#. they didn't have to go this hard and yet

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[egophiliac]

LEON

LEON YOUR EYEBALLS

[uncanny-tranny]

I've talked before about how the way people treat suicide can be unintentionally devastating to the suicidal person, but I don't think I really ever said how to avoid that.

Speaking about suicide in how selfish it "is" ("think about how you'll transfer your pain to your loved ones!") might seem like a way to put logical sense into the suicidal person, but, honestly? It runs the risk of massively increasing their shame and guilt about being suicidal. Suicide is not inherently a revenge fantasy or a way to "get back" at someone's loved ones, so when the suicidal person is treated like a criminal of a "crime" they haven't even committed yet, you can imagine how unhelpful that can become.

Instead, if you want to point out how cherished your person is, frame their relationships as something they can keep fostering.

"Your cat will miss you :(!!!!" becomes "you and your cat seem close, right? I'm sure it's beautiful having a close friend like that!" and maybe include ways that they and their cat are close and meaningful to each other, tailored to that relationship.

That's only one example, but when you shift the focus away from why that person should repent and feel guilty for being suicidal, you can instead focus on why they would live for that reason. See how you can frame that as a positive? Whatever is keeping that person tethered should never be used as a bludgeon, I think, because then you're taking away why they're living, the positivity of why they are here. Whatever they are here for should be remembered often and honoured.

[quirkle2]

The tiles are no longer white, and the bathroom looks compressed and scintillated; hotspots of light blare in seething oranges, corners buzz in deep purples, noises manifest in confusing patterns that obscure other patterns. It hurts. The tiles aren’t white anymore. Nothing is quiet. The colors pour in. Shigeo is tired of color.

another scene from rainspeak ! suffered a bit with the colors but i don't ,, Hate this, so up it goes <3

[narsh-poptarts]

post this cicada. reblog.

[pinkd3mon]

Bonus piece from this art

[twogravesinsomecemetery]

the x-files being a questionable and incomprehensible sci-fi show about ufos but also genuinely one of the greatest and well-written love stories ever told. is. sometimes too much to handle. the duality of it all. it shakes me to my core.

[bruhstation]

of fucking course the best, most harrowing, most gut-wrenching tugs character only appeared in one episode (a bit of ramble in the tags)

[possamble]

Do you think Falin ever saw Marcille in her little elven loungewear or would it be a bit of a surprise for her? In "a little creature" it might be a bit of a (pleasant) surprise, depending on whether Marcille hasn't used the clothes up to that point. Though it might make things a bit more awkward

so this doodle from Ryoko Kui implies that Falin has seen it, but the fact that they're on an ipad and a phone means this isn't really supposed to be canon... still, I figure an informal image in the creator's mind is still closer to canon than anything else.

I'm imagining that Marcille prooobably started wearing this type of stuff closer to her later years at the academy? Maybe she finished the graduate track program and went on to the post-graduate whatever the fuck they have. That would probably mean getting a dormitory upgrade to something a little bigger and more private, too.

As for Falin's reaction seeing it for the first time... going by how casual they are in this image, I get the feeling she didn't have much of a reaction beyond the usual "oh Marcille is wearing something new and nice" ?? I do lowkey believe she just kind of Didn't Think About Herself hard enough that her horny teenager phase was incredibly muddled and mild. That, and she got so good at "I'm not allowed to think about Marcille like that" that it just didn't happen until the dragon came along and was like. HEY. WE'RE HOT FOR ELF. CAN YOU PLEASE DO SOMETHING ABOUT IT

[tricoufamily]

x / x / x

my second time doing this challenge! it took me forever to try and come up with a story for this and i still got nothing. first of all highwayman as i've said is my favorite song of all time so. no pressure. then i thought it was funny that the next song was so different yet kind of similar in that there's some vague thread of immortality in both of them. then the third is just a love song so. idk. some kind of supernatural weirdness going on here.

[carnivalcarriondiscarded]

excuse me i need to Muse on something for a moment

so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.

but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?

so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.

(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)

and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?

i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.

Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)

one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?

or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.

and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???

there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally

[black-and-yellow]

Trip, man.

[you-should-care-about-animation]

Animation sequences in Kamikaze Girls (2006)

[schmweed]

[uncanny-tranny]

I laid out the crochet blanket I'm making for my cat, and she's lying on it even though she can only fit two thirds if her body onto it right now and this is making it all worth it 😭😭😭😭

[quarks-pussy]

Marinler wedding but when the priest says "you may now kiss the bride" Mariner dips him