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#you know this really would work better in another format actually
kalmeria · 2 years
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idk, have this random scene
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fixyourwritinghabits · 5 months
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How to Tell If That Post of Advice Is AI Bullshit
Right, I wasn't going to write more on this, but every time I block an obvious AI-driven blog, five more clutter up the tags. So this is my current (April 2024) advice on how to spot AI posts passing themselves off as useful writing advice.
No Personality - Look up a long-running writing blog, you'll notice most people try to make their posts engaging and coming from a personal perspective. We do this because we're writers and, well, we want to convey a sense of ourselves to our readers. A lot of AI posts are straight-forward - no sense of an actual person writing them, no variation in tone or text.
No Examples - No attempts to show how pieces of advice would work in a story, or cite a work where you could see it in action. An AI post might tell you to describe a person by highlighting two or three features, and that's great, but it's hard to figure out how that works without an example.
Short, Unhelpful Definitions - A lot of what I've seen amount to two or three-sentence listicles. 'When you want to write foreshadowing, include a hint of what you want foreshadowed in an earlier chapter.' Cool beans, could've figured that out myself.
SEO/AI Prompt Language Included - I've seen way too many posts start with "this post is about..." or "now we will discuss..." or "in this post we will..." in every single blog. This language is meant to catch a search engine or is ChatGPT reframing the prompt question. It's not a natural way of writing a post for the average tumblr user.
Oddly Clinical Language - Right, I'm calling out that post that tried to give advice on writing gay characters that called us "homosexuals" the entire time. That's a generative machine trying to stay within certain parameters, not an actual person who knows that's not a word you'd use unless you were trying to be insulting or dunking on your own gay ass in the funniest way possible.
Too Perfect - Most generative AI does not make mistakes (this is how many a student gets caught trying to use it to cheat). You can find ways to make it sound more natural and have it make mistakes, but that takes time and effort, and neither of those are really a factor in these posts. They also tend to have really polished graphics and use the same format every time.
Maximized Tags (That Are Pointless) - Anyone who uses more than 10 one-word tags is a cop. Okay, fine, I'm joking, but there's a minimal amount of tags that are actually useful when promoting a post. More tags are not going to get a post noticed by the algorithm, there is no algorithm. Not everyone has to use their tags to make snarky comments, but if your tags look like a spambot, I'm gonna assume you're a spambot.
No Reblogs From The Rest of Writblr - I'm always finding new Writblr folks who have been around for awhile, but every real person I've seen reblogs posts from other people. We've all got other stuff to do, I'm writing this blog to help others and so are they, the whole point of tumblr is to pass along something you think is great.
While you'll probably see some variation in the future - as people get wise to obviously generated text, they'll try to make it look less generated - but overall, there's still going to be tells to when something is fake.
I don't have any real advice for what to do about this (other than block those blogs, which is what I do). Like most AI bullshit, I suspect most of these blogs are just another grift, attempting to build large follower counts to leverage or sell something to in the future. They may progress past these tattletale features, but I'm still going to block them when I see them. I don't see any value in writing advice compiled from the work of better writers who put the effort in when I can just go find those writers myself.
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stardustlixie · 4 months
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Okay hear me out...
Ot8 cuddling with the reader for the first time they have their head on his chest and his heart starts going crazy cause he's so nervous and he gets all shy and embarrassed ears getting all red 🤭🤭
Ugh I go crazyyy for shy skz
Okay that's all for now :))
~cookiecreates🍪
omg okay. super fluffy scenario. shy skz will actually decay my brain someday I adore them.
I'm gonna do this is a sort of hcs format so if that's not what you wanted, sorry!
chan
• shy baby. this man is a shy baby through and through.
• chan will always be someone to cherish his significant other and he will take everything seriously, every little milestone
• so early on in your relationship, you're at his place for the first time, you both hang out and watch a movie, he's no stranger to touch but you bet he's gonna be super surprised when your hands suddenly wrap around his frame and your head comes to rest on his chest
• the effect would be immediate, poor baby's heartbeat would quicken and all coherent thoughts will leave his brain
• you know how chan's blush starts from his ears before it can reach his face? yeah his ears will be suuuuper red. it's like he's frozen in time, you can see him gulping and you can't stop the laugh that escapes you.
• your giggles are what finally snaps him out of his daze "channie what's wrong?"
• "wha- oh. no. nothing." his arms wrap around your frame and their is a stupid dorky grin on his face the entire time. he does not pay even a second's attention to the movie, too busy memorizing how your cuddles feel to notice the screen. the boy is smitten.
lino
• you know he isn't a very expressive individual at first and it takes him time to open up, he's not the one to be super touchy either so you're very doubtful whether or not you should initiate anything.
• you see him getting jittery offstage after a concert, he must have been overwhelmed, you're new to this, to him, but he's your boyfriend nonetheless and the concern you're feeling isn't making this any easier.
• you drag him away from the staff and crowd and take him back to his hotel room before the rest of the boys, by the time you get him there you know for a fact that he's having a panic attack, he sinks into his bed and it doesn't matter if the most you've touched him is a few hugs to greet him, you wrap your arms around the boy's frame and pull him close.
• if it's two minutes or twenty you don't know, but you separate the moment you're sure he's calmed down, not wanting to make him uncomfortable
• "if you're fine i'll leave, sorry if i kinda over stepped your boundaries there."
• you're very surprised when he just opens up his arms, inviting you to lay down with him, and you smile at his nonverbal invitation before joining him.
• if the shy smile on his face didn't tell you better, then you'd think he's having another panic attack with the way his heartbeat is rising, you can feel it with your head on his chest. none of you says much, but words aren't really needed.
changbin
• one look at this man will tell any sane person that he is the best cuddle giver EVER, changbin is very affectionate, he is touchy. that's how he expresses his love
• but you're not really a very open person, it took him so long to actually get to the point of dating you so he's afraid he might do something wrong or make you uncomfortable if he rushed into his way of expressing adoration, so he mostly just settles for words of affirmation and don't get him wrong, he loves the small smiles and the words he gets in return, but he's craves physical affection nonetheless.
• but one evening he's sprawled out on the couch after a shower, and the power of a curly haired, bare faced binnie isn't unknown to anyone and boy is he surprised when he suddenly has his partner laying on him like he's a body pillow.
• changbin.exe has stopped working.
• his arms come up to hold you in place and you rest your face on his shoulder. "hey binnie", "hey baby" he chuckles, you can hear the surprise and the nervousness in his voice so you just dig your face into the croom of his neck and make yourself comfortable.
• felix has to hear him rant about this for weeks after.
hyunjin
• hyunjin isn't the type to date someone unless he's really invested, but he also isn't the type to do something in a rush. but the boy is very much touch starved.
• it's a painting date at your place, do the paintings you makes for each other go well? yes. but do you also end up smearing paint on each other for the sake of it? also yes. it's almost like a toddler playfight.
• you adore the boy, but he sucks at initiation, so it's you who initiates the kiss that turns into a make out session afterwards, that ends up with you straddling him, but instead of getting off when you separate, you just choose to lie down half on him and half on the bed.
• safe to say the boy is surprised, because it takes him a whole minute to process before his arms come up to hold you. his face is sooo red.
• "hey love. you're blushing a concerning amount." he just whines out a 'shut up' and makes himself comfortable, he never quite gets over the flustered state.
han
• hannie is not a man of patience, he is also not someone with a lot of time. that means you've been dating him for a month and you've been closer to fucking than you've been to spending actual quality time with him.
• which leads to this, you came here to find him working on his song, he gives you a quick greeting but you're not taking that, he's startled when he feels you taking his headphones off and giving him a pointed stare. "han jisung." "hey baby..."
• a minute later you have him beside you on his bed, a movie playing on the laptop he was previously working on. he whines about needing to finish the song but you just tell him to push you off if he dares. he doesn't.
• your head is on his shoulder and if you didn't know any better you'd think his anxiety was the reason his heart was beating so fast.
felix
• sweet sweet baby that he is, he's probably the one who initiated the affection, early on too. but considering your sort of closed off personality, poor baby was sooo hesitant when he did. you weren't very touchy, definitely not as much as him and he didn't want to ruin anything.
• so he was very careful with how he pulled you close to himself, face red the whole time. he was very close to losing himself in an abyss of overthinking when he heard you chuckle, "you're adorable."
• and when you wrapped your arms back around him was the moment you signed up for a lifetime of koala felix. good luck ever getting him off of you now.
seungmin
• he isn't very affectionate. we know. he expresses love with bickering and insults more than he does by normal means. so no surprise that personality trait is apparent when you're trying to solve a puzzle with him.
• "oh lord you're a fucking idiot!" he says when he finds you trying to make something funny out of a few of the thousand pieces of the puzzle. "you're dating said idiot though?" "you being my idiot does not negate the fact that you are an idiot" "whatever loverboy, admit you have a soft spot for me!" "nuh uh."
• maybe it's the way his curls fall over his eyes, or the way his glasses sit at the bridge of his nose, or the involuntary expression of concentration, but something prompts you to push him back on the couch and take a seat beside him, arms coming up around his waist to hold him in place.
• for the first time in his life, seungmin does not have something snarky to say, which surprises you enough to check up on him and find him blushing profusely as he stares at the floor, small smile playing on his lips. "you're real quiet now loverboy." "baby.."
• "huh, wasn't i a fucking idiot just now?" you giggle as you boop his nose, his hands coming up to wrap around your shoulders. "you're baby. for now."
innie
• you weren't even dating when it first happened, you were having a sleepover with the boys and you woke up shivering, in half sleepy wits you decided to snuggle into innie's side while he was asleep.
• he woke up before you, and was in awe when he found the home you'd made beside him, your face completely relaxed, quite comfy with your head on his chest apparently, half of your body was on top of him, so even if he wanted to, he couldn't move without waking you up.
• he just lay there smiling to himself until some of the boys woke up. you were later given photo proof of your sleepy actions by a very amused felix.
• and that's what prompted jeongin to confess.
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gb-patch · 1 month
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Sorry to send another ask amongst the sea I'm sure you're receiving, but I find myself more concerned about Rose being a sensitivity reader as I find more information. One of Rose's friends continues to insist that the conversation about Tamarack and male MCs was part of a larger discussion about biphobia in the fandom. However, they claim that Rose's position is "people erase Tam's bi/pansexuality by refusing to portray [her] as being attracted to anything other than men." This explanation of Rose's belief is, in-and-of-itself, biphobic. It claims that portraying Tamarack as attracted to men erases her queerness. This is textbook biphobia and bi-erasure that I as a bisexual encounter every day. It is NOT a good-faith defense of a queer character. It reduces us down to our partners and makes the claim that if we end up in a relationship that's "straight-passing," we're erasing our queerness. Especially as a bi sapphic myself, it reduces my identity strictly to the perceived-man I'm dating, and not my inner or previous experiences, or those of my partner. It's very uncomfortable that Rose, a non-bisexual, was discussing this like they're defending Tamarack's queerness when they're doing the opposite.
This is a doubly strange position when Our Life is a game about the acceptance of love in all its forms. The conversation could be different, MAYBE, if Our Life was a TV show or a book or a comic. But this is a game where people are meant to play as characters of their own design. I do not feel confident about Rose being a sensitivity reader for a game with bi/pansexual love interests if these are their beliefs about bi/pansexuality, particularly if they're unable to adapt their opinions to be relevant to different formats of media; this shows they're lacking in skill in the areas of media literacy and critical thinking.
I’ve been trying to make a post that presents the concerns people have about this, but your ask touches on the points I was going to, and I’d say it’s better to have it said by a player than me deciding what people are thinking. So, this is something that I want to make clear- that I see this and other asks/comments about it. What you’ve said is something a lot of people are unsure and upset about. I am sorry that you feel so out of place in this community now. And I am also sorry to players of any sexuality who use a male MC. That comment dismissed players and Tamarack’s identity.
It did come from a longer discussion about bi-phobia issues. The overall feelings were “if people did only want Tamarack to be interested in men, I really wouldn’t like that and wouldn’t it be a funny concept if Tamarack then left them for a woman?”. The comment itself didn’t encompass that idea at all. It does not give a good impression about where they’re coming from. It was unkind.
The viewpoint Rose is trying to have isn’t that “Tamarack can never express an interest in men” which would be wrong, it’s “I stand by the fact that Tamarack is someone who wouldn’t only be interested in men and no one else”. If it’s true that Rose likes Tamarack being interested in all genders and doesn’t want her bi-ness to be forgotten, I’d say that’s an acceptable view. If the point actually is that Tamarack should only be with women and if she’s not than Tamarack is no longer bi or she’s a bad character, then you're right- that isn't acceptable and that is going to get someone removed from the project. I do believe Rose agrees with what you’re saying and means it when they say they want to stop bi-erasure, not participate in it for real. But they had a very harsh way of talking about it.
I understand that people don’t know Rose and this situation has made them believe they do seriously hold that first view. But from working with them, there’s never been any feedback that shows an opinion of the sort.
Right now, I think that comment was being edgy and making a quick, very poorly-worded quip to people they’d been chatting with about that topic already. Rose has left the GB Patch discord servers, they used to be a mod, and may or may not ever be back in there. Rose won’t make blog posts responding to players going forward. They’re going to take a break from this and then try to give helpful feedback. We’re going to see if things can be okay from here.
And with this coming up, we’re all really aware that it’s something to consider about the game. I’m going to be as conscious as I can for any advice that seems to go against the character’s identities and I’m going to question my own knee-jerk choices for how I handle things. Other sensitivity readers will be able to give their viewpoints as well, so will the players. If the game’s content isn’t welcoming or is biased people will notice, and I’ll be here to accept what I’ve done. I don’t want that to be the result of this, of course. I hope the game will be thoughtful and considerate, but I can’t fire Rose at this point to try doing that.
No one has to keep following the game, though. I’m sympathetic to anyone who is too uncomfortable with all this to stay around.
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lyssasdrafts · 3 months
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★ 𓈒 ݁ STAR—CROSSED (rhysand x reader) ⊹
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chapter six: (written) ✧
𓈒 ݁ ✫ masterlist previous next
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“guess who!”
morrigan’s voice wakes you, causing you to jolt up from your table at the library. you had come here in the afternoon and it was already evening, meaning the sunlight from the library’s large windows had faded and it was starting to become dimly lit. the bright light from your laptop screen only further causes your eyes to strain.
“what are you doing here?” you say after letting out a yawn and stretching out your arms. you move slightly, patting down a seat for mor.
“just wanted to check up on you,” she shrugs. her attention shifts to the papers scattered around the desk, confirming that you had been reviewing your notes all afternoon. mor frowns when she notices the dark circles under your eyes and quietly fixes your hair while you talk about what you were studying for.
your laptop, however, was for a different task. you had been touching up some of the photos you took at rhysand’s photoshoot on your editing software, meaning his face was plastered across your screen. you cringe at the image and at the sight of the man who caused you so much irritation, no matter how good the photoshoot had turned out.
“are you making a fan edit of me now?” rhysand peers over your shoulder.
once again, you’re taken by suprise, almost jumping out of your seat when he appears next to you. perhaps it runs in their family.
“where did you come from?” morrigan almost yells at him. rhysand had been standing behind the both of you, hands in his pockets as he leans over to look at your screen.
“don’t get the wrong idea,” you retort. “i’m editing your photos from our photoshoot.” rhysand gives you a satisfied smile. perhaps it was even genuine.
“i came here to study,” he says, pulling up a chair and moving to sit across from you. “mind if i sit here?”
“actually, yes,” mor says irreverently. her cousin gives her an annoyed look and she crosses her arms. “no wonder my roommate can’t stand you.”
“i can definitely confirm he’s difficult to work with,” you give her a smirk while the both of you hold in your laugh at rhysand’s dismay.
“i will admit, the photoshoot did look good though,” you say hesitantly. “and thank you for crediting me,” you add, “it really helped me as a photographer.”
rhysand feigns shock, “is y/n being genuine for once?”
you immediately take back your words, “i liked you better when you were picking an argument with me.” you could recall the moments since that photoshoot where rhysand had acted normal in class despite knowing about your passion: when you got your exams back, or last week when you scored one point higher than him, or today in class when you started a debate about the formation of the universe. the entire class had witnessed your argument and you could’ve sworn your teacher sighed that you two were bickering again.
“you know that i was right today,” rhysand says, “as i typically am.”
you try not to roll your eyes at him, instead sorting through your notebooks and papers to find the reading you did earlier. “i know i’m right because i actually study the material. it says here that—”
morrigan had already mentally tuned out of your conversation with rhysand, rolling her eyes when you start shoving notes into her cousin’s face. “can the two of you please argue another time?” she almost yawns.
in the corner of your eye, you can see that familiar golden-brown hair peeking out from behind a bookshelf. you want to roll your eyes as you realize she’s watching how rhysand acts with you. nesta would definitely be teasing you about this later. you notice a second person’s hand covering her face as she giggles, spotting her brighter hair between the gaps in the books, and realize elain was spying on you too.
maybe going to the library was a bad idea today.
rhysand, the oblivious fool that he was, did not see the sisters behind him watching you. you wondered if he was even aware people did this to him, considering how your friends were definitely not the only people on campus to be interested in him like this. you nearly cringed as he continued rambling about how his argument was right, never dropping that satisfied look on his face. he hadn’t realized that you weren’t focused on the conversation anymore.
“do you always have to challenge me, rhysand?” you finally ask.
“do you always have to be right, y/n?” he quickly counters, further proving your point.
“well maybe, it’s because—”
you’re interrupted by the sound of loud footsteps and two large figures walking up to you, causing a few heads to turn in the library, including nesta and elain. you don’t recognize cassian and azriel, who you only knew as rhysand’s friends, until they come up behind rhysand and cassian starts to talk.
azriel pulls up a chair to sit with the both of you while cassian stands behind rhysand, hugging his friend from the back. rhysand seems amused, exchanging greetings with his friends before they finally noticed your presence.
“sorry, y/n, i hope you don’t mind us stealing away your boyfriend for a minute,” cassian gives you a smug look. “we just need rhys for a moment.”
you stare blankly at cassian, blinking. is that what they’ve been thinking? maybe rhysand had become more tolerable to you, but you still had every right to be annoyed with his friends. cassian looked like he was about to start laughing at rhysand before you look him straight in the eyes.
you lean back into your chair, crossing your arms and glaring at cassian, “he’s not my boyfriend.”
“he talks about you all the time,” azriel chimes in. this was perhaps your first time hearing his voice properly. in the few classes you had with him, azriel rarely spoke and brushed off anyone who tried to start a conversation with him. even a few more heads turned towards him when he spoke in front of you.
a look of panic flashed in rhysand’s eyes and he gave azriel a nudge with his arm, causing the dark haired boy to chuckle. morrigan makes a disgusted face, giving cassian and azriel a look that would’ve made you shut up instantly. but instead, they both continued.
“well then, i can’t really blame you for not wanting to date rhysand,” cassian is now standing over your table, placing his hands in his pockets as he leans down towards you. “he’s insufferable.”
“he is,” the cold tone remains in your voice, though an amused smile begins to tug on your lips.
“don’t say that, y/n. he’ll be so heartbroken later,” azriel speaks, a similar reluctant smirk appearing on his face too.
“that’s enough!” rhysand snaps, “stop embarassing me.”
you’re about to burst out laughing with cassian when rhysand suddenly slams his hands on the table, insisting that his friends leave with him. you don’t object to rhysand cutting his visit to the library short, watching how mor chuckles as rhysand drags azriel away and bids cassian to follow behind them. it’s like the four of them have a secret that you’re not in on. cassian gives you a playful wave goodbye that you hesitantly return before the three of them quickly disappear from your peripheral vision.
“that was… interesting,” you say to morrigan, only moments before nesta and elain confront you. you were still trying to process the fact that cassian and azriel had even looked in your direction, let alone without any disgust. some of the rudest people you knew on campus had just started a conversation with you, all because you happened to know rhysand.
nesta pretends to dust off the books on the shelves as she walks towards you, tracing the patterns on your wooden desk once she reaches you, her eyes almost bulging when she glances at all your papers. “y/n,” she says in a sing-song voice, it’s the first time you’ve ever seen her smile like that, “what was that about?”
elain doesn’t even bother to be discrete, simply trailing behind nesta and appearing behind her. although she obviously isn’t as curious, her eyes are also widened like she has questions about that interaction too.
morrigan nearly scoffs, “you mean rhysand?”
“i already know about him,” nesta’s smile almost drops completly as her face twists, “who was that big, strong friend he brought?”
“you mean cassian?” you say, mor nearly starts laughing again.
“he seems cute,” nesta shrugs, then continues teasing you. “does our y/n now have men fawning over you?” she gives you a look with a smirk.
“absolutely not.”
elain suddenly joins, her voice remains quiet and hesitant when she asks, “what about the taller one?”
she receives a look from both you and nesta, and you’re suddenly reminded of just how coldly azriel treats people. perhaps nesta would get along with him, but your other friends would definitely dislike him if they saw him in class the way you did.
“he seems kind,” elain softly says.
“something tells me you’ll be seeing a lot more from the three of them,” morrigan playfully hits your arm, your three friends officially ganging up on you to your dismay.
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— NOTES
cassian and azriel teasing rhysand 🤭
almost got the whole gang in one place 🫶 cassian and azriel finally make their first appearance
nesta noticing cassian 👀 my nessian self just had to add it
— TAGLIST
@thelov3lybookworm @starsand @lilah-asteria @therealmoonstone @just-a-social-casualty-1 @ashjade19 @girlontheblock @cherry-cin @daughterofthemoons-stuff @starswholistenanddreamsanswered @sweet-chai-amore @kierramofficial @noelli-smv @c-dizzle99 @littlestw01f @marina468 @dragneel-brothers
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twisted-king · 5 months
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Hello! Since you also write genshin, I've thought about reader or F!S/O being from Teyvat. But that isnt really the main point. How 'bout their F!S/O is from Sumeru and is strictly bestfriends with Cyno and Alhaitham. How would Trey, Azul, Jade, Floyd, and Jamil feel about their F!S/O having boy bestfriends back at her world? Maybe if they're jealous, reader tries to comfort them by saying that Alhaitham is engaged(to Kaveh)XD Lol
You dont have to do this if its to much♡
Oddly specific but I like the cut of your jib!
Also can be read as genter neutral, I don't reall mention gender on this one?
Trey, Azul, Jade, Floyd, and Jamil X F!SO from Teyvat
who is also besties with Cyno and Alhaitham
Trey Clover
Well youre from a whole different world! Magic seems to exist in some capacity at least.
He doesn't know what a Zatyun peach or a Sunsettia is.
But he tries v hard to make you things that remind you of home sometimes!
He actually does a pretty good job at it too!
And thats where the issue arives.
Whenever he asks about your homeland he knows he is going to hear about your best friends
He's trying SO hard to be normal about this
Trey loves you so much but, he gets a little jealous!
You've done so much with these two!!!
"And Cyno's jokes are the absolute WORST! I swear some of the things he says are worse than Ace's!" "Oh that's... nice!"
but they're your best friends! He really shouldn't be jealous.
"I still don't understand why Alhaitham is so jacked, like all he does is read books all day!"
He really shouldn't be jealous
"And I'm kind of glad its never too hot around here! Like I know he works primarily in the desert but like put a shirt on sometimes! You know?"
But damm its hard.
He tries to be subtle (not really)
"So have you ever like... done anything with one of these guys?" "What do you mean?" "Like have you dated one of them..?"
oh.... OH!
You laugh at that, he's embrassed "Oh gosh NEVER! They both have boyfriends anyhow! Alhaitham is engaged!" "Oh."
You nod and give him a little kith
Wow he's relieved!
Azul Ashengrotto
He loves learning about you and your home world! Truly!!!
Azul thinks your mind is briliant, you're so smart and quick on your feet due to years of travel!
With travel comes a lot of experiences
a lot.
without him.
He's playing it cool though! suuuper cool
"Oh I remember Alhaitham would never answer anything that wasnt formatted or completed properly! maybe you could do the same? it would certainly free up some time, no?" "Of course it woudl free up some time, dear... But" "buut?" "Well it wouldn't be fitting of my benevolent nature now would it, my love?"
Azul keeps trying to prove he's a better boyfriend than your old friends
He needs you to know he's the best option for you <3
"And could this 'Cyno' make you a delightful seafood pasta like this?" "No, not really, he was more into rice." "I see..."
Oh hey he made you curry and rice
You know, by the way. He is NOT sneaky
After another bout of showing off, you finally say something.
"They have boyfriends, you know?" "huh?" "Cyno and Alhaitham? they have partners. You don't have to be jealous." "Why would I be jealous, dearest?"
DENIER
Denies his jealous to this day but he gets happier after you reassure him.
Jade Leech
Yeah he's super cool about this!
for the most part...
He's extremely interested in learning about the flora in your world!
and he thinks those vishap creatures you compare him to sound rather interesting.
Jade being rather curious in nature comes in handy! since he doesnt seem to get jealous.
His questions are... odd, though. they kind of make sense?
"Cyno once took out like-- 10 guys in like a MINUTE! it was so cool! "Is he that fast in the depths of the sea?" "No-" "I see..."
Sometimes he's a little less slick though
"OH my gosh Alhaitham is so weird about soup! He hates the stuff because it could get on his books of all things!" "Does he consume beverages as he reads? tea perhaps?" "Yeah, sometimes." *Pleased eel noises*
He's just being careful :)
Jade often prefers to dicuss your best friends while in the kitchen. he likes spending this time with you!
And he has his knives and mushrooms at his disposal.
*chop chop chop* "And so Haitham and I used to skip out on akademiya meetings together-" *chopchopchop-* "But Cyno would ALWAYS 'catch' us just before the meeting would actually ends-" *ChopChopChopChop-* "So then he'd bring us to Kaveh, Alhaitham's fiance to-" "He has a fiance?" "yeah,why?" "no reason." *chop~ chop~ chop~*
He's still keeping the information from his... questioning in mind.
Can't be too careful, after all.
Floyd Leech
He loves his shrimpy's stories!!!
He hates his shrimpy's stories :((
Floyd is reaaal conflicted. He thinks you're so interesting! your world seems like fun!! he wants to go there with you.
But not with those men you keep talking about
"So sometimes there are these HUGE mushrooms that kind of act like a launchpad! they're super springy." "Eh? Jade might like soemthing like that... OOOH! do ya think if I throw someone (Ace) on one of those they'd still bounce?" "Yeah they would! one time while going after a criminal, Cyno had to-" "Eeeeh I'm bored. You coming to my next game?"
Subtlety? not THIS eel
He audibly groans when you bring them up sometimes.
But he still loves hearing you talk! so it really confusing sometimesz
"So genius invocation uses 8 elements, 7 from the nations, one is omni. Usually the cards are based off of vision users like Diluc of mondstadt, Arataki Itto, from Inazuma... OH! there is one of my best friend, Alhaitham, he's dendro and Cyno's is electro, its actually" Oh he's no longer looking at you.
You get an idea... "There is one of Haitham's fiance, Kaveh" "Oh really?"
GOT HIS ASS
You're his girlfriend, you know him best.
He's a little less weird about listening to your stories now, he's way more enaged.
He still tugs you closer to him when you mention other men, but thats kind of normal for him now.
Jamil Viper
A confident king? He's not really jealous. He knows he can be better than them.
Plus they're just friends to you.
But in all honestly he like... doesn't care too much about Teyvat.
You're here now, with him. not them.
Don't get him wrong, Jamil likes hearing about what your world!
There's only oneee little thing he doesnt love hearing.
"Sometimes I miss the food from Teyvat... Cyno always made the best Tahchin." "The best you say?" "Yeah! he shaped it like a pyramid every time he made it!" "Have you ever tried mine?" "You make tahchin!?"
He's smug, you'll love his cooking more than that Cyno's.
He serves you a plate of tahchin, golden brown, perfectly seasoned, barberries topping the rounded rice dish "So, what do you think?" "This is so good! I kind of miss the padisarah petals though.."
The hell is THAT?
"Is it... not up to your expectations, my flower?" "No its delicious! I think I just miss the way my friend would make it.."
He's a little grumpy about it!!
Jamil gets kind of huffy with you next time you're together.
He's not ignoring you but just don't bring up food for a while.
Snake man will just respond with "Why don't you ask Cyno." when it comes to cooking for the next day or two...
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genericpuff · 4 months
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Hello! I’m just here bc I’m a little confused on what you meant by Smythe drawing out “each individual asset” when she was making comics? Now, granted, I can see that it made her file ginormous, but me personally as someone who knows nothing about making online comics but is really wanting to get into it (and also as someone who has a ‘too many layers’ problem myself), is there a way to avoid using too many layers?
My current way of making comics has been to draw the panels individually and then format them (which I know is terrible management wise and also messes with the quality) but I honestly have no other idea of how to do it properly, and seeing how stunning Lore Rekindled looks, I don’t know how you would manage to put all that lighting effects and little details on the same layers. (But also I may be thinking of it wrong so I’ll let you talk qwq)
Ah I can actually give you a visual breakdown of what I meant by that!
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So in this you can see there are a TON of layers, and not even all of them are visible because some of them are stuffed into FOLDERS that have been left closed. BUT if you look REEEEALLY carefully-
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^^^ These layers right here? That's specifically Minthe from this panel in Episode 61:
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(the unique pose here makes it real easy to tell that this is the corresponding panel, you can see the matching body shape with the dark shading that's clipped to the base layer below it!)
So what this means is that Rachel didn't draw all her characters on one base layer, she drew every single character in every single panel separately. Now of course, she could merge all these layers together as working on separate layers helps make it easier to work on elements that collide separately (like one character being 'underneath' another character like Hades is here) but because she has all of those clipping layers with the shading already added in, she likely didn't merge them afterwards because that would actually create MORE problems (because if she merged the Minthe layer in with Hades, then the shading for Minthe that she painted outside of the lines would show up on Hades and then she'd have to erase it which is just a bunch of extra work).
You can also tell all these characters are on their own layer because the layer thumbnail EXCLUSIVELY shows those characters. A layer will show as much canvas length as it needs to cover what's in that layer, so if the thumbnail is only showing one character, that means there's NOTHING ELSE on that layer. If there were more elements on this layer than just Minthe, the layer thumbnail would look more like this:
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Now let's compare it to Rekindled's layers! I'll use a completed page to make it fair as we use a lot of extra layers in the post-production phase where we add the texture effects and glow and all that fun stuff, plus I'll even make it a more complicated page like that big nymph explanation spread from Episode 51:
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So I'll break it down to make this make more sense:
BG 2 Copy (technically this is supposed to be BG 1) - Basically the panel shapes, what I'll do is mark out the panels with flat blocks and through that we'll add background elements in a clipping layer (usually done by Banshriek). Often times they'll do multiple layers to make the process easier and then merge them all together in the end. With these shapes operating as panels, it means I can just auto select the whole layer, invert the selection, and easily erase whatever's outside of it (such as the lineart and base colors that I put down afterwards). I could just use masking layers like I did in [AFTERBIRTH] but I find this way works better for the process of making Rekindled.
BG 2 - This is where we add objects / foreground elements. So stuff like furniture, interactables, anything that needs to be kept separate from the larger background to make it easier to work with. This can also include "floating" panels that need to be above other panels, such as this:
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All of the backgrounds are then nested in a folder for organization purposes (we also sometimes use clipping layers on top of those folders to apply extra effects over anything contained within that folder without affecting other folders, that's a common technique that Banshriek applies)
Then we get into our Characters folder:
BASE - This is where I do the majority of my work, all the characters in every panel on a page are flatted into this layer. Sometimes I do have to create separate layers to, again, make it easier to work with overlapping characters, but usually those layers will be merged before I go into the shading process. I simply shade on a single layer by using the lasso / magic wand tool to select my area for painting, the flat colors make it really easy to do that. Sometimes I need to create a secondary shading layer if I've put down dark colors that start to bleed into the lighter colors, but again, I merge when I'm done into a single shading layer. We also sometimes employ an Add (Glow) layer into the clipping set if we need a glow effect that's exclusive to the characters and doesn't travel outside of their base colors.
There's a (leaves) layer here that I used for the dryad because I needed the leaves to be above the base layer, after that I selected the leaves elements so that I could erase the lineart in the layer above it where needed.
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LINEART - It's lineart, enough said haha That said, I do think Rachel actually uses clipping layers for her lineart in places, it seems to be visible in some of her process videos where you can see the lineart present in a clipping layer, and that would explain why there are panels where the lineart suddenly 'cuts off' and doesn't travel outside of the base layer, like so:
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GLOW - This is where we do an Add (Glow) layer that isn't restricted to the base layer, it's where we add all the fun lil' glow and sparkle effects over the characters !
The CLOUDS layer is, like the leaves, a background element that needs to be above the base layers rather than constricted to the background.
Above the Characters folder you can see what I mentioned earlier where Banshriek has added more post-production effects that are exclusively clipped to the contents of the Characters folder. This means the effects / blend modes do NOT affect the background layers or anything above it.
The BLUR (Overlay) layer is something we just started doing over the past several episodes, it's a technique I actually picked up from 66 of City of Blank where I merge all the layers into a new visible layer which I then apply a Gaussian Blur to at around 60% and then set to Overlay (and then I adjust the layer opacity until it looks right, usually around 25-35%), it gives it a bit of a softer "dreamier" vibe in the final colors and really helps unify everything!
CANVAS - This is an Overlay layer which is also set to an opacity of 25-35% where I go over the panels with the Add Canvas brush from the Kyle Webster set, unlike the Canvas overlay texture in CSP I can actually choose the colors I want to use which means I can match the canvas texture color to the mood and environment of the scene (ex. I'll use a very light blue for scenes in the Underworld). Not only does it give it that signature texture from S1 of LO, but it also helps balance out the effects of the BLUR layer.
The SKETCH layer sits on top of everything and gets turned off once all the base layers and lineart are down, and ofc the SPEECH folder is just where all the text is kept.
I know everything I just laid out is a LOT but ultimately it's how we operate, it works for us! But it also begs the question of why Rachel operates the way she does because a lot of it seems extremely unnecessary and more likely to bite her in the ass (the more layers there are, the bigger your file size gets, the risk of drawing on the wrong layer increases as well as the risk of posting a panel that's missing elements because the layer was left turned off by mistake, etc.) And it's more so concerning with how she operates with her assistants because if she's still using this many layers when collaborating with other people, hooo boy. Though based on what I've observed of what her assistants contribute, I get a lot more of the sense that she circumvents this by having the artists do the flats separately and then importing them in as separate assets that she then just imports into the page and places them where they need to be. Still not a great workflow IMO because it's what's led to a lot of the issues of characters "floating" rather than feeling like they're actually in the environment-
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-but that's still an issue that could be solved by Rachel just taking more time to actually flesh out the backgrounds and lighting to give more of an impression of the characters actually existing in the space. Like that Hestia panel could easily be fixed by just giving the background a bit more detail and putting actual shading underneath her (and lighting from whatever direction it's coming from).
Either way, regardless of whether or not Rachel's process is productive or not, I hope that breakdown helps explain how we do it in Rekindled! Learning how to manage layers is definitely a skill that can be tricky to harness, but once it "clicks" there's a lot you can get away with. Ultimately how you do it is up to you, but my best piece of advice to offer is to just be open to other types of workflows because you don't know how much you might be shooting yourself in the foot doing things the hard way when there are often way easier and more efficient ways to get the same job done. That's basically the vibe I get from observing Rachel's workflow, it seems like she's still using methods that she thinks are working for her (and probably did work just fine for her when it was JUST her) but could be vastly improved for her and her team if she'd just get over the initial hump of stepping outside of her comfort zone. Would probably make for a better comic too LOL
I hope that helps! Good luck! ( ´ ∀ `)ノ~ ♡
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hyperfixatedbastard · 7 months
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Hi i hope you doing well. I have a resquest... more like a headcanon. What if Adam was a dad ? What his behaviour will be ? Does he be a good or a bad father ?
I understand if you don't do it. I don't want to force you for something you don't want to.
Dadam (Dad!Adam) Headcanons
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we bringing out the daddy issues on this one boys
WARNINGS: none
A/N: I haven't done a headcanon type of post yet, but they're easier to write than regular one shots and I'm too tired for that shit. The request didn't specify what kind of Reader (spouse or child), so I just went with general headcanons that don't specify the Reader at all. Insert yourself as you wish!
Also, thank you all for your patience! It's been very busy for me lately and I've been too exhausted to write much, so expect a lot more of these kinds of posts (the formatting is easier and I don't have to write a bunch of dialogue lol).
Dividers
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As the father of humanity, Adam had...a lot of kids. The guy lived for 800+ years just populating the earth. That's a LOT of kids. We all know how the first two turned out. That is, not fuckin' well. To be honest, I don't think Adam valued his children. It was just kinda... a thing he had to do. (When Abel died and Cain got exiled, he fr just went and had another kid to replace them.) But I am in deep, deep denial and this is for my enjoyment as someone with severe daddy issues. So fuck all that.
At first, Adam is 100% the guy that freaks the fuck out when he finds out he knocked someone up. That man is SWEATING. He's actually pretty chill if it's someone he's in an established long-term relationship with, though. He still freaks the fuck out, but to a significantly lesser degree and with a much smaller chance of up and leaving. Once he's over the initial shock, he's shocked to find that he's kind of excited. Back when he was alive, having kids was just normal because it was such a common occurrence.
This man knows every little detail about pregnancy and infants. With the amount of kids he's had? He has seen it ALL. Sure, all his information is thousands of years old, but knowledge learned through experience is super valuable when it comes to this shit! He doesn't know what the fuck a uterus is, but he knows exactly how to make his partner the most comfortable, how to deal with cravings, etc. If his partner has a problem, he's got a solution. It might be a fuckin' weird one, but it works! He'll probably grumble and complain, but he doesn't actually mean it. Bitching is just his thing, y'know? But... pregnancy hormones + Adam's douchebag-ness = feelings getting hurt. If his partner starts crying because of some shit joke or complaint he made? He's scrambling so fast. "Shit, babe, fuck, I'm sorry, I didn't mean it, fuckfuckfuck, don't cry—"
Once the baby is born, he definitely surprises literally everyone but his partner by actually doing helpful shit. Changing diapers? Easy fuckin' peasy (he does watch a tutorial online because he doesn't know how tf modern diapers work but he's a fast learner) Feeding? No problemo. Getting up in the middle of the night to do both of those things? His sleep schedule's already fucked, this shit ain't new.
When it comes to parenting and raising the kid, though... that's definitely where Adam struggles. He'd struggle with bonding. A lot. Adam mostly talks about things that you really shouldn't say around children, much less bond over. I think he'd be better at just letting the kid ramble while he's just sitting there, fully engrossed in whatever bullshit his child is saying. He's not just passively listening with little 'uh-huh's and nods, this man is active in the discussion. Have you ever heard a small child speak? They say the most random shit ever, and Adam would love it. It's peak entertainment to him. Even if it's just incoherent babbling, he'll have full-on conversations with this baby.
He'd definitely have some shared interests as the kid gets older. I think Adam's favorite shows/movies are a mix of action movies and shit like Power Rangers. He's not ashamed of it either—'fuck you, the Power Rangers are fuckin' cool.' This also goes for video games. I know that man is a toxic COD gamer boy and you can't prove me wrong. Basically, the only thing that keeps him from becoming one of those husbands that locks himself away in a man cave to play video games is the fact that he can game with his kid.
And once they get into school, he just gets really invested in the drama. Elementary school drama is such bullshit, and it'd be the best reality TV he's ever seen. "Oh, don't tell me—it's that bitch Cindy. The fuck did that little shit do this time?" He'd be gasping like it's a damn soap opera. 'Oh no she didn't!' kinda vibe.
He'd talk so much shit around his kid about the parents of their classmates, the teachers, anyone. Then the kid would repeat it and Adam would get sat down in the office with his kid like: "Your child said, and I quote, 'My dad says your mom's a bitch.'" "What? She fuckin' is." And yeah, he's not wrong - some of those parents are fucking nightmares.
If his kid got in trouble for fighting, his reaction would depend on the situation. If it was unprovoked and/or a part of bullying, he'd originally laugh it off but would be freaking the fuck out internally. He's probably a little traumatized by what happened with Cain and Abel. But if the fighting was an act of defense (whether of themselves or someone else) he would be the proudest dad ever. Fist-bumps his kid in the office in full view of the principal.
You cannot trust this man to give his kid the sex talk. It just will not go well. Like, if his kid needs advice when they're older (basically anything beyond 'where do babies come from') then he's your guy, but it's still gonna be awkward and uncomfortable. He'd probably have Lute handle most of those issues just so he doesn't have to know about his kid's sex life but can still trust that they have a responsible(?) adult if they have questions.
In terms of where Adam is lacking as a parent, there's a few areas in particular to focus on.
Emotional availability? Not his strong suit. At all. He can't deal with his own feelings, let alone his kid's. Most of the emotional support will be coming from his partner. That doesn't mean he doesn't try. But he can't show it with words all that well. He'll show emotional support in other ways—quality time, gifts, and acts of service for the most part. Like going out for ice cream, watching a movie, etc.
He's not good with discipline. To him, everything's no big deal. If his kid hasn't killed their sibling, that's good enough for him! Generally, his partner will choose when/how to discipline (with Adam's input ofc), but Adam's job is to just enforce it/not overrule it. He's 100% the type to be sneaky about it tho. If his kid is grounded, he'll go out with them to give them a break from being stuck in the house, y'know, stuff like that. Because of this, his kid forms a closer, different kind of bond than with Adam's partner. It's more friendly, I guess is the word? Like, his kid won't go to him for actual helpful advice, but if they fuck up somehow or are in a bad situation that they kinda got themselves into (drinking, car accident, etc.), then Adam is the parent they call.
I think Adam's peak parenting era would be when his kid is a late teen/young adult. 'Cause then he can actually be himself, for the most part. His personality is not very kid-friendly, so once his kid isn't really much of a kid anymore—he is so fucking excited. His relationship with his kid would be a lot more unconventional as they grow older. Like, he's really close with his kid once they're an adult. (totally not basing this off my relationship with my mom) His advice would be shit, but he'd give it if his kid needed it!
Definitely the type to text his kid more often than most parents. Mostly because he texts more like them and has the same sense of humor. Lots of shitty memes.
Also!! I think Adam would definitely make time for his partner. Date nights are a must. His kid better get comfortable with sleepovers at friends' houses or getting babysat by Emily 'cause he ain't letting parenthood fuck up his sex life.
I think that's all I got. Not sure how to end this so uh... shoutout to all you bitches with daddy issues lmao
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Taglist: @little-miss-chaoss @fakeguysarehot @3sire-777
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alexiethymia · 2 years
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Listen, book!Lockwood who is so repressed that it just translates to beaming smiles has a special place in my heart, but at the same time I cannot stress how much I appreciate the live action series for showing us unbelievably exhausted Lockwood who’s so obviously scared that Lucy and George will eventually leave (willingly or otherwise) but still has the gall to push them away. My boy was barely pulling it together. And ofc he would be so tired that the bags under his eyes are so prominent because we’re outside of Lucy’s POV now. Lucy who’s always had rose-colored glasses when it comes to him.
Speaking of Lucy, I really do love how she calls him out. She’s so aggressive with her love. It’s like she’s demanding that George and her will love and care for him and there’s absolutely nothing Lockwood can do about it so he just better shut up and take it. Peak found family right there.
How that scene where Lockwood comes to apologize to Lucy in the kitchen had so much ‘husband in the doghouse’ vibes, and how ultimately what Lucy is really mad about is just her wanting Lockwood to value his life more. And for Lockwood to outright admit that yeah he was a bit suicidal but it’s a bit like he found a new reason for living because of Lucy and George, again I say PEAK FOUND FAMILY, this is my jam. The ease of which Lucy being Lucy calms him down. (Ugh, again the domesticity of choosing egg cups). He can’t stand when she’s mad at him and he learns about apologizing properly this time around, but when she wordlessly forgives him, you can see on his face how he could fall so quickly and deeply in love with her. That’s one thing I love so much about the live action series. While the book showed us more of Lucy’s feelings for Lockwood, I actually think the series highlights Lockwood’s feelings more in that if I hadn’t read the books beforehand, I could have easily seen it as Lockwood falling first. His abandonment issues are so prominent in the series and while they play it with humor with Fittes and Kipps, you can just see that desperation behind the lighthearted tone, and for Lucy to say that she chooses Lockwood and George anyway….!
This is basically an excuse to ramble about the little things they add in the series that I love so much, which works because we’re not restricted to Lucy’s POV, in no particular order:
How Flo can immediately see how Lockwood feels about Lucy because of the effect she has on him. Prior to that statement, she’d only met Lucy once before, but that brief meeting told her everything she needed to know. She probably knew Lockwood in the aftermath of his family’s death, so for her to see Lockwood just buttering someone’s else toast for them and being all domestic and smiley, treating another person like a family member especially considering how guarded he is, she must have thought (and rightly so) that meeting Lucy made him have an appetite for life again.
We actually get to see Fittes’ and Lockwood’s side of the fight! And it was awesome. “I’m Anthony bloody Lockwood.” I can no longer remember if that line was in the book or not but idc I love it.
George and Lucy’s scene was in the book, but the acting in the series just really sold it for me. How Lucy’s heart just broke hearing George talk about himself, especially everything he said then were feelings I’m sure she’s also had about herself. I seriously loved that last episode. George and Lucy were adorable. Again I say, found family ftw.
The rise of the Flo x George ship! “You, me, and herons!” Again I say, adorable.
There are some elements that work better in book format, but in many ways the tv series really did elevate this beloved book series. It was a wonderful, wonderful adaptation. As a reader, I couldn’t be more satisfied. As a shipper, I couldn’t be more ecstatic.
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badomensbaby · 19 days
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buzz cut baby. lrh
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pairing: luke hemmings x fem!reader
summary: your boyfriend, luke, returns home one night with a surprise. your reaction, however, wasn't exactly what he was expecting.
warnings: 18+ only. minors DNI. safe sane and consensual, oral sex (female receiving), unprotected sex, established relationship, masturbation, flirting / teasing.
words: 3,910
a/n: i hate that i have friends because what the fuck! why do i do this to myself? anyway, i love buzz cut luke. enjoy!
feedback and constructive criticism welcome. requests are open!
Copyright © 2024 badomensbaby. All rights reserved. This original work is not allowed to be reposted on any platform in any format.
You’ve always adored Luke’s curls.
Honestly, they’re probably what drew you to Luke in the first place all those years ago. Initially, anyway. 
It was some influencer party in the hills that your best friend dragged you to as a plus one, citing there would be hot guys and a pool and live music from a top-charting band, that you’d be stupid to decline. That shutting yourself away following your breakup wasn’t the best way to cope. 
And, in a way, you’ll really never be able to thank her for that. If you would’ve fought harder, resisted just the tiniest bit more, you would have never seen those bouncy, bleached curls and dark roots in the kitchen, messing around with a keg he swore harbored a personal vendetta against him. 
His curls might’ve been the reason you noticed him, but everything that followed was Luke just being himself. Stupidly charming but awkward and fumbly, especially when you offered to help and probably got way too close. 
You didn’t know him, not really, and finding out two hours later that you were the reason the band’s frontman was late to play their short set for everyone in attendance was a smack in the face. For all you knew, you were locking lips and clenching your thighs around the long, long fingers of some Hollywood wannabe. 
He wasn’t, though, he was Luke fucking Hemmings. And he had your cum on the edges of his lips while he sang about falling in love for the first time. 
That night was so unlike you. You weren’t fond of hookups, only long-term relationships that seemed to fail for one reason or another, but that didn’t entirely derail you. 
You didn’t know Luke but that night changed the course of both of your lives for the better, you’d like to think.
-
It’s six-thirty in the evening when your phone rings on the island. Interrupting your jam session, aided by the scent of the roasted chicken you’ve had in the oven the last hour and a half, a picture of Luke post-concert with his tongue dragging across your cheek flashing on your screen. 
“Hi, handsome,” You greet him, a smile tugging at your lips. He’s been at the studio since seven, planning the second half of his upcoming tour and reserving hotels with his team. You’ll never understand how he does it. 
“Hi honey,” He drawls softly, a sigh of relief following but there’s a hint of something in his voice that straightens your shoulders and furrows your brows. “What’s my perfect girl up to?”
“Just making dinner,” You say, leaning your backside against the island while you peek once more through the oven window. “How’s work? You almost finished?”
Luke hums in confirmation. “On my way home, actually. And..” He tapers off, the sound of his car chirping faintly in the background as he unlocks it. “I’ve got a surprise for you.”
“For me?” You feel heat rise instantly to your cheeks. Luke’s always giving you little surprises, likely since he’ll be kicking off the second part of his tour in just about two months means he’s feeling a bit guilty. He had done that during his first round, as well as the band’s tour last year. Luke always hates leaving you. 
“For you,” He hums again. The warmth seeping through your phone’s speaker speaks something else entirely though, a more lustful tilt to his voice. “I’ll be home in thirty. Think you can wait in the bedroom for me, pretty?”
You glance at the timer on the oven. Fifteen minutes until the chicken is done. “I think I can make that work,” You tease lightly, as if you’d ever think about saying no. Time spent with Luke is always appreciated, as you never really know when he’ll be swept away on another tour or some fashion show abroad. “Drive safe. I love you.”
“Always. I love you.” He says before promptly hanging up.
For the next fifteen minutes, you clean up best you can around the kitchen. Not that you had left it a disaster but you couldn’t stand to see a single dish in the sink. Once the chicken had been taken out and covered to keep warm while Luke was giving you your surprise, you trek upstairs with warmth pooling in your stomach and excitement riddling your veins. 
Though the unspoken promise of something intimate had been shared, you still weren’t sure how far exactly you should go. You settle for keeping your current outfit on, a simple sundress Luke had gotten for you the summer before — a baby blue satin fabric with small daisies printed on it, back propped against the headboard and a pillow in your lap as you wasted away the remaining minutes until Luke’s arrival scrolling through Instagram. 
Your toes tingle and your thighs involuntarily clench when you hear the front door fall shut. When Luke’s voice calls out a sing-songy, “Honey, I’m home!” that echoes up the staircase into your bedroom. You toss your phone carelessly aside and sit up, cheeks warm and fingers drumming excitedly on the pillow still in your lap.
“In here!” You call back. 
The sound of Luke’s shoes thump on the staircase, slow and calculated steps that make the warmth in your stomach ignite into a full on flame. Rising to your chest and resulting in your breath speeding up. He stops just outside of the cracked bedroom door. “Cover your eyes for me, would you, doll?”
It isn’t an unusual request, given your bedroom dynamic. So, you comply, placing both hands over your eyes. “Alright, I’m not peeking I swear.” You say. 
The door creaks lightly. “Keep ‘em closed,” You hear him say, a bit closer now. “You’re excited, huh? You’re blushing all over, baby.”
“I like your surprises,” You say honestly, softly, producing a light chuckle from your boyfriend. Your heart rate doubles from the titillation that fills the room. “Is it that pretty see-through set you saw me looking at the other week? I wanted to save that for your birthday, but—“
“Open.” Luke interrupts you lowly. 
You quickly remove your hands, blinking rapidly from the change to the bright room. 
It definitely isn’t that pretty lingerie set. 
A loud, sharp gasp falls from your mouth. You reel back, eyes widened, and goosebumps trail every surface of your flushed skin. 
Long gone are the blonde ringlets and dark roots that curled around the tips of Luke’s ears. The curls that you often found your fingers sinking into for comfort, or for pleasure, the curls you’d wash on the bad days and style on the good ones. 
“You’re bald.” You blurt in a panic. 
Your brain tries, tries so hard to make sense but there’s a big piece of the puzzle missing. Something that’s been such a heavy, big part of Luke for so long. The thing you noticed first about him. Gone. Shaved down and smothered in bleach. 
Luke raises one amused brow but the undertone of his own panic is evident. A nervous chuckle escapes him. “I’m not bald. I just shaved my head,” He says. “Do you.. not like it?”
“I.. don’t know,” You answer honestly in a breath. “I.. your curls.. why did you—?” Slowly, you climb off of the bed, hesitantly approaching your boyfriend standing still near the dresser. “What am I supposed to hold on to while you fuck me now?”
“That’s what you’re worried about?” Luke’s shoulders deflate, tension dissipating from them. “Y/N, I’ve talked about shaving my head before. It shouldn’t be that much of a surprise, babe. My ends were dead.”
“Yeah, but—! I thought you were joking!” You splutter, cheeks hot and furiously pink. “What the hell am I supposed to pull on now, your ears? I can’t deal with this right now.” 
“Y/N,” Luke steps toward you, hands hesitantly reaching for your hips to make contact. You let him but your chest continues rising and falling quickly while your eyes roam his short, short hair. “Getting rid of my curls doesn’t mean I’ve gotten rid of my ability to fuck you. What’s going inside your head?”
“It’s — a lot,” You say. “I wasn’t expecting it, like at all,” You reach a hand up to graze the fuzzy top of Luke’s head. It feels weird, the short hairs tickling the palm of your hand. “I’m serious though, Luke. Sex won’t be the same now.”
“That isn’t true,” Luke tugs the corner of his lip between his teeth, a habit still exhibited often despite the lip ring being long gone. “Baby, you know that isn’t true. C’mon, you don’t think I look like some bad boy from one of your romance novels?”
A smile threatens your lips but you stifle it, pursing them. You’re meant to be mad, your brain just can’t compute the sudden change, even if it was the best decision for his bleach-fried curls. You adored them. 
“Shut up,” You huff. “Don’t try to get me on your side.”
“Why? I’m having fun over here,” Luke’s fingers drum on your hips, teasing and threatening to pinch the fabric of your dress between his fingertips. “You’re really this upset about not being able to pull on my hair when I fuck you?”
When he says it like that, you feel stupid. But yes, you are, because it wasn’t something just for you. Luke loved getting his curls tugged while he ate you out, or fucked you, even from behind. He liked the pain, the urgency of it. This isn’t just about you. 
“You like — liked — it too,” Your pink lips jut into a pout. “Maybe I’m being unreasonable but yes— I’m a little upset.”
“Alright,” He hums, digging his fingers momentarily into your hips, thumbing the prominent bones there. He knows you’re sensitive. You think maybe he might part from you, your breaths bated as you hang on to his every movement. “I’ll just have to prove it to you, then.”
You swallow harshly. “Prove what to me?”
“That I can fuck you so well my curls will be the last thing on your mind,” He says, tongue trailing on the inside of his lower lip before clicking off the roof of his mouth. “How many orgasms will it take, huh? I’m thinking three.”
“Oh,” You breathe out. “I don’t know if that’ll be enough.”
“Oh, really?” A crooked grin tugs at Luke’s lips, brows raised curiously. “Four, maybe? I bet if I fuck you stupid long enough you’ll cum without a fucking touch.”
Good Lord.
You can’t trust yourself to respond. Luke isn’t a vulgar person often, and most of the time your bedroom affairs fluctuate depending on either of your mood. One night you could be draped over the mattress with Luke’s tongue tracing his own name on your heat and another riding him with slow, slow tilts of your hips as the sun comes up. It’s never the same experience twice. 
But this time — you have a feeling tonight will blow every other night out of the water. 
“Guess I should start off with an apology,” He mutters, almost missable between your ears, words lagged and not understood before Luke’s dropping to his knees before you. Wide, soft blue eyes with inky, dark lashes blinking up at you. Ringed fingers still clasping your hips. 
It takes you a moment to realize he’s silently asking for permission, as he does often, and you nod. Your tongue is so tied you’re afraid nothing good will escape your mouth if you were to make an attempt to respond verbally. Luke’s hands slowly slide along the fabric loosely clung to your thighs, speed consistent as he grabs hold of the hem and brings it upward. 
With one hand balled around the fabric of your dress, resting just below your stomach, you feel Luke’s warm fingers trace the material of your underwear. Teasing you. Taunting you. All the while your handsome boyfriend keeps his eyes locked on yours, a startled breath is knocked out of you when he begins mouthing at your clothed heat. Teeth threatening your covered clit. 
He’s always been impatient, and that sentiment proves right once again as he tugs the material to the side and wastes no time tasting you. Wedging himself between your thighs even as they rumble, even if the position isn’t the most desirable. His tongue traces every inch sincerely, writing his apology in the form of circles and figure eights and capturing your clit between his lips so suddenly it makes your knees threaten to buckle. 
You feel it in the way he moans at the simplest taste of you, the I’m sorry he hadn’t said aloud. You feel it in the way his fingers eagerly slide alongside his tongue and fill you, keeping you steady despite the desperation to fall apart right there. 
“Luke,” You whimper helplessly, his eyes threatening to fall away from yours and flutter closed in pure bliss. He loves this just as much as you do, if not more. This man was made to eat pussy. You’d bet your life on it. “God-“
He takes your strained whines and moans and ragged breaths endearingly, curling his fingers to reach the perfect spot that pulls a broken moan from deep within you. Every shake of your thighs, every wave of pleasure that builds in the pit of your stomach and threatens to crash over you, he eagerly takes it in stride. Luke knows you won’t last long but surely he’s counting on it. 
His mouth retreats, fingers still curled inside and finding every spot that makes you whimper. Luke looks fucking wrecked already, and if you thought you were in for it before, the sight of Luke spitting directly onto your clit nearly makes you cum on the spot. It’s demeaning and dirty in the best way, before eye contact is fully broken and Luke dives back in like he’ll never taste you again. 
It’s mainly his eagerness that turns you on the most. The desire he possesses to pleasure you, to worship you. You feel it when Luke begins to suck on your clit again, the dam threatening to break and drown you both. Without a thought, your hand flies to his head, grasping the back of it and holding him against you. Orgasm building and building, prickling the base of your spin and the tips of your toes, stomach tightening as he works his fingers and tongue in some kind of foreplay crescendo. 
The violins and cellos that resemble moans from the man with his tongue buried inside of you and the ones spilling from your lips build until you’re letting go. It feels insatiable. And you’re absolutely blubbering just as much as you rock through it, Luke’s fingers slowing and tongue working to lap every remnant of your release in earnest. 
Your mind feels hazy, post-orgasm, knees weak as Luke’s arm slithers around your backside to keep you upright. You spare a glance at him, when the bleariness fades from your vision, to see his lips glistening beneath the bedroom lights. Tongue dancing around every inch of his mouth to capture your taste and savor it. “I don’t know if I accept your apology yet.” You huff between broken breaths, thumb idly swaying back and forth across the side of his head. 
A look of challenge flashes in Luke’s eyes. “I figured,” He says, thumb swiping the top of his lip before dragging his tongue along the digit. Luke slowly rises to his feet. “Let’s get you more comfortable, hm?”
You nod, despite the lack of explanation as to what more comfortable really means, as you’re being handled rather briskly and bent over the edge of your bed. A small oh escapes you. 
“Get those knees up, doll. I can’t be doing all the work here,” Luke says, tapping your thighs. Sluggishly, you do as he says, now on your hands and knees, ankles just barely hanging off the bed’s edge. “Hm.”
Your dress is rucked up once more, now pooling around your lower back, underwear still pulled to the side and a low whistle sounds from behind you. “Fucking beautiful, you know that?” Luke groans lowly. “I swear to God, need a picture of your pussy in my wallet.”
You can’t help but moan. Luke’s belt clanks as he unfastens it, clattering to the floor, jeans sliding down his legs. You spare a glance, to see the material gathered at his mid-thigh. He hadn’t taken them off entirely. And for some reason, you find it hot how needy he is for it. 
“Maybe I’ll take a picture,” He continues, as you feel the tip of his cock drag slowly through your wetness, slicking himself. Preparing himself to utterly destroy you as promised. “After I’ve filled you up. Huh? How ‘bout that? A picture of my pretty girl’s pretty pussy full of my cum.”
Your arms wobble, sending your chest directly into the mattress. Only further aiding the ease of Luke entering you, slick and warm and thick as he slides in so effortlessly with a low hiss. “I’ll take that as a yes?”
“Yes— God, oh my—“ You mutter against the sheets, turning your head so that your cheek is flat against the soft material. Luke buries himself to the hilt, one hand fastened on your hip while the other is splayed and slowly traveling up your lower back to grab the fabric of your dress. Holding you in place. “Luke, please.”
“Since you’re begging so nicely, my perfect girl,” He says, pulling back only to bury himself inside you once more. It’s so wet and slick and obscene, the sound bouncing off of your bedroom walls alongside his low grunts and your sharp breaths. The angle alone is enough to make you cum, combined with the sensitivity from your orgasm. Luke continues the slow motions, withdrawing his cock only to sink back in. “What’s the matter, baby?”
“Too slow,” You grumble. “Faster. Please— for fucksake.”
“Oh, you poor thing. Gagging for it,” He sighs in faux-annoyance, but you know he’s just as desperate to fill you, to claim you and leave you a mess. “As you wish.”
The curled fist against the middle of your back presses harder, pushing your chest flush with the bed with no room for movement. Fingernails sink into the soft flesh of your thighs as Luke’s cock withdraws slowly, one final time, before thrusting so harshly a broken moan is pulled from your throat. No mercy is evident in the way he fucks you, like it’s all you’re meant for, the tip of his cock nudging that spot just barely.
Tears pool in the corners of your eyes. 
“God baby, this pussy was made just for me. So fucking warm and wet,” Luke grits out between harsh exhales through his nose. “Taking my cock so well.”
“Luke,” You reach out desperately, fumbling to grab the sheets between your fingers as your body rocks from his thrusts. He’s been intense like this before, long ago, but you’d be a fucking liar if you said you hadn’t longed for it on the occasion. “Fuck, you feel so good. Please— please don’t stop.”
“I’d be an idiot to stop,” Luke says. “Christ, Y/N, you’re fucking soaked. It’s so fucking hot.”
A sudden wave of something hits you full force. Something more powerful than an average orgasm. Your thighs quiver so harshly that they cramp, Luke’s cock nudging the perfect spot dead on and the only sounds escaping you are desperate pleas and whines that can’t be deciphered. Your head feels like jello, holding on to something that’s begging to be free. So, you do. 
“Oh, fuck—“
The pleasure is almost blinding. Your body feels so warm, on fire practically, and Luke’s thrusts stutter. “Did you just—“
He doesn’t need to ask. You did, you both know it. The way your release floods your thighs, Luke’s cock and dampens the sheets. It’s only happened twice in the time you two have been together, and squirting definitely isn’t something you’ve practiced. 
“Oh fuck, Y/N-“ Luke whines. Broken and breathy, nails digging into your hip so harshly for dear life as he buries himself inside you fully one last time, panting your name on an endless loop as he comes undone. “Fuck.”
After a moment, Luke slowly retracts, and the sound of knees hitting the bedroom floor is unmistakable. You’re in no state to move, vision speckled and blurred, while you somehow manage to keep yourself upright. You aren’t sure if minutes pass or seconds, but you jump slightly when Luke’s hands softly clasp the back of your thighs. 
“This is the hottest thing I’ve ever seen,” Luke says weakly. “Holy shit, Y/N. What a fucking masterpiece.”
No doubt he’s taken a photo or two. Or three, or ten. Luke’s just sentimental like that.
You slowly attempt to rise on shaky arms, but Luke presses his thumbs into your skin with a tut. “Hold on, baby,” He says. The words for what sit on the tip of your tongue but Luke’s actions prevent you from asking, as a sudden warmth meets your most sensitive spot. 
Is he—?
Fuck. 
The tip of Luke’s nose ghosts the soft skin between your holes, as his tongue works to clean the mess you and he had made together. Catching every last bit, with hungry little groans. All you can do is sit and relish in it, in Luke’s desperation to taste himself inside you once more, that you don’t really register a slickness that isn’t due to your boyfriend’s current activity. 
Weakly, you spare a glance between your legs to catch sight of Luke’s arm furiously working. He’s getting off, you realize. To tasting his own cum inside you. 
Luke groans weakly against your pussy, lips quivering and he’s likely finished all over himself. The warmth that floods your stomach is preposterous. Luke backs off. 
“You were that desperate?” You ask, finally turning onto your side to see Luke, pink-cheeked kneeling beside the bed. Eyes wide and glossy as they meet yours. “You got off to eating me out? After cumming inside me?”
“Well, I—“ Luke clears his throat. “M’fucking weak for it, you know that. After I took a picture I just— fuck off.” He turns away, clearly embarrassed. 
“You’re cute,” You laugh softly, thoroughly exhausted and sweaty and way too warm than is desirable right now. “I accept your apology, by the way.”
“Figured,” Luke says. “You didn’t have time to think about my curls,” Reminded once more of the short hair that decorates Luke’s head, your lips part to defend yourself but Luke holds up a silencing finger. “Don’t even, Y/N. You know how long I’ve been dying to make you squirt like that—“
“Luke Robert Hemmings!” You gasp. 
“Just saying! More important things happening than my hair. I need to remember what I did so I can make you do that again-“
“That’s enough out of you, Slim Shady,” You shake your head, cheeks a roaring pink much like Luke’s. His jaw drops from the nickname, slinking back, cock half massed and hanging out of his boxers. “You heard me.”
Luke’s eyes narrow. Before you know it, he’s reaching for your ankles and a squeal escapes you. 
You’re definitely in for a long night. 
You may have always adored Luke’s curls, but you love him just the same without them. 
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stickthisbig · 1 year
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I've started conducting job interviews at work now? It's terrifying but it turns out I'm really good at it? So if interviewing is daunting, here is my advice from the other side of the table. It turned out to be very long, so here's a cut.
When you apply:
Oh my god please spell check your resume, I beg of you.
Gimmicks absolutely will not help you. You will get so much farther with a resume that is neatly formatted and a cover letter that is straight to the point.
Make sure you count all your experience!! Internships and fellowships count as experience!! The computer system will reject you and I'll never see it in the first place!!
After you've gotten the interview:
If you're trying to get a job in a field you've never worked in (as most of the people I interview are), break down your former employment or experience into the skills you used and keep that information at hand. You used to work in food service? You have experience in delivering an experience at a high quality with basically no margin for error, and you work well under pressure. You were a telemarketer? You have experience at following a workflow and deescalating conflict.
We and every other job WILL be asking you about a. conflict management and deescalation (have examples for how you resolve conflict with coworkers, clients, and bosses) b. personal time management (how you stay organized and on schedule) c. what you do when you realize you can't handle a problem by yourself d. your strengths and weaknesses (see below) Just go on and have an answer ready. You will be asked. There will be questions you're not prepared for. Be prepared for these.
Do a little googling about the company/organization. What will become extremely clear to you immediately is whether they're going to care about you caring about the mission. Some businesses don't. Every non-profit and every government agency does. If they seem like they care, you should pretend to care.
Ask all your questions of the person who is scheduling the interview. I don't recommend trying to figure out who will be your boss and contacting them. Everybody's very busy all the time, none of us are hiring specialists, and we're using the HR staff to act as our buffer. You will look like a nuisance, not a go-getter.
Do look at a map and figure out where you're going. It's vastly preferable to call an hour ahead and say you're unsure where to go than call ten minutes late and say you're lost.
When you walk into the office:
I personally don't give a fast fuck if you come empty handed, but some interviewers HATE that, so definitely bring a notebook and a pen. It's no longer necessary to bring paper copies of your resume. If you're going to interview a lot, may I recommend dropping five or ten bucks on a sketchbook at Michaels or similar? It looks polished and also you can actually use it for things. If you need to write notes to help you remember anything from above, it's okay to write them down. Anybody who would ding you for that isn't someone you need to work for.
If you don't know what to wear: black or khaki pants, nice shirt. Preferably a blazer, but that's optional at entry level imho. Lately I'm finding that the men's sections in thrift stores have better selections? If you've got big hips, you can slit the sides of a men's dress shirt up to your waistline and tuck it in. If you have to come in jeans, wear a belt. If you only have a t-shirt, make sure it's clean and tuck it in. You don't have to prove to me you have money to get this job; you just have to prove to me that you are taking this opportunity seriously by presenting yourself neatly, because you will be expected to be dressed neatly at work.
My sibling in Christ beloved child of God, be polite to every fucking person you see. Oh my god I cannot stress to you how polite you need to be. I cannot believe that this is a thing I have to say, but I sure do! If it's close between you and another person, that snippy comment you made on the elevator WILL lose you that job. Ditto for if they walk you around to meet people. Just be THE politest motherfucker.
When you walk into the room:
When you sit down, what you are looking at is one person who is running the interview, twoish people who are related to your job, and sometimes also someone from HR, unless HR does all the interviewing. One of these people wants to be your hype man. If it's my office, it's me, I'm hype man. I want to have a dialogue with you to see how prepared you are and how good of a communicator you are. I want this interview to go fast and seamless. I'm in your corner. Don't play to the guy who's actively staring off into space. Focus on the interviewer who's most focused on you.
NEVER downplay your own experience. Getting a job you're underqualified for is a problem for future you. If you only have internships, or you only have retail, or you only have food service, or you only have work study, fuck it. You walk in there and act like you've been the goddamn president. The question of your qualifications and the question of your experience are separate. Never act like your experience doesn't count because it's in a "lesser" field.
EVERY. TIME. you are asked about your weaknesses, explain how you have used them for growth. Do not wait to be asked, just slap it in there. One of my biggest weaknesses is giving up control, so I've made a conscious effort to involve other people earlier in the process. If you're not fuckin working on your weaknesses, just try to imagine what would be a good idea. Or maybe work on them? I'm not your dad.
What I am looking for is your ability to answer my questions in a complete and concise way. If you can't give me a specific example, I want you to be able to reflect on your previous work and say "When it comes to X, my experience doing Y is relevant in this way." I am asking you for a synthesis. Most of what I need you to do in this position, I know you've never done. If there is something where I specifically need you to have done X as a professional qualification, there is nothing else you could say that would be right, so you have nothing to lose.
Keep some question in your back pocket for when they ask "do you have any questions for us." It is a hundred percent okay for this to be a softball question, but it's also okay to ask something more probing. You can ask how they handle training, town and gown relations, what the possibilities for employee development are, whether they've done any diversity initiatives, if there's a good work-life balance, what the previous person in the position is doing now, what their strategic planning is like, whatever, just something to prove you're engaged. Do not ask about leave, and do not ask a gimmicky question you saw on the internet. If you can't think of anything, just fuckin ask them how they like working there. That's perfectly fine.
This isn't the time to bring up ADA accommodations. The person who can approve that for you is almost certainly not in the room, and you put us in a super weird position. I am saying this as a person who receives ADA accommodations from my employer and did not disclose my disability when I was hired, as is my legal right. Don't bring it up until you think it would actively prevent you from fulfilling a job requirement or accessing the office. In the before times I had a dude once who called me asking if the building was accessible, because he just wasn't going to interview if it wasn't, and I was just like "...that's fair, my man, but you can come on down."
After the interview:
I fully don't care about a thank you note; I'm unlikely to see it anyway. Some people do. You may send one (1) and ONLY ONE thank you note; generally it should just go to the person who scheduled your interview. Do not, and this is so important, do not email again. I know it is the fucking worst how employers get away with ghosting people but my friend you and I cannot change that. (We do send notices to people who get interviews but don't get the job; people who don't get interviews are informed by the computer system.)
It's gonna be okay. I'm not trying to trick you; I want this to go smoothly, and I want you to demonstrate that you understand how you would use what you've already done to do what I need you to do. I don't want this to be awkward any more than you do. Actually, I want this not to be awkward more than you do, because I have to do this several more times.
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the-way-astray · 26 days
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The Keefe Sencen Infantilization Argument (because I've seen people say that saying he infantilizes Sophie is a bad-faith argument):
(Note: This post is a repost. I had my thoughts scattered out over a few posts, so I wanted to put them all together in one cohesive post. If you've already seen all the original posts, then aside from like two sentences being reworked and the format being better now, there's like nothing new here for you. Sorry.)
Examples of Keefe infantilizing Sophie and my explanations as to why this is infantilization and not okay:
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Lodestar, chapter 4. What I originally said: “There you go, rocking the whole adorable-when-you’re-angry thing. I think that’s what I’ve missed about you the most.” Keefe infantilizes Sophie by saying she’s cute when she’s angry. She is trying to express her feelings, and all Keefe can do is be all Awwwwww. Isn’t that so cute? She’s angry! How adorable. It’s a form of invalidating someone’s feelings, by treating them like they’re just entertainment or by brushing them off like that. It’s some of the most manipulative behavior out there. It also saves Keefe from having to actually take Sophie’s feelings into account. His infantilization of her also shows up in his incessant need to protect her. It’s icky and gross, and authors should stop encouraging this behavior.
Sophie and Keefe are having a mental conversation and Keefe starts talking about Sophie's love triangle/square situation and Sophie doesn't want to talk about it. Not a fan of this, because Keefe butts into Sophie's personal business, then when she gets worked up, he heavily implies that he thinks it's cute. But this one isn't particularly bad compared to the others. Don't get me wrong, I still think this is infantilization, but the best I can say about it is it's not the worst example.
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Lodestar, chapter 46. What I originally said: “You’re so cute when you worry, he told her.” More classic Keefe infantilization. He once again invalidates Sophie’s feelings by dumbing them down and acting like they’re this cute, quirky, inconsequential thing.
Sophie is obviously incredibly worried. Keefe clearly knows this. And his comment is to be like Yeah, but don't you know that makes you sooooo cute??? Like, sir.
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Lodestar, chapter 65. What I originally said: “Is this going to be another one of those nights where you spend the whole time yelling at me to come home? Keefe asked, making her sit up straighter as his thoughts filled her head. Because as much as I love it when you get all feisty on me, now’s really not a good time.” God, Keefe is so subtly invalidating. He treats Sophie like she’s just his personal worry machine, not a person with valid concerns and ideas. The flippant way he talks about her worry for him makes me so mad. He takes her worry for granted and throws it back in her face, without a care for how it would affect her mental health. He brushes her off and invalidates her because he thinks he’s so much smarter than everyone else. Not to mention he calls her worry “feisty” and further infantilizes her feelings and ideas.
This one honestly stands alone. Context doesn't really do anything to it. The infantilization for all these quotes is in the quote itself, because it is invalidating to treat someone's outburst of negative emotions as entertainment. Keefe basically just says that he finds it cute when she insists he comes home because she's worried about him??? He's like, yeah, Sophie's worried about me, tearing up her mental health over me, but like. She gets feisty when that all becomes externalized and she begs me to come home! Again, it's just a way he's able to brush Sophie's feelings off and disregard her opinion entirely.
When I say Keefe acts like Sophie is his personal worry machine, I'm saying he acts like her worry only exists for his amusement. He doesn't see the deeper feelings behind that worry (or if he does, he certainly doesn't respect them), and only see it for what he sees it as: something cute and adorable.
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Nightfall, chapter 24. What I originally said: “‘I know! Our little girl is growing up and getting so snarky!’ Keefe pretended to wipe his teary eyes. ‘I’ve never been so proud.’” “Our little girl” . . . that totally isn’t creepy or infantilizing at all. The way Keefe talks about Sophie here is genuinely so gross, even if it is a joke. 
This is a joke. 100%. But it's a joke that sat very poorly with me because of the way Keefe verbalizes this. The problem for me is in the quote itself, again, because I feel like saying these sorts of things constantly is just so weird.
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Nightfall, chapter 32. Wouldn't say what I originally said adds anything new, so I'm just gonna move past that. The larger problem here is 100% the fact that Keefe is clearly trying to joke to deflect Sophie's anger away. My argument isn't about that. My argument is that saying that someone's anger is adorable is textbook infantilization. In context, Keefe uses it as a way to deflect or joke. But the simple act of saying that is a form of invalidation where Sophie's emotions are made out to be some silly, inconsequential thing.
Anyway, about this quote in particular. Sophie is obviously freaking out, and she is clearly and seriously trying to tell him that his joking behavior is unacceptable. Keefe responds, not by listening at all to what Sophie said or what she's feeling, but by instead saying this. This invalidates Sophie's very real feelings as well as saves Keefe from having to confront what Sophie's telling him. And yes, this is a product of his deflection, but my point here is that saying someone's anger or worry is adorable or cute when they are trying to be serious is textbook infantilization, because it treats that opinion they have as a silly, child-like tantrum. "Awwww, isn't that anger adorable???" is what you say about a tantrum-throwing toddler who just got their favorite toy taken away, not someone your age presenting a valid, serious opinion. My issue is with the statement "Your anger/worry is adorable/cute" itself, not how Keefe uses it to deflect. It also presents Keefe, subtle as it may be, as the only one with valid opinions on things because Sophie's adorable little feelings get in the way of her rationality.
And before you say Sophie calls him out on this, yes, but he doesn't change. I'm not going to talk about it at length here, but Keefe apologizes to Sophie in the Nightfall scene after his bed rest more out of a desire to make up with her than a desire to change his bad habits. You can see this because he continues to do it into Unlocked.
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Nightfall, chapter 34. Again, I don't think what I originally said adds anything relevant, so I'll skip that here.
The famous scene. I do admit that Sophie calls Keefe out this time. However, as I've already said, this doesn't stick, so it hardly matter. Keefe continues with this behavior through the series and into Unlocked, where he doesn't necessarily say these things out loud, but you can see he still thinks them.
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Nightfall, chapter 70. What I originally said: “‘Much as I’m enjoying this sudden overflow of adorable Foster-rage—it’s not worth it.’” Ah, more of Keefe infantilizing Sophie and invalidating her feelings. If someone finds your anger or worry “adorable” and acts like it’s this cute little quirk, then that’s never a good thing. Especially if they enjoy it. Someone who cares about you should never enjoy seeing you angry or worried.
Sophie's having a serious, key word here is serious, discussion (we'll call it a discussion, even though that's not particularly correct) with Cassius, and even though her rage isn't aimed at him this time, Keefe telling Sophie her rage is adorable when she's being serious is still dumbing down her emotions to that of a toddler throwing a tantrum, not a grown-up (at least relative to Keefe) having a very valid reason to be angry. Just because he agrees with her anger, doesn't mean he can't still infantilize her.
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Flashback, chapter 1, page 12. I think what I said in my original post just about sums it up: “‘You’re so adorable when you worry. I’ve told you that, right?’” (12) Yes, you have, and saying it more doesn’t make it any less icky and gross and infantilizing. It’s like he’s dumbing Sophie down to this object who only exists to entertain him with her adowabuw wittle feewings, instead of a person with very real, very complex emotions.
Keefe fans the air, so we have physical evidence he knows exactly how worried Sophie is. And his response is to be like, so cute! So adorable! Once again, this is serious, and Keefe is acting like Sophie's worry exists only to amuse or entertain him. I don't know else to communicate that that isn't a good thing. Someone being worried usually means they have something they're worrying about, worry doesn't just manifest out of thin air for entertainment's sake. Sophie also responds poorly to his writing her off, with what and the glare and all.
(Side note: When I was looking for that quote, I found a quote where Fitz says the exact same thing, I'm talking word-for-word "adorable when you worry" stuff. Like I mentioned in my disclaimers, I'm not saying he's more right for this and I'm not letting him off the hook. It's icky when Keefe does it and it's icky when Fitz does it. But I'm solely focused on Keefe, which is why I'm not bringing that up. It's also worth it to note that Fitz doesn't say this over and over again, the way Keefe does.)
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Flashback, chapter 17, page 304. I think I'm just going to copy-paste exactly what I said in my original post because it's exactly what I'm trying to say: “‘Hear that, Ro?’ he interrupted. ‘She’s giving me her serious voice.’” (304) Another example of Keefe infantilizing Sophie and dumbing her feelings down for the sake of a joke. Awwww, isn’t her serious voice so cute? She only does that when she thinks she has something important to say to us grown-ups! Awwwwwww. 
Apparently, people don't get why this is a bad thing, so: acting like someone isn't being serious when you can literally feel their emotions and know they're being serious just because you don't like what they're saying is not just invalidation, but infantilization, because you are dumbing their emotions and the complexities behind them down to that of a child attempting to be serious.
I'd also argue that this shows Keefe's true colors: he only really listens to her opinions and respects them when he agrees with them. Disagreeing with someone is all fine and good, but you can still respect the other person's opinion and not dumb it down and act like it's lesser than your own. If Keefe said "Sophie, I hear you, but I think you're wrong" (in Keefe jokester language, obviously, not word-for-word what I wrote) then I wouldn't call this infantilization, I'd call it respect. My problems arise from when Keefe acts like Sophie's opinions are stupid because Sophie is the one saying them with that adorable little pouty voice.
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Flashback, chapter 21, page 355. What I originally said: “It’s always fun when you get feisty.” (355) I’ve said this about a gajillion times, but Keefe’s infantilization of Sophie is so horrific, it’s like he doesn’t care about her at all. He just sees her emotions as amusement for himself.
This is a sad scene, and Keefe has every right to be emotionally . . . off in this scene. But it still doesn't change the fact that he calls Sophie's anger "feistiness" and then says it's fun when she gets angry. You could say that's not exactly what he said, but it's likely that's what he meant given the past few quotes I've shown. Keefe has demonstrated a pattern of thinking Sophie's anger is amusing or adorable or fun. Anger is a negative emotion. When Sophie feels anger she doesn't feel good. And Keefe is like, yeah, but it's cute! Do you see how that's not the greatest thing to say? It says a lot about his internalized beliefs about Sophie, and is essentially confirmed by Unlocked. And even if that didn't represent the way he saw Sophie inside, that's still a really shitty thing to say because it still carries the invalidation.
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Legacy, chapter 3, page 70. What I originally said: “‘Tell me why you have that cute little crease between your eyebrows.’” (70) You already know what I’m going to say. Keefe finding Sophie’s worry cute is textbook infantilization. But also, if he finds her worry and anger so adorable, what’s he gonna do when the Neverseen are defeated and Sophie doesn’t have as many things worrying her?
So, the crease between the eyebrows is obviously because of worry. So by saying he finds it cute, Keefe indirectly says he finds Sophie's worry cute, though I'm sure I don't have to spell that out because he's already flat out admitted he finds Sophie's worry cute several times. I'm going to sound like a broken record if I repeat what I've been saying this entire post about why this is infantilization, so instead I wanna talk about that last paragraph there. Keefe literally knows how queasy Sophie's worry can make her sometimes, and he has expressed this before, as well. So he knows exactly what Sophie's going through when she worries. And still, he acts like her worry is amusing, funny, cute, or otherwise a quirky little thing. I don't understand how Keefe can be so invalidating, having had firsthand experience with Sophie's emotions.
“But I was only half listening because she gets this cute little crinkle between her eyebrows when she’s trying to be serious, and it makes me want to reach up and smooth her forehead with my fingertip—and I’m betting she’d think I was super weird if I did that, since it’s not like she’s my . . . ” (Unlocked, very first paragraph of Keefe's diary entry, 481)
Don't have an e-book of Unlocked, unfortunately (boooooooo). So the context is that Keefe is giving us (or himself???) an intro to what he's doing here, which is writing about his drawings. He explains that Sophie gave him the idea and gives a general overview of what she said to convince him. Then he says this quote.
Here's what I said, which I stand by: I hate the way Keefe talks about Sophie. She’s just this soft, kind of ditzy, child-like sort of figure in his head. He admits that he doesn’t care what she has to say, he just cares about how adorable she looks while she says it. This is a textbook sign of a toxic relationship. You should care about what your partner/crush says, because that shows that you see them as a person, not as your personal cover model. Also “trying to be serious” paints Sophie as this impudent little child who’s trying to get the attention of the older, more experienced adults and it very much implies that Sophie is not serious, but awwww, look how cute she looks trying to be serious, isn’t it adorable? Except Keefe and Sophie are the same age. So this is another case of textbook infantilization.
Personally, I think I made it fairly clear why I think this is infantilization. Keefe did not listen to the latter half of what Sophie said because he was too busy imagining how adorable she must've looked as she said it. I don't know how to make it more clear that Keefe does not respect or care about Sophie's opinions. He did what she asked, sure, but he did not actually listen to her. Again, implying Sophie was not being serious when she was is infantilization. It takes away the weight of what Sophie is saying and makes it out to be a thing of like, Oh well, Sophie told me to, so I guess I'll humor her adorable little wishes and give it a shot, but let's get back to what's more important here, which is how cute she probably looks! I don't know how else to explain that that's not an attitude you want in someone who claims to listen to you and respect you.
Addressing some other things (Keefe calling Sophie herself cute [1], Keefe's deflection [2], Keefe praising Sophie's prowess [3], Sophie not seeming bothered [4], and The Real Problem [5]):
I don't think Keefe calling Sophie herself cute or adorable by itself is infantilization. That's just a cute, fluffy teenage crush. 100% cool with that. My problem is with Keefe dumbing Sophie's negative emotions that have complexities behind them down to something cute or inconsequential by calling them adorable. There's a quote in the diary entries where Keefe describes Sophie's blush as adorable and proceeds to describe it in vivid detail. I don't like it for personal taste reasons, but I would never argue that this is infantilization. Because. It's not. There is no dumbing down of emotions here, no shrugging off experience or maturity. There's just a kid with a crush.
As for Keefe's habit of deflecting stuff through jokes, yes, it's a flaw and yes, some of the times Keefe infantilizes Sophie, he's using it as a joke to deflect. Yes, that's the larger issue. But the point still stands that the way in which he thinks of Sophie's worry and anger is infantilization.
There are moments where Keefe talks nonstop (sometimes in a very unnatural way, in my opinion) about how powerful and amazing and brilliant and talented and spectacular Sophie is and how he respects her choices and whatnot. I don't see this as particularly contradictory to his infantilization. Keefe can dumb Sophie's emotions down to cute, inconsequential little playthings while also insisting that he thinks she's amazing and powerful. I do think he does think that she's incredibly talented, but he also invalidates or disrespects her choices because he sees her emotions as adorable and unserious. Sophie is objectively powerful and talented and smart, I'm not really sure how saying those clear facts out loud changes the fact that Keefe still sees Sophie as very juvenile in his head. He can respect her prowess and capacity for talent while still disrespecting her opinions and emotions. The two can coexist. This is why I say Keefe pedestalizes and infantilizes Sophie simultaneously.
As for saying this doesn't bother Sophie (except in that one instance where she glares at him), I'd hardly say it matters. People can be the object of toxic behavior without realizing it. Sophie doesn't really seem to care past a handful of seconds when Keefe reads her emotions without her permission (on purpose, with intention), but I think most of us would agree that that doesn't make it acceptable. And Keefe's infantile views of Sophie say more about him than they do Sophie, which is the argument I'm trying to make. My point is that Keefe sees Sophie's emotions as inconsequential little things that don't need to be taken into account. This is all mapped into how he sees her internally. Again, just because Sophie doesn't seem bothered by Keefe's comments, doesn't mean they're acceptable, especially considering it gives us a view into the way he truly sees Sophie. And if Keefe thinks of Sophie is such an invalidating way, how are we supposed to believe he'll respect her when she argues with him, instead of just writing it off as "that adorable rage"?
And last but not least (as this is literally the reason people are annoyed with Keefe, regardless of what flaw you're talking about): the infantilization isn't the problem. Not really. What the problem is is that it is never called out by the narrative and when it is, it lasts two seconds, doesn't stick, and Keefe continues with it having not learned a thing. He doesn't change, and I can give you a thousand explanations for why Keefe may be so prone to infantilizing Sophie based on his childhood, trauma, and everything else, but none of that is an excuse. And I'm certainly not a fan of the way we're constantly told that Keefe respects Sophie when he's clearly so ready to undermine her emotions or dumb them down. If you're going to have him say things like this, it should be understandable that it's not a good thing.
I think it all comes down to this: Imagine you were trying to get a very serious point across to someone or otherwise feeling very emotional over something and then you look over and the other person's reaction is like, Aw, you're so cute when you're all worked up trying to be serious! Anger so adorable! Worry so cute! I love it when you get feisty! Wouldn't you feel like they don't respect what you're saying? Is that not incredibly icky and weird?
Here is the definition of infantilization. I think it's very difficult to make an argument that Keefe is not doing this to Sophie. And if you think that's bad, oh boy, is it so. Much. Worse. In the actual Unlocked novella. It's very difficult to deny that Keefe only sees Sophie as an adorable little cute thing that amuses him when you read it. But I'll get there . . .
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Anyway I'm leaving it off with this because these are the vibes I get from Keefe every time he makes an infantilizing comment about Sophie (minus the yelling, Keefe doesn't really yell):
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novlr · 2 months
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I know lots of people say writers block doesn't exist but I still get it (don't come at me, ok?)
Do you have any tips on how to get over it? Like I've tried all the usual things but I'm still stuck.
There are so many reasons why someone might be unable to write, so no shade here. Inspiration doesn't always come when we need it to, and that's ok.
If you've tried all the usual techniques, then here are some more things that have worked for me in the past:
Switch genre.
I know that sounds drastic, but imagining your story from a brand new perspective is a crazy but effective way to shake loose ideas. You might even realise that the block is because your story fits another genre better. It's definitely worked for me in the past.
2. Switch format.
Just because you imagine your project a certain way, doesn't always mean it's the best way to tell your story. Had an idea for a novel but you're struggling to extend it? Maybe it works better as a short story. Were you working on an epistolary novel with a narrow view but you can't bring the story together? Maybe it should be long-form prose instead!
3. Word association.
Play some writing games to do with word association. Mindmap or list anything that comes to mind when you think of a certain word you associate with your project and see if it sparks any ideas.
4. Change the ages of your characters.
If you're struggling with your characters behaving in a way that doesn't seem to suit the story you want to tell, try changing their ages. How does the story work if your characters are more mature? How would a child behave in a certain scenario? Maybe the block is that the characters simply aren't the right age for you to tell your story.
5. Write in a different language.
Now, this one won't be a possibility for everyone, but if it is, then it can be a good way to come up with new ideas. Different languages engage different ways of thinking and communication. Sometimes just working in a different language for a chapter you're struggling with can give you some new ideas.
6. Change the PoV.
For me, the biggest cause of writer's block is if I'm stuck in a PoV but need to either reveal or obscure something the PoV doesn't allow for. You can spend hours trying to solve the problem, when really, trying for a different PoV is usually the easy fix. Don't tell a story with a first person narrow PoV if you need an omniscient narrator, and vice versa.
7. Go on a microadventure.
Get out of the house and do something else. Keep a notebook with you, and just get outside and try and experience something new. Keep your project in the back of your mind, and actually take in the experience you're having and try and use it for inspiration. Or don't. Sometimes doing something completely unrelated is enough to get over the hump.
Want more detail on any of the above? Click the link to the full post in the Reading Room below!
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Hello there :) please could I request something for Vikings with a female reader if possible. Where the reader (a shieldmaiden) meets the ragnarssons for the first time after being taken in by Ragnar when her parents are killed, and they start developing feelings for her later on? 💙
Hey! Thought that making this into headcanons/preferences would be the best format, message me if you want a full work where I elaborate!🌺
🫀REQUESTS ARE OPEN🫀
Vikings preference: Falling for a shieldmaiden taken in by Ragnar
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Bjorn A little rough around the edges, at first - you're a complete stranger, after all. Maybe he criticizes your posture one day and you're more than willing to make him prove his 'superiority'. Whether you win or lose is not as important as the sole fact that you were a challenge for him, although he might not outright admit that. Despite being a shieldmaiden and Bjorn having witnessed your abilities first-hand, he still perceives you as a woman first - the burden of upbringing, one might say. Because of that, he often tries to fight your battles for you, both on the battlefield and outside of it. Most of the time it's small things: bringing you this, giving you that. He definitely might come off as overbearing at times but there's no malice in his heart - Bjorn genuinely believes he's doing the right thing. The downside is that even your stern words might not knock off his habits (the two of you fought numerous times about his overprotective attitude). That protective side of him comes out especially strong during cold winter months when he needs to be extra sure that you're well-fed and warm. In his hot and cold attitude, you find irrefutable proof of his affection. After all, what else if not love could bring warmth and care out of a man known for his dauntlessness and reserved attitude? Bjorn puts his fondness into words in a very peculiar manner: suggesting your possible gains. In other terms, he hints at all the goods you'd have and the shortages you wouldn't suffer if he could have your hand. See that pile of wood that's going to last you for at least a month? Or the furs on your bed that are just enough to stay warm on a freezing winter night? Without half-truths and subtext, Bjorn assures you that he could provide you so much more. Although 'could' should be read as 'wants to' - a desire he's determined to fulfil only if you agree to be his.
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Ubbe The one who actually talks to you first, with no expectations or prejudice. Even if he did have those, he's capable of looking past them and making a fair judgement only after getting to know you. At first he's a little uncomfortable with the situation and your person because you're kind of like a sister but not really? That apprehension doesn't last long, however: he's a little too smitten with you. To his own surprise, your presence makes the long absence of his father a little easier to bear - Ragnar didn't leave on a whim, he had a reason to do so and it was a good reason. If the other Ragnarsons treat you with malice, thinking of you as the sole reason they had to grow up fatherless, Ubbe is always ready to step in and de-escalate the situation. In some way, he's similar to Bjorn in expressing his affection in the sense of being protective. Ubbe perceives you as a woman, a woman he loves to be exact, and only then a warrior, despite getting a taste of your skills on his own. Just like his half-brother, he'd try to do things for you, deal with the mundane burdens of everyday life; he only cares about you. The thing that sets them apart is Ubbe's willingness to stand back - once he knows you can stand your ground, he lets go a little, although reluctantly. Another thing is that he already acts like your husband despite being yet to earn that title: always being in your vicinity, fighting any men who try to woo you, thinking ahead and gifting you anything you might need in the near future. Whenever his training alongside his brothers, Ubbe tends to tease them saying that you're better than them. Whether that is true or just brotherly spitefulness is yet to be determined. When the moment comes and Ubbe confesses his affections, he's very straight-forward, telling you how much you mean to him.
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Hvitserk Curious and fascinated - you're pretty and courageous. Even if you end up rejecting him (a possibility he doesn't think is realistic), you seem like a great person to be around. He's friendly from day one. Keeps hinting at his romantic interest in you through smooth, sublime and yet unambiguous remarks, so there is no doubt about his intentions. In an attempt to spend more time with you, Hvitserk offered to join you in training. Clashing swords and breadth-of-hair ducks were not enough to stop his flirting (you had this growing suspicion that he's also unnecessarily touchy - not that you were one to complain). The only difference from his daily sweet talk was that with a sword in his hand, Hvitserk's words became vividly more explicit. Some of them caught you off guard but once the surprise washed away, you realized you had nothing against those generous offers becoming true. Even if his brothers are also interested in you, he doesn't see them as a competition or a threat of any sort. His approach wouldn't be a surprise to anyone who had even once seen you two together - there was no chance any other Ragnarson could sweep you off your feet. Truth be told, you knew Hvitserk's feelings before he told you, although it should be clarified that he didn't explicitly confess his affections: during a quite intimate moment, in bed and under furs, he suddenly asked you to marry him. Relationship-wise, out of all the Ragnarsons Hvitserk is the one to treat you the most equally to him.
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Sigurd Begins to be interested in you simply because his brothers were. Then he noticed your ambivalence towards Ivar and how much it was pissing the youngest brother off and Sigurd was instantly on board - he might yet find an ally in you. Out of the Ragnarssons, he is the most invisible brother and so he didn't quite expect to pique your interest. To his surprise, you're the one to accost him, asking about living in Kattegat and the family reputation he has to hold up. Not to mention all the prince's responsibilities he has to suffer. From your own words, Sigurd learned that, just like him, you're not one for big crowds and front rows, preferring to stray from the eye of the storm that so often seemed to emerge around Ragnar and his sons. He finally found someone who understood his perspective and not only that - they shared it. The two of you are often disappearing somewhere together and the general population of Kattegat quite quickly catches on but you and Sigurd care little about those rumours. Definitely spent hours upon hours coming up with a wax poetic ballad about you. He put himself in one of the verses describing his growing fondness for you. Luckily for him, he won't have to change the verse about the shieldmaiden loving some guy named Sigurd back.
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Ivar Acts like he doesn't care and tries to make himself believe that mainly because deep inside he had immediately dismissed the possibility of you being interested in him. You've heard stories of course but a certain degree of scepticism is a trait of a good warrior - it keeps you level-headed. Once when you were sitting on the pier, enjoying a moment of solitude, Ivar approached you only to ask about his father. After all, you'd spent more time with Ragnar than he did, even if he wasn't your actual parent. While sharing stories about the famous Ragnar Lothbrok, Ivar noticed that you're neither apprehensive nor fearful of him. In a way, it upsets him - he found himself in a situation where he doesn't have the upper hand. But this surprising and wholly unwelcome vulnerability didn't backfire. Truthfully, the longer you talked about the legend of Ragnar Lothbrok, the more Ivar wished you would stop talking about his father and simply talk about yourself. Except for his parents, you were the only person whose presence he didn't completely detest and Ivar was yet to make an opinion on how that made him feel. He definitely hates seeing you interact with his brothers as he naively thought that he was the only recipient of your sympathies and it's exactly that lack of exclusivity that makes him go out on a limb and make less-than-ambiguous remarks that you happily reciprocate. Sometimes, when he can't sleep at night, Ivar climbs onto his father's throne and dwells on various fantasies of glory and bloodshed. In those dreams, there's always a place for you - a brave and beautiful shieldmaiden that rides into battle by his side and gives birth to his children, who go on to become kings, emperors and conquerors.
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tuliptired · 2 months
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anything w egon and ta!reader 🙏🙏🙏
Southern Skies
Pairing: Egon Spengler/TA!Reader
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no more fics abt kids for 10 years cuz I'm scared yall can tell when I'm ovulating
Better formatting on Ao3!!
The newspaper was spread out over the table, frankly ignored as all four men were scrambling to get breakfast in themselves before they headed out to a call scheduled painfully early. Egon paused, hoping to get a sip of coffee without it spilling over onto his underclothes, when he spotted it- an editorial that had consulted you for a professional opinion. Mug barely to his lips as he skimmed it, Ray appeared in front of him, ready to go.
“Something interesting?” he inquired, attempting to read upside down. Ray opened his suit a tad in hopes to get some air. “Jeez, it’s hot today.”
“It’s that time.” Egon’s own words making him start to wonder something, forgetting about the mug, guessing that it’d just have to go cold if they wanted to get there in a timely manner. “Do you recognize the name?” 
Ray got a proper look, squinting and fishing for an answer in his head, shaking it twice. “Not really. You know my memories’ shot,” he patted Egon on the shoulder, all the men filing out and down the steps.
Ray’s memory must’ve been crushed, ran over, and spat upon- Egon could remember like it was yesterday. He wasn’t complaining, really, content with the recollection being something he could keep just for himself as he broke into a small and selfish smile behind his friends’ backs.
Christine brought eyes to the clouds in exasperation “You don’t know how awkward it is to see a clone of your boyfriend everywhere,” she complained as you headed back to your dormitory. 
“Side-effects of dating a twin.” You let out a small laugh at her long-distance plight with your books stacked in your arms. It was nice and bright out, the perfect afternoon for a good, long book, or an equally as lengthy nap. “Are you at least, like, friends?”
She sighed, pushing open the complex’s doors. “A bit. We’re gonna have to be, anyway.”
“It’s not all bad. No need for those pictures he sends-”
“I’m not listening !” Christine whined, squeezing her eyes shut and pushing manicured nails into her ears while you snickered devilishly. “I can’t believe you saw those.”
You put the key to your space into the door. “Relax, I’m not reading your mail. Just stop leaving nasty letters on the coffee table.” Christine groaned in embarrassment, sinking into the armchair you got in a yard sale all the way back in winter.
“Speaking of,” she toyed with a fraying edge of the lime green fabric, “He called this morning. He’s still coming- just thought we should bring a few friends.”
You made a skeptic noise as you started on lunch for you and your roommate. “Ouf. During your big reunion trip that you can’t stop talking about?” you asked over your shoulder, washing some fruit.
“That’s the one.” Christine sat up, accidently pulling some of the thread with her. “I suggested it. I just thought he deserved to see them, after being away so long.” You traded your skepticism for understanding, placing grapes in a strainer. “What I’m trying to say…”
“I would love to take a road trip with strangers while you make out in the front seat. It’d be an honor, actually.” 
 Christine snuck a few grapes and popped them in her mouth. “You’re not as distant as you think. It can’t be that bad- I’ll be there!” she punctuated herself by stealing another handful. “What happened to our summer plans?”
“If I’m only being half sarcastic,” you ended up giving her the entire colander, “wouldn’t I be intruding?” She sat on the counter, legs of her jeans swinging back and forth.
“Not at all. I’d like you to meet him before the wedding,” Christine teased you. When you weren’t entirely receptive, she poked you in the side. “If you end up with the brother, our kids’ll pretty much be siblings.”
“Not how genetics works. We’d have to be twins, too.”
“We practically are.”
“Oh, of course.” you joked as she turned you both towards the mirror on the wall. You watched her hopeful face in the mirror. Why was she always the one encouraging you to try new things, anyway? These next few months won’t last forever, admittedly, and soon you’ll be put into the real world where you can’t just drop everything for a trip out with other young people. Plus, you needed to know if her boyfriend was as cute as she said. “When do we leave?” you finally caved.
Christine jumped up, full of excitement as she dragged you to the closet. “Oh, I have to help you pack!”
“Why would I wanna do that?” Egon said into the phone, slipping into casual speech with his brother on the other end when Peter and Ray walked in, back from their lunch. “I don’t like being in a car with you on a regular day.”
“Because I’m coming home and you wanna see me,” Elon answered, unaffected by his twin. Egon sighed into the receiver at his happy tone. Out of all the things he’s had nightmares about, being stuck in a hot car with his brother and his girlfriend was the most hellish. 
“Do they know you’re coming?” 
“The last time I surprised Mom she told everyone I died. I attended my own funeral. Hey, you could bring Pete and Ray along. It’s a whole thing- Chris offered.”
“What about us?” Peter said over Egon’s shoulders, making him flinch away from his friend.
“Wanna take a trip to the shore?” Elon raised his voice so Peter could hear him, Egon flinching in the opposite direction as his ears were assaulted on either side.
Ray dropped what he was doing, now intrigued. “A road trip?” he smiled. “We’re going!”
Egon handed his roommates the phone, since they were so interested in a little excursion with his brother. What was it about the concept that sounded so fun to those three? He could drive anywhere at any time without it having to be a “thing”.
“Oh man,” Ray covered the receiver, “apparently there’s a campsite with the clearest sky for stargazing,” he beamed.
“Get pictures for me,” Egon said plainly, turning his chair back to his desk. Peter didn’t like that, apparently, spinning his friend back around with his hands on his hips.
“You’re not staying here to rot while we’re off kissing girls and looking at space.”
He ignored the pseudo-vulgarity. “I’ll manage. Besides, I have work to get ready for.” Not entirely untrue, he did have an internship coming up- they all did, just not until much later in the season. Ray frowned, seemingly catching the man in his half-lie.
“That’s so far away, Spengs. If you do this, we’ll never ask for anything ever again.” Ray reasoned, grinning hopefully. Egon sat back in thought, under a spotlight shined on him by his two friends. His legs would get tired. He probably couldn’t wear a sweater in the heat. He’d have to sleep in a dingy motel at some point. But- he’d get a rare chance to actually see the night sky without light pollution. If it rained, he’d get a moment for fungus hunting. And maybe he did miss his brother. Maybe.
“When do we leave?”
You barely had time to catch the bag your friend nearly dropped before she was sprinting towards a parked light blue car by the curb with its trunk popped open. As you got closer to the little congregation, your mouth fell open as you got a real look at the man she was clinging to.
Holy shit . This was gonna be so much more fun than you thought.
“Lonnie!” She hugged him tightly, peppering lipstick covered kisses all over his face. The face you’d come to know quite well, actually. 
“Hey, Chris,” he smiled dopily. It was jarring, seeing that face smile so earnestly. They were the exact same person, down to the length and style of their hair, height- if you were crazy enough, you’d ask if they wore the same frames. And one of them was smiling? You had assumed that everyone in the Spengler family was a sea anemone. He, Elon, held onto her waist, before catching sight of you standing on the sidewalk. “Hi,” he grinned warmly, “have you met everyone?”
You couldn’t answer before he took the reins, introducing the unfamiliar men who you had only just noticed. Elon exuded being a natural conversationalist. How ironic? “That’s Peter. Psychology.”
You wondered why he was so familiar until it finally clicked. “I know you. There’s a girl in psych who said you slept over and stole her silk robe.”
“I can’t help it if I look better in it.”
Elon stifled a laugh- that girl was good friends with Christine. “Ray’s in engineering,” he managed to get out.
“I like your jacket,” you complimented, amused at the fashion choice in such unrelenting heat.  
“Thanks,” Ray cuffed his sleeves happily, “I like your lack of a jacket.”
You laughed at that, adjusting the bag on your back getting heavier and heavier by the second. “It’s 80 degrees!”
“Car ACs are no joke.”
Elon tried peeking around the back of the car. “I’m sure you’ve met my brother. He’s just a ray of sunshine.” 
“Sure.” You smiled inwardly, watching Egon arrange luggage like there was a science to it- which, there probably was. You headed back there, slinging a backpack off your shoulder. “Isn’t this fun?” you spoke lowly. He looked miserable, but in a humorous way. At least, humorous for you.
He didn’t answer, placing it in the trunk silently. You placed Christine’s on the roomy felt flooring next to a bit of camping gear before you spoke again, unbothered by his petulance. “I didn’t know you had a twin.”
Egon moved her bag, the spot you chose apparently not optimal enough for him. “I’d consider him more of a parasite.” That made you laugh as he shut the hatch, but didn’t lock it, the latching mechanism seemingly unfamiliar to him. You reached down, doing it for him before leaving him behind to join the rest of your new friends.
“At least he’s a cute parasite.”
Elon held the door open for his girlfriend. “You wanna sit upfront?” Elon asked before she shook her head, climbing into the window seat in the back.
Christine pulled her seatbelt across her chest. “I’ll get sick. Y/N, sit back here with me.” she patted the spot next to her. Elon nodded, getting into the driver’s seat while you slid in beside your friend, cherishing the space you probably won’t get again for the next couple of hours.
“Ray? Will you be my co-captain?” Elon starts the ignition, cranking his window down a crack. Ray got in the passenger’s seat enthusiastically, almost hitting his head on the roof.
“Do I!” he was virtually buzzing as he took in all the bells and whistles in front of him. You weren’t exactly a car person, but you could say this one was objectively pretty hip- even the leather felt nice underneath you. Peter and Egon filed in next, Elon pulling off from the sidewalk as Ray couldn’t contain himself, starting again.
He ran a careful finger across the dash. “Where’d you get this from, anyway?”
“I cashed in a couple favors, traded in the beetle,” Elon paused at a crosswalk.
Peter hummed. “Didn’t know they drove like this in yodieland.”
Elon put a finger up in defense. “I got this ‘cause of my exceptional business skills.”
“Just say you’re a bad dealer.”
Eventually, your little group made it out onto the highway, surrounded by high heels and even higher trees. You had the little book you had snuck in cracked open, but there really was no need. The car was full of excellent talkers, dissolving any previous fears about if it would ever get too quiet or awkward. Excellent talkers, excluding Egon. A silent part of yourself cursed Christine for picking the window, placing you in between herself and the psychologist, away from the victim of your tortures. But, your read and your position were forgotten about, book spread open and face down on your lap as Elon shared a riveting story about roller skating.
“Now that you mention skating,” Peter turned to you and Christine, her legs thrown over your own, “you’d never believe me if I told you how good Egon is.”
You sat up, somehow even more interested. “No way.” you flashed the man over Peter’s shoulder a wicked smile as he offishly avoided your gaze.
Peter nodded. If there was trickery in his eyes, you’d have missed it. “Yes way. Absolute god, too.” Elon and Ray made a few noises of agreement up front. 
“I’ll have to see it sometime,” you say as innocently as possible, enjoying the sight of Egon’s cheeks turning pink under the attention. “No need to be embarrassed- I think it’s cool.” you sounded genuine to everyone who wasn’t either of you, leaning forward to catch his eye.
It twitched as he searched you, just like it did in your lecture hall. Who said a classroom could only have four walls? 
“Not embarrassed for me,” he kept eye-contact, “embarrassed for you when you fall.”
There was a chorus of ooo-ing as you slumped back in your seat- not embarrassed yourself, but satisfied with his ability to get you back, even when it wasn’t over a work of fiction. “Very funny,” you started, needing an iron will to refer to him with his first name as to not make things look weird, “Egon.”
At some point, Christine had her face pressed to the glass while you were stuck in midday traffic- bumper to bumper. “Check out the moose!” she gasped, shaking your shoulder.
“Moose don’t live down here,” Elon spared a look while the car inched forward. You put your play down, squinting outside with her.
“Those are two bucks.”
“And they’re-” 
The car suddenly gained speed as traffic lessened, giving the two not-moose their privacy.
At some point, as the sun was getting ready to set, the car found itself on another long stretch of highway, no other vehicle in sight as you made your way around winding roads lined with yellow-green. Elon must’ve noticed something, or someone, with their thumb out when he decided to slow down, easing on the brakes as he pulled onto the shoulder.
The hitchhiker spoke into his half closed driver side window, “Hey, man. I just need a ride to somewhere with a bus stop.” Elon nodded understandably, saying something about checking the tires before you’d go.
“Try to make a decision before I get back,” Elon spoke softly as to not be overheard by your prospective guest. 
Egon definitely would’ve rather kept going, but Ray was the first to speak. “Probably won’t see anyone again for miles,” he presumed, turning in the passenger’s seat. 
“He can’t have any ill will. Hard to kill all six of us.” you offered, not to Egon’s surprise. He watched as you turned to your friend, tapping her boot against the floor. “Christine? What d’you think?”
She kept her eyes straight ahead, arms crossed. “Whatever gets us to the rest stop the fastest.”
“Don’t worry. Just don’t think about the beach. Or the river down there. Or drinking wate-”
“Be quiet , Peter!” she fussed. He apologized when she shifted around where she was sitting, checking how much progress her boyfriend had made on whatever he was doing.
Ray unbuckled his seatbelt. “He should sit up front,” he started, before Peter put a hand out.
“And where will you go?”
He gave his friend a bemused look, cocking an eyebrow. “I’ll get back there with you guys,” he said as if he was doubting his answer.
“With that butt? There’s no space.” Egon could tell you were holding in your own amusement before your own friend spoke up, foot tapping evolving into knee bouncing.
Christine squeezed your shoulder like it was a stressball. “I’d let you sit on me, but I think I’d piss my pants if you did.”
“Glad I’m being thought of,” you kept your eyes ahead as she once did to avoid being the next puzzle piece for this little dilemma. When you heard Elon approach the car again, with no verdict reached, you sighed heavily, unbuckling yourself and scooting forward. “You don’t mind?” his wide eyes caught sight of your hand on the frame of the door. He’d say no, make you sit on the roof; that’d keep you from bothering him. So why’d he say yes?
He thought he was done with this. The things you’d do, the things you’d say- he thought all of that was done, at least until school started again and he was locked into the same routine. But now, you were on him, and it wasn’t explicit but it felt that way and he couldn’t miss the look his twin gave him before he finally decided to drive and the car was moving . He got insanely self aware insanely quickly, cursing whoever it was that convinced him to wear a dingier pair of pants.
Elon couldn’t have been more careless a driver, bumping into potholes and sticks and whatever other debris littered the road ahead as he approached a town. He only had a second to burn a stare into the rearview mirror, before his brother stopped a little too hard, sending you sliding down the length of his bent thighs and into his torso.
Egon was absolutely burning up, hands not knowing where to stay as he unconsciously encompassed the middle of your back with both of his palms, sitting up uncomfortably. “Sorry” was all she could mutter as his heart clamored to the front of his chest.
Except, you looked back at him. Smiling . “What’re you sorry for?” you asked sweetly, quiet enough so only he could hear. This was his affliction acting up again, head swimming without coherent thought. He knew that this was nothing but your poison, giving him a perfectly reasonable reaction to the toxin. Like Claudius and Hamlet. God, he was thinking like you.
So Egon didn’t say anything, planting two hands on your waist like he’d seen his brother do to Christine. He could be poisonous, too.
The car sputtered to a stop at a larger gas station outside a little town, forever tainted by the sight of Christine running inside before she could have an accident. Peter offered to fill up the tank as the hitchhiker made his way to the bus shelter, and everyone emptying out the car left only you and Egon. 
“Thanks,” you grinned, pinching the apple of his blank face before you climbed off, following them all. He knew he’d rather stay alone in the car, but Peter had yet to bring the last 8 minutes up, and he was most likely close to breaking.
Egon gave Ray a half-hearted thanks as the interior gave him much needed relief from the sun, even if it was in the form of a handful of desktop fans. He wandered off from you and Ray as you stocked up on campfire-food, his eyes drawn to the knick-knacks for sale that lined the walls of pure dark wood, wherever there wasn’t an ancient looking antique mounted. A charming kind of hospitality, Egon thought as he passed another shelf full of anything anyone would stock up on. 
There was a lunch counter facing a large window that gave patrons a wide view of the orange sunset. But, he wasn’t so much drawn to it as he was to the glass classes full of confections and pastry that garnished the benchtop, marked with differing prices. Egon’s stomach sang at the idea of a slice of cake. When was the last time he had a good dessert?
“Huh. Pegged you more of a vanilla-guy.” Egon jumped. You had to stop popping up everywhere. “Let me buy it for you.” you kept your eyes on the crystalware. 
“Buy an entire chocolate cake?”
You shrugged, arms full of packets of graham crackers. “Sure, if you promise to go halfsies.”
Egon couldn’t think of much as you started towards the cashier, simply following you. “Why?” was the only word that came to mind. You stilled, sighing before keeping on.
“Because I find you so agreeable. Now, get my wallet for me.” And, naturally, it had to be in your back pocket.
You held the wax-paper wrapped one-tier in awe, both of you fairly hypnotized at opaque swirls of brown icing pressed against foggy parchment. You handed it off, telling him to hide it while you used the restroom. Egon hardly had a moment to take anything else in before you scuttled out the family bathroom, door shut harshly with your back.
“What?” He noted the quick rise and fall of your chest as you took a few steps away.
“They really missed each other.”
You all met Peter with bags full of marshmallow and chocolate when the stranger’s greyhound pulled up, coughing out exhaust. Elon quickly ducked into the glove compartment, springing out with a small baggie that his brother missed when he bounded over to the man. From this distance, the backpacker seemed elated as Elon returned, looking pleased with himself.
“What was that?” Ray placed the last paper sack into the trunk, away from the windows. 
“Expanding my business to the east coast,” he answered confidently. His eyes went round at the sight of a police trooper against the tangerine horizon, ushering everyone back inside so they could get back on their way.
It was past dark when they pulled into the parking lot of a state campsite, virtually all for themselves. Egon felt out of place when he gandered at his reflection in the mirror of the visitor’s bathroom, t-shirt and Peter’s lounge pants replacing his normal pajamas. He was starting to miss his cap and gown- it certainly would’ve protected against prospective ticks better than the short man’s bottoms leaving his ankles bare.
Elon drove out to the lake, where Ray was put in charge of starting a fire and assembling smores. At some point during the little mass, you had stopped him passing one to Egon insisting that you see the inside. You crinkle your nose, before grabbing the bag of marshmallows and handing him one on a stick. 
“How do you eat yours?” Your tone was professorial, as if you weren’t trying to interrogate him on how he toasted a mini cube of gelatin and sugar. Egon plucked it from you, holding it over the flame for all of three seconds. You made a face, taking it back. “There’s a right way to do it wrong.”
He watched as you let it burn completely charcoal black. Before he could refuse, you put a hand up, deep in concentration. Your fingers pinched the burnt outside, meticulously sliding it off to reveal a gooey, white center which you haphazardly rolled onto your palm after sampling the caramelized shell. “Try,” you held it out to him. Egon made a face in turn, silently refusing. He cowered, attempting to nix you when you climbed over your stump and onto his, eventually forcing the treat into his mouth. Reluctantly, he chewed, and found it wasn’t all that bad- if not a bit hot. He caught his brother’s eye as you sat back, licking the residue off your fingers, and the warmth and smoke of the fire caught up with him as he frowned. This was not enjoyable. This was the poisoned goblet
When the fire was out, they could really enjoy the night sky above them. It was an inky oil spill, dappled with the light of soft stars in an uncorrupted plane, vast and never ending as it rolled on in every possible direction. “It’s beautiful,” Christine marveled, curled up into her boyfriend while they sat on the grass.
Egon kept his eyes upward to avoid the sight of Elon’s fingers dancing along the hem of her pajamas. He muttered something about a better place to see it all, and they were off somewhere in the sloping hillside. Your knees were tucked into your chest when Ray leaned over, smiling.
“Have you ever seen stars like this?” You broke out into your own smile, shaking your head.
“Never,” you clenched and unclenched your hands, appealing smaller. Egon could feel that pull in between his eyes, that involuntary darkness in his face. But it wasn’t directed at you. It was directed at his friend. Where was this coming from?
Peter stood then, shaking refuse from himself. “C’mon, Ray. I’ll grab the camera and we can go up there for some good pictures.”
Ray stayed sitting with his legs crossed. “Oh, it’s okay. You can see it great down here.” 
“Oh, you’re so much better with the camera than me,” Peter persisted.
“I wouldn’t say that-” Ray started to wave his friend off, before he was hoisted to his feet and led off into the darkness somewhere. That left only you and him.
You rose when they disappeared over the trees, unlocking the trunk and propping it open as far as it could go. After clearing the way from stray bags and luggage, you procured a blanket that hung over the backseat, draping in across the bed and settling in. Egon looked on stiffly, before you touched the space next to yourself. “Because you don’t like the grass,” you said simply.
He sat, legs dangling over the edge of the car ungracefully. You didn’t seem to mind. “Isn’t it perfect?” you venerated heavenward. Egon took in the celestial body, marbling in a color he had only seen on your sweaters. Other hues swirled and mixed with each other, creating a depth that he was sure would match your corneas. Airglow flowed out from within Andromeda, streaks of energy peeking and hiding within a dark backdrop that mirrored the flow of your hair. The stars speckled everything in sight, being everything and nothing at the same time, content with vacuity and shining in abundance. He nodded, transfixed.
“I never realized that stars weren’t just…dots. Now they’re in front of me, and they’re things .” you expressed, attempting to trace them into vaster shapes. “It’s a shame the moon isn’t out.”
Egon did the same, scanning for a constellation. “Burning groups of hydrogen turning into helium, letting out electromagnetic radiation.”
You twinkled. “Show-off.” You leaned back on your hands, before sitting back up, digging around and emerging with the cake from earlier. “You hid it back here?” you judged him playfully, stealing two forks from the glove compartment.
“One for you,” you pressed a fork down the middle of the, surprisingly undamaged, dessert, “and one for me.” Egon was wary as you took a piece from his half, bringing it to his lips. His pupils crossed as you held it between his eyes, and he held back as if it was venom. He took the fork from you instead, whatever fluttery feeling that was happening in his abdomen flying away. 
You took your own bite, and nearly melted. “What’s in this?” you said around a mouthful of cake. Egon savored some of the pleasant, treacly chocolate flavor.
“Cherries,” Egon deduced, the both of you going back for more. At some point, you had clutched his arm, eyes wide and glowing.
“A shooting star!” you pointed, the streak of light soaring through space for a mere few more seconds before it faded as quick as it appeared. “Did you make a wish?”
He sat unaffectedly, arm tingling where you had touched him. “An archaic superstition.”
You raised a brow, sitting back again. “You believe in ghosts and possession, but not wishing on stars?”
Egon didn’t have an answer, and a silence fell when you brought yourself back to the cosmos. “If I had the time, I’d look more into astronomy.” He didn’t know what forced that out, perhaps it was the vulnerability of megacosm enveloping him.
“If you had time?”
“Astrology, if I had an eternity.” Egon paused, when you let out a noise of acknowledgment. “Its connections with the paranormal are worth researching, however frivolous.” In the corner of his vision, you were sitting and staring. Eyelids low, gaze burning and expression unguarded. Poison.
“You’re not just a robotic physicist.”
He was lost for words. “To who?”
“To me, at least.” Egon’s eyes studied every bit of your face, like a robotic physicist. Eyes with a depth that matched the hues of the night sky. Hair flowing like the airglow of space. There was a beating in his ears, drowning out sounds of rustling grasses and a rippling lake in the wind. If the universe had a tangible sound, it’d be this. And it sounded like your breathing. It all created a new layer of confusion for him. This reverie was voluntary. So why could he see ether within you? The medley of matter and the atemporal shine of stars?
An indecent noise pulled him from his rumination, though it did nothing to raise his temperature even higher than it already was. “They must’ve really missed each other,” you remarked, climbing over the backseat to grab your toiletries. Egon frowned, watching your figure retreat in the direction of the visitor’s bathroom. He only followed in case you’d get lost. But his insides still felt stark.
Egon woke when your head hit the trunk door, and you winced in pain. He sat up, not quite remembering electing to sleep in the commodious back seat, but recognizing that he was no longer in the middle of a park. He clutched the blanket pooled around his middle closer to himself, feeling like an indecent woman as you got the door open. This was a parking lot. To a diner.
“Well, don’t you two look nice.”
“You left us,” you stood at your friend’s table, not nearly as chastened at being in the middle of a busy restaurant in your sleep clothes as Egon was.
Christine smiled apologetically, putting her mug down, “Sorry, you just looked so peaceful.”
You both returned to the table after freshening up in the bathroom equally as eager to eat the breakfast that was ordered in your absence. Before having anything of your own, you split off a piece of the pie Christine saved and wordlessly slid it over to Egon. He ate it just as wordlessly.
“I’ve been meaning to ask you,” Ray started from across the table, “The book you were reading earlier- it was Liliom, right? Are you a fan of Rodgers and Hammerstein?”
You brightened. Egon didn’t much enjoy the taste of pie anymore. “Oh, yeah! I love Carousel,” you clenched and unclenched your hands again.
“That’s great! My graduating class did Carousel!” Ray leaned forward. You parroted him.
“In highschool?” You asked, awestruck. “I’m jealous.”
“What’s Carousel?” Peter wondered indolently, buttering a piece of toast.
“It’s this opera-musical about a mill worker-”
“Who falls in love with a carnival barker-”
“But he dies trying to provide for her! And he has to redeem himself for their future daughter.” you say simultaneously, breaking out into a fit of laughter. Egon felt  ill.
“You were going to see Midsummer Night's Dream, right?” The question slipped out without much thought from him, though without any resistance or regret.
He added sugar to his coffee while you wiped your eye. “Yeah, there’s a revival in this theater with the best costume design.” 
“I’m surprised you enjoy it so much. I mean, it is a parody of its audience.”
You narrowed your eyes in the same owlish way you did at the chalkboard. “A parody of the audience?”
“Lysander, Hermia, Helena, Demetrius?” he offered. “Do they not mock the audience’s romantics?”
“They’re young and in love . They’re more of an ode to the audience, if anything- look at Hermia.”
Egon clicked his tongue, watching on as your passion sparked. “Her argument in the woods speaks otherwise. It mimics the efforts of the showgoers.”
“It mimics their situation!” There was the flame. He smiled to himself. This was familiar. This wasn’t confusing.
The back and forth continued, both developing a thesis: you asserted that love was arbitrary and that’s what makes it special, and he argued that love was arbitrary and that’s what makes it fleeting. You were brought to a standstill when Elon charmed a local motel owner into letting everyone use the showers- only being let in after vowing that no one in your party was a “hippie-lunatic-drug-dealer.”
What would’ve been an afternoon to get to the beach turned into an evening, when unexpected downpour managed to back up the highways. It didn’t seem to bother Elon or Ray, as they found an indoor flea market to explore while they waited for the storm to pass. It wasn’t all bad- there were endless tchotchkes to look at and Christine had managed to haggle for some unexpectedly good donuts.
The car eventually pulled into the beach town at night, joining dozens of others in the parking lot of an ocean themed motel. It was close enough to the boardwalk that the neon signs reflected off the windows, shining in Egon’s blinking eyes. Ray looked on eagerly as you popped the trunk.
“You saw the size of that coaster, right?” he asked Peter.
“Sure did.”
“We’re going on it, right?”
“Sure are.”
“You guys coming?” He asked you and Egon, making sure he still had his wallet.
You looked around, noticing that your friend and her boyfriend disappeared, probably at the front desk. Then you noticed all the stuff left to bring in. “Don’t wait up,” you breathed out, letting the men race each other to the attractions.
Egon started to help you pull bags out, before you gasped, looking up at something over your shoulder and stopping him. “What?” he followed your gaze to the yellow-lit windows of the kitsch inn.
“They’re catching up on lost time,” you dismissed him, “let’s just-” you put everything down, shutting the door. There was a beat of quiet filled with the sounds of fun from the oceanside, before you turned to him, grinning at the absurdity of the situation. “We’re stuck out here.” 
You lead him towards the boardwalk, hands in your pockets. “I don’t suppose you’re a fan of rides,” you assumed.
“I’m not. You can go ahead. I’ll just,” he pushed up his glasses, “wait.”
“No way.” Egon was confused as you threw a few glances around, before stealing over to the edge of the wooden boulevard. “Come on,” you clutched a woven rope.
There wasn’t much for him to do but follow, cringing at the feeling of sand under his shoes. You led him rather quickly, only stopping to get a better sense of direction. “Don’t you need a license to be on the beach?” Egon put out.
You halted at the bottom of a formation of large rocks. “It’s the beach,” you made your way up them like a staircase, “I shouldn’t need one.”
Egon sighed, prudently doing as you did when you waited for him at the top. They weren’t that high, just slippery from the tide as they formed what was natural and short pier. “This isn’t safe,” he warned, anxiously watching as you teetered to the end. “There are rules against this.”
“Just look,” you pointed upwards once he cagily caught up to you. The moon was finally visible, white beams bathing everything in a dim, pale light. It seemed so close from here. “Turn around,” you patted him on the shoulder. 
Egon hesitantly agreed, only turning around when he felt your clothes hit his back and heard your footsteps running down the makeshift wharf. There was a hearty splash when he raced to the ledge, pupils dilated when you didn’t come back up. He chucked off his shirt, diving in after you.
Your head popped out above the foaming surface of the ocean, laughing madly as you wiped the water from his face. “I remembered I can’t swim,” you gasped, gleefully holding onto Egon’s shoulders in an attempt to stay afloat. He blinked away salt from his eyes when there was the sound of a whistle from down the beach, making him hold you closer to himself.
Egon regarded the way moonlight bounced off your smiling face, seawater lapping around where you held him. Poisonous.
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plush-rabbit · 2 years
Text
Dating Enji to Get Back at Touya
Request: Idk if youre down to write thing kind of thing but the idea is; Touya is a shitty immature boyfriend whos never treated reader right even though theyve been dating for a long while. They finally break up after a big fight inwhich reader is just done with his bullshit. They sont talk for a while until he sees reader with his father of all people. Reader is with Enji and he treats her RIGHT☆ he spoils her and treats her like the women she is.  Touya is not happy♡  thats it, just reader dating Touyas dad for revenge but actually is really happy w him 
A/N: I’m gonna try a different format here so let me know how you think of it, kind of like a fic, but not a full one
Touya isn’t the best partner to have. He’s never cheated on you, but he’s so dismal of your feelings. He can be mean- ignoring you, walking out on you when you’re crying, staying for a quick fuck and leaving immediately and if he doesn’t leave immediately, he falls asleep and wakes up early to raid your fridge and leave without a note. 
There’s a certain charm to the relationship. Despite him being mean and the fights where he’d raise his voice and tell you nasty things in order to hurt you, to see you cry- he could also be sweet. He’d call you pretty, and kiss your cheek. He could fuck you nice and soft, and kiss you with so much passion you could have mistaked it for some deeper feeling. He wasn’t the type to say sorry, but he would bring you gifts- expensive ones that he’d know you’d like. 
But the fighting is too much. It’s mean and cruel, and both of you brought out the worst in each other. And one day, you had enough. You broke it off and deleted his contact and even though you couldn't bring yourself to delete the text messages, you did.
Maybe you should have gone with his brother, Natsuo, who you know would be a sweetheart and would treat you better than anyone could. Or maybe his sister, Fuyumi. She was always cute and had such a sweet voice. But, for better or for worse, his father was there, going through a divorce and desperate for something or someone to just relieve himself on, you and him both took advantage of one another after a few drinks and a confirmation that both of you were single. 
-
Due to his failed marriage, Enji uses you as a rebound. It works out, really, since all you’re using him for is just to get back at his son. A “fuck you” and the pride- or something far more ugly and hurt- getting to tell him that you fucked his dad in his childhood home. And Enji gets to not be so alone anymore, gets to relieve his stress and use you in all sorts of harsh ways without a complaint. He gets to fuck somebody else while going through a mid-life crisis.
That’s all the relationship that it is, a ”fuck you” and a rebound. 
But then he visits one night after a long day of work, and like father, like son, he wants to use you, forget about his day. Maybe he should have called you, checked to see if you were awake, because even if light peeks out from under the door, you could be asleep. He takes out your key, and tries not to think about the implication of having a key to your home, and opens the door. Enji has memorized the walk to your room already, could walk the exact number of steps and turn without pumping into the corner of the wall if he were blinded. 
He can already feel his cock harden at the thought of getting to scoop you into his arms and have you ride him, to feel you clench and kiss his neck. His mouth salivates at the thought of kissing you. There are whimpers coming inside and his perverted mind, he knows he came at the right time- all it will be for the night is rushed kisses and a wet hole aching for him.
And then he opens the door, and you’re under the blanket, crying and taking shuddering breaths. You’re crying and you take notice of him. You can’t stop the tears, and you can’t mask the heaviness in your voice when you speak.
“Enji,” you sniffle and he stands at the doorway. “Shit, I’m sorry, I didn’t-” you rub at your eyes and tears drip down the curve of your face- “I didn’t know you were coming.”
He thinks about when Rei would cry and how he’d snarl and yell. How his youngest would stand between them, and he thinks about all he would do is yell even more. Late in the night, he would apologize, and in the morning, he would fuck her, muttering against her skin about how he loved her. 
His lips are dry and he can’t tell you that he just came here for sex.
“I- uh. I’m sorry.” You’re apologizing- for either the awkward situation or for crying. “I’m a mess right now.” You scratch at the space where your shoulder and neck meet and you leave lines behind. “You can leave if you want.” He can leave, because if you had told his son, Touya would have left in a heartbeat and you would cry about it, but you wouldn’t hold it against him. He would come back the next day and wouldn’t ask how you feel. Tears shine in your eyes, and you’re alone in your room, crying. “It’s fine,” your voice breaks and your lips tremble.
He thinks to himself that he doesn’t want to see another significant other cry because of him.
Quickly, he takes steps towards you, and he crouches by the bed. “What’s wrong?” His hand cups the side of your face, a tear catching on his thumb. “Did something happen?”
You start with a few heavy breaths, and your eyes shine and he can see himself in your eyes, kneeled on the floor, trying to comfort you. All you can do is cry, muttering about how work was awful and you can’t stand it anymore. You cry and he has such an urge to hold you, to run his calloused hands down your back and make it all better.
He isn’t sure when it happened, but he’s on your bed, stripped down to a white tank and his briefs, and you on his chest, with hands entangled in one another and his other hand running up and down his back. You fall asleep beside him, and he stares at you for a long time. His arm is asleep under you, and he makes no attempt to pull away from you. 
In the morning, you wake up and make breakfast for him. He sits with you for it, and sits on the couch next to you, his arm spread against the back of the sofa watching the morning news.
“I’m sorry for last night,” you say without looking away from the television. “I- uh- if you have time, I can make it up to you.” Your hand is on the inner of his thigh, and you look up at him, parting your lips and grabbing his hand that rests behind you, feebly guiding it to the back of your head.
“Sorry, but I have to go to work.” He kisses the top of your head and stands up. “I’ll come by tonight.”
If it was Touya, you would have been sure that was a lie, bet your life on it and bet your favorite blanket too. But Enji does come by tonight, and he comes with flowers and takeout and he sits with you, and he kisses you goodnight before sleeping beside you. And in the morning, he’s still there, sleeping beside you with his face buried into your chest.
“You really didn't have to do all this,” you tell him, the petal of a tulip tickling the tip of your nose. 
“Do you like them?” He feels like a child, standing awkwardly, hoping you’d say yes and waiting for your answer is the most nerve wracking thing he’s done all day. You nod and tell him you love them, keeping them close to you and unable to keep your hands off of the petals. And he swells with pride knowing you like what he got you.
-
Dating Enji is odd. He’s been married, but not once has he ever called you Rei. Never treated 
He’s large and imposing. And he’s kind and soft. He likes having you close to him, always a hand on you when you’re within arm’s reach. All the little things are celebrated, and wants you with him. 
you as her or compared you both. He kisses you good morning and kisses you goodnight. He makes you cry and apologizes. He holds you tight and tries to fix himself. You wonder what happened to Toiya to make him be so cruel, but you wonder who Enji was before you, why his ex-wife wanted to divoarce him. Why some of his children don’t call. He must have been mean before. You wait for the other shoe to drop, wait for him to yell at you and call you mean names until you cry. You wait for him to do something, but he never does.
He kisses you sweetly and makes room in his closet for you. He peels you mandarins and cracks open your pistachios. He holds your bags and carries you inside when you fall asleep on the drive home. He treats you so well, and it makes you want him. 
-
Touya was so sure that you would come back to him. Whether it was for a quick fuck or actually wanting to get back together, he wasn’t sure, but he knew- or believed- that you would come crawling back.
And days turn to weeks and weeks to months, and he’s with someone else, hoping that you’d call him in the middle of the night, asking him to come over. 
There’s something that he needs from his father, and when he walks into the smaller house than the one he grew up with- the family home being left to his mother- he can hear your laugh. He thinks to himself that he must be so stuck on you, that you must be the exact same way. It’s early in the morning, and he’s still a bit tired, a headache about to form in the back of his skull, and he thinks that it’s his imagination, until he walks into the kitchen, and sees you leaned against the counter, and his father with his hand on your hip.
Neither of you take notice of him until he clears his throat and you both tense, turning to look at him. 
His father looks a bit ashamed, but you don’t. You wave at him and return to cleaning up the table where two sets of dinnerware rests, a plate once full of food, now just scraps. Touya’s stomach drops and he realizes what all this is. His father fucking his ex, and living with them in some faux happy daydream. 
The worst part of whatever weird situation that he had the unfortunate luck of walking into, is that you actually look happy. 
You wear a necklace, one far better than the one he could ever have given you, and his father is speaking to him, wrds all garbled up and nothing more than nonsense as he stares at you, ready for a punchline, ready for you to be mean and attempt to make him jealous by kissing his father in front of him. All you do is kiss his cheek.
“I’m gonna go throw the trash, ‘kay Enji?” Your fingertips tap at his jaw to turn him towards you, giving him a kiss and walking away. 
You’re on a first name basis with his dad, and his father’s gaze follows you, watching you walk away with a smile he doesn’t think he’s ever seen him make. 
“I know it must be odd-” Enji starts, and it goes unlistened to, only glimpses and phrases, actually making sense. “-it just happened-” , “They’re really nice-”, “I hope you don’t mind.”
The last sentence is such a slap to his face that he gets up and walks out, slamming the front door hard enough that picture frames rattle.
When he goes outside, he finds you there, the bag of trash beside you, and your phone held in your hand. You ask if he’s leaving already, and you wish him for a safe drive. You don’t even give him a spare glance. 
He’s furious and he hates himself and you and his dad. He hates how happy you looked. How domesticated the both of you were- are. He hates how you moved on from him. That you meant it when you said you were done with his bullshit. He thought he would have had another chance. But he knows himself- he would have ruined it too, and even though the relationship was awful, he still went to you when you called him. He still bought you gifts and he still has your house keys.
“Do you live with him now?” His voice is emotionless, and there’s a hint of disgust in there to ask whatever void is growing in him.
You shrug. “Yeah. Got my own toothbrush here and everything.” You smile. “My place was starting to get cramped anyways.”
Inside, Enji calls for you, and quickly, you stand, wishing Touya a good day, and he stands outside with a bag of trash and a key with no home to return to.
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