#get ready to post this often

[rowanisawriter]

She puts her hand in his hair and lets the strands slip between her fingers like she’s dreamed of doing so many times. Like she’s seen him do with the Weave. Her Lady’s essence, dancing between his fingertips.

i had the privilege of commissioning the wonderful @infernaldaydreams for art of the end of heretic, my exploration of religious trauma through a cleric of mystra tav/gale. i'm trying to be as normal as possible in this post but they have captured the scene utterly and this art is about to become my entire personality! thank you so much bestie!!

[ganondoodle]

saw a few posts talking about ganondorf and while i dont want to uh .. risk having to argue with strangers ... i cant shut up entirely (you know me)

(in my opinion that is probably missing alot or just not as well read as a lot of others since i really just say what i feel instead of knowing what im talking about-)

its kinda hard to really talk about him bc hes so .... steeped into tired old stereotypes and harmful tropes with intentionally so little else, if anything, that you almost always end up playing into them if you just take what canon tells you (and alot of people love defending it too :/ )

to what degree is it really his character and what is literally just some things that were decided he does to make it clear hes the one note evil guy, to justify whatever horror is done to him and overshadow/bury what anyone else has done, to not think about maybe he had a point bc look how much bad stuff he does! if you made him fight for the freedom/sovereignity of his own people against an oppressive hyrule he would be in the right- so ACTUALLY he opresses them violently and selfishly even WORSE and then wants to murder everyone tm that dont bow to him bc thats what evil people do! and hyrule is justified in taking them over in turn bc their rule wont opress them :)

its like a game of trying to one up whatever hyrule did with something more bad tm bc otherwise it gets hard to justify killing him over and over

im not saying hes not allowed to be prideful, selfish or violent of whatever, but you gotta know that all of that IS one of those ways that is supposed to make it clear how evil tm the desert guy is; it doesnt matter what hyrule has done bc look! ganondorf is so much worse! and im sure hyrule had their reasons :)

hes never actually allowed to interact with his own people, hes isolated/alienated from them and their culture constantly, hes their king yet he .... violently takes over "free" gerudo villages (what? what for?? what does "free" even mean? they werent following him? their king?? were they .. allied with hyrule, who are good tm, which means they were living in paradise aka "free"? (bc they are good ones tm bc they rejected their evil one in a hundred year man king ruling violently over only women .. *cough*)), yet hes never seen fighting alongside his own people (the most is them .. silently serving him in what, one scene??) and then he drops them the second he has evil MONSTERS to fight for him instead and orders them to kill every living thing or something bc thats obviously evil, he doesnt even care about his own people! how evil! why would he do that? idk, hes the sole, selfish violent evil man opressing his own people, who are all women! that what they do! and WE need to free them from HIM (and they should be thankful to us for it and try to attone for ever having birthed him in the first place) (or he is the reason tm why they suffered/were wiped out and he is literally the sole survivor of his people, bc he doesnt care about ANYONE but himself)

i dont mean he has to be a goody two shoes character (you can be an ass and still do good/be in the right btw) bc more often than not what that actually means is being allied with hyrule bc those are the designated good guys and being on their side makes you automatically good (eugh) but do you rly want to just ... play along with all the propaganda?

imo, aside from being obviously racist, thats also so boring? does selfish, violent evil man king with no people (bc hes not part of them or fighting for them, hes always presented as the worse oppressor) and nothing else to him that only wants to murder bc ... idk evil? sound interesting to you? (to the point that the ONLY time we were shown literally any sort of vunerabillity, end of ww, that theres people trying to argue he was trying to to manipulate you even there?? what for? why? are you trying to reject literally the one glimpse we are allowed into his perspective qoq)

why do alot of people reject the idea so much to consider he actually cared about them, how maybe that prideful and selfish look is just a facade, or even a fabrication? violence that had to be met with violence, not for any sort of selfish reasons, but for his people and was met with a fight he could not win yet kept fighting on, perhaps losing himself more and more in the process, or a lie told so often that it became reality, if someone has nothign left to lose, if all was taken from them, maybe even blamed on them, why not play into what you where made out to be, you cant convince them otherwise anyway its the reason hes never shown to have done a single nice thing, never seen non angry/smug smiling, how he has no one at his side unless he forced them, how he is not allowed to be human even a little bit, never shown being anything but a boring ass trope personified, hes less a character and more a big bundle of racist tropes that fights you at the end (sorry) while looking epic so trying to meaningfully analyze him just by what we are told and shown in canon will always fall kinda flat or end up playing righ into every shitty trope

that is my opinion :I

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[luck-of-the-drawings]

oh the dread, oh the worry! you love your sister so much and you need to know shes okay. you trust her but you cant trust the world, and more than anything else you cant trust yourself

[n0bluev]

I always render the face first (its not even fair...)

[thatsparrow]

giving psych another go after having watched the first season and a bit a couple years ago before stopping because I hadn't really been feeling it

only like six or seven eps in this time, and I am enjoying it, and I would like to stick with it this time, but god, now I do remember why I gave up on it in the first place. for all the show has going for it (which is a lot!) so much of the tone (and shawn is usually the biggest offender) falls back on those really insufferable attitudes from the mid ’00s of like. hit on every woman you see, getting laid is always the biggest priority. kneejerk disdain for anything nerdy or "uncool." I'm a guy and that means I care about porn and sports and that's it

[peachy-doodles]

Day 4 of dojoshipping week "Jubilife Village"

Always love the thought of the both of them trying on new outfits together at the clothier but I think Zisu tends to be the more embarrassed one especially when it comes to prettier clothing considering shes the Captain of the Security Corps and is usually seen throwing hands in the dirt.

Ingo loves everything she wears of course! But that can be... an awkward mindset when trying to make a hard choice between which she might like better... Good thing Anthe is there with a keen fashionable eye to help her pick out the best outfit if she ever gets overwhelmed :)

[presidentbungus]

in a similar vein to my last post i very much think demo’d be so good with kids. i don’t know if he’d be a good dad necessarily with all that emotional baggage and undoubtedly enough generational trauma to permanently ruin a toddler within seconds but he’d be a great uncle, godfather, weird neighbor, etc.

consider with me here. uncle tavish with the eyepatch and the peg-leg. he looks scary but he tells great stories about wizards and wars and explosions and he leaves in all the gory bits. he’ll show you how to make a pretty good firework out of the cleaning stuff your mum’s got lying around the house as long as you won’t tell on him. he’ll help you pull pranks on your adult relatives and he’ll take the blame for them. he’ll let you sip on his beer and scrumpy if you swear up and down you’re grown-up enough and when you hiss and stick your tongue out at the alcohol he’ll tell you that means you’re probably more mature than him. he doesn’t seem that rich but he’ll buy you a dirtbike or a pony or a whole set of expensive action figures for your birthday and he won’t even act like it’s a big deal. there’s something so simply enjoyable to him about kids (kids that aren’t his), so kicking with wonder and fierce excitement about the world, and he does whatever he can to give them what he never got—the push to run around and discover and do what they want, and to spit and curse and play-swordfight in the backyard and everything else all the adults in his life never really let him do. really, under it all, at the end of the day he’s got the big dumb heart of an absolute bloody sap and he knows it, and it’s almost relieving to know he’s still got it after all these years. you know? it works out

[raisans-art]

Every day I get closer to posting April 24th and every day I have another heart attack

[icelogged]

Sacred Heart of Jesus, Ukrainian Catholic Parish of Tolstoi, Manitoba

[sammy8d257]

Throw back to the Great Soup Debate Comic I made a while back

Good to know Dark and Blue still fight about food

[originally created June 2022]

(breaking out the back log art cuz I forgot to post a lot of it here ajdhshdhshfj)

[brittlebutch]

actually first ep of Voyager where Janeway talks to Tuvok about how his family misses him is that when she says they Worry about him Tuvok contradicts her and claims that Vulcans don't do that but when she corrects and says they Miss him he accepts this and admits he misses them too; implying perhaps a pedantic difference between 'Vulcans do not Feel Emotions' (false) and 'Vulcans do not Act Out of Emotion' (accurate) -> 'Miss/Longing' is an emotion, but 'Worry' is an action one does out of emotion -> one Vulcans do; one Vulcans do not.

[piningpercussionist]

Template by @juni38

Im going to be completely frank with you all... and admit that I read these options and wasn't sure how to take this chart,,, so uh. Under the cut is Another Version. I'd apologize but I've given you the option to keep scrolling ¯\_(･･)_/¯

(If you notice characters missing on Kim's side, I probably figured she doesn't know who they are lol)

For the record,,, if they *wanted* me to pull their hair-- *is shot several times before I can continue*

Uhh Matthew is here because I have been converted fully on he/him or enby lesbian Matthew I think. He lives in my brain rent free now, very gender. I'd pull his hair but also I think he mostly just deserves to have it played with nicely.

And Scott's here because 1) I enjoy trans Scott, 2) Kim Pine Brain Rot possibly, 3) idk he's like,, the exception. God damnit, I've fallen for the inexplicable Scott Pilgrim Effect. What the fuck--

I did think about doing this chart like everyone was actually applicable to my tastes, but even if they were I think the ones I didn't put up would have to fall on the caress side bc I just don't feel that way abt them lol.

Again, not to say that's the case for the gals over on that side,,, I just think I would want to be gentle w them shxkdjsdhbd with the exception for Lynette who probably deserves to have her hair pulled, but again I fear she would Hurt Me,,, but maybe in a fun way,,,

Anyway No One Look At Me....

(,, also,,, Ramona is so far over bc I think she would enjoy it,, otherwise she'd be closer to Kim in that section. Same thing w Roxie)

If anyone actually looks at this version, I'm not opposed to doing a version like this for Kim btw! Just ask for it so I feel like I'm not just Dropping This and scurrying away

[arsenicflame]

i am actually really, really glad to see Ed setting himself some boundaries and then sticking to them. he said he wanted to go slow, to take it easy, and when Stede ended up not respecting that, he took the initiative to set some distance between them.

i don't think running away to become a fisherman is the answer, but i do think its important that Ed is removing himself from that situation at the moment. if Stede didn't respect his boundaries once, who's to say he wont do it again? Ed's got enough on his plate, and as they've said before, they're both impulsive! in the moment Ed's gonna keep agreeing with Stede, and then realising later that it wasn't the best thing for him to do. removing himself from that situation, taking away the temptation is a good thing!

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[izzy-b-hands]

Checked my old med records re: transition dates bc today's Pl/Pa appt is probably going to be a fucking doozy where I anticipate being quizzed on my transition thus far and future goals for it

And double checked the year to find out A. my memory is shit and I was off a year but also B:

Next year will be my 5 year anniversary on T!!