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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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nereidprinc3ss · 2 months

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no sweeter innocence (than our gentle sin)

in which spencer reid is gentle with overwhelmed fem!reader after sex

18+ (fluff, implied intimacy) warnings/tags: it's just aftercare, but like psychological aftercare, implied intimacy duh, vague descriptions of sex but nothing explicit, hurt/comfort without the hurt, allusions to postcoital dysphoria, reader cries but its not really sad, spencer reid is so kind i wish men were real, i think that is all a/n: guess who wrote an entirely different thing instead of touching her wips..... AGAIN...... this bitch cant do anything omggg!! but this was based on a request so go me also what a strange time to be posting but it's only 1k words and nobody can stop me

“Hey. Are you with me, angel?”

You blink your eyes open in the dark room—reorienting yourself to the tangle of your bodies. How many minutes has it been?

“Hm?”

He chuckles—a quick huff from his nose as he brings a hand up to push hair from your face.

“I asked you if you’re with me.”

It takes you a moment to answer. You’re still trying to make sense of where you are in space, each sensation coming back to you one by one—the weight and pressure of him against you, the slip of cotton sheets and a cool breeze from the cracked window over your heated sticky skin.

“Oh.”

It’s not much of an answer and your voice is small. For a moment he lets it sit, cupping your warm cheek. Your eyes flutter shut again. His voice comes gentler, dipped in concern.

“You okay?”

This time you don’t try to speak. Your tongue is like a lead weight in your mouth and your brain is running on dial-up. The best you can do is to cling to him, hiding your face in the curve of his neck and hoping he’ll understand that your firm hold on him is a request for him to tighten his own arms around you, until you’re sure you won’t float away. He reciprocates and it makes you feel more secure immediately.

“Can you answer me?” He murmurs, all sweet solicitation, lips brushing the top of your head in this new airtight position. And then, a moment later— “Baby. I wanna hear your voice.”

“Mhm,” you manage.

Spencer rewards you by rubbing your back in slow circles. His hand feels nice on your bare skin. The way you love him is too big for words. It could make you cry.

“Wasn’t too much? You’re not hurting anywhere?”

You shake your head and try to ignore the ache in your bones when you can’t seem to get him close enough.

“Mm-mm.”

It’s not entirely true—your legs are sore, but it’s nothing that needs tending to, and your lower back is a bit crampy, but he’s already working on that.

He hums. “You’re pretty out of it, sweet girl. What’s going on with you?”

Spencer is always careful with you. He’d never hurt you, or sacrifice your comfort for his pleasure. That said, he’s just as passionate as you are. The stretch of your arms above your head is still fresh in your mind—the ghost of his grip, pressing your wrists into the mattress, or pushing your leg up, or pulling you exactly where he wanted you by the hips. It’s all wonderful, and you never feel safer than you do when you’re with him, but it doesn’t make you feel any less vulnerable, any less raw, after all is said and done. Maybe it’s precisely because you trust him so much that you’re so sensitive afterward. But he never, ever makes you feel bad for having an intense reaction to an intense experience. He always meets you where you’re at. That in itself makes you emotional. Spencer is different than any of the partners you’d had before.

Again, he’s patient as you try to process his question and work up a response. Maybe a minute later, you’re breathing out something that feels true.

“Overwhelmed.”

The word is a tap against glass you didn’t know was there until it’s fracturing like a spiderweb. With no warning, and for no good reason, you find yourself choked up.

“Oh,” he says, sympathetic and drawn out as understanding sets in. “Do you need me to back off for a minute?”

You squeeze him even fiercer and shake your head, unable to stop the tears from drawing their shiny paths down your cheeks and sinking into the weave of the pillow case.

“Shh. You’re okay,” he murmurs, quiet and slow and almost sing-songy as he smooths your hair, though you know he doesn’t really expect you to stop crying. “You’re okay, pretty. Remember what I said about all the hormonal shifts in your body after you come?”

Once more you nod against him with a small, shuddering sniffle.

“And how sometimes your body regulates by crying? Kind of like a… a reset button?”

“Mhm.”

“Mhm.” He shifts from rubbing your back to tracing light lines in shapeless patterns with the blunt edges of his nails, and your breath catches before you’re melting in his hold. “It’s okay to have big or confusing feelings after sex. It’s actually really common. I just want you to be honest with me about those feelings, right? So we can keep you safe?”

“Right.”

“Would you tell me if you were hurting, or if something I did or said was bothering you?”

“Yes.”

If you were looking at him you know he’d be smiling ever so slightly at your monosyllabic responses, charting an upward path with his hand and pushing it through your hair at the nape of your neck. “You can just nod, baby. You don’t have to talk. I know you’re tired.”

You make a small noise of gratitude and nuzzle closer, feeling better as the tears slow, quickly as they’d come.

“Do you want a bath in a little while?”

Another nod. He scratches at your scalp. “Okay. We’ll do a bath, and then dinner, and then I’m finally going to make you watch that documentary about Helvetica. It’s a little outdated, and there are a few basic errors about the origin and development of the font as well as misinformation about the typeface subgroup in general, but I can amend those as we watch and afterward we can read the director’s tenth anniversary statement. I was waiting to read it until we watched it together.”

Spencer knows beyond a shadow of a doubt that you’ll fall asleep ten minutes in, curled up on the couch under a blanket in your biggest hoodie with your head on his lap and his hand in your hair, just like this.

He’s actually really looking forward to it.

#spencer reid fic #spencer reid fanfic #spencer reid imagine #spencer reid x fem!reader #spencer reid fluff #spencer reid fanfiction #spencer reid smut #spencer reid x reader #spencer reid x you #criminal minds x reader #criminal minds fic #criminal minds imagine

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astranauticus · 1 year

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'wow the vibes are rancid in here today!' i say, referring to the inside of my own brain

#live asto reaction #im like... actually brunt out i think like i said it kinda as a joke in my prev posts but somethings not right #like i rarely have all 3 tanks like art motivation/good art ideas/actually good drawings i have left in me run empty on me like this #i mean the drawing at every free opportunity i got for a month certainly didnt help but im pretty sure its more.. external than internal #for whatever its worth. like i just have like a million and one things i need to settle for like. school n shit #im....... far too involved frankly in my faculty's freshman orientation camp and its absolutely kicking my ass #its honestly not that much work im just super not good at it #AND ALSO would probably help to kinda. log off for a bit #eugh #its not all bad. ive got lots of make stuff with your hands hobbies i can fall back on. kinda #its just frustrating to be like the art guy and not be able to make art during the few points in the year i actually have time to do that #my semesters starting REALLY soon and it is. looming large in my brain #not that i hate school exactly i just... cannot draw and do a computer science major at the same time. its just not happening #idk my life is pretty.. horribly boring outside of this one hobby im somewhat decent at which is. frustrating!#ive only very recently started making my way up the dunning kruger curve so its kinda like. can you please just let me have this one thing #asto speaks #might be doing more oc stuff since thats ive found that thats the least... energy intensive? for me to draw but idk #i dont like posting my oc stuff cuz a. theyre always extremely wip b. i am so. absolutely horrendous at character design

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lollybliz · 2 years

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#bliz rambles in the tags #wip talk #the brain worms have been WRITHING #i think ive finished the prequel oneshot #i think its done #and i want to post it so goddamn bad fhsflsd #but i need to wait for my sister to give it a second pass cus i just know ive missed some typo or grammar fuckup somewhere #and i really did plan on waiting to post it until the big one was closer to finished #and i did pick it back up yesterday!#but it was all editing mistakes and stuff; theres still a huge chunk at the backend that's stuck in outline hell #i know where i want it to go i just dont know what shape exactly it'll be and most of my time rn is either class or work #spring break is coming though #(theres also the fact that both fics involve the kink ive joked about but havent posted to this blog in y e a r s so theres that)#(im definitely expecting to get teased when i post them fshfls)

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toomanystoriessolittletime · 6 months

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time

Summary: Not wanting to face Joel after you found out that you're pregnant, you leave the Boston QZ to live with Bill and Frank. Almost four years pass before you can't hide from him anymore, letting him finally know why you ran from him all these years back.

Pairing: Joel Miller x fem. reader

Wordcount: 6.7k

Rating: E

Warnings: angst, unplanned pregnancy, secret pregnancy, secrets, fluff, trust issues, Joel being Joel, making up, kissing, age gap (not specified but it's around 15 years), smut (unprotected sex), mentions of alcohol, Joel really is bad at feelings, but he's trying, Girl Dad Joel Miller, happy end

A/N: if these two had a relationship status it would be "it's complicated" Another WiP done! So now I am allowed to think about Biker Raider Joel for a moment, right?

follow @toomanystoriessolittletime-fics and turn on notifications to get notified when I post new fics

Pedro Masterlist || Joel Masterlist || Main Masterlist

“You know you’ll have to face him at some point,” Frank had a fond smile on his lips as he sat in his wheelchair next to you. He was watching Bill who let himself chase across the yard of his picture perfect post apocalypse home.

Nobody would expect that just down the street, outside of the fence the world as you knew it had ended.

“I know,” you sighed.

“He asks for you every time he’s here. If we had seen you, if we knew where you are. He’s gonna understand,” Frank said and you scoffed.

“He’s not gonna care. He has Tess and… he’s not…” you shook your head, searching for the words, “he’s not the man I fell in love with.”

“We all can change,” Frank said, reaching over to squeeze your hand.

“Bill is the best example for that. Could you have imagined him like that when you showed up here three years ago?”

You watched Bill play with your daughter, Ava, playing catch.

“Joel is not like that. He was like that. Before. But that part of him died long ago.”

You sat in silence for a while, just watching Bill and Ava, trying to soak it all in. It would never be like that again and you were already dreading having to explain all of this to her.

“I’m gonna miss you,” you whispered, fighting against the tears as you looked at Frank. He smiled softly at you before he came closer, kissing your forehead.

Four years earlier

You knew he could tell when you were lying. He would know with one look at you that you were full of shit telling him that this was not working for you anymore. Whatever this between you was.

Joel and you had known each other since before the outbreak. You had started babysitting Sarah to earn some extra money while you were finishing you degree when she had just been nine years old and you had moved in next door.

You had been there on outbreak day. Next door, still living at home to take care of your sick father. You would never get the picture of his infected body lunging at you out of your head the night the world changed.

You and Joel… You didn’t know what Joel and you were exactly.

You loved Joel, you knew that. And you were pretty sure he loved you too. You just wanted… more. Most people did not allow themselves to love so openly anymore. And in Joel’s case? Losing Sarah had changed him. After fifteen years the man who had been Sarah’s father was gone, replaced by a man that still had his face, but was missing the warmth and comfort Joel Miller had once provided.

You could see it in glimpses, whenever his hand would rest on your back when he passed by. When he fell asleep in your arms deep in the night. When he kissed your forehead before he headed out for work.

Loving Joel Miller was easy.

Being loved by him was close to impossible.

You never really labelled your relationship, mostly because you did not think of it as important. You trusted him more than any other person on this planet. It’s why you ignored the way he had started looking at Tess. It’s why you did not question him when he stayed away at night. You ignored it all, opening your arms for him when he chose to come home to you, letting him in your bed just to feel close to him. To feel something.

The jealousy was killing you slowly, making you reckless when you let him have his way with your body.

But once you had missed your period the first month, and then the second, you knew that there was only one possible answer to your dilemma. You had never been late before. A ration card swapped for a twenty year old pregnancy test had your worst fears come true.

You were pregnant with Joel Miller’s child.

Fifteen years after you both buried his daughter. The daughter he never got over losing.

You could already see his reaction. The eyes you loved so much empty before he would tell you to deal with it.

You could not face his anger or disappointment, but mostly you could not face him not caring. So you packed your little belongings once he had left you in the morning, sneaking out of your bed without a word.

You did not leave a note, just fled the QZ, making your way over to Bill and Frank, hoping your friendship with Frank would make them take you in.

Of course Bill hadn’t want to, but once he saw your stomach swell (and tasted the sweets you baked in his kitchen) he had put all his work into making the house next door into your home.

“Mama, can we go get Strawbebbies?” you chuckled, holding her hand as you walked with her on your daily walk by the fence.

“Strawberries, baby,” you tried to correct her. Ava pouted at you, her dark curls swinging in the wind, her brown eyes so much like her fathers.

“That’s what I said!” she put her little hands on her hips and you smiled.

She was definitely her father’s daughter.

“Okay, baby. Let’s get some Strawbebbies,” you picked her up, making her shriek with laughter. Once again you were glad you made the decision to come here. She could grow up like a child was supposed to.

Even though now that Bill and Frank were gone it was getting kind of lonely. You had all enjoyed a last dinner together before Bill and Frank had tucked Ava in for one last time and read her a story.

You had tried to keep the tears at bay as Bill had reminded you of the folder full of instructions of how to take care of things around here for you.

After dinner you had walked them to the gate, opening the fence for them as they took their last walk. You had watched them until they had disappeared into the dark woods before you made your way back to their house. You had cleaned the dishes and tidied everything up, before with a heavy heart, you had turned off all the lights and closed the door behind you before you walked to your house, allowing yourself to cry yourself to sleep as you sat on the floor next to the bed of your daughter, watching her sleep.

That night was almost three months ago. The days were getting shorter, the nights colder. You’d have enough firewood for this winter but come spring you would have to find a way to make more.

You had just finished making breakfast for Ava when the motion detector alarmed you that someone was at the gate. You froze, telling Ava to eat her fruit salad before you made your way downstairs to check out what was happening.

Your heart was pounding against your chest, once you noticed his face.

Joel Miller.

And a…. Teenage girl?

The gate swung open after he put in the code and you allowed yourself fifteen seconds to panic. You knew this day would come. The day after Bill and Frank had gone you had checked the basement, finding that Bill had put on 80’s music, the distress signal.

Even though you had turned it off immediately deep down you knew he would show up at some point.

You just did not think it would be that soon.

You grabbed your gun, checking if it was loaded before you made your way back upstairs. You did not think you would need it, but it was better to be prepared.

“Ava? Remember when Uncle Bill played hide and seek with you and showed you the best place to hide?” you asked, hiding the gun in the back of your jeans as you got to your kitchen. She nodded.

“I want you to hide there until I come and get you,” you said.

“Hide?” she asked. You nodded, kissing her cheek.

“Take Sluggi with you,” you smiled. Sluggi was the stuffed plush slug Bill had gotten for her. She nodded and ran out of the kitchen and upstairs, You heard her door to her room close and took a deep breath, calming yourself.

You knew this day would come. You knew one day you would have to face Joel Miller and you knew you would have to face his reaction.

You never regretted your decision to leave. Life has definitely been better here. That did not mean you had just stopped loving him, no matter how much he had hurt you in the past.

Stepping towards your front door you could see him walk towards Bill and Frank’s house.

You closed your eyes, taking a calming breath before you opened the door and stepped out.

His head snapped towards you once he heard the door opening, eyes widening for a split second before he pulled the girl that was with him behind his back.

He was protecting her.

“What are you doing here? Where are Bill and Frank?” he asked, his voice low.

“They’re dead. Frank got worse and… he couldn’t…” you shook your head, lost of words. He just looked at you before he shook his head, trying to put in words what he wanted.

“I just… We need some…” he took a deep breath, looking up at you, a million emotions playing over his face.

“Are you hungry?” you asked the girl behind him.

“Starving,” she replied and you smiled a little.

“There’s some fruit salad left on the kitchen counter if you want?” you asked. She stepped around Joel and he looked at her.

“It’s safe. There’s… there’s no one there,” you lied. He gave her a nod before she walked past you into your home.

It had been years since you’ve been alone with him. He did not really change. His hair maybe a little grayer, the lines around his mouth a little deeper, but he was still Joel Miller.

“You left,” he said.

“I did.”

“Why?”

You took a deep breath. You looked past him towards the house the girl had walked in, hoping your little girl continued to hide. Knowing her she had was working on her puzzle. She would be okay for a moment.

You knew she was safe. You just needed a little moment alone.

“You can have some fruit salad too. I am going to get some vegetables for dinner,“ you gave him a nod, before you turned around and walked towards your garden, ignoring him as he called after you.

With a basket full of salad, cucumbers and some tomatoes you pushed the door of your house open. Joel was sitting on the stairs, across the door, already looking at you.

The girl walked past the both of you towards the living room, an apple in her hand she was munching on.

„This is so fucking weird,“ she shook her head and you snorted while Joel hissed at her.

„What? It is weird,“ she said, her head turned towards him.

You smiled a little as you looked at her, before you walked towards the kitchen, setting the basket down. You had to go up to check on Ava.

And you had to talk to Joel.

You couldn’t hide her from him, even though you wanted to do nothing more than that.

You took a deep breath when he walked into the kitchen.

„Is it okay if Ellie takes a shower?“ He asked, knowing that there was warm water around town.

„That’s her name. Ellie,“ he clarified.

„Oh. Of course, yeah,“ you nodded and Ellie walked in, snorting as she looked up at Joel.

„You could use one too dude,“ she said and you had to fight hard against the grin as you watched the look on Joel’s face.

You were about to offer her to show her to the bathroom when you heard a door upstairs click open, followed from little footsteps, your eyes widening. Joel frowned, his hand immediately searching for his gun, his arm putting Ellie behind himself.

He raised his gun, taking a step forward as you ran around the counter, the knife you had put out to cut the salad now in your hand.

„Gun down,“ you hissed and his head snapped to you, his eyes widening when he saw the knife in your hand. You stood in front of him.

„I will not repeat myself, put the gun down, right now or I will put this knife in your thigh,“ you fingers flexed around the handle of the knife. The footsteps came closer as you kept eye contact with Joel until he slowly lowered his gun. You nodded at him once you saw him put the gun back to wherever it came from, then looked at Ellie who was looking at you with wide eyes, before you let the knife fall down to the floor just in time as Ava jumped the last step down, rounding the corner.

„Potty?“ She whispered shyly, looking up at you with big eyes and you sighed, before you nodded, the people behind you forgotten as you picked your daughter up. You risked a glance at Joel as you turned towards the stairs, your daughter in your arms.

His lips parted as if he wanted to say something, before you practically ran up the stairs.

„Who is the man mommy?“ Ava asked as she was finished, washing her hands like you taught her, making as many bubbles as possible as she rubbed her hands together.

You sucked your bottom lip in as you watched her, your hand brushing over her soft hair.

„That is an old Friend of mommy,“ you explained, and she nodded.

„And the girl?“ She asked.

„That is a friend of him, I think. I am not sure.“

She finished washing her hands and you handed her the towel, her little face full of concentration as she dried her hands, making you smile.

You got down on your knees in front of her, your hands on her shoulders.

„Do you think she’s gonna play with me?“ She asked, hopeful.

„We can ask her,“ you said with a smile.

You weren’t prepared for the sight in your kitchen when you came downstairs. Joel was standing at the counter, the sleeves of his shirt rolled back as he cut the tomatoes with the knife you had threatened with him not only ten minutes ago.

He didn’t look up as you entered the room, but Ellie did. You looked between them warily.

„I’m Ava,“ your daughter chirped and you took a deep breath, Joel still not looking up. Ellie looked at him with a frown, before she sighed, rolling her eyes, and walked towards you.

„I’m Ellie,“ she said and smiled a little and bend down to her knees. Ava looked first at her, then at you.

„Ellie, do you like sea turtles?“ You asked and the girl looked at you.

„Uh…. I guess?“ She said and you smiled.

„Because Ava loves them. Her whole room is full of them,“ you said and saw interest flicker in her eyes.

„Can I see?“ Ellie asked and you nodded.

„You wanna show Ellie your sea turtles?“ You asked Ava and she nodded eagerly.

„Awesome,“ Ellie said, taking Ava’s hand before you could offer to show them, the girls already walking upstairs towards Ava's room.

Which left you alone in the kitchen with….

„How old is she?“ Joel asked, still not looking at you as you turned to face him. He grabbed the cucumber after he had used the knife to put the tomatoes in the bowl you had prepared for the salad, beginning to slice them.

You took a deep breath.

„She turned three last month,“ you said, watching him nod slowly, the knife hitting the cutting board the only noise in the room.

„She has my eyes,“ he finally said and you sucked your bottom lip in, nervous.

„Yeah she has,“ you agreed and he finally looked up at you, setting the knife down, his hands spread out on the counter, resting his whole weight on them.

„Why didn’t you tell me?“ He asked, his voice quiet.

„I didn’t know how. Joel…. You were barely acknowledging me outside of when you were inside of me. You spend all your time with Tess doing god knows what. How would you have reacted if I told you that I was pregnant? You never even acknowledged what we…“ you stoped yourself, shaking your head.

„You should have told me. I could have…“ he stopped himself, searching for what to say and you looked at him, waiting.

„I could have helped you. I would have….“ He shook his head, his hands shaking.

„I’m gonna need a moment. Can you watch after Ellie?“ He asked and you nodded, confused and he nodded back before he walked past you and out of the house.

You just didn’t think it would be almost two days before he got back. You were outside in Bill’s garden, letting the girls help you pick everything that was ready from the garden when you noticed him walk towards the house.

You knew he was still inside the little locked up town Bill had made his safe haven. None of the alerts had went off, indicating he had left. And yeah you could have searched after him, but what good would it have done?

You’ve known him from almost twenty years, and you knew that he needed time to process certain things.

He hadn’t talked to anyone in almost a year after the outbreak and what happened to Sarah.

„Look what the cat dragged in,“ Ellie said as she spotted him and Ava perked up, her little head turning towards where Ellie was looking.

Joel nodded at the girls before he looked at you.

The sun was already setting and you had dinner prepared inside.

„How about we have some dinner and then Ellie can read you some more of the story you started yesterday?“ You asked and both girl smiled at you. Ava ran past Joel who looked after her as she disappeared into the house, Ellie following her.

„Next time you ditch me, at least tell me?“ She glared at him before she walked back into the house. He sighed, running a hand through his messy hair.

„Can we talk?“ He asked.

„After dinner?“ You said, getting up and grabbing the basked full of fresh vegetables.

„Yeah. Yeah okay,“ he nodded and you walked towards the house, giving him a hesitant smile when he grabbed the basket from you and walked inside after you.

It was two hours later that you found yourself on the left corner of your couch, your legs tucked under you, a glass of wine in your hand.

Because this conversation needed some alcohol.

And not only because of what you were about to talk about, but because of the man who was sitting on the other side of the couch, similar glass of wine in his hand.

Because he looked so damn good.

He had showered while you put the girls to bed after dinner, the whole scene feeling so domestic. Like a dream you had many many times before when you were still dreaming.

Dreaming of a normal future.

Dreaming of a normal life.

Dreaming about how it would feel like if Joel Miller loved you back.

Because no matter how much he may have hurt you in the past, you just could not stop loving him.

„I’m sorry,“ he whispered after a while and you turned your head to look at him, his eyes already on you.

„I’m shit at talking about those things….“ He stopped.

„Those things meaning feelings?“ You helped and he groaned.

„Yeah. Always sucked at it. Even before….“

He sighed.

„Sarah would be so angry with me with how I treated you,“ he whispered and your eyes softened. You could count on one hand how often he had brought Sarah up ever since she died.

And while you thought you could understand him in the past, you loved her like yours after all, now that you had Ava, you realised that loosing her would kill you.

It would be something you could never come back from.

But he did.

„I never cheated on you. I know you thought I did, can’t blame your for it. Tess was just…. Fuck, how do I explain this?“ He sighed, his fingers rubbing over his chin.

„I never deserved you. You’re too fucking good for me. For everyone really. Because even after the whole world went to shit, you still had some kindness left for everyone around you. I know how much you hated what we did in the beginning. And I hated myself for putting you through it. I hated myself for putting you through everything I did to you since the moment Sarah died…“ he said and you could see his eyes watering.

„Can’t blame you for hating me and leaving. And not telling me about….“

„Joel….“ You said, setting your glass down and getting closer towards him, your hand reaching for his. Slowly he turned his hand so you could put yours in it, his fingers wrapping around your hand softly.

„I’m not gonna lie and tell you that it’s okay. Cause I was hurting. You were hurting me. Every time you left in the morning without a word. Every time you passed out drunk and drugged after you came back. It was like living with a ghost and it was killing me. That was the reason I decided to leave when I found out. I could…. I couldn’t bring a child into this. And I knew I wanted her before I even met her. Even though it seems crazy to bring a child into this world. But… She was half you. And the thought that there was even the possibility that you didn’t wanted her….“ You took a deep breath.

„Honestly? I can’t tell you how I would have reacted. I was… I was really fucked up in the weeks before you left. I was taking too many drugs. Drank too much. Got too fucking reckless. But that changed when you left,“ he said and squeezed your hand.

„Not right away. It might have gotten worse first but… I got better. Not perfect, but better. And I… Fuck I even talked through some shit with someone. Made me realise I never even told you how much I love you,“ he said and you were pretty sure you stopped breathing as he looked at you, a small smile tilting his lips up.

„Pretty sure I fell for you the first time you walked through my door wearing that pretty baby blue dress. Even though you were way too young for me. Still are. But…. I hope you knew, know. I really fucking love you,“ he said and you felt a tear running down your cheek.

„Can you tell me about her? About Ava?“ He asked before you could form an answer to his confession. And so instead you told him.

You told him about how you craved strawberries your whole pregnancy. How Bill traded one of his guns for the seeds from Tess.

You told him that she only slept through the night in the beginning, when Bill put her to sleep.

You told her how much she reminded you of Sarah when she smiled at you.

You told her how every time you looked at her you saw him.

Hours went by where you two talked, you ending up leaning against Joel’s side, his arm around you. His fingers brushing over your arm, his other hand still holding yours. His lips brushing over your skin when he told you about how Ellie ended up at in his care.

How he wanted to take her to Wyoming to search for his brother who might know how to find the fireflies.

„Do you know where he is?“ You asked and he shrugged.

„Not exactly. I know he messaged me from the Cody tower, so that’s where we’ll be going,“ he mumbled and you nodded.

„We could take Bill’s truck,“ you said and he stilled. You looked up at him.

„We?“ He asked and you chuckled, sitting yourself up so you were facing him, your hand now on his cheek.

„You really think I’m gonna let you go now?“ You asked with a smile.

And then you finally kissed him.

It was decided that you would leave within the next 5 days, giving you enough time to make a list (You always made lists) of everything you had to pack.

Which was a lot. Getting four people across the country on a trip that hopefully would be just like you remembered road trips to be, took a lot of supplies.

And while you were preoccupied deciding which food was best to take, Joel had asked you if he could spend some time with Ava. He wanted to get to know her. And of course, you agreed. Watching him, Ellie and Ava walk towards the garage where they spend hours doing god knows what.

It was almost dark outside when they walked back in, your heart melting as you watched Joel carry a very sleepy Ava inside who told you all about how seatbelts where very scary, something you would make sure to ask Joel about as you took her upstairs, putting her to bed.

The days went by quickly like that.

Joel quickly became Ava’s favourite person which could have to do with the fact, that she was always allowed to sit on his shoulders. Ellie had been confused, yet delighted at the change in the grumpy man she had left the QZ with.

He even got his Dad jokes out, making the teenager groan in mock annoyance throughout the day. Ellie also spend a lot of time with you, wanting to learn everything you offered to teach her. Starting from making protein bars for the trip down to how to properly braid her hair.

Even though she preferred you doing it.

You got the impression that she never really had anyone how just… listened to her or wanted to spend time with her. She told you she grew up in FEDRA School and that her mother had died while giving birth.

She had no family and her best friend (though you got the impression Riley had been more than just a friend) had died not that long ago.

That the only thing she had left in life was her purpose to save the world. Joel had told you that she was immune, Ellie showing you the healed scars to confirm it.

„You know that that’s not the only thing you have left, right?“ You asked her, sitting on the porch next to her, enjoying one last sunset, watching Joel and Ava play soccer. Her little feet chasing after Joel with happy squeals.

„What do you mean?“ Ellie asked and you looked at her with a smile.

„You have us, Ellie. You think we just gonna let you go?“ You asked and she stubbornly shook her head.

„I have to do this. It’s my purpose. I have to save the world,“ she said and looked away from you.

„Are you saying this because you feel that way, or because someone told you so?“ You asked and she looked at you.

„Because it should be your decision what to do and what not. And… think about it, even if they are somehow able to make a cure out of your blood, do you really think they will be able to make enough to make a vaccine for everyone? Who will decide who gets it? And if they end up deciding on giving it to everyone…. There are so many bad people out there. Do they deserve to be saved too?“ You asked and you could see her thinking about your words and you smiled softly at her.

„Even if you don’t like hearing it, your a kid Ellie. You should grow up and live first before you make a decision like that. You don’t even know how they would get whatever they needed from your blood. If I remember correctly Cordyceps grow in the brain, what if they have to get into your brain to get out whatever they need?“ You said and her eyes widened.

„But Marlene….“ She whispered and you reached over her, taking her hand.

„I don’t know how well you know Marlene, but I’ve known her for more than ten years. I know how she manipulates people to get what she wants. You wouldn’t even notice it,“ you said and she sighed.

„I’m gonna think about it,“ she said finally and you gave her a small smile.

„That’s all I ask about. Now how about you get upstairs and take one last long hot shower before we are on the road for days?“ You asked and she nodded, standing up and turning away from you to walk inside the house before she turned back to you and hugged you quickly.

After saying good night to Ellie later you walked towards your daughters room, her little suitcase for her toys laying open next to her bed, waiting for Sluggi to be put into the next morning. She was already in bed, Joel sitting on the floor next to her, reading to her.

You wished you could take a picture of this. Unfortunately the Polaroid camera had broken earlier this year.

„Mommy!“ A tired Ava smiled as she saw you, her arms raised towards you. Joel looked up and smiled at you as you walked over, climbing into the bed behind your daughter, pulling her into your arms.

„What story is Joel reading you?“ You asked.

„The little mermaid,“ she said and you found Joel’s eyes. You had been thinking about it for the last days now. Telling her who Joel really is. He slipped into your life like the missing piece, the man you had fallen in love with all these years back seemingly falling right back into his role as being the best father there ever could be.

So before you could talk yourself out of it you said

„Your sister loved that one too.“

Joel gulped, his eyes growing sad for a moment, before he looked at Ava.

„I have a sister?“ She asked you, her eyes big.

„Mmmh…. Her name was Sarah. She watched the movie every single night before she went to bed,“ you explained and Ava pursed her lips in an ooooh motion.

„There was a movie?“ She asked in awe.

„Oh yeah there was. And a cassette with the music. Can’t remember how often she made me listen to it“ Joel said and smiled softly.

„Where is Sarah?“ Ava asked and your smile went sad.

„She’s where Uncle Bill and Uncle Frank are. Watching over us,“ you explained and she hummed.

„I wish I could hug her,“ she whispered and you nodded, tears in your eyes, squeezing her against your chest, your hand reaching out Joel’s hand finding yours as you kissed her forehead, looking at him who had tears in his eyes.

„Me too baby. Me too,“ you whispered before taking a deep breath.

„You know Joel is her daddy,“ you finally said and she looked at you.

„He is?“ She asked and you nodded.

„I bet he is the best daddy,“ she sighed and you chuckled at Joel’s cheeks turning pink.

„Yeah he is. What would you say if I tell you that Joel is your daddy too?“ You asked and her big eyes looked at you first and then her head turned towards Joel.

„My daddy?“ She asked and both you and Joel nodded with a smile, her smile getting wider, before she jawned.

„I always wanted a daddy,“ she whispered before her eyes dropped close.

You were walking down the stairs to Bill's basement after you showered, finding Joel checking if he could manage to take any more guns. The supplies had all been packed into the truck already, but he just couldn’t bring himself to leave anything of value behind.

He looked up when he heard your footsteps, giving you a small smile.

Walking over to him you were surprised when he reached for you, pulling you into his lap, one of his arms looped around you, his other hand on your cheek, his fingers brushing over your skin.

„I didn’t know you were gonna tell her,“ he whispered and you smiled.

„She deserves to know. I’m sorry I didn’t tell her sooner. If I would have stayed you wouldn’t have missed so much…“ he stopped you by kissing you softly.

„None of that. We both know I would have fucked this up. I would have said some really fucked up things and hurt you even more. So, there’s nothing you have to be sorry for, okay?“ He looked at you, his eyes pleading.

You released a long breath, bringing both of your arms up to cross behind his neck.

„Have I told you lately that I love you, Joel Miller?“ You whispered with a small smile that he mirrored.

„Don’t think so. But I don’t blame you, I gotta say it a lot more often than you to make up for all the years I didn’t tell you. I do love hearing it though. Love you,“ he mumbled before he kissed you again. His lips moving on top of yours slowly, his hand tilting your head up a little so he could deepen the kiss.

With a little sigh you parted your lips for him, his tongue dipping into your mouth, a deep moan coming from him, his arm pulling you closer against him.

There had been lots of making out in the last days, stolen kisses when the girls weren’t in the room, secret touches under the table while you had dinner.

But you haven’t slept together.

And you were ready.

„Joel,“ you mumbled, parting from his lips. He hummed, his lips running down your jaw.

„We aren’t gonna be alone for a while,“ you whimpered, your head tilting up to give his wandering lips some more space.

„What are you proposing?“ He asked, playfully nibbling on your neck.

„I’m proposing that you fuck me, Miller. Right here,“ you gasped when you felt his other hand slip between your legs.

„Right here?“ He asked, his fingers over the seam of your slick panties.

„Mmmmhh….“ You closed your eyes, biting your lip when he pushed the fabric to the side, his fingers dipping between you slick folds, lazily teasing you.

„All that for me?“ He asked and you opened your eyes, crashing your lips against his.

„It’s been almost four years Joel. Please don’t tease me,“ you whined and his eyes softened before he picked you up and set you down on the table behind him. Within the next minutes you were both naked, your hands in his hair as you kissed him as he stood between your parted legs, the heavy weight of his cock resting against your stomach.

„Gonna need to prepare you,“ he hummed, his hands on your ass. You shook your head.

„Please just fuck me. You know I can take it,“ you whined, one of your hands wrapping around his cock, making him hiss. He groaned, sucking your bottom lip between his before he slapped your hand away, his dark eyes fixed on yours as he held his hand out to you. Waiting.

Feeling your whole body heat up you spit in his hand and the left corner of his mouth twitched.

„My good girl,“ he praised you and you couldn’t stop whimpering.

He brought his hand down to wrap it around his cock, coating it in your saliva, before he lined himself up. You had dripped on the table you were sitting on, more than ready to take him.

„I love you,“ he whispered and you looked at him with a soft smile, your lips parting when he slowly pushed his cock into you. Filling you inch by inch, both of you starring into each others eyes.

„Missed this,“ you moaned.

„Missed you,“ you crossed your legs behind him, giving him a little push, his cock finally filing you up completely.

„Fucking Perfect,“ he groaned kissing you again before he began to move, pumping into you slowly.

You let yourself fall back down against the table, stretching your arms over your head, your back arching, your tits moving every time Joel fucked into you.

He licked his fingers, bringing it down between your legs, his thrusts getting harder as he rubbed your clit, your pussy clenching around him.

„Yes… Baby… Just like that….“ You moaned, your hands coming down to play with your tits.

„You gonna be a good girl and cum for me?“ He asked, moving faster, his skin slapping against yours every time he moved.

Nodding, you moaned, your eyes rolling back as you came, your whole body shaking as he fucked you through it.

„Shit….“ He groaned, both of his hands now coming to rest on either side of you as he leaned down, fucking into you deeply, chasing his own orgasm.

„Want you to cum again,“ he grunted, kissing you, drilling his cock into you, the whole table moving over the floor.

„Want you to cum inside me. Let me feel you,“ you whimpered, your hands in his hair, trying to meet his thrusts.

„Fuck that is…. Not a good idea….“ He laughed and you grinned.

„I don’t care. Wanna feel you. Cum for me, Joel. Cum inside me,“ you whispered and he groaned, fucking into you a half dozen times more before you felt him twitch inside of you, filling you, making you cum for a second time.

Both out of breath you looked at each other before Joel leant down and kissed you.

„Sleep in bed with me?“ You hummed against his lips.

„As long as you let me,“ he answered against your lips before you both sneaked upstairs.

Against all odds after six days of a rather boring trip across the country you reached the radio tower in Cody. And two days later a group patrol of people on horses found you, asking you all kinds of questions before a man pulled the bandana that had been covering his face down, revealing Tommy Miller in the flesh.

By now you were living in Jackson for almost a year.

Ellie had decided to stay and live her life, the constant threat of someone looking for her still on the horizon, but it was decided that the town was not in immediate danger. Patrols kept an eye out for fireflies, but they haven’t spotted anyone.

You were living a happy life all things considered.

Ava went to pre school, Ellie went to normal school. They really became sisters in the last year, spending a lot of time together.

Even though Ellie started to spend more and more time with a girl called Dina you suspected was more than just a friend.

Joel was always working on improving the house.

He had changed the most, back to the man he had been before the outbreak. Yes, he still was the protector when he needed to be, but most of the time he was just Joel. Your husband.

„Yellow?“ He asked, holding the can of paint up.

You walked over to him with a smile, nodding.

„It’s a happy colour. I like happy colours,“ you shrugged and he chuckled, setting the can down on the floor before he put his arms around you, pulling you against his chest.

One of his hands came to rest on your growing belly, the baby inside kicking up a storm as if it could sense their dads hand, making you both smile.

„Still think it’s gonna be a girl?“ You asked and he nodded, before he kissed you softly.

„Think I’m meant to be surrounded by beautiful girls,“ he hummed before he kissed you again.

#my fic #Joel Miller #Joel Miller x fem. reader #Pedro Pascal #Joel Miller fanfiction #tlou fanfiction #fanfic #fanfiction #fan fiction

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thekeystothebasement · 2 years

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REQUEST!! Head empty just thinking about throwing the 141 guys on their back to ride the living soul out of them till they're babbling non sense+ including König and graves these boys are to die for🤤🤎🤎🤎

A/N: I'm slowly making my way through the requests, This one took me a bit longer than I expected. It was quite challenging writing similar prompts for different characters without sounding repetitive.I went hard on Captain Price and Ghost's parts but I sort of felt like the quality went down after that :(

Let me know what ya'll think!

Check out my post: WIPS and Requests if you're interested in what I have planned or curious about the rules I set for requests.

Captain Price:

You've been needy all day and Price hasn't been giving you the attention you've been craving.

He was constantly pacing around the base, in meetings, and never having an opportunity to be with you until you found one.

After wandering around the base like a lost puppy looking for its owner, you found Price at his office, sitting in his big leather chair.

You could hear him sigh out of frustration, rubbing his temple, you could see the exhaustion on his face.

Normally you would leave him alone or even convince him to rest but you were so fucking needy.

The ache between your legs only seems to grow by the second.

Seeing him lean back into his leather chair, legs spread and letting out a sigh of frustration you finally decided to pounce.

"Daddy" you whimpered as you bounced on his dick. You were riding him eagerly, his fingers digging into the skin of your hips. Normally Price would be so rough with you, pounding you against his desk and calling you a whore, his little slut. But Price couldn't even form a coherent sentence. Any words coming from his mouth were slurred as he looked at you with hooded eyelids.

"I'm a good girl, right?" you asked as you kept your relentless pace. "I'm taking care of daddy." you giggled as you felt him throb inside of you. You rocked your hips against him as you leaned closer to him and wrapped your arms around his neck.

"C'mon daddy, let it out." you whimpered. You gently nipped at his ear earning a throaty moan from him. "Let your baby take care of you. Be a good boy for me."

You let out a gasp at his weak attempt to thrust up into you, his nails leaving marks on your hips.

"Princess..." he whimpered

"Yes, sir?" you were smiling down at him, feeling him tense under you before shuddering as his cum shoots deep into you. His body goes limp on the leather chair as you continue to ride him, not satisfied with the amount of cum he gave you.

"Giving up already?" you pouted. You could feel his semen run down your burning thighs, leaving you even hornier.

"C'mon old man, your princess wants more."

Ghost:

Ghost never liked to relinquish control.

Whenever you tried to take the reigns you were always put in your place

On your back with your legs over his shoulder as he pounded into you, desperately trying to breed you.

Despite how good he made you feel, you always had the fantasy to be on top.

You wanted Ghost to be the one left quivering and begging.

You wanted to be the one in control. You wanted to be the one to be able to hold's Ghost pleasure over his head.

You wanted Ghost to beg you to let him cum, which is exactly what your ears are hearing.

"Fucking hell, don't do this to me, baby..." Simon pleaded. The rope tied around his wrist wouldn't budge no matter how hard Simon's hands tried to reach out to your body. He couldn't remember how many times you kept bringing him to the edge of pleasure, riding his cock and squeezing your warm wet cunt around him, to only pull away when you feel the familiar throb of his cock ready to burst his semen inside you.

"C'mon lieutenant..." you whispered into his ear as your fingernail traveled from his neck down to his chest. "I know you can beg better than that. How much do you want to cum inside this wet pussy." You teased.

You can see how red his tip was, practically ready to blow his load inside you with the slightest touch. His breathing was labored, his chest rapidly rising and falling. The rope tied around his ankles kept him from bucking his hips into you, as you hovered over him. Your pussy is just a few mere centimeters from his cock.

"c'mon princess..." he choked out, completely frustrated in the predicament he woke up to. "Please ride me..."

You couldn't help the wide grin that appeared on your face as you looked down at Simon. As soon as those words left his mouth you bounced down onto his cock earning a whimper from the man below you.

"As you wish lieutenant."

Soap:

You and Soap had made a bet after a heated argument in front of the 141 task force.

Somehow the topic landed on Sex

Soap had begun to brag that he could last hours to the point he'd outlast his partner which earned a snort from you.

All eyes landed on you at your reaction, Soap didn't take it lightly and thus started your mini argument

The argument ended when you and Soap agreed to have sex with each and see who would last the longest.

The group was astounded at the interaction and decided to stay at the bar longer than they planned as they watched you and Soap leave.

They did not want to be around you both as the bet took place.

"Johnny..." you panted as you looked down at the male before you. His eyes were squeezed shut as he roughly panted below you. "Admit it. You can't outlast me. My pussy is about to put you to sleep."

Soap could only whimper as you continued to bounce on his cock, vulgar wet sounds emitted by your actions. A ring of white can be seen in the base of his cock, the ring getting thicker and thicker as you continued to ride him. His hips would lazily try to meet yours, missing the rhythm you had set.

Your giggles echoed in his room as you felt his body stiffen, knowing his semen was about to be freed from their chamber. You could hear him babble nonsense as your cunt squeezed around his cock, squeezing the last bit of cum he had. Hissing as he nutted in you.

"you're a fucking minx..." he panted out. His hand tapped the inside of your cum covered thighs.

"Tapping out, Johnny?"

Gaz:

You and Gaz were the youngest members of the task force.

Because of this, you two got along well.

A little too well for everybody's comfort

It was no secret you two were fooling around with each other

Every member has their own experience catching you two in the act, mortifying all who were involved

But that never stopped you and Gaz from doing it again

The bathroom, kitchen, and even the sparring room were not safe from your lewd acts

Hell, you could imagine Price's shouting already

You were riding Gaz on Price's favorite couch, the worn-out fabric couch by the coffee table

"You got issues Gaz,"

Gaz was leaning back on the couch, 'coincidentally' the very spot Price sits on every day. He watched as you did all the work. Watching as your breasts jiggled with every bounce on his dick. He leaned further into the couch as you continued to belittle him.

"You like it when we get caught," you teased. "Pervert."

Gaz felt his eyes rolling to the back of his head, you were breathtaking, you looked so beautiful riding him. Your hands settled on his shoulders as you raised your hips and fell down on his cock, his balls slapping against your ass.

"Hurry up and cum Gaz," you gasped out. His fingers tightened around your hips as he edged closer and closer to the height of his pleasure. "Don't want the Captain to walk in and see me riding his favorite sergeant?"

"...fuck..."Gaz moaned. His eyes squeezed shut as he imagined your words. "...baby"

"Sick-fuck..." you teased. You quicked your pace, moving your hips in a circular manner. "You want the Captain to see me milk your cum from your balls?"

"shit..oh god..." Gaz cried out. You felt his body stiffen as he chanted 'yes baby' He could feel your walls squeezing around him, desperately trying to milk him.

As you feel his cum dribble down your thigh, your next set of words had him running through a list of emotions, his limp dick twitching inside of you despite his consciousness telling him how wrong it was to be getting hard in the situation he found himself in.

"Hi, Captain. Enjoying the show?"

Konig:

Konig's eyes followed you everywhere and you noticed for quite a bit of time.

You never really held a conversation with the tall male before.

He was too anxious to talk to you but whenever you approached him and try to converse with him, he could only reply with one-word responses.

Despite the lack of conversations, you enjoyed his presence.

You would be writing in your journal across from him and he would sketch on his sketchpad.

You've seen his sketches before, he was quite skilled and you rained compliments on him.

He would awkwardly laugh at your compliments, his mask hiding the big smile and blush on his cheeks.

Konig's body would soon stiffen under your next question, his hand harshly gripping at his sketchpad, and his pencil snapped in the other.

"Have you ever done nude art?"

You already knew the outcome when you suggested he draw you nude.

The devious smile on your face as you led him to your room and rid yourself of your clothes.

You admired Konig's self-control when he actually did try to sketch you nude but you had other plans.

"Mesmerize every square inch of my body." you panted. Konig was sprawled on the floor as you used his body for your complete and utter pleasure. His sniper hood was discarded in the room as his forearm covered his eyes, tears streaming down his face from the pleasure of your tight walls squeezing his overstimulated cock.

Whimpers and breathy moans escaped his throat and released into the room. Wet sounds resonated in the room as you bounced on his cock and scratched and clung to his chest.

"I'll remember..." Konig breathed out. "I'll remember...Scheiß...your curves..and...tight pussy"

You laughed at his weak attempt to reply to you, his sentence broken each time your ass landed on his balls earning whimpers and curses from the male. You could feel Konig's dick throb inside of you and his moans becoming higher and more frequent.

"Cum inside of me..."You begged. "and then you'll be able to draw me full of your semen."

Graves:

As soon as you got a glimpse of his eyes, you knew you were going to fuck him into submission

The way his eyes would shined when he stepped into the dinner and noticed a cute young waitress looking at him with a soft smile

He'd sit in a booth and pray you'll be his waitress for the night

He'd subtly flirt with you but you knew what you wanted and aggressively flirted right back at him

His eyes would follow your figure as you'd walk away, his eyes focusing on your ass

When you returned with his food you sat in the chair in front of him and kept him company as he ate his meal

Eventually, your boss yelled at you to get back to work, leaving Graves smirking at the small pout on your face.

You would lean down to his ear, his eyes gazing at your cleavage, your hand squeezing his shoulder as you whispered into his ear, "I get off at 10. If you'll wait for me, I'll make it worth your while."

You stood back up, dusting your skirt and sending him a wink before getting back to work

Despite the car having tinted windows, the rocking of the car and the smudged handprints on the windows gave away what was happening inside.

Phillip was sprawled on the car seat that was set all the way down, you were sat on his clothed dick, rocking your wet folds against the wet fabric of his briefs. His briefs stained with his cum and your arousal.

“C’mon baby….fuck,” Graves whined. “Let me fuck that pretty pussy of yours.”

You gave him false hope as you lifted your hips up and pulled down his briefs. You continued to rock your hips, your wet folds spreading your arousal on his red tip. You felt him shudder under your teasing, his eyes squeezed shut as his hands tried to grip the leather seats.

“Please stop teasing me, baby.” He begged.

You grinned at him, lining yourself up with his dick before you slowly eased him inside of you. Your eyes closed shut momentarily before the were snapped open, feeling Grave shoot his cum inside of you.

Your laughter filled the car as you began to bounce on his dick, whimpers and moans escaping from Graves.

“Was my pussy that good,” you questioned. “Fucking nutted just by being inside of me….Pathetic”

Graves couldn’t help but enjoy the way you degraded him, feeling your warm walls hug his cock, and the way yours eyes looked down at him. Your eyes looking at him as if he was a toy for your pleasure. Disregarding how sensitive he was from all your teasing, not caring how many times you made him cum inside of his briefs, his cum and your arousal mixed with each other, wet sounds emitted each time you lowered your hips all the way till his balls were tightly pressed against your ass.

“Shit….gonna fuck myself on your cock till the sunrise…”you said as you felt him throb inside of you once again.

“ if you can even last that long…”

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