#fuck stretch

[crushy-wushy-mushy]

when men roll up their sleeves and show their slutty little forearms i wither away like a victorian man seeing ankles for the first time

[skapediem]

saw spiderverse twice today and pavitr prabhakar did you know that you are EVERYTHING!!!!!!!!

[sky-is-the-limit]

𝚖𝚒𝚜𝚜𝚒𝚘𝚗𝚊𝚛𝚢, 𝚍𝚘𝚐𝚐𝚢, 𝚌𝚘𝚠𝚐𝚒𝚛𝚕, 𝚌𝚘𝚕𝚕𝚊𝚙𝚜𝚎𝚍 𝚌𝚘𝚠𝚐𝚒𝚛𝚕, 𝚏𝚊𝚌𝚎𝚍𝚘𝚠𝚗 𝚍𝚘𝚐𝚐𝚢, 𝚘𝚙𝚎𝚗 𝚖𝚒𝚜𝚜𝚒𝚘𝚗𝚊𝚛𝚢, 𝚜𝚙𝚘𝚘𝚗, 𝚕𝚢𝚒𝚗𝚐 𝚐𝚛𝚘𝚞𝚗𝚍𝚑𝚘𝚐, 𝚛𝚘𝚍𝚎𝚘, 𝚜𝚝𝚊𝚗𝚍𝚒𝚗𝚐 𝚍𝚘𝚐𝚐𝚢, 𝚐𝚞𝚊𝚛𝚍, 𝚔𝚗𝚎𝚎𝚕𝚒𝚗𝚐 𝚌𝚛𝚊𝚍𝚕𝚎, 𝚜𝚒𝚗𝚗𝚎𝚛, 𝚕𝚘𝚝𝚞𝚜, 𝚏𝚘𝚕𝚍𝚎𝚍 𝚋𝚞𝚝𝚝𝚎𝚛𝚏𝚕𝚢, 𝚋𝚞𝚕𝚕, 𝚍𝚊𝚗𝚌𝚎𝚛, 𝚙𝚞𝚜𝚑𝚒𝚗𝚐 𝚝𝚞𝚜𝚑, 𝚌𝚘𝚞𝚗𝚝𝚎𝚛𝚝𝚘𝚙, 𝚛𝚘𝚌𝚔𝚒𝚗𝚐 𝚑𝚘𝚛𝚜𝚎, 𝚜𝚎𝚊𝚝𝚎𝚍 𝚜𝚌𝚒𝚜𝚜𝚘𝚛𝚜, 𝚜𝚙𝚘𝚘𝚗𝚒𝚗𝚐, 𝚝𝚒𝚕𝚕 𝚒𝚝 𝚋𝚛𝚞𝚒𝚜𝚎𝚜 𝚖𝚢 𝚌𝚎𝚛𝚟𝚒𝚡 𝚊𝚗𝚍 𝚝𝚑𝚛𝚘𝚊𝚝, 𝚘𝚗𝚎 𝚕𝚎𝚐 𝚞𝚙, 𝚋𝚘𝚝𝚑 𝚕𝚎𝚐𝚜 𝚞𝚙, 𝚞𝚙𝚜𝚒𝚍𝚎 𝚍𝚘𝚠𝚗, 𝚘𝚗 𝚝𝚑𝚎 𝚋𝚎𝚍, 𝚘𝚗 𝚝𝚑𝚎 𝚏𝚕𝚘𝚘𝚛, 𝚘𝚗 𝚝𝚑𝚎 𝚌𝚘𝚞𝚗𝚝𝚎𝚛, 𝚘𝚗 𝚝𝚑𝚎 𝚝𝚊𝚋𝚕𝚎, 𝚒�� 𝚝𝚑𝚎 𝚐𝚊𝚛𝚍𝚎𝚗, 𝚘𝚗 𝚝𝚑𝚎 𝚋𝚎𝚊𝚌𝚑, 𝚒𝚗 𝚊 𝚝𝚎𝚗𝚝, 𝚋𝚢 𝚝𝚑𝚎 𝚏𝚒𝚛𝚎, 𝚊𝚕𝚕 𝚍𝚊𝚢, 𝚊𝚕𝚕 𝚗𝚒𝚐𝚑𝚝, 𝚝𝚒𝚕𝚕 𝙸 𝚍𝚒𝚎.

(gif cred: @itspapillonnoir)

[trauma-bot]

patron saint of never growing old

[sunsetdesire]

fisting tboys is as close as i can get to divinity, actually

[wigglybunfish]

Been rereading Little Women recently... or technically, properly reading it for the first time. The last time I touched this book was when I was ten, and the book I touched was a shortened chinese edition (or was it just the first half? anyway) Here are the sisters in 21 century post covid and I think Beth would've loved the groundbreaking invention that is the Hoodie

[coldturkeybabe]

when u do sketches of one character and ur two faves somehow invade the page

[nocofamilyau]

I sure hope Hijotee is doing well wherever they may be... (21/24)

[incesthemes]

in provenance, the impala is depicted as quite dirty and beat-up, scuffed up and covered in mud. this is not the typical image that comes to mind when you say a man loves his car. in later seasons too, the impala tends to look shiny and new, and dean is seen performing maintenance on it pretty regularly—at least, there are many scenes that show dean taking care of it, and there are also many scenes which touch on dean's possessiveness and care for his car.

this isn't the case in season 1. season 1 dean has a beat-up hand-me-down from his dad which he loves and admires but is still willing to let it get dirty and dented and scuffed.

in season 1, the impala represents john.

based on how john talks about the car in dead man's blood, he still has a semblance of ownership over it: john gave dean the car, but he still considers it "his" in the sense that he feels entitled to judge how dean cares for it. dean, too, doesn't argue with this. in season 3, dream dean even uses this against real dean to drag out his insecurities and his abysmal self-esteem:

both john and dean agree that the impala is john's car. this makes sense because the impala is also sam and dean's literal home, or the closest to home they've ever gotten.

you have a good "home is where the heart is" kind of connection here: the impala is home, and john is the impala—john is home, john is their father, john is the thing that connects sam and dean by blood. et cetera et cetera.

so if the impala represents john, then how dean treats the impala gives the audience a lovely visual metaphor for how dean feels about john. provenance is just one episode after something wicked, where dean is finally starting to extricate himself from his father. the entire season has followed dean as he experiences betrayal after betrayal from his father, and in shadow we see evidence that he doesn't actually believe that his father will come to protect them anymore—he's effectively given up on john as someone to rely on, and he's spent the whole season separating himself from john and attaching himself to sam instead. provenance gives a nice wink and nod at this by showing the state of the impala—dean is upset with john, their relationship is crumbling, and dean doesn't know how to repair it.

one episode later john remarks on the state of the car, and one episode later dean finally defies his father for seemingly the first time.

so when dean starts destroying the impala in everybody loves a clown, what dean is actually destroying is john.

he feels angry, upset, hurt, betrayed all over again. john is dead, and his final words to his son gave him an impossible task. dean takes the crowbar to the impala right after sam corners him into another conversation about john—this is an outpouring of his emotions about him, all concentrated on the last remaining symbol of his father.

but what i think is interesting is that sam doesn't see the impala this way.

sam sees the impala as dean. the symbolism here is very, very obvious. if sam gives up on the impala, then he's metaphorically giving up on dean. and sam refuses to let dean die, so he can't let the impala die, either. to sam, the impala is dean. which necessarily means that to sam, dean is his home, as well.

which is exactly what he just chose in the season 1 finale when he picked dean over his revenge. sam spent the entire season scared to "go home," and in devil's trap he finally returns for good to his home—to dean.

and in bloodlust, the impala is fixed, and she's shining like new. from this moment on, dean shows a rather pointed possessiveness over his car.

this is also the first time dean calls the impala "baby." this is the first thing that happens after dean destroyed it in the episode prior. the dissonance gives a sense of rebirth: something happened between dean destroying the impala and dean fixing it. something happened between dean using the impala as a stand-in for his father and dean calling it his baby.

in season 2, the impala no longer represents john. john is dead, and dean killed him. "home" is no longer centered around john; their father is no longer the thing that connects sam and dean. in devil's trap they chose each other, they chose codependency, they created a relationship between them that transcends the family structure they inherited from john. john is not part of this new relationship—it's just sam and dean now, and john is dead.

dean assimilates to sam's perspective when he rebuilds the impala: his car is now an extension of himself, and he is the home that sam chose. this is now his car, not john's; he is now sam's family, not john. and throughout the first half of season 2 dean struggles with this new responsibility and what that means for him—how their codependency should work, whether or not he should try to fill john's shoes, what "home" is supposed to look like for them without john in it.

i think it's an interesting way to depict dean's emotional shift across this stretch of episodes. seasons 1 and 2 especially do a lot of great work to depict john even in his physical absence, from allegorical substitutes to his haunting presence to this, representing him through the symbol of their literal home. noticing this makes me much more emotional about the impala's role in the story, because it's a physical manifestation of the effort dean put in to become sam's home and commit to their codependent relationship. he loves his car because it's his home, and his home is where sam and dean's hearts are.

[sems-diarie]

Getting tag teamed by Shigaraki and Dabi, Dabi holding your legs open for Shigaraki to eat you out, desperate and messy moaning almost louder than you. You taste so good, he’s never leaving and Dabi’s holding you tight to make sure you can’t escape, rasping filthy words in your ear, and when you’re finally too weak to run anymore he reaches a hand down to give your wrecked pussy some smacks whenever Shiggy comes up for air, laughing at the way your body jolts each time, ugh they’re the worst.

they r sick n twisted in having their way w you. dabi holding you still, pinching your nipples between his scarred fingers because his dick leaks when you cry his name. so unsuspecting—what, you didn’t think they’d take advantage of you?

“we’re com-comrades,” you squeak, eyes wet and throat raw. “don’t you wanna help me? dabi? sh-shigaraki? tomura, please.”

ahh but don’t you know that just makes ‘em harder? asking them to ease up—they can’t help but sink their teeth into you all over. maybe then you’ll get the message.

it’s so embarrassing because they have no sense of boundaries. your pussy is on their time. and eventually your body just adjusts, and your pussy leaks anytime they get that sharp pinch in their brow.

[fernsfabulousfloweringfacility]

Silly little comic that almost killed me witha chainsaw <3<3

DDVAU by @kitsuneisi and @xmaruu11!!!! so much love for them :D

[thefatstruggle]

Coke and mentos never fail to provide

Split the 2 litres up over an hour or two. Part 1 obvs

[fullscoreshenanigans]

Ray recalculating his meticulously crafted plan of six years to save his best friends every time Emma and Norman present him with some new bullshit

[dizzybizz]

ms jay herself (and apple)

[blueskittlesart]

doing a research project on the SNES and its definitely making me even more annoying that usual

[nevvn]

starting to like this brush,,