#you can improve by working hard

[meownotgood]

writing would be so joyous without the plague of the Compare Self to Others debuff

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[thepeacefulgarden]

[trickstersaint]

fr though you have to write bad poetry. poems are not handed down to you fully formed by god they are things that you have to work on and practice your skill at creating. nobody would expect you to sit down at a pottery wheel and end up with a perfect vase with no practice. it's a skill! art is a learned thing!! you have to make the shitty little pots with dents and marks and your fingerprints all over them in order to get better. and you're allowed to be proud of those first little pots you made too

[stop-breaking-my-heart-dragonage]

You ever think about how in spite of knowing their exact locations, the game never gives any indication that templar Carver has reported his mage sibling, Merril (a blood mage) or Anders (an abomination) to his superiors?

I do think about that a lot, even though I tend to ignore the Templar Carver route because I know Warden Carver to be true in my heart and soul... but I totally get the appeal of Templar Carver within DA2's narrative, y'know?

It's so fascinating, really. I've never played a run with Templar Carver, I just can't bring myself to do it, so I know I'm missing out on smaller details of it. From what I do know, this drives me crazy in the best way possible.

Deciding whether to bring him or not to the Deep Roads is such an important choice, not only because it affects his fate, but how it affects his relationship to Hawke. He tells you that he wants to go, he makes it very clear that it's important to him that he goes, too... and Hawke can just leave him behind and it hurts him. I don't think that registers enough with some people just because of how Carver is, like it doesn't matter what Hawke's motivations are [staying behind for his safety, not wanting to bring him, thinking someone should stay with Leandra, etc] it still hurts him because it tells him that Hawke doesn't need him, and Carver wants to be needed.

And yes, there are other contributing factors to why he joins the templars, but it doesn't matter what your relationship is to him, it doesn't change the fact that he doesn't turn Hawke or his companions in.

Sure, the meta reason is it's a video game and you're playing the main character. You're never in any actual danger of being captured by templars, and you're not going to lose your companions to them that easy.

But if we look at it through the narrative and Carver's character, that's when it gets interesting. You can max out his rivalry and be an utter asshole to him [there's a point where you can call him a brat and mock him for being stuck in your shadow, like Hawke can be real cruel about it] but it doesn't matter, you're still his sibling. He even makes a remark about how you might not know what that means [referring to leaving him behind] but he does. He refuses to kill Hawke in the end when Meredith makes the order, too.

Which can I just point out that Hawke has the option to let Bethany die in the end if she's with the circle and they side with the templars? Just saying, Carver NEVER does that no matter what, but Hawke has the option to betray Bethany like that and it's fucked and interesting and it makes me want to eat my chair-

As for Merrill and Anders, I think he knows that if he turns either of them in, then the chances of Hawke being brought in as well skyrocket. They're all friends, they're in the same group... bring one in, and you'll probably get the other two.

I also think Carver just genuinely likes Merrill. Yes, I'm a Carver/Merrill shipper, so I have a bias, but even if you remove anything romantic from their dynamic I believe that's true. Of all the companions, Merrill is the only one who doesn't make fun of him, or find him annoying, in party banters. He never snaps back at her, like he's never defensive with her, he's just a little awkward and nice.

Like, HE'S SO NICE TO HER! He tries to find common ground with her! She asks him about "swording" and he's taken aback by her saying he's good at it, but you KNOW that if someone like Anders asked him the same question, he's be all, "shut up, you're stupid, stop talking to me >:["

Think back to that banter Carver can have with Aveline post-act 1 where they're talking about how the guard wasn't the right place for him [hard disagree with you there, Aveline] and Carver says he was a bit of a tit, wasn't he.... and every companion will agree except Merrill. She doesn't say anything, whereas other companions like Anders will be like "ugh maker YES" and if you have a purple Hawke, they'll go on to other ways Carver was a tit like?? I think Carver and Merrill got along and he doesn't want to turn her in because she was nice to him! And she's a blood mage! He knows what will happen to her if the templars get ahold of her! He doesn't want to see her made tranquil or killed!

At that point, he's witnessed what bad blood mages can do, assuming you've brought him along for those quests, but even so. He knows Merrill isn't like that and he likes her, so of course he's not going to turn her in despite that being his literal duty.

Then there's Anders who Carver doesn't like. If you're in a romance with him, Carver will tell him that's why he doesn't turn him in but c'mon Carver, you know that's not the only reason. My theory is Carver may not like Anders and he knows the man's got a spirit of justice inside of him... but Anders also runs a free clinic. If he's ever taken in by templars, then so many people [including a LOT of Fereldan refugees] will be without free health care and will suffer for it. I think in Carver's eyes, Anders might be irritating but he doesn't more good than harm. Carver knows first hand how shitty refugees and poorer people are treated in Kirkwall. Anders' clinic is the one place they can go for help and actually get it, and he's not going to be the one to take that away because the templars say "magic bad."

So yeah, I'm not as informed about the Templar Carver route, but I do think about how if I did do that route, he wouldn't betray Hawke or their companions no matter what and what that says about him.

[crescentfool]

graduation day 🌸

[yuri-is-online]

Azul “WHAT DO YOU MEAN YOU SHOT PEOPLE INTO THE SKY TO A ROCK?!??!” Ashengrotto

I'd also like to bring up the point that while there's water breathing potions I doubt they have anything to protect from the crushing depth of the deep ocean so I think he'd as freak the fuck out over the fact that humans have been that deep underwater. Very much in a WHAT THE HELL ARE YOU DOING?!? HUMANS CANT GO THERE!” kind of cay

YES

I think twisted wonderland might have something that would allow humans to transform into merfolk, which would allow them to go into the deep ocean depending on the type of mer they became, but the concept of humans going as they are in submersibles is just odd. Then again he supposes your world doesn't have magic or merfolk so they don't have to worry about bothering anyone. Same with going to space, Azul's hatred of flying cannot be understated the thought of going that far up willingly is just so beyond him.

Azul is a very profit minded person, but his specialty and passion lies in hospitality and fixing niche problems. Space and deep sea exploration don't seem like fields he would want to expand his business into. He might be interested in the logistics of investing in those sorts of things? But the actual mechanics would just mystify him. The moon in the fucking sky give him a break.

[bonefall]

Is there a cat in cannon who got a good death who you think didn't deserve it? Especially if they committed crimes?

Tom the Wifebeater and his redemption death. No question. It's not even close.

Not only do I reject to the "redemption death" on the grounds of it being Tom the Wifebeater who is bullying others until his dying breath, even taunting Thunder about Turtle Tail is dead and the kits must be very torn up about it, but I reject "redemption through death" entirely. I don't like it in stories. It's a theme I deeply object to.

And again it's fucking wild that every time a character is a father, even if they are a wifebeater or a child abuser, the writers think that it bestows a glimmer of goodness into them which every abused child is forced to appreciate and cry about. Breezepelt, Thunder, Tallstar, Tom's children, all of them forced to reconcile and admit how much they wuv their papa.

Abusive dads in WC regularly get redemption deaths, too. Clear Sky dies saving his grandchild, Sandgorse died saving a rando in a tunnel, Tom the Wifebeater saving his daughter.

But Tom the Wifebeater is the worst example of it. Hands down.

[wings-dings-and-iggyfings]

me trying to find the motivation to get through a day like:

[ninjautizm]

Sam!- i didn’t know you had tumblr 2! :O

I DO!!! Hello!! I also have a bluesky! Since people were moving over there from twitter, I made one in case twitter actually started crashing down and everyone was removing themselves from twitter!

I mainly shitpost about Ninjago on twitter, which I use to do on here as well but then I eventually got lazy 😭

[poorly-drawn-mdzs]

At the start of this project all I wanted was to 'learn how to draw' using comics as a medium and the MDZS audio drama as inspiration.

I've come *very* far from making simple, 3 panel black and white comics, and I truly do intend to go even further. Thank you to everyone who cheered me on throughout 2023, it has been an incredible year in so many ways I never could have imagined. I look forwards to drawing throughout 2024 B*)

[beauzos]

people always complain about the Tazmily villagers being massive cunts to Lucas during Mother 3 (understandably so, though i think it’s given the entire town a bad rap that isn’t totally deserved) but honestly i kinda. really like it? there’s just something interesting about how a lot of rpgs like this have your town or whatever town you go to supporting you. it’s a neat subversion to have the town you grow up in turn on you for trying to save them because they don’t know any better.

it’s extremely interesting seeing your town, people who have known you your whole life, fall victim to propaganda and lies to the point that they act in unrecognizable ways, but you choose to help them anyways because it’s in your nature.  when the world resets, it gives them a chance to start over.  i think that’s the implication of the ending, considering a lot of Mother 3 is about letting go and forgiving.  i think the villagers needed to be shitty to help drive home that theme (though a lot of them remained relatively kind, i’d say about 50/50 either way).

it also does a lot to say that cruelty can come from anywhere. you don’t have to be a bad person to do bad things like that, but also that it isn’t necessarily a permanent thing, or that there’s more to people than just the bad things they’ve done.  i feel like Mother 3 ends with the idea that the world is given another chance, and that’s huge.  even if the world was cruel, it still deserved kindness back in hopes of a better future.  the Tazmily villagers are still just people, after all.

Itoi gave the villagers a lot of depth to show how multi-faceted people can be, both kind and cruel, good and bad, and leaves the ending up in the air for people to decide what everyone will choose to do once the world begins anew.  one can only hope that they would do better.

[ladykatibeth]

I think a large reason we have so much discourse is that a lot of people don’t consider weakness and softness as if relates to class.

Like they’ll talk about how Izzy calls Ed and Stede soft or weak for certain things—and then just leave it that. With no consideration for why a pirate wouldn’t value those traits.

Like…a great deal of Stede’s ability to be soft is tied up into his lack of financial consideration. Like yes I think talking it through, being nice, enjoying fine things etc is a good thing, it’s also something that comes from privilege.

Like even speaking as a matter of time, if your not struggling to feed yourself (and in Izzy and Ed’s case, uhhh 50+ others) you are given more opportunity to work through things, and make changes.

Like…it’s either about masculinity or class, but class plays heavily into what sort of exploration is available to you. And growing up poor is going to give you a different sort of value for the tough it out, take care of yourself mindset, because you have to focus all your energy on surviving.

And then people just treat it like typical masculinity based toxicity, but it’s a lot more than that, and like…background matters. Sometimes people deserve a little more grace due to circumstances.

[pvremichigan]

Whoopsie time

[enhanced-operatives-division]

Improvement :3

[itspileofgoodthings]

you know what I’ve realized lately? that’s really helped? the axiom: it just doesn’t really make that much of a difference. Or at least it doesn’t when you’re talking about good things and not, like, doing good vs. doing evil. Big choices, little choices, decisions, decisions —it’s not just that they don’t matter in the grand scheme of things—because they do! —but just. It won’t make that big of a difference. Life will continue to be wonderful AND difficult, fascinating AND hopelessly mundane, full of roses AND thorns and all the other cliches whether you walk down one road or another. And you’ll get used to the joys and sick of the sorrows whatever they are, and you’ll be ungrateful and bored and dissatisfied in some measure some of the time and you’ll have to work on all the things you have to work on anyways and just. Yeah! It doesn’t make that big of a difference! Even the biggest things!