#Industrial Fans For Sale New Orleans

[unitedstatesofworld]

DJ Khaled's Treasure Chest: Unveiling the Enormous Net Worth of DJ Khaled

DJ Khaled – a name synonymous with booming beats, viral catchphrases, and an extravagant lifestyle. He's not just a DJ; he's a producer, a social media sensation, and a businessman with a knack for turning everything he touches into gold. But have you ever wondered just how much this hip-hop icon is worth? Buckle up as we take a dazzling Net worth of DJ Khaled, exploring how he made his fortune and what he spends it on. Spoiler alert: it's as impressive as you'd expect!

The Rise of DJ Khaled

From Humble Beginnings to Hip-Hop Stardom

Khaled Mohamed Khaled, better known as DJ Khaled, was born on November 26, 1975, in New Orleans, Louisiana. His parents were Palestinian immigrants who ran a small family business. Music was always a part of Khaled's life, and he started his career in a local record store, where he met and connected with some of the biggest names in hip-hop.

From these modest beginnings, DJ Khaled's journey to stardom began. He worked his way up through the radio stations in Miami, eventually landing his own show. His charismatic personality and unique style quickly made him a favorite among listeners.

Breaking into the Big Leagues

Khaled's big break came when he started working with Terror Squad, a hip-hop group led by Fat Joe. His production work on their hits caught the attention of the music industry, and soon, he was collaborating with the likes of Lil Wayne, Jay-Z, and Beyoncé. With his infectious energy and relentless drive, Khaled established himself as a force to be reckoned with in the music world.

The Sources of DJ Khaled's Wealth

Music and Production

At the heart of DJ Khaled's fortune is his music career. As a producer, he's worked on numerous chart-topping hits, and as an artist, he's released several successful albums. Songs like "I'm the One" and "Wild Thoughts" have not only dominated the charts but have also raked in millions in sales and streams.

Record Label and Business Ventures

Khaled is the founder of We the Best Music Group, a record label that's home to a roster of talented artists. This venture has significantly contributed to his wealth, as it allows him to earn money from both his own music and the successes of the artists he signs.

But Khaled's business acumen doesn't stop at music. He's ventured into various industries, including fashion, with his luxury streetwear brand, and tech, through investments in apps and startups. Each of these ventures adds another layer to his financial empire.

Social Media and Endorsements

DJ Khaled's presence on social media is nothing short of legendary. With millions of followers across platforms like Instagram and Snapchat, he has turned his life into a brand. His posts, often featuring motivational messages and glimpses into his opulent lifestyle, have made him a favorite among fans and a valuable partner for brands.

Endorsement deals with companies like Apple, Ciroc, and Weight Watchers have padded his pockets even further. His ability to connect with audiences and promote products effectively makes him a sought-after spokesperson.

Living Large: Khaled's Lavish Lifestyle

Real Estate and Luxury Homes

When it comes to living the high life, DJ Khaled spares no expense. He owns several luxurious properties, including a $25.9 million mansion in Miami. This palatial estate boasts 10,681 square feet, nine bedrooms, and breathtaking views of the ocean. It’s not just a home; it’s a testament to his success.

Cars and Toys

Khaled's car collection is the stuff of dreams. From Rolls-Royces and Lamborghinis to customized Maybachs, his garage is filled with some of the most expensive and exotic cars on the planet. Each vehicle is a statement piece, reflecting his love for luxury and his status as one of hip-hop's elite.

Extravagant Spending

Beyond real estate and cars, DJ Khaled's spending habits are the epitome of extravagance. He’s known for his lavish parties, complete with celebrity guests, top-shelf drinks, and entertainment that would put most concerts to shame. He also invests heavily in jewelry, sporting some of the most dazzling pieces you'll ever see.

Philanthropy and Giving Back

A Heart of Gold

Despite his opulent lifestyle, DJ Khaled is also known for his generosity. He actively participates in various charitable activities, supporting causes such as education, disaster relief, and youth empowerment. His philanthropic efforts show that he hasn't forgotten his roots and is committed to giving back to the community.

Conclusion

The net worth of DJ Khaled is a testament to his incredible journey from a local DJ to a global music icon and business mogul. His ability to diversify his income streams and capitalize on his brand has allowed him to amass a fortune that many can only dream of. Whether he's producing hits, launching businesses, or sharing his life on social media, DJ Khaled continues to be a dominant force in the entertainment industry. And with his infectious positivity and relentless hustle, there's no doubt that his treasure chest will only continue to grow.

[garudabluffs]

a music industry enterprise the likes of which the world has never seen.

The Staggering Economic Impact of Taylor Swift’s Eras Tour

Entertainment

Music

The Staggering Economic Impact of Taylor Swift’s Eras Tour

The Staggering Economic Impact of Taylor Swift’s Eras Tour

Taylor Swift onstage during the Eras Tour's final night in Los Angeles on Aug. 09, 2023.

Kevin Winter/TAS23—Getty Images

By Jeannie Kopstein and Mariah Espada

Updated: August 24, 2023 10:31 AM EDT | Originally published: August 23, 2023 11:04 AM EDT

You don’t have to be a Swiftie to have been touched in some way by Taylor Swift’s Eras Tour, a stadium arena experience that kicked off in March. The tour, which pays homage to every era of the artist’s illustrious 17-year career, is set to become the biggest tour of all time only a third of the way through its run.

If you live in one of the 20 locales Swift, 33, performed at in the last five months, your city has likely seen a boost in revenue from the hundreds of thousands of attendees who traveled from near and far. If you don’t—or simply couldn’t snag tickets due to the cost or the now infamous Ticketmaster snafu—chances are you’ve seen clips of the three-and-a-half hour show from celebrities’ Instagram stories. 

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While there’s much to say about the music, costumes, and production, the impact of the Eras Tour is starkly reflected in the numbers: a projected gross of $2.2 billion in North American ticket sales alone, and hundreds of millions of streams, reaching a nearly 80% spike in those listening to her music catalog in the weeks after the tour kicked off. 

After 53 shows, the first U.S. leg of the tour came to a close on Aug. 9. Swift originally announced 27 shows and has since extended the tour, adding new dates in cities like New Orleans, Indianapolis, and Toronto, which are all now anticipating a local economic boost.Erasis set to go international this month, starting with four shows in Mexico City, continuing its five-continent run through November 2024.

Swift’s tour is in a league of its own, even among legendary groups like the Rolling Stones who have been touring for decades, other major touring artists like Harry Styles and Beyoncé and contemporaries like Adele with sold-out Las Vegas residencies, as the singer-songwriter brings her mega tour directly to her dedicated fans in various cities for multiple nights.

The reasons behind the Eras Tour's unmatched success are many. Nora Princiotti, staff writer at The Ringer and co-host of the podcast of Every Single Album: Taylor Swift, attributes part of the tour’s success to the sheer depth and popularity of Swift’s music catalog. “I don't know that anybody envisioned a tour of this scale ever happening. She can go three and a half hours and just hit after hit after hit,” says Princiotti.

There’s also the timing: The tour has become the perfect outing for concert-goers itching for a post-pandemic live music immersive experience. “We are in an experience economy where people crave going out and participating in social events,” says Alice Enders, a music industry analyst at Enders Analysis and a former senior economist at the World Trade Organization. “It's no surprise that people are flocking to this Eras Tour experience in what is increasingly an otherwise digital environment we live in.”

And fans are acutely aware of Swift being connected to her body of work in a way that few artists are—she writes all her songs, has been protective of her music in the streaming boom, and is now releasing re-recordings of her discography to reclaim their master rights. It all adds up to a music industry enterprise the likes of which the world has never seen.

Read more: Why You Can't Remember That Taylor Swift Concert All Too Well

The economic and cultural impact of the Eras Tour

"Analysts estimate that the Eras Tour will likely surpass the $1 Billion mark next March, while Swift is touring internationally. If this projection holds true, she will achieve the milestone of the biggest tour in music history, surpassing Elton John's multi-year farewell tour, which wrapped up earlier this summer and holds the current record of $939 million. The Eras Tour would then continue for another seven months before concluding in November of 2024 in Toronto—that is, unless rumors that Swift will release more dates come to fruition. 

But the money goes far deeper than just net profits. The Eras Tour is projected to generate close to $5 billion in consumer spending in the United States alone. “If Taylor Swift were an economy, she’d be bigger than 50 countries,” said Dan Fleetwood, President of QuestionPro Research and Insights, in a story for GlobalNewsWire. On the opening night in Glendale, Ariz., the concert brought in more revenue for local businesses than Super Bowl LVII, which was held back in February in the same stadium. To use that event as a comparison, Swift has been performing the equivalent of two to three Super Bowls every weekend for the past five months (and six of seven nights at her last round of shows in Los Angeles)."

"_coveted merch of $75 hoodies, $55 long-sleeve shirts and $45 T-shirts."

"Midnights was the top-selling vinyl record in 2022, with 945,000 copies sold, making it the best-selling physicalalbum since 1991. One out of every 25 vinyl records sold last year was a Taylor Swift album, and she is the first artist in history to simultaneously occupy at least seven of the top 10 spots on the Vinyl Albums chart. For her newest re-recorded album set to come out in October, 1989 (Taylor’s Version), Swift has already released multiple vinyl and special edition deluxe CDs for pre-order on her website, each with different cover art and unique additions."

see VIDEOS READ MORE https://time.com/6307420/taylor-swift-eras-tour-money-economy/?utm_source=pocket-newtab-en-us

Taylor Swift Still Isn’t Your Friend

Her dating life is not worth this much indignation or defense. June 05, 2023

"It would be better for all of us, artist and fans alike, to not delude ourselves into believing that a famous person’s dating choices are worth this much moral indignation or fevered defense.

If you don’t want to listen to me, though, you could listen to her. In “Dear Reader,” one of the tracks off her latest album, Midnights, Swift tells those listening to her music that they might want to pull back a little. “You wouldn’t take my word for it,” she dryly quips, “if you knew who was talking.” But, of course, you don’t."

READ MORE https://slate.com/culture/2023/06/taylor-swift-matty-healy-dating-breakup-the-1975-backlash.html

[fmhiphop]

Drake announces 'It’s All a Blur Tour' with 21 Savage

Drake has announced a 29-stop tour with 21 Savage to accompany their smash hit album Her Loss. Find out where you can grab tickets! Its All a Blur   View this post on Instagram   A post shared by champagnepapi (@champagnepapi) The 'It’s All a Blur Tour' begins this summer on June 16 in the New Orleans Smoothie King Center. In addition to New Orleans, Drake and 21 will be visiting Detroit, Inglewood, Washington DC, San Francisco, Atlanta, and more. This is a big return to the stage for Drake, who hasn’t toured since the 2018 'Aubrey & the Three Migos Tour'. That venture was extremely lucrative for both The Migos and Drake, grossing a total of 111.21 million and spanning 54 shows. Since then, the 'One Dance' artist has put out 5 albums and performed several high-profile live shows. Namely, his recent set at the Apollo Theater and the 2021 'Free Larry Hoover' concert with Kanye West. Now that Drake has proven to himself, the industry and his fans the momentum hasn’t slowed a bit. And he’s ready to return as a headliner. The upcoming 'It’s All a Blur Tour' follows the duo's highly praised collab Her Loss. The project was received well both critically and on the charts. Her Loss debuted at #1 on the Billboard 200 and sold over 400,000 units, including 12,000 pure album sales. Drake is no stranger to capitalizing off collaborations, with 2015's What a Time to be Alive with Future being one of his most well-received projects. 21 is also familiar with music partnerships, releasing Without Warning with Offset and Metro Boomin back in 2017. However, her loss dominates all those titles with sheer numbers alone. And the 'It’s All a Blur Tour' is just the icing on the cake. Where Are They Going? Tickets officially go on sale March 15th via Cash App Card and Sprite presales. Tickets are open to the general public on drakerelated.com starting March 17th 12pm EST. You can take a look at all the tour dates below! - Fri Jun 16 – New Orleans, LA – Smoothie King Center - Mon Jun 19 – Nashville, TN – Bridgestone Arena - Wed Jun 21 – Houston, TX – Toyota Center - Sat Jun 24 – Dallas, TX – American Airlines Center - Wed Jun 28 – Miami, FL – Miami-Dade Arena - Sat Jul 01 – Atlanta, GA – State Farm Arena - Sun Jul 02 – Atlanta, GA – State Farm Arena - Wed Jul 05 – Chicago, IL – United Center - Thu Jul 06 – Chicago, IL – United Center - Sat Jul 08 – Detroit, MI – Little Caesars Arena - Tue Jul 11 – Boston, MA – TD Garden - Wed Jul 12 – Boston, MA – TD Garden - Fri Jul 14 – Montreal, QC – Bell Centre - Mon Jul 17 – Brooklyn, NY – Barclays Center - Tue Jul 18 – Brooklyn, NY – Barclays Center - Tue Jul 25 – New York, NY – Madison Square Garden - Wed Jul 26 – New York, NY – Madison Square Garden - Fri Jul 28 – Washington, DC – Capital One Arena - Mon Jul 31 – Philadelphia, PA – Wells Fargo Center - Sat Aug 12 – Inglewood, CA – Kia Forum - Sun Aug 13 – Inglewood, CA – Kia Forum - Fri Aug 18 – San Francisco, CA – Chase Center - Mon Aug 21 – Los Angeles, CA – Crypto.com Arena - Tue Aug 22 – Los Angeles, CA – Crypto.com Arena - Fri Aug 25 – Seattle, WA – Climate Pledge Arena - Mon Aug 28 – Vancouver, BC – Rogers Arena - Fri Sep 01 – Las Vegas, NV – T-Mobile Arena - Tue Sep 05 – Glendale, AZ – Desert Diamond Arena RELATED STORIES: Drake Regrets Name Dropping Ex-Girlfriends In Music Drake Might Be Retiring Soon Read the full article

[unitedstatesofworld]

DJ Khaled Net Worth: The Key to Success Unveiled

When it comes to the world of music and entertainment, few names resonate as powerfully as DJ Khaled. Known for his larger-than-life personality, signature catchphrases, and a knack for creating chart-topping hits, DJ Khaled has become a household name. But beyond the music and viral social media posts, there's a question that many fans and industry insiders often ponder: What is DJ Khaled net worth ?

In this article, we'll dive deep into the financial empire of DJ Khaled, exploring his various revenue streams, business ventures, and the secrets behind his immense wealth. So, if you're curious about how this mogul turned his talent and charisma into a multi-million-dollar fortune, read on!

The Rise of DJ Khaled

From Humble Beginnings to Superstar DJ

Born Khaled Mohamed Khaled on November 26, 1975, in New Orleans, Louisiana, DJ Khaled's journey to fame and fortune was anything but smooth. Growing up in a Palestinian-American family, he developed an early passion for music, influenced by his parents who were musicians. His initial steps into the music industry were modest; working at a local record store and DJing at parties, he gradually made a name for himself in Miami's vibrant hip-hop scene.

Breaking into the Mainstream

DJ Khaled's breakthrough came in the mid-2000s when he started collaborating with some of the biggest names in hip-hop. His debut album "Listennn... the Album" released in 2006, featured an all-star lineup and peaked at number 12 on the Billboard 200. This was just the beginning. Over the next decade, DJ Khaled released a string of successful albums, each packed with hit singles and collaborations with artists like Jay-Z, Beyoncé, Lil Wayne, and Rihanna.

Revenue Streams: How DJ Khaled Built His Fortune

Music Sales and Streaming

A significant portion of DJ Khaled's net worth comes from his music sales and streaming revenue. With eleven studio albums under his belt, many of which have achieved gold and platinum status, DJ Khaled has earned millions from album sales alone. Additionally, his presence on streaming platforms like Spotify, Apple Music, and YouTube generates substantial income through streams and ad revenue.

Record Label and Production

In 2008, DJ Khaled founded We the Best Music Group, a record label that has signed several successful artists over the years. As the CEO of the label, he earns a cut from the earnings of his signed artists, further boosting his net worth. His production skills also add to his income, as he has produced tracks for numerous high-profile artists, earning both production fees and royalties.

Touring and Performances

Live performances are another major source of income for DJ Khaled. Known for his energetic DJ sets and engaging stage presence, he commands hefty fees for appearances at clubs, music festivals, and concert tours. Whether he's headlining his own tour or opening for other major artists, these performances significantly contribute to his overall wealth.

Brand Endorsements and Sponsorships

DJ Khaled's charismatic persona and massive social media following have made him a magnet for brand endorsements and sponsorship deals. Over the years, he has partnered with brands like Apple, Weight Watchers, Cîroc, and Jordan, to name a few. These endorsements not only enhance his public image but also add millions to his bank account.

Social Media and Influencer Income

With over 20 million followers on Instagram and a strong presence on other platforms like Snapchat, Twitter, and YouTube, DJ Khaled has leveraged his social media influence to generate significant income. Through sponsored posts, paid partnerships, and his own merchandise sales, he earns a substantial amount of money, proving that his digital footprint is just as valuable as his music.

Business Ventures: Diversifying the Portfolio

Real Estate Investments

DJ Khaled has wisely invested in real estate, owning several luxury properties across the United States. His impressive portfolio includes a lavish mansion in Beverly Hills, which he purchased from British singer Robbie Williams, and another stunning property in Miami. These investments not only provide a comfortable lifestyle but also appreciate in value, adding to his net worth.

Book and Media Projects

In 2016, DJ Khaled released his book, "The Keys," which became a New York Times bestseller. The book offers insights into his personal journey and success strategies, resonating with fans and readers worldwide. Additionally, he has ventured into media projects, including hosting TV shows and making cameo appearances in movies, further expanding his brand and income streams.

Hospitality and Lifestyle Brands

Expanding beyond music and entertainment, DJ Khaled has also delved into the hospitality industry. In 2020, he launched his own restaurant, "The Licking," which has multiple locations and serves a variety of delicious comfort food. He has also introduced his own line of luxury furniture, We the Best Home, showcasing his keen business acumen and ability to tap into diverse markets.

DJ Khaled's Net Worth: The Big Reveal

As of 2024, DJ Khaled's net worth is estimated to be around $75 million. This staggering figure is a testament to his relentless work ethic, savvy business moves, and ability to stay relevant in an ever-changing industry. But what makes his story even more remarkable is how he has consistently reinvented himself, turning every opportunity into a lucrative venture.

Factors Contributing to His Wealth

Music Career: Earnings from album sales, streaming, and touring.

Record Label: Profits from We the Best Music Group.

Endorsements: Lucrative deals with major brands.

Social Media: Income from sponsored posts and partnerships.

Business Ventures: Profits from real estate, restaurants, and other investments.

FAQs

How did DJ Khaled become famous?

DJ Khaled became famous through his work as a DJ and producer, collaborating with top artists in the hip-hop industry and releasing successful albums that feature popular singles.

What are some of DJ Khaled's most famous songs?

Some of DJ Khaled's most famous songs include "I'm the One," "Wild Thoughts," "No Brainer," and "All I Do Is Win."

How much does DJ Khaled make per year?

DJ Khaled's annual earnings vary, but on average, he makes around $10 million per year from his various revenue streams.

What businesses does DJ Khaled own?

DJ Khaled owns We the Best Music Group, several luxury properties, a restaurant chain called "The Licking," and a luxury furniture line called We the Best Home.

Conclusion

DJ Khaled net worth is a reflection of his multifaceted career and entrepreneurial spirit. From his early days hustling in the Miami music scene to becoming a global icon, he has demonstrated that success is not just about talent but also about vision, persistence, and the ability to adapt. Whether through his music, business ventures, or social media presence, DJ Khaled continues to inspire millions and show that with the right mindset, anything is possible.

So, next time you hear one of his famous catchphrases like "Another one" or "We the best," remember that it's not just hype—it's the mantra of a man who has truly mastered the keys to success.

[blackkudos]

Ledisi

Ledisi Anibade Young (born March 28, 1972), better known simply as Ledisi, is an American R&B and jazz recording artist, songwriter, and actress. Her first name means "to bring forth" or "to come here" in Yoruba. In 1995, Ledisi formed the group Anibade. After unsuccessfully trying to get the group signed to a major label, she formed LeSun Records with Sundra Manning. Anibade and Ledisi released an album entitled "Soulsinger" (black and white cover on the LeSun Music independent label) featuring the song Take Time, which gained substantial airplay from San Francisco area radio stations. A twelve-time Grammy Award nominee, Ledisi has released eight studio albums between 2000 and 2017.

In 2000, Ledisi re-released her first major label signed album, titled Soulsinger: The Revival. Ledisi and her group toured in 2001. In 2002, Ledisi released her second album, Feeling Orange but Sometimes Blue. The album won an award for "Outstanding Jazz Album" at the California Music Awards.

In 2005, Ledisi signed a record deal with Verve Forecast and released her third album, titled Lost & Found, on August 28, 2007; it sold almost 217,000 copies and earned her two Grammy nominations, including one for Best New Artist. In 2008, Ledisi released her Christmas album, It's Christmas.

In 2009, Ledisi released her fourth album Turn Me Loose, which earned her two Grammy nominations, followed by her fifth album Pieces of Me (2011) which debuted on the US Billboard 200 album chart at number eight, becoming the first top-ten album of her career and her highest-charting album to date. It also garnered three Grammy nominations at the 54th Grammy Awards including for Best R&B Album. In 2013, she received a nomination for Best R&B Performance at the 55th Grammy Awards for her collaboration with fellow R&B and jazz musician Robert Glasper for the album cut "Gonna Be Alright" from his fifth album Black Radio (2012). In 2014, she released her sixth album The Truth to critical acclaim and moderate sales. She portrayed legendary gospel singer Mahalia Jackson in the 2014 Martin Luther King, Jr. biopic, Selma.

Early life

Ledisi was born in New Orleans, Louisiana. She grew up in a musical family; her mother, Nyra Dynese, sang in a Louisiana R&B band and her stepfather, Joseph Pierce III, (deceased) was a drummer in the New Orleans area. Her biological father is soul singer Larry Sanders, the son of blues singer Johnny Ace. He left the family when she was a baby and they did not meet again for nearly three decades.

Ledisi first began performing publicly at age eight with the New Orleans Symphony Orchestra. Ledisi moved to Oakland, California, where she attended McChesney Junior High School, now Edna Brewer Middle School. She was shy about her singing abilities and would sing only upon request when students in her gym class would implore her to sing Deniece Williams's version of Black Butterfly, bringing the entire locker room audience under the spell of her very mature, melodious voice. As she sang more publicly her music career blossomed. She was nominated for a Shellie award in 1990 for her performance in a production of The Wiz and performed in an extended run with the San Francisco cabaret troupe, Beach Blanket Babylon. She studied opera and piano for five years at University of California Berkeley in their Young Musicians Program.

Musical career

1995–1999: Career beginnings

In the 1990s, Ledisi formed a group called Anibade, alongside Sundra Manning (producer, keyboards, songwriting), Phoenix (LaGerald) Normand (background vocals, songwriting), Cedrickke Dennis (guitar), Nelson Braxton (bass), Wayne Braxton (sax), and Rob Rhodes (drums), playing a jazz and hip-hop influenced kind of soul. The group won acclaim in the San Francisco Bay Area with a cult-like following of die-hard fans who referred to themselves as "Ledites" and meet her with love at every event, singing along verbatim to songs that though unrecorded at the time, were well known by their fans. The group later recorded a demo of one of the songs from their set, entitled, "Take Time" which was played on local stations and requested non-stop. Ledisi tried to get the group signed to a major label, but had no luck. Ledisi also performed often with jazz saxophonist Robert Stewart throughout the early 1990s in San Francisco.

2000–2003: Soulsinger: The Revival and Feeling Orange but Sometimes Blue

In January 2000, Ledisi released her first album, Soulsinger: The Revival, independently on her label, LeSun Records. The album spun off four singles, "Soulsinger", "Take Time", "Get Outta My Kitchen", and "Good Lovin'". After the release of Soulsinger: The Revival, Ledisi toured with her group Anibade.

In 2002, Ledisi released her second album, Feeling Orange but Sometimes Blue, which was also released independently. The album featured the singles "Feeling Orange but Sometimes Blue" and "Autumn Leaves". During this time she also recorded commercials for the Sci Fi Channel. In 2003, Ledisi won "Outstanding Jazz Album" for Feeling Orange but Sometimes Blue at the California Music Awards.

2006–2008: Lost & Found

During her five-year hiatus, Ledisi made appearances on soundtracks. In 2007, she signed with Verve and released "Blues in the Night" which featured on the tribute album, We All Love Ella: Celebrating the First Lady of Song.

In August 2007, Ledisi's third album, Lost & Found, was released. During her hiatus, Ledisi stated that she was unsure of wanting to stay in the music industry. In response, Ledisi wrote the song "Alright" to express her life. "Alright" became the lead single and debuted at #45 on the Billboard Hot R&B chart. The album's second single, "In The Morning", debuted at #49 on the Billboard Hot R&B chart. Other songs from the album charted but were not released as singles. "Think of You" charted at #71 on the Hot R&B charts, "Joy" charted at #103 on the Hot R&B charts and #29 on the Adult R&B Airplay.

In December 2007, the album earned her two Grammy nominations, including one for Best New Artist. In 2008, Ledisi continued her tour to promote the album, Lost & Found. By January 2009, the album had sold 216,894 copies.

In September 2008, Ledisi released her Christmas album, It's Christmas, which featured the singles "This Christmas" and "Children Go Where I Send Thee". In December 2008, Ledisi's T.V. special aired on Gospel Channel, titled "Ledisi Christmas". Ledisi performed a few songs from her Christmas album. "Have Yourself A Merry Little Christmas" and "Give Love On Christmas Day" charted on the Hot R&B charts at #113.

In 2008 Ledisi performed the song "The Man I Love" as a blues singer in the Leatherheads movie.

2009–2010: Turn Me Loose

In 2009, Ledisi's fourth studio album was announced as Turn Me Loose. The album was released on August 18, 2009. Speaking in April 2010 to noted UK R&B writer Pete Lewis – Deputy Editor of the award-winning Blues & Soul – Ledisi explained the album's title reflected its musical diversity: "The title 'Turn Me Loose' is basically me saying 'I don't wanna be boxed in! Let me be myself as a performer and singer, because I do EVERYTHING! Not just one particular style!'." She employed production from seasoned R&B songwriter-producers such as Raphael Saadiq, Jimmy Jam and Terry Lewis, James "Big Jim" Wright, and Carvin & Ivan. The first single from the album was "Goin' Thru Changes". The second single was "Higher Than This", produced by Jimmy Jam and Terry Lewis and James "Big Jim" Wright.

On May 13, 2010, Ledisi performed at Charter Oak Cultural Center's 9th Annual Gala, a fundraiser for free after-school youth arts programming in inner-city Hartford. She performed several songs from Turn Me Loose, and also performed a duet with Anika Noni Rose, a tribute to the late Lena Horne.

2011–2012: Pieces of Me

Ledisi toured with R&B/soul singer Kem on his North American INTIMACY Tour. On March 10, 2011, during her opening act in Atlanta, Georgia, Ledisi announced that she had finished recording her fifth studio album, Pieces of Me, on March 9, 2011. It was released on June 14, 2011. It debuted at number 8 on the Billboard 200 album chart, selling 38,000 copies in its first week. The album's title track served as the album's lead single.

Ledisi has performed at the White House seven times at the request of President and First Lady Obama.

Ledisi headlined her first tour to promote her album, Pieces of Me. The Pieces of Me Tour played to 22 sold out shows across North America. With this album, she received three nominations for the 2012 Grammy Awards, in the categories Best R&B Album, Best R&B Performance and Best R&B Song, for the album and the lead single "Pieces of Me".

Ledisi released her first book, Better Than Alright: Finding Peace, Love & Power on Time Home Entertainment, Inc. in 2012. The book, an innovative collaboration with ESSENCE, is filled with the singer's personal photos, quotes, lyrics, and richly detailed stories of her journey to acceptance of her beauty, talent, and power.

On April 6, 2012, Ledisi announced her second headlining tour, B.G.T.Y., with Eric Benet serving as an opening act. In December 2012, VH1 announced that Ledisi would perform at their 2012 VH1 Divas show, a concert benefiting the Save The Music Foundation charity. Ledisi performed a Whitney Houston tribute medley with Jordin Sparks and Melanie Fiona.

2014–2016: The Truth

On March 2014, Ledisi released her new album The Truth. She is also on tour with Robert Glasper in partnership with the magazine "Essence" (which featured her on one of their three April covers as well as Erykah Badu and Solange Knowles).

In April 2014, Ledisi was cast to play Mahalia Jackson in the American historical drama film, Selma, directed by Ava DuVernay and written by Paul Webb and DuVernay. It is based on the 1965 Selma to Montgomery voting rights marches led by James Bevel, Hosea Williams, and Martin Luther King, Jr. In the film and on the official film soundtrack, Ledisi sings "Take My Hand, Precious Lord". Initially slated to perform at the 57th Grammy Awards as part of a tribute to the Selma March alongside Common and John Legend (who performed their Oscar-winning duet "Glory") she was ultimately snubbed by the Recording Academy and recording artist Beyoncé, who performed in her place. Ledisi's snubbing and Beyoncé's performance received mixed reaction from social media. In 2015, she received her ninth Grammy Award nomination for Best R&B Performance for the single "Like This" off of her seventh album The Truth. She lost to Beyoncé and Jay Z for "Drunk in Love".

2017–present: Let Love Rule

In May 2017, Ledisi released a single titled "High" produced by Darhyl "Hey DJ" Camper and Rex Rideout. Her eighth studio album called Let Love Rule was released on September 22, 2017. In November 2017, she received three more nominations at the 60th Grammy Awards in January 2018 including Best R&B Album, Best R&B Performance and Best Traditional R&B Performance. Ledisi won a Soul Train Award 'Soul Certified Award' for the album.

Ledisi helped the BET Awards pay tribute to Anita Baker, the Lifetime Achievement Award recipient of the night on June 24, with a rendition of the singer's 1986 ode "Sweet Love".

Ledisi was then a part of the Aretha Franklin Tribute that was put together by the annual award ceremony known as Black Girls Rock. Ledisi delivered a rendition of the hit "Ain't No Way".

In October 2018, Ledisi performed with Adam Lambert in an NBC broadcast, A Very Wicked Halloween: Celebrating 15 Years on Broadway, before a live studio audience at the Marquis Theatre in New York, singing "As Long as You're Mine" from Wicked.

Discography

Studio albums

Soulsinger: The Revival (2000)

Feeling Orange but Sometimes Blue (2002)

Lost & Found (2007)

Turn Me Loose (2009)

Pieces of Me (2011)

The Truth (2014)

Let Love Rule (2017)

Awards and nominations

Grammy Awards

Ledisi has been nominated for twelve career Grammy Awards.

BET Awards

BETJ Virtual Awards

California Music Awards

Soul Train Music Awards

2008, BET J Cool Like Dat Award (Nominated)

2008, Female Artist of the Year (Nominated)

2003, Outstanding Jazz Album, Feeling Orange But Sometimes Blue (Won)

2011, Centric Award (nominated)

2009, Best R&B/Soul Female Artist (nominated)

2014, Best R&B/Soul Female Artist (Nominated)

2017 Best R&B/Soul Female Artist (Nominated)

2017 Soul Certified Award (won)

2018 Soul Certified Award (won)

NAACP AWARDS

2012 Best Female Artist (Nominated)

2015 Best Female Artist (Nominated)

2018 Best Female Artist (Nominated)

2018 Best Traditional song - High (Nominated)

2018 Best Visual - High (Nominated)

Honors/Special Awards

2016, NAACP Awards Theatre - Spirit Award Honoree

2016, America For The Arts - Music Honoree

Tours

Pieces of Me Tour (2011)

B.G.T.Y. Tour (2012)

The Truth Tour (2014)

The Intimate Truth Tour (2015)

The Rebel The Soul The Saint Tour (2017)

Let Love Rule Tour (2018)

Ledisi Live UK Tour (2019)

Filmography

2008: Leatherheads (as the Blues Singer)

2011: Leave It on the Floor (as Princess' Mother)

2014: Selma (as Mahalia Jackson)

2016: The Tale Of Four (Short Film) (as Aunt Sara)

2020: American Soul (as Patti LaBelle) (season 2, upcoming)

[fmhiphop]

Drake announces 'It’s All a Blur Tour' with 21 Savage

Drake has announced a 29-stop tour with 21 Savage to accompany their smash hit album Her Loss. Find out where you can grab tickets! Its All a Blur   View this post on Instagram   A post shared by champagnepapi (@champagnepapi) The 'It’s All a Blur Tour' begins this summer on June 16 in the New Orleans Smoothie King Center. In addition to New Orleans, Drake and 21 will be visiting Detroit, Inglewood, Washington DC, San Francisco, Atlanta, and more. This is a big return to the stage for Drake, who hasn’t toured since the 2018 'Aubrey & the Three Migos Tour'. That venture was extremely lucrative for both The Migos and Drake, grossing a total of 111.21 million and spanning 54 shows. Since then, the 'One Dance' artist has put out 5 albums and performed several high-profile live shows. Namely, his recent set at the Apollo Theater and the 2021 'Free Larry Hoover' concert with Kanye West. Now that Drake has proven to himself, the industry and his fans the momentum hasn’t slowed a bit. And he’s ready to return as a headliner. The upcoming 'It’s All a Blur Tour' follows the duo's highly praised collab Her Loss. The project was received well both critically and on the charts. Her Loss debuted at #1 on the Billboard 200 and sold over 400,000 units, including 12,000 pure album sales. Drake is no stranger to capitalizing off collaborations, with 2015's What a Time to be Alive with Future being one of his most well-received projects. 21 is also familiar with music partnerships, releasing Without Warning with Offset and Metro Boomin back in 2017. However, her loss dominates all those titles with sheer numbers alone. And the 'It’s All a Blur Tour' is just the icing on the cake. Where Are They Going? Tickets officially go on sale March 15th via Cash App Card and Sprite presales. Tickets are open to the general public on drakerelated.com starting March 17th 12pm EST. You can take a look at all the tour dates below! - Fri Jun 16 – New Orleans, LA – Smoothie King Center - Mon Jun 19 – Nashville, TN – Bridgestone Arena - Wed Jun 21 – Houston, TX – Toyota Center - Sat Jun 24 – Dallas, TX – American Airlines Center - Wed Jun 28 – Miami, FL – Miami-Dade Arena - Sat Jul 01 – Atlanta, GA – State Farm Arena - Sun Jul 02 – Atlanta, GA – State Farm Arena - Wed Jul 05 – Chicago, IL – United Center - Thu Jul 06 – Chicago, IL – United Center - Sat Jul 08 – Detroit, MI – Little Caesars Arena - Tue Jul 11 – Boston, MA – TD Garden - Wed Jul 12 – Boston, MA – TD Garden - Fri Jul 14 – Montreal, QC – Bell Centre - Mon Jul 17 – Brooklyn, NY – Barclays Center - Tue Jul 18 – Brooklyn, NY – Barclays Center - Tue Jul 25 – New York, NY – Madison Square Garden - Wed Jul 26 – New York, NY – Madison Square Garden - Fri Jul 28 – Washington, DC – Capital One Arena - Mon Jul 31 – Philadelphia, PA – Wells Fargo Center - Sat Aug 12 – Inglewood, CA – Kia Forum - Sun Aug 13 – Inglewood, CA – Kia Forum - Fri Aug 18 – San Francisco, CA – Chase Center - Mon Aug 21 – Los Angeles, CA – Crypto.com Arena - Tue Aug 22 – Los Angeles, CA – Crypto.com Arena - Fri Aug 25 – Seattle, WA – Climate Pledge Arena - Mon Aug 28 – Vancouver, BC – Rogers Arena - Fri Sep 01 – Las Vegas, NV – T-Mobile Arena - Tue Sep 05 – Glendale, AZ – Desert Diamond Arena RELATED STORIES: Drake Regrets Name Dropping Ex-Girlfriends In Music Drake Might Be Retiring Soon Read the full article

[pixelgrotto]

Schattenjäger Archives

The Gabriel Knight series is something special. I knew it when I played the first one, Sins of the Fathers, nearly 20 years ago and was so entranced by its story of a roguish mystery writer solving a conspiracy of voodoo murders that I was inspired to write a poem based on the game’s themes. (Here it is, dug up from the depths of my old PC for your viewing pleasure. It ain’t bad considering that I wrote it in the 8th grade.) I even considered applying to Tulane University for college so I could be in New Orleans, the site of the first game’s events, and I know from trawling through various message boards and YouTube channels that I’m not the only one who’s been bitten by the bug to see the scenes of Gabriel’s meanderings in person. This is a series of thrillers, with heavily researched plots similar to things that might’ve made The New York Times’ bestseller list back in 1996, and one of the main strengths that differentiated Gabriel Knight from other adventure games of the era - which were largely content with make-believe settings - were the real-world locations, from the most famous city in Louisiana to Bavaria to a tiny vale in France. Each of these locales seemed to come so vibrantly alive, teeming with delicious darkness just waiting to be expunged. 

Much of this is due to the effort of series matriarch Jane Jensen, a novelist who just so happened to fall into the adventure game business at Sierra in the 90s. Jane serves as a nice example of a video game creator who’s an actual writer and not just a designer trying to be a writer, and after helping the company produce the best King’s Quest game (KQVI), she won the right to make her own series. Gabriel Knight was the result, and the franchise would go on to span three games, plus a remake, detailing the adventures of the titular schattenjäger, or “shadow hunter,” as he tackles aspects of the supernatural across the world. 

I went and played through each game over the past month. (I also read the paperback novelizations that Jane wrote for games one and two - you can read my reviews on Goodreads here and here.) There are some warts, mostly due to your typical silly adventure game puzzles of the 90s that were designed to sell hint books, but by far and large, the writing and characterization that Jane put on display make up for these shortcomings. The first entry, Sins of the Fathers, intertwines a voodoo cult with an exploration of Gabriel’s German heritage and features perhaps the best implementation of Sierra’s classic “icon bar” interface. The second, The Beast Within, is nowadays known as one of the few good FMV titles to emerge from an era where the video game industry was frightfully obsessed with emulating Hollywood, and boasts an intricate plot that somehow manages to tie werewolves into the legends of the “mad” king of Bavaria, Ludwig II. The third and last game in the saga, Blood of the Sacred, Blood of the Damned, is probably the one that’s aged the worse, with frumpy polygonal graphics, an odd interface that’s emblematic of how early 3D games just didn’t know what to do with their cameras, and some truly mind-numbing puzzles - including an infamous one involving cat fur and a mustache that got criticized for “killing” adventure games back in 1999. Nevertheless, it still manages to tell a cool tale of the Knights Templar, the Freemasons, the blood of Jesus Christ and vampires, though the bloodsuckers are admittedly underdeveloped compared to the voodoo practitioners and werewolves of entries one and two. 

A Gabriel Knight 4 was never made, and it wasn’t due to the cat mustache puzzle. Adventure games simply fell out of favor at the dawn of the 2000s, and Sierra was eventually sold off and quite depressingly went out of business soon afterwards. Jane Jensen dabbled in the casual games industry for a while before mostly disappearing to work on books until 2014, when she used Kickstarter funds to produce a 20th Anniversary remake of Sins of the Fathers, hoping to summon up enough new interest in the schattenjäger to possibly revive the series for real. Despite solid reviews, the sales numbers of the remake didn’t quite translate into cold, hard cash (an unfortunate phenomenon that’s plagued every Gabriel Knight game, not just the 20th anniversary rehash), and it seems that barring a miracle, a proper GK4 will never materialize. Jane Jensen also appears content to write gay erotica under her pen name of Eli Easton for the time being, since novels about handsome men sexing each other apparently yield more consistent sales numbers. Ah well. 

There’s a lot to love in the Gabriel Knight franchise, from the aforementioned historical research that went into each game’s plot, to the Elton John-influenced soundtracks done by Jane’s husband Robert Holmes, to the fact that Gabriel was voiced by frickin’ Tim Curry in Sins of the Fathers and Blood of the Sacred, Blood of the Damned, to the highly likable Grace Nakimura, Gabriel’s Japanese American assistant who provides a foil to her occasionally dickish boss and also serves as one of the earliest and realest examples of a playable woman of color in interactive entertainment. (At one point in the third game, she receives an email from her overly anxious Asian mother about how she needs to get married or go back to graduate school, which is one of the most relatable things I’ve seen in a video game.) Fans of the series would go on to honor these themes in mysterious ways, and Wadjet Eye’s Blackwell games and Kathy Rain are prime examples of titles made by independent creators who were obviously heavily influenced by Jane Jensen’s work. On a slightly different personal level, even I’ve done my part in keeping the spirit alive - the main character I recently created to play in the tabletop Call of Cthulhu roleplaying game is essentially a 1920s version of Gabriel Knight with glasses. 

Prior to the release of the Sins of the Fathers remaster, Jane Jensen put out a short story called The Temptation that was eventually turned into an online comic. It details the beginning of a new adventure for Mr. Knight, loosely based off of concepts involving ghosts and witches that Jane was originally going to use for the fourth entry in the series. Gabriel appears more driven than ever in the span of its pages. Even if he never receives another game, the schattenjäger is still out there, keeping watch over Schloss Ritter, prepping for the next macabre mission into the heart of darkness. May he succeed, may he be reunited with Grace, and until that miracle occurs and Gabriel Knight 4 becomes a reality, perhaps this is the best possible way to remember him. 

Artwork and screenshots assembled from the promotional materials and respective MobyGames pages for each game. All courtesy of Sierra and Pinkerton Road Studio. 

[gordonwilliamsweb]

Concert Venues Are Banking on Proof of Vaccines or Negative Tests to Woo Back Fans

MARYLAND HEIGHTS, Mo. — Fans of the band Wilco could have reasonably interpreted frontman Jeff Tweedy singing “I Am Trying to Break Your Heart” at an Aug. 13 concert at St. Louis Music Park as the universe explaining the past year or so.

For example, 30-year-old fan Lazarus Pittman had planned to see Wilco and co-headliner Sleater-Kinney in August 2020 at the open-air venue in this suburb west of St. Louis. Then the show was postponed because of the covid-19 pandemic. Pittman got sick with the coronavirus. He quit his job as a traffic engineer in Connecticut to relocate to St. Louis for his girlfriend — only to have her break up with him before he moved.

But he still trekked from New England to Missouri in a converted minivan for the rescheduled outdoor show. “Covid’s been rough, and I’m glad things are opening up again,” he said.

Yet hours before Pittman planned to cross off the concert from his bucket list, he learned the latest wrinkle: He needed proof of vaccination or a negative covid test from the previous 48 hours to enter the concert.

The bands announced the requirements just two days earlier, sending some fans scrambling. It was the latest pivot by the concert industry, this time amid an increase in delta variant infections and lingering concerns about the recent Lollapalooza music festival in Chicago being a superspreader event.

After more than a year without live music, promoters, bands and fans are eager to keep the concerts going, but uncertainty remains over whether the vaccine or negative-test requirements actually make large concerts safe even if held outdoors.

“Absolutely not,” said Dr. Tina Tan, a specialist in pediatric infectious diseases at Northwestern University. “There is just too much covid that is circulating everywhere in the U.S.”

During the first months of summer, large outdoor venues such as Red Rocks Amphitheatre in Colorado and Ruoff Music Center in Indiana again hosted bands such as the String Cheese Incident and Phish, with sellout crowds of mostly maskless people inhaling marijuana or whatever other particles were possibly around.

Then the delta variant surge in July prompted renewed concerns about large gatherings, even at such outdoor venues.

Tan, and other doctors, warned that Lollapalooza, with an estimated 385,000 attendees from July 29 to Aug. 1, was a “recipe for disaster” even though organizers instituted a vaccine or negative-test requirement.

It turned out that Lollapalooza was not a superspreader event, at least according to Chicago Department of Public Health Commissioner Dr. Allison Arwady, who reported that only 203 attendees were diagnosed with covid.

Tan said she is skeptical of those numbers.

“We know that contact tracing on a good day is difficult, so think about a venue where you have hundreds of thousands of people,” Tan said. “That just makes contact tracing that much more difficult, and there always is a reluctance for people to say where they have been.”

But Saskia Popescu, an infectious disease expert at the University of Arizona, said she sees the Lollapalooza data as “a really good sign.” Still, an outdoor concert with the new entrance rules is not without risk, she said, particularly in states such as Missouri, where the delta variant has thrived. 

“If you are considering an event in an area that has high or substantial transmission, it’s probably not a great time for a large gathering,” Popescu said.

Recently, two of the country’s largest live music promoters, AEG Presents and Live Nation Entertainment, announced they would begin requiring vaccination cards or negative covid tests where permitted by law starting in October. But not all bands and venues are instituting such measures. And some simply are postponing shows yet again. For the second straight year, organizers canceled the annual New Orleans Jazz & Heritage Festival slated for October.

Theresa Fuesting, 55, wasn’t planning on coming to her first Wilco show, even though she had four tickets, until the bands announced the new rules.

“I still think it’s a threat even though I am vaccinated,” said Fuesting, who lives just over the river from St. Louis in Illinois.

For promoters, ensuring that people like Fuesting feel safe enough to use their tickets affects their bottom line, said Patrick Hagin, who promoted the Wilco concert and serves as a managing partner of The Pageant and Delmar Hall music venues in St. Louis. Even if the tickets are already purchased, bar and merchandise sales at the venue suffer if fans are no-shows.

“Also you worry: Is this person who purchased a ticket going to even come in the future?” said Hagin.

In non-covid times, more than 90% of ticket buyers ultimately attend, Hagin said. During the pandemic, that number has been as low as 60%.

Hagin said he is temporarily offering refunds for shows at his venues. St. Louis Music Park did not offer refunds for the Wilco concert and told fans on its Facebook page that it was instituting the requirements “based on what each show wants.” The venue operators did not answer questions for this story.

Jason Green, unable to get a refund for the Aug. 13 show, sold his two sixth-row tickets for $66 — which was $116 less than he paid for the pair in March 2020. He was concerned the venue’s new requirements weren’t enough.

“You want to wait and see if that’s a legit thing that is keeping things from being spread,” said Green, 42, who lives in St. Louis and is fully vaccinated against covid.

He skipped the concert even though he and friends in a comic book collective liked Wilco enough to name a recent comic after the band’s album “A Ghost Is Born.” The band enjoys a loyal local following: Tweedy is from Belleville, Illinois, just across the Mississippi River, and the band played its debut concert in 1994 in St. Louis.

Fuesting and Pittman took their chances.

This was many fans’ first visit to the new venue, an open-air space beneath a curved roof. It was supposed to open last year but was delayed because of the pandemic.

Fans passed through metal detectors and quickly showed their vaccine cards or test results to people sitting at tables. Out of about 2,500 attendees, the venue had to turn only four people away; one of them left, got a test and then returned, Hagin said.

“I was very encouraged just by how positive the compliance was,” he said.

Fortunately, Pittman had a photo of his vaccine card on his phone, which organizers accepted.

“It was so much fun,” said Fuesting, who wore a mask for the whole show. “I just liked the energy of the crowd. They were all just such super fans and singing along to every song.”

The band encored with their classic tune “Casino Queen,” the name of a riverboat casino in East St. Louis, Illinois.

“Casino Queen,” Tweedy sang, “my lord, you’re mean.”

So is covid. But for Pittman, who didn’t wear a mask, the show was worth the gamble. He said he was so into the music, he could push the coronavirus from his mind, at least for a bit.

“They just played all of my favorite songs, one after another,” Pittman said. “I wasn’t even thinking about it.”

KHN (Kaiser Health News) is a national newsroom that produces in-depth journalism about health issues. Together with Policy Analysis and Polling, KHN is one of the three major operating programs at KFF (Kaiser Family Foundation). KFF is an endowed nonprofit organization providing information on health issues to the nation.

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[differentnutpeace]

U.S. Box Office Plummeted 86% in 2020, Says Leading Arts Group

Economic fallout due to the pandemic has been "catastrophic" for the performing arts, according to new data from the industry consulting group TRG Arts. หวย บอล เกมส์ คาสิโนออนไลน์

An analysis released Thursday shows ticket sales for live performances were down 86.1% in the U.S. from March 2020 to last month, compared to the year before. In the U.K., sales dropped by 89.3%. And in Canada, it was 90.3%.

The analysis, performed with U.K. arts data company Purple Seven, will not surprise jazz buffs mourning the loss of clubs in New Orleans, Denver and New York, for example, or dance fans in Toronto, Santa Fe and Chicago, where ballet companies have closed and dance studios have shut down.

While of course many arts organizations have been experimenting with selling tickets to digital performances, the revenue is hardly enough to sustain the sort of performing arts culture that existed before the pandemic, the data show.

"There is demand from the public to return to live performances," said Purple Seven managing director David Brownlee in a statement. Over the past year, Brownlee said, when it seemed the pandemic was subsiding, tickets were sold to performances that often ended up postponed or canceled.

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His company tracked a "noticeable uplift" in ticket sales in the U.K. in November and December 2020, right around when the lockdown there was lifted. Unfortunately, most of those performances ended up not happening.

"This means that the true impact of COVID-19 has been even worse than the stark figures we are reporting today," Brownlee said.

The two groups said their data came from 349 performing arts organizations, tracked by the COVID-19 Sector Benchmark, marketed as the largest global arts and cultural consumer dataset in the industry. It captures near real-time data from box office feeds, primarily from theaters, but also arts centers and orchestras.

[spinsci]

Meet your SpinSci-clists

Regional Accounts Manager

Meet Justin Kutilek. An Account Manager at SpinSci, since 2018, he’s been an amazing part of our SpinSci Team, and we are glad to have him. We admire his commitment to his customers and his willingness to go above and beyond.

  Tell us about your roots: 

 Though I currently live in “Cowtown”, Fort Worth, my roots are in the “Windy City” of Chicago. I started my college journey at the University of Kansas and finished at the University of Missouri-Kansas City, but I’m still a huge Kansas Jayhawks fan. Being a Chicagoan I’m still a huge fan of the Bears, Hawks, Bulls and Cubs. I have four siblings- two brothers and two sisters, and while I don’t currently have any pets, my previous dog Barney (pictured) was my BFF.

 What are some of your favorites:

I’m a huge fan of Italian food, in fact people don’t realize that my grandmother actually taught me how to cook. When it comes to drinks, I love Gatorade Fierce Grape, but when it comes to an adult beverage I love a Pomelo (tequila and grapefruit). I’m a big fan of Adam Sandler flicks, and when it comes to music I’m a huge fan of the rapper Bryce Vine.

Tell us what you like to do in your free time:

I enjoy weight lifting and exercise in general. I also enjoy traveling, cooking and spending time with my significant other and family. I do like watching some TV series, and I love the outdoors

Tell us what you like about working at SpinSci? 

SpinSci is easily the most entrepreneurial environment I’ve been a part of. Always open to ideas, always encouraging and supportive, and always innovating. All of this on top of the passion from leadership down, makes for a great work environment.

Describe your role at SpinSci:

My average day consists of working with Technology Partners (helping to position our solutions), meeting with customers (helping to share our vision and learnings in the industry), and working with Ashvin and the Sales team hunting and tracking down new opportunities and partnerships.

What’s a common question you’re asked at work?

What does SpinSci do...what doesn’t SpinSci do

What’s one of your favorite memories at SpinSci?

One of my favourite memories is spending time with Rajit, our CEO, and the rest of my colleagues in New Orleans and Miami for a Cisco Summit.

What’s something most people don’t know about you?

I don’t think many people know that I’ve visited over 20 Caribbean islands.