villit-of-the-library

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Good job. Remeber taking care of ypurself is good. Dont have to apologize for the plastic bottles net positive taking care of yourself.

I had two 1-liter smart waters today are you proud of me

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You run a Bakery, just a normal bakery, the only problem is that your customers at midnight to 6AM are mythical creatures who pay with gemstones and ancient gold and silver coins

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<3

art by the talented @Secondlina  

you can read her comic on webtoons

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Different Stories Resonate with Different People

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its so sad that radfem just means transphobe and not like. this

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if you are lucky you will love someone and their hair will thin and their breasts will sag and you will kiss them everywhere over and over again

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......suddenly struck by the idea for a piece of worldbuilding of "fae don't like iron bc it is the most stable element*"

*as in elements higher you can extract energy via fission and lower you can extract energy via fusion but iron itself there is no excess binding energy to extract at all

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Wait a minute if elves take a hundred years to grow up that has some weird implications.

So… if we say a human comes of age in fantasy worlds at 16, that means it takes an elf 6.25 years to age one human year. If we say the age of maturity is 18 that’s 5.55 years.

So then… okay with people that live a long time have to see their human friends die and probably see them like pets yeah that’s been explored to death. But what about a human just seeing their friend not grow up?

An elf toddler and a human toddler become friends at a playdate. At the time the human is two and the elf is 13. Emotionally the elf is just a little older than the human. But then the human grows up. He grows up and as he grows up his friend doesn’t. Not much, anyways.

She’s still sucking her thumb and throwing tantrums the entire time that he grows up. When he reaches the age where he’d choose a trade or go to an academy he’s earning extra money by babysitting her. During his initiation into adulthood on his 18th birthday she’s there with her parents holding a stuffed animal. Later that afternoon he sees her being shown some colorful flashcards with letters of the elvish alphabet on it by her father.

The human gets older. He learns how to fight, he goes from town to town getting work. At some point he joins the army. Every time he visits his hometown he has at least one more scar and by the time he’s 30 and the elf girl is mentally seven by human standards she starts to understand that something is wrong. Even after he settles down to be a home maker for the local blacksmith something feels wrong.

And she watches him grow old. When she’s in her 80s she babysits his grandchildren for extra cash after school, coming over in her school robes and ruffling his hair. She doesn’t remember why she became friends with this human or when but a strange sense of jealousy fills her heart.

Now she realizes it. She realizes it too late, on the day her friend learns that he is dying. The first day of her 100th year and the start of his last. Humans’ lifetimes may only last for the childhood of an elf if they’re lucky, but they learn so fast. They do so much. They cram their days full of love and hate and learning and wonder.

He knew this was coming. He knew all of this decades before she did, because elves are slow. Not stupid, certainly not stupid, but very very slow. She holds her old friend’s hand as he lays down on his bed. A man that has led such an ordinary life but feels so extraordinary to her. Because he has always, always been there and now he just won’t. Because in her eyes he became so wise so fast and now he’s just gonna be gone.

On an elf’s 100th birthday they are allowed to choose a new name for themselves. It can be important, or not. Usually it will follow them until the end of time. She stands in front of her family’s elders and is asked what name she will be called from now on.

She names herself after him.

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A GUIDE FOR YOUNG LADIES ENTERING THE SERVICE OF THE FAIRIES, by Rosamund Hodge

I.

This is the lie they will use to break you: no one else has ever loved this way before.

II.

Choose wisely which court you serve. Light or Dark, Summer or Winter, Seelie or Unseelie: they have many names, but the pith of the choice is this: a poisoned flower or a knife in the dark?

(The difference is less and more than you might think.)

Of course, this is only if you go to them for the granting of a wish: to save your father, sister, lover, dearest friend. If you go to get someone back from them, or—most foolish of all—because you fell in love with one of them, you will have no choice at all. You must go to the ones that chose you.

III.

Be kind to the creature that guards your door. Do not mock its broken, bleeding face.

It will never help you in return. But I assure you, someday you will be glad to know that you were kind to something once.

IV.

Do not be surprised how many other mortal girls are there within the halls. The world is full of wishing and of wanting, and the fairies love to play with human hearts.

You will meet all kinds: the terrified ones, who used all their courage just getting there. The hopeful ones, who think that love or cleverness is enough to get them home. The angry ones, who see only one way out. The cold ones, who are already half-fairy.

I would tell you, Do not try to make friends with any of them, but you will anyway.

V.

Sooner or later (if you serve well, if you do not open the forbidden door and let the monster eat you), they will tell you about the game.

Summer battles Winter, Light battles Dark. This is the law of the world. And on the chessboard of the fairies, White battles Black.

In the glory of this battle, the pieces that are brave and strong may win their heart’s desire.

VI.

You already have forgotten how the mortal sun felt upon your face. You already know the bargain that brought you here was a lie.

If you came to save your sick mother, you fear she is dead already. If you came to free your captive sister, your fear she will be sent to Hell for the next tithe. If you came for love of an elf-knight, you are broken with wanting him, and yet he does not seem to know you.

Say yes.

Keep reading

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Okay, doodle request:

Reigen meeting Serizawa before Claw got to him. Maybe helping him start leaving his room?

I had a lot of fun with this one. I wanted it to parallel the scene of Serizawa meeting Suzuki, and so pages 6-8 are directly referenced from the manga (just in a flipped format so it reads left to right like the rest of the pages) and I also referenced some shots from the anime (like the final panel of page 10). For the dialogue in those middle pages, I referenced lines from the unofficial English translation of the manga, the official English translation of the manga, and the anime. (I was picking and choosing which lines I liked better). I also had fun with the colouring, which is something I love to do in comics especially. It starts out with Reigen in a muted, paler, desaturated palette with no highlights. But when he meets Mrs. Serizawa (I gave the name “Azumi” because it means something along the lines of “safe home/harbour”), she’s much more warmer and saturated and she has highlights. Once she starts explaining her son’s situation, that’s when Reigen has the variation of colour as well as the introduction of some small highlights. Then, the colour palette changes in every panel after that point. Serizawa is done with a grayscale palette, with the only colour on him being the bright light of the TV screen (reflecting video games as his only joy and his escape from reality). As Reigen talks to him, Reigen slowly start to lose some of that variety and saturation (AKA hope) he got from Mrs. Serizawa until he goes grayscale as well when he thinks that Serizawa might know he’s a fraud. He decides to switch up his approach and actually open up, which is what causes the variations in colour to return. Serizawa stops being grayscale in the panel where Reigen reveals that he too is lonely. (He’s a gray-blue palette, but it’s not true grayscale). The next page is in bright colours as Reigen opens up and doesn’t lie, which causes Serizawa to have bright colour as well, since now there is light and hope. In the page after that, Serizawa’s colour fades until he is grayscale again because it’s him not believing fully and still having doubts, while Reigen maintains that bright colour. (Also silly Falsettos reference on that page). I have Reigen’s colours shift from yellow until he reaches pink which is the colour I just have assigned as His Colour (since his tie is pink). Serizawa gains colour again and he shifts from that muted dark blue to finally orange (which is his colour) as he finally accepts Reigen’s help. The light from the TV is no longer coloured, and is just white, because Serizawa now has a new source of colour in his life (that being a real friend.) It ends with them being in their normal palettes at a normal happy saturation, contrasting the muted colours of the start of the comic. With the umbrella, I still wanted to include it and give it a role in the story, but in a different way from how Suzuki used it. While Suzuki used it to directly manipulate and control Serizawa, Reigen used it as a way to open up a choice for Serizawa to either let Reigen stay or make him leave. He asks Serizawa if he can sit and stay for a while since it’s raining outside and he didn’t bring an umbrella, despite clearly having done so. And then I ended the comic with a shot of the umbrella to emphasize that point.

Sorry for the long and probably unnecessary explanation. I just really love explaining my intentions and symbolisms in my art. Yeah I just had a good time over the last few days doing this :) I thought it was an interesting idea and I couldn’t think of a way to reflect it better than in a comic (which was also partially inspired by this wonderful Ageswap AU comic made by @fend13th about Reigen helping Serizawa)

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guy accidentally cures his own road rage by making fun of the person who caused his road rage

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omfg i forgot that i never showed tumblr my greatest achievement. my pride and joy, my pi-ass de résistance