#without scaring him off

[cloisveryill]

i really really like him but he keeps asking what my fav food is :/

[vordemtodgefeit]

‘nobody wants a general election, obviously’, says second PM in a row that wasn’t voted in by the general public, wasn’t even voted in by members of the party let alone the people he claims to represent, and whose party is predicted to lose said general election

[kacievvbbbb]

Mihawk and the Red Haired Pirates

-Look I don't know what to tell you, Mihawk's epithet is literally Hawkeyes meaning he is world-renowned for his eyesight meaning that he'd probably make a good sharpshooter. And maybe Yasopp decides to test this theory with a little friendly competition. And after giving Mihawk a quick intro into how guns work, maybe Yasopp had to pull out every trick there is in the book to narrowly avoid losing to said Hawkeyes, who as it turns out is indeed very good at hitting targets and who had literally just learned how to cock a gun not even 30 minutes ago. But who's to say what actually happened, the day of November 25th at 2:35pm? Certainly not Yasopp, the record clearly shows he is undefeated.

-Once a year Ben and Mihawk go on a little trip just the two of them. They act like it's just so they can shit-talk Shanks but actually, they just go fishing somewhere in the middle of the ocean and drink horribly overpriced and fancy alcohol. Look Benn loves his crew, and would die for them but also if he doesn't get at least a week to himself once every year he'd kill them all himself. He deserves nice things and a little peace and fucking quiet and not being constantly inundated with the whims of a man child and Mihawk's the closest he's ever gonna get to a friend with taste, and he travels alone with a bunch of fancy wine. Sue the man. Mihawk who would rather nap is fine to let someone else sail his overgrown raft against the annoyingly ever-changing grandline for a week or two.

-Wouldn't it be cute if Mihawk learned a lot of his fancier cooking techniques from Roux? Like he knew how to cook to survive but watching Roux is how he learned to like properly dice vegetables and that eating fish prepared the same way three times a day is not infact a life he would like to lead. This was of course less cute to Lucky Roux who in the beginning had no clue what was happening and only felt the weight of Mihawk's otherworldly stare on the back of his neck as he handled knives. (he defiantly for at least a little bit, thought Mihawk had a knife fetish. which, he's not entirely wrong)

-To Building Snake (who I just learned is the RHP's navigator) Mihawk might as well be a modern-day miracle. In his eyes, Mihawk's sailing is proof that god exists, because only divine intervention can explain how this man ever gets anywhere never mind on time or early even. Building Snake is pretty sure he owns neither a map nor a log pose and he has never actually seen the sails of Mihawk's pretend ship unfurled or in use. Actually, he has never seen Mihawk do anything but sit menacingly on the throne in the middle of the boat, which why? If you think about it for even a second longer that 2 minutes how Mihawk "sails" anywhere breaks every law of physics and somehow even the concept of geography. Building Snake would like to dissect him and study him under a microscope but knows the boss would disapprove.

[coffeehelly]

its really interesting to me how kaidou says he feels like saiki is protecting/looking out for all of them somehow. like do they all have some kind of innate sense that the Weird Things happening around them are saikis doing? or do you think saiki gives off a strong "if anything happens to my friends im going to become the joker" vibe that he doesnt even notice

[starry-bi-sky]

Clone^2 Damian

If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.

And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?

Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.

And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.

But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.

After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.

And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.

And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.

This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.

But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.

He wants to go home.

And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.

And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.

And it's not happening.

But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.

And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.

But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.

And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.

There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.

And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.

This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?

And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.

Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.

And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.

"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.

"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.

And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.

That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.

It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.

[extravagav]

Yk I never did truly recover from the sick fic chapter

[total-drama-brainrot]

i now wanna hear your very long character analysis on how the drama machine affected alejandro

Yeah alright.

So I haven't actually watched All-stars, but I did skim through this video to get a feel for Alejandro's characterisation in it, since All-stars is the only canonical material we get from Alejandro post Drama Machine.

And by skim I really do mean skim; I was mostly looking out for signs of his imprisonment's influence, which for the most part seems to be as follows:

His legs fell asleep.

He developed a minor case of agoraphobia, mostly in the context of sleeping in open spaces.

His standards of human interaction have plummeted; something he's aware and accepting of.

Interestingly enough, he doesn't really seem to acknowledge the volcano itself (outside of an offhanded comment) or the injuries he got from the explosion. His focus is solely on his time in the suit, not what out him there in the first place. He even skirts over a memory loss issue, which could contribute to this.

I'll tackle these three points in more detail, and then give examples of how they can be developed into actual characterisation points instead of (for the most part) gags.

Number one; Leggy McLatin and the paraplegia scheme.

Alejandro's inadvertant and unintentional escape from the Drama Machine, and subsequent readmission into the competition (as himself, instead of as the machine) is, for the most part, entirely focal on the fact that his legs no longer work after his year of entrapment. It's a big deal - or, at least, as big of a deal as any injury or ailment can be in the context of Total Drama, considering that he doesn't miraculously get better in the span of an episode. Of course, we learn fairly early on that he's faking the paraplegia, but it's fairly heavily implied that his legs really were asleep initially (and that, in all likelihood, the massage we see him getting from an intern is what "wakes them up").

What's interesting about this particular plotline choice is that it would, realistically, be entirely feasable for Alejandro to have mobility issues after spending a year inside a robot.

Now, I'm no doctor, nor do I have any formal medical training, but I do know that not being able to move your body for an extended period of time results in a serious case of muscle atrophy. We see in canon that Alejandro was essentially locked in a seated position for the year; his arms, head and (assumedly) torso had place to move around, but he couldn't really stretch out his legs. This would explain the "weakness" of his legs in the first episode - i.e. their wobbliness, and the fact that they couldn't hold up Alejandro's body weight. The numbness he cites would be explained by poor circulation - again caused by him being sat down for a solid twelve months.

Or it could be nerve damage from the eruption, but given that Alejandro doesn't seem to have any long-term issues that stem from the volcano itself, it's unlikely.

So it can be assumed that the numbness of his legs was offset by the massage he gets after the first challenge. The masseuse kickstarts the blood circulation back into his legs, resulting in him regaining sensation in them - enough feeling to notice a crab pinching at his feet.

And, if I really want to reach into headcanon territory/realism, the reason he keeps up the "ruse" is because, despite having feeling in his legs, the muscles there are still fairly atrophied and he has a lot of trouble walking, let alone running, for extended periods of time. Though, as it stands, any long-term impact on his health would be entirely headcanon/fanon territory, due to the nature of the show itself.*

Then there's the psychological aspect to consider. Alejandro's a very prideful person by design - that's evident in both the way he portrays himself and the physical standards he holds himself to. Having use of half of his body stripped away from his is bound to be distressing, perhaps even traumatising. Hence why he tries to make himself as useful to the team as possible despite still recovering; he needs everyone to see that he's still capable.

Eventually his legs fully recover, because this is Total Drama and things like "realistic healing processes" and "lasting damage" don't seem to exist in-universe.

Number two; snug as a bug in a rug.

Alejandro's shown to have started sleeping in a sleeping bag throughout All-stars. He even canonically states that he needs to, because of his time in the Drama Machine. He cites that sleeping whilst srpawled out makes him uncomfortable, unspokenly referring to the fact that, for a year, he'd only had the option to sleep in an incredibly cramped position/environment.

This is interesting since, for the most part, you'd assume that someone held in close-quaters captivity would develop claustrophobia instead of a form of agorophobia, and yet Alejandro seems to have internalised the need to be in an enclosed space to sleep. Maybe it's symptom of just how long be was encased for - a year is a long time - or maybe it started out as claustrophobia, but the indefinate nature of his captivity morphed the initial fear into a twisted sort of coping mechanism.

It begs the question; what else can't Alejandro do in open spaces?

Is he perpetually uncomfortable with the openness of the outside world? Does he resort to hermiting himself into closed-off corners and enclosed rooms, just to feel a semblence of normalcy after he escapes the confines of the Drama Machine? Would he take to wearing tighter but more concealing clothing, just to immitate the feeling/pressure of being trapped in a too-tight enclosure?

Is his need for a snug sleeping space indicitive of him missing his isolated imprisonment?

Which brings us nicely into the third point.

Number three; long-term isolation and the effects thereof.

Alejandro explodes out of a glorified toaster and one of the first things he really comments on is Heather's off-putting personality and her facial hair. In a positive manner. He's so starved for human contact that he attaches himself to the first "friendly"/familiar face he sees, which in this case is Heather, and focuses on the aspects of her that make her human.

If he were a "weaker man", I have no doubt Alejandro would be clambering for attention from his team, mostly for proof that he's no longer completely isolated. It's a well-documented phenomenon; people who experience a long time in isolation, or who suffer through long periods of loneliness, become desperate for socialisation (and physical contact), to the point their immune systems and biological rhythyms (from circadian to infradian) start to deteriorate.

Realistically, Alejandro would've come out of the Drama Machine a desperate and sickly mess, riddled with insomnia and paranoia and incredibly touch-starved. But, as established, the show isn't exactly true-to-life when it comes to things like this, so...

As it stands, the fact that he emerged from his prison and immediately jumped back into his charming persona attests more to the fact that his flirtatious act is so deeply ingrained into his psyche than it does to his mental wellbeing. It could be argued that he's using the same act/mask/persona as a tether to his old self and an anchor to normalcy, as he'd likely crumble into an inconsolable mess without the scaffolding of his "TV personality" keeping him upright (metaphorically of course, as Alejandro is in fact not upright in the show. He's upside down for the majority of his time on All-stars).

Or maybe he's just built different? Who's to say.

We don't exactly know what went down during his year away, so it's impossible to make any concrete statements as to whether Alejandro was afforded the luxury of other people's company, or if he really was kept 100% isolated in the machine. The only thing we do know is that he likely had access to a phone, though didn't have the capability of using it without assistance, since he calls Heather out for never trying to contact him but also states the impossibility of him doing the same in turn.

Number four; lava damage and the lack thereof.

It's sort of explained during his scene at the end of World Tour, but Alejandro's whole "being trapped in the Drama Machine" deal - alongside being a parody of the scene where Anakin Skywalker is first put into the Darth Vader suit - is stated to be for his own benefit. He's essentially being locked away into a healing suit. Again, just like Anakin - they both even sport similar burn wounds.

He mentions at the beginning of All-stars that he doesn't really remember being put into the machine, and it's safe to assume that the majority of his time in the contraption is likely fuzzy to him as well; being fully concious of complete isolation for a whole year would be enough to drive anyone completely mad, and Alejandro is decidedly not insane (for the most part). Ergo, it's also a safe assumption that the inner mechanisms of the Drama Machine act as a sort of stoporous healing chamber, keeping Alejandro semi-concious and healing his various lava burns over the course of his concealment.

Sort of like a medical coma. Inside of a robot. A portable medical coma.

The "healing properties" would also justify why Alejandro's whole body hadn't deteriorated from muscle atrophy, or developed any (visible) burn scars from his stint in the Hot Sauce. Of course, as far as burn scars go, unless they're significantly deep they do tend to fade into near-invisibility over time. That, paired with the ~magical healing properties~ of his confinement, likely resulted in his lava burns scarring over into insignificance.

Then again, I once again have to take cartoon logic into account - the show itself likely just didn't consider the semi-realistic consequences of a year of entrapment, and wanted Alejandro to be near-enough the same character he was at the end of World Tour before the consequences™.

The main point here is this; Alejandro doesn't seem to remember the majority of his injuries following the volcano eruption in the World Tour finale, or if he does he's had a year of semi-conciousness to work through his thoughts and feelings on the matter, and as a result he doesn't seem to carry any (reasonable) trauma regarding lava, volcanoes, or other related stimuli.

He does, however, retain some "quirks" from his time in the machine.

Number five; an overview.

Alejandro comes out of the Drama Machine with a surprisingly little amount of visible trauma, both in terms of physical damage/scarring and observable mental changes.

He developed a very minor case of agoraphobia, spurned on by him becoming accustomed to existing in a very small, very cramped space, but otherwise attunes himself to the outside world incredibly fast.

Is this probably related to his social training, as a diplomat's son, and his heavy reliance on a "suave and charming" persona. He's likely battling with a lot of internal issues throughout the season, but squahing down his inner turmoil under his determination to win, which explains how/why he falls so easily into his scheming mindset - it, in and of itself, is a coping mechanism, though not a very healthy one.

*The paralysis of his legs was in all likelihood genuine, and a result of poor circulatory issues and minor muscular atrophy, which was almost immediately treated by the masseuse intern after the first challenge. Realistically (and how many times have I said that word) he'd have some lasting weakness in his legs, and maybe require the use of a mobility aid and/or physiotherapy. This is not the case, because... Total Drama.

There are subtle signs of the mental impact of his imprisonment, mostly in his immediate attachment to Heather (despite her taking away his reproduction privileges the last time they spoke, and her being Heather) and his innate need to prove himself as useful/capable despite his gameplan riding on him appearing pitiable and unthreatening (due to his "sleepy legs"). He's so starved for social interaction and validation that his actions are directly contradictory to his gameplans.

Though in the case of his Heather attachment, he could just be like that. He was also fairly infatuated with her in the latter half of World Tour, and the pineapple scene speaks for itself.

In conclusion; Alejandro is either completely goated and (for the most part) just shrugged off the trauma of being trapped in a tiny box for a year, or he was already so traumatised that the imprisonment was just another needle in his haystack of turmoil.

[sophiasharp]

I feel like the new Bug’s relationship with confidence is… complicated.

Because, on the one hand, fucking look at him on stage. Dude isn’t just playing, he’s performing. He exudes this natural sort of charm and ego, doing fancy tricks and striking poses to make the crowd go wild. It looks almost effortless, the way he slings around his guitar and plays to the crowd.

His interactions with the ghouls are much the same. On stage, at least, it looks effortless, you’d have thought he’d known the rest of the band his whole life. It’s almost as if there were never a time where he wasn’t there.

I would say the rest of the band feel this way as well about him; he’s blended in almost seamlessly into their pack. He’s friendly, polite, and always eager to help.

… maybe a little too eager.

Because his place in the pack isn’t just from sheer, easy charisma, just like his playing isn’t as effortless as it looks. It all requires an intense amount of practice and upkeep to maintain the fragile balance he’s struck within the pack, at least in his own mind.

It’s not an act, necessarily, but… well, it’s not NOT an act either. The new bug was summoned in a whirlwind, a race to summon a ghoul and train him up enough to perform on stage right before the start of tour. Adjusting to life on Earth is difficult for ghouls as is, especially when you’ve spent your life in the Pit as isolated as he had, and the shorter timespan before officially leaving the Abbey only added to the stress.

I don’t think he’d even seen a guitar before coming to the surface, much less known how to play, and the dude was handed one practically as soon as he was summoned and told to make it work. No one explained to him the elemental affiliation with instruments so the fact that he was able to pick up on it quickly, as far as he’s concerned, was completely up to dumb luck. He put back-breaking effort into perfecting his playing, ensuring the effort they’d gone to to bring him to the surface wasn’t wasted. It was a lot of pressure for a new summon to be under.

And that’s another thing; not only was he expected to become the new rhythm guitarist for a world—renowned band on the fly, but he was replacing a beloved member of the team, not only in the eyes of the public but in the eyes of his new pack as well. Sure, Aether isn’t completely gone, but he’s absent now for a great portion of the band’s time. For all intents and purposes, the new ghoul had taken the place of one of the pack’s most crucial members and was forced to figure out how to navigate this new position he was in.

So, just as he put everything he had into learning guitar, the new ghoul threw himself headlong into becoming what his pack needs: a safe space for Rain, a calming presence for Dew, a stress reliever for Mountain, someone to dote on for Cumulus, an extra pair of eyes and hands for Cirrus someone to confide in for Aurora. No matter what the situation, he’s become determined to be exactly what his new family needs when they need it. It’s hard to be replaceable when they need you, right?

Only he’s spent so long being what the others need that he’s neglected to truly be himself. He loves being helpful for his new family, but at the same time he’s never fully left the fight or flight panic of when he was first summoned. Everything is still so new to him all of the time and he just has to roll with the punches and hope it looks like he isn’t trying too hard to keep up. He has no idea who he is when he’s not being of service.

He’s so scared all the time of messing up, of not being enough, of being told his summoning was a mistake and that they’d be better off sending him back to Hell, but he’s got no one to share this anxiety with, not yet anyway. Sharing that amount of vulnerability requires an amount of trust that isn’t quite there yet with the rest of his pack.

Till then, the new bug is the epitome of the phrase “fake it till you make it,” and his hope is that maybe, if he fakes it for long enough, both his on and off-stage confidence will become real.

[moeblob]

Ladd: but why would you kill me when I'm willing to kill for you?? Lass: omg you can't just say you'd kill someone, Ladd. that's murder and it's frowned upon.

(and then Ladd does kill for her but it's fine and part of the job)

[dykedvonte]

what do you think Danse does to keep himself busy after blind betrayal, specifically if he's living in sanctuary? I just love your takes on him a lot haha

I think Danse is very lost in any settlement but especially Sanctuary. It was the first and very close-knit at that with the small group the Sole Survivor founded it with. Each time they would invite a new companion to live there it was like adding a pillar to the community and represented what the Minute Men stood for when it came ot uniting and protecting the commonwealth as one. I am not going to say it's cliquey, in fact I feel like SoSu and Preston/Sturges would go out of their way to make newcomers feel welcome but for Danse that is very different.

He (from my playthrough experience) is one of the later companions. I ran around a lot and got a good portion of the companions and their quest before act one was done. He is also one of the few companions who openly thinks lowly of life in the commonwealth and certain citizens (if not all citizens to an extent). He did not introduce himself to Sanctuary to make friends or roots. So when he gets stuck there under the SoSu's "orders" (not letting him rot in sorrow in some random bunker) he doesn't have any comfort or companionship, in fact, I think he has more tensions and beef tbh.

I imagine the first weeks or even a month or two were rough. I don't think it is stated enough that like Danse went to that bunker intending to follow Brotherhood protocols and kill himself. SoSu may have convinced him not to in the moment but with someone like Danse, so rigid and stuck in an ideology even after it spits in his face, it's not unlikely he has a weird guilt about being alive at first. It doesn't help that I know in my heart that a few of the more petty or insensitive companions or settlers would tease him about it (playful meanness) thinking he was adjusting well (or not caring) to the Sanctuary life and coming to terms with his identity. Sometimes they go too far and it's easy to tell he's gotten back into the headspace, looking at his reflection, trying to remember concrete dates for his memories, etc..

I have this head canon that SoSu recognized this pattern as they had to have immense survivor's guilt (especially after being in Kellogs brain) about surviving the vault. They had the same idea about making things "fair" for the other vault dwellers and Shaun was the only thing between them and those thoughts for a while. For the first weeks it was a lot of SoSu monitoring him and making sure he was adjusting and not falling back into that thinking, y'know the whole "I am a disgrace and abomination against the Brotherhood and humanity. The only thing I can do to no longer sully the honor of either is to kill mys-" Like stopping that with minor distractions.

It would be a lot of small work and building projects and patrols for lost scavengers or to make sure no one is stalking the place. It's nice for him for a while, he's getting social interaction and he's not dead in the eyes of at least one Brotherhood member, especially one of as high rank as the SoSu. But it's also really unhealthy. Danse was trained and raised in a militaristic pseudo-religious faction. As much as there seemed to be casualness towards comrades there was a strict structure and order. He shoves the SoSu into that role and probably gets nick-named as their shadow during this period.

They are his only goal as he has nothing else and it shows bad. The rest of the settlement notices he trails after them and only really does his own thing when it's part of a task he was doing for, with or assigned by the Sole survivor. It's not an obsession with them specifically but he has lost his entire understanding of life and this is the one thing that stayed concrete. He does what he's asked of because following the Sole survivor has at least kept him belonging somewhere and why mess that up?

I am sure SoSu is not oblivious and is actively trying to figure out how to get Danse to start socializing and trying to actually settle into the community but for the time being Danse would treat himself like the machine he perceives himself as; Overworking himself as he believes machines don't need the same amount of rest, isolating himself and mostly trying to not have a mental breakdown every time he get into the power armor that is very much not his issued Brotherhood of Steel tech. He openly does this in respect of the General who hates it and makes everyone else uncomfortable.

this was very long just to say I think Danse just works himself to the bone all day and purposely puts thoughts in his already fragile psyche that everyone hates him and only tolerates his presence to not seem Synth-phobic and the Sole survivor's favor.

[mintypsii]

i wonder how zeff would've reacted to sanji's bounty poster changing to "only alive" and then later to sanji "vinsmoke" (well known former conquerors/royalty of the north blue)

whether sanji's told zeff about germa or not, zeff would be stressed OUT

[marxism-transgenderism]

..

[bookrat]

Pretty sure my little man has a case of abundism affecting the marble tabby coat under all those white splotches

[demi-pixellated]

*insert angsty Act 1-esque dialogue because i don't have the bandwidth to script it properly + this mostly expression practice anyway*

[cartoonsbyandie]

I always kinda imagined Kogoro's fear of heights was just like, a normal old fear he had that didn't have any kind of dramatic reason for it, but the longer the show goes on the more it feels like it has to have some kind of traumatic reason behind it. Man has a full on panic attack looking over the side of the building, that had to be caused by Something right??

[samdeancrimespree]

idk whose post this is originally and i know this moment was kinda played for laughs in-show but like. they are good enough at hunting animals to find and kill food to eat on a new fucking planet.

they are …. So calm in this situation. they each have their tasks and jobs and they complete them in an orderly fashion, barely even having to talk, like they have a routine for being alone in the middle of the woods. we don’t ever see them doing this, but they must’ve done it before.

at which age do you think john winchester decided his sons needed to learn how to fend for themselves in the Real World and left them in the woods with bows and arrows and knives and said “i’ll be back in 4 days.” cause i’m gonna say 10 and 14? dean might’ve been out on his own before that, with the vague excuse of “training” given to sam to explain his brothers 2 day absence. it was a semi-frequent, maybe quarterly thing throughout their childhoods. obviously not on a Schedule so they never knew when to expect it, but they were always kind of waiting for it. it was just A Thing They Did, just like everything else. a way to prove they were retaining all their training. this was the winchester version of a camping trip. for the first couple years, sam didn’t even know this wasn’t what camping normally meant. he just knew he really hated camping.

one time, john got distracted by a hunt and left them in the alaskan wilderness in october for almost two weeks. one time, john forgot it was sam’s birthday and dean spent any spare time he had looking for cool rocks and leaves to give sam, and promised he’d give him his real presents when they got back. one time, dean got attacked by a goddamn cougar in colorado and sam patched him up and wondered what the tentative friends he had made last week were learning in their tenth grade class. and he hated john but almost cried with relief when he came to get them. dean did almost all the hunting because the very first camping trip, sammy shot a rabbit in the leg and sobbed as it slowly bled to death, and dean never wanted to see that type of anguish again. he hated killing the animals too, but he could do it, because sammy had to eat. he knew john would question it if sam hadn’t improved his skills, so they would set up makeshift archery ranges to practice. and in his reports to john, dean would always give half the kills to sam.

over time, as they got more skilled, john would give them less and less supplies, until at the end they only had a couple weapons each, rope, matches, and a first aid kit. and bobby thought when the boys spent one summer building a fort but refusing the tools he offered them, they were finally being regular kids.