stripes at the top to make the shoulders look broader. Those vertical lines across the front add to the effect because they're curved inward - which is interesting, because everyone else's uniforms are composed of entirely straight lines and sharp angles. And his jacket is cut REALLY high on the side. I can't tell if Ray's pants are more high-waisted than the others, or if it just looks that way because of the cut of the jacket. You see the stripe of the pants go all the way up his hip, and since he's already tall with long legs, it really accentuates that. It's hard to tell, but I think his pants are even a little more form-fitting than the others. The other day I saw people commenting on a gif of Ray in the WTTBP video about how they never noticed how long his legs are - this is why!

We talk about how part of what makes Ray such a compelling performer is how he moves, and I think this costume was designed to compliment fluid motion. The tailoring and curves of the piping avoid making him look too rigid or blocky, as a marching band uniform could easily do, and the high cut of the jacket lets the line of his legs continue uninterrupted. Honestly, this is a favorite look for Raygirls (gender neutral) for a reason - I think they knew exactly what they were doing putting him in a pretty, well-tailored uniform that accentuates his movement. (Caveat here that I'm a Raygirl (gn) so I'm definitely biased, and they all look great in their uniforms, but I do think Ray's is.....uniquely flattering, and I don't think it was an accident).

Conclusions

So now that we've talked about all of them, I think we have some interesting contrasts to make. Gerard and Mikey both have very classic looks, but Gerard's is more marching band and Mikey's is more military. Mikey and Bob both have very military looks, but Mikey's has a much more solid construction. Gerard and Ray are both on the marching band side of the spectrum, but Gerard's is classic while Ray's is ornate. My favorite contrast is between the guitarists - Frank's is blocky and rigid and tarnished, Ray's is curved and fluid and shiny.

The interplay between similarity and contrast is what makes this so compelling as a group costume - just by looking you can tell who's the leader, who's the tragic figure, who's the outcast, who's the rebel, who's being spotlit.

In closing, thank you Colleen Atwood and Gerard Way for designing these and the rest of the band for wearing them, I will never get tired of looking at them.

[ko-existing]

I am the kind of person that’s really into sociology and politics, for years since I was young I’ve been so completely involved in this kind of life and figuring these kinds of patterns, I’ve written and published notes and essays and what-not. I just found out about AV/ND and I realise that this is the first time I’m having my intelligence actually tested, if I’m willing to see past what my eyes see and what my mind tells me - to understand and know that there was never a me. Because I’ve stood believing and acting upon the entirely opposite story, labels upon labels I’ve given myself.

This seems so difficult, how can I just give up and not care about any of this? It seems so real and I feel like an idiot if I just do nothing and say it’s not real when I can see it. I WANT to know myself but my own mind is telling me not to, that I shouldn’t, that I’ll be an idiot if I even tried. It’s a seemingly real battle I have to fight .. with seemingly no one.

Seeing through what seems to be doesn’t mean dismissing 'your' 'passions' or "not caring" about anything. Realizing the foundation of it all, " " / "awareness" , doesn’t imply abandoning "life" or becoming indifferent to things that seem to matter to you. If you’re drawn to sociology and politics, explore them.

I like reading articles about planets, the universe, antarctica, learning new languages and watching videos about how much Elon Musk / Tesla sucks.

Recognizing everything as an appearance doesn’t prevent you from engaging with it—it only shifts how you relate to it and noticing the foundation, everything = nothing, gives way to infinite experiences.

Just like how in a dream, you might engage with others, feel emotions, or explore interests without questioning the dream itself, here too, there’s nothing wrong with engaging in what interests you. Are they Actuality? No.

Even monks, who are often symbols of detachment, still eat, chant, study, and do their roles in the monastery—they don’t simply sit and let days drift by.

So if sociology, writing, or political thought interests you, follow it. None of it changes the underlying reality, and it doesn’t mean "being indifferent." It’s simply a deepened Knowing that while you’re engaging fully, you’re also noticing that the "you" who engages is not as separate or fixed as it might seem.

[morallysuperiorlips]

Fanfiction Taught Me 90% of What I Know About Writing

That’s the gods honest truth. And I’m saying that as someone who has a literal college degree in writing.

I took SO MANY writing classes in college. All genres. Creative. Playwriting. Screenwriting. Editorial. Journalistic. Business. Technical. I’ve been writing since I could hold a pencil correctly, and really started to pursue it in 2nd grade when every teacher following gushed about my writing skills. I can confidently say I’ve been honing my craft for over two decades.

However, I didn’t really git gud at writing until I started really writing fanfiction. Like, joining a fandom and actively writing an ongoing fic for it.

Again, I’d taken years upon years of writing classes. I learned story structure, grammar, theming, POVs, tone, etc. all throughout school. I learned how to receive feedback and edit my work a little more down the road. I learned from professionals in the field. I worked with mentors.

However, none of that helped my skyrocket my skills like writing fanfiction did.

Fanfiction taught me how to actually write deep, nuanced, and compelling characters. I never once filled out a 200-question character sheet for any character I wrote on some silly school assignment. I never knew how to really know my characters until I was writing OCs for a fandom.

Fanfiction taught me the value of being concise. My schooling had drilled the concept of long, purple prose into me over time and in writing for a fandom for a children’s game, I unlearned that real quick.

Fanfiction really taught me the concept of “show, don’t tell.” I never really knew what a penchant I had for info dumping until somebody pointed out to me most of my headcanon’d lore drops happened in exposition and not in action.

Fanfiction taught me how to worldbuild. Eating the canon of my preferred fandom gave me a lot of time to strengthen my chops while I came up with my own answers to canon lore I hated.

Fanfiction taught me consistency. In school, I mostly wrote short stories. I hadn’t really bitten off a longer project until I started writing a longfic, and in doing so, I learned how to keep my characters, plot, and world consistent for a prolonged period of chapters.

Fanfiction gave me a close-knit community to consistently bounce my ideas off of, and give me feedback that actually served me in terms of bettering my skills and the story I was writing. Not just for the sake of meeting the measures of a grade or rubric given by a teacher.

I could go on and on, but tl;dr, I owe my current skillset and understanding of writing to writing fic. I wouldn’t be at the level I am without it. Honestly, I wouldn’t even be writing my current WIP without it.

So, to anyone who might have told you that fanfic is a waste of time, they are just objectively wrong. And if you’re reading this thinking for yourself that fanfic is a waste of time, well, you’re stupid and also objectively wrong :>

Fanfiction is valuable. Don’t underestimate it.

[callistocalavarni]

shifting to the 60s

hii I havent posted in a while, I've been trying re group from multiple shifts while getting my life back in order but I think I'm back.. Anyway I have a bunch of stories from so many places I'd like to share and im currently working on how I want to post them. But I don't see a lot of storytimes so I think it would be fun to share some. So i'm gonna rant about some shorter ones here.

shifting with sleep paralysis

I wanted to talk about this shift because it stuck out to me and I can't stop thinking about it.. I had shifted about 2 times in the span of 30 seconds. For a whole week back in October I was waking up at 3-5 am in the morning without being able to go back to sleep. So as you can guess I woke up at around 4 am and was restless. At around 6 am I got tired again so I started my method and I know people say that symptoms don't exist but in the time that I have shifted all I can say is that I disagree.. Anyway, one moment I was saying affimations and then the next I woke up all tingly and in a weird sleep state I've never been in before. I didn't even say to myself I wanted to shift I just did. It was like my mind was on autopilot. Didn't say affimations, didn't go through my script in my head, didn't even try to use the 5 senses. I just started seeing myself in 1st person and what I would be doing in my dr without any forethought and shifted. The first shift, I was on a track running with a couple of men and we all were wearing 60s running wear. I had an orange and red tank top with matching orange shorts. It had felt like there was an orange filter in this reality.. if that makes sense. I was on the track about to run and I just recall looking around laughing.

When I shifted to this moment its like I felt my consciousness leave my body; Which is the weird part because I've never really experinced this before. It felt like I was being pulled up by something and all I could hear was constant noise. I don't even know what noise I was hearing it was like someone was screaming right in my ear or veryyy loud ringing/static. The noise was SO loud. I was in the middle of sprinting when I shifted back because I thought I was the one making the noise, I thought I was screaming..Thankfully it was not me. But When I came back I was still In that state and I could look around me but my eyes were still closed. It's like I was seeing everything from a different perspective. There was a spider crawling on my wall right next to me when I shifted back so I freaked out and the noise got even louder ! The spider was leaving black spots all over my wall,, I could not figure out what was going on in the moment ( when I was writing this in my journal I figured out it was sleep paralysis ) It felt like I was tripping on a bunch of pain killers when I shifted back. I still couldn't move so I shifted again to the same reality but this time I was in the shower... the noise got even louder. The noise made it feel like a bad trip and I ended up shifting back here to try and stop it. It took my like an hour to get out of sleep paralysis. Unlike the method, this reality was very enyjoyable. It felt like a Nina Brodskyaya song, I lived alone and I was successful. I think I worked at a cigarette company, which is ironic because I hate smoking. But I don't know for sure as I didn't stay long enough to find out.

Lumari is a country I scripted, Forlina being one of its nations.

This reality was late 70's early 80's and one of my favorite drs. I stayed here for about a year. I was in Forlina living in an all girls home. Forlina gives free housing to students so I moved out of my parents house to start collage. About six girls are given a room to share together, don't worry they are pretty big. I loved our room. It had big sliding windows that gave a view of the tropical forest. We each had sunken in beds, some girls who were home sick shared beds for a couple of weeks. It took me a while to get use to the amount of noise in the morning. There was this one girl who would blast music on the radio while getting ready. I only had to worry about this sometimes because I woke up pretty early. Art was one of my classes and the professer would make the class times either 7 am or 9 pm which also took me some time to get use to. idk the guy was kind of weird. I rode my bike everywhere here. I miss being able to ride down a bike trail and see the ocean. I've been thinking about shifting back here for some time. I might post more about this reality in more detail later.

<3

[valenshawke]

In Defense of Caitlyn Kiramman

No, this is not a defense of any of her actions or decisions she made after she donned the beret. This is a defense of the writing of her character and what (I believe) the writers are trying to do. With only one act down, there’s many ways the writers can take this. They could very well fumble it. However, I will give the writers the benefit of the doubt. With that out of the way…

The descent into darkness and the corruption arcs are classic storytelling. Where the protagonist, hit with so many traumas and setbacks, gives into her darker feelings, sometimes aided by a more devious figure in the background.

Given all the traumas that Caitlyn has experienced as explained by @bramblebeau, something was going to happen. Without Ambessa Medarda being that devious figure, would Caitlyn have gone full authoritarian at the end of episode 3? Maybe. I still think she would have, but perhaps not as far. But to argue that this is bad storytelling because Caitlyn did not keep her idealism and morality is… horrible missing the point. 

What are the points? When faced with trauma and the desire to retaliate and seek revenge, it is very easy to manipulate those who want those two things. And, in the world we actually live in, we have seen this time and again. Need I bring up the US War on Terror? Whether directly or indirectly, the cultural impact of the 9/11 Attacks, second Iraq War, and the US War on Terror has been and will continue to do so (and if you want a less subtle commentary on that, check out Naoki Urasawa’s Pluto also on Netflix). 

Ambessa Medarda not only manipulating Caitlyn, but the Piltover Elite, was masterful because it showed how easy it is when you can control the flow of information, control the rhetoric, and eventually dehumanize your “enemy” as something less than human. It’ll be fascinating to hear how Caitlyn’s speech changes and what type of language she uses when talking about Zaun.

At this point, we don’t know exactly what the writers are going to do. But it does raise some intriguing and exciting questions from a storytelling perspective. Caitlyn, right now, is at the edge of (the heart) of darkness. Is her blood-lust for revenge going to cause her to fall in? Will someone be able to talk sense into her? Can anyone in Piltover talk any sense into her? How, if at all, can Vi be the one to help/save her? Or will they save each other? How can Vi be that tiny light in the darkness when she has her own trauma to deal with? (There’s another point to examine how both dealt with the trauma by the end of Act 1. Vi went inward and, based on the trailers, went full self-destructive mode. Caitllyn went outward and became the public face of a fascist regime). 

Caitlyn already started taking steps to that darkness after she got the Kiramman key and decided that GASSING ZAUN (and all the implications THAT brings)  was the best option for her strike team to open its mission to capture Jinx, dismantle shimmer, neutralize any agents loyal to Silco. Whatever justification given, especially by Vi, is naive at best and delusional at worst. Vi might have gone along simply because she feels some blame and wants to support Caitlyn. But what Caitlyn did was unjustifiable. The moment you simply accept “collateral damage” as simply being a Tuesday, your moral dipstick is bone dry (credits to Fox Mulder for that one). But that isn’t bad storytelling. I’m supposed to feel that way.

Caitlyn’s descent, as it stands, allows the writer to either give her something of a redemption arc where she realizes the horrors of what she has done and what has to be done to fix it. 

This is classic storytelling 101.

And I am fucking here for it.

Thanks to @caitlyn-kirammans for listening to me ramble this out first.

[sweetbottletops]

The way Kanna went from telling her how it is to love a Koga last volume when she thought Aya was in for the long haul to telling her to take care of her own happiness now that Aya has given up. While giving up herself.

I thought there was no room for more depression this week, but turns out there was some space in the corner snuggled up next to Arcane.

Ch 108

She sparkles from their POV, but she looks so uncomfortable herself. She wanted a Prom, not a job interview. She’s the only one who hasn’t looked that enthusiastic about this even though it might be a good thing for her. She’s still just 17.

Lost under all of this popularity and opportunity was still a girl who just wanted to manically write music to Aya.

Aya is being the best fan. Look at her totally authentic happy supportive face… that switches off as soon as Koga is not looking at her. :’(

“ ‘But I want to go to the Prom with her.’ ” Kanna you Love Doctor.

Kanna is pressing her buttons. Which happen to also be Kanna’s buttons. Kanna is fluent in loving a Koga.

Aya immediately unraveling when Kanna pulls at one string.

A) Koga got popular. B) I am jealous that I'm not special anymore but I know Koga took a needed step forward so I should support that. C) Can’t I have ONE special thing with her though?

“Damn kouhai!”

Aya found Kanna's open wound with that one.

When Joe chose to stay because of something Kanna felt she had no right to get between — he was staying for Mitsuki — she finally stopped waiting, had a big cry, and then still went to LA and followed their dream by herself.

If Aya is giving up then maybe Kanna thinks she can be spared some of that waiting and care for her own happiness and have an easier time of it than she did.

“I should leave soon.”

Joe is thankful to have her back and jokes about her being a “mother” but she came back to see if they had a chance to follow their dream now that Mitsuki is older.

He doesn’t seem to have his old dreams anymore, or they are just that atrophied at this point, and she won’t ask him to leave Mitsuki to go with her. They went through that pain once already and she won't directly touch it anymore than Aya her thing.

Kanna came back with the goal of taking the almost 18 year old Mitsuki and Joe back with her, but she ditched the Mitsuki-to-LA plan when she met Aya and correctly saw their relationship was important. If Mitsuki had Aya beside her Joe could feel safe to follow his dreams with her again and she wouldn't be getting between them.

But Koga gonna Koga and Aya gave up. And being in the proximity of this and Joe seems to really be hurting Kanna now that she's been forced to look in the mirror.

[davrinassan]

what is your onion of the taash questline if you are comfortable sharing?

ok so ive found out i actually havent finished the ENTIRE questline. just the main part of it, i think ? i finished up to taash's mother dying .

so... i

i rate it poorly. i need like more time.. to digest it . i also.. have a very hard time with this because while i am nonbinary i am just a white british person . i dont have a mixed heritage or culture . i am just white british and not even a cool british like gaelic i am English ...... as plain boring white bread as u can get.

so commentin on the heritage vs culture choice u are given is hard for me beyond that it makes me feel uncomfortable to have to pick for someone. that is not my place. it feels very wrong of me to have this power over someone . when i first was given a choice i said embrace being multicultural. cuz like that feels.. obvious. its beautiful to come from multiple cultures and being pieces of them . thats so cool and awesome to me. and then being forced to pick was so not cool and very not awesome.

in terms of the nonbinary stuff ... the more it got mentioned and brought up the more i disliked it. i don't know how much people will agree with me here so bare with me. it felt very on the nose, unnatural, even the word nonbinary didnt seem like it fit. i feel like they were lazy. i feel like they should have made a new word , maybe even a new concept , to work within the dragon age setting. that maybe was specific to rivaini culture that taash heard from another lord of fortune and it felt right . idk. they could have integrated it better to the world of thedas. i felt.. pandered to . i felt like they were saying hey look, hey. hey thats you right. doesnt this make u feel seen and happy . please ignore the weird racism and focus on this

i could have loved taash i think. but i don't. i barely like taash. i feel like taash is a scapegoat. a mouthpiece. that sometimes taash says and does things that don't feel natural to the character cuz taash isnt talking, bioware is. this gets even worse when you take into account lord of fortune things like selling back cultural artifacts to the people they belong to and bioware going "dw its ethical and ok! trust us!" but they have taash say it and it feels wrong, off and weird. like.. out of character? idk it's strange.

taash is a strange character. i dont think bioware actually respected them as much ... i think they used bioware to push this weird anti qunari narrative and to pander to queer people while being weird and racist and idk. idkdidkdikdksoldfgjzsdlff

i need someone who isnt white and who is smarter than me and better at articulating than me to write a think piece on this. while i am the right person for the nonbinary stuff. theres pieces here i am not the right person for. and i dont wanna speak over anyone. or be the voice for anyone when i shouldnt be. but i will say ...

if i can see how gross this shit comes across , how on earth are the people of colour who are actually effected by this bullshit feeling? they shouldnt be exposed to this bullshit . bioware should do better. hire some diverse writers man . get ur shit checked and looked over by poc before u push it out. ur game shouldnt be hurting minorities . they deserve better than this shit STILL happening . ive got too many friends and mutuals pained over taashs story and angry about it. that aint right. it just aint right man

and yeah like i said i havent 100% finished it, it seems, but i dont see the majority of this changing or any of it . i am uhh "burnt" as it were, i do not think bioware can fix this feeling inside of me

this got rambly i hope it makes sense

[pleasestayawayidonotlikeyou]

if it's ok can you do a bad sanses x scp child reader. where nightmare find them in her negative universe all alone trying to survive (since she lost her father and friends) cause something bad happened and takes them in as their healer (cause the child doesn't want to kill). nightmare found her when she was 7/8 years old, nightmare would see a bit of his passive self in her, and the child would be neutral with the whole situation given they have seen crazier things from where their from (and just wanted to escape their situation from their world). but is a good kid and despite not wanting to hurt anyone she would rather get themselves hurt to protect those she cares for (would literally take a hit from anyone who tries to hurt dadmare, killer, horror and dust because of their past trauma and defend them with her telekinesis). their drawbacks of their abilities is if she gets extremely hurt or looses a limb when having zero energy she can't regenerate until her stamina is helped (energy like full sleep and have food or beverage basically having good stamina) but still can't die. (this is based off an oc of mine so here is more info with a pic to help) she sometime would have her breakdowns like the others from past trauma (also her soul would be perseverance) I'm sorry for the long read i hope your ok with this and if you have any questions I'm happy to answer :3

Holy shit this took too long to write-

Featuring: Nightmare, Killer, Dust and Ted.

Masterlist

Nightmare

Ah yes. Another dumb kid for him to add to the collection.

Since you were quite useful with your healing powers and all, he took you in. Big mistake.

Nightmare now finds himself caring for another kid (the other kids are the Killer Dust and Ted), oh well.

Is very impressed with your ability to regenerate limbs.. it's... Fascinating..

His grumpy self turns into one a bit more content.

You're like a memory of himself in the past, the voice that always keeps ticking in his mind, except you are real. "I am too.."

Didn't find out about Killer bringing you into missions until Ted came furiously to him demanding to know why would his boss let a child go to mass murderer missions.

Spoiler alert, he didn't know and quickly became enraged, that's his kid, how dare Killer bring you to missions without his knowledge!?

Nightmare finds it adorable when you try to protect him, he's already a god silly, he can't die!

Dust

Stay still, he wants to study you.

He may or may not like SCPs...

Holds a notebook and pen, writing down any information he can get out of you.

Impressed with your powers, but not surprised, he knows Nightmare wouldn't take in a healer who can't defend themselves.

Watches in the shadows, if you need him just call his name.

Finds Killer's idea of bringing you to missions dumb, but there's nothing he can do can he?

You two may have time alone, and he uses that time to gossip about Killer's dumbass.

On really really rare occasions, he'll vent about his past, about the guilt he feels about his actions.

Killer

Another one to be influenced by him.

Nightmare doesn't let you near killer without supervision, that's a big no no.

He doesn't want to wake up hearing laughter with his face painted with permanent marker again.

Killer likes having someone around, especially because you can

He finds it cute when you try to protect him, you're not even to his waist! How are you going to fight a fucking god like dream?

Well, his jaw is on the ground now. "HOLY SHIT NIGHTMARE WHAT KIND OF POWERS DOES THIS KID HAVE???"

Yep, he's bringing you in missions now.

Also Killer named a cat after you.

Ted

The fact that you need to be healthy to be able to regenerate is the perfect excuse for him to cook more food.

He repays you when you heal him he makes your favorite dessert.

Ted thinks you're too naive and innocent for battle, and gets pretty annoyed every time you go in missions with them.

Even knowing you can regenerate and defend yourself it still keeps him worried, what if you run out of energy?

Also blames Killer for any scratch you get, he's the one who made you go with them so he's the one to blame.

He's the one who's with you almost 24/7, acts like an actual big brother, may even apresent you to his Papyrus.

When you defend him in an argument, he feels so fucking special, no he doesn't have tears on his eyes you're just hallucinating.