#does it need to be in both the text of the post and the description of each individual image??

[heavens-roses]

To those saying they do not know how to write image descriptions for graphics here a small tutorial. keep in mind we can go into a large amount of detail with ID's because we are writers outside of tumblr. Please know you do not need to be elaborate with the details simply ID's are alright as well. I will start off with images, especially complex ones, because this is a huge one people struggle with. I will give an example with the graphic below

(all art is official from LoL, and the graphic was created by us)

First you are going to want to start off by understanding composition. What is the main focus in the image and from there what details are most important. in this image there are 4 main elements. I will start with the main focus of the image then go into the background doing my best to explain what we are looking at. Below is 2 examples of first is a longer more indepth example the second is a shorter one.

[Longer description ID]

Image ID: there is a pastel pink portrait photo with the text 'Yummi' in an off white colour with a bright pink border. Inside the image is a white cat with pink accents sitting on a book. The background of the photo is sky blue with clouds and pink effects. On the right of the image of a cat who is mostly white with pink accents, the cat is on top of a floating book and it has a slightly transparent shadow underneath it. behind the portrait is a bright pink curtain with 2 bows on either side of the image. behind both images is a light pink circle shaped lace texture.

[End of long ID]

[Shorter ID]

Image ID: A graphic with 2 photos of a white cat with pink accents. one is in a pastel pint portrait photo with text that says 'Yummi' in an whiteish colour with a bright pink outside. behind that is a bright pink curtain and a light pink circle lace.

[End of short ID]

Tips - do not use the characters name as a replacement for explaining the characters look as it does not help those who may not know that media. Avoid using hex code colours. Instead, use terms like dull / bright / soft / muted / dark / neon to describe colors. For those who are colourblind or may not know the colour, you can ask friends, ask in servers you might be in, or just try your best. Lastly, if you are someone like me who has a chronic illness and has days were trying is hard you can see if someone else can help you with the ID or keep it simple. Image IDs do not need to be complex, they can short as long as people can get a general idea of what the image is.

@/ing in order to get this post across

@herrscherofmemories @preydatory @fwus @gutsinabrainjar @whisfer

[animaginaryartblog]

[Image ID: A digital drawing of two human characters, standing on sandy ground. Behind them, distant acacia trees are silhouetted against the setting sun.

Standing closest to the camera is a young black woman. She is wearing a dark red halter top with a white collar and hem. Her pants have a yellow and orange geometric pattern, and each pant leg splits into two pieces below her waist, hanging loosely around her legs. She has cool, dark brown skin, warm brown eyes, blue-black hair, and a short, muscular build; her upper body is especially buff. She stands with one hand on her hip, the other hanging loosely at her side, as she looks directly into the camera with a confident smirk.

The woman's blue-black hair is barely shoulder-length and carefully styled, with three corn rows braided on the left side of her head. She wears rounded glasses with gold rims; a matching gold cross earring hangs from her right ear. A bead necklace hangs loosely around her neck; from it dangles a white and red beaded cross. Matching colorful beaded bracelets are on both her wrists. On her feet she wears white sandals with beaded patterns.

Behind the woman, a masked figure is crouched as if they have just landed - knees bent, one fist on the ground and the other hand raised as if preparing for a strike. Yellow bat wings arch from the figure's back, and matching ears angle back from their head. The figure wears green and black combat boots; the rest of their clothes are loose, flowing, and dark, hiding the details of their form. Red plaid lines the ends of their pant legs and sleeves, and the same pattern flows from shoulder to shoulder, covering their shirt collar. A matching red plaid cloth is tied around their head. A black mask covers their face, painted with a stylized fanged mouth, bat-like nose, and white eyes. The figure's shadow extends before them, stretching towards the camera. /end ID]

Also on my DeviantArt

yes I'm still at it with this "challenge" that should have ended three months ago. at this point it's just an excuse/motivation to make some new covers for all my Spotify playlists, ha.

anyway! this is Emily Wig, protagonist of my WIP novel Wings of the Dusk, and her superhero alter ego, Bat-Ear. yes they are the same person. Emily takes great care to make her two identities very distinct so as to keep anyone from guessing who's really behind the mask. part of this charade is that Emily relentlessly roasts "Bat-Ear"'s sense of fashion, while Bat-Ear claims to have no idea who this "Emily" person even is. she has fun. more on the drawing below.

this drawing took way longer than I wanted it to, partly due to "oof ouch humans hard to draw" and partly due to "oof ouch clothing and jewelry hard to draw". I'm not sure what the proper term for her hairstyle is (I tried my best with the image ID okay), but it's based off this (I found the image from some article online and took the time to find the actual original source. be proud of me.) Emily's cross necklace is modeled after one I have, albeit with different beads. Her pants are also modeled off some I have that are very flowy and fun. They also have different colors and a more complex pattern but I wasn't about to try and replicate that.

Bat-Ear's sweatshirt is a similar story; I partly based it off a sweatshirt I have that is also patterned around the collar and I did legitimately consider making a Procreate pattern brush to replicate it... but this was already taking me way too long and at that point I just wanted to be done with it, so I just used a plaid pattern brush I found online. another thing for Emily to roast her local superhero for- that, and the very dramatically painted hockey mask.

I considered giving Bat-Ear some sort of actual traditional mask from Kenya (which is where she's from and where she lives), but discovered that a) Kenya doesn't really have a lot of traditional animal masks? and b) most traditional African masks are associated with spiritual stuff and I didn't really want to get into that. so I just went for a general "ooh scary bat" sort of look. something a teenager would paint on a hockey mask to look intimidating. the claws are fake, by the way. probably stole some of her sister's fake nails.

fun fact: Emily's ears and wings are based off of the yellow-winged bat, because I already had reference images saved in my folder and figured it would look cool.

[hamletthedane]

Hamlet’s Age

Not to bring up an age-old debate that doesn’t even matter, but I have been thinking recently how interesting Hamlet’s age is both in-text and as meta-text.

To summarize a whole lot of discussion, we basically only have the following clues as to Hamlet’s age:

Hamlet and Horatio are both college students at Wittenberg. In Early Modern/Late Renaissance Europe, noble boys typically began their university education at 14 and usually completed at their Bachelor’s degree by 18 or 19. However, they may have been studying for their Master’s degrees, which was typically awarded by age 25 at the latest. For reference, contemporary Kit Marlowe was a pretty late bloomer who received a bachelor’s degree at 20 and a master’s degree at 23.

Hamlet is AGGRESSIVELY described as a “youth” by many different characters - I believe more than any other male shakespeare character (other than 16yo Romeo). While usage could vary, Shakespeare tended to use “youth” to mean a man in his late teens/very early 20s (actually, he mostly uses it to describe beardless ‘men’ who are actually crossdressing women - likely literally played by young men in their late teens)

King Hamlet is old enough to be grey-haired, but Queen Gertrude is young enough to have additional children (or so Hamlet strongly implies)

Hamlet talks about plucking out the hairs of his beard, so he is old enough to at least theoretically have a beard

In the folio version, the gravedigger says he became a gravedigger the day of Hamlet’s birth, and that he’s be “sixteene here, man and boy, thirty years.” However, it’s unclear if “sixteene” means “sixteen” or “sexton” (ie has he worked here for 16 years but is 30 years old, or has he been sexton there for thirty years?)

Hamlet knew Yorick as a young child, and the gravedigger says Yorick was buried 23 years ago. However, the first quarto version version of Hamlet says “dozen years” instead of “three and twenty.” This suggests the line changed over time. (Or that the bad quarto sucks - I really need to make that post about it, huh…)

Yorick is a skull, and according to the gravedigger’s expertise, he has thus been dead for at least 7-8 years - implying Hamlet is at least ~15yo if he remembers Yorick from his childhood

One important thing sometimes overlooked - Claudius takes the throne at King Hamlet’s death, not Prince Hamlet. That is mostly a commentary on English and French monarchist politics at the time, but it is strange within the internal text. A thirty year old Hamlet presumably would have become the new monarch, not the married-in uncle (unless Gertrude is the vehicle through which the crown passes a la Mary I/Phillip II - certainly food for thought)

Honestly, Hamlet is SO aggressively described as being very young that I’m fairly confident the in-text intention is to have him be around 18-23yo. Placing his age at 30yo simply does not make much sense in the context of his descriptors, his narrative role, and his status as a university student.

However, it doesn’t really matter what the “right” answer is, because the confusion itself is what makes the gravedigger scene so interesting and metatextual. We can basically assume one of the following, given the folio text:

Hamlet really is meant to be 30yo, and that was supposed to surprise or imply something to the contemporary audience that is now lost to us

Older actors were playing Hamlet by the time the folio was written down, and the gravedigger’s description was an in-text justification of the seeming disconnect between age of actor and description of “youth”

Older actors were playing Hamlet by the time the folio was set down, and the gravedigger’s description was an in-text JOKE making fun of the fact that a 30-something year old is playing a high-school aged boy. This makes sense, as the gravedigger is a clown and Hamlet is a play that constantly pokes fun at its own tropes and breaks the fourth wall for its audience

The gravedigger cannot count or remember how old he is, and that’s the joke (this is the most common modern interpretation whenever the line isn’t otherwise played straight). If the clown was, for example, particularly old, those lines would be very funny

Any way you look at it, I believe something is echoing there. It seems like this is one of the many moments in Hamlet where you catch a glimpse of some contemporary in-joke about theater and theater culture* that we can only try to parse out from limited context 430 years later. And honestly, that’s so interesting and cool.

*(My other favorite example of this is when Hamlet asks Polonius about what it was like to play Julius Caesar in an exchange that pokes fun of Polonius’ actor a little. This is clearly an inside-joke directed at Globe regulars - the actor who played Polonius must have also played Julius Caesar in Shakespeare’s play, and been very well reviewed. Hamlet’s joke about Brutus also implies the actor who played Brutus is one of the main cast in Hamlet - possibly even the prince himself, depending on how the line is read).

[all-hallows-street]

All Saints Street Extra Comics Translations 1-3

Apologies for the delay! We are finally publishing translations for the All Saints Street manhua.

We will be uploading them on this drive for now and later upload to mangadex. I will have to ask you to NOT SHARE this drive PUBLICALLY, feel free to share it privately.

Example of what to do: sending the drive link to friends on discord.

Example of what not to do: posting the drive link to twitter. We are going to start with some older extras that were never translated to get a good idea for a workflow and fix problems as they rise. After that we are going to prioritize translating chapters 486-500 (why? well, if you know you know) so we can also start working on simultaneous text translations for new chapter releases. What I mean by this is that as soon as a new chapter comes out, we can upload an english text translation alongside it, like the japanese translation team does now.

Here is an example with the bonus comics:

I am also hoping this will be a good accessibility feature. Likewise, I am releasing to the public the table I translated from the japanese group. It is a rough Work-In-Progress table, but for me it has been an invaluable whenever I have to look up a certain chapter. I even made a search engine to look up chapters by character appearance.

Meanwhile we will be going back and re-lettering chapters that have been translated by independent efforts and uploading them to Mangadex. We have obtained permission from both @saints-street-translated and @wan-sheng-jie for this! After that the translation will continue in two fronts: the comic translations from 501 onwards and releasing text translations for new comics.

Translating the whole manhua will be a looooong process. Right now, we have text translations for all extra comics, but the lettering has been going slow. That's why we are still open to more volunteers to join us for the role of cleaner/typesetter! You don't need qualifications or even software (we will get it for you cough), just time and a disposition to learn.

TL;DR

ASS manhua translation is resuming.

Older Extra comics will be translated first.

We will translate 486-500 ASAP.

We will release text translations for newer comics.

We will remake the translations for 405-485 to upload to MangaDex.

 We need YOU to typeset the ASS comics into English!

[mask131]

While checking around for my “Roman gods are not Greek gods” posts, I found back this tripartition of mythology, which is actually a fact that everybody should kno about if they want to dabble in Greco-Roman myths (especially Greek myths).

We know that, during Antiquity, the Romans and the Greeks thought that there wasn’t just one, but three different types of “theology” - three different views, perceptions and reception of the gods.

The first theology was the theology of the priests and of the state - aka, religion. The Greek gods as perceived and described by religion, as honored through rituals and festivals.

The second theology is the “mythic theology” - what we call “mythology today”. It is a set of legends, folktales and stories that are not part of religion, but rather used and carried by art - it is the gods are seen, perceived and described by the poets, by the epics, by the theater plays.

The third theology is the theology of the philosophers - who used the gods and their tales as images and allegories for various abstract or concrete topics. It is the gods as depictions and description of natural phenomenon, or the myths as a way to actualy exemplify a social fact or explain psychological workings. 

For the classic Greeks and Romans, there was a clear divide between those three very different point of view of the gods. It was basically three different versions of the pantheon. This is notably why you will find texts noting that priests disliked and condemned the poets’ mythological works, due to them being blasphemous and making the gods too human when religion described them as perfect ; and it is also why the philosophers of old dissed on and rejected the literary works of mythology as nonsense only good to feed superstitions, because for them the gods weren’t characters or realities, but rather abstract concepts and rhetorical allegories.

This is something I feel needs to be reminded, because today these three different theologies have been mixed up into one big mess - as literary myths are placed one the same level as philosophical “myths” (actually texts taking the shape of myths), and both considered of outmost religious importance. When in fact, things were quite different... 

EDIT: I was asked if there was a myth that could illustrate the three different theologies, and on the spot I would say “the affair between Aphrodite and Ares”.

This story originates from the “mythological theology”. It is primarily a story, and a good one. It is the story of a husband who discovers his wife is unfaithful and tries to get revenge, it is the story of an extra-marital affair gone wrong, it is typical set of divine shenanigans ending on a grotesque display of divine humiliation - it is an excellent narrative material for plays and poems (and the legend does originates from poems).

The story was also dearly beloved and reused by the “philosophical theology”, because the philosophers adored the idea of the love between Ares and Aphrodite - for them it was the perfect depiction of how the concepts of “love” and “war” , despite being seemingly opposite, attracted each other and were closely tied. For them, this story isn’t to be taken literaly as “a god cheated on another god”, but rather as “this is an allegory showing that love and war are two sides of the same coin, which is why Aphrodite falls for Ares despite being married to Hephaistos”. But for them the whole net part is just poetic nonsense invented to make people laugh ; or maybe they will reinvent them as a moral, cautionary tale that should be used to warn people of the dangers of unfaithfulness. 

And then there’s the “religious theology”, the point of view of the priests - for whom such a story is mockery and sacrilege. You can imagine them saying: “You are making the gods look like fools! Gods don’t cheat on each other, gods don’t get captured in nets while butt-naked, gods don’t even sleep on beds - GODS DO NOT EVEN HAVE HUMAN FORMS IN THEIR NATURAL STATE - what the heck is this bullshit you’re saying, you’re just insulting the gods by turning them into lecherous humans and grotesque clowns for your vulgar story!” (This is a reconstitution and not the actual words of an Ancient Greek priest)

[thewebcomicsreview]

So, Gunwild, the writer of Cassiopeia Quinn, made a comment on that post about webcomics turning into illustrated prose

gunwildversuseverything said: I was hoping this would prompt a discussion about formats and expression, but no, it’s about artist versus writer workloads and “amount of story” being reduced to equations and word counts and update schedules. Figures.

And you know what, it's a good point. So instead of getting into the Artist vs Writers debate for the millionth time, let's take a look at how you, and artist and/or writer, can get a story told on the internet. For the sake of this discussion, lets assume you don't have any actual preference for a given medium that might influence you, you just want to know what's right for your story and will learn whatever skills you need.

TRADITIONAL WEBCOMIC

Comics are the most visual-heavy medium that a solo project can realistically do. This has several business advantages (pictures do better on social media), but it's also a good fit for stories with a bunch of things that are interesting to look at. Cassiopeia Quinn is a story heavily featuring weird alien races, cool spaceships, and attractive young women with extraordinarily casual dress codes. These are visual things! And visual things can be conveyed super quickly and subtly using visuals. Imagine just the "Cassiopeia doesn't wear pants" gimmick, if this was written out. If Cassiopeia gets a description of her appearance the first time she shows up in chapter one and then it's kind of glossed over, the reader would forget. If every time Cassiopeia entered a scene Gunwild had to go

Cassiopeia sauntered up to the motorcycle rack. Her own rack was barely contained by a dangling strip of black fabric, visible through an open orange jacket. Black elbow-high sleeves, covering her hands, matched her thigh-high stockings, separated from her black panties by her thigh pouch.

Somehow it's a lot less cute when it's written out like this, huh? And it also takes way longer to read that then it does to just look at her on the page, which increases the chance your readers might get bored. Comics are the medium that takes the most time to make and also the least time to read, which makes readers a lot more likely to put up with exposition or a plot tangent that doesn't really connect with them. Even if your comic has bits that don't grip your readers, they can grip themselves if you show them interesting bits.

The main downside of comics is the "equations and update schedules" part. They take a looooooong time to make, even compared to everything else. It's also got issues with how people read it. A comic that looks good on a desktop often looks too small on a phone.

TEXT UNDER A PANEL

This style is so strongly associated with Homestuck that a lot of people who weren't making explicitly Homestuck-themed comics seem to have been scared off it. But it's a perfectly cromulent format. It reads well on both desktop and mobile, and lets you use art for all your visuals while using text for dialogue and character thoughts. It's not, however, the best fit for every story. Because each panel is separate, it can be hard to make an exciting action scene this way, which is part of why this format is also associated with special animated pages (I mean, besides "Homestuck did it"). The panels don't really flow into each other, and there's a constant switching between looking and reading.

ILLUSTRATED PROSE

Distinguished from the Text Under a Panel Style mostly by the ratio of text to art, without a hard line demarcating the distinction between them. This style also reads well in desktop and mobile. Well, it should, but a lot of webcomics who switch to this style tend to stay in their webcomic format, meaning it's a picture of text that doesn't resize legibly, grumble grumble. I don't....I don't know if I need to explain the concept of "text" to people. You know what words are, and if you don't there's nothing I can say to explain it.

VISUAL NOVEL

I'm not going to claim to be a visual novel expert, but the main advantages are that it's the most art-efficient medium of any of these (because you can flat-out reuse art), the main disadvantages are that you'll usually need music, it's maybe not as well suited to long monologues, and most importantly that it's not a good method for drip-feed three-day-a-week updates. You kind of have to release the entire thing all at once, or at least in large episodes.

ALL OF THE ABOVE

A comic like Out-of-Placers is mostly traditional, but uses illustrated prose for lore updates. Prequel is text-under-a-panel but not always, and of course Homestuck is the absolute king of format switching, even ignoring the animations. The upside is that you can use the best format for any given scene, and that you're constantly keeping your readers on their toes. The downside (besides having to learn to do all this shit) is that you kind of have to commit to the bit and get your readers on board early with the idea that you're going to just be doing whatever this week. It's also harder to take full advantage of any one medium if you're constantly switching them up

I'm sure I'm forgetting about two hundred formats, but what are the biggest ones I'm missing?

[margareth-lv]

🏳️‍🌈 Every girl needs a gay best friend 🏳️‍🌈

Last week, I wrote a post here about the morbid shyness of a certain music manager.

My text was based on an interview Caitríona gave in mid-February 2018, shortly after her so-called 'engagement' and after she'd just won the Irish IFTA for her work on Outlander.

In the interview, Caitríona talked about how she met her fake fiancé. In the February 2018 version, Caitríona met her PA through one of her best friends.

So I decided to look into the subject of this "best friend" who brought the unfortunate music manager to Caitriona.

What I'm going to write today is, I think, 100% obvious to veterans of the fandom. But for those just starting out, I hope it'll be news. And I, well, I'm somewhere in the middle, between newbie status and more than three years of wading through the facts and the myths.

For me, the fun part has been reconstructing the chronology of events. The dates are interesting.

*** *** ***

The beginning of my story is quite surprising. Because we reach Caitríona's 'best friend' by clicking on a link in an article published in 'People Magazine' on 15 August 2019.

The article is entitled: 'Everything to Know About Caitriona Balfe's Super Private Relationship with Husband Tony McGill' and it tells us that: 'the couple tied the knot in England last weekend'.

😱

What excellent investigative journalists People Magazine have (bravo, bravo!), that in a twelve sentence article they could link to a post from Donal Brophy's Instagram.

👏🏻👏🏻👏🏻

And look at this description:

"It’s unclear exactly when Balfe and McGill started dating, but the earliest evidence of their romance dates back to 2015, when a friend posted a video of her sitting on his lap at a bar in Ireland on Instagram. (McGill was not tagged and does not appear to have any social media accounts of his own.)"

🤯

Isn't that brilliant work from Starz/TPTB/whatever's PR Dept?

*** **** *** From the above it seems fair to conclude that the 'best friend' who brought Caitriona bad luck in the form of an unfulfilling music manager was Donal Brophy, because who else could it be?

*** *** ***

And now, let's take a quick look at the Instagram post (dated 1 January 2015) linked to the 'People Magazine' article. We all know it, of course! Here is the irrefutable proof of the passion between our two lovebirds: the rhythmic (and how sexy!) patting on the hip.

🥱

Well, hip-slapping is boring (and not at all sexy).

Far less boring, however, is the look on the music manager's face, the look that seeks Donal's approval (tell me I'm patting her well, do tell!). Could it be that, like the People Magazine link, this video was made to show? I wouldn't rule it out.

*** *** *** Now let's talk about dates: the sexy (not 🤢) slap on the hip was posted by Donal with a date of 1 January 2015, but two days earlier, on 30 December 2014, Donal shared another photo on Instagram featuring both the hapless music manager and Caitríona. ⬇️⬇️⬇️

Perhaps the decidedly less seductive and sensual appearance of the 'fiancée' in the December photo was the deciding factor in "People Magazine" not publishing a link to it?

Who could know?

*** *** ***

It certainly wasn't love at first sight. The new boyfriend seems rather tired of Caitriona's presence. 😉

I know this is a mischievous conclusion. I am so, so sorry, my friends.

❓

But one thing is for sure: Donal is an old friend of Caitríona.

I haven't done too much in-depth research, but the oldest photo I've been able to find of both Caitríona and Donal is… a photo in a Flickr album belonging to Caitríona's ex-boyfriend, Dave Milone. The photo is dated… 2002.

😨

You get the idea - Caitríona's ex (and real) boyfriend, Dave, Donal, and after many, many years a new 'fiancé'. It feels like my brain is exploding. 🤯🤯🤯

*** *** ***

But back to Donal: I have a feeling that Donal may have been Caitríona's +1 at times when she did not have an official boyfriend.

*** *** *** And let's not forget: Caitríona has a sweet and tender relationship with Donal.

June 2013, Miss you babe!

December 2013, Caitríona on IG:

December 2013, Donal on IG:

April 2014: They even went hiking together in the Scottish Highlands.

I wonder, by the way, who was their mountain guide? Was it an unfortunate music manager? I think not.

I would rather point to someone else, someone who loves (and knows!) the (S)cottish (H)ighlands. But I won't name him.

⛰️🧗🏻‍♂️

*** *** ***

For those who are unfamiliar with the name Donal Brophy, here are a few words about his professional profile:

You know, it works for me: "While in New York, Donal was also known for epic parties. Everything he organized automatically became a “must-attend” event for New York’s most with-it residents."

You know, that kind of vibe (2007):

😵‍💫😵‍💫😵‍💫

*** *** ***

Had he been Caitríona's false fiancé, it would have been easy for us to believe in the beautiful, loving bond that existed between them. But he was only the messenger of bad news. What wouldn't you do for your best friend?

❓

PS. Unless something has changed, Donal was married to Emrhys Cooper, a British actor, singer, dancer, and filmmaker. Together they run Idyllwild Pictures, an entertainment company.

Taken in July 2023:

[January 23, 2024]

[pathos-logical]

How to Keep Doing Descriptions (from someone who does a fuckton)

Plain text: How to Keep Doing Descriptions (from someone who does a fuckton)

This is a list aimed mostly at helping people who already write IDs; for guides at learning how to do them yourself, check my accessibility and image description tags! I write this with close to two years of experience with IDs and chronic pain :)

Get used to writing some IDs by using both your phone and your computer, if you can! I find it easier to type long-form on my laptop, so I set up videos and long comics on my phone, which I then prop up against my laptop screen so I can easily reference the post without constantly scrolling or turning my head

I will never stop plugging onlineocr.net. I use it to ID everything from six-word tags to screenshots of long posts to even comic dialogue! On that last note, convertcase.net can convert text between all-caps, lowercase, sentence case, and title case, which is super helpful

Limit the number of drafts/posts-to-be-described you save. No, seriously. I never go above 10 undescribed drafts on any of my four blogs. It doesn’t have to be that low, but this has done wonders (italics: wonders) for my productivity and willingness to write IDs. If I ever get above that limit, even if it’s two or three more, I immediately either describe the lowest-effort post or purge some, and if I can't do that then I stop saving things to drafts no matter what. No exceptions! Sticking to this will make your life so much easier and less stressful

My pinned post has a link to a community doc of meme description templates!

Ask! For! Help! Please welcome to the stage the People’s Accessibility Server! It’s full of lovely people and organized into channels where you can request/volunteer descriptions and ask/answer questions

I make great use of voice-to-text and glide typing on my phone to save my hands some effort!

Something is always better than nothing!!! A short two-sentence or one-sentence ID is better than no ID at all. Take it easy :)

If you feel guilty about being unable to reblog amazing but undescribed art, try getting into the habit of replying to OP’s post to let them know you liked it! This makes me feel less pressured to ID absolutely everything I see

This is a sillier one, but I tag posts I describe as "described" and "described by me." When saving to drafts, I never preemptively tag with "described by me," since for some reason that always makes me feel extra pressure and extra stress. Consider doing something similar for yourself if that applies!

I frequently find myself looking at pieces of art which feel like they need to be considered for a bit before I can write an ID for them, and those usually get thrown into drafts, where the dread for writing a comprehensive ID just builds. Don’t do that! Instead, try just staying in the reblog field for a bit and focus on the most relevant aspects of the piece. Marinate on them for a little; don’t rush, but don’t spend more than a handful of seconds either. I find after that the art becomes way easier to describe than it initially seemed!

On that note, look for shortcuts that make IDs less taxing for you to do! For example, I only ever describe clothes in art if they're relevant to the piece; not doing that every time saves a lot of time and energy for me personally

Building off of that, consider excusing yourself from a particular kind of ID if you want to. Give yourself a free pass for 4chan posts, or fanart by an artist who does really good but really complex comics, whatever. Let it be someone else's responsibility and feel twice as proud about the work that you can now allot more energy to!

As always, make an effort to find and follow fellow describers! It’s always encouraging to get described posts on your dash, and I find that sometimes I'm happier to ID an undescribed post when the person who put it on my dash is a friend who tagged it with "no ID"

TL;DR: To make ID-writing less stressful and more low-effort, use different devices and software like onlineocr.net and voice-to-text, limit the amount of work you expect yourself to do, and reach out to artists and other describers!

[deathsmallcaps]

Casual reminder that being queer does not preclude you from repeating racist, xenophobic, conservative and just down right inappropriate shit, or from being a terrible hypocrite. I don’t want to out this person, so I covered their name. but I spotted a bad take, went to investigate and block, and saw these two posts right above and below each other.

This person, with a bi flag as part of their avatar, reblogged a fairly popular post about how the term ‘pedophile’ is weapon used against queer people. Right after reblogging a post about the troubles in Libya right now and adding a comment about how they can’t feel sorry for a country with bad child marriage laws.

As if such a statement wasn’t heartless and hypocritically unaware. As if such a statement didn’t also write off all the people that they’re supposedly arguing for (the women and children affected by those laws). As if derailing a post about the deaths of thousands from the collapse of a dam during a drought was in any way appropriate.

Warning for mentions of pedophilia, and xenophobic and Anti-Libyan comments. The photos below will be followed by image descriptions.

Image Description One: A tumblr post from December 10, 2017 by Robotlyra. The original post says: If "grooming an underage person" becomes the new go-to accusation that gets trotted out any and every time an adult makes any mention of sexual topics in the presence of a person under the age of 18, I wonder if it will eventually become functionally impossible for any adult in a position of authority to act as an educational reference for sexual health matters.

It is then followed by a reblog from Robotlyra, the original poster, on December 14 2022. It says: I was going back through my tumblr archives and found this post from five years ago and now I need a drink.

End image description One

Image description two: a picture just to prove that that the post in the previous screenshot is connected to the post in the next image. It shows parts of both posts.

End image description two

Image Description Three: a post by Unhonestlymirror from September 15, 2023. It is a screenshot of a tweet by Lyla_lilas, and contains both text and an image of a man wiping tears from his eyes. The text reads: A Libyan journalist cried live on television before declaring: "The world has abandoned us."

As a reminder: a new report shows at least 11,300 deaths in the country.

#PrayForLibya #Lybia

End Image Description Three

Image Description Four

A screenshot of a September 16 reblog with a comment, with part of the previous image’s tweet visible to make it clear this was a reblogged comment. The text reads: Ima be real. I struggle to feel bad for a country that has no issues with child marriage (as long as it is arranged by the parents/father, which it always is anyways)

And the age of consent is “Must be married”.

Oh and if rape is acknowledged, the woman (or girl) is kicked out and out in a “social welfare” home.

So I apologise if I struggle to cry about a country filled with pedophiles.

End image description Four

[anistarrose]

You added an "image description" to my post - now what? (FAQ)

[Plain text: "You added an 'image description' to my post - now what? (FAQ)". End PT.]

While I'm literally always willing to answer (good faith) questions about image descriptions, alt text, and online accessibility writ large, I also know lots of people have social anxiety about sending DMs, doing IDs "wrong," or just not knowing what IDs are for in the first place. Hence, this FAQ.

If I added an ID to your post and/or asked you to do so, and you're confused about any aspect of that, this is where to start. You can absolutely still reach out to me, I just thought I should consolidate as many answers as possible.

"What is an ID and why does it matter?"

IDs are a description of the content of an image, and can range from a transcript of a screenshot of text, to a description of a detailed piece of art. They should be in plain text, and placed on the line immediately following the image (unless it's alt text, more on those pros and cons later).

IDs are primarily for blind and low vision people who use screen readers to navigate the internet — but help others too, including lots of neurodivergent people. Check out this post (link) and the notes for more examples (dyslexics, migraine sufferers, people who can't interpret expressions, people with slow internet...)

IDs are important because without them, the Internet really sucks for people who need them. You probably don't realize how many undescribed images circulate on tumblr every day, with no way for a lot of disabled people to engage with those posts.

A blind person talks in more detail about all of this here (link).

"I reblogged your ID, is that enough?"

It's not that I don't appreciate it, but editing it into the root post and then reblogging that is much more impactful, for a variety of reasons. It means people who need IDs don't have to dig through the notes for them, it means that Tumblr can't glitch by failing to load the notes and make the ID functionally disappear, and it means all people who find the post in the tags or on your blog will be sharing the accessible version.

To explain visually, the best thing to do is something like this:

[ID: two mock-up Tumblr posts to illustrate adding an ID from the notes to the root post. A blog named "your-blog" posts an image of text reading "something cool you posted" with the caption "check out this cool image I made!" In the notes, the blog "image-describer" reblogs with an ID, which is highlighted. This version of the post is labeled: "original post, reblogged via ID writer."

The second version of the post is from "your-blog" again, where they've added the ID directly under the image, with the same caption below the ID. This version is labeled "updated root post, with ID copy-pasted. End ID.]

"My caption/commentary first, or ID first?"

Include the ID right under the image, followed by your caption or commentary. Unless you're putting your commentary before the image itself, a sighted person will see "image, commentary" in that order, so to ensure the post flows the same way, use the order "image, ID, commentary."

Commentary frequently assumes that the reader has seen the image, after all! A person might not even realize the image is described if the ID is buried too deep, because they might lose patience and skip the post. Or, to explain visually:

[ID: two mock-up example posts with an ID, one formatted well and one poorly. They both start with an image, which is just the text "screenshot of a tweet or something." The first post includes the ID immediately under the image. Below, it continues: "commentary blah blah blah get a load of this guy can you believe it." The post is labeled "Like this!" in green with a check mark.

The second post includes the commentary first, then the ID after the commentary. It's labeled: "Reads awkwardly, deprives screen reader users of immediate context" in red with an X. End ID.]

"I want to make a change to the ID, is that okay?"

Yep! If you want me to change it on my blog too (whether it's characters' pronouns, some typo, etc), just message me.

"What if someone else adds an ID to my post? Would they also be okay with me editing it into the original post like you are?"

Almost certainly! I can't speak for everyone, but I've literally never met an ID who wouldn't be okay with it — because we all have the shared goal of maximizing accessibility. If you're unsure or nervous, you can always include credit, but most people are even fine with going uncredited.

"I put your ID in the alt text, is that enough?"

I will never tell you not to use alt text when the alternative is an undescribed post, but I really strongly suggest putting it in both the alt text and the post. Some people who use screen readers prefer the flow of alt text, for good reason — but it's also poorly implemented on Tumblr, and it can glitch and disappear on reblogs, in drafts, or just apropos of nothing.

Moreover, when a low-vision person or anyone else wants to read the alt text directly, Tumblr's display options aren't great. (Unless you use XKit Rewritten's AccessKit, which I will always plug, but that's not an option for mobile users.) Long alt text often extends off the page and gets cut off. Tumblr used to use a terrible eye-straining purple background for it, and could always do that again with no warning. It's just not ideal.

Here's a visually impaired person talking more about the pros and cons (link).

It seems we're in need of a compromise, so what can you do? One option is to include the same alt text as image description (placing the ID directly under the image as always, because remember, flow for screen readers is important). I like to lead with "ID from alt," in order to clarify to screen reader users that they can skip the ID, and help differentiate it from the other option I'm about to describe. This should be self-explanatory, but here's an example of a post I did in this style (link).

Option two is to include a short description in the alt text, and a more detailed explanation in-post. This can let screen reader users instantly know that the post is described, and decide whether they're interested enough in it to stick with it, but it maintains an in-post description for others to benefit from too.

Example of me doing this in a post about IDs (link)

Example of my mutual describing art like this (link)

Also, it's the style I follow throughout this exact post! Take a look!

As usual, the ID is directly below the image in all these cases. This means screen readers move immediately from the alt text to the full description, and the post flows the same way it would for a sighted person.

If you're here because I wrote an ID for you, it might be easier for you to put it in the alt text and the post body identically, and that's perfectly fine! But if you're confident writing one short sentence for the alt text and including my ID in the body, you can always go for that too!

"Do I need to keep the brackets or the words 'image description/ID' in the alt text?"

Nope, no need. Brackets are purely for the visual distinction, and most screen readers preface alt text with something like "Image" that fulfills the same purpose. It's not the end of the world if they're there, but it's redundant, so feel free to remove them.

"Can I put the ID under a read more? Or in small text?"

Please don't. Read mores are glitchy, and oftentimes have to be opened in a new tab. Accessibility that requires jumping through extra hoops isn't accessibility. And worse, if you change your URL or get deactivated, that read more link is usually just gone for good, and the post is undescribed again.

Meanwhile, small text, italics, colored text, and so on aren't good for low vision people or others who read the IDs directly — such as with increased font size — for whatever reason. If you want the ID to stand out visually even more than with brackets, an indent is fine as far as I know. And remember, IDs always go immediately below the image!

"Why do you sometimes copy italics and stuff as plain text? Is that a screen reader thing too?"

Same reason IDs shouldn't be in small text, italics, etc. Font in weird styles, or in a fixed size regardless of device settings (to my knowledge, this includes headings) isn't very accessible, so I try to provide an accessible transcript.

Colored text is sometimes even inaccessible to sighted people using certain Tumblr themes! If Tumblr gave individual users the option to disable small text and colors on their dash, then I'd tell you to use them to your heart's content, but as it stands, they're not very accessible.

"Okay, I want to make my blog more accessible, but I don't feel capable of writing IDs on my own. How can I get help?"

Good news, this is my absolute favorite question! I strongly recommend the People's Accessibility Discord (invite link here, please let me know if it breaks).

It was created for this exact purpose of crowdsourcing IDs (and answering questions about them). I talk about it more in this post (link), where I also describe an alternative if you're like me and have massive social anxieties about Discord servers.

TL;DR: ask in the post if someone can add an image description, and edit it in once someone does! If you've read this far in the post, you're clearly an expert on how to do that.

In that post, I also recommend OnlineOCR (link) and Google Lens to extract text from images and save you typing if it's just a twitter thread or something. I would always spot check the text, adjust formatting, and remove superfluous characters, but it usually saves you lots of time when you might not normally have the energy to describe something.

Lastly, a lot of description blogs take requests! I don't unless I specify otherwise, because I easily run out of spoons, but @accessible-art is a great example of a blog that does this for non-fandom art, and there are lots of fandom blogs out there that do similar.

"I want to learn how to write image descriptions for my posts! Do you have any resources?"

This is my image description masterpost (link). I get a little scared about linking it because it's long, and a lot of the linked posts are long, and I don't want to overwhelm people — so please, start with the first few links to get the broad strokes, and then feel free to treat the rest like a index. That is, peruse it if you're looking for answers or advice on a specific topic!

While learning, keep in mind that different ID users want different things out of IDs, and that's okay. Some people, including many blind people, care quite a bit about color, but others don't, and that doesn't mean either is wrong about the types of IDs they prefer versus ones they find unnecessary.

Blind people have a massive range of lived experiences, and all the other people who benefit from IDs broaden that range even more. Generally, no one involved wants huge walls of text, but some people prefer super-minimal IDs, while others prefer a nice handful of (relevant) details. It's stuff like the difference between "Two characters hugging in a cozy-looking house," versus "Two characters hugging with their eyes closed, both smiling. Their house looks cozy and cluttered, with warm lighting."

Neither of those is objectively wrong, and there will be people who prefer either. Nor is it wrong for you, the ID writer, to make a subjective judgement, such as on the "cozy" mood. You don't want to misrepresent things, but subjectivity is usually unavoidable on some level, and therefore fine.

In my opinion, IDs are easiest to learn by doing, but also by starting small. If you want to build up your "description muscles" and confidence by just transcribing tweets, that's perfectly fine — and also, the path that myself and a lot of people I know have followed.

Lastly: follow some described blogs! Check out how other people do it! Writing IDs is an art, and though it has a few hard do's and don't's we've gone over, we've also gone over how it's subjective. Everyone brings a slightly different style, with a different level of lengthiness, and it's great to learn from multiple sources. Here's one list of blogs like those (link)!

"Why would this matter if I know I don't have any blind people following me?"

Consider the cycle of inaccessibility (link). If no one ever accommodates blind people, then of course you're not going to see them on Tumblr, in fandom, or in whatever internet circles! And blind people aren't the only people who need image descriptions — again, consider this post, especially this addition (link).

Worst case scenario, even if you have no one who can benefit from IDs either following you, and no people who need IDs would follow you even if you included them, you're still helping people who do maintain accessible blogs to do so — and moreover, normalizing image descriptions in general.

"I don't think blind people would be in this fandom. I mean, there's a huge visual component!"

Described comics and webcomics exist. Audio descriptions for TV shows and movies exist. Disabled people who find creative ways to play video games exist. People who watched a playthrough of a video game by a person who happened to read out the dialogue, and give descriptive commentary on the action, also exist. People who lose their vision over time, or gain other reasons to rely on IDs over time, also exist.

[booksandabeer]

A Man Takes His Sadness Down to the River (The Consolation of Philosophy) (E | 150 K)

To celebrate the completion of the fourth & final part Lost Vocabularies that Might Express (The Memory of These Broken Impressions) in this wonderful series by dorian_burberrycanary.

Author's summary: The worst of times, like the best, are always passing away. How’s that for some consolation on the road? A post-The Falcon and The Winter Soldier Stucky fix-it as part of the all-American road trip, detours included.

Follow Steve and Bucky on their Great American Road Trip as they drive and eat their way across the country and beyond. From the beaches of the Jersey Shore to the graveyards of Savannah, from the cragged horizons of Mexico to deserts with (small) volcanoes, from college campuses to earthship settlements, from the mountains of Colorado to the monumental emptiness of the Great Plains and on and on and on…there is always more road ahead.

A Man Takes... is a miracle of a series that works with what should be an unworkable premise: Steve really did leave to go live in the past. He returned a few months later, yes, but he still made that choice. Knowingly. So, how can any author, any story, rectify such a colossal mistake, and how can it be reconciled with a believable, satisfying romance that short-changes neither Steve nor Bucky? Like this. With patience, and care, and often painful honesty. Just like Steve, this story slowly digs itself out from under the burden of that terrible decision.

I know that some people are very reluctant or even outright refuse to read EG-compliant fics and I understand why this might be a tough sell for them. Believe me, I do. But this series manages to neither let Steve off the hook for his choices nor does it punish him excessively. Instead, Steve and the readers are repeatedly confronted with the fact that there are no magical solutions here, no take-backs—it’s a fix-it, yes, and very much a Stucky fic through and through, but it’s not a fix-it fantasy where in the end everything turns out to have been an unfortunate misunderstanding after all. What's done is done and the only way out is through. But. even if you usually prefer to ignore anything that happened post-[insert preferred point of canon divergence here], please, please try to give this absolute marvel of a series a chance. It is genuinely one of the most rewarding and satisfying works I've ever read in this fandom. It's catharsis in slow motion.

You will find descriptive writing here that is so incredibly beautiful that it will bring you to your knees in awe. This series transcends fanfiction in many ways, as it stands out for the remarkable quality of the prose and the nuance, subtlety, and precision with which it explores both the emotional landscapes of its protagonists and a fictionalized, yet very recognizable post-Snap America. At the same time, it could only ever work as fanfiction because it stays so close to the characters and is so deeply rooted in and filtered through Steve’s inner life and perspective. Just like the real Steve Rogers, this story is smart and curious, and deeply empathetic towards its characters and the world they inhabit.

Every detail is imbued with meaning. The food Steve and Bucky eat. The clothes they wear. The art they look at. The books they read. The music they listen to. The places they stay at. The landscapes they drive through and the objects they carry with them or acquire along the way. One doesn't need to understand or even notice all of the references, allusions, or ambiguities to enjoy the series, but it makes for such a rewarding reading experience to really dig deep into the many, many layers the author has so expertly assembled into this phenomenally rich text. More often than not in this fic, the curtains aren’t just blue. Or rather, Bucky’s sweatpants aren’t just gray.

At some point amidst this sprawling, reflective journey, a bittersweet realization sets in: There simply is no compensation for the time and life lost, for the pain suffered. No money, no medals or statues, no hagiographies, and certainly no delusional pipe dreams forcibly made real, will ever make up for all that loss. You can't outrun your past, but that doesn't mean you should bury yourself in it. And maybe, solace can be found in mutual understanding, not just between these two men, but in interactions, in shared community—however fleeting—with ordinary people doing ordinary things in their ordinary lives. And in the beauty of the mundane and the relief that there still is a world in which such beauty can exist, even though it is so often a cruel and unjust place. Steve Rogers finally allows himself to feel his feelings: his grief and his shame, but also his joy and—even though he’s already so very tired—his hunger for more. More time, more life, more Bucky.

This series is a wonderful tribute to Steven Grant Rogers—an honest and affectionate portrayal of this compelling and lovable, if at times difficult, character. It is also a gorgeous, intricate love letter to the miracle of a man that is James Buchanan Barnes. As you can probably tell by now, I love it a totally not normal amount.

A most heartfelt thank you to @burberrycanary for taking us all along on Steve and Bucky's long journey across America and (back) to each other. Thank you for letting us sit in the back seat and watch as they learn to love and live with each other in old and new ways, finally find some measure of well-deserved rest and peace, and, together, face their greatest challenge, their longest fight, the eternal question:

How to live with all this survival?

[underground-secret]

The Hunter and The Witch~ Dean Winchester x f!reader

Description: Sam, Dean, and Y/N investigate a haunting in an abandoned asylum rescuing two teenagers who ventured in, they become trapped with the spirits of those who had died in a riot decades ago, one of which was a doctor who causes extreme rage in his victims.

Warnings: Cannon violence, murder and mentions of suicide, arguing, banter, usage and mention of guns, ghosts, panicking/ anxiety, a little bit of angst

A/N: There will be a confusing part where your like who is she talking about and to that I say all in due time. Also i’m sorry it seems like i’m giving up on this (I didn’t realize I posted the last part a month ago) IM NOT i’m just super busy with school, if you’ve taken APUSH you get it—i’m fighting for my life.

Tag list: @jesllianaquilesrolonsworld , @okayiamkassandra , @fablesrose , @ada--44, @bonkydarnes, @star-yawnznn

Word Count: 11,033

Asylum

(Master list, Previous Ch., Next Ch)

I let out a big sigh, slumping in my chair as I do so, my head falling onto my laptop's keyboard, “How is your dad moving from place to place so fast”, I grumble into the keys. “Literally how!” My head shoots up as I complain, looking at Dean who sat across from me with his head propped up on one hand as he stared down at his fathers journal.

His eyes meet mine even as his head faces the book, his stare tells me everything I need to know. He’s also very frustrated, certainly more than me and he too has no answers.

I contemplate slamming my head against my keyboard when Sam walks back into their hotel room. His phone clasped tightly in his hand after he just went outside to call several people. “Caleb hasn't heard from him?” Dean asks his approaching brother even though the answer is written on his disappointed face.

“Nope. And neither has Jefferson or Paster Jim. What about the journal? Any leads in there?” Sam shoots back, referencing people the Winchesters knew. I had heard of them too, most of them really good friends of the boys but I never actually met them.

Now it’s Dean's turn to answer and complain, “No, same as last time I looked. Nothing I can make out.... I love the guy, but I swear, he writes like frickin’ Yoda.”

“You know, maybe we should call the Feds. File a missing person’s.” Sam sighs, sitting on the edge of his bed.

“But isn’t he like, you know…wanted?” I ask, considering being a Hunter comes with breaking a lot of laws, like a lot. “That and Dad'd be pissed if we put the Feds on his tail” Dean adds.

Sam’s face contorts into anger, “I don't care anymore.” Suddenly a cell phone rings from across the room, Dean's phone to be exact who immediately goes over to his bag. Sam huffs something between a sigh and a frustrated grunt, “After all that happened back in Kansas, I mean...he should've been there, Dean. You said so yourself. You tried to call him and...nothing.”

“I know!” Dean yells loudly, snapping, the sound echoing off the ill painted walls. He rummages through his duffel rougher, “Where the hell is my cellphone?”

“You know, he could be dead for all we know.”

“Don't say that!” He snaps again, “He's not dead! He's – he's…”

“He’s not dead, your father is good at what he does. I'm sure he’s just caught up in something.” I tried to reason, turning in my chair so I could face both boys.

“Like that’s a good excuse” Sam spits back.

“Hey, I never said it was! But it certainly is a better and more optimistic view than death!” I lecture, my face scrunching up in offense.

“Huh.” Dean mumbles quietly getting our attention, “I don't believe it.” His words stopped Sam from saying anything further to me. His focus turned back on his brother, “What?” He asks.

“It's, uh....It's a text message. It's coordinates.” Dean answers and it’s clear who the message is from. I want to turn to Sam and say ‘Ha! told you so!’ but I hold back on the childish, but totally correct, notion. Before Sam can say anything snarky about the message Dean cuts him off, “Can I steal that?” He asks me to point to my open laptop. I nod my head quickly, “Go ahead.”

He walks back over to the table turning my laptop until it’s facing him and where he sat. “You think Dad was texting us?” Sam asks as his brother types away.

“He's given us coordinates before.” Dean answers.

“The man can barely work a toaster, Dean.”

“To be fair, a toaster and coordinates are pretty different. All you need is a paper map” I cut in, earning a hard glance from Sam. I could not explain why he suddenly had a problem with me other than the fact I disagreed with him, which in that case makes him just as childish as I wanted to be.

“Sam, it's good news! It means he's okay, or alive at least.” Dean adds, arguing.

“Well, was there a number on the caller ID?” Sam pushes, still somehow convinced it isn’t his Dad which when I think about it is pretty harsh. Would he rather his dad was dead? Probably not.

Dean answers, “Nah, it said 'unknown'.”

“Well, where do the coordinates point?” Sam follows up.

“That's the interesting part. Rockford, Illinois.”

“Ok, a little random, but what’s specifically so interesting about Illinois?” I ask this time.

“I checked the local Rockford paper. Take a look at this.” He turns my laptop around with a news article zoomed in on a black and white photo of a cop, “This cop, Walter Kelly, comes home from his shift, shoots his wife, then puts the gun in his mouth, blows his brains out. And earlier that night, Kelly and his partner responded to a call at the Roosevelt Asylum.”

“Okay, I'm not following. What has this have to do with us?” Sam asks, again I want to say something about him asking a dumb question but I hold back not wanting any more sass from him or anyone.

“Dad earmarked the same asylum in the journal. Let’s see…” He scoots my laptop back, pulling open his Dads stuffed journal that sat on the table. “Here. Seven unconfirmed sightings, two deaths – till last week at least. I think this is where he wants us to go.”

Sam snorts, “This is a job... Dad wants us to work a job.”

Dean shrugs, “Well, maybe we'll meet up with him? Maybe he's there?”

“Maybe he's not? I mean, he could be sending us there, by ourselves, to hunt this thing.” Sam snaps back.

“Does it matter? I mean we know it’s a hunt and we get to help people. I don’t see a loss in going.” I say, half shrugging.

“This doesn't strike either of you as weird? The texting? The coordinates?” Sam argues, his head snapping from his brother to me. It’s a good point to be honest but what else is there to do? Though I do not make that question vocal.

“Sam! Dad's tellin' us to go somewhere, we're goin'.” Dean yells, final word. Sam makes a nasty bitchface and sighs, saying nothing more.

I lean against the cold exterior of the Impala, my arms crossed against my chest to fend off any bit of the cold night even with my layers on. I could go inside the car but standing outside, right at the front of the car, felt more productive while waiting for the boys to finish their whole “skit” for information.

Dean would go in and antagonize the partner of the cop from the article which would inevitably fail. So Sam would be waiting there telling Dean, who he pretends to not know, to (in a lack of a better word) f- off so that Sam could weasel his way into questioning.

A very complicated plan for a bunch of dummies. I sigh again, my eyes closing in the progress, I try to force the tension out of my body, all the arguing infecting my usual good mood.

I open my eyes back up only to round the car and find it locked. My head falls forward, my chin touching my chest, of course Dean would lock his precious car. I glanced around me, barely anyone lingering outside except some people up against the bar smoking or leaving to go elsewhere, no one was looking so I gingerly tapped the handle, a swirl of purple mist leaving my fingertip until it slithered its way into the car and its mechanics. With a satisfying click the little lock pokes up, I grin as I pull open the door leaning in only to rustle through my bag and pull out my book.

Dean would have to forgive me, though my little trick did nothing to harm the car to begin with. I push down the lock, jabbing into my palm as I do so, closing the door behind me I make my way to the front of the car once more leaning against it as I open up my worn book of Little Women for the hundredth time. The pages had long begun to yellow though it only went as far as a light yellow, still the crisp smell of an old book wafted into my nose, serenity finding me.

Suddenly the bar door slams open, startling me for a moment after getting lost in the prospect of an escape. Dean quickly walks over to where I was waiting looking extra grumpy, his eyebrows scrunched together with his arms thrown out, “He pushed me so hard!” He nearly yells, his choice of words were childish at worst and yet it was very amusing. “Why are you reading that again?” He asks, suddenly pointing at my book.

“‘Cause I love it” I smile simply.

“Haven’t you read that a hundred times?” he asks, moving next to me, leaning against the car too.

“Give or take” I laugh lightly, “It’s one of my many comfort books.” I mark my spot before shutting the book. “I’m guessing your silly plan worked?” I ask him as he leans closer to me. He gives me that devilish smirk, “Not silly if it worked, sweetheart.”

Some time later Sam exits the bar, “Shoved me kinda hard in there, buddy boy” Dean spits.

“I had to sell it, didn't I? It's method acting.” Sam bites back, just tension building on more tension. But there’s only so much the atmosphere or people can take before it blows up.

“Huh?”

“It’s like immersing yourself emotionally and psychologically with your character” I whisper before closing my book shut. But instead of clarity crossing over Dean's face he looks just as confused if not a little more. Sam sighs, “Never mind.”

“Okay so what’d he tell you?” I ask.

“So, Walter Kelly was a good cop. Head of his class, even-keeled, he had a bright future ahead of him.” Sam explains. Basically nothing to suggest him suddenly committing a murder suicide.

“What about at home?” Dean shoots back.

“He and his wife had a few fights, like everybody, but he was mostly smooth sailing. They were even talking about having kids.” Sam answers, I frown at the last part there was a whole life they could have lived.

“Alright, so either Kelly had some deep-seated crazy waiting to bust out, or something else did it to him.” Dean acknowledges.

“Well did anything happen as of supper recently that would even hint to a psychotic break?” I ask even though based on what we have it didn’t seem likely.

“No” Sam shakes his head, “Not that he mentioned at least.” I nod my head making a small mental note of that possibility, although unlikely, just in case.

“What'd Gunderson tell you about the asylum?” Dean questions.

“A lot.”

A loud horn blares from a nearby truck as Sam makes his way over the tall fence. With Dean slightly ahead of me I begin to climb the chain linked fence, I get a small jumping start clutching on to the cold fence. I shove my shoes into the little groves as I make my way up swiftly, being able to lift my legs high enough that I could make it to the top in about four moves. I balance myself on top of it before swinging my leg over it, I reposition myself to dangle slightly as my feet find purchase in the fence when about half way down I just decide to jump the rest of the way, landing on my feet in an almost crouched position.

The asylum itself didn’t look like it was falling apart but the overgrown bushes on the plot, the moss covering the building and the boarded up windows were a tell-tale tell sign enough that it was abandoned. The only thing keeping it from being entirely creepy was the early morning sun.

The door had no lock on it most likely from all the trespassing. But just as the door fell open an immediate musty smell hit my nose from all the trash covering the floor from beer bottles and cans to random bits of paper. Every surface of the walls was covered by either graffiti or mold, only small hints of the old green wallpaper left behind. “So apparently the cops chased the kids here....into the south wing.” Sam points to the sign hung over the door. The letters were mostly peeling, just another sign of the aging building.

“South wing, huh?” Dean breathes out, “Wait a second.” He pulls out his Dada journal from the inside pocket of his coat, flipping the pages until he found whatever he was looking for, “1972. Three kids broke into the south wing, only one survived. Way he tells it, one of his friends went nuts and started lighting up the place.”

“So the South Wing seems to be the route of this all” I remark.

“But if the kids are spelunking the asylum, why aren't there a ton more deaths?” Dean points out, looking up from the journal. Sam notes the rusted, broken chains hanging from the handle of the door, “Looks like the doors are usually chained. Could've been chained up for years.”

“Yeah, to keep people out. Or to keep something in.” Dean comments.

I cringe, “Is it really necessary to say such ominous things?”

“What? It’s the truth” Dean shrugs and I roll my eyes.

“Are you guys done?” Sam asks looking at us impatiently

“Yeah yeah open the door” I say before quickly adding a mumble of, “I hope a rat jumps out at you”

Sam looks at me with a mix of being offended and being annoyed, “Why would you say that?”

“Sorry!” I say half meaning it, “It’s an abandoned building and all so you know…rats”

“Just” Dean starts, him being the annoyed one now, “Open the door.” Sam nods, carefully opening the rusted door with a creek revealing a long creepy hallway, but at last no rats scurry out. The long hall was somehow only slightly better than the entrance with the walls peeling of its paint, most of it replaced by mold which only increases as the hallway extends, if we get sick we’ll know why that’s for sure.

“Let me know if you see any dead people, Haley Joel.” Dean jokes, lighting the mood as he pulls out his EMF reader, referencing the movie Six Sense. “Dude, enough.” Sam groans.

“I'm serious. You gotta be careful, all right? Ghosts are attracted to that whole ESP thing you got going on.” Dean says. Without missing a beat, Sam bites back, “I told you, it's not ESP! I just have strange vibes sometimes. Weird dreams.”

“Yeah, whatever. Don't ask, don't tell.”

“Anything going on with your EMF?” I ask, hoping to change the subject. “Nope. Of course, it doesn't mean no one's home.” Dean answers.

“Well, spirits can't appear during certain hours of the day.” Sam adds.

“Yeah, the freaks come out at night.” Dean comments.

The room falls quiet for a moment before Dean speaks up again, “Hey Sam, who do you think is the hotter psychic: Patricia Arquette, Jennifer Love Hewitt, or you?” Sam pushes his brother in response. “Oh definitely Jennifer Love Hewitt, I mean did you see her in Shortcut to Happiness ‘cause…wow” I answer before quickly adding, “No offense Sammy.” But Sam pushes me lightly too, a laugh bubbling up from my chest as I nearly knock into the moldy wall.

We enter a room that smells worse than the main entrance area, the culprit of the rotting flesh smell most likely being whatever pink goop is spilling out of a glass jar with liquid on a table in the far corner. This asylum was truly amazing at one-upping itself in terms of being horrible. The entire room is bad itself, all sorts of equipment they used on patients long ago when they had no clue what a mental illness really was or how to help people who struggled with it.

“God, they did such horrible things to these poor people” I remarked, stepping deeper into the room. The sight of a clearly used surgery table sending a shiver down my spine. Dean lets out a low whistle, “Electro-shock. Lobotomies…”

“Did you know JFK’s sister got a lobotomy done because she suffered from seizures and mood swings. But it only wound up leaving her permanently incapacitated and unable to properly speak, only goes to show how little they knew about all that stuff” I say, recalling a fact I remember reading about somewhere in an article.

“‘That one of your fun facts?” Dean inquires, clearly humoring me. I hum a “mhm” as I bend down slightly to look at a glass container filled with some sort of yellow liquid. I almost expect something equally as gross to be inside but there isn’t.

“So. Whaddaya think? Ghosts possessing people?” Dean asks out loud to no one in particular.

“Maybe. Or maybe it's more like Amityville, or the Smurl hunting.” Sam answers, listing out examples of cases in which people claimed the devil had told them to do something bad and or possessed them. “Or Son of Sam, though that guy was just a basket case who admitted to lying about that demon bit” I add.

“Spirits driving them insane. Kinda like my man Jack in The Shining.” Dean quips in, always with his references. I look up from the vials of I don’t know what to see him grinning, a smile forming on my own face at his charming expression.

“Dean.” Sam calls out, gaining his brother's attention, “When are we going to talk about it?” Uneasiness slips its way into the cracks of the building, finding us. “Talk about what?” Dean asks back, but I have a feeling he knows what he’s talking about, it was clear as day. “About the fact Dad's not here.” Sam answers, already clearly annoyed. I straightened up, moving an inch closer to where they stood in the middle of the room in case I had to break up another fight. It hadn’t been anywhere close to a week from the last time I had to do so back in Kansas. “Oh. I see.” Dean replies, “How ’bout...never.”

Sam rolls his eyes, “I'm being serious, man. He sent us here…” Dean cuts in immediately, “So am I, Sam. Look, he sent us here, he obviously wants us here. We'll pick up the search later.” They moved closer to each other with each word they spat, up until they got close enough that they would be able to throw a punch if they decided to. “It doesn't matter what he wants.” Sam argues.

“See. That attitude? Right there?” Dean points at him, “That is why I always get the extra cookie.”

“Guys come on, you can argue this later let’s just finish this hunt” I sigh, crossing my arms across my chest. Sam glares at me as if to say “stay out of this”, I get why they’re upset but all this arguing gets us nowhere and it’s beginning to get annoying. Sam turns back to his brother, “Dad could be in trouble, we should be looking for him. We deserve some answers, Dean. I mean, this is our family we're talking about.”

“I understand that, Sam, but he's given us an order.” Dean replies rather calmly. I don’t necessarily like John, knowing everything he put my boys through made it hard to. But he was their Dad and Dean wanted my help and so I will help find their Dad, even if I mostly agree with Sam. “So what, we gotta always follow Dad's orders?” Sam spits, and I almost hate the fact that I do agree with him.

I try to ignore their arguing, knowing they wouldn’t let up, it wasn’t the sort of argument where someone won. I open a drawer near me, cobwebs and multiple clippings from old patient files filling it. “Of course we do.” I hear Dean answer.

I carefully take the clippings out, trying to avoid the cobwebs. I look through the handful quickly everything either ripped off or eradicated except bits of the Doctor's name. “If you're done over there it seems the main evil doctor was ‘Sanford Ellicott’. We should probably research him and the south wing, see what we can find” I say plainly, hoping this could all be over with soon so at least they would stop fighting.

I keep my legs up on the soft chair, my knees to my chest as I read my book. Dean is sitting next to me, his arm resting on the back of my chair, his legs spread widely. From my peripheral vision I see him stare up at the ceiling clearly bored as we wait for his brother to be done in therapy, or really done questioning the apparent son of Dr.Ellicott.

He groans, the noise coming from deep in his chest. I put my bookmark back in my book, shutting it and putting it next to me. I put my arms on my propped up knees lying the side of my face down on them, my cheek squishing against my arm as I peer at Dean. The immediate thought of how good he looks with his head thrown back, a very light stubble gracing his face, his eyes looking greener with the light shining from behind us and—

I shove the thought far into the back of my mind, it wasn’t the time for this not at all. Not even a little. “‘You okay?” I ask softly.

He rolls his head to the side, eyeing me “Sammy’s taking too damn long. He’s already pissed me off.”

“He wouldn’t be taking long unless it was necessary” I answer, smiling at his demeanor. He groans again, “Do you wanna go get coffee? I saw a place a block away, Sam can text when he’s done.” I offer, hoping it would distract him from being so pissed off. He leans his head up, squinting at me, “Is this your attempt at curing my boredom?”

“That depends, is it working?” I squint back at him as I lift my head from my arms, laughter threatening to bubble from my lips.

“Yes” He nods, throwing his hand on my knee, “Let’s go” but he keeps his hand there, a giddy nervousness settling itself in my stomach.

“See I told you couples therapy works!” a hushed voice says catching our attention. I look up to see a red headed girl and her tan boyfriend walking past us without trying to hide their stares, “Wer— we aren’t—“ I try to say loud enough for them to hear but my voice doesn't reach them, “Actually” I sigh, my face feeling warm, “it’s probably best if they just go to therapy.”

I turn my head back towards Dean, finding him already looking at me with scrunched eyebrows, studying me as if he was contemplating something. I place my hand over his, only realizing then my hands were cold when compared to his warm ones, “Ready?” I ask softly. He clears his throat abruptly, nodding his head as he removes his hand from my knee and gets up. I make sure to grab my book as I follow suit, but we only reach the door when a familiar tall figure walks right past us.

Dean's body language changes, he turns back to me confused and annoyed before pushing through the door. Tension clearly already has made its home in his back and shoulders. “Dude! You were in there forever, we were about to leave you. What the hell were you talking about?” He calls out towards his brother, easily matching his pace.

“Just the hospital, you know.” Sam answers plainly. I jog to catch up to them and their stupid long legs, “What’d you find?” I ask.

“The south wing? It's where they housed the really hard cases. The psychotics, the criminally insane.” “Sounds cozy.” Dean remarks.

“Yeah. And one night in '64, they rioted. Attacked staff. Attacked each other.” Sam elaborates.

“Any deaths? Dean follows up.

“Some patients, some staff. I guess it was pretty gory. Some of the bodies were never even recovered, including our chief of staff, Ellicott.”

“Did they…stuff him somewhere. I mean I feel like the place is only so big, right?” I hesitantly say.

Sam shrugs, “Cops scoured every inch of the place.”

“That's grim.” Dean murmurs just as we reach the Impala. “Yeah. So, they transferred all the remaining patients and closed the hospital down” Sam says as he rounds the car.

“So, to sum it up, we've got a bunch of violent deaths and a bunch of unrecovered bodies.” Dean lists out.

“And a bunch of angry spirits.” Sam adds

“Cute.” I remark, sarcastically.

“Let's check out the hospital tonight.” Dean finishes, opening the car door.

I shine my flashlight over the asylum, naturally in the darkness of the night it was far creepier than it was only hours before. I follow behind the boys as they enter the dingy entrance, making sure I don’t hit into the duffle bag hanging from Dean's shoulder. “‘You guys getting anything?” I ask since they hold the equipment. Dean holds his EMF reader out in front of him, “Yeah, big time.”

“This place is orbing like crazy.” Sam adds, looking at the screen of the camera he holds. “Eww, why would you say it like that?” I cringe before mimicking the way he said “orbing.” Sam turns around slowly, glaring at me “How mature of you, Y/n” he deadpans. “Hey i’m just calling it as it is” I respond in defense. He glares at me one last time, turning back around and I hear him mimic what I said. I’m about to hit him on the arm when Dean starts speaking, he looks between us, ultimately choosing to ignore our childish behavior, “There’s probably multiple spirits out and about.”

Sam added “And if these uncovered bodies are causing the haunting…”

“We gotta find ’em and burn ’em.” Dean finishes, “Just be careful though. The only thing that makes me more nervous than a pissed off spirit... is the pissed off spirit of a psycho killer.” With that we keep walking until we hit the same room we were in the last time we were here, not having gone any further than that the first time around.

We walk a few feet further separating into three different rooms. I scanned my flashlight over the dark room, it had no windows though even if it did it would have been boarded up meaning no natural light to begin with had it been daytime. It was a relatively small room with more graffiti lining the originally white walls. I take a single step into the room, glass crunching underneath my shoe, I lift my foot immediately, kicking the broken glass bottle to the side.

I move further into the room, an overturned desk and a long gone broken lamp on the floor. Must have been a little office, I think to myself as I walk over to the desk finding a small knocked over filing cabinet. I nudged the metal cabinet with my foot, testing to see if anything wanted to make an appearance…like a rat.

When nothing comes from it I twirl my finger, an invisible force turning the cabinet right side up making it accessible. I pull each draw open, still cautious of any critters crawling out, hoping that there would be some hint as to where to look for the unfound bodies. “Y/n” I hear my name called out from behind me.

“Yeah?” I say turning around but there’s no one there. I shine my flashlight first on the doorway, only shadows dancing on the outskirts of my light. I purse my lips, a small pinch of fear forming itself in my heart. I move my flashlight slowly to shine in the corner, every hair on my body standing up. An old man with deep sunken eyes stands in the corner, his body permanently hunched over with his head tilted to the side. Countless needles stick out from his ghostly body, piercing through his hospital gown.

My mouth goes slack with an almost scream in warning to the boys. Still the man doesn't move, he just stares at me which is arguably worse than if he lunged at me, his mouth moves as if in an attempt to say something but his jaw is broken and the words come out in an extended noise. “b….b…b—“ The loud sound of a shotgun goes off just across from the man, my head snaps in the direction of the doorway, a breathless Dean standing there his gun still pointed at the man. “We thought something happened!” Sam half yells, standing right behind his brother.

“I literally haven’t moved from here” I respond, looking back at the corner where he stood. “You okay sweetheart?” Dean asks. I nod, “Yeah, I mean he didn’t do anything he was just—“

“Standing there” Sam finishes my sentence, “See I told you!”—he nudges his brother—“There’s something weird with the spirits here, they aren’t being aggressive-“ I cut him off this time, concern and confusion making my eyebrows scrunch together, “Wait you encountered a spirit?”

“You didn’t hear Sammy scream for us? Or the gun?” Dean asks. I look between them only being more confused, “No, what are you talking about?!” Except they don’t answer, only looking at each other and then back at me, eyes wide, “Alright something really is going on” Dean admits.

They begin to shuffle out of the room, and I follow, we walk aimlessly down the hall in thought when suddenly a noise like metal scraping against the floor comes from a room just steps away. Dean immediately raises his shotgun, carefully entering the room with Sam and I acting as the lightning. The room had a singular upturned bed facing the only window in the small room, a ragged sheet covering the bed barely concealing the top of a blonde head. We all share a look, bracing ourselves, Sam reaches out tipping over the bed causing it to come down with a loud crash. A young girl sits crouched on the floor, panting and grasping her chest.

“It's alright, we're not going to hurt you. It's okay. What's your name?” Dean asks the poor girl, moving his gun down and away from the girl. “Katherine. Kat.” She answers, peering up at us with her big brown eyes.

“What are you doing here!?” Sam half yells at her. I hit his arm, “You suck at comforting people” I mumbled loud enough for him to hear, nearly missing the glare I received in return. I move past Dean leaning down towards the girl, offering my hand to help her up. You can comfort someone without making them seem incapable. She eyes me carefully for a beat before shakily reaching up and taking my hand, “Um. My boyfriend, Gavin” she answers as I lift her up. “Is he here?” Dean asks.

She lets go of my hand reaching up to tuck her hair behind her ears, “Somewhere. He thought it would be fun, try and see some ghosts” she explains, "I thought it was all just...you know. Pretend. I've seen things. I heard Gavin scream and... “

“Alright.” Dean responds, pausing for a beat as if to go over the plan he most definitely already made, “Kat? Come on. Sam's gonna get you out of here and then we're gonna find your boyfriend.”

“No! No. I'm not going to leave without Gavin. I'm coming with you.” Kat declares, looking frantically between us all.

“It's no joke around here, okay. It's dangerous.” Dean lectures, his voice getting increasingly louder. “That's why I gotta find him” she answers, her voice stern and straight regardless of being clearly shaken up. Dean meets Sam and then my eyes, “Alright, I guess we gunna split up then. Y/N with Sam, Kat with me. Let’s go.”

I lead the way out this time, Sam right next to me as we go down hallway after hallway. Each one seemingly more intricate than the last, if that was even possible. I hope Sam is keeping track of where we are because I’m already lost.

“Gavin?” I call out, peeking around each hallway corner. Is it possible he left? No he wouldn’t leave his girlfriend, right? Though the asylum is huge and he could be anywhere—“Y/N! Over here!” Sam calls out from down the hallway to my left. I swirl around heading towards him, crouched down near a rouge hospital bed, I hear him speak as I approach “Hey, Gavin. It's okay, I’m here to help.”

“Who are you?” He responds, fixing his brown hair as he pushes himself away from Sam knocking into the wall behind him in the process. “My name is Sam, that’s Y/N” he gestures towards me, “Uh, we found your girlfriend.”

“Kat?” He asks his brown eyes widening, he gets up revealing his height. He isn't as tall as Sam, probably closer to Dean's height then anything but he was certainly taller then me and his girlfriend. “Is she alright?”

“Yeah. She's worried about you. Are you okay?” Sam responds.

“I was running. I think I fell.” He lifts his hand to the side of his head, his corduroy jacket moving with him. “What were you running from?” I ask.

“There was...there was this girl. Her face. It was all messed up.”

“Okay listen, did this girl... did she try and hurt you?” Sam follows up, asking carefully. “What? No, she...uh…”

“She what?” Sam asks, impatience on the tip of his tongue.

“She...kissed me.”

…The hall falls silent, neither of us expecting that to be his answer. I’ve never heard of a case in which someone was kissed by a ghost. I mean that’s just disgusting and horrifying, no amount of mouthwash can fix that…or therapy. “Uh...um...but...but she didn't hurt you, physically?” Sam finally says.

“Dude! She kissed me. I'm scarred for life!” Gavin yells, his eyes widening again. “Well, trust me, it could have been worse.” Sam replies, again not much on the comforting side. Plus I feel like I’d rather be thrown ten feet then kissed by a ghost. “I’m sorry we have to pressure you like this now after you just experienced that but is there anything else you remember?” I ask softly.

“She uh...actually, she tried to whisper something in my ear.” He answers shyly, almost embarrassed by all this. “What?” Sam shoots back.

“I don't know. I ran like hell.” He answers truthfully.

“That’s the third encounter without an attack” Sam thinks out loud. Gavin glares at him sharply, “Oh…Um…besides the…Uh…kissing” Sam adds.

“Can we really trust that the South Wing really did have violent patients? I mean the workers here aren’t exactly the most reliable considering everything they’ve done to these poor people” I mention.

“She’s got a point” Gavin intervenes. We both look at him, “Um yeah. But what if they were trying to tell us something?” Sam says.

“You mean like some hint as to where uh…” I look over at Gavin knowing I can’t exactly say a rotting body somewhere, “you know is” I mumble looking back at Sam. “Yeah” he answers just as a loud scream rings out from afar. We all share a look of confusion and worry, “That sounds like Kat!” Gavin says. Not waiting a second later we go off running in the direction of the screaming, just about everything you're not supposed to do.

Just down the hall Dean is banging on a huge metal door with a pipe. “What’s going on?” Sam asks just as we approach.

“She's inside with one of them.” He answers his breath a little labored. Kay screams again, “Help me!!”

“Kat!” Gavin yells back banging on the door.

“Get me outta here!” She shouts.

I hide my hand behind my hip making sure to look down, to avoid having to explain anything to Gavin later. With my concealed hand I reached it over to the metal door, my fingertips barely brushing the cold exterior before a hand wrapped around my wrist pulling it forth. “Wait” Sam said sternly, dropping my wrist. I turn my head to look at Dean with questioning eyes as if he would have a reason why his brother stopped me. But when I look at him he’s looking between my wrist and his brother, his eyes scrunched in offense and what may look like anger, upset he stopped me, because doing so might be risking an innocent girl's life.

“Kat, it's not going to hurt you. Listen to me. You've got to face it. You've got to calm down.” Sam commands, talking to Kat through the door. He must be thinking back to what we said before. “She's gotta what?!” Dean yells, astonished.

“I have to what?!” Kat shouts back.

“These spirits, they're not trying to hurt us, they're trying to communicate.” Sam explains, indeed referencing what we were discussing before I just hope he’s right, “You gotta face it. You gotta listen to it.”

“You face it!” Kat snaps back. A smile threatening to show on my lips. “No! It's the only way to get out of there” Sam insists.

“No!” Kat screams.

“Sam, come on let me get her out” I say quietly hoping only those who know about my abilities can hear me. “No” He says towards me before directing his voice towards the door, “Look at it, come on. You can do it.”

She seems to listen to him, no more screams against his plan. We all wait impatiently, the air thick with anxiety, if this doesn’t work then we caused a very avoidable death. “Kat?” Gavin calls out.

“Man, I hope you're right about this.” Dean grumbles.

“Yeah, me too” Sam nods.

“No offense Sammy, but you should have voiced your concern before” I bite, crossing my arms across my chest.

Suddenly the door creaks open slowly, Kat peeking out. Her eyes are wide and blank, clearly startled and traumatized. “Oh, Kat” Gavin murmurs, wrapping his arms around his girlfriend.

Sam maneuvers himself around them, opening the large door further to get past them into the room. He comes back out not even a minute later shaking his head, whatever spirit was in there isn’t anymore.

“One thirty-seven.” Kay says suddenly, wiping away her teary eyes.

“Sorry?” Dean looks at her, puzzled.

“It whispered in my ear. 137.” She clarified.

“Room number.” The boys and I said in sync, our eyes wide in clarity.

“Jinx” I say quickly pointing towards the boys. Dean groans, “You always win.”

I beam, looking up at him, “You just always forget.”

“Yeah cause he’s actually focused on the hunt” Sam quipped, annoyed. “Hey I am foc-“ I try to defend only getting cut off by Sam nudging Dean and I down the hall out of hearing reach throwing a “Excuse us” to the two teens.

“Alright. So if these spirits aren't trying to hurt anyone…” Sam starts getting his sentence finished by his brother, “Then what are they trying to do?”

“Maybe they're helping us out” I shrug, “Giving us hints?”

“I guess we'll find out.” Dean huffs.

“Alright.” Sam confirms, nothing more to be said.

Dean separates from our little huddle calling out to the kids waiting on us, “So, now, are you guys ready to leave this place?”

“That's an understatement.” Kat remarks.

“Okay.” He turns back to us, “Sam you get them outta here. Y/N were going to go find room 137.”

“Isn’t it best that I go with Sam?, make sure they can get out” I ask, not to say that I don’t want to go with Dean but still trying to be reasonable.

“If the spirits suddenly decide to get rowdy and gang up on me like they did Doc, I’d want you on my side” Dean answers, making a motion with his hands weirdly that I suppose is meant to represent my abilities. “Ok fair enough” I shrug, not needing any more convincing. Sam moves away towards Kat and Gavin. Dean and I waited until they were out of sight, getting led by Sam, before moving to find room 137.

We only move a few feet when I notice the lack of something in Dean's hand, “What happened to your flashlight?” I ask. He pulls back the side of his grayish-blue button down jacket exposing the thick flashlight tucked into his jeans, “Died jus’ before Kat got dragged into that room” he explains. I reluctantly drag my eyes back up to his face, a flashlight held in his jeans shouldn't have been hot, I give him a single awkward nod before forcing my eyes back in front of me.

“I think it’s down this way” He nudges my arm just as we get to the end of the long hallway, pointing left. I point my flashlight in that direction, the light illuminating the continuous mess of the asylum, “How do you know?” I ask. He shrugs, “Intuition.” I followed him down the hall even under the weak assumption, there were hardly any sign indicators and if there were they were unreadable due to destruction or graffiti.

I give him a look as we walk the hall, not finding the room. “I meant the next one over” he says with a stupid smile on his face. “Oh yeah of course” I nod, playing into whatever you want to call this.

He mumbles the room number underneath his breath, an excited-nervous energy surrounding him as we approach the supposed right hallway. It was adorable.

“Look who was right.” He says, his voice coming from behind me. I turn towards him an even bigger smile on his face, I lift my flashlight to shine where the number would be. “Let’s just hope the ghost wasn’t tricking us” I huff.

He goes to push the door open only to find it stuck on something, he grunts putting more of his body weight on the door until it’s open enough to let us through. The room is a mess (but what else is new for this place), filing cabinets pushed over, papers everywhere, the walls stained with something that I think I’d rather not know. I shine the flashlight around going over to one of the filing cabinets opening it to find manila folders, I flick through them. More patient files but nothing of use as of now.

I whirl around to find Dean crouched down in the back of the room, prying off a wooden panel. He finally gets it off with a loud cracking noise, “This is why I get paid the big bucks.” he murmurs, the only indication that he found something. “You don’t get paid any bucks” I responded.

He turns his head slowly to me in offense holding up a deteriorating satchel in one hand and a mess of papers in the other. He gets up handing me the stack of papers and with his foot drags up a nearby chair scooting it close for me before dragging up one for himself. I go through my stack, a bunch of drawn images of medical instruments like lobotomy pick, straight jackets and cuffs, and other drawings with no labels but incredibly detailed writing and drawings that were nothing more than torture. “This feels like a messed up book club” I comment.

“Yeah check this out. Dr. here believed that provoking extreme anger would be therapeutic.” He explains, “Seems like all he ever did was work on this theory.”

“I think I read a research paper from 2002 on a similar idea called catharsis” I explain, “It basically means venting out negative emotions, especially anger. However researchers found it did the opposite and more likely increased aggression. But I guess in this case he was forcing it rather than the patients venting out anger they had from past traumas or anything of the sort.”

I know he is listening to my rant, his eyes moving up from the book to look at me before going back to the journal, his eyes scrunched in concern at what he read, “All work and no play makes Dr. Ellicott a very dull boy.”

I nearly laugh when a sudden creak comes from the hall, I look to Dean to find him with just as a confused face as mine. He had heard it too. He makes a “give me” motion so I hand over the papers, he puts them and the journal he read from back in the satchel. Without saying anything I knew he was moving us to check up on Sammy.

We manage our way back to the room Kat got locked into, but from there it winds up being a maze as to where Sammy could be. Lefts and rights and accidentally going in large circles. “Alright one more hallway and then we’re calling him” I plead, getting frustrated at this stupid musty asylum. “Deal” Dean nods.

The floor was particularly bad in this hall, each step followed by a creak each one louder then the next. Just as we reach the end of the hallway and turn right, for a split second, Kat stands there shotgun raised at us, her finger on the trigger. She shoots. Dean throws himself backwards, his arm going out right in front of me pushing me back against the corner wall out of the way from danger. Both of us were up against the wall next to each other, his arm just beneath my breasts holding me in place. A large puff of white smoke looking substance flies out from the wall, bits of the wall crumbling to the floor just by Dean's shoulder opposite to the one near me. Acting as the only signs of where the bullet had gone.

Our labored breaths nearly matched each other's, chests heaving. His arm remains where it is even when no more shots ring out, he yells, “Damn it, damn it, don’t shoot! It's us!!”

“Sorry! Sorry.” Kat meekly cries out.

“Jesus Chri-“ I peered around Dean's body at the shot, she would have killed us. Impressive. I bring a shaky hand up to the arm that still held me, he drops his arm allowing me to move past him and round the corner to the people who nearly ended us.

“What are you still doing here?! You're supposed to be gone! Also, why are you good with a gun?!” I exclaim. Dean immediately adding, “Where’s Sam?” Our rushed voices combining for a melody of pressured questions.

“He went to the basement. You called him.” Gavin answers, pointing to Dean. “I didn't call anybody.” Dean replies, looking at me confused I shrug not having any idea myself.

“His cell phone rang. He said it was you.” Kat elaborates.

“Basement, huh?” Dean hums before turning to me, “I’m gonna go to Sam, get them out of here.”

“Wait no I should come with you” I say.

“I’ll be fine, sweetheart, just get them out of here” He orders, but his voice is soft where it should be commanding. He takes the gun from Kat and before I can say anything more he’s running off.

I turn towards the door, trying to think of the least suspicious way possible to open the door. A chain with a lock lies on the floor just in front of my feet. It must not just be a locked door, perhaps it is the spirits here keeping it closed. I pull on the door handle letting my powers seep into the large door willing it open. It opens with another pull, having to use a lot of strength to open the old door. “Alright let’s go” I say, turning to the two behind me. They look at me with a mix of shock and confusion, “How di-“ Gavin asks before I cut him off, “It was just jammed” I lie.

I follow them down the steps and watch them climb over the fence. I wait until I see them physically get into the car, both kids looking back almost hesitant to leave us behind. But I have no time to help with their guilty conscience, I turn back toward the building immediately running up the steps and back into the asylum. I curse not knowing which way Dean exactly went or where the hell the basement was let alone where a staircase was.

In the dim, haunting corridors of the abandoned asylum, panic pulses through me like a heartbeat. The suffocating air clings to my skin as I navigate the labyrinth that is this building. Every step feels like a hesitant dance with the unknown. I try to suppress the fear clawing at my throat, envisioning worst-case scenarios involving Sam and Dean. Could they be hurt, trapped, dead? My thoughts are a chaotic whirlwind, one that feels too overwhelming to control as pathetic as it sounds and feels.

Desperation fuels my movements as I sprint down seemingly endless hallways, each one a haunting replica of the last. It's a macabre maze, and my heart races with the urgency of finding the elusive staircase leading to the basement.

As I turn another corner, the harsh silence amplifies the echoes of my footsteps. "Sam! Dean!" I call out, my voice swallowed by the oppressive stillness. The only response is the distant moan of the decaying building. With determination fueling my every step, I press forward, driven by the desperate need to uncover the secrets hidden below. The dim light casts distorted shadows on peeling wallpaper, playing tricks on my eyes. Yet, I press on, the image of the elusive staircase driving me forward, my breath a rhythm of fear and determination.

As if the old building heard my pleas I spot a door just at the end of the hall, a medal bar for the handle and if it isn’t my eyes playing tricks on me then a small sign signifying a person walking up stairs lies on the small window on the door. I all but ran over, the thing I needed most lying right there. As I push open the door, anticipation and anxiety rests behind my rib cage, a reminder that finding the door wasn’t enough. I still needed to find them.

However, as the door creaks open, my heart sinks. Before me lies a staircase, but it ascends rather than descending. Everything that I do not need. I was being mocked. The staircase leading upward into the unknown when my every instinct demands a descent into the depths below.

I stand at the threshold, contemplating my next move. Panic threatens to resurface, but I force a deep breath, I know what I must do even when it is foreign to me. I had not trained in it, hadn’t studied it enough, so much of me was like that. So many abilities I could have and use but always dared to leave untouched, this being one of them. I knew only how to use it in such short distances, and only in spaces that I could see. Not like this.

But I’m afraid and desperate enough. I know the boys are very capable of taking care of themselves, yet an unmistakable fear lives behind my rib cage for those I love, a fear of losing them. I close my eyes. This staircase had to be close enough. My fear had to be enough. I force another deep breath, bracing my feet beneath me. I could picture the room around me even with my eyes sealed, focusing on how the walls stretched above me in my mind's eye.

I had not seen the basement, hadn’t a single idea what it even began to look like. Yet still I force my perception down, below the concrete laying underneath my shoes. But more than that I needed to find them, I try my best to picture them specifically even in an unknown location. The air seems to ripple around me, reality folding over itself.

I open my eyes, no longer in the stairwell but presumably in the basement. The only indication I’ve gone to the right place is the boy's only feet in front of me. What should be a triumphant moment is crushed under the scene in front of me.

Dean is on his back splayed across the floor, broken wall beneath him the concrete powder sticking to his clothes. Sam is standing over him, shotgun pointed down at his brother, I can not see his full face from here but I can see it is etched in anger. “Sam!” I yell, catching his attention. He turns to me, his face scrunched in disgust, he does not lower the gun.

“What the hell is hap-“ I try to ask but the gun goes off with a loud bang. Suddenly I’m in front of him, the bullets hitting the hall that laid behind me when I stood in the doorway. I teleported out of danger without a second's thought, I make a mental note for later as I punch Sammy square in the face, my knuckles hitting against his sharp jaw.

He stumbles back a few feet, my knuckles burn, he will have to forgive me later. I do not want to hurt him but I do need to stop him. I mumble a sorry, hooking my leg behind his, hitting into the back of his knee with my foot forcing his legs to collapse beneath him knocking him to his knees. I use his shock as leverage, easily pulling the gun from his hands, I point the gun at him even though I do not want to.

Dean groans still on the ground, only having leaned up from his position. Sam holds his hands up, “Shoot me” he spits. He was taunting me, testing me. “I have no need to” I answer calmly. He was possessed or influenced by the doctor here, this wasn’t really him, I knew that.

I hear Dean get up, panting and making small noises of pain. I look over at him from the corner of my eye, watching him hold just below his chest in pain, “You okay there?” I ask, earning a grumbled “yeah”. Dean drags himself to the front of the room where he must have dropped the duffle bag he was carrying.

In the corner of my eye I see Sam try to lunge towards me, I snap my attention back to him “Hey”,I warn, “Stop.” He looked even more pissed, his mouth twitching with words he wanted to say, “You think protecting him is gonna make him fall in love with you?” He says quietly. I check behind me but Dean makes no indication that he heard, I know it’s not really him speaking but the words still sting. “I’m not that diluted” I answered, turning back to him.

“You follow him around like a lost puppy, it’s pathetic” He laughs, “Really, you follow us around. But we don’t need you, we’d be better off without you. All you do is take up space.” The words bite into my skin, my heart suddenly feeling heavy. Losing my firm stance he grasps onto my ankle pulling it towards him sharply, knocking me on my ass hard. He punches me, his fist connecting with my nose, my eyes tearing up on its own accord with a harsh throbbing. He snatches the gun back when I hear movement towards us, without looking I shout back “I can take him, just find the body!”

Sam straddles my lap, his knees pinning my hands to the floor with an incredible amount of pain, and I can not pull my hands free. He grabs my chin roughly forcing my gaze on him, my neck leaning up at a weird angle, “You feel the need to be with us, it’s the only thing that fills the gap of being left behind your whole life.”

Hurt and anger burn my eyes. I move my face out of his hold and he lets me, I lean my head back before slamming it into his. The resounding clash of our heads echoed through the air, an abrupt collision that sent shockwaves of discomfort rippling through my skull. He loses slight balance, his knees leave my hands the feeling rushing back into them but I do not leave time for feelings of victory. I shove him back, using more force than I probably should have.

I stand up swiftly, stumbling over myself slightly, my head throbbing severely. “You” I point, breathing heavily, “Have a hard head.” He tries to reach for the gun but I kick it out of reach before he’s able to.

I knew Dean was close by even with the room being so large and divided, but I didn’t know how close he was to finishing up. There was a strong sense of dread in my stomach, I don’t want to fight anymore, maybe curl up into a ball and contemplate life but not fight. “Please, stay down” I beg, my eyes still teary from a mix of a reaction to the pain and just being upset.

He leans up, that horrible anger still etched on his face. I hold my hand up at him, extending my force outwards pinning him down with an invisible force. He struggles against it, his arms shaking. I grit my teeth, disgust tangling itself in my gut. Yes this was out of self defense and necessity but this wasn’t me. He was my friend, to restrain him in such a way…with my abilities…when I’m meant to help people.

I force my face away, a lump tight in my throat when I catch my reflection on a piece of broken glass in the far edge of the room. It was if I was being teased by the devil himself, staring at a reflection I wasn’t sure I even recognized. My eyes were fierce yet brimmed with tears, my pupils glowing purple. Where did this lie in morality? It felt wrong. So disgustingly wrong even if it was meant to be helpful.

Only a little longer, only until the remains were burnt and Sam was fine. “Y/N”

“Y/N!” He begs.

I turned my head back to him, the anger previously on his face melted away. I immediately release my hold on him, dropping my hand down swiftly. For a moment there it seemed fear had crossed his eyes, I took a step back lifting my hand to my forehead, a thin line of sweat wetting my face. My chest heaves, complete overwhelm filling my senses. I feel it in my bones this need to move, to get out. It had not taken anything out of me to hold him down, and that is what scared me the most.

Dean shuffles back into view, coming over and helping this brother up. When had he walked over here? I take another step back, their voices meshing together in a blob of incoherent sounds. A strong familiar hand grasps my upper arm, I look up at Dean, his eyes scrunched together in concern. “You okay, sweetheart?” He asks, but his voice seems so far away. I look over at Sam, a bruise already forming on his jaw a reminder of what I had done. I find no fear in his eyes any longer, not even as he rubs at the forming mark. I nod absent-mindedly at Dean's question, though it wasn’t true and he had known that too.

He gives my arm a firm squeeze before sliding it down slowly to my hand, intertwining our fingers together. I look up at him again, but his face is turned away already walking towards the duffel bag bringing me along with him. He doesn't say anything about holding my hand, not even as he leans down to the bag swinging it over the shoulder that is opposite to where I stand.

He leads the way out of the basement, Sam following behind us silently. I let him lead me, just staring down at our intertwined hands. His sleeve was rolled up to his elbow, ‘must have done that when he left us before. Holding hands wasn’t totally uncommon for us and we both happened to be touchy people, even so butterflies danced in my stomach.

When we finally reached the exit, the early morning sun had begun to shine through the clouds. Every one of our movements was done in silence, he let go of my hand only until we climbed back over the fence. The second both our feet had hit the ground he claimed it once more.

Just a short distance away Kat and Gavin lean against their car, my eyes scrunch in confusion. I thought they left. “What are you guys still doing here?” I call out from a few feet away. They analyze us, probably noticing the clear sign of a fight and who I’m holding hands with but I do not let go of his hand, and he makes no move to do so either. “We wanted to make sure you got out” Kat answers, crossing her arms across her chest, “And to say thank you.”

“Yeah. Thanks.” Gavin adds in.

“No more haunted asylums, okay?” Dean replies. They nod and get in the car, this time starting it up.

“Hey, guys?” Sam says quietly as we begin to walk towards the Impala. He gets in front of us, walking backwards so we couldn’t ignore him, “I'm sorry. I said some awful things back there.”

I frown, not wanting to be reminded of something that happened only minutes ago. “You remember all that?” Dean scuffs.

“Yeah. It's like I couldn't control it. But I didn't mean it, any of it.” He says making sure he directs it at both of us.

“You must believe it on some subconscious level…right?” I say. I do not mean to come off harsh or make him feel worse about himself, but he had to feel that way on some level. He doesn't say anything for a minute, and I suddenly feel bad for what I said, “No, of course not! Do we need to talk about this?” He insists.

Reaching the Impala Dean unlocks the car, opening my door with his free hand but I make no moves of getting in just yet. He lets go of my hand, moving to the back of the car to throw in the duffel before rounding the rest of the car to the driver seat. Just before he gets in he answers his brother, venom clear on his tongue, “No. I'm not really in the sharing and caring kinda mood. I just wanna get some sleep.” He slams the car door behind him.

I look over at Sam, total defeat written all over his face. I move past the car door moving right in front of Sam, he looked down at me expectantly. I wrap my arms around his middle and hug him. We will go to a motel and sleep the night off, and I don’t want to go to bed upset. His initial surprise wears off and he hugs me back, I pull away slightly. “You said mean things and I know you're sorry, but they still hurt… I’m not mad at you for thinking like that, I know you wouldn’t intentionally hurt us.” I say softly, I don’t like being angry at someone or holding grudges.

His eyes are filled with desperate sorrow as he says, “I’m sorry.” He hugs me tightly adding a quiet, “thank you.” And I knew he had meant for just talking to him about it even if it was only a little and for not hating him. We pull away from each other, and he ruffles my hair like an annoying brother before getting in the Impala. I move past the open door again, this time getting in.

Even after a nice hot shower and being all cozied up in the motel bed, sleep still could not find me. I groan frustrated, switching positions for the upteenth time, glad that I had my own room so as to not wake anyone.

I shift again, moving onto my back, the memories of what happened earlier playing through my head on repeat. Whether Sam meant it or not he was right. They didn’t need me, they were more than capable by themselves. Maybe I should go back home.

I could call Adeline, ask her if she could pick me up from the airport and take me home. The plane ride wouldn’t be so bad, I just have to figure out how to get to the airport with no car of my own. But that thought upset me more. I’d go home and worry over the boys excessively, where they were, how they were doing, if they were safe or even alive, if they found their dad. Maybe I was a burden to them.

God. And what I did to Sam? To use my powers like that?! Though I guess before the whole fight the teleporting was quite impressive especially because I am not skilled in that.

I want to be the best, but I'm afraid of what that would mean. What I would become.

I shift again, my feet tangling under the heavy covers. I sit up letting the blankets fall to my waist, and without thinking I pick up my phone dialing in her number. I had no idea what time it was in New York City but I knew she didn’t care about that sort of thing, she would pick up regardless of time or what she was doing. The phone barely gets to ring for a third time when she answers, “Hey Addie…”

[maniculum]

Bestiaryposting Results -- Gligglae

Sorry this is later than usual; traveling for the holidays makes it difficult to keep up with this sort of thing. The smart move would have been to write it up a couple days ahead of time, then on Monday just update it with anything new that had been posted since, but see, what happened was that I did not do that. Instead, I tried to type this up Monday evening in between various family obligations, realized I didn't have time to do it properly, and just shoved it in my drafts. Then all of Tuesday was taken up with the long drive back home from where my family lives, and now you're getting it on Wednesday.

(Also, don't worry, I followed all CDC guidelines appropriate for someone who had recently had covid, and wouldn't have traveled for the holidays at all if I hadn't been without a fever for 48 hours prior to departing. Plus I drove instead of flying, didn't visit anyone but immediate family, and had a mask the whole time, so even if I am still contagious somehow, exposure was pretty minimal.)

Anyway, the entry that our artists are working from is here:

And, of course, all previous material on this matter can be found at https://maniculum.tumblr.com/bestiaryposting.

I think a larger number of people than usual identified the animal in question right off the proverbial bat, because this one has some pretty blatant tells, but as always I appreciate everyone trying to put it out of their minds.

So, anyway, in rough chronological order:

@coolest-capybara (link to post here) (thank you for providing your own alt text, I really appreciate it) brings us her usual impeccably medieval-stylized rendition -- the swirls and curves in this one give it a really interesting vibe, I think. We can see the Gligglae in full-body profile on the left there, and a group of them doing their cluster behavior on the right. The, like, griffin/cockatrice/vampire look is pretty great, also. I enjoy the overall design, which you can find some discussion of in the linked post. Gold foil also a nice touch.

Coolest-capybara also notes that the entry is very interested in the ways in which the creature is "almost, but not quite, entirely unlike a bird," and I can explain why that is. It is because this entry is in the Bird section of the bestiary, so officially this is a bird -- I mean, it flies, what else can it be -- but it's sufficiently un-bird-like that it really sticks out to the authors, so they need to explain the ways in which it's Doing Bird Wrong. Everything else in this section does X, so we need to point out that this one does Y, kind of thing.

@silverhart-makes-art (link to post here) has drawn an absolutely adorable little Gligglae. (Adorable if you have my sense of aesthetics, that is -- I suspect if you're among the portion of the population that finds aye-ayes more creepy-looking than cute, that might apply here as well.) There's an explanation of design decisions in the linked post, including a number of references to real animals that provided inspiration. I like the decision to play up the "lowly" and "mean" part of the description by making it small and kind of scruffy. And the general concept of blending "gliding rodent" with "nocturnal primate" to make an arboreal mammal with elements of both really worked out well here, in my opinion.

@aethereaii (link to post here) has done this beautiful piece in a style that kind of gives "19th-century naturalist" vibes. (Actually, it makes me think of James Gurney, but I suspect that association says more about my childhood reading habits than anything else.) This is a great design in my opinion, and you can find some brief discussion on design decisions as well as an earlier version of the Gligglae in the linked post. The earlier design is also very good, but I agree with Aethereaii that this one is a step up, particularly with the Anomalocaris-inspired faux-wings. I also really like the inclusion of the juvenile Gligglae (Gligglings?) clinging to their parent's back in the corner there.

@karthara (link to post here) decided to go in a reptilian direction with this one, which (a) works well and (b) caused me to spend a chunk of time reading about flying snakes on Wikipedia just now. So in this version, the "rowing motion with its skin" is a description of the Gligglae flaring its ribs and undulating through the air -- which I genuinely think really makes sense. The entry seems to legitimately disagree with itself about whether this critter has wings (or, taking it entirely literally, it has wings but flies through a completely separate method that specifically does not involve said wings, which I think we're justified in deciding is Wrong), so I think going with such a non-wing-like flight method works here. Also like the concept of making these very cuddly (and apparently loving, according to our bestiary author) creatures into a type of animal that usually isn't seen that way. The linked post also contains some brief notes on design decisions.

@strixcattus (link to post here) has, as per usual, provided a really excellent modern-naturalistic description of the creature they've designed in the linked post, and you should definitely go check it out right now. I'll wait.

... back? Okay good. I particularly like their interpretation of the "grape-cluster" behavior as a social group that's specifically not a kin group; and also the fact that said group is officially referred to as a "cuddle". The choice to make it a whole genus and show us several different wild and domesticated species, also very good, love it. As with several of these drawings, Strixcattus's Gligglae (Gligglaes?) are extremely cute -- which, really, does also fit the description provided in the entry. They're like tadpoles crossed with sugar gliders.

@cheapsweets (link to post here) credits Ken Sugimori's Pokemon illustrations as a stylistic inspiration, which I suppose explains why the Gligglae cluster seems to be hanging from a Sudowoodo. The linked post also draws certain parallels between medieval bestiaries and the Pokedex, which I think is actually pretty insightful. There's also a breakdown of their design decisions there, go read it. I think this is a pretty good rendering of something that is like a flying squirrel but distinctly not a flying squirrel, and I like the shaggy look of the fur.

Also, thank you for providing your own alt text.

@pomrania (link to post here) is, I think, the only person to take the bestiary author at their word that this animal has wings but flies through some other, non-wing-related method. You can see the tiny useless wings at the shoulder there. I really think that's fascinating as a concept: what evolutionary pressures would produce an animal that (a) has wings and (b) flies but (c) those two things are unrelated? Although this many appendages on a fur-bearing creature puts us firmly in the "alien biology" territory, so maybe it's silly to expect it to make sense by the standards of terrestrial biology. Regardless, I like it, and I think the decision to run with the "rowing" description by giving it those oar-shaped appendages is a good & creative one. The post linked above contains a fair bit of information on design decisions and the drawing process here -- there are sketches and everything.

@vindikat (link to post here) has interpreted this in a way I find really charming. The art is of course excellent, very well drawn, and I appreciate the effort that went into doing these different poses. However, I really like it from a worldbuilding perspective: this gives me the impression of a small species of griffin that's adapted to urban living, more pigeon/cat than eagle/lion. (Come to think, both pigeons and cats are examples of feral populations finding a successful niche, rather than wild ones that adapt to a city, so maybe we can speculate that these guys are also descended from domestic ancestors.) Also the Gligglae under the eaves there remind me of pictures of chimney swifts that have made the rounds on Tumblr.

The design is also generally very appealing; I think the extra wings and the long tail really work here. The linked post includes an explanation of the design decisions that I think is worth taking a look at.

@moustawott (link to post here) has given us another very cuddly version of the Gligglae. I particularly like the wing design here, how it's kind of a mammalian version of a pterosaur -- Moustawott indicates that they were specifically trying not to draw the animal that they're sure this is, and I think the pterosaur-squirrel design here is a great way to make something that could fill kind of the same niche while being an unmistakably distinct creature. The little round head and eye markings remind me of a chipmunk, also, which is cute.

@rautavaara (link to post here) continues to do interesting stylistic stuff with their contributions. I like how the limited color palette here makes this look kind of like a single-block woodcut or similar relief printing. Like, you could plausibly see this as a design someone's carved into a wood block, then printed on mustard-yellow paper with purple ink. (I'm actually not 100% sure that's not what it is; I would just be surprised if someone actually went the extra mile of breaking out the engraving tools for my little bestiaryposting thing.) Very dynamic scene, also, and a charming creature design; love the huge mouths with pointy little fangs.

All right, these are all the ones that come up on the search; if I missed yours, let me know please.

(I have to apologize here for another delay that's absolutely my fault -- I would have had this out a few hours ago, but I got derailed by impulsively deciding to check out that Hbomberguy plagiarism video everyone's talking out, and... yeah.)

Anyway, as a number of this week's artists indicated, this one was really easy to guess, so the reveal seems a little pointless, but we have a format, so:

Obviously, this was the sheep.

What? Look, you can't make assumptions with these things. Some of these medieval bestiary entries are really counterintuitive. Medieval Europeans believed there was a species of small, highly-social, flying nocturnal sheep native to Ethiopia.

Really, it's in Pliny the Elder.

...

Yes, fine, I'm just lying to you for fun. It's the animal you all think it is, there are no flying sheep to my knowledge. Here's the Aberdeen Bestiary illustration.

Yep, it's the bat. Oddly human face on that one, and generally I don't think this was drawn from life, but it's definitely a bat.

I do kind of find the way it's described in this entry kind of interesting, though. The confusion about whether bats count as having wings (even after having been placed in the "bird" category) is kind of odd, and the "rowing" description is not one I would have ever thought of. I very much like the declaration that the way bats huddle together is "an act of love of a sort which is difficult to find among men"; it's a sweet way to talk about a creature with a generally negative reputation, which contrasts interestingly with the fact that the author also thinks of them as "lowly" and "mean". You kind of get the idea of a creature that's a bit wretched but in a sympathetic way. "Scrungly", one might say.

[serial-serializednovelreader]

Nova’s Notes - DD - May 9 & 11

I’m combining both of these entries into one since I have similar thoughts about both!

First off, yay we get our first time meeting Mina and Lucy!!!!!!!! And may I just say it’s great to see these girls being besties and chatting? You can tell just by the way they write that they have known each other a long time. Bram actually did a good job writing these women talking to each other. It feels natural and organic. Finally a “men writing women” moment where I don’t want to gag. I will still never get over the adaptations pitting these two lovely ladies against each other!! Why do we still feel the need to make them “compete.” Ugh :(

Mina’s Letter - I love how she starts right away with “forgive me for not writing you.” She already KNOWS Lucy is going to get on her for that, lol. Also her gushing about Jonathan is adorable and I love how she talks about writing to him in code. Those two nerds, they’re going to end me with their cuteness. Also, studying lady journalists to help with your journalism? What a queen doing that research. As she should! Again, it’s the bare minimum, but Stoker really did a good job with this one I must say. Seeing her be hopeful about Jonathan’s trip to Transylvania and the subsequent promise of seeing places like that together is a bit sobering. :( that is, until we reach her PS!

“You have not told me anything for a long time.” This line makes me want to laugh for some reason and I’m not quite sure why? Maybe it’s because I can hear a slightly scolding tone when she says it, or maybe because I can totally see me telling one of my friends this, especially to goad them into telling me the tea. Either way, it’s great.

“I hear rumours, and especially of a tall, handsome, curly-haired man???”

I’m convinced Stoker read my texts or something because LOL that’s literally how I type! The idea of her writing “???” is adorable and I love it so much. Also by “rumors” does she mean Lucy’s mom? I’m pretty sure she means Lucy’s mom. I think it’s funny the first really descriptive thing we really hear of Arthur is his curly hair!

We can get a good glimpse of Mina’s personality just by this letter. We can already tell she’s genuinely excited to be married to Jonathan and help with his work. She is also very methodical, as she is thinking of several different ways she can practice her stenography and shorthand to help assist him. Like Jonathan, she does her research by reading up on how women in similar fields conduct their craft. She is obviously hopeful and in love with him, as she dreams of seeing new places with him after they are married.

However, she does not neglect Lucy in her missive! While her letter is mostly about Jonathan (which I assume is likely due to to Lucy asking after him and most engaged people do tend to talk about their fiancé — just look at Jonathan), she does take time at the beginning and ending of the letter to a) assure Lucy she misses her and b) tell her the latest news ASAP!! This shows that she deeply cares about her friend, even with her impending nuptials.

Lucy’s Letter - “I must say you tax me very unfairly with being a bad correspondent. I wrote to you twice since we parted, and your last letter was only your second.”

Yep, sure enough, Lucy gets on Mina for not writing to both of her letters (I do wonder if Mina answered everything that was in both letters…). Of course, it’s in a good-natured way and it gives me the same vibes as Rarity from MLP:FIM fainting into a couch or something and I am HERE FOR IT (for those who don’t watch the show, I genuinely mean this as a compliment. I love Rarity -- also I could probably make a whole post about Dracula characters as MLP characters, hmm…).

“Besides, I have nothing to tell you. There is really nothing to interest you.”

*Proceeds to list the hottest gossip* I love this girl so much. She has my whole heart.

“Some one has evidently been telling tales.”

Yep, definitely Lucy’s mom! I would love to see the letters between Mina and Lucy’s mom tbh.

Also when talking about Arthur, it’s so adorable because you can tell at first she only tries to sprinkle in a little bit about him, like “oh he’s just someone I met” and then it quickly morphs into “we met this guy who would be great for you” (Seward mention!!!! Can’t wait to meet everyone’s favorite pathetic wet cat /pos) to “I’m already picking up his slang and using his first name and did I mention IM IN LOVE WITH HIM????”

You can already learn so much about Lucy from this first letter. She’s sweet and caring to the people around her, lively about everything and a bit unsure about love (since she doesn’t quite know if Arthur loves her back). I looked up her age (idk if that counts as spoilers but I’ll tag this as such just in case) and she’s 19!!! This is exactly the kind of letter I would expect a 19-year-old to write to her best friend. I just love how excited she sounds, as she should!!! She’s a young girl in love, perhaps for the first time, and wants her best friend to know. I do love how she tells Mina “write back to me IMMEDIATELY with your thoughts.” Same, Lucy, same.

Back to Seward. It’s so funny to me that he wants to make a psychological study of her while staring straight into her soul and she seems to be chill with it!! Like she still loves Arthur, but she’s also not put off by Jack, either. He’s just got that neurodivergent urge to study her under a microscope and honestly, who can blame him? I can also see why Lucy would ship Seward and Mina together; obviously, I’m a diehard Jonmina shipper (and I’m pretty sure Lucy is too, she just likes chaos), but I feel like Mina and Seward would totally bond over train schedules and other nerd stuff.

So, to sum it up, I love both of these girls and their friendship so much and I can’t wait to see more of them!!! Eeeee

[t4tozier]

what a lovely day to post about disabled richie tozier (cw: description of tics and stims!)

after the fall out of the deadlights, he severely fucks up his knees and ankles

the adrenaline keeps him going until they get out of neibolt at which point he just collapses

he leaves the hospital with knee braces and crutches and it’s a little scary at first

he’s never had any issues with walking other than then general getting-old charlie horses when he stretches the wrong way, so suddenly needing multiple aids is jarring

but eddie’s in a wheelchair now because of his spinal cord injury, so at least they can commiserate

after a few months, richie’s able to walk slowly just using the braces, but every step hurts

the under-arm crutches also sucked, though, so he finds himself using forearm crutches for anything more than walking around the house

and sometimes even then

he’s not off balance, he can stand on his own, but sometimes he wishes he had the chair because standing for too long in one place hurts, too

he’s mostly neutral about his aids but he does love helping eddie decorate his wheelchair bc he knows it’s been a huge adjustment

he slapped an old tour sticker on the back at one point and even though eddie pretends to hate it they both know it’s one of his favorites

richie’s known he’s autistic for a long time

he has some other tic disorder but he’s never looked too much into it or been diagnosed because it hasn’t been severe enough for doctors to care or recognize it as more than his normal stimming

and he doesn’t particularly care either—it’s just another part of him and getting an official diagnosis won’t actually do anything for him

he used to rock back and forth on his toes and bounce his leg a lot but that got a lot more painful after derry 2.0 so he’s had to adapt

he finds himself shaking his hands a lot more, and he still rocks when he’s sitting down

he chews on straws so much that eddie finally gets him one of those silicone ones and richie’s elated

he bites through it in a week

his tics mainly come out more when he’s stressed or intoxicated; they tend to lean more physical when stressed and verbal when he’s drunk or high and he doesn’t know why

his head/neck jerks so hard he strains muscles and he’s hit his chest with enough force to bruise before but he doesn’t try to avoid them because he knows it’ll only make it worse

when he’s drunk he does a lot of humming and whistling—he can perfectly mimic the tweet whistle/ringtone

he actually doesn’t have coprolalia, although he will absolutely blame his lack of filter on his tics if needed

the man did not know what ableism was until derry but now he calls the losers out all the time as a joke

he had a meltdown when mike called him

he spends so much of his time masking around other people that it was hard for him to drop it and he has meltdowns more frequently than he really should as a result

he’s finally started to relax around the losers like he used to, but some days he puts the wrong clothes on and he made the last of the cinnamon raisin toast last night when he got the munchies and there are too many dishes in the sink and when he tries to wash them the water gets inside of the gloves and everything’s just itch itch wet wrong bad and eddie finds him curled in a ball on the floor of the kitchen

when this happens, eddie makes sure richie has his phone so he can text if he wants and he gets the cinnamon raisin bread delivered and has richie change into comfier clothes when he’s ready to move and then they go watch a movie with richie’s head in eddie’s lap and everything is always loud loud loud in richie’s head but for a few minutes, at least, it’s quiet

[vasito-de-leche]

;R1999 DIKKE - General Headcanons

Compilation of headcanons and analysis on Dikke as a character and other related things.

as promised, here's the Dikke post where I go deranged talking about her, since it was one of the two with the most votes in the poll <3

the other popular result was to talk about the parallels and use of racial issues within the story, how the game replaces actual racism for fantasy racism (arcanists vs humans) - so that one will deffo take me some time!

On the subject of justice and Dikke's inspirations.

I've seen some people say that Dikke is based on Joan of Arc, given her righteousness and religious themes - but there are so many more details about her design that point toward other figures!

Like, really. A lot of references to law and deities of justice all throughout history and different cultures.

The most obvious one is Dike, "goddess of justice and the spirit of moral order and fair judgement". In Dikke's interview with Pandora Wilson, they literally address her as "the goddess of justice". And a small statue of Lady Justice, the personification of justice that originates from Justitia (roman equivalent of Dike) can be seen in her insight 2 garment.

It goes without saying that Dikke's sword is another symbol representative of the previously mentioned figures - but to have only the sword and not the scales could have some implications about her way of imparting justice.

I would like to point out that Dikke's sword has these two dangling pieces that allude to the scales she's missing in her design. And sure, it might be a reach, but given how much detail and thought goes into the characters of the game and their designs, I really believe this is the case!

On Dikke's items, we also get the name and description for the sword.

The name alone leads me to believe that Dikke's weapon and its design represents both the sword and the scales of Lady Justice, it's the totality of justice itself. Dikke WIELDS justice, she ENFORCES justice, she IS justice. You're going to get really tired of me repeating the word justice in this post, but bear with me!

On the subject of swords, there are two swords mentioned all throughout Dikke's in-game profile and information. Her insight 2 garment is titled "Sword of Hamurabi".

This is evocative of something called the "Code of Hammurabi", one of the longest legal texts dating back to the first dynasty of Babylon. According to wikipedia, this stele it also depicts yet another deity of justice, Shamash. Wikipedia also makes note of the prologue within the Code of Hammurabi, in which the author - Hammurabi - claims to have been given these rules "to prevent the strong from oppressing the weak". This is extremely relevant to Dikke, as someone who fought hard for the rights of arcanists.

Pandora Wilson: I have heard many legends about you. The violent ghost of punishment, the crime-slaying sword of execution, the goddess of justice, the people's savior... Dikke: The desperate always need hope.

The stele of the Code of Hammurabi is ALSO relevant, because the artifact that follows Dikke around explicitly "belongs to some ancient stele". Yet another object that embodies justice and law.

I won't pretend I know anything about Babylonian culture or history in general, so anyone with more insight on this is welcome to add on to details and corrections!

The second sword mentioned can be found in the title for her 02 Story - "The Sword of Damocles".

This excerpt seems to be written by one of Dikke's coworkers, perhaps someone in a higher position of power since they mention being able to give others a day off. Overall, we're reading the thoughts of someone who is abusing their power and who does not think highly of Dikke.

"The story of Damocles is but a story" is something that Dikke herself says. At the end, there's a different phrase written and crossed out - "But the story of justice is not just a story".

Now, the anecdote of Damocles talks about how positions of authority and power are double-edged swords - a king may have all the riches and fortune in the world, but also be burdened with the anxiety of knowing there might be someone plotting against him. In the story, Damocles switches places with king Dionysus, to know what it's like to be a king, but to really make Damocles understand the position of king, a sword is placed above him - one that can fall and kill him at any moment.

With this in mind, Dikke's 02 Story becomes more clear - the first phrase is a warning given by Dikke herself to those in positions of power. The story of Damocles is a story, because not everyone will understand the consequences of being in a position of power. Not everyone will be given the opportunity to even reach such a position.

The author of the 02 Story is not a good person, only considering the idea of giving people HALF a day off, excluding those who work on the fields who will get nothing, refusing to lower taxes for the poor, and imprisoning someone who "interfered with the lord's land acquisition".

The sword of Damocles is also used to allude to the impending tragedy for those in positions of power, caused by the smallest of catalysts. So it makes sense to me that the final phrase, the one crossed out at the end, was either written by Dikke or alludes to the demise of this author at her hand.

And while we're at it, might as well talk about the last remaining item - her robes. Judges are required to wear these when working on trials, but Dikke is specifically stated to wear them outside of them - because she's always imparting justice. She's the opposite of Oliver Fog, she's always on the clock.

We haven't even gotten to another big aspect of Dikke's character - the fact that she's part of the Inquisition.

Without getting too much into actual historical events, the Inquisition as we know it focused on heresy and the conversion and persecution of Jews and Muslims. Within the game, this is recontextualized as a focus for arcanists instead. It's worth noting that her 01 and 02 Stories are written from the perspective of those who are in support of the Inquisition and its practices, or who profit from abusing their own power - hence the wording of "the Inquisition has been abused and considered evil by the ignorant."

There is an emphasis on how the Inquisition seeks power, while Dikke's final goal is justice.

This whole thing and yet another part from her interview with Pandora Wilson, is related to how Dikke associates herself with the corrupt and allows people to view her as a needlessly violent person for the sake of setting things right. On one hand, she could associate with the Inquisition and become a bishop to destroy corruption from inside out - on the other, she could acknowledge that to impart justice, one needs power because they're things that go hand in hand. The Inquisition is only able to have this much influence over trials for arcanists because of the common hatred towards arcanists throughout history.

The interview revolves around all the rumours surrounding Dikke, and we can see her showing distaste at the idea of cooperating with "what [she] shouldn't allow for the sake of justice" while at the same time, not denying her involvement with them. All the things she does are a means to an end.

Pandora Wilson: Does that mean you will cooperate with what you shouldn't allow for the sake of "justice"? Dikke: Fie. Pandora Wilson: Is that supposed to be a secret? Dikke: It sounds like we are talking about a conspiracy, yet it is but a means.

As for Dikke's own relationship with justice and her personal views outside of all the historical references used to create her character, I think this voiceline she has pretty much sums things up nicely.

Everything I doth… is so I may enjoy this calm wind on nights like this, rather than hear the sorrowful cries and moans of unhappiness.

She's a character that is strict in her ways and doesn't shy away from the darker aspects of life, such as the injustice arcanists have been subjected to for centuries. This extreme focus she has for upholding justice does cause Dikke to appear cold, and yet her ideals are almost childish, pure even - a world in which all misdeeds are punished and all good people are heard. Hell, her Ultimate literally purifies all negative statuses.

Dikke could easily lean towards righteous characters who exclusively see things as black or white, yet many of her voicelines and the origin of her devotion, show a very gentle heart. This is made clear by the fact that she's a healer.

Her two attacks and their names speak volumes about her own ways of thinking. Power is violent, power is not something that a judge should have so carelessly, but it is allowed in the name of "justice". Justice in quotations.

And then, actual justice is a rare occurrence, being merciful is not something that rules and the law take into account, but it's needed for those who cannot defend themselves.

On the subject of Dikke's backstory.

There's no resolution to this point, it just came up randomly while writing the previous one, because it just hit me that Dikke's Cover profile does not list where she was born. And that got me thinking about the fact that before settling down, she traveled all around Europe.

First of all, the Roman Catholic Diocese of Pamiers is an extremely specific location - one that has ties to the Inquisition, as a very important document regarding the Inquisition's procedures during a very specific trial was found there, as far as I know with my surface level research into history references. This document also talked about how, within this trial, the inquisitor and the bishop had "almost equal responsibility".

We can assume that this is the place where Dikke became bishop officially, if this was her final destination.

This starts to fall within headcanon territory, since it's mostly speculation, but I feel that the 02 Story takes place before she becomes bishop and settles in Pamiers - as a member of the inquisiton, she must've traveled all over Europe to do her job.

There might also be something related to the name mentioned, "Murville", but I don't have time nor the brain to start connecting the dots with actual french history. All in all, I like to think that Dikke was given the position of bishop as an attempt to distance her from, you know, killing every single corrupt person in a position of power by keeping her in a single place.

None of her voicelines give away anything about her life prior her entire journey of justice, as far as I can tell.

If we take Dikke's ties with Joan of Arc, maybe she was a common girl roped into things beyond her control. But I personally don't like the interpretation of Dikke's ideals being born from divine intervention instead of her own experiences, seeing the crimes committed against arcanists and realizing that she would like to do something about it.

Another option I'd like to explore about her background - maybe Dikke did have a relatively safe and normal childhood, away from the stigma and persecution. A nice, gentle life that she willingly gave up after she was confronted with the reality of the state of the world, without Jean of Arc's holy realization. To me, there needs to be an emphasis on Dikke's choice and decision to fight corruption. Making this dedication a result of "God told me to do this" would render her a little shallow - not to say religion cannot be part of her character, but in my opinion, Dikke is best when the focus of her moral compass is a genuinely care for the weak and the defenseless.

On the subject of Dikke and the loss of humanity.

Yes, that's THREE characters in a row that I analyze and that have themes of loss of humanity. There's just so many characters who've lost or given up their own humanity for the sake of something greater or something wicked.

Pavia's was a result of how he was mistreated and as a way to reclaim power, Forget Me Not's was a self-imposed torture originating from his inability to take responsibility. Dikke's seems to be self-imposed as well, but unlike the previous two, her loss of humanity is more of a sacrifice she makes for the greater good.

In her voicelines, we see that she leads a very strict schedule - she's straightforward and curt (but never impolite!) with Vertin, alluding to how simple justice is (if one commits a crime or abuses power, they shall be dealt with regardless of their social status) and how her body is "a representation of justice". Dikke has become a symbol for an idea, the concept of a fair system - she is no longer an individual but a savior, an executioner, a violent ghost, a witch, a threat, etc etc.

The loss of humanity is obvious in the way we do not get to know Dikke outside of any themes regarding justice. It's extremely hard to gleam any information about her childhood, her family, her interests and so on because they've all been displaced by this identity as justice itself. To me, this speaks about how power and responsibility on this scale will inevitably separate you from the people, THIS is the Sword of Damocles, now applied to Dikke as much as it applies to those in line for her judgement.

And yet, there are still very small hints of humanity left within her (still related, in a way, to her goals) in her care for the weak. Dikke's quote on her hobbies in a way reminds me of Sonetto.

The idle chatter of the people is entertaining, but 'tis more entertaining that they are always the first to know about the corrupt behavior of nobles.

Sonetto is a character that is similar to Dikke, in the sense that they both became the embodiment of concepts that ultimately stripped them off their individuality. Sonetto by fulfilling her training at the Foundation and becoming the PERFECT example of a military dog, a child martyr who struggles to connect with others because she was only taught how to exist FOR the Foundation. And Dikke, by all the things mentioned before.

But both of them have very endearing hobbies. Sonetto reads newspapers and collects them to find TYPOS IN THEM. Dikke's hobby is to listen to people talk as they go on about their day, not gossiping but to just listen to people exist.

In the main story, Sonetto's upbringing causes her to have a barrier with the people she truly wants to connect to (Vertin, namely) and Dikke's goal causes her life to revolve around a single thing, now only able to engage in mundane things from an outsider's perspective. She listens to people, she doesn't talk to them. She protects people, she doesn't live among them.

I like to think that, even so, this is when Dikke is most at peace. That she enjoys people watching, knowing they're safe and sound - because it validates all her efforts, it means that what she's doing is, in the end, worth it. This might also be why Dikke tells Vertin that they might be on the same path - Vertin, slowly figuring out the truth behind the Foundation and Manus Vindictae and acting as a saviour for those stuck in the middle.

As for headcanons, here's a couple I have!

Dikke has such a dry and deadpan sense of humour that only Vertin can understand it.

Sometimes, very rarely, Dikke will chime in with the most outlandish reply - straight out of the blue, spoken in the most serious and monotone voice. Those who aren't close to her will most likely brush it off as yet another intimidating thing they can't understand about her, but those close to her like Vertin?

It's THE funniest shit in the world and Dikke, who is very aware of the image and respect she commands, knows it.

Dikke and the artifact that follows her are friends.

Quite literally, that thing is the hand of justice. I like to think that Dikke can communicate with it non-verbally, even though it's implied that the artifact is not created by her arcanum.

Part of me likes to think that Dikke insists on said artifact being just her partner in her long journey of bringing justice to the world, but due to all the years spent together and all, the artifact itself (and whatever entity that shows up in her Ultimate) have come to see Dikke as their protégé.