#why has no one talked about this???

[vigilante-bardock]

I noticed this in certain crossovers that double as salt/bash fics (Namely in the beginning of Raise Your Voice Against Liars) but every time someone from fandom B meets Marinette, they automatically take her side no questions asked.

It’s like they lose the unique characteristics that makes sense them who they and become extensions of her will.

People will always have different opinions and preferences. Marinette’s “crush” on Adrien I know for a fact would not sit well with people like Ann Takamaki from Persona 5.

To anyone who has played the game, you know what I mean.

Another thing I have noticed is that people tend to pair her with Damian Wayne sometimes. DAMIAN WAYNE!? Has everyone lost their minds??!!??

That kid would absolutely hate Marinette! I am by no means a fan of Damian(I find him to be a very annoying brat) but I think even he would not tolerate her. Damian would constantly look down on her, call her out on a lot of her bullshit.

“What’s that? You didn't like Lila because she lied about having connections? Big deal Dupain-Cheng, everyone lies about that kind of thing. Grow up,”

And before anyone tries to give me the whole “Derision trauma” we all know that was a half-assed attempt to justify her stalking.

To quote Supernan:

“You’re not in love, you’re starstruck!”

[magnusbae]

To illustrate this post by @mayahawkse I would like to visualize to you the difference:

A post in 2023:

A post in 2014:

A zoom out of the same post:

This is what a community looks like.

See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.

It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.

Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.

If you want more of something, reblog it.

[lizzybeeee]

When you spend 20 years attempting to bring down the child slavery, murdering, human trafficking exploitation ring that stole your childhood, murdered your friends, and killed countless innocents only to have them rebrand as 'Noble Freedom Fighters™' off-screen.

[nova-rpv]

a redraw of the first drawing i posted here to celebrate the fact that ive been in tumblr for more than a whole year posting my shit and havent deleted my blog in panic yippee \:D/ (mushy rant in tags)

[kizzer55555]

The Vampire Aesthetic

Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.

Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.

Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.

“So where’s the vampire aesthetic?

Everyone freezes.

Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.

“Come on, I know you guys are hiding it.”

Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.

He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.

People are weird! He doesn’t judge!

[licorishh]

double ?? upload ???? yeaaaahh i've gotten FASTERRrr for whatever that's worth so complementary blyla because guess what i miss them too (nobody was surprised by that)

[bixels]

As cameras becomes more normalized (Sarah Bernhardt encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use cameras because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by manufacturing companies. I paint not because I want a painting but because I love the process of painting. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

if i have to explain to you that using a camera to take a picture is not the same as using generative ai to generate an image then you are a fucking moron.

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[taffywabbit]

so like. at what point are we going to stop listening to game companies saying "the game was poorly received and didn't meet our sales targets, and that's why we're removing it from storefronts and taking down all the servers mere months or even weeks after release" for titles that had a long expensive development, were barely marketed, and nobody knew they'd even released until after they heard they were getting shut down and couldn't be played/purchased anymore?

I feel like the prevailing takeaway for anyone who doesn't just conclude "yeah, game was pretty mid, makes sense to me" has usually been "this company just has unreasonably impossible sales expectations and treats every project like a failure if it doesn't print a trillion dollars". but these ARE allegedly experienced business execs who aren't complete idiots, and after this most recent debacle with Concord I'm starting to wonder if a bunch of these "games getting wiped out of existence when they underperform instead of just being allowed to persist as they are and maybe improve with time" cases in recent years might be more of a Warner-Discovery type situation, like nuking an entire animated series or film that was worked on for years and preventing it from being sold because it has to be officially unprofitable for the company to use it as a tax write-off. I look at a game that was worked on for 8 years and only made available for 2 weeks, and it's hard not to see the parallels.

great work, AAA games industry, really normal and sustainable stuff you're doing over there as usual

[starrynightarchive]

no but like. the one piece universe would be 10000x funnier if ace didn't die.

imagine you're a decently known pirate in the grand line and now you are trying to make yourself a name in the turbulent seas. you try to take over some stretch of the sea and wreck havoc and BOOM your ships are burning your subordinates are screaming and why is there a cowboy crouched on your ship mast????

("CAPTAIN APPARENTLY THIS IS WHITEBEARD'S TERRITORY-"

"YOU SAID THE SAME THING TWO DAYS AGO"

"I THINK EVERYTHING HERE IS WHITEBEARD'S TERRITORY"

"FUCK.")

but it's fine. it's whatever. you make a narrow escape with one ship and half of your crew and start rebuilding your reputation. years pass. you have now taken over a small, peaceful island in the middle of fucking nowhere. everything is awesome.

and then suddenly a teenager wearing flip flops and jorts comes to your throne room and claims he is going to kick your ass. why? because some little girl gave him food and you made her cry by making her parents sad. he claims he will kick your ass not for the multiple counts of murder, assault, human trafficking or your favourite hobby, slavery. no, he says he will beat you up because you made some little girl sad. he seems very confident that he and his silly little crew will defeat your whole evil army. with what, you laugh, the power of friendship?

he then proceeds to beat the shit out of you and your minions with the power of friendship. and an insane amount of violence and bloodlust.

somehow, you manage to escape the island. one plus point to this whole thing is that this island was basically unknown so no one knows of your colossal fuck up. you move on. two years pass. you get stronger and are careful with the people you go against. eventually you start working for the government and provide them with information on the underground world and the whole pirate business. it's a good, easy life. you can wreck havoc under the protection of government. nothing can go awry now, right? wrong.

some motherfucker with a goddamn PIPE and a TOPHAT beats you up (you wonder if it's a big joke the universe is playing on you. fucking humiliating to get defeated only by brats that wear the most ridiculous hats in existence). for some reason the chief of revolutionary army thinks you are annoying and wants to kill you. he calls his move dragon claw (what the fuck is up with his hands??? arthritis???) and you watch him bring his hand down and your base fuckinh crumbles. he crushes the skulls of your lackeys. he is laughing all the while. oh my god he is insane.

you have always been lucky so against all odds, you escape. you're smarter about your comeback this time. you have realised you can't survive the new world on your own and ally with some bigshot emperor and have successfully convinced them to kill the strawhat kid, because BOY was that brat fucking annoying. JORTS??? FLIPFLOPS??? GUM GUM NO UFO???? ARE YOU FUCKING KIDDING???

you are smart about getting him too. the kid is strong but he is dumb so somehow, you manage to catch him with some meat (did no one teach him about stranger danger??), some sea stone cuffs and shove him in a basement of seawater. it's going GREAT. a day passes. suddenly everything is on fire and your base is crumbling and your people are screaming and you only have time to think oh no before the other two hat bastards come in.

("you hurt our little brother. prepare to die."

"im sorry your WHAT")

but they don't get to do anything because apparently their little brother is a god??? he's still wearing flipflops??? oh you're dead. you're so fucking dead.

[afterthelambs]

⚠️Spoilers for Look Back but I was initially confused about what Fujino and Kyomoto's relationship had to do with pursuing a career as a mangaka. After thinking about it, I interpret it as a narrative device to represent what will come when choosing to pursue art (of any form, whether it's comics, painting, animation, music, etc.).

Think about it, what's Kyomoto's role in the story? She is what got Fujino to take art seriously in middle school, and what motivated her to continue after she initially gave up. However, she's also the only thing in the story that makes Fujino wish she quit art. First, halfway through 6th grade and then later after her death. She serves as Fujino's motivator and de-motivator.

I think the scene of Fujino wishing that she never told Kyomoto to come out (that pursuing art only led to suffering) represents artists' regrets. We literally look back and see an alternate universe where Fujino never pursued art and it has a happier ending. Anyone that pursues artistic dreams will end up regretting it at some point. It's not easy, any artist will tell you that. The story is saying yes, you probably will end up healthier and more stable by giving up your dreams. Because art is suffering.

But then Fujino enters Kyomoto's room after reading the comic from the alternate reality and all of a sudden we get a montage of the happy memories and accomplishments they had pursuing their dreams together. And we realize that, everything we saw of them in the alternate 'happier' reality pales in comparison to this:

The happiest both of them look in that alternate world is when they finally meet and promise to work together someday. They loved art. They loved each other. Giving up on your dreams means missing out on all of that, and nothing in the world can replace it. Because yes art is suffering, but art is also joy and love.

And so the end of the story where Fujino goes back to work isn't her moving on. She tapes the comic strip in front of her to remind her of Kyomoto, to remind her of why she got into comics in the first place. Basically, Kyomoto IS art to Fujino. A life with her means experiencing both suffering and joy, while the life without her means having none of that.

I might be wrong about this, like maybe Fujimoto just wanted to tell a mangaka story with doomed yuri (valid) HOWEVER i like my interpretation so im sticking with it.

[sysig]

my 2nd request !! The skeleton brothers wearing matching pajamas :D

Day 13 - The Friendship Brothers

[freckleslikestars]

DERRY GIRLS | 1.06

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[lilybug-02]

Wow. That could not have turned out worse.

Part 23 || First || Previous || Next

--Full Series--

This comic will be on Holiday Hiatus this December and January! While on a cliffhanger? What a scam! >:/

[uncanny-tranny]

One thing I have seen - even from other trans people! - is this specific implication that while it's inevitable that trans men pass, but trans women are essentially doomed if they want to pass.

I could talk for days about the intricacies of passing for trans people in general. I could talk for hours about why some trans people want to pass, and that it shouldn't be forced. I could talk about the intricacies for trans men and others when it comes to passing because the dynamics don't play out the way it does for cis men a lot of times. But what gets me is the idea that trans women could never pass, that those who do are essentially anomalies is... nasty. It's got nasty implications, and it's feels even nastier when trans people do it.

Trans women, trans men, trans people of all types shouldn't be required, pressured, or forced to pass. That is true. But to say that passing is nigh impossible for an entire subsect of trans people will never not read as evil.