#which right now is what i want to do

[maxthetruman]

i've really got a renewed sense of motivation to continue my goal of being a polyglot

[deathricedrawn]

i'm ready to try

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[somecunttookmyurl]

the "all customer service people are trained by management to be illiterate apes you can never get any resolutions by design dont be mean about it" crowd would faint to know there is a guy at my bank RIGHT NOW attempting to resolve an issue that would normally take a week

see. i tried to order food (having nothing of note in the house, and too much pain currently to get down 3 flights of stairs about it) and the payment failed on just eat's end.

but it went through fine on my bank's end, so the funds are tied up in "pending"... for a week. my available balance is now 95p so i can't just do it again

the bank cannot typically do anything about this until the normal time frame for collection passes and they funds just release automatically. just eat have zero contactable customer service

but it is for FOOD and there's no more MONEY and i am a DISABLED CUSTOMER so BY FUCKING GOD not on zeeshan's watch

[polinsated]

3.01 -> 3.05 | colin + smugness vs. sincerity

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[yuwuta]

JJK OLYMPICS OHHH YOURE A GENIUS

head spinning w sooooooo many athlete aus rn….. 

satoru honestly isn’t half as cocky as the media makes him out to be but he could be because you bring up world champion men’s freestyle swim times and it’s his name on the scoreboard ten times before someone else shows up. he’s faster than himself by fifteen seconds all around, he’s earned a bit of cockiness. mentioned in the last post that whenever he’s at a competition and he finishes a race, he looks at the camera and signs a little infinity sign and then blows a kiss to you. some bitter old coach always calls him out on it, and gets him fined for unsportsmanlike conduct, and he’s happy to pay the fees if it means getting a message home to you, but eventually you two come up with a new code; and at his next race, he places gold, turns to the camera, crosses his middle finger over his pointer finger and smiles. when he’s in his post-race interview, he makes sure to explain that he does it for you with the widest smile on his face.

megumi nepotism baby but not in the same sport. toji was a multi gold medalist back in his heyday for shooting, so it’s not really a surprise to anybody that megumi has scary good aim, but he takes to archery instead of shooting. actually the idea of megumi being an emo little kid and throwing rocks at a tree when his dad pissed him off his hilarious, and even funnier is toji watching him, slightly amused and a little scared because megumi is maybe six and hitting the exact same spot every single time. he grows to be very blase about it—it’s more of a release/hobby for him that he happens to be really good at, and well, now good enough to earn a few olympic medals. megumi is not a fan of having his dad ruffle his hair on international television after he’s won, but he supposes it can’t be helped.

i don’t know where to put yuuta…. tennis…. tempting….. him in his little white shorts…. little grunts after he serves…. cries….. a complete 180 in his personality when he’s playing vs doing anything else. so charming and sweet and kinda shy when he’s being interviewed, and the second he steps on the court his eyes are so cold it’s scary…. need him… extremely nerdy about his rackets, and shoes, and clothes, and rambles to you about aerodynamics and posture and torque whenever you ask him to teach you, and you always have to shutup him up with a kiss and remind him that yeah you sort of want to learn to play tennis for him, but mostly you came bc he looks hot doing it. once he got asked in an interview if he ever thinks about you while he’s playing and his response was very concise, “no, never. it would be a big distraction,” and did not realize the implications of his heavily televised words. 

also…. not to make this post 40% yuuta but we could pull from canon a bit and make his sport fencing. he doesn’t excel because he’s the strongest, it’s because he’s learned to treat the sword as an extension of himself and a good strategist… also because i like the image of him pulling the helmet/mask off and shaking his hair out………..

don’t even know where to put yuuji…. volleyball? basketball? track and field??? the irony of him easily being the most athletic but canonically does not want to play sports 😭 but i can see him playing a sport because someone scouts him and it turns out to be a way to make steady money to support himself and his grandpa :( by the time he’s qualified and made it to the olympics, wasuke is doing much better (thanks to yuuji having landed some preemptive sponsorships and being able to afford better medical care), but not so well enough that he can travel across the world to watch yuuji play. wasuke tells you that you should travel and be with yuuji, but yuuji is so touched by the idea that you would stay with his grandpa and be by his side when he’s away :(( he wins gold, of course, and he doesn’t even wait until the closing ceremony—which, he’d mentioned in all of his interviews, so nobody can be too upset. he’s on record saying, “i’m excited to play, but i’m even happier to be going home. my girlfriend and my grandpa are watching me and i miss them!” several times— he’s on the first flight home with flowers, and tears in his eyes. puts his gold medal on his grandpa’s neck as a thank you, and spends probably thirty minutes straight hugging you and kissing you and honestly don’t put it past him to propose now that he’s got nike ambassador money 

nanami started judo as a way to relieve the stress of his overbearing job, and someone at the gym/training center notices he seems to be a natural despite being a beginner. he starts to draw a crowd, which annoys him at first because the point of judo was discipline and release from having to deal with too many people at his office job, but nanami supposes he can’t be too mad when you introduce yourself as a talent scout and offer him professional training. there’s irony in him accepting your offer, because it was definitely not based in professionalism at all… quitting his job as a salaryman to become a professional athlete in his mid-twenties was not on his bingo chart, but if it means he will have met you, then so be it. you’re with him all the way, through his training, competitions, world championships, qualifiers, all the way until he’s on the podium. you’re the first to congratulate him, but he interjects by telling you he’s quitting. you ask him why—he just won at the olympics for crying out loud, but nanami just shakes his head, puts down his flowers and his medal so his hands are free to hold your face and tell you, “it would be unethical to kiss my manager, so i am quitting.” (later, when everything is said and done, and you two are cuddling, you mention to him that he could just hire a new manager, and not quit his new career, to which he blushes because yeah… that’s probably more rational, but rational was not in his train of thought at the time)

[novelconcepts]

One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?

Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.

Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.

From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.

From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.

[flame-shadow]

As a commissioner, I love seeing how artists interpret and stylize my characters, but as an artist, I often agonize over if I should try to match the style of the provided reference or lean into my own style.

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[reflections-in-a-critical-eye]

I am blocking jikookers everyday now ever since AYS aired. I don't care if someone wants to answer all the trolls, akgaes, ex-jikookers. Whatever, do what you want. But keep it on your blog and don't clog the jikook tag with all the bullshit. And for what? For a snarky remark as a reply? As if that actually puts the anons in place? They achieved their purpose, you gave a platform to trolls. Well done.

[dollypopup]

one day fans will realize that treating real people like fictional characters and fictional characters like real people is, at the core of things, The Problem

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[lordoflucky]

Quick over-analysis of the ways Barok and Albert address one another, because ace attorney loves showing personality through how characters refer to each other, and I love analyzing it.

Easy one out of the way, Albert exclusively refers to Barok as "Barok" regardless of the situation. He is the only character to do this, with every other character referring to him as some variation of "Prosecutor/Lord van Zieks". This establishes their friendship from the get-go, while also being a bit jarring to the audience as literally no one calls him just "Barok". Even characters who are closer to him, like Gregson and Stronghart, still call him "van Zieks". As far as Albert is concerned, that's just his good friend Barok, not the intimidating Prosecutor Lord van Zieks.

Barok meanwhile has two major ways of referring to Albert:

Firstly, "Albert". This one's simple, he's just reciprocating Albert's first name address, and further cementing their friendship. This is used almost exclusively outside of the courtroom, meanwhile within the courtroom he almost only uses "Professor Harebrayne". An exception to this is right after Albert is forced to accept that the experiment is a failure Barok says:

"And as for you… …Albert. You can't ignore this any longer."

It's a sudden departure from the distant, professional address he's been using the entire trial. It's also a much kinder approach than Barok usually takes when referring to defendants (or anyone really), something Susato comments on directly by saying she's "Never heard him speak that way before." He's breaking the Reaper Persona for just a moment to give his friend a firm, yet ultimately gentle, push.

Back to "Professor Harebrayne", while on the surface it seems distant there is one scene that shows an extra dimension. During the "Laudable not Laughable" scene, a sequence dedicated to Barok giving Albert what is essentially a pep-talk, you would expect him to return to the "Albert" address as seen earlier. Instead, he continues to use "Professor Harebrayne". My interpretation is that Barok is specifically calling attention to the fact that Albert is Professor Harebrayne. He has a title which he earned that is proof of his abilities as a scientist. Following that logic, "Professor Harebrayne" isn't just for formality's sake, but also a representation of the respect Barok holds for Albert separate from their status as friends.

However, Barok actually has a third way of referring to Albert that is used exactly once. In the line directly preceding Albert's (false) confession to murder, Barok says:

"What's all this about… Mr Harebrayne?"

Mr Harebrayne. Not Professor, not Albert, Mr.

If "Professor Harebrayne" is meant to show respect, and "Albert" is meant to show fondness, then clearly "Mr Harebrayne" is the absence of both.

He's not "Brilliant Scientist Professor Harebrayne" and he's not "Dear Friend Albert", he is Mr Harebrayne and he is about to do something so, so stupid. And there's nothing Barok can do to stop him.

My chosen interpretation is that this is Barok's desperate attempt to verbally smack some sense into Albert. This is like the Barok equivalent of grabbing Albert by the shoulders and yelling "What the hell do you think you're doing???"

As an aside, this comes right before the "...Albert. You can't ignore this any longer" line. Meaning the latter can almost been seen as an apology for being so harsh moments before.

Just, Mr Harebrayne. It's such a minor change, but I adore it so much. With how much care ace attorney puts into the way characters refer to each other, I have to assume it was intentional.

[humming-fly]

Happy to report I have finally started listening to Malevolent and to no one's surprise I am already obsessed (I'm almost done with s2 atm please don't send me spoilers yet sdlkfj)

I'll skip over my usual formality of having one normal art post before diving into shitposts let's not waste anyone's time here