#you have this cool movie with pretty good representation and then just

[optimistic-autistic]

i really don't like miguel o hara

[monimccoythings]

Cuteness Overload

Just saw the movie. What a masterpiece. And (spoiler warning) I'm glad they did Charles Martinet justice even though I still think it should have been him voicing Mario. And of course, I'm in love with Jack Black's portrayal of bowser, excellent representation of a good creepy and psychotic villain that stole the entire movie. I loved it so much I'm writing a Y/N fic (My favorite little hoe, but this time is more on the platonic side). This contains a huge spoiler for the movie, specifically the ending. I'd recommend to watch the movie first.

Next Parts: 2, 3, 4, 5

So, a couple of weeks ago your entire neighborhood got destroyed because of some epic anime battle that just casually happened over there. How cool is that? Or how horrible, because thanks to that you just have to take the biggest detour ever known to man to get to work. But hey, at least you had a nice walk.

You getting into the mushroom kingdom was entirely by accident. Yes, you were curious about that new world but never had the time or will to go on a transdimensional travel. Thank goodness there was an open sewer hole laying there (which you completely missed) to help you take the initiative.

If you didn't took into account that nightmarish journey through the tunnels, the Mushroom Kingdom was a pretty interesting place to be. The toads were very friendly and kind fellas, some of them carefully checking you out for injuries and advising you to go see the princess in order to help you get safely home.

Okay, forget about the journey through that cosmic rabbit hole, going up to the castle was way worse. You didn't remember having exercised that much, not even in P.E. You swore your vision was blurry after all that.

Princess Peach was the most loving, kindhearted badass you had the pleasure to meet. That kind angel sent down from heaven upon seeing your miserable state, generously offer you to step in for tea and pastries, while the royal doctor (another toad but this cutie came with a stetoscope and a labcoat) made sure you didn't had seriously injured yourself with the fall.

As dignified and courteous she tried to act. It was obvious she was very excited to meet another person from Brooklyn. Soon you found yourselves engaged in conversation. It felt easy talking to her, like you were talking to an old friend. You suddenly felt very glad you didn't see that sewer hole.

Mario and Luigi stopped by as well, and the second they opened their mouths you recognised them as those two dudes from that dope ass commercial. So they were the ones that were in the middle of the battle in Brooklyn. Good for them, you were glad things turned out great.

You were having the time of your life, they were really chill and easy going people, which put you more at ease. As time passed, you heard the faint sound of a piano being played. When you asked your new friends about it, they just shrugged and Princess Peach gave you a half smile saying that it was her "pet turtle".

Whoah. This was truly a magical place. Her pet turtle played the piano?? And very well by the sound of it. Peach asked you if you wanted to see it. Of course you wanted to see it! Mario and Luigi gave each other uncertain looks, but in the end they just shrugged it off.

After a long walk through the hallways you finally reached a room. The toad guards immediately stepped away when they saw their ruler approach, but gave you a look full of suspicion. Peach softly reassured them.

She opened the door for you and let you in. The room wasn't any different from the castle except that it was completely devoid of any furniture but a single golden cage with THE TINIEST TURTLE PLAYING THE TINIEST PIANO YOU HAD EVER SEEN.

Said turtle was now looking perplexed and midly annoyed that it had been interrupted, but its eyes lighted up when they landed on Peach, who suddenly looked very done and tired. But how could you notice when its mere sight alone was too much for you to bear.

It was SO CUTE. SO DARN CUTE. Cuteness overload. You had died and were sent to adorable heaven where tiny turtles played teeny tiny pianos. You made sure to tell it that several times, making Mario burst out laughing. And it got even better from that moment, because out of that turtle mouth came the most colorful collection of threats and insults in a HIGH PITCHED voice that made your heart melt. Because of course it, he, had a high pitched voice. That only made you gush out more, you loved animals but specially you absolutely adored reptiles.

Mario was literally holding himself against the wall to keep himself from falling for laughing so hard. Luigi was cry laughing and Peach was trying to cover her face, but it was clear that from the way her shoulders rose and went down that she was practically wheezing.

You asked Peach if you could hold him for a while, to which she seriously, or at least she tried to sound serious in the middle of all that laughter, answered that it was too dangerous to let him out. But how could something as darling as that do any wrong? Peach gently pulled you out of the room, but not before you let out a "Bye bye, piano playing turtle, I love you." To a very blushing and mortified turtle.

Turns out that the turtle had comitted war crimes. Very bad war crimes. And even though he was still a little cutie to you, he got what he deserved and shouldn't be let out under any circumstances. Still, you were def going to visit him again.

[raventhewolf9]

Media and stuff that I'd recommend for therians/alterhumans/nonhumans

WOFLWALKERS!!! Of course this one is at the top of my list, I LOVE this movie. It's SOSOSOSOSOSO good. Perfect for wolf/canine therians especially, but as a cat therian I still enjoyed and related to it!

Benji Zeb is a Ravenous Werewolf by Deke Moulton (I hope I spelled that right)-- Another one that's great for wolf/canine therians, but again, I still really enjoyed and related to it even though I don't have a canine theriotype. It's also got great Jewish, Chinese, queer, and anxiety representation!! What more could you ask for?

Claws by Mike & Rachel Grinti-- I haven't read this book in years but I remember REALLY LOVING it, before I even found out I was a cat therian. I'm SO desperate to read this book again but I can't find it ANYWHERE-- Like it's not at my local library or anything-- Really hope I can read it again soon.

Nimona (movie) (I haven't read the book)-- Haven't watched this in a while but I really really liked it, great for alter/nonhumans in general but especially shapeshifters

Turning Red-- Don't really have much to say about this one since I haven't watched it in a few years, but if you're a red panda I would consider giving it a watch

Amphibia-- This is one of my favorite TV shows!! As the name implies it's a great watch for those with amphibian kintypes, but also just like. literally anyone. go watch this show /nf

Warrior Cats-- Come on, I couldn't not put this on the list. It's pretty cool to be in the paws of a feral cat for a while. Perfect for felines

Wings of Fire-- Great book series for anyone who identifies as a dragon. What's cool about this is that there are tons of different kinds of dragons in the books! Are you a sea dragon? WoF has got you covered! Ice dragon? Yup! Insect dragon? They have those too! There are a whole ten different dragon species in this series and hybrids even exist, too!

Luca-- Perfect for really any aquatic alter/nonhuman, especially merpeople, sea monsters, or aquatic shapeshifters. Haven't watched this in a long time but I remember it being a really good movie

Will Wood's music-- OKAY HEAR ME OUT-- No, this is not JUST because I'm obsessed with WW. That's part of it but I PROMISE I have a good reason for putting him on here! A lot of his music expresses discontent with humanity in general. I mean, one of his songs is literally called "Yes, to Err is Human, So Don't Be One." Outliars and Hyppocrates also comes to mind, as well as Willard! (which is great for those with rodent kintypes or even just those who are rodenthearted). Tomcat Disposables is also from the point of view of a mouse which is cool!! He also has a song called Vampire Reference in a Minor Key which you might enjoy if you're vampirekin

Eighth Wonder by Lemon Demon-- This song is about Gef the talking mongoose, otherwise known as The Dalby Spook. I love this song and it makes me feel very euphoric, it's perfect for cryptidkins (especially those who identify as Gef specifically!)

To The Sky by Owl City-- For a long time this song also made me feel very euphoric, great for those with avian kintypes

Wolf Bite by Owl City-- The song isn't exactly about werewolves, but it has a few werewolf references and I LOVED it when I used to identify as a wolf/werewolf.

Bonus section: Stuff that isn't inherently alterhuman/nonhuman related but still gives me euphoria!

Community Gardens by The Scary Jokes-- No idea why this one gives me euphoria. It just does.

Nothing Man by Sodikken (specifically the music video, not just the song)-- This is honestly probably just because the character in the video has a tail

Yaelokre's Music-- Again, no idea why this does it for me, it just does

Umm yeah I think that's all! If any of the stuff on this list sounds cool to you then you should totally check it out

Hope this helped!!

[ponett]

I have now finally seen the Mario movie. It was Pretty Good. Here are my wordy thoughts on it. (I am going to spoil the entire movie. Duh.)

In many ways, the Mario movie does what I wish the first Sonic movie had done. They just took the characters and the premise and the world from the games, and made it a straightforward animated adventure movie. It's bright and colorful and remixes things JUST enough to include fun elements from multiple games, and it doesn't make Mario get adopted by James Marsden or whatever. It even has the music!

That's all you really need, right? Right...?

I'll get this out of the way up front. Chris Pratt was fine. He's fine

If anything, it really feels like they did the movie a disservice by letting us hear so little of the Mario voice in the previews. It took one scene for Pratt to disappear into the role for me. It was totally fine. If anything, I found Charlie Day's normal voice coming out of Luigi WAY more distracting, even if I did like him in the role.

Everyone else was pretty good, for the most part. Jack Black was obviously very good as Bowser, but I'm biased. Seth Rogen does the Seth Rogen laughs as Donkey Kong, but I thought DK was fun, too. (I liked his little rivalry with Mario where he was just constantly giving him shit.) The only casting choice I truly hated was Fred Armisen as Cranky Kong. I hated every line that came out of his mouth. He sounds atrocious. Just the worst. I swear to fucking god if they do a DKC movie and we have to hear him for 90 minutes

I did think Peach was lacking, but that was on the script, not Anya Taylor-Joy's performance. It's cool to see Peach fight, but it's one of those all too common instances where the writers put so much effort into making the main girl kick ass and be an effortlessly confident girlboss that they forgot to give her an actual personality. Not that I'd point to Super Princess Peach and its mood swing superpowers as positive representation or anything, but there's a happy middle ground, surely. Shrek was 22 years ago, just having the princess do flying kung fu kicks isn't enough.

Okay. With the voices out of the way, let's talk about the big picture:

It's way better than the words "Illumination Mario movie" implied, and I mostly enjoyed my time with it. The spirit of Mario is there 100%. But I'd also describe it as "ruthlessly efficient."

This was perhaps the main complaint critics had, and they were absolutely right. People have responded to these totally average reviews with "Well, what did you expect? Shakespeare?! It's MARIO!!" Like, yes, I would prefer it if the movie I paid to see had writing that was good instead of bad. What a shocker. My issue isn't that it's not "high-brow" enough. The problem is that it feels mercenary. It feels like an editor went through and deleted almost every line of dialogue that isn't some form of exposition, at the expense of the pacing. Any scene that's not a montage or some sort of action is kept as short as they could make it, with barely any room for embellishment, character interaction, or anything other than the bare minimum word count to hit all the typical Save the Cat Hollywood screenwriting 101 story beats to the letter. There aren't even as many jokes as you might think (and the ones that are there are extremely hit or miss, including a lot of the slapstick with Mario himself).

Mario and Peach's little arc together in the front half of the film is probably the worst example of this pacing. Even having read reviews that complained about how fast Peach goes from meeting Mario (by her admission the first other human she's ever met) to deciding to train him as the new savior of the Mushroom Kingdom, I was SHOCKED at how fast it was. They don't even lampshade it.

Peach takes Mario straight into the big training sequence where he learns how to use mushrooms and jump over platforming obstacles. Peach is apparently already a hypercompetent platforming pro and a great fighter, so there's no clear reason why she's taking the time to train this random guy to be half as good as her when the world is in danger. Then they set off on their adventure, Toad joins them, and we get a VERY brief travel montage. It's about thirty seconds total - just long enough to give Peach a line about how she wants to protect this beautiful world of hers to try and give her some stakes. We get the genre-mandated nighttime campfire heart to heart, which is exactly long enough to have Mario say he misses Luigi and to have Peach give the two sentence summary of her origin story and not a second longer. Then they reach the Kongs, and their big journey is complete. (They barely interact for the rest of the movie.) So much of the movie is like this - always ready to get on to the next scene as soon as a new one starts.

I'm not criticizing the script because I expect The Super Mario Bros. Movie to be a prestige drama - although there are certainly halfhearted attempts at a dramatic arc. The stuff with Mario's family was a fun enough idea, but again, ruthless efficiency. We get one quick scene with them at the start to give Mario some pathos, because I guess Save the Cat said he's gotta have some pathos. And then Mario gets his dad's approval amidst the action of the final battle in Brooklyn to resolve his arc, just so the movie can end as quickly as possible once Bowser is defeated. (Despite now having the approval of their family and their community back in Brooklyn, Mario and Luigi move to the Mushroom Kingdom off-screen without a single word dedicated to this decision, because that's where they live in the games.)

Look. I am not comparing it to The Godfather. Don't give me that shit. I am not asking for an extra half hour to explore Mario and Luigi's childhood trauma. I am not asking for the complex inner workings of the Mushroom Kingdom monarchy. I know this is gonna be a basic Hero's Journey adventure for kids. It just feels like it's turning down so many opportunities to have a little fun with the characters, to let them interact and play off of each other, to let there be some adventure on this adventure. This is the first time we've gotten to see these characters interact with fully voiced dialogue in a very, very long time! "Yeah, it's not High Art, but it's FUN!" Stories are fun! Character interactions are fun! The script could be having so much more fun!! It is adamantly against making the Story parts of this story-driven movie any more Fun than they functionally need to be!!!

Mario, Peach, and Toad's journey to find the Kongs is shorter than the training montage that precedes it. After the opening, Bowser mostly just sits in his castle and waits for the third act to start. Luigi's there, too, but he only gets one scene with Bowser and then the movie mostly forgets he exists until the climax. He doesn't even get to try and sneak out of Bowser's castle and get up to hijinx. He's just there to be a motivation for Mario, so he sits in a cage for half the movie. It's the bare outline of a script with action scenes added in.

Aside from the fact that it's Jack Black singing as Bowser, I feel like this overly-efficient script might be part of the reason why the "Peaches" scene stands out so much. It's a moment that didn't strictly need to be there to keep the plot moving or to provide an action setpiece. It's not even a reference to another Mario thing. It's just a fun and memorable little character moment that's there for its own sake. That's what the movie needed more of. To stop and smell the roses more often. To play in the space.

To be clear, this isn't a unique problem with this movie. Critics have been noting for years that second acts are disappearing from big Hollywood movies in favor of the Act I plot setup and the Act III action, even though Act II is supposed to be where you get to explore your actual premise. And lots of animated movies give me this exact same vibe of being too "screenwriterly," or feeling like they had an executive breathing down their necks and demanding changes based on focus testing. But these common issues are why I come away mostly feeling like the movie is on the better end of "average," rather than totally blowing my mind. You have seen this movie many times before, just not with Mario in it.

And, of course, there's the music. The score by Brian Tyler based on various classic Mario and Donkey Kong tunes (frustratingly all attributed to Koji Kondo) is absolutely beautiful, but it's unfortunately frequently overshadowed by the licensed music. Everyone already complained about things like the use of Take On Me in place of a lovingly arranged DKC medley, but it feels illustrative of the tug of war the movie is caught in the middle of, between wanting to be a lavishly faithful Mario movie and wanting to be a generic tentpole animated adventure movie. Every single licensed song used is the most obvious, overused song they could have picked for the scene. It reeks of cynical executive meddling and it took me out of the movie every time.

But there really was a lot of care and love put into this movie - more than probably any other video game movie ever made, not that that's a high bar. I don't want to underplay that too much amidst all my complaints spurred by the absolutely insane response to the reviews.

Aside from the countless background references that people will be picking apart for years, touches like the Captain Toad tune playing in the background of Toad's introduction or the Mario Kart 8 menu music playing in the kart garage really help bring it to another level of authenticity. I also enjoyed seeing some more obscure Mario enemies that felt like they were picked more for being fun to animate than for being nostalgic and marketable. No matter how many times I sarcastically pointed to the screen and deadpanned "reference. reference." I am not immune to noticing these things and smiling. I am not immune to the DK Rap. These alone don't make the movie good, but it's nice to have a video game movie that feels like it was made by people who like video games.

Most importantly, the animation is great throughout. It's leaps and bounds ahead of other Illumination work, and it's the best the Mario cast has ever looked. They even made Donkey Kong handsome, somehow. They're all so squishy and expressive, and they move so fluidly - especially in the action scenes. I particularly liked the more kinetic ones like the aerial Banzai Bill chase and the Mario Kart sequence. Truly, the Mad Max-inspired car battle on Rainbow Road where Mario literally does the speedrun shortcut is this movie firing on all cylinders.

Other, more hand-to-hand fights nail the Popeye-esque vibe Mario should be going for. He's an underdog who gets the shit kicked out of him by bigger, stronger opponents until he gets his signature powerup and turns the tables on them. My favorite animation of all probably came from the use of Cat Mario to turn the tide in the DK fight. They had so much fun making Mario move like a cat. Again, it feels like a choice made because it'd be fun to animate rather than just a nostalgia move.

It's that animation and that attention to detail that carry the film, really. They elevate it from mediocrity into being a fun watch for a fan like me, albeit one I couldn't help but pick apart with Anthony as we watched it at home. I'm glad I saw it, but there's a lot of room to improve with the inevitable sequel. I hope they do. I can't deny that I had fun with the movie, but I hope next time that fun is partially because of the script instead of in spite of it.

Stray thoughts:

Overall, I would say I enjoyed the movie a lot more than Sonic 1, but probably not as much as Sonic 2. Not that these movies need to be pitted against each other.

I hated the Luma. I hated how hilarious they clearly thought the Luma was. They have the fucking Luma break the fourth wall to end the movie and start the credits. This is going to be a deep cut for fans of bad animated films, but the whole time I was just thinking of the little fish from Romeo & Juliet: Sealed With A Kiss who's just the director's kid saying random nonsense. You know I'm right

I rolled my eyes at the "our princess is in another castle" joke and several other jokes that would have been dated in a gamer webcomic 20 years ago but I guess they had to be there

How much of Brooklyn did Bowser's giant floating castle take out? We know 9/11 happened in this universe because the Freedom Tower is there, hasn't New York been through enough

I can't believe there's a Diskun easter egg

The dog is the most Illumination character design in the movie. It felt like it wandered on set from The Secret Life of Pets

Mario being a gamer and playing Kid Icarus of all things just made me remember this tweet:

Yes Anthony did get mad at me for being thirsty for Bowser

[not-poignant]

Just saw your post about Ghibli + elements of grotesque with the Nausicaa gifset and how you wrote an essay comparing it to Shinto philosophy and I had to ask - you didn't happen to write that for an IB film class did you?? Cause that would be a WILD coincidence if so, bc I'm doing IB film rn and one of our extended essay examples was literally exactly that; an analysis/comparison of Ghibli movies and Shinto philosophy/religion and it was really really good.

Even if not, that's so cool!! I adore Ghibli and totally agree with the points you left in the tags of that post. Ghibli is about confronting the uncomfortable and ugly and grotesque and scary and acknowledging it as a valid and necessary part of life. Everything in balance!! Sure there are some more cutesy kiddy films which I feel have become more mainstream but especially films like Nausicaa have very real and important messages that often get overlooked :( I was really scared of Nausicaa when I was a child and now it's one of my favourite films!!

Anyway, you're awesome, I agree with your takes and Ghibli rocks 💪

Hi anon!

So this is going to be a wild journey, strap in.

I don't know what IB Film is. I did my thesis in a final year university unit specifically where we all developed our own thesis subject, had a supervisor, and it was basically a test run to do first class Honours (which lets you bypass a Masters degree and go straight to the PhD, which I then intended to do). It was a limited class that only had about 10 people in it, I believe. My supervisor was the head of the film department.

Now, this was back in about 2004. Shit I'm old. Ghibli wasn't a household name. It wasn't streaming anywhere. You couldn't get DVDs easily, and if you wanted them you had to make sure you had a region unlocked DVD player to deal with the DRM and then buy them from overseas. Most people were only getting exposed to these films if they were regular cinema-goers, or if they were an aggressive pirate via downloading torrents (which I was). The only place you could get Ghibli merch pretty much was Japan. It absolutely did not have the kind of traction it has now, no one could do a class on it outside of Japan because the majority of students would have no idea what you were talking about.

I think Disney/Lasseter had picked up the option to do dubs, but for the most part, if we were seeing these at the cinema, they were subbed.

So that's the context! That was in an era where I was the one directly getting all of my friends on Livejournal and in person, into Studio Ghibli. I went to the Ghibli film festival back before Spirited Away came out, and that got me hooked years previous.

In 2004 I did my thesis. At the time I was the only person in the English speaking world to do a thesis specifically on my thesis subject. It had been covered briefly in sentences like 'Miyazaki practices Shinto' etc. and there was one other unpublished thesis I was able to find that talked about concepts of Shinto and some of Miyazaki's films which helped me a lot with my thesis.

I went on a deep dive into Shinto. Because it was a thesis, I had to research a lot into the difference between folk and shrine Shinto (Ghibli films lean very 'folk' but there are moments of shrine Shinto), and ended up with a pretty baller reference list. But many, many, many more resources online and off have come out since. I'd find the thesis very easy to do if I was doing it now.

Because I was the first to kind of present my findings in a thesis like this, the thesis ended up getting published in a book on animism and then journeyed further on because it was of interest to people who are interested in representations of animism in mass media, especially popular mass media.

The specific focus of my thesis statement was the difference between the black and white puritanical morality of Disney, the most popular animation studio for children and adults at the time, versus Miyazaki's mixed morality and more nuanced explorations of good and evil, villains, heroes and antiheroes in Ghibli animations, and how that was at least partly founded in the difference between a more Christianised versus Shinto mindset in relation to nature and intersections with humanity.

Idk, something like that.

The thesis did well! I got my high distinction, got my invitation into first class Honours, and then was too sick to go on and get the PhD and teach about these things, which was what I fully intended to do!

My thesis got some traction over the years, published in a few places both online and in at least two books (one that I own, the other I forget because it's been oh my god like 20 years), so the idea got around!

Anon, there is actually a chance - a small chance - that the only reason you're getting this essay subject in a more standardised curriculum is because my thesis made its way into the public eye 20 years ago and got quite popular. It was never peer reviewed or anything, it wasn't a PhD thesis and didn't need to be, it was mostly just a very well-researched (if I do say so myself) collation of thoughts on the subject as someone is also a practicing animist. In retrospect I really wish I'd incorporated more of Zipe's teachings but he was in a completely different field to media studies and my supervisor didn't know about him to suggest him.

Discussions of Ghibli, Miyazaki and Shinto became a lot more popularised as Ghibli got more popular and people in the western world discovered that there were already a published essay (at the time people could read it without paying for it as I'd put it up online for folks to access) that linked to other sources and the unpublished essay I'd found. So...

Um, yeah, that's wild, because I know that this wasn't a thing in universities 20 years ago, because I was so desperate for resources I was emailing around and asking universities so I didn't have to figure so much out myself. 😅

[moreespressoformydepresso]

What are your honest thoughts on all Descendants boys? From both books and movies?

Oehh that’s a good question! I’ll base most of this off of the movies because I remember them more clearly. Sorry this is so late, I needed some time to sort out my thoughts. Let’s see:

Ben: cutie, golden retriever energy, needs to grow a bit more of a spine but as a recovering doormat I vibe with him.

He’s got a good heart, and he’s definitely going places, but I have no idea who decided a 16-year-old should be king. Hilariously, he’s a better king than his dad because he cares about all of his people, not just the “heroes”. But still, he’s 16, let him have his dumbass teenage years. He’s still in his phase of wanting to please everyone and that isn’t gonna lead to the best decision making. You’re king, Ben, you can overrule your girlfriend’s selfish idiotic plan of closing the barrier. Just tell her “the barrier was opened for you to come through too. If those kids aren’t worth the risk, does that mean you aren’t either? Should we throw you back?!” And she’s change her tune real fast. You gotta give some tough love sometimes.

Jay: cool, I wanna know his gym routine, pretty funny but rash, needs Carlos to temper his brand of crazy (love their bromance).

I love the narrative parallels to the movie Aladdin. Jafar thought himself so far above a street rat and now he’s raised his son to be one so he can continue being a con-man. In the movies, Jay is actually a very accurate representation of your upbringing shaping you into who you are. All Jay knows is stealing, he’s never been taught to pay if he doesn’t have to, so to him stealing’s perfectly fine. It’s normal. It’s a lot more subtle than the whole “who doesn’t like being evil” bit, but the core idea is the same: when all you’ve ever known is one perspective, that’s gonna feel like the objective truth because you’ve never had a chance to try a different one.

Carlos De Vil: Best (movie) Boy, my baby, I love him. What a little nerd (affectionate).

He’s a big part of why I willfully ignore the absolute stupidity that is the third movie’s ending. I’m sorry Mal, wtf is wrong with you??? You set your supposed friend’s abuser free for nothing but some empty platitudes and dare suggest you’ve become an empathetic person?!?! In the books, we get a lot more insight into just how horrible of a mother Cruella is, but even in the movies we see he’s had it bad because of how jumpy and nervous he is. Disney is still Disney so we don’t get much of the healing process, but we see how he calms down and adjusts to a normal life over the course of the movies when he’s out of the bad situation, which is pretty good by Disney standards. Cameron Boyce did an amazing job playing him (R.I.P Cameron) and seeing an abuse victim get comfortable within their own skin and getting the happy ending they deserve is always fun.

Harry Hook: Insane (affectionate), most fashionable drama queen ever, absolutely crazy, more than a few screws loose but in the best way possible, he’s hilarious.

So on the surface, Harry’s pretty simple. A dude who’s lost his marbles and flirts with everyone. He probably has some kind of moral compass, since he didn’t rip Mal’s throat out with his hook when she revealed her little stunt in D3, but it fell overboard at some point and couldn’t be found so nobody knows what it is except Harry himself. Also, he has his sane moments, like during that same confrontation in D3 I mentioned before where he says “And you, King Benny... you're probably gonna throw us all back inside.” It’s the first time I’ve heard him sound… not like Harry. It’s sombre and defeated, a little disappointed maybe? Either way it’s really good acting and it implies he can act completely “normal” but he just chooses not to, which makes me like him even more. He’s just a dude living his best life despite the circumstances he was born into.

Gil: adorable, hilarious, kinda clueless but in a good way.

I love characters that have no idea what’s going on half the time but are absolute sweethearts trying their best. He’s like- the opposite of his dad in every way and I’m living for it!

Gaston Jr and Gaston the third: I don’t have much to say on them, let alone separately, so they get a section together.

Honestly? I don’t remember having an opinion of them. They made Evie happy by wresting, which is cool so they get points for that. Seem like they’re trying to out-gentleman each other to win Evie’s heart and since they’re not being creepy assholes about it they are objectively better than their dad. Very much brawl over brains, the two of them, with their constant wrestling reminding me of Carlos and Jay except they’re both the muscle. Kinda cute sibling relationship, even if it’s in a VK-typical villain-flavored way.

Anthony Tremaine: squeeeee, my type is pretty boys who sigh in annoyance at everything, I guess? We only get scraps but I happily cradle them to my chest.

Uhmmm so Anthony’s personality is mostly up for imagination? The only canon information we have is that he’s most likely Anastasia’s only kid (someone on Tumblr pointed out that, in the scene with the wicked step-daughters, he’s referred to only as their cousin, not their brother) and he’s very bored with his cousins’ antics. Given A Twist In Time the potential drama is endless. Every time Anthony’s mentioned we’re reminded he’s pretty and has good style, and I love that for him. Dude lives on an isle of junk and still looks like a supermodel. Lots of room for my own ideas while still remaining within the realm of “could be canon” with just enough base in there that I’m not just creating an OC, and as a writer and artist that’s all I need tbh.

Hadie: cute, deserves better, I need more of him and Mal bonding

Mal’s half-brother, son of Hades, very cool. I like that he’s trying to turn good and having a hard time, because that’s very realistic for someone who grew up not knowing anything other than evil. Descendants 2 tried to tackle it with Mal, but failed miserably. We know Hades sucks as a parent in descendants (neglect is abuse) so that’s not gonna help him.

Dough: Awww he’s so cute with Evie 🥺

No really that’s it. He’s a nerd that gets the girl, has some very funny moments, but honestly most of his character is centered around Evie? And they’re cute together it’s not a bad thing but there isn’t much to analyze. He’s understandably pissed about someone like Chad getting all the girls while using them, but that’s also only ever seen in relation to Evie.

Chad Charming: what a bitch (derogatory), total coward, I hate him but he’s funny.

So I have no issue with characters who conduct themselves terribly (I love Audrey, (fanon) Anthony, Uma, and many others from many fandoms) if, and that’s a massive IF, they have a good reason for it. And I’ll count “because I can and I want to” as a good reason, because by that point you have someone who’s mean and owns it. I can appreciate the self-awareness and usually those characters are very extra so it’s entertaining. If not that, there needs to be a reason they are the way they are. Audrey has the pressure from her grandmother (and the borderline verbal abuse), Uma has the very real grievance of living in squalor on a run-down island full of the worst of humanity because she was born, what does Chad have? He’s spoiled. A spoiled brat. And he goes from that to an overtly whimpering coward with none of the pretense of superiority in any field. His one saving grace is that he’s a massive joke.

Diego De Vil, Clay Clayton, Gonzo, Jace and Harry Badun, Herkie, Aziz, Jonas, Lefou Deux, Li Shang Jr, everyone else I missed: no opinion, because they’re not relevant enough for the writers to give them a personality.

I have nothing I’m sorry. I barely remember reading their names and I don’t remember anything from the scenes they’re (mentioned) in to get an idea of what to talk about here.

That was… a lot lmao

[nerves-nebula]

chelloooo the tmnt getting more racist thing is actually rlly interesting to me because I don’t think it’s getting more racist , I just think that as more and more pieces of media with good Asian representation come out (eeao, amphibia, and even elemental are the first things I can think of) there’s more stuff to compare it to and realize that tmnt is just… not it. And that although it’s gotten less blatantly stereotypical, it just hasn’t followed the curve of good Asian representation in media. It continues to be lacking. It improves in small ways. It’s just slow 

and I also think it’s because how tmnt handles japanese and east asian culture in general took such a fucking nosedive with mutant mayhem. Look at splinters entire character and the fact they learned to be ninjas from mostly popular chinese movies. Like almost everything about this movie shows how much the creators were looking through it with an orientalist lens

Like. I don’t think tmnt is getting more racist, I think the amount of racist shit is staying relatively the same.* So as western culture and pop culture starts to be less racist, tmnt starts to look more racist as a result. And also because socially and culturally speaking, tmntmm is Rlly Bad. Like look at it once with ANY IDEA of racist stereotypes and it’s Bad. It would have been fine like any year before 2023. But compare it to any popular piece of media that’s come out in the past 1-3 years and its…. Lord. It’s not it ………

(I like tmntmm etc. I just have to ignore a lot of the racist stuff in it, as I have to do with most pieces of media. But for something that came out in the 20s it’s so much harder to turn a blind eye to it than other stuff.)

*imo it improves the most with rottmnt. But that show was also racist in other ways, just not towards japenese culture. It handled being asian american and an immigrant surprisingly well

(also for judas’ followers who don’t know me I’m asian 👍) -angie and jonah

OHHH YOU PUT IT PERFECTLY INTO WORDS. Tmnt isn’t really getting more racist it’s just improving very very slowly compared to a lot of modern media.

Like it feels weird when racist stuff happen in old media but you kind of expect it in old movies & tv- but when it’s still present in modern day it’s kinda more noticeable.

And yea I feel a similar way about mutant mayhem, it’s very good in a lot of ways! Racially isn’t one of them!

Not even just with Asian stuff either- which I think you’ve covered pretty well here- but from a black perspective it’s not great either. superfly is kind of weird to me cuz he’s clearly black and his coding is clearly pulling from black culture and he’s all macho and chains and I love that for him. I think he’s so cool.

But he’s basically just another one of those villains who’s an oppressed person who’s faced violent discrimination and fought back- and that in itself is framed as explicitly evil. Him telling the story of how he was being chased by a mob and faught back is when we’re supposed to start thinking he might be evil.

and so he’s like, coded as an activist or civil rights leader, but instead of fighting for equality rights he wants to kill all white people (in a metaphorical sense) and it’s like oh ok cool. This again. Greatttt.

Anyway point is: ur so right

[tdlosk-confessions]

i love love LOVE headcanoning saiki as aroace like yeah!!!!!!!!! that guy in the show who says he's uninterested in romance despite his many potential love interests, including the most beautiful girl in the school??? he's still uninterested by the end of the series!!!! it's such a win for me as an aroace person to see his disinterested approach to romance and sex just never waver throughout the series, even as his tsundere tendencies break down more and more when it comes to his friends. so many shows/movies/etc would see this as something to be "fixed" when the perfect love interest comes along, but not saiki k!!! it just means so much to me <3

also, to me, saiki is exactly the kind of aroace representation i wanted. like i feel like there's two extremes of canonical aroace rep i see, where on one hand you have characters who are canonically aroace, but it'll either be mentioned once or confirmed off-screen, and then it doesn't actually affect the character at all. which feels a little bit too little, or like it doesn't matter... and on the other hand you have characters for whom their aroace identity is the whole focus of their story and character arc. and i guess this is good? but it can feel a little bit too on the nose? at least, to me? er, anyway.... saiki, even though he's not canoncially aroace, sits in this firm middle ground where his lack of interest in romance and sex is important and you get to see it sort of "at work" rather than just hearing about it once, but of course this isn't the Whole focus of the story. i also just find him and his relationship to romance and sex ("don't want it, never have, don't try and convince me that i should because i just don't") personally relatable which is nice.

ANYWAY SORRY FOR THIS LONG PARAGRAPHS BUT i get so excited about his adventures in avoiding romance because he's my absolute ideal kind of aroace rep... even if his identity isn't canon. to me it doesn't even matter that him being aroace isn't canon because whatever he has going on still represents my OWN aroace identity so well. anyway you can pry aroace saiki from my cold dead hands <3

[Confession 185]

Aahh real!! I've always appreciated the aroace Saiki hc too because it just feels.. natural? (I think that's how to describe it)

Like he actively shows signs of him being aroace through dialogue and actions but its never said actually or spelled out in front of your face which I like cause it kinda feels like show, don't tell

But yeah aroace saiki is pretty cool :)

[imagitory]

Review: Wish (2023) [SPOILERS]

Evening, everyone! Tonight my mother and I went to go see Disney's most recent film, Wish, which fortunately came to theaters in my area right before its formal American release date. I'd been very curious to see how this tribute to Disney's last 100 years of filmmaking would turn out, and now that I've seen it...well, I have to be honest, I was a little disappointed. I want to be very clear both that I was going into this with a rather sunny outlook and that there are things I really liked in this film...but overall, it felt like a lot of the good ideas it had were only half-baked, and I found myself -- forgive me -- "wishing for something more" than what we got.

For a more comprehensive deep-dive...a cut!

The Good!

+The single best element in this film for me was Chris Pine's performance as our villain, Magnifico. There are definitely some things I can critique about Magnifico's overall storyline and "character arc" further down, but Chris was clearly having a grand old time being an egotistical, sassy jerkwad, and it totally showed. Even in his villain song This is The Thanks I Get?, which just screamed "passive-aggressive abusive parent," you can hear how much fun Chris was having in the studio, recording it. I just about always enjoyed when Magnifico was on screen, and I actually did really like the idea that a lot of his villainy is rooted in him being obsessed with control over everyone and everything. In a weird way, Magnifico's turn to the Dark Side parallels Anakin Skywalker's in the sense that he lost so much in the past that he's determined to never lose anything important to him again -- especially the power he's accrued to make himself feel strong, after having felt so powerless. I find that very interesting, and I kind of wish that aspect was really highlighted more in the story, but we'll talk about that later.

+Asha was a likable enough heroine, even if I found her to be a lot like a two-way fusion of Mulan and Anna placed in a vaguely Snow-White-ish role in her clearly Seven-Dwarf-inspired friend group. Ariana DeBose portrayed her rather well, both acting and singing-wise. I also liked the "social justice" bent to Asha's character where she wants better things not just for herself and her family, but also Rosas overall -- in the French translation of her main song "This Wish," they even push this further by having Asha wish "to see the world happy again someday." We haven't seen a heroine really express this kind of desire for a positive change in the world since Esmeralda in The Hunchback of Notre Dame, and that's cool! Plus representation in mainstream media for previously underrepresented groups is always nice. ^.^

+As much as I don't think they all got enough focus as individuals, I liked Asha's friend group! Especially the fact that it is a friend group made up of people that are around the same age as our protagonist, which -- let's be honest -- isn't that common for Disney heroines. Often with "sidekick groups," you're more likely to have situations like Cinderella with the mice (who are more like cutesy sidekicks than equals) or Snow White with the Dwarfs (who are all quite a bit older than our heroine)...so a friend group made up of peers with their own personalities and motivations was kind of fun.

+The setting of Rosas itself could be pretty. I liked a lot of the Mediterranean-inspired architecture, especially inside Magnifico's tower.

+The combination of 3D and 2D-esque animation was also interesting! It really served to give the film its own distinctive visual style that sets it apart from other Disney projects, which I always appreciate.

+Star was...cute. Obviously just designed to sell plushies and definitely reminded me way too much of Kirby, but cute enough. I do think it's kind of cool that they're never gendered at all in the entire movie, because it'd be silly to think of a sweet little androgynous ball of stardust as being specifically male or female.

+I liked the idea of Simon "betraying" Asha, only to be turned into a pawn by Magnifico in the process, but not being treated unsympathetically by the story for it. Didn't love the full execution of the idea, but hey, that's what the negative section is for.

+The idea of everyone finding the power inside of themselves to stand up against Magnifico (because they're "all stars," and presumably all have the magic needed to make their wishes come true) was a little predictable, but still sweet. I have problems with how the film wrote it (which we'll get to), but the idea itself was wholesome and fitting.

+I like several of the songs, just on their own -- I added This Wish and Knowing What I Know Now on my ITunes as soon as I first heard them prior to the film's release, and now I've added At All Costs too: it's a really pretty duet! (Gorgeous work, Chris and Ariana!) I'll leave my praise here, though, because sadly the soundtrack is going to get a lot of discussion in the less positive section.

The Not-So-Good...

+This film being "Disney's 100th anniversary film" really got in the way of this movie telling a compelling and unique story sometimes. The whole movie really twisted itself into a pretzel trying to check off all the usual Disney tropes, and there were points that certain choices made the story seem incredibly stilted. For instance, one common Disney trope is a dead parent, so of course Asha has lost her father -- but we learn so little about him and he ends up playing such a small role in Asha's arc and story that it seems like an unnecessary detail. Asha's grandfather honestly plays more of a role in Asha's motivation throughout most of the film, so it would've made just as much sense to have Asha's grandfather be the one who believed in stars having power, rather than her father. Another example is the concept of the cute animal sidekick who's just there to make jokes -- as much as Valentino the goat didn't annoy me personally, he added just about nothing of value to the story whatsoever aside from comic relief, in contrast to other funny sidekicks like Sebastian from The Little Mermaid or Olaf from Frozen, who also serve a plot purpose and have a developed relationship with the protagonists. Then there's Asha being cut from the same "naive, awkward, wide-eyed idealist" cloth as many of our Disney Revival heroines like Anna, Rapunzel, and up to a certain point even Mirabel are; Star being in a similar vein to cutesy, innocent sidekicks like Pua, Crikee, and Baymax while Valentino is more akin to sassier, comic ones like Mushu and Sisu; her friends literally being based on the Seven Dwarfs from Snow White; our heroine getting a pretty standard "I Want" song and the villain getting his own solo number that doesn't really take any risks...oh yes, and we mustn't forget the trope of the Storybook opening, which (I'm sorry) I know was supposed to be a reference to Snow White, Cinderella, and Enchanted, but just gave me Shrek vibes the entire time. I was waiting for Shrek to rip out the page and use it for toilet paper any minute. It just felt a lot of the time like the movie was very paint-by-numbers, rather than throwing in much that was surprising or different.

+This isn't even touching all of the pointless meta references to other Disney movies. Asha wearing the Fairy Godmother's cloak and getting a wand like hers at the end -- the mushrooms crowing "we love crazy!" the way Hans did in Love is an Open Door -- Asha riding the reindeer the way Kristoff did in Frozen 2 -- Magnifico using green smoke hands a la Ursula -- the ending with those obvious Wendy and Peter Pan look-alikes, come on, really??? That was just painful.

+As much as Magnifico was an awesome idea for a character and Chris Pine's performance was beyond entertaining, the movie did not always write him as well as they could've. From the very start, we see this guy is an egotistical control freak -- obsessed with his own image, incredibly hard-to-please, arrogant, vain, desperate for attention and unwavering praise and adoration from all of his subjects, and determined to keep an iron grip on everyone else's wishes because of the power it gives him. He's ALREADY a terrible person, from the start -- and yet the film tries to introduce this dark magic book that gets no explanation or backstory whatsoever and has no real characterization or presence, so it leaves no real impact on the audience corrupting him and making him a bad person, when it didn't need to! Magnifico was already the villain this film needed! Just let him fall head-first into madness without the book prompting anything! Even if Magnifico "lost everything" in the past, that doesn't make him a good person, if he takes everyone's wishes away from them and hoards them all to himself, only to grant a few now and again when it would make him look good.

+This above point actually leads nicely into one change I really, really wish the film had been ballsy enough to make -- have Asha already be Magnifico's apprentice, not trying to become it at the start of the story. Give our villain and hero a real relationship, with history that started before the events of this film! Asha lost her father at the age of 12...how interesting would it have been -- whether to make Magnifico more of an anti-villain or show how manipulative he really is -- if he'd tried to fill that fatherly role for our main character and twist her to serve his ends? What if At All Costs was rewritten to be about Magnifico not just being determined to hold onto all of the kingdom's wishes, but also this apprentice he sees as an extension of him and his legacy, while Asha is determined to protect this Star she's accidentally summoned and the suppressed wish of hers it represents? This change would've made Asha's break with Magnifico so much more powerful for both of them -- it would've both justified Magnifico's descent into madness and given Asha more reason to feel like it was her responsibility to stop Magnifico. You even could've then played more with Asha's relationship with Queen Amaya too, in this kind of a scenario.

+Oh yeah, and on that note, Queen Amaya. OOH, this really annoyed me -- okay. So this woman is supposed to be a good guy, in this story. But as I touched on earlier, Magnifico was already a pretty awful person, hoarding people's wishes away in order to make himself powerful. Was Amaya truly so blind to that? Did she truly never question anything, ever? But no, really, she only turns on Magnifico after he starts using the dark magic book and actively threatens her. Only that makes her turn from him, and it's pretty damn immediate. Now okay, I hear you saying, it's like Amaya sings in Knowing What I Know Now, right? "The good in him, I've watched it melt // I was blinded by the love I felt"? Excuse me, lady -- but Magnifico wasn't a good person, before. He was just playing a part so as to stay powerful and adored by the masses. And if the story wants to claim otherwise, and act like that dark magic book was responsible for Magnifico going bad, then why would our Queen decide to keep him locked up in his staff's crystal forever? If the book was responsible, then Magnifico would be the Frodo or Golum to the book's One Ring -- he'd be a victim, in such a scenario: one in need of help and pity, not punishment. So either Amaya is a selfish person who only cared about her husband's mistreatment of others when it affected her, or she's a needlessly cruel person who decides to punish her husband for a vice that anyone could fall prey to. Either way, I don't want this woman ruling anyone! Make this woman a straight-up villain, same as her husband, and have the whole monarchy come crashing down after she and Magnifico both go down in flames! VIVE LA RESISTANCE! (Playing into my idea with Asha being Magnifico's apprentice all along, maybe there could even be a twist on the Evil Stepmother trope with Amaya, where she's jealous of how much Magnifico has tried to groom Asha as his apprentice, rather than spending time and/or starting a family with her or something.)

+As I touched on earlier, there wasn't even close to enough time to develop all of these characters properly. Since our heroine and friends are most similar to Snow White and her friends the Seven Dwarfs, let's compare cast size. Snow White is 83 minutes long and has a cast of ten (Snow, the Prince, the Queen, and the Dwarfs) -- Wish is 95 minutes long and has a cast of fourteen (Asha, Magnifico, Star, Valentino, Amaya, Asha's mum and grandpa, and our seven Friends). This results in us getting the vague idea that "Grumpy" role Gabo is sweet on our "Bashful" role Bazeema, but no time to develop their relationship or give it any kind of conclusion; the others saying "Sneezy" role Safi apparently loves the castle chickens with no sympathetic explanation why, to the point that he gets super excited about a chicken growing to a giant size for no real reason; "Doc" role Dahlia having a crush on Magnifico that is then dropped immediately after Asha turns against him; oldest kid and "Sleepy" role Simon feeling incomplete without the dream he gave Magnifico and "betraying" Asha as a result in an attempt to get it back, only to get stabbed in the back by Magnifico, and then have no time for a proper redemption after he's unhypnotized; Asha's grandfather turning on a dime about whether or not he wants to know what his wish was if Magnifico thought it was dangerous; Magnifico getting some justification in his backstory for his bad behavior, but Amaya's backstory being a complete black hole before she married Magnifico when you'd think it'd explain all the more why she stuck with him so long; and Asha's mum having her wish crushed to dust by Magnifico and then given back without us EVER LEARNING WHAT IT EVEN WAS IN THE FIRST PLACE, even after we see just about everyone else's wishes as soon as somebody picks it up and Asha's mum's wish gets picked up multiple times!! Come on, if you're going to set up NOT showing it, you may as well have a pay-off for it!! At least give us some moment where Asha's mum hugs her in relief and acknowledges that her daughter was her wish! That would've been a nice "aww" moment for everyone!

+Okay, I said I was going to talk about my problem with the songs, so here goes. As I said before, I listened to the soundtrack before watching the movie, and even when I did, I could immediately sense a problem: these songs did not tell me much of anything about the movie, just on their own. Welcome to Rosas, which is pretty much just an exposition dump about the kingdom and how Magnifico founded it, didn't really paint a picture of our setting or characters much at all, the way opening songs like Belle or The Family Madrigal do. This Wish, although pretty, was something I could hear just as easily on the radio -- it didn't feel as tied or necessary to understanding our heroine the way something like Part of That World does. I'm a Star, quite frankly, felt like a lot of inspirational word salad, rather than anything particularly memorable or revelatory -- why else wouldn't it even be worthy of a musical salute in the reprise, where Asha remembers that she and everyone else are stars during the climax? Even after reading summaries of the plot and spoilers from the storybook for this film, I could not figure out for the life of me how At All Costs would fit organically into such a story, being sung by our villain and hero. It wasn't until I saw the film that I saw how the filmmakers decided to fit it in and honestly...the song didn't help tell that particular scene at all. It's a really pretty song and I like it a lot -- but it lacked any of the irony or contrast that kind of a scene that introduces the difference in focus between our hero and villain required. If the scene itself is needed to understand what's supposed to be going on while the song is playing, then the song is not effectively telling the story and is therefore unnecessary. There wasn't even a particularly Spanish or Mediterranean flair to the soundtrack to help set the stage, aside from the occasional flourish of castanets -- instead it sounded very contemporary, which I guess is appropriate, since it was largely written by pop composers rather than any musical theater talent.

+There were also points where the songs felt the urge to shove in a bunch of extra words just because, rather than have the words flow well and really mean something. I'm a Star is most guilty of this, of course, but even in This is the Thanks I Get?, we hear Magnifico gripe that "I let you live here for free and I don't even charge you rent" -- mate, THAT MEANS THE SAME THING! If you live somewhere for free, then you are NOT paying rent!

+Knowing What I Know Now is a bop and I like it (aside from Amaya's stupidity), but I'm sorry, all I can think when I hear it is "This is clearly trying to be Ready as I'll Ever Be from Tangled the Animated Series, but that song blows this out of the water." However fun the song can be, it would've been so much stronger if it actually addressed the contrast between the characters and revved us up for a big final battle, instead of it just being our eight underdeveloped characters psyching each other up.

+The idea of everyone being stars was a lovely idea, but the execution of Asha remembering this fact and using it to defeat Magnifico was terribly handled. First off, there was no revelatory phrase or action that prompted Asha to remember this fact, so her suddenly saying that "they're all stars" came out of nowhere. Second, even putting aside that there'd be no way any of her friends could hear Asha from all the way up on the tower if they're stuck in the courtyard below, there's no reason I can see for Asha's friends or family to know what the hell she was even TALKING about. They weren't there when the I'm a Star number happened! And the way that number made it seem, just based on the visuals, it looked like the "star" power came from a person's dream, since it's the same glow that returns to Asha's grandfather when he gets his dream back, but most of the town's dreams have been already yanked out by Magnifico at this point! I think the idea is that since everyone is a star, even with that big piece of them and the power accompanying it taken out, they still have enough stardust inside of them to be powerful enough to chase their heart's desires...but yeah, I'm sorry, for all the word salad I'm a Star threw around, this world-building aspect was really not made clear, and because of that and the lack of a proper callback to this plot turn, the climax didn't hit as strong as it should've.

Overall, this film felt a lot like a batch of unbaked chocolate chip cookies that someone decided to throw a bunch of brightly colored sprinkles on top of, just because they could. A lot of ideas just don't feel like they were fully developed, and there was a lot tossed in that didn't contribute to the overall taste or bring the disparate elements together in a cohesive whole, instead feeling more like a distraction than anything of actual substance. That doesn't mean I couldn't eat it -- I like eating cookie dough as much as the next person -- but that doesn't mean it felt like a complete, finished product worthy of great praise. Instead I'm left looking at the wasted potential and wishing the movie had carved out its own path more, one distinctive to itself, rather than just be a mashup of previous Disney concepts and tropes. I won't act like there's nothing to like here, nor that it's completely lacking in heart: I actually would love to see fandom for this movie re-imagine it in ways that could've improved the story and characters, because there were SO many good ideas here...but for me personally, this movie left me colder than it should've and -- like Asha after meeting Magnifico -- a bit disappointed.

So I make this wish...to have Disney make a film better than this.

Overall Grade: C-

[sunny-clover]

April is trans cannon

Fr and we stan

I love everything abt April in this movie she’s such a teenager and so am I!!!! She’s so pretty too like have you seen her and that SMILE and her personality!!! I just love everything about her she’s so cool I wanna put her in my pocket and kiss and pat her on the head.

One of the things the art book mentioned was that she wasn’t supposed to be a “kick the door down” female character, they wanted her to be a teenager and I love that they really tried (and succeeded) to capture the teenage aura in the kiddos :)

Coming from a teenage girl, they succeeded in making good teen representation.

[valtharr]

So. Which Ultraman series would you recommend for starters? Also would Shin Ultraman be a good starting point if you have never seen anything Ultraman related?

Honestly, those are both kinda tough questions 😅

Let's start with the Shin Ultraman one:

Shin Ultraman is a great movie, probably my favorite kaiju movie (sorry Pacific Rim and Final Wars), and you need no prior knowledge of Ultraman, mainly because the movie is basically an abridged version of the original 1966 series. So, as a movie, I recommend it, but I'm not sure about it as an introduction to Ultraman. Mainly because - just like Sentai and Rider - Ultraman is primarily a kids show, while Shin is aimed at a more mature audience, which is why I don't consider a great representation of the franchise as a whole. Don't get me wrong, it totally gets the themes and everything right, but the vibes are just different. So, I recommend watching it, but not necessarily as an introduction to the main franchise.

As for which actual series I recommend for a newcomer... well, I should preface this by saying that I've only really seen New Generation series (late Heisei and Reiwa era). The main reason for that is honestly that those seasons are shorter (about 25 episodes instead of the Showa and Heisei 50). But yeah, my recs are gonna be New Gen only.

I think the safest bet in my eyes would be Ultraman X. It doesn't really call back to any previous seasons, and it's pretty "vanilla" in its setup: The Ultra and his host are distinct characters from each other, the host works for an anti-kaiju defense force, etc. It sticks to the "formula" pretty closely, closer than any of the other New Gen shows I've seen... with the exception of one:

Ultraman Z is also pretty by the numbers, and has the distinct advantage of being fully legally available one Youtube, both subbed and dubbed. The main reason I recommend X over Z is that Z leans a bit more into the greater universe of the franchise, with appearances from old characters, one of which actually ends up playing a major role. That said, it was the first Ultra season I watched in full, and it wasn't like I was totally lost, but I would recommend watching Orb and Geed before jumping into Z. Speaking of which...

Ultraman Orb is actually the most recent season I fully watched, and I really like it. The main character is just really cool, and while the supporting cast starts off as kinda annoying, but they grew on me a bit over the course of the show. It's also pretty serialized, with some mysteries that slowly get revealed throughout the story.

Ultraman Geed, like Ultraman Orb, is a bit of a fan favorite. Now, technically, the main villain of the show is a major villain in the greater Ultraman lore, which at first might seem like this would be a bad entry point, but the show provides you with enough context that you can just treat as backstory. I also like that it kinda gives you a bit of "best of both worlds" when it comes to Ultras: The main character is actually an Ultra in human form, but there's also a secondary Ultra who does the more classic "bond with a human host" thing, so you get both common flavors of Ultraman in one series. Also, for what it's worth, I once commissioned a Youtuber who knew basically nothing about tokusatsu, let alone Ultraman, to review Geed, and he ended up liking it.

Finally, I'm gonna shout out Blazar and Arc, the most recent seasons, with Arc's second episode having just aired the same day I'm writing this. Blazar has some Ultraman staples, like the defense team and the human and Ultra being separate entities, but also does some new stuff with those tropes, like the Ultra not being able to properly talk, and the host actually being the head of the show's main defense team. Obviously, I can't say much about Arc yet, but it seems to go in a bit more traditional direction. Both are also available on Youtube, with Blazar having two audio tracks (Japanese and English) that you can switch between, and Arc having separate uploads for its sub and dub

Also, I should mention: Every Ultraman season prior to 2020 is available on BluRay via Mill Creek Entertainment, and from what I can tell, they seem to be region free. At least I had no problems watching them on my German PS4.

[beauspot]

Loki Matters a Lot to Me *Long Post*

If you go on my page you’ll see that I’ve never posted about the Loki show or Lokius before so you might be wondering why now that the show is (probably) over? I always liked this show, and I considered myself a fan but coming out of it I wasn’t shipping anyone.

Don’t get me wrong I enjoyed the dynamic Loki and Mobius had but I was just happy to have Loki alive so I savored that. Also I sensed some history with Mobius and Ravonna which I still think exists. I found all of the characters interesting. That includes this season but something about season 2 was different for me and I couldn’t figure out why.

Why did this show affect me so much? Why did this second season affect me so much? And particularly why did this ship, Lokius, affect me so much?

To understand where I'm coming from you should probably understand that first of all I am queer and even before I knew I was queer I had a want for queer representation. For me oddly enough it started with Owen Wilson in Night at the Museum. Jedtavius was a pairing I didn't even realized I shipped til I was older. The enemies to lovers thing was so cute and it pretty much got confirmed in the last movie.

(Just inconspicuously having your cowboy character quote Brokeback Mountain no big deal.)

I enjoy a good ship. As I got older however I began to crave real queer representation and I was lucky enough to find it in places like Steven Universe

And Adventure TIme

Then as I reached my mid to late teens I was able to see films like Brokeback, But I'm a Cheerleader, First Girl I Loved, The Miseducation of Cameron Post etc. Seeing these made me feel more secure in my sexuality.

Of course along the way I got dragged into non canon ships some of which were queerbait like Stucky or even worse, Stormpilot/Finnpoe.

The malicious part about all of these ships is the teams behind them waving these pairings out in front of people like a dog with a bone, hoping to draw them in to get their money knowing they had no intention of following through.

And I have become disillusioned with that. I have also become annoyed with fans of straight ships that oppose those queer ships acting like we're reaching.

I bring this up because there is a certain segment of sylkis(not all) and on a broader scale fans of straight ships that have this sense of persecution because fans of a queer pairing don't like their ship. It's weird and I am tempted to say it stems from homophobia. If you simply don't enjoy a ship that's fine. There are queer ships I despise, but try and assess where that hatred comes from.

There is a language that conveys romance and it seems like only when there is a minority involved do you guys become unable to understand it. This is an issue within most fandoms when it comes to not only sexuality but race in popular ships. For example, The Bear fandom in regards to Chef's Kiss, but I digress.

When a character feels the need to constantly touch another character that signals something, when a character fixes themselves so they look nice before they see another character that signals something. The way they talk, the way they act, how they are with and without one another says A LOT.

So why is it when we point these things out we get called delusional? Why do I feel like I'm going crazy every time I speak with someone about a queer ship? And why do I always feel the need to justify it?

Straight, white, pairings never have to justify their existence. They just are. Sylvie and Loki can fight, yell at one another, hurt one another, literally be the same fucking person and people will find that ok, but suddenly when people see Loki fixing himself before he meets Mobius we can't see love in that(you’re telling me this isn’t how someone acts when they see their crush unexpectedly)? We can't see loss in Mobius when he can't even do his job anymore now that Loki is gone? We can't grieve what could have been even if we find Loki as the God of Stories cool?

Why?

Mobius is the first person in probably thousands of years to tell Loki he’s not evil and he can be good if he chooses to be. We see how much this means to him. From this point on Loki is attached to Mobius like a puppy. Mobius becomes his person. I find something so refreshing about Mobius calling Loki out but then also offering him a path to redemption. He doesn’t let Loki slide, because he cares about him enough to know he can be better and Loki deserves to be better for himself.

So I was bothered by the way the finale was set up. I know they have the conversation about “the burden of glorious purpose” and often I am honestly a supporter of not everyone gets a happy ending even if they “deserve” it in a storytelling sense. I find the tragedy in that intriguing, but this didn’t feel good to me on a personal level. I didn’t walk away from the finale feeling sad but fulfilled, I walked away from it feeling miserable and empty. And I recognize that I attach myself to characters more than the general populace but I don’t really care? This hurt.

Loki wanted nothing more than for somebody to be there with him, to be for him, to love him and instead he ends up alone. Mobius ends up back in his timeline but he can't go back to his life. A version of him is already there and our Mobius doesn't even remember his children. Mobius doesn't smile at the end because he isn't happy. He's alone. They are alone and realistically there's a high chance these versions of them will never see each other again.

Does Sylvie seem bothered by that? No. She's ready to go live her life. And there’s nothing wrong with that, she took the gift Loki gave to her but Mobius is clearly, deeply hurt by Loki being gone. Because they found purpose in each other. In the order and chaos.

Having watched Good Omens and Our Flag Means Death season 2(along with the movie Bottoms starring Ayo Edebiri which everyone should watch 😁) in the same year I have become quite used to seeing queer rep in my mainstream shows. As the years have passed more and more queer characters are able to take center stage. So even though I knew Disney's track record I still held out hope because even the writer and composer saw the potential in Lokius.

Tom and Owen did too somewhat, but at the end of the day actors don't write the shows.

I think what bothers me most is that Loki is the first queer character in the MCU, we've seen him struggle and grow and learn to love and finally last season his queerness was made explicit (more than in Thor Ragnarok where he like fucked the Grandmaster or something). And they immediately paired him off with a version of himself.

Loki isn't gay so I'm not saying he had to end up with a man or anything you can be queer and end up with someone who is a gender different than yours my issue is a broader one which is, this story wasn't made to validate bi/pan people who date the opposite sex or whatever it was made to close Loki off to any other possibilities. One of those being Mobius.

Rewatching season 1 this decision is exacerbated because there are moments where they could have had him flirt with a man like when he was D.B. Cooper and boom we have on screen rep, but they decided “nah let’s just have him say it one time and then never acknowledge it again.” Again I want to reiterate, you can be queer and not be in a same gender relationship, but this is a television character. We don’t know their innermost thoughts like we’re reading a book we have to take them at their actions and we never got the opportunity for our first queer character to express that(at least in his own show because remember the grandmaster, but somehow that feels worse).

The executive producer recently came out and said Loki and Mobius were always meant to be platonic because they were trying to dismantle toxic masculinity by portraying “platonic male friendships”. A phrase I have grown to hate over the years because ALL WE EVER SEE ARE PLATONIC MALE FRIENDSHIPS. This is another parallel with issues I have with The Bear in which the cast and crew were like “why can’t women and men just be friends?” but only in reference to the black girl. Back to the topic at hand though.

Have you ever met a queer person who acknowledges they’re queer once and then never talks about it again? Especially someone with as much showmanship as Loki? Does that make sense to anybody? Even if he ultimately ended up with Sylvie(which I wouldn’t have liked but I digress) that would have been enough for me.

But instead we had this troubled character give up everything and everyone they love to sit on a throne they didn’t even want so that their friends could have a choice. So that they could have a life. And again I can find beauty in that, but that doesn’t mean I have to like it. And I won’t pretend I do.

🥀End of Post🥀

sidenote ouroboros is so autistic tell me i’m wrong. he’s literally an autistic with no experience of ableism just pure autistic sunshine.

[bananamarshmallowz]

I'm here to talk about Destiel...

The internet is a very funny place.

If you're in need of a good laugh, go to your favorite series, show, films what have you and ask what are you unpopular opinions with _said show_.

I have watched dozens of shows and always think I might be the only one, post that and see what happens.

I am a shipper but I normally don't talk or boast about what/who I ship, it's not relevant and it can be weird. I don't ship actors/real humans, that's crossing lines. Characters however, yes. Anyway, I have to bring up this one. One comment said "Destiel shouldn't have happened." Okay, I get that, people can get weird about it. Then they go on to say how every shipper claws and digs for stuff that isn't there.

And again, I'm not saying some people don't dig but not all gay/LGBTQ+ representation is completely shown in media. Mentioned maybe here and there, sure. But there's endless cis-straight-relationship romance movies, romance themes and what have you. Some series make really bad portrayals and give gay people a bad rap because they're the only representation. And don't get me wrong, sometimes we do dig and claw because we feel what they portray, or at least we think so. But sometimes we don't need to dig.

That same thread added the random siren or even the policeman from yellow fever had more chemistry than Dean and Cas ever have. - Him looking at the soldier's ass in Time After Time while walking in the store. Yes, those were weird scenes, why were they even shown? Great question, I don't know I'm just here. - And as for they have no chemistry... They won best chemistry award for TV... It doesn't get better than that.

This is more of a rant than I want but this is certainly one of my favorite shows. And I feel the need to say what's on my mind because I know I can't afford therapy, so this is the next best thing.

Oh yeah before I start this, I have read numerous comments accusing all the actors of horrendous things... - Firstly, they all have kids, and wives and love their kids so much. I don't think they would do anything to jeopardize that. So stop making up messed up shit. - Secondly, I don't want to believe other people make other people uncomfortable for fun, but some people do. But considering that they acted for more than 8 years together, I'm pretty sure working with people that are cool for that long, they all had a strong bond. And all the times that Jensen looks uncomfortable whenever Misha goes into or talks about Destiel, it's because technically they're not even allowed to say anything about the show regarding shipping characters because anything could've been true, it could've not been. If every actor were able to spoil their movie, we'd be out of movies but we aren't. And Jensen is a rather shy individual, funny enough. At the beginning of Supernatural he was 27, and Jared was 23. When Misha joined when he was 34. They were and still are wholesome and great people. Regardless, All of them would pull pranks and stuff on the show, they're friends, not some messed up whatever someone said, I'm blown away that people would even imply some things. You can look up any video of everyone being close with one another from hugs to dancing, to singing to whatever. So don't say "read the room" when they're just being themselves, I shift a lot when in public, does that mean I'm constantly uncomfortable? No. - THIRDLY, they were all lowkey scared of certain parts of supernatural, in 2017 they did an interview with Entertainment Weekly {this one} and said what the scariest episodes or concepts were at the time for them. Jared's was changelings, shapeshifters, demons possessing people, things that could be real but possibly something posing as someone but something's off. Jensen's was people doing really messed up things and that it was the most realistic thing that could actually happen. Humans being psycho. And vintage dolls, lmao, same. And Misha said that everything could give him nightmares. He's so soft, any of it could give him nightmares. These guys are human. Not some terrible against religion people, they play on a show. Pure human. Just like everyone else.

ANYWAY, I think we all know the infamous eye sex scenes LMAO... if you haven't heard of them... {here's 10 minutes of them staring at each other} and that's not even all the seasons

They always look each other up and down and just stare at each other.

Above, Dean says "Cas, we talked about this. Personal space." and then Cas backs off. He doesn't know why, he just knows it makes Dean uncomfortable, so to make him more comfortable, he takes a few steps back. But Cas isn't aware of how complicated humans are. Personal space are just words, angels shouldn't care what humans have to say. They're so primal and they need more than just basic shelter and foods, they need the whole pyramid of Maslow's Hierarchy of needs. He doesn't understand this until he goes through it himself, but we're getting slightly off topic. Sure, them continuing to stare could be just a funny little thing at the start... no. It still happens up to the last episodes.

This is the musical episode, Fanfiction, Season 10, Episode 5. Destiel, Samstiel and the most dreaded Sam/Dean are mentioned... They're brothers. As someone with siblings... gross.

"You can't spell subtext without S-E-X." Then Jensen gave this look to the camera, I think this is on behalf of many of the people on the show.

Below, they end a scene after talking but it's about 15 seconds of them just staring at each other then it ends. Personally, I'm not a big fan of eye contact, and try to make at least 5 or maybe 2 seconds of contact in between interacting with someone, anything more than 10 is past uncomfortable... I don't stare at anyone this long. Legit the scene is so long lmao

I don't remember the context on this but I just don't like eye contact. Both their eyes are gorgeous but I don't stare like this, especially with any of my siblings. When they have a hard time I hug them if they want a hug, talk to them, but I don't make eye contact like that.

I have never looked at my friends like this, not my best friends, certainly not my siblings. Someone I had a crush on, possibly.

Next, they are going in as Texas Rangers and Dean explains how to get Cas into character. "Yeah. Look, just act like you're from Tombstone, okay?" "The city?" "With Kurt Russell? I made you watch it." "Yeah, yeah. Yeah. The one with the guns and tuberculosis." [in a deep cowboy voice] "I'm your Huckleberry." [gulps] "Yeah, exactly.-"

I don't have anything other than I like that scene and how Cas says, "I'm your Huckleberry" :D

(SPOILERS AHEAD Whoops lol)

-

When Cas dies Dean tries to pray to God even though he swore off praying to God. One of the lines is "We've lost everything." Mary's gone, correct but everyone else is alive, except Cas. They still had the Bunker, Baby, Jack. Cas and Mary died (she fell through and there was no way to know she was alive.) But considering that Sam is still alive, the guy Dean has fought tooth and nail to save all these years, is standing by him, ready to fight what may come. But Cas is dead... Dean obliterates his hand from punching on a bathroom door. It's frankly the most punches he's made in a single scene I think and even then, God doesn't answer him so he begins to mourn. It creeps in that his friend is gone.

When Cas is being burned, at first it peers to Jack who sees the man who is supposed to be his father, not blood father but someone who promised to look out for him, someone he doesn't even know, he feels the loss but he's just been born and he never really met Cas.

Then we roll to Sam, he's lost a dear friend and is sad. He's wanting to cry and fidget and be sad.

THEN we roll to Dean. His face is drained of all emotion. He has lost his best friend. His dear companion and looks like he lost it all despite his brother being right next to him. He can't even move.

Now I would be sad if one of my brothers died but sadly I don't have that much of a connection with them as Dean and Cas have. And thankfully I haven't yet experienced one of my brothers pass on.

But I have lost a few lovers, and that... That is the face I have felt. When everything else feels irrelevant. You don't care about anything. You can't care about anything. You are numb.

-

And this all brings us to the finale.

Death is on her way, has them by their hearts, well Dean's in fact. They run/slowly walk over to Basement Storage Room 7B and Cas wards the room, slowing down Death on the other side.

This is the exact moment before he loses Cas for the last time. (I'm copying from the script on the Supernatural wiki, don't hate me, I watched it over and over too, and I've shortened Cas's monologue because I don't want to relive that heartbreak again lmao) But basically Cas realizes this is it, this is the happiest he has been. Everyone was alive and well, he has Dean alone at last. The last exchange they had was this: "You changed me, Dean." "Why does this sound like a goodbye? "Because it is." - "I love you."

"Don't do this, Cas." - "Cas..." "Goodbye, Dean." "What?"

Cas pushes Dean out of the way and gets taken by the Empty.

He has to process all these years of interactions with this awkward little man with sensible shoes in less than five minutes and it all crumbles.

Castiel is gone. And he's not coming back.

Sam keeps trying to call Dean but he's just getting Dean's voicemail and Dean isn't answering. He simply can't.

-

A few episodes later, Dean fucking dies. Just how he said he would, to a monster, like any other job. It felt rushed and I didn't like it.

But how they ended it could've been so much worse.

Dean makes it to heaven, expecting just memory lane, but Bobby's there and says Jack remade heaven new, everyone's together in heaven where they belong. He offers him a beer and tells him how different heaven is and how it's so much better.

Dean's sold, but it's missing something.

This is directly after Bobby tells Dean that Cas helped Jack rebuild heaven.

After that, he takes a drive as he waits out Sam's life. He meets Sam on the bridge and that's the end.

For years, Dean didn't have an obvious love interest, here and there a fling maybe but nothing romantic. All the soft scenes were pretty much between him and Cas.

Their bond isn't brotherly, it's very best friend-ish but lovers can be friends too.

And that's my review on Destiel and why it's a thing it's 4 am and I haven't slept well the past two days so what to do other than write about destiel

ok bye :]

[chatter-crow]

please do. personally went off about the soundtrack the first time i heard it.... it's's . not good (about mean girls)

alright this is a whole lot because holy SHIT i think about this more than I should

! ! This is all my opinion ! !

If you liked it, good for you ig just dont attack me lol

They took every bit of musical theater out of the soundtrack and made it sound like generic pop. Theater kids pay WELL for good stuff, they could have made a lot of money.

Also, the complete lack of emotion is awful. Stupid With Love is meant to be Cady being absolutely thrilled, on the fucking moon with joy, but she sounds completely apathetic about her feelings for Aaron. Plus, the way they used autotune (esp on Cady) makes it feel like Disney Channel in the worst way possible.

There are some lyrics changes that really bother me. In the orignal Sexy, Karen has a line of 'I expect to run the world in shoes I cannot walk in,' while in the new line is 'Watch me as I run the world in shoes I cannot walk in', which chnages the entire meaning of the lyric from 'Karen thinks its #feminist to assert control over people because she's priveleged' to 'Karen is a girlboss who can do anything cause women are cool and smart' , which in the most respectful is *not* who Karen is as a character. There are more, but I can't name them off the top of my head so,, whatever lol

On casting, I think just about everybody but Cady were cast extremely well. Renee Rapp does such a fantastic job as Regina, really suits the character and knows how to play her. (Makes sense, she played Regina on Broadway).

Auli'i Cravalho pulls off Janis's character pretty well, but I don't think she fully captured the essence of the character. She doesn't really have the bitterness/jadedness that the orginal Janis has and I don't feel like she has the fact the Janis is in fact a mean girl down. This is no shade to her, I feel like it's more the way they rewrote Janis rather than her acting. I do like that they changed Janis's last name to reflect Auli'i's culture though. Nice detail.

Avantika and Jaquel both pulled off their characters perfectly. Avantika really has the right face for Karen, with big doe eyes and whatnot, she can really pull off the effect of being as stupid as Karen is. (That sounds mean, it's really not.) Jaquel did Damien good, and I don't really have a lot to say on his performance other than his voice is fantastic and he has Damien's character down. I do think he got type-cast a *bit* just due to how I've seen him act off screen, but he still did good. He knows his type.

Cady. Hoo boy. She is.. a look.

Angourie Rice is a fine actress on her own, but her vocals just aren't strong enough to keep up when she's surronded by people like Auli'i Cravalho and Renee Rapp, whose careers have been strongly focused on the muscial side of things, with Auli'i playing Moana for Disney and Renee having a music and broadway career alongside her movie career. Angourie just isn't able to compete with them. I'm sure she's a lovely actress on her own but she just doesn't have the muscial expiernce to be leading in a movie-musical.

Also, with representation, I appreciate that they made the cast more diverse, but it bothers me that four of the biggest MAIN CHARACTERS are still white. I can understand keeping Regina blonde because of the constant references to her blonde-ness in the musical, but Gretchen or Aaron absolutely could have been changed.

Hell, I would have loved to see Gretchen played by an asian actress, reconnecting with her culture at the end, since in the original she began to learn japanese or chinese (I don't remember which rn) as a way to connect with her new circle of friends.

On costumes, I don't think they did Janis justice, but I do like the gradual shift they have for Cady in her style and the Plastics are accurate.

I think keeping Janis emo like she was in the orignal movie and the musical would have been better. Artsy styles like hers are more widely excepted by teenagers while emos are mocked and harrassed extremely often, so keeping her emo would have added to her status as a social outcast.

I enjoy how they used social media to change the plot to be more modern, even if it isn't entirely accurate to how teenagers nowadays act. I think they were trying their best and did what they could with what knowledge they had.

I'm mad that they cut Stop, More is Better, Where Do You Belong? and Do This Thing. Stop is a fantastic chance to put the spotlight on Damian (since he has almost no solos COUGH COUGH) in and it could have absolutely been spun to have a more modern take on internet safety.

The plot. Oh my god, the plot. I HATE how they changed Regina being homophobic to Janis to 'oOOOooo Regina made it seem like Janis was an arsonist', which is.. litterally not the point. Homophobia still exists, Tina Fey, and sapphics/lesbians often do face discrimination from other women who claim to be allies. Plus, with calling Regina a lesbian and trying to set up Rejanis in the end? No! That is just not it! Regina is a fucking homophobe. Fight me y'all.

Okay I'm running out of time rn BUT i will be back later to add more onto this ,, thanks for reading through all of this if you did kudos to you

so long yall

[slaaverin]

Honestly we need more shows like Willow (2022). The characters are on this quest (pretty simple plot) and they have adventures along the way. It reminds me of old school shows like Merlin or Legend of the seeker, and those shows were so good too! The characters are interesting, and they take time to really build them not like in other shows (yes I am looking at you blood origin). There also is representation, but to me that makes sense and isn't forced so the "wokeness" absolutely doesn't bother me and I even quite like it! The lesbian romance is nice and interesting. Characters have depth and flaws. They are not perfect like a Galadriel which would make them dull. I absolutely love this quite modern comedy, it is really funny and adds a real human-ness to the characters. They feel like real people.

Everything is quite simple but I mean it's all I need to enjoy it??? Being attached to characters and enjoying the dialogues and the character's relationships? Also not knowing how the quest will end???

I saw so many terrible comments about this show and I honestly don't get it. I mean, this show just works. It's better than terrible Blood origin and better than Ring of Power!!?? (I actually give a fuck this time)

Yes it is not perfect but I am ready to let them get away with the flaws because they are actually offering something creative, that doesn't take itself seriously, while making you reminisce about the old movie in a good way.

I really feel the passion and that they are trying their best and it makes it a pretty cool show that I am excited to watch.

What you need to realize is that hollywood doesn't make that type of shows anymore, now everyone wants another game of thrones because it is more mainstream. But these old school shows are gems. Pure gems. And it is a miracle someone decided to make another one. This is really a nerd show and I get why most people don't love it.

But for people like me this is really precious and it should be celebrated.

So please, share this show with people you know, praise this show, watch it, because it deserves a season 2. We desperately need it because this is the only type of show such as this that we have and have had for several years. If this kind of story doesn't work and it doesn't get renewed we might not get anything like this again.

I hope we can build a community around this show and that the fandom will grow.

Because Willow is really worth it.

[cloudmonarch43]

[ID in alt text, repeated below the cut]

My to-watch list is pretty short now and it's not especially satisfying to write about movies while trying not to say too much about what happens in them, plus I barely like Instagram anymore (where these posts are focused), so it'll probably at least be a while before there's another post like this. But never you think that I don't want to talk about movies!! (Oops, I never noticed I wrote the wrong year for Alien. It's right in the alt text because I typed it all first and then copied it down!)

Image 1:

Saw (2004) is a very silly movie that manages to stay enjoyable the whole way through. Aside from a few good bits, I didn't like Saw II (2005). There were too many characters, underdeveloped, so that even in context it just felt cruel to kill them off. I like engaging with the mechanisms of the games, and yeah the point of the games is violence, but the second movie felt like it didn't care about the game part. It made some good moves as a sequel, but the first one was a lot more fun.

Rather than telling me a story, Dirty Dancing (1987) felt like it was telling me about a story. I liked watching the dancing, and I liked the story that was being summarized, so I liked the movie, but it was strange how much of it just felt like information. Even though the plot was a bit convenient, the great variety of relationships made it feel like a genuine world.

The first time I watched I Saw the TV Glow (2024), I didn't know what I was in for; I kind of stumbled home in a daze of delight and sadness. Movies are such a capacious medium and I love it when that potential is actually used. It also feels good to watch something where the queer interpretation is not just a side effect yet it's still abstract and metaphorical.

We're All Going to the World's Fair (2021) is a super effective movie about watching other people's videos. In reviews I saw, I thought people credited it with a lot that wasn't actually there—only a place was set, which the viewer automatically filled. It didn't resonate with me as much, but I think it's cool to be put through the same sort of process as the characters.

[pencil sketch for Dirty Dancing of Johnny and Baby dancing]

Image 2:

Pretty much everything I wrote in my journal about The Sixth Sense (1999) is using it as a comparison to clarify other things, so I don't know what to say about it on its own. I enjoyed watching it.

After that I rewatched some stuff.

2001: A Space Odyssey (1968) is great. It really lets you sink in, and there's a lot to sink into, both visually and conceptually.

Blade Runner (1982) seemed more self-contained and a lot easier to follow this time through. I liked it overall but it's so bleak. I guess it's supposed to make me think about what it means to be human but "either you're a cop or a little guy" is the undisputed thesis statement I heard.

The Thing (1982) remains one of my top favorite movies (which is a list I haven't written, but "I Saw the TV Glow" is on it too). I hadn't even remembered a solid half of the great special effects moments because there's just so many.

Alien (1979) didn't work out as well. I still think it's a good movie, but it turns out a lot of what I liked about it was the suspense that doesn't hold up when I know what's going to happen. I know people love to analyze this movie but it's just not catching me that way.

Challengers (2024) is all about three random people I don't have any reason to care about... plus I don't care about tennis. It's not really my kind of movie. That said, it's just about as satisfying as it could possibly be.

[pencil sketch for 2001: A Space Odyssey of an EVA pod]

Image 3:

Pulse (2001) is really sad. What if the loneliness was never ending! It's a high quality, coherent representation, and then it just exists and there's nothing you can do about it. (Also it definitely should have been called Circuit.)

I watched Happy Death Day (2017) because I love time loops a lot. It didn't give me more than that, but it was easy enough to sit through. I think it could've pushed its concepts further but at least it didn't fall apart.

Of course then I had to rewatch Groundhog Day (1993), which I'd mostly forgotten, and I was delighted to discover that this movie rocks. It's efficient, covering a lot of ground without feeling distant or dense, and it really felt convincing.

Nightcrawler (2014) is brutal, unforgiving, and a great movie. Lou isn't a defeatable villain; he's a concentration. This movie refuses to lie, and that feels good even though the things it's saying don't.

[pencil sketch for Pulse of Ryosuke kneeling next to Harue, who is hugging herself]